Coram Deo ~

Looking at contemporary culture from a Christian worldview


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MUSIC REVIEWS and NEWS

Live at the Hollywood Bowl – The Beatleslive-at-the-hollywood-bowl-the-beatles
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I had the album version – The Beatles at the Hollywood Bowl that was released in 1977. That version was produced by the Beatles’ legendary producer George Martin. This version, including four bonus tracks, has been remixed and mastered from the original three-track tapes by Martin’s son Giles, who worked with his father on the Beatles 2006 Love album. In David Fricke’s liner notes, the reissued album is described as the essential companion to Ron Howard’s acclaimed documentary Eight Days a Week: The Touring Years. 
The album is comprised of songs from the Beatles 1964 and 1965 concerts at the Hollywood Bowl in Los Angeles. The concerts were the first and last times the Beatles were officially recorded in concert. The album contains recordings from three different concerts, which took place on August 23rd, 1964 and August 29th and 30th, 1965. Giles remixed and mastered the songs at Abbey Road with engineer Sam Okell. He has spoken about how advancements in technology since his father worked on the tapes almost forty years ago has resulted in in improved clarity, so that “the immediacy and visceral excitement can be heard like never before”.
This remains the Beatles only official live album, and shows that despite the constant screaming from teenage girls that they had to contend with, making it difficult for them to hear themselves playing and singing, they were still a really good live band, thanks to the thousands of hours they played in Hamburg, Germany and at the Cavern Club in Liverpool, England.
The album features good liner notes and photos, including George Martin’s original notes from the 1977 release, in which he states that he reluctantly worked with engineer Geoff Emerick to bring the performance (the only live recordings of the Beatles in existence, minus inferior bootlegs), back to life.
The bonus tracks included here for the first time are “You Can’t Do That”, “I Want to Hold Your Hand”, George’s cover of Carl Perkins’ “Everybody’s Trying to Be My Baby” and “Baby’s In Black”.

pet-soundsPet Sounds – Beach Boys (50th Anniversary Edition) (2 CD)

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I recently read Brian Wilson’s excellent new autobiography I Am Brian Wilson, in which he writes extensively about the making of his classic Pet Sounds 50 years ago, widely considered one of the greatest albums ever recorded, with Rolling Stone having it at #2 on their list of the “500 Greatest Albums of All Time”. Wilson tells of John Lennon calling him about the album and Beatles producer George Martin saying that Pet Sounds was the chief motivation for the Beatles own classic Sgt. Pepper’s Lonely Heart’s Club Band album a year later in 1967.
To commemorate the 50th anniversary of this classic recording, an anniversary edition including 104 tracks, all but 14 of which had been previously available, has been released. I picked up the two-CD version, which includes the original 13 song, 36 minute version of the album in both mono and remastered stereo, an instrumental version and some previously unavailable live recordings from 1966 – 1993.
Casual fans of the band will recognize much loved songs such as “Wouldn’t it Be Nice”, “Sloop John B”, “God Only Knows” (which Paul McCartney told Wilson was one of his all-time favorite songs), and “Caroline No” (which is Wilson’s favorite song on the album). But the genius of Pet Sounds and Wilson is the entirely of the album, not the hit singles. Listen to what Wilson did in the studio with the session musicians who would become known as the Wrecking Crew, while the Beach Boys were on the road. You can also see this depicted in the 2014 film Love and Mercy.
Even though there have been numerous reissues of Pet Sounds, I previously only had an early CD release, which was not of a very a good sound quality. Listening to the stereo version on this reissue produced by Mark Linett opened up new sounds on the album that I had not previously heard.  To really appreciate Wilson’s songs and the talents of the Wrecking Crew listen to the instrumental versions of the songs.  Wilson is currently on a Pet Sounds 50th Anniversary Tour, playing the album live in its entirety. Continue reading


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MUSIC REVIEWS and NEWS

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Never Lose Sight - Chris TomlinNever Lose Sight – Chris Tomlin (Deluxe Edition)
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Chris Tomlin is one of my favorite artists. We get the benefit of his music on the annual Passion releases as well as his solo albums. His worship songs are sung by an estimated 30 million people in churches around the world each week, leading some to refer to him as America’s worship Leader. This highly anticipated release is his eleventh studio album and first album of all new non-Christmas songs since 2014’s excellent Love Ran Red.  Tomlin has stated that joy is at the heart of the album because of what Jesus has done for us.

Every well-crafted and performed song on this album is excellent, resulting in what most artists would be proud to have as a “Greatest Hits” collection. It will most likely (short of an unexpected release), be my favorite album of the year.

Below are a few comments on each of the songs on the Deluxe Edition of the album:

Good Good Father – This song was written by Pat Barrett and Tony Brown, and has been recorded by a number of artists, including Housefires. It is probably the most popular song that Tomlin has ever recorded, winning the 2016 Dove Award for song of the year. The single was released a year ago and is still near the top of the Christian charts. The song was also the inspiration for the children’s picture book of the same name co-written with Pat Barrett. 
Jesus
– Written with Ed Cash, this was the second single released from the album. This is a straight forward worship song about our Savior:
Who walks on the waters
Who speaks to the sea
Who stands in the fire beside me
He roars like a lion
He bled as the lamb
He carries my healing in his hands
Jesus

Impossible Things – Danny Gokey, a third place finalist on the eighth season of American Idol, joins Tomlin on this song. He recently won the Dove Award for Christmas album of the year for his album Christmas is Here. The songs starts an infectious beat with Tomlin singing over acoustic guitar and drum. Gokey joins him on verse 2 which is from Psalm 23. Our God is with us, we will fear no evil because He does impossible things. This joyful song will be wonderful to sing in a worship service.
Home – Written with Ed Cash and Scott Cash, this song is about longing for Heaven, our ultimate home and where we belong. This is an upbeat, joyful song that opens with hand claps and is instantly likeable. It is based on Revelation 21 and will sound great in concert or a worship service.  
God Of Calvary
– Written by Tomlin, Jonas Myrin and Matt Redman, this is Tomlin’s favorite song on the album. The song takes us from the cross to the resurrection. It begins with what takes place on the cross at Calvary and then moves into a triumphant chorus. We are set free by His wounds and redeemed by His blood. Christ crossed the great divide for us. Redman provided the bridge, from which Tomlin takes the title of the album. He will never lose sight of the cross and Christ. The song then moves to Christ’s resurrection from the dead.

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MUSIC REVIEWS and NEWS

Music Reviews
Pure McCartney
by Paul McCartney
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I grew up as a huge Beatles fan and have followed the band members solo careers as well, by far the most commercially successful and prolific being Paul McCartney.  That’s not to say that there haven’t been some pretty uneven albums along the way (Pure McCartneythink of 1971’s Wild Life by Wings, for example).  Recently I saw McCartney on tour for the twelfth time. One of the things I always look forward to is what songs he will pull from his impressive Beatles, Wings and solo career to play on the tour. Several songs from his compilation show up on his new “One on One” tour set list. This compilation, his fourth, after 1978’s Wings Greatest, 1987’s All the Best and 2001 Wingspan, includes songs from his 1970 debut McCartney to his 2014 single “Hope for the Future” and his 2015 remix of “Say Say Say”, a hit with Michael Jackson.

The collection comes in multiple formats, with the deluxe edition including 67 (25 of which have been newly mastered), solo, Wings and Fireman songs, more than 40 of which were Top 40 hits. McCartney had more than 300 songs to choose from – from 17 solo, 7 Wings and 2 Fireman studio albums.   McCartney and his team came up with the idea of putting together the collection “with nothing else in mind than having something fun to listen to”.

There will always be songs left off that you would like to see on an artist’s compilation project. I was surprised that no tracks from his fine 1989 Flowers in the Dirt album or 2001’s Driving Rain were included, for example.  On the other hand, 8 songs were included from his 1997 Flaming Pie album and 5 from his latest, 2013’s New, were included. I would also have liked to see some more rarities, such as “Girl’s School” and “Spies Like Us”.  One rarity does show up, the children’s song “We All Stand Together”, as well as several “deep cuts” from McCartney solo, Wings and Fireman albums, a particular favorite of mine is “Warm and Beautiful” from the mostly forgettable but best-selling 1976 Wings at the Speed of Sound, where McCartney let all band members take a turn at lead vocals.

Despite the above minor concerns, I enjoyed listening to these songs, all but “We All Stand Together” I once had, but many of which I didn’t have in a CD or digital format. Sit back and enjoy these songs covering McCartney’s amazing now 46-year post-Beatles career.

Note: Pure McCartney gave me the idea to make my own McCartney mixtape, using my favorite Beatles songs he sang lead on as well as my favorites from his solo career. Although I still am adding to the mixtape/playlist, it currently has 233 songs on it.

A good companion to this compilation for McCartney fans would be Philip Norman’s new biography Paul McCartney: The Life.
Stranger to Stranger by Paul SimonStranger to Stranger by Paul Simon
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Never one to rest on his impressive laurels, 74 year-old Paul Simon returns with Stranger to Stranger, his thirteenth solo album, five years in the making, and his first studio album since 2011’s excellent So Beautiful or So What. The album is produced by Andy Smith and 81 year-old Roy Halee, a longtime collaborator whose relationship with Simon goes back to the original Simon and Garfunkel days in 1964.

This risk-taking album takes many listens to fully appreciate. It includes two instrumentals and is in many ways experimental, pushing boundaries and featuring a wide variety of instruments, electronic beats, loops, samples, a gospel music quartet, horns and synthesizers.  The album is heavy in percussion, with four of the album’s first six songs not even using a guitar. Simon was influenced by the works of Harry Partch, an American composer, music theorist, and creator of musical instruments. Partch experimented with microtonal tunings. In fact, Simon has said that there is not a lyrical theme to the album, but rather a sound theme, though like his last album, God and the afterlife are recurring themes here.

Here are a few brief comments on each of the songs on the standard edition of the album:

The Werewolf The opening song is about a werewolf, an angel of death. She is looking for other victims to kill. It’s the end of the rainbow, midnight, and she really has the appetite. It is the first of three songs that Simon collaborates with the Italian electronic dance music artist Clap! Clap! A good beat plays behind Simon’s vocal.

Wristband This also features Clap! Clap! It’s one of my favorite songs on the album, about a musician who goes out for a smoke, and then is unable to get back into the venue he is playing at because he doesn’t have the required wristband.  The song then pivots about the homeless and lowly who can never get through the door. Again, an infectious beat behind Simon’s vocal along with some good horns.

The Clock A short instrumental, the first of two instrumentals on the album that were originally written for John Patrick Shanley’s play Prodigal Son. Simon said that he decided to insert them in the album to give a little space after songs.

Street Angel The third song that features Clap! Clap! The central character from this song also appears in “In a Parade”, the first time a Simon character appears on two songs of the same album.  Simon samples 1939 gospel vocals from The Golden Gate Quartet, a favorite of his.  An interesting verse that doesn’t seem to go along with the rest of the song is:

If God goes fishing
And we are the fishes
He baits his lines
With prayers and wishes
They sparkle in the shallows
They catch the falling light
We hide our hearts like holy hostages
We’re hungry for the love, and so we bite

 Stranger to Stranger Simon slows it down on what could be a song to musician wife Edie Brickell. He asks that if they met for the first time could they imagine falling in love again. He is jittery, it’s his way of dealing with his joy. Features some effective horns.

In a Parade The singer may be in an ER, which tonight feels like every wounded soul, or in a parade and can’t talk now. Street Angel reappears, as does the line from the song “Street Angel”, “I write my verse for the universe”.  Features an infectious percussion beat.

Proof of Love This song was inspired by Simon’s visit to a spiritual healer in Brazil when he was suffering from reoccurring violent nightmares. He asks the Lord for proof of love, and hears a voice telling him not to be afraid that his days won’t end with night.

In the Garden of Edie This song is about Simon’s wife Edie, and is the second instrumental included that was originally written for Prodigal Son.

The Riverbank The mostly upbeat sound contrasts with the subject matter here. The song was inspired by a teacher that Simon knew who was killed in the Sandy Hook Elementary School shooting in December, 2012 and also depicts the funeral of a veteran who committed suicide.

Cool Papa Bell A favorite, this song is partially about a center fielder in the Negro league baseball from 1922 to 1950. He is considered to have been one of the fastest players ever to play the game. Simon sings that most will get to Heaven someday, but not the person he is singing to. They will have to stay and explain the suffering and pain they caused. The song, which has a Graceland vibe to it, includes some adult language.

Insomniac’s Lullaby This acoustic song features the use of instruments created by Harry Partch. It has a melancholy feel to it as he sings for the Lord not to keep him up all night with questions he can’t understand, such as how the builder of bridges will deliver us all to the faraway shore.

music news

  • Andrew Peterson’s Behold the Lamb of God Tour. Andrew Peterson just released his 2016 Behold the Lamb of God (Christmas) Tour. We plan to get to one of the dates. Hope you can as well.
  • Bruce Springsteen to Release Chapter and Verse Companion Album with Autobiography Launch. Bruce Springsteen’s autobiography Born to Run will be published September 23. At the same time, an 18 track album Chapter and Verse will also be released.
  • “Money & Fame” Acoustic Version. Watch NEEDTOBREATHE’s acoustic version of “Money & Fame” as a part of “Cracker Barrel Old Country Store Warehouse Acoustic Sessions,” a series of performance videos and interviews shot inside the company’s Décor Warehouse.
  • New Michael W. Smith Song. Michael W. Smith recently spent some time in the land of Israel and filmed a new video for his song “He Will Never End” while there, featuring many ancient locations from biblical times.
  • Tempo.  Watch the video for the new song “Tempo” from KB.
  • Misconceptions 3. Watch this video of Misconceptions 3 by Lecrae featuring John Givez, Jgivens and Jackie Hill Perry from Lecrae’s Church Clothes 3.

Lecrae QuoteMusic Quotes:

  • Worship doesn’t start with you. It begins and ends with a merciful, majestic and powerful God. ― Matt Redman

  • Don’t chase accomplishments, people or positions to find your worth. You’re already loved, just as you are, by the Father. ― Chris Tomlin

  • “Music is the great unifier. An incredible force. Something that people who differ on everything and anything else can have in common.” ― Sarah Dessen, Just Listen

 

Song of the Week Looking for America (featuring Lecrae) by Switchfoot

Switchfoot has long been one of my favorite bands and Lecrae has become one of my favorite artists over the past few years. Put the two together, and are you kidding me? You get a powerful song. Great beat and powerful lyrics. Listen to it here, from my favorite album of the year thus far, Where The Light Shines Through.

Here are the lyrics to the song:Where The Light Shines Through

Land of the free, home of the brave
But Lord knows that we need plenty change
‘Cause plenty chains in the past leaving deep scars
But when the sun come down we gonna be stars

The doors are locked where they once stood open
A wound of fear where we once stood hoping
The shattered glass where the bullets broke in
I’m looking for the place that I was born
I’m looking for a way to fix what’s torn
I’m looking for America

I’m looking for America

Yeah, you know
Beaten red white and blue for the green we pursue
I’m still looking for you

America who are you?
Underneath the red blue and white?
America who are you?
I wonder who you are tonight
America who are you?
Is God still on your side?
I want to see a nation rise above the fear and fight that haunts these streets tonight

I’m looking for America
I’m looking for a place to breathe in
A place I could call my home
I’m looking for America
I’m looking for the land of freedom
A place I can call my own

I’m looking for America
Headlines that I can’t believe in
But I’m still holding on to hope
I’m looking for a miracle
I’m looking for a miracle
I’m looking for America

America who are you?
Am I asking for too much
America who are you?
Has your dream become out of touch
America who are you?
Do you get what you deserve
Between the violence and entitlements
Which nation do you serve?

I’m looking for America
I’m looking for a place to breathe in
A place I could call my home
I’m looking for America
I’m looking for the land of freedom
A place I can call my own

I’m looking for America
Headlines that I can’t believe in
But I’m still holding on to hope
I’m looking for a miracle
I’m looking for a miracle
I’m looking for America

I’m singing
Farewell my utopia
Farewell my euphoria
Fare thee well my suburban day-dream
Farewell my utopia

America you so pretty
But you not perfect
Confession of guilt is worth it
These people hurting deserve it
Blood on your hands I saw
When there’s blood on this nations floor
But it’s blood on the upper post of your door
If you need to know

I’m looking for your honesty in skeletons
Do away with your ignorance and arrogance
America the land of immigrants
Check the green card and pedigree
Bless the Choctaw and the Cherokee
That we’ll never see

I’m looking for America
I’m looking for a place to breathe in
A place I could call my home
I’m looking for America
I’m looking for the land of freedom
A place I can call my own

I’m looking for America
Headlines that I can’t believe in
But I’m still holding on to hope
I’m looking for a miracle
I’m looking for a miracle
I’m looking for America

The land of the free, home of the brave
But Lord knows we need plenty change
I’m looking for America
Plenty chains in the past left deep scars
But when the sun come down we gonna be stars
And may the stripes heal when it’s through
Beaten red white blue for the green that we pursue

I’m looking for America


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BOOK REVIEWS and NEWS

book reviews

The Faith of Christopher HitchensThe Faith of Christopher Hitchens by Larry Alex Taunton. Thomas Nelson. 224 pages. 2016
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The attraction of this fascinating book is not so much that it is a biography of one of the “New Atheists”, Christopher Hitchens – though the author, an Evangelical Christian and Founder of the Fixed Point Foundation, does provide us with a biographical sketch of Hitchens – but rather it is the author’s personal recollections of their unlikely friendship. Taunton paints Hitchens, who died of esophageal cancer in 2011, as a man of contradictions, who kept “two sets of books” – one being his private life and the other his public life. In his private book, which Taunton was privileged to know, Hitchens was open to discussing spiritual issues with him, including studying the Gospel of John on two road trips they took late in Hitchens’ life. They were unlikely friends who respected each other.

The author tells us that Hitchens had little respect for his father, and a contentious relationship with his brother, Peter, who left atheism for Christianity. His mother had abortions both before and after Christopher was born, and eventually committed suicide with a boyfriend.

He writes of Hitchens being a man of contradictions.  On the one hand, being a socialist, having homosexual encounters and protesting against the Vietnam War, but undergoing significant changes after the 9/11 attacks in which he recognized real evil. He would then be supportive of President Bush’s “War on Terror” and invasion of Iran and Afghanistan, and also become pro-life.  He became a U.S. citizen in 2007.

The publication of his 2007 book God is Not Great: How Religion Spoils Everything, would ironically start Hitchens on a type of spiritual journey, as he offered to debate anyone taking an opposing view as a way to promote the book. He would debate Christians such as Doug Wilson and John Lennox. This is how the author came to know Hitchens, as he would coordinate the debates and eventually the two would debate each other.

The author writes of their friendship, and by far the best part of the book is his recounting of their two road trips – one through the Shenandoah Valley and the other through Montana and Yellowstone Park. Both of the trips took place after Hitchens was diagnosed with cancer and he knew he was dying. It was on these trips that the two would read and study the Gospel of John together. Hitchens was attracted to Marcionism (accepting some parts of the New Testament but denying Christ’s corporality and humanity and condemning the Creator God of the Old Testament).

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THIS & THAT and Favorite Quotes of the Week

this.n.that-small

RECOMMENDED RESOURCES:

Poverty, Inc.Poverty, Inc.
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I recently watched this thought-provoking documentary. The title of it could well have been (if it had not already been used), “When Helping Hurts”.  It looks at what is called the “poverty industry”. Yes, when there is a natural disaster, aid (food, clothing, etc.) is needed. However, what has happened in African, Haiti and other places is that the aid continues after the immediate need. And rather than the local citizens then beginning to provide for themselves, growing local businesses, etc., the aid comes in from people like us, with good intentions, but ultimately hurts the people we are trying to help. On top of that, many in the “poverty industry” are getting rich.

Watch this film, which is available through Amazon and iTunes. You may come away feeling differently about providing aid (I know I did), and the organizations doing so.

To find out more about the film go to the official site.

CHRISTIAN LIVING:anger

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MUSIC REVIEWS and NEWS

Worship and BelieveWorship and Believe (Deluxe Edition) – Steven Curtis Chapman  
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This is Steven Curtis Chapman’s 23rd studio album and the first worship album in his wonderful career that to date has resulted in 10 million albums sold, 46 Christian radio number one songs, 5 Grammy Awards and an incredible 58 Dove Awards. The album is available in three different formats, the standard edition with eleven studio songs, and deluxe editions including either four or six of the songs recorded live.  I think worship music sounds good in a live format, but you’ll have to decide if the live versions are worth the additional cost.

It was when Chapman was on The Story tour with Pastor Randy Frazee that he first heard about BELIEVE, a 30-week church curriculum that Frazee was working on as the follow-up to The Story. Chapman wrote these songs to accompany the BELIEVE curriculum to be used by thousands of churches, but the songs certainly stand on their own as a worthy addition to Chapman’s outstanding body of work.

Chapman collaborates with some of the best artists in the worship music genre – Chris Tomlin, Matt Redman and Matt Maher, as well as Rend Collective and the drummer for One Direction. Long-time fans will enjoy his signature sounds in these songs addressed to God that I’m sure are already starting to appear in congregational worship.

Below are a few brief comment on each of the new songs:

We Believe – starts with acoustic guitar as Chapman sings of creation praising the glory of God. It builds into a bold song that will sound great in congregational worship.

One True God – a highlight, this track features Chris Tomlin in a song that would comfortably fit on a Tomlin release, as the two artists trade verses in a wonderful song about Christ as the one true God.

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MUSIC REVIEWS and NEWS

steve taylorWow to the Deadness – Steve Taylor and the Perfect Foil
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Steve Taylor has been one of my favorite artists since his 1983 EP I Want to Be a Clone. I was a new believer, and his witty, honest and creative way of expressing his beliefs and the hypocrisy he saw in the church really resonated with me, and still does. Since that time, I’ve purchased all of his music (solo, Chagall Guevara, Perfect Foil), and seen him in concert several times. Hey, I was even a member of his Clone Club!

In addition to being a singer and songwriter, he is also a film director (The Second Chance, Blue Like Jazz), songwriter (Newsboys), producer “Kiss Me” by Sixpence None the Richer, and record company owner (Squint). Taylor’s excellent 2014 album Goliath, with the Perfect Foil (consisting of Peter Furler, Jimmy Abegg and John Mark Painter), was his first since 1993’s Squint. So it is a joy that Wow to the Deadness comes just two years later.

To support Goliath, Taylor and the Perfect Foil toured with Danielson. I was not familiar with Danielson. Danielson’s Wikipedia article describes them as an American rock band that plays indie pop gospel music led by Daniel Smith.

The friendship resulted in this collaborative effort as they entered the Electrical Audio studio in June 2015 with engineer Steve Albini (Nirvana, Foo Fighters) using strictly analog gear. This EP, with cover art by Smith, is the result, which Albini described as being “really raucous and really great”. Smith states the recording rocks, but also moves around a bunch. He has stated “It can be delicate, but it’s rare. It mostly demands much, but it’s very inclusive and would really appreciate some singing and clapping along.”

The resulting product is something different from what Taylor’s fans may be accustomed to. But, we know that he has always been creative and pushed boundaries (who can forget the stir over the cover art on I Predict 1990 or the concern over his song “I Blew Up the Clinic Real Good”?

According to Taylor, their only rule was that if it sounded like something they’d already done, they would throw it out. He felt that they ended up with a recording that is not easily classifiable and hopefully doesn’t sound disposable.

Below are a few of my thoughts about each of the six songs after listening to each several times. Taylor handles most of the lead vocals with Smith handling some of them, plus backing vocals.

Wow to the Deadness – Begins with acoustic guitar before it takes off. Smith wrote most of the lyrics. Smith sings a response “We have a winner”, to Taylor’s lines. For example:

It was a battle to bring me around
We have a winner
Suddenly lilies appeared in the ground

Favorite lyric: Water seeps through these red flags right or wrong  

Wait up Downstep – This one also begins with an acoustic guitar. Smith sings a recurring Wait and Step and Wait.

Favorite lyric:

Give me joyful liberty
Transcending up in awe of
How you go, oh can I know
Let us be known by our love

The Dust Patrol – Opens with a blistering guitar. The drums lead into Taylor’s lead vocal. The song slows down in the middle, with Smith taking over, before some great guitar work turns it back over to Taylor’s machine gun like delivery.

Favorite lyric: We’re gonna roll your thunder. (Could this be a nod to Dylan’s Rolling Thunder Revue?)

Nonchalant – Again opens with acoustic guitar. This is a mid-tempo rocker, slowing things down a bit after the previous song.

Favorite lyric: Turn the cheek that bruised, til’ the purple drains

A Muse – This is a scorching rocker with great drums, guitar and Taylor’s defiant vocals.

Favorite lyric:

It’s my party you’re lucky to be here
You’re no Dylan so don’t make me laugh

Drats – The song features more of Smith’s vocals than any on the EP as he and Taylor share lead vocals.

Favorite lyric:

Be still and speak
Day by day
My delight
My delight    

And just like that, this unexpected collaboration is over. Here’s hoping it’s not the last we hear of Steve Taylor and the Danielson Foil. I’d love to hear these songs in concert.

You can pre-order the EP, to be released February 5, at Amazon here.

Here is the promo video for the EP. You can watch the video of Wow to the Deadness here. (Apologies for the bad word in the article).
music news

MUSIC QUOTES:

  • They say “Crae, you sold your soul, man” For real? Who bought it? “Let the Spirit take control, man” I don’t go nowhere without Him.  Lecrae
  • Moments of weakness are opportunities for God to show Himself strong. Lecrae
  • Neither Death nor Hope know any boundaries in this life. Breath is a fragile thing: a gift not an obligation. Jon Foreman

Song of the Week Freedom by Lecrae, featuring N’Dambi

This week’s song of the week comes from Lecrae’s new mixtape Church Clothes 3. Watch the video here.

They out here prostitutin’ kiddos
Fill they pockets with dinero
Pedophiles, pitiful
Sell a child to centerfold
Take they innocence, put in on the internet
Purities tainted, dignities shaken
Enslavin’ the soul of all of these babies
And freedom got a price nobody payin’
Makin’ money, American dream ain’t it, nah!
It’s a nightmare, don’t fight fair for white here
Benjamin Franklins, killin’ we hate for him
Write a song justifyin’ the lies we take for him, hold up
They ain’t with me, I’m willin’ to wait for ’em
Lil’ me sat up on the porch, thinkin’ dolla bills
Stomach filled from another meal that my momma killed still
I can’t keep still
I’d probably steal to keep a couple of Nike checks on the back of my heels
Grab my back on and pills
I need a stack of them bills
They say we slaves to the money
I guess we back in the field
I’ma go pursue my happiness, they told me it was free
But I’m still payin’ for it, I’m indebted to this thing
Heard a prophet say the profit, don’t focus on makin’ change
Just focus on tryna be it and maybe you’ll make a gain
Maybe you’ll free the slaves, maybe you’ll bring a change
The destinations are different but everyone’s on the train

Freedom isn’t free
But I still, I still believe in my freedom
So my mind can see
Please let me be free, please let me
Freedom

I’m out here chasin’ this freedom
They out here choppin’ my feet off
And if they catch me I’m Toby, but I ain’t ’bout to believe it
King Kunta, king of coonin’, or Kenan & Kel
Rather rot in a jail cell than be up in hell, well
Well done, is you cookin’ or is you hearin’ your Father say, “Well done”?
Is He lookin’ at all your honors?
Modestly I’ll be honest, I’m hangin’ onto that promise
Cause honestly I ain’t really been everything that I oughta
Oughta be on my Harriet, bury me next to Honest Abe
Here’s lies another man murdered for tryna free the slaves
I gave Chief Keef my number in New York this summer
I told him, “I could get you free”, I’m on my Nat Turner
Back burner, cookin’ up a fat burger
While we shuck and jive to a song about a crack murder
Know we need a change but we threw it on the stage
Got some money and a soul and neither one of us saved
Slaves, get free

Freedom, it isn’t free
But I still believe, I still believe in our freedom
So my mind can see
Please let me be free, please let me be free
Freedom

Freedom, freedom, freedom