MUSIC AND CONCERT REVIEWS

Sing! The Great Commission World Tour Live – Keith & Kristyn Getty and Friends
****

A live album has been released from the annual Sing! conference each year since the conferences began in 2017. This is probably my favorite of all of those releases. It is billed as Sing! The Great Commission World Tour Live, as it includes songs from Sing! events in Belfast, Singapore and Sydney, in addition to the Sing! Conference in Nashville.
The album features sixteen songs and two readings, with contributions from Keith and Kristyn Getty, Matt Boswell, Matt Papa, CityAlight, Chris Tomlin, Andrew Peterson and more. Here are a few comments about each song.

All My Boast Is in Jesus – This song was written by Matt Boswell, Bryan Fowler, Keith Getty, and Matt Papa, and performed by Matt Boswell and Matt Papa.
Key lyric:
All my boast is in Jesus
All my hope is His love
And I will glory forever
In what the cross has done

Medley: Lift High the Name of Jesus/Home on the Other Side – This song was written by Keith Getty, Kristyn Getty, Ed Cash, and Fionán de Barra. “Home on the Other Side” incorporates the hymn “Swing Low, Sweet Chariot”.
Key lyric:
Oh sing my soul,
And tell all He’s done,
Till the earth and heavens are filled with His glory!

Is He Worthy? – This song was written by Andrew Peterson and Ben Shive and performed by Andrew Peterson and Chris Tomlin.
Key lyric:
Is He worthy? Is He worthy?
Of all blessing and honor and glory?
Is He worthy? Is He worthy?
Is He worthy of this? He is

There Is One Gospel – This song was written by Jonny Robinson and Rich Thompson and performed by CityAlight.
Key lyric:
There is one Gospel on which I stand
For all eternity
It is my story, my Father’s plan
The Son has rescued me

In Christ Alone – This song was written by Keith Getty and Stuart Townend, and performed by Keith and Kristyn Getty and CityAlight.
Key lyric:
And as He stands in victory,
Sin’s curse has lost its grip on me;
For I am His and He is mine
Bought with the precious blood of Christ.

I Set My Hope (Hymn for a Deconstructing Friend) – This song was written by Matt Boswell, Matt Papa, and Keith Getty, and performed by Matt Boswell and Matt Papa.
Key lyric:
I set my hope on Jesus
My rock, my only trust
Who set His heart upon me first
I set my hope on Jesus

Let the Nations Be Glad – This song was written by Matt Boswell, Matt Papa, and Aaron Boswell, and performed by Matt Boswell and Matt Papa.
Key lyric:
Let the nations be glad
Let the people rejoice
For salvation belongs to our God
Let the whole earth be filled
With the praises of the Lord
For salvation belongs to our God
Let the nations be glad

Come Unto Jesus – This song was written by Matt Merker, Laura Story and Jordan Kauflin. Words adapted from “Come Ye Disconsolate” by Thomas Moore and Thomas Hastings. The song was performed by Laura Story and Jordan Kauflin.
Key lyric:
Come unto Jesus,
Come unto Jesus.
Lay down your burdens, He is enough;
Come unto Jesus, rest in His love.

How Long, O Lord – This song was written by Jordan Kauflin, Matt Merker, and Laura Story, and performed by Jordan Kauflin.
Key lyric:
How Long, O Lord, till you make things right?
How Long, O Lord, till our faith is sight?
How Long, O Lord, till your kingdom comes?
Lord Jesus, come

Christ Is Mine Forevermore – This song was written by Jonny Robinson and Rich Thompson, and performed by CityAlight and Sandra McCracken.
Key lyric:
Come rejoice now, O my soul,
For His love is my reward.
Fear is gone and hope is sure:
Christ is mine forevermore.

Precious Love – This song was written by Ben Cantelon, Chris Tomlin, and Sam McCabe, and performed by Chris Tomlin.
Key lyric:
Oh the precious love of Jesus
Oh the fount of grace divine
Flowing as a mighty river
Washing sinners in its tide
There will never be another
In whose name we are redeemed
Oh the precious love of Jesus
Pouring out for you and me

Psalm 150 (Praise The Lord) – This song was written by Matt Boswell and Matt Papa, and performed by Matt Boswell and Matt Papa.
Key lyric:
Praise the Lord
Praise the Lord
Sing His greatness
All creation
Praise the Lord
Raise your voice
You heights and all you depths
From furthest east to west
Let everything that has breath
Praise the Lord

Our God Will Go Before Us – This song was written by Matt Boswell, Keith Getty and Matt Papa, and performed by Matt Papa.
Key lyric:
Our God will go before us
The Lord of Hosts is with us
O praise the One who leads us on
For His grace will bring us home

My Soul Will Wait/Mi Alma Esperará – This song was written by Keaton Bunting and Bob Kauflin, and performed by Sovereign Grace Music, Jonathan & Sarah Jerez.
Key lyric:
You’re my solid rock and my salvation
My steadfast hope that won’t be shaken
My soul will wait, my soul will wait for You

How Great Thou Art – This song was written by Stuart K. Hine, and performed by The Choir Room and Kirk Whalum.
Key lyric:
When Christ shall come, with shout of acclamation,
And take me home, what joy shall fill my heart.
Then I shall bow, in humble adoration,
And then proclaim: “My God, how great Thou art!”

Panta Ta Ethne (All Nations) – This instrumental, performed by the Getty band, was arranged by Fionán de Barra and David Rodgers.

The Complete Budokan 1978 – Bob Dylan
*** ½

The first of many times I saw Bob Dylan in concert was at the old Chicago Stadium on October 17, 1978 on his Street Legal tour. My future wife Tammy, who I had been dating for just over a year, and I sat in the upper balcony behind the stage for the concert. Dylan, as I would later find out he often does, changed many of the song arrangements to the point you didn’t immediately know what they were. Tammy hasn’t yet forgiven me for that night yet. Here is the setlist from that concert.

Dylan’s 1978 tour took place after the end of his marriage, and just before his conversion to Christianity in 1979. The 1978 album Bob Dylan at Budokan (never one of my favorites), featured 23 songs from his February 28 and March 1 shows at Tokyo’s Nippon Budokan Hall. This new project includes 56 songs (plus two band introductions), with each concert in their entirety, front to back. Thirty-six of the songs were previously unreleased, and are newly remixed from the original 24-channel analog tapes. The album features dramatically reworked versions of many of Dylan’s best-known songs, including a few new ones from Street Legal, which wouldn’t be released for another four months. His band included background singers (Debi Dye, Jo Ann Harri and Helena Springs) Steve Douglas on saxophone, Bobbye Hall on percussion, Billy Cross on lead guitar, Alan Pasqua on keyboards, multi-instrumentalist David Mansfield, bass Rob Stoner, rhythm guitar Steven Soles, and Ian Wallace on drums. As you might expect, some of the new arrangements work better than others.

The new project has excellent production quality, and will be enjoyed by fans of Dylan.

CAVES – NEEDTOBREATHE
****

CAVES is NEEDTOBREATHE’s ninth studio album and their first since 2021’s Into the Mystery. The excellent album, which features eleven new songs, was produced by Cason Cooley and the band, and features collaborations with Carly Pearce, Judah & the Lion, Foy Vance, and Old Dominion. NEEDTOBREATHE has been making music for more than twenty years and this new album was my favorite for 2023.

Here are a few comments about each song:
The Cave – This upbeat opener was written by Bear Rinehart, Josh Lovelace, and Mokita. The song opens with guitar, with the full band kicking in before verse two. The song features a guitar solo. He needs some time to be on his own in a world without a mirror.
Key lyric:
First light is coming and there’s
No more need for hiding

Everknown – This uplifting song was written by Bear Rinehart, Seth Bolt, Josh Lovelace, Tyler Burkum, Chance McCoy, and Mokita. The song is inspired by those in the band’s lives who have helped shape them into the people they are today. The song is dedicated to the humble heroes that don’t get enough credit for the good they have brought to the world.
Key lyric:
You left us everything, but still you’re leaving us more

How Wonderful We Are – This love song was written by Bear Rinehart, Josh Lovelace, Tyler Burkum, and Mokita. The song begins with keys, and then backing vocals and drums are added.
Key lyric:
The hole inside my heart is a place where you fit in

Dreams – This upbeat and inspiring song was written by Bear Rinehart, Judah Akers and Mokita, and features Judah & the Lion. The voices of Rinehart and Akers blend well.
Key lyric:
Fools like us are only here to prove
You make dreams come true

When You Forgive Someone – This upbeat song about forgiveness was written by Bear Rinehart, Jason Ingram, and Josh Kerr. The song speaks to how forgiveness is not easy. It features some nice guitar, drums and backing vocals.
Key lyric:
Oh, when you forgive someone
You set yourself free

Wasting Time – This upbeat song was written by Bear Rinehart, Josh Lovelace, Cason Cooley, and Chance McCoy and features Old Dominion. This song, which will sound great in concert, features a guitar solo, and some nice backing vocals.
Key lyric:
You can do what you want with your time
But I don’t wanna waste mine

Fall on Me – This love song was written by Bear Rinehart, Jason Ingram and Steven Furtick and features Carly Pearce.
Key lyric:
You will always be
The one that I can call
The safest place to fall
For me

Hideaway – This upbeat love song was written by Bear Rinehart, Trent Dabbs, and Mokita. The song features some nice keys and backing vocals.
Key lyric:
Not sure what I can change but I’ll be your hideaway

By and By – This upbeat song about heading to our heavenly home was written by Bear Rinehart, Trent Dabbs, and Mokita. The song features an excellent guitar solo.
Key lyric:
One day the sadness will be good as gone
When you and I arrive in the by and by

Reaching Out to Find You – This midtempo song about reconciliation was written by Bear Rinehart, Dave Barnes, and Jordan Reynolds. The song features keys, guitar, bass, drums and backing vocals.
Key lyric:
Cause if we ever wanna reconcile
We might have to erase the lines we’ve drawn

Temporary Tears – This beautiful song was written by Bear Rinehart and Trent Dabbs, and features Foy Vance. The song features guitar and a choir. Rinehart and Dabbs’ voices blend well.
Key lyric:
Oh, joy, oh, joy, come roll away
These temporary tears

Favorite songs:
Dreams
When You Forgive Someone
Wasting Time
By and By
Reaching Out to Find You
Temporary Tears

Accentuate the Positive – Van Morrison
****

Van Morrison returns with Accentuate the Positive, his 45th studio album overall, his twelfth in the past ten years, and second of 2023, following the excellent Moving on Skiffle. Covering nineteen songs made popular by the Everly Brothers, Chuck Berry, Fats Domino and others, the album finds Morrison returning to one of his childhood passions, this time to rock ‘n’ roll.
With Morrison’s voice in top form, backed by his excellent band and background singers, this album is a lot of fun. As one reviewer wrote, it was if they were hanging around the studio having a party playing music they love without knowing the tapes were running.
Morrison is joined on guitar by Jeff Beck on one of his last studio performances on “Lonesome Train”, on which Chris Farlowe adds vocals. Taj Mahal joins Morrison on “Lucille” and “Shake, Rattle and Roll”.

My favorite songs on the album are:
You Are My Sunshine
Flip, Flop and Fly
Problems
The Shape I’m In
Lonesome Train
Shakin’ All Over
Bye Bye Johnny
Shake, Rattle and Roll

Live from the Farewell Tour – Third Day
****

Third Day was one of my favorite bands, and I was fortunate to see them in concert a few times. They were an excellent live band, as they demonstrate on this album.

Their final concert was at the Red Rocks Amphitheater in Colorado on June 27, 2018. This album, produced by Scotty Wilbanks, the band’s long-time touring keyboardist, was recorded in a number of locations on their farewell tour (Atlanta, Houston, Red Rocks, etc.). The album was originally available only to Third Day’s fan club members but was recently released on digital platforms.

Third Day featured the powerful voice of Mac Powell, who has gone on to have a successful solo career. This album features a wide selection of songs from Third Day’s career and will be enjoyed by all Third Day fans.

Here are the songs included on the album:

Consuming Fire
My Hope Is You
Sky Falls Down
I’ve Always Loved You
King of Glory
Thief
Show Me Your Glory
Sing A Song
I Got a Feeling
Tunnel
Cry Out to Jesus
Revelation
Otherside
Children of God
I Need a Miracle
Blackbird/Gone
Farewell Medley
God of Wonders/Agnus Dei

Honeysuckle Switches: The Songs of Lucinda Williams – Amos Lee
*** ½

Amos Lee has been one of my favorite singer/songwriters since I saw him open for Bob Dylan back in 2007. After Lee released his 2022 album Dreamland, one of my favorites that year, he revisited his songwriting hero Lucinda Williams – the musician he describes as “unapologetically sincere” and “a spiritual guide for me.” Lee now pays homage to Williams with a full album of eleven covers from her songbook – Honeysuckle Switches: The Songs of Lucinda Williams. Lee became a fan of Williams as a teenager in Philadelphia, discovering her music on the radio. They would meet in person years later and collaborated on “Clear Blue Eyes,” a song from Lee’s 2011 album Mission Bell.

Honeysuckle Switches is Lee’s second recent covers album. Late in 2022, Lee released My Ideal: A Tribute to Chet Baker Sings, a tribute to the jazz musician, another of Lee’s musical heroes. A new album of original music is due in 2024, which will feature a few songs he sang on his recent solo tour, which made a local stop.
Lee has said that Williams’ songs have provided a steady source of inspiration for his own songwriting. He has returned to her songbook repeatedly as he has reckoned with grief over the last year, saying she “embraces sadness but is never enveloped by it.” The songs included on the album were selected for how they made Lee feel, and because they made him feel.
The album was recorded at Lee’s home. His soulful performances are beautiful, with his tender and expressive vocals, acoustic guitar, piano, light percussion and backing vocals, but the real power is in letting Williams’ lyrics and melodies work their magic. Although I was not familiar with Williams’ music, I enjoyed Lee’s interpretation of these songs.

Favorite songs:
Get Right with God
Greenville
Little Angel, Little Brother

Every Christmas – Michael W. Smith
***

Michael W. Smith returns with a new full-length Christmas album, his sixth Christmas project, titled Every Christmas. The album includes six songs from his 2022 EP Christmas at Home, along with six new songs. Smith co-produced the album with son Tyler Michael Smith. This is really a family project. Smith’s daughters Whitney Mooring and Anna Smith are featured throughout, along with his 17 grandchildren. The album features beautiful orchestration throughout.
Here are a few comments about each song on the album:

The Night Before… – This is a brief instrumental featuring piano and orchestration.

Christmas Is Here – This song was written by Smith and daughter Anna Bovi, and features piano, a chorus of all of his grandchildren, and an orchestral arrangement done by Smith’s son, Tyler.
Key lyric:
Ring, ring all the bells
Angels rejoice
Redemption upon us

Here With Us – This beautiful song begins and features an orchestra (strings and horns) and a choir. The song ends with a snippet from the traditional Christmas carol “Deck the Halls”.
Key lyric:
Hallelujah
A babe is born
Singing hallelujah
Be filled with awe and wonder
This Christmas morn
Emmanuel
Our God is here with us

Caroling, Caroling – This classic Christmas song was written by Wihla Hutson and Alfred Burt. The song is led by a choir backed by beautiful strings.
Key lyric:
Caroling, caroling through the town
Christmas bells are ringing

Sometime Every Christmas – This song was written by Smith and Tony Wood. The song has Smith looking back on past Christmases. Like many of us, looking back can bring back memories of those who are no longer with us. The beautiful song features strings, piano, backing vocals and a choir.
Key lyric:
Sometime every Christmas
Can’t say where or when or why
But some moment or some memory
Takes me by surprise
And something in the season
Wells up in my eye
Sometime every Christmas
I cry

How Great Our Joy – This is a traditional German Christmas carol. The song features a choir, strings and horns.
Key lyric:
How great our joy! Great our joy!
Joy, joy, joy! Joy, joy, joy!
Praise we the Lord in heav’n on high!
Praise we the Lord in heav’n on high!

Freeze The Frame – This song was written by Smith and Tony Wood. The song paints pictures of family moments around the holidays. The song features piano, percussion, strings, and daughter Anna Bovi on vocals.
Key lyric:
My only wish this Christmas Eve
Is that we could all remain
Forever here

The One – This song was written by Smith and Whitney Mooring. The song features piano, a choir and strings.
Key lyric:
The joy of Christmas morning
With family in our home
And all the children’s laughter
Remind us of the One

Newborn King – This beautiful song is about the newborn king coming tonight, features piano, and a choir.
Key lyric:
Every breath be a holy wonder
Darkness runs from the voice of thunder
I have heard your cries
Dry your weeping eyes
The new born King He comes tonight

The Star – This mostly instrumental song features vocals from Smith’s daughter Whitney Mooring, piano and orchestration.

God with God – This song is about God becoming incarnate in Jesus and coming to Earth to be with us. It was produced, orchestrated, and arranged by David Hamilton, and features the 200+ member Brentwood Baptist Choir.
Key lyric:
Then one holy chosen midnight
Something wild and wonderous
God with God in highest heaven
Suddenly now, God with us
As he promised, God with us

Christmas at Wildwood – This instrumental features Smith on piano.

Favorite songs:
Christmas is Here
Here with Us
Newborn King
God with God

The Sing! Sessions: Doxology – Keith and Kristyn Getty and Friends
****

This is the second album of music released from the 2022 Sing! Conference. (Read my reflections from the conference here, and my review of the first album
Sing! Christ Our Hope In Life And Death: Live At The Getty Music Worship Conference here).
The songs on this album focus on doxology, hymns of praise to God. As with everything the Getty’s do, they are done with excellence (songwriting, musicianship and production). In addition to Keith and Kristyn Getty, artists featured on the album include Kirk Whalum, Blair Linne, Jordan Kauflin, Skye Peterson, Laura Story, the Foto Sisters, Bryan Fowler, Matt Merker and Bill Gaither.

Here are a few comments about each of the ten songs:

All People That on Earth Do Dwell – The music of this hymn is from the French-German Psalter (1551), and the lyrics are from William Kethe. This hymn, based on Psalm 100 concludes with the Trinitarian Doxology. The music was arranged by English composer Ralph Vaughan Williams for the coronation of Queen Elizabeth II in 1953 This choral number was my wife’s favorite moment from the conference.

Psalm 24 – Blair Linne gives an excellent reading of Psalm 24, backed by saxophone from Kirk Whalum and piano.

I Will Wait for You (Psalm 130) – This song was written by Jordan Kauflin, Matt Merker, Keith Getty, and Stuart Townend. The song features Jordan Kauflin and Kristyn Getty on vocals, and Kirk Whalum on saxophone.

On Jordan’s Stormy Banks – This song was written by Samuel Stennett and Christopher Miner. The song features Kristyn Getty and Tommy Bailey on vocals and Kirk Whalum on saxophone.

I Am Not My Own – This new song was written by Skye Peterson, Ben Shive, Bryan Fowler, and Tom Anderson. The song features Skye Peterson and Kristyn Getty on vocals.

I Know That My Redeemer Lives – This song was written by Kristyn Getty, Jordan Kauflin, Matt Merker, Matt Papa, and Laura Story. The song features Laura Story and Kristyn Getty on vocals.

Sovereign Rules of the Skies – This song was written by Katelyn Foto Berry, Gaylyn Foto, Jonathan Monk, and John Ryland. The song features the Foto Sisters on vocals.

Where Thou Leads Me – This song was written by Bryan Fowler, Kristyn Getty, and Ben Shive. The song features Kristyn Getty and Bryan Fowler on vocals.

Dear Refugee of My Weary Soul – This song was written by Matt Merker and Anne Steele. The song features Matt Merker on vocals.

When I Survey the Wondrous Cross – This hymn was written by Isaac Watts, and Lowell Mason, and arranged by Keith Getty, Fionan de Barra, and Ben Shive. The song features Bill Gaither.

This new album is an excellent complement to the previously released Sing! Christ Our Hope in Life and Death: Live at The Getty Music Worship Conference. The 2024 Sing! Conference, with a theme of “The Songs of the Bible”, will be held in Nashville September 3-5. Go here for more information.

Moving on Skiffle – Van Morrison
****

The prolific 77-year-old Morrison returns with his second double album in three years, with a solo album in between, his 43rd studio album overall. Moving on Skiffle includes skiffle-influenced covers of 23 blues, country, folk, gospel, and jazz songs. Skiffle combined folk, blues, country, bluegrass and jazz played with a mixture of homemade or improvised instruments (washboards, jugs, washtub bass, etc.). Morrison has previously explored the sounds of his youth in the mid-1950’s Belfast on his 2000 album The Skiffle Sessions: Live in Belfast with Lonnie Donegan and Chris Barber, a favorite of mine.
Morrison, who produced the album, seems to be having a great time with these mostly upbeat songs. There is great passion and energy in the music. In addition to his own guitar, sax and harmonica, Morrison is backed by an excellent band featuring Dave Keary on guitar, Pete Hurley on bass, Colin Griffin on drums, Sticky Wicket on washboard, and Seth Lakeman on fiddle. Background vocals are contributed by Crawford Bell, Dana Masters and Jolene O’Hara.
There are many highlights on the excellent album, which features several references to trains, including Hank Snow’s “I’m Moving On”. A favorite is Morrison’s version of Woody Guthrie’s “Worried Man Blues”. The gospel standard “This Little Light of Mine” an anthem of the Civil Rights movement in 1960’s, is transformed into the upbeat “This Loving Light of Mine”. “Freight Train”, another highlight, is a song which was originally written by Elizabeth Cotten and then recorded by both Peggy Seeger and Chas McDevitt. “Streamline Train” was written in the 1930s by the Mississippi bluesman Red Nelson, the song was a hit by The Vipers Skiffle Group in 1957. The album closes with the nine-minute “Green Rocky Road”, written by Len Chandler and Robert Kaufman, recorded by Dave Von Ronk and featured in the film Inside Llewyn Davis.

Shadow Kingdom – Bob Dylan
****

In May 2021, not able to tour due to the pandemic, Bob Dylan offered a pay for view “concert” titled Shadow Kingdom: The Early Songs of Bob Dylan. It was directed by Alma Har’el and billed as a live, pay-per-view concert. Set in a fictitious Marseilles bar called the Bon Bon Club, the event was actually a performance of a studio recording, with musicians – Alex Burke, Buck Meek, Joshua Crumbly (guitars), Shahzad Ismaily (accordion) and Janie Cowan (upright bass) – playing the roles of the actual personnel who recorded the original music with Dylan.

The new Shadow Kingdom album features thirteen songs from the film and an instrumental piece called ‘Sierra’s Theme,’ which played over the film’s closing credits. The personnel on the album are – Dylan (vocals, harmonica), Jeff Taylor (accordion), Greg Leisz (pedal steel guitar, mandolin), Tim Pierce, T-Bone Burnett, Ira Ingber (guitars) and Don Was (upright bass). There are no drums or piano.

The songs included (see below) span from 1965 to 1989. The earliest is “It’s All Over, Baby Blue” from Bringing It All Back Home, and the most recent track is “What Was It You Wanted” from Oh Mercy. Dylan’s voice sounds great, better than it has in years, as he reinvents these songs, both musically and at times lyrically, not unlike what U2 did recently on Songs of Surrender. The songs included are both well-known (“Forever Young”), and obscure (“To Be Alone With You”). “Tombstone Blues” is slowed down, reminding me of his vocal on “Murder Most Foul,” while “I’ll Be Your Baby Tonight” begins as a rocker and then slows down as a blues song. The band backing Dylan is excellent. The production is clear. I thoroughly enjoyed this new release.

The songs included on the project are:

When I Paint My Masterpiece
Most Likely You Go Your Way (and I’ll Go Mine)
Queen Jane Approximately
I’ll Be Your Baby Tonight
Just Like Tom Thumb’s Blues
Tombstone Blues
To Be Alone With You
What Was It You Wanted
Forever Young
Pledging My Time
The Wicked Messenger
Watching the River Flow
It’s All Over Now, Baby Blue
Sierra’s Theme (instrumental)

Live from Red Rocks – Mac Powell
****

This six-song (plus an acoustic request segment) EP from Mac Powell features two Third Day songs (“Soul on Fire”, “God of Wonders”), two songs from Powell’s New Creation album (“New Creation”, “River of Life”), one song from Mac Powell and the Family Reunion’s album Back Again (“Flood Waters”), and a cover of “Don’t Stop” by Fleetwood Mac. The project was recorded at the Red Rocks Amphitheatre in Colorado in August 2022 during the K-Love Presents Live at Red Rocks.
I saw Third Day live three times as well as Powell with the Family Reunion once. He has always been excellent in a live setting, and this new project is no exception. Clocking in at just 30 minutes, Live from Red Rocks leaves you wanting more.

Simple Songs for Young and Old – CityAlight****

CityAlight is a music ministry from St. Paul’s Castle Hill, a church in Castle Hill, Sydney. The vision of CityAlight is to write songs with biblically rich lyrics and simple melodies for the Christian church to sing.
Simple Songs for Young and Old is a new EP consisting of six songs. CityAlight has stated that these are not songs only for children or only for adults. They are written to resource adults and children, singing together. Their prayer is that these songs might be a blessing in churches, Sunday schools, morning breakfasts, car rides to school and work, by the bedside, and in private prayer.
Here are a few brief comments about each song on this excellent new collection:

He Calls Me Friend – This joyful song about Jesus calling us friend was written by Harrison Druery, Michael Farren, Jonny Robinson, and Rich Thompson. This was the second single released ahead of the release of the EP. The song is led by keys, and joined by bass, drums and backing vocals. Here is the video for the song.
Key lyric:
His name is True King Lord of creation
Ruler without end
I call Him Hope, Peace, wonderful Saviour
And what joy that Jesus calls me friend!

My God is All I Need/My God is So Big – This song was written by Fiona Aghajanian, Ruth Calkin, Harrison Druery, Jaywan Maxwell, Jonny Robinson, Rich Thompson and Tiarne Tranter. This was the first single released ahead of the release of the EP and is my favorite of the new songs. The song is led by keys and drums.
Here is the video for the song.
Key lyric:
My God is so big, so strong and so mighty
There’s nothing my God cannot do

The Lord is By My Side – This song was written by Colin Buchanan, James Ferguson, Jonny Robinson, and Rich Thompson. The upbeat song about the comfort of the Lord being by our side, begins with hand claps and drums.
Here is the video for the song.
Key lyric:
The Lord is by my side
Forever by my side
His hope, His strength, His peace is mine

God is Over All – This song, about the sovereignty of God, was written by Colin Buchanan, Jonny Robinson, and Rich Thompson. The song begins with keys and Colin Buchanan singing with children singing along and then moves to the full band playing and Tiarne Tranter singing lead. Here is the video for the song.
Key lyric:
I will sing for it is well
My God is over all

Day After Day, Jesus Reigns – This song, which is a prayer, was written by James Ferguson and Ian Lewis. Morning to evening our shepherd is always close.
Here is the video for the song.
Key lyric:
So, whatever comes my way
Lord remind me of this grace
I can face it with this hope
Jesus won’t forget His own

Jesus Strong and Kind/Jesus Loves Me – This song was written by Rich Thompson, Jonny Robinson, Michael Farren, Colin Buchanan, Anna B. Warner, and William Bradbury. This song features the Philippines Survivor Network Choir. The track combines a previous CityAlight song with the loved children’s song “Jesus Loves Me.” The song features keys, guitar, a children’s vocal and a choir.
Key lyric:
For the Lord is good and faithful
He will keep us day and night
We can always run to Jesus
Jesus, strong and kind

Favorite songs:
My God is All I Need/My God is So Big
The Lord is By My Side
Day After Day, Jesus Reigns

Fever/Sky – Wilder Woods
***

Bear Rinehart (lead singer/songwriter for NEEDTOBREATHE) brings his strong vocals to his second full-length solo album as Wilder Woods (the first names of his two older sons). Rinehart wrote or co-wrote all of the songs, most of them during the pandemic. The songs are generally about horizontal relationships. The album was produced by Cason Cooley, and features Tyler Burkum and Carl Broemel on guitars, Aaron Sterling on drums, Tony Lucido on bass, and background singers.

Below are a few comments about each song:

Maestro (Tears Don’t Lie) – This upbeat song was written by Bear Rinehart. The song features organ, drums, guitar, bass, backing vocals and a guitar solo. He is taking his time to make the relationship work. She’s making him work, but he’s confident that she’s going to be his.
Key lyrics:
Throw me out like change in your pocket baby

Patience – This song was written by Bear Rinehart and Paul Meany. The song features guitar, drums, bass, keys, and backing vocals. The song is about the need for forgiveness.
Key lyrics:
So here comes a confession
I’vе been runnin’ so long
It finally feels like a blessin’
To admit when I’m wrong, hеy

Be Yourself – This song was written by Bear Rinehart, Ian Fitchuk and Konrad Snyder. The song features keys, drums, guitar, bass and backing vocals. He is just asking her to be herself.
Key lyrics:
Who knows you better
Who could love you any more
You can trust me completely

Heartland – This song was written by Bear Rinehart, Cason Cooley, and Tyler Burkum. The song features guitar, guitar, drums, bass, and backing vocals. He’s wondering why he let himself ever get this far from the heartland.
Key lyrics:
Say a little prayer for the problems I left behind

Criminal – This upbeat song was written by Bear Rinehart and Gabe Simon. The song features guitar, bass, drums, keys, and backing vocals. Losing her would be so criminal.
Key lyrics:
This broken heart has got me cynical
I fooled myself that I was in control

Wish It Was Mine – This song was written by Bear Rinehart and Josh Lovelace and Jordan Reynolds. The song features guitar, bass, drums, and backing vocals. The song is about the end of a relationship.
Key lyrics:
I know I can’t be where you need me tonight
I see your heart breaking now and I wish it was mine

Get It Back – This song was written by Bear Rinehart and Jon Hume. The song features guitar, bass, drums, and backing vocals. He wished he would have known that when you give your heart to someone you might never get it back.
Key lyrics:
There’s no lighthouse in the distance
When you’re this far out from home

Be The Man – This song was written by Bear Rinehart Seth Bolt, Cason Cooley and Tyler Burkum. The song features guitar, keys, backing vocals, drums, and bass. He was born selfish and is tired of being all that he is.
Key lyrics:
Save me, ’cause all my bones have been aching
All these prayers I’ve been faking
It’s time to make a stand

Death of Me – This song was written by Bear Rinehart, Josh Kerr and Anderson East. The song features keys, drums, guitar, bass and backing vocals. He wishes he could love her better, but it doesn’t come naturally.
Key lyrics:
Yeah, our broken hearts might break together
In a last chance symphony
Girl, you’re gonna be the death of me

Go Ahead – This mid-tempo song was written by Bear Rinehart, Trent Dabbs, and Ran Jackson. The song features keys, guitar, bass, drums, and backing vocals. He wants to hold her close but never hold her back.
Key lyrics:
I hope you find yourself far enough away from home
To get your money’s worth of grace before it’s gone

Make Your Own Mistakes – This beautiful song was written by Bear Rinehart, Dave Barnes and Jamie Hartman. The song features guitar, backing vocals, bass, and drums. This is a song to his children about not following his path, but to make their own mistakes.
Key lyrics:
I just want you to
Go your own way
You don’t have to chase down the same dreams I did

Favorite Songs
Maestro (Tears Don’t Lie)
Criminal
Be The Man
Go Ahead
Make Your Own Mistakes

Psalms, Hymns and Spiritual Songs Live – Shane and Shane
****

The latest album from worship duo Shane and Shane (Shane Barnard and Shane Everett) was recorded live at Liberty University in Lynchburg, Virginia. The album was produced by Bryan Fowler with Shane Barnard, who also co-wrote each song. The album includes additional vocals from The Worship Initiative’s Davy Flowers, Aaron Williams, and John Marc Kohl, as well as Trenton Bell.
I really enjoyed this new live worship album, and it is one that I will revisit often. It is my favorite album of the first half of 2023.
Below are a few comments about each song:

All Creatures (Sing the Harmony) – This song was written by Shane Barnard, Bethany Barnard and Bryan Fowler and features Davy Flowers on vocals. The song features guitar, bass, drums, keys, and backing vocals. The song is based on the hymn “All Creatures of Our God and King” by William Henry Draper, based on a poem by St. Francis of Assisi.
Key lyric:
All creatures of our God and King
Lift up your voice and with us sing
O praise Him O praise Him

You’ve Already Won – This new song was written by Shane Barnard and Bryan Fowler. The song features guitar, bass, drums, keys, and backing vocals. There is future grace that is ours today that Jesus Christ has won. It is a powerful new hymn, and my favorite song of 2023 thus far.
Key lyrics:
I’m fighting a battle
That You’ve already won
No matter what comes my way
I will overcome

All Sufficient Merit – This new song was written by Shane Barnard, Bethany Barnard, and Bryan Fowler. The song features guitar, bass, drums, keys and backing vocals. Christ’s all sufficient merit did what we could not.
Key lyric:
It is done it is finished
No more debt I owe
Paid in full all sufficient
Merit now my own

Unto Him (Jude 24-25) – This song was written by Shane Barnard and Mike Donehey. The song, based on the Doxology in Jude 24-25, features guitar, keys, bass, drums, and backing vocals.
Key lyric:
Unto Him who has saved us
Be all glory be all majesty
Dominion all authority is Yours
Right now and forevermore

Tell the Story (Psalm 8) – This song was written by Shane Barnard and Davy Flowers. The song features guitar, bass, drums, keys, and backing vocals.
Key lyric:
With every breath
We shout Your praises
With all creation
Tell the story of the one
Who loves us
You love us
You love us

My Portion – This song was written by Shane Barnard, Bryan Fowler, and Grayson Kessenich. The song features guitar, keys, strings, backing vocals, drums, and bass. The Savior is our portion and shall forever be.
Key Lyric:
Hallelujah what a Savior
My redeemer my reward
Hallelujah endless treasure
My delight forevermore

Psalm 42 (Loudest Praise) – This song was written by Shane Barnard and Bryan Fowler. Based on the hymn “Come Thou Font of Every Blessings” by Robert Robinson and Martin Madan, the song features guitar, keys, bass, drums, and backing vocals.
Key lyric:
Come thou fount of living water
Tune my heart to bless Your Name
Streams of trouble never ceasing
Call for songs of loudest praise

Psalm 8 (How Majestic is Your Name) – This song was written by Shane Barnard and features keys, guitar, backing vocals, bass, and drums.
Key lyric:
So, we’ll sing of Your name
Live our lives for Your greatness, oh God
And Your glory and honor

Psalm 90 (Satisfy Us with Your Love) – This song was written by Shane Barnard and features keys, guitar, bass, drums and backing vocals.
Key lyric:
When the sun comes up, satisfy us
Before the day has passed us by
Before our hearts forget all Your goodness
Satisfy us with Your Love

Only There – This song was written by Shane Barnard, Grayson Kessenich, and Bryan Fowler. The song features guitar, keys, bass, drums, and backing vocals. Only in Christ can we find our rest.
Key lyric:
Only there, only there
Love and mercy flow for me
Only there, only there
Can I find my rest in Thee

Favorite songs
You’ve Already Won
All Sufficient Merit
My Portion
Psalm 42 (Loudest Praise)
Psalm 90 (Satisfy Us with Your Love)

Lamb of God (Live) – Matt Redman
****

In his new album “Lamb of God,” his seventeenth, longtime respected worship leader Matt Redman – “10,000 Reasons (Bless the Lord)”, “Blessed Be Your Name” – gives the church the gift of new songs written for congregational singing. The album, which was produced by Steve Marcia, was recorded live at the Mission in San Capistrano, California, a house of worship first established in 1776.
Among the themes on the album include Jesus’s sacrifice on the cross, the goodness of Jesus’s heart, the grace of Jesus, the unconditional love, hope and joy of God, the holiness of God, praising God when the blessings flow and when it seems they don’t, and worshipping God no matter what comes.
The album features three versions of the song “Son of Suffering” and a new version of Redman’s classic “Heart of Worship.”
Below are a few comments about each song on this excellent new album

The Praise Is Yours – This song was written by Redman, Andi Rozier, Joshua Seller, and Travis Ryan. The song features bass, strings, keys, guitar, drums and backing vocals. God sent the Son for our forgiveness, and on the cross He drank the cup.
Key lyrics:
All the glory and honor
Blessing and power
Because Your name alone is worthy
Worthy forever
The praise is Yours

Son of Suffering – This song about the suffering of Jesus was written by Redman, Aaron Moses, David Funk, and Nate Moore. Jesus is the man of sorrows, the Son of suffering. In the еnd, the proof is in His wounds. The song, which builds powerfully, features keys, guitar, drums, bass, bass and backing vocals.
Key lyrics:
Blood and tears
How can it be?
There’s a God who weeps
There’s a God who bleeds
Oh, praise the One
Who would reach for me
Hallelujah to the Son of suffering

Lamb of God – This song about the Lamb of God on Calvary, was written by Redman, David Funk and Jason Ingram, and features Funk on vocals. The song features guitar, keys, strings, drums, bass and backing vocals.
Key lyrics:
Behold the Son of God
Who takes away our sin
Behold His perfect sacrifice
Bеhold the wounds of grace
Upon His hands and feet
Oh, the Lamb of God on Calvary

Amen (Total Praise)/Lamb of God (Reprise) – This is a continuation of “Lamb of God,” using the bridge of the song, along with a refrain of “Amen.”

Love is This – This song about the sacrificial death of Jesus was written by Redman, Mitch Wong, Taya Gaukroger, Ryan Ofei and Lizzie Morgan and features May Angeles on vocals. The song features, guitar, bass, drums, backing vocals, and keys. The song ends with a sampling of “Nothing But the Blood of Jesus” by Robert Lowry.
Key lyrics:
And though we did not drive those nails
It was our sin that held You in that place

Unconditional – This song about the unconditional love, hope and joy of God was written by Redman, Matt Maher, Cody Carnes, and Henry Seeley and features Maher on vocals. The song features guitar, keys, drums, backing vocals and bass.
Key lyrics:
Your love is unconditional
Your hope is unconditional
Your joy is unconditional
Always, always

Halfway Empty – This song about the goodness of Jesus’s heart and His grace, was written by Redman, Quinten Coblentz, Wes Writer, and Lynnea. The song features keys, strings, bass, guitar and backing vocals.
Key lyrics:
Cause You give and You give so lavishly
And Your grace is not even halfway empty
My cup overflows, I have all that I need
Still, Your grace is not even halfway empty

Hallelujah Holy – This song about the holiness of God was written by Redman, Jon Guerra, Nick Herbert, and Sam Bailey. The song features guitar, drums, bass, keys, and backing vocals.
Key lyrics:
Hallelujah Holy
Hallelujah Holy
For all You are
And You will ever be
Hallelujah You are Holy

King of Calvary – This song about Jesus, the King of Calvary, was written by Redman, Benjamin Hastings, and Jon Guerra. The beautiful song features keys, strings, and backing vocals.
Key lyrics:
Let every grateful breath
Cry hallelujah to
The King of Calvary

Praise God – This song about praising God when the blessings flow and when it seems they don’t was written by Redman and Jason Ingram. The song features drums, bass, guitar, and backing vocals.
Key lyrics:
Praise God praise God
Oh my soul
As the blessings flow
As the blessings flow
Praise God praise God
Oh my soul
When it seems they don’t
Still we sing this song

Even Still and Even So – This song about worshipping God no matter what comes was written by Redman, Judson Harris, Jake France, Isaac Borquaye, and Kyle Smith. The song features guitar, keys, bass, drums and backing vocals.
Key lyrics:
Whatever comes whatever falls
From the highest height to the lowest low
God even still and even so
I’ll lift my hands
And I will worship You

Heart of Worship – This is a new version of Redman’s much-loved song, written by Redman and Laurie Klein. The song features keys, bass and backing vocals.
Key lyrics:
I’m comin’ back to the
Heart of worship
And it’s all about You
It’s all about You Jesus

Son of Suffering (Single Version)

Son of Suffering (The Chosen Version)

Favorite songs:
The Praise is Yours
Son of Suffering
Halfway Empty
Unconditional
King of Calvary
Praise God
Even Still and Even So

The Beautiful Letdown (Our Version) – Switchfoot
****

Although Switchfoot has long been one of my favorite bands, I haven’t really enjoyed their past three releases (Covers (EP), interrobang, and this is our Christmas album). To celebrate the twentieth anniversary of their breakthrough album The Beautiful Letdown, the band has completely re-recorded the album and released it as The Beautiful Letdown (Our Version). The band’s fourth studio album was released February 25, 2003 and has sold over three million copies. It features the popular songs “Meant to Live” and “Dare You to Move”.
This is not like U2 reimagining their songs on their recent Songs of Surrender album. There are not major changes to the songs here. There are a few minor lyric changes on “Gone”: “Al Pacino’s cash” is now “Al Capone’s cash“, “Lexus cages” is now “Tesla cages“, and “my high school sweets” is now “my high school sweethearts.”
This re-recording sounds great with a clean mix, and these songs remind me of why Switchfoot became one of my favorite bands in the first place.
The celebrate the anniversary of the album the band will be playing the album in its entirety for the first time on their current tour. For more information go here.

Fragments – Time Out of Mind Sessions 1996-1997 The Bootleg Series Vol. 17 Deluxe Edition by Bob Dylan
****

The latest edition of Bob Dylan’s acclaimed Bootleg Series gives us a deep dive on his 1997 midcareer masterpiece, Time Out of Mind. The record, Dylan’s thirtieth studio album, picked up three Grammy Awards, including Album of the Year, in 1998. Time Out of Mind was also the last album Dylan made with a producer, in this case Daniel Lanois.
The Deluxe edition contains sixty songs, clocking in at more than six hours. It follows the evolution of songs written for the album, from the previously unreleased 1996 Teatro sessions through live versions from 1998-2001. It begins with a 2022 remix of the original album by Michael Brauer. Rare outtakes and alternate versions of songs written for the album include four original Dylan compositions – “Dreamin’ of You,” “Red River Shore,” “Mississippi” (later re-recorded for Love and Theft in 2001) and “Marchin’ to the City” – not included on the original 1997 album. A fifth unreleased performance is Dylan’s interpretation of “The Water is Wide,” a traditional folk song of Scottish origin. Twelve songs included here were previously available on The Bootleg Series Vol. 8: Tell Tale Signs.
I enjoyed hearing the alternate versions of the songs from Time Out of Mind, some of which were very different from the version released on the 1997 album.
This release will be enjoyed by Dylan fans. All of the alternate versions/outtakes may be a bit much for some. For those, I highly recommend the remix of the original album by Michael Brauer.

Sing! Christ Our Hope in Life and Death. Live at the Getty Worship Music Conference – Keith & Kristyn Getty and Friends
****

This excellent live album is from the 2022 Sing! Getty Worship Conference, which had a theme of “Christ Our Hope in Life and Death”. The twelve songs were pulled from a wonderful conference that took place at the Gaylord Opryland Convention Center and the Grand Ole Opry over three days last September in Nashville. (Read my Reflections from the conference here).
In addition to Keith & Kristyn Getty and their incredible band, this album features Blessing Offor, Shane and Shane, CityAlight, Skye Peterson, Matt Papa, Matt Boswell, Bob Kauflin, Jordan Kauflin, Sandra McCracken, Joni Eareckson Tada, Matt Merker, Kirk Whalum and others.
It had to be hard to pick just a few songs among the many highlights from the conference. In addition to enjoying this album, I look forward to more music from the 2022 conference being released in the coming months.
Here’s a few brief comments about each song:

The Lord Almighty Reigns –This song was written by Keith & Kristyn Getty, Matt Boswell and Matt Papa, and performed by Keith & Kristyn Getty and Blessing Offor.

Rejoice – This song was written by Keith & Kristyn Getty, Ben Shive, Skye Peterson and Bryan Fowler, and was performed by Keith & Kristyn Getty and Shane and Shane.

Only a Holy God/Holy, Holy, Holy – “Only a Holy God” was written by Michael Farren, Jonny Robinson, Dustin Smith and Rich Thompson, and performed by CityAlight. “Holy, Holy, Holy” was written by Reginald Heber.

Love Still Bids You Welcome – This song was written by Ben Shive and Skye Peterson and performed by Skye Peterson.

Come Christians Join to Sing – This song was written by Christian H. Bateman, arranged by Zach White, and performed by Keith & Kristyn Getty.

The King in All His Beauty – This song was written and performed by Matt Papa and Matt Boswell.

Speak O Lord – This song was written by Keith Getty and Stuart Townend and performed by Keith & Kristyn Getty and Shane and Shane.

Behold Our God – This song was written by Jonathan Baird, Meghan Baird, Ryan Baird and Stephen Altrogge and performed by Bob Kauflin and Jordan Kauflin.

Lord Have Mercy (For What We Have Done) – This song was written and performed by Matt Papa and Matt Boswell, and features Sandra McCracken.

I Stand Amazed (How Marvelous) – This song was written by Charles H. Gabriel and performed by Joni Eareckson Tada.

He Will Hold Me Fast (Prayer for Peace) – This song was written by Matt Merker and Ada Habershon, and performed by Keith & Kristyn Getty, Joni Eareckson Tada, Elizabeth Klimchuck, Milena Kabodko and Matt Merker

Crossing the Pond/Total Praise – “Crossing the Pond” is an instrumental performed by Kirk Whalum and the Getty band. “Total Praise” was written by Richard Smallwood.

HOPE – NF
****

HOPE is thirty-one-year-old NF’s (Nathan Feuerstein) fifth album, and first since 2021’s CLOUDS (THE MIXTAPE). NF has built a loyal following that has earned him over 30 billion global streams on music platforms.
Themes on the excellent new album include taking the reins of his life, staying true to himself, faith, overcoming odds, relationships (his mother, wife, child, and a failed relationship), being a lonely soul, being at the top of his game, and running from darkness and depression. There are two guest artists on the album – Cordae and Julie Michaels.
Here are a few brief comments about each song:

HOPE – This song, which was the lead single for the album, was written by NF and Tommee Profitt. It was produced by NF, Profitt and Jeff Sojka. The hard-hitting song features keys, strings, bass, and percussion. He addresses dreaming big, regret, growing pains, his son, his former self and ends by saying that he is taking the reins of his life. Watch the video for “HOPE”.
Key lyric:
I’m a prime example of what happens when you choose to not accept defeat and face your demons.

MOTTO – This song was written and produced by NF and Tommee Profitt. The song features keys, strings, drums, and a memorable chorus. He addresses industry expectations but would rather stay true to himself than chase “success” in the music industry.
Key lyric:
You heard the sayin’, “If it ain’t broke
Don’t fix it,” that’s my motto.

CAREFUL – This hard-hitting song was written by NF, Cordae and David Garcia and produced by NF and Garcia. The song features Cordae and a bass beat. NF and Cordae trade verses about overcoming odds, protecting their family, feeling blessed and taking risks.
Key lyric:
I was talkin’ to God ’bout what’s real or what’s not
All He said was, “Remain faithful.”

MAMA – This song was written and produced by NF, Tommee Profitt and Saint X. In this song, NF addresses his mother who died from drug abuse when he was young. He prays that she has found peace in heaven, and he wants her to know that he loves her. The mid-tempo song features keys and drums.
Key lyric:
Is He standin’ in front of you so you can look at His face?
When you talk to Him, does He talk back?
You ever have conversations about what you regret?
Or did it all go away once you got there?

HAPPY – This song was written by NF and Tommee Profitt and produced by NF, Profitt and Jeff Sojka. The song is a painfully honest prayer, with NF indicating that it has been a few years since he has talked to God. He’s a lonely soul and knows he needs help, but he just can’t imagine who he’d been if he was happy. The music is upbeat, in contrast to the lyrics, and has a pop element, with strings, keys, drums and a memorable chorus.
Key lyric:
Hanging by a thread’s how I live
I don’t know why, but I feel more comfortable.

PANDEMONIUM – This song was written by NF and Tommee Profitt and produced by NF, Profitt and Jeff Sojka. This hard-hitting song features electronic percussion.
His confidence in his music is at the highest level. He’s successful and blessed.
Key lyric:
What’s the latest trend?
I don’t have a clue, I don’t follow them
They just follow me, keep ’em on the edge
Keep ’em on they toes, keep ’em wonderin’

SUFFICE – This song was written and produced by NF, Tommie Profitt and Saint X. The song features drums and keys. He’s better than ever. It didn’t happen overnight, and you shouldn’t bet against him. Life is a gift, and he wants to live it to the fullest while he can.
Key lyric:
Mediocre, that just won’t suffice

GONE – This song was written by NF, Tommee Profitt and Julia Michaels and produced by NF and Profitt. The slower paced song features Julia Michaels. The song about a failed relationship features excellent vocals. The song features keys, and drums.
Key lyric:
I pray, someday
You find yourself
Somehow, someway
With someone else

BULLET – This song was written by NF, Tommee Profitt and Saint X, and produced by NF, Profitt, Saint X and Jeff Sojka. The song is dedicated to NF’s wife, Bridgette Doremus. He assures her that he would do anything for her, even taking a bullet for her. The mid-tempo joyful song features drums and keys.
Key lyric:
I would take a bullet, give my life in a second if it came down to it
Sacrifice anything to see the light in your eyes, I swear I’d do it

TURN MY BACK – This song was written and produced by NF, Saint X and David Garcia. The song features keys and drums. He doesn’t need anybody’s help. He’s at the top of his game. It’s God’s plan. Got a problem with him, take it up with God.
Key lyric:
Need grace, need love, need God, need faith

MISTAKE – This intimate song was written and produced by NF and Tommee Profitt. The song features keys and strings. He admits that he’s made mistakes, and has qualities he’s not proud of, but he’s trying his best.
Key lyric:
Mistake, might’ve made some
Can’t argue with that, but I ain’t one

LET EM PRAY – This hard-hitting song was written by NF, Tommee Profitt and Saint X. The song was produced by NF, Profitt, Saint X and Jeff Sojka. The song features synth and drums. The song is about others praying for his downfall.
Key lyric:
Life is precious, life is treacherous
Life is filled with dead-end roads
Keep on pushin’, keep on healin’
See you prayin’ on my downfall
Go on, keep on prayin’, God ain’t listenin’ to you

RUNNING – This song was written and produced by NF and David Garcia. The song has NF addressing his darkness. The song features acoustic guitar, which later builds with synth and drums. He no longer wants to continue carrying the weight of his depression and darkness. There’s happiness on the horizon.
Key lyric:
I love you to death, but I
Can’t spend the rest of my
Life in this darkness, I’m
Done

Favorite Songs
HOPE
MOTTO
MAMA
HAPPY
MISTAKE

Songs of Surrender – U2
***

U2’s first album since 2017’s Songs of Experience reimagines forty songs from the band’s catalog (only 1981’s October and 2009’s No Line on the Horizon have no songs represented here). The album, which runs nearly three hours, is connected to Bono’s excellent 2022 memoir Surrender: 40 Songs, One Story (read my review of that book here), whose forty chapters are titled after U2 songs. The new album has a different selection of songs, curated by The Edge, with twelve of the songs differing from the Bono book chapters.
The album was The Edge’s COVID lockdown project. He is the album’s primary producer, with a few others, notably Bob Ezrin, assisting. The Edge compiled the songs and the project is arranged into individual band member volumes. The Edge, who also handles lead vocals on four songs, has stated that Songs of Surrender was made with the awareness that most people listen to their music through earbuds now.
The songs really are reimagined, they are not just unplugged versions. In the liner notes, The Edge writes “Once we surrendered our reverence for the original version, each song started to open up to a new authentic voice of this time. Some of the songs feature rewritten lyrics. For example, “Walk On” is written in light of the Ukraine war. “Pride (In the Name of Love)”, replaces “One man betrayed by a kiss”, with “One boy never will be kissed”. The song arrangements are mostly intimate and acoustic, frequently replacing Edge’s electric guitars with quiet keyboards. The Edge, playing numerous instruments, Bono’s voice and the lyrics are in the forefront here. Many of the tracks feature no rhythm section at all, leaving bassist Adam Clayton and drummer Larry Mullen Jr. to apparently sit them out.

This is an ambitious project for the band, which has continued with their original four members since 1976. These new versions of both well-known songs and more obscure ones may initially be hard for long-time fans to hear. Some songs fare better than others in their reimagined state. I encourage you to give them a chance. It may be unlikely that the new versions will replace the original, but some may very well stand on their own. And a new album, titled Songs of Ascent, is reportedly in the works.

Favorite songs
Every Breaking Wave
Who’s Gonna Ride Your Wild Horses
Get Out Of Your Own Way
Red Hill Mining Town
Vertigo
Ordinary Love
Invisible
Song for Someone
Cedarwood Road
I Will Follow
40

My Ideal: A Tribute to Chet Baker Sings – Amos Lee
*** ½

I’ve been a fan of Amos Lee’s music since he opened a local concert for Bob Dylan back in 2007, and I got to meet him briefly in the lobby during intermission. This new 16-song collection, Lee’s ninth studio album, and the follow-up to his earlier 2022 album, the excellent Dreamland, pays tribute to his musical hero and his deep jazz roots.
In the midst of the COVID-19 pandemic, Lee lost two of his mentors—Bill Withers and John Prine. During this period, Lee turned to the album Chet Baker Sings for comfort. My Ideal is his tribute to that music and the meaning it held for him: a song-for-song cover of Chet Baker’s 1954 original, which in 2001 received the Grammy Hall of Fame Award. Lee considers Baker to be his lifelong musical hero, crediting him with changing his life and trajectory as an artist.
The tribute album, which is beautifully performed and produced, features Lee with pianist and trumpeter David Streim, bassist Madison Rast, and drummer Anwar Marshall, and is intended to remind Lee’s fans of the early days of his career playing as an artist on jazz label Blue Note Records. Lee gets to show off his incredibly vocals on this album. At times the combo reminds me of jazz pianist Vince Guaraldi’s A Charlie Brown Christmas (and that’s a compliment, as I love that album).
I was not previously familiar with Baker’s music. It is rare that another artist would cover a complete album by another artist. The album will most likely not be a big seller, but it is done with excellence and hopefully will expand Lee’s audience.

Here is the track list for My Ideal:
That Old Feeling
It’s Always You
Like Someone In Love
My Ideal
I’ve Never Been In Love Before
My Buddy
But Not For Me
Time After Time
I Get Along Without You Very Well
My Funny Valentine (For Oskar and Eli)
There Will Never Be Another You
The Thrill Is Gone
I Fall In Love Too Easily
Look For The Silver Lining
Everything Happens To Me
I’m Old Fashioned

Bellsburg: The Songs of Rich Mullins – Various Artists
****

Rich Mullins went home to be with the Lord following an accident near Lostant, Illinois on I-39 on September 19, 1997, on the way to a benefit concert in Wichita, Kansas, where he lived. Mitch McVicker was also in the vehicle, and though badly injured, he would survive. To commemorate the 25^th year of Mullins’ homegoing, a new double-length album of his songs has been released. The album (and future documentary) was recorded in the living room of Mullins’ old house in Bellsburg, Tennessee, where he often crafted songs on the same piano that his parents acquired by trading for a cow from the family farm. Each of the 16 new folk/acoustic interpretations of recordings are by artists who were greatly impacted by the original versions. Each of the artists featured in the project has a personal connection with Mullins or has been deeply influenced by his music. Each side of the project ends with an original, never commercially released demo from Mullins.

The 18-track album was recorded with sparse arrangements, in some cases one voice and one instrument, so that the energy and passion of each artist (and Mullins’ lyrics) are out front. You will also occasionally hear some banter from the artists. The album was produced by Chris Hoisington, Andrew Greer served as co-producer, executive producer, Evan Sieling was co-producer and mixing, Anthony Hoisington was executive producer, Dave Trout was supervising producer, and Connie Hawk and David McCracken were special coordinators.
Among the many artists on the album are Andrew Peterson, Ashley Cleveland, Amy Grant, Kevin Max, Ben Shive, Mitch McVicker, Jimmy Abegg, Sara Groves and Audrey Assad.
I really enjoyed listening to this project. Some of the songs are well known while others are not.
Here is the tracklist for the project:

Hello Old Friends – Andrew Peterson, featuring Andy Gullabhorn and Ben Shive

You Did Not Have a Home – Kevin Max, featuring Mitch McVicker

Both Feet on the Ground – Ashley Cleveland

Heaven is Waiting – Brothers McClurg

Sparrow Watcher – Amy Grant, Cindy Morgan and Andrew Greer, featuring Tommy Sims

If I Stand – Steve Cudworth

I See You – Audrey Assad

Sometimes by Step – Iam Zumback, featuring Ron Block

Hold Me Jesus – Sara Groves, featuring Bonnie Keen and Andrew Greer

Whitewater – Rich Mullins

Here in America – Jason Gray, featuring Kipper Gray and Jimmy Abegg

My Deliverer – Mitch McVicker

Calling Our Your Name – Andrew Osenga and Taylor Leonhardt

Bound to Come Some Trouble – Steven McWhirter and Jason Clayborn

Hard to Get – David Mullins, featuring Jonathan Mullins

Whitewater – Carolyn Arends

We Are Not As Strong As We Think We Are – Derek Webb

Holy Pretenders – Rich Mullins

Watch the trailer for the project here.

The Stories I Tell Myself – Matt Maher
****

I was introduced to Matt Maher’s music when he opened for TobyMac several years ago. I’ve enjoyed his music ever since. This collection of songs, that were mostly written during the pandemic, celebrate friendship with God and other people. The album, which features a variety of musical genres, was recorded in a house owned by Marty Stuart. There are several collaborations, and a few of the songs have two versions, one of which was recorded live.
Here are a few brief comments about each song, several of which were released in advance of the official album release:

The Lord’s Prayer (It’s Yours) – This joyful adaptation of the Lord’s Prayer was written by Maher, Bryan Fowler and Jacob Sooter and produced by Fowler, Sooter and Brian Elmquist. The song features organ, handclaps, drums, guitars, bass, and backing vocals.
Key lyric:
Give us this day, our daily bread
Forgive us, forgive us
As we forgive the ones who sin against us, forgive them
And lead us not into temptation, but deliver us
From the evil one
Let Your Kingdom come

Bigger Table – This song was written by Maher, Bryan Fowler and Jacob Sooter and produced by Fowler, Sooter and Brian Elmquist. The song features piano, drums, bass, guitar, handclaps, and backing vocals. God’s love has a bigger table and there is a place for you.
Key lyric:
A house for the hungry
A well for the thirsty
Where all saints come together
Shoulder to shoulder
A welcome for the traveler
New wine for the vineyard
In all things, God is able
Love has a bigger table

In the Room – This song was written by Maher, Jane Williams, Chris Brown, and Mia Fieldes. It was produced by Jacob Sooter and Brian Elmquist and features Chris Brown of Elevation Worship on vocals. The powerful song features guitar, piano, drums, bass, backing vocals and a brief guitar solo. The song references Luke 5: So tear off the roof, lower me down, whatever it takes to get me to You.
Key lyric:
And I just wanna be in the room
Wanna be in the room when You move
And I’m not leavin’
Not leavin’ ’til You do

Leaning – This song was written by Maher, Lizzie Morgan, Brian Elmquist and Jacob Sooter, based on E.A. Hoffman’s 1887 hymn “Leaning on the Everlasting Arms”. It was produced by Elmquist and Sooter and features Lizzie Morgan on vocals. The song features piano, guitar, bass, drums, and backing vocals.
Key lyric:
What a fellowship
What a joy divine
What a priceless gift
God, I’m Yours, and You are mine
Let my restless soul
Be still and know
I am leanin’ on Your everlasting arms

Burning Heart of God – This worship song was written by Maher, Jacob Sooter, Brian Elmquist and Nate Moore. It was produced by Sooter and Elmquist. The song features synth, keys, piano, guitar, bass, drums, and backing vocals.
Key lyric:
Love like fire, all-consuming
From the beginning, without an end
My desire is my offering
And I’ll never be the same in the burning heart of God

The Stories I Tell Myself – The album’s title song was written by Maher, for King & Country’s Luke Smallbone and Joel Smallbone, and Jacob Sooter. It was produced by Jacob Sooter and Brian Elmquist. The song features synth, keys, bass, drums, and backing vocals.
Key lyric:
When I think about Jesus
He never faced a battle that He couldn’t win
And all I ever needed, I found in Him
And He made a way through the wilderness
From glory to glory, He is my story

Better Off Broken – This song was written by Maher, Paul Mabury and Ryan Ellis. The song was produced by Jacob Sooter and Brian Elmquist, and features Ryan Ellis on lead vocals. The song, which slows down the pace, features bass, guitar, synth, piano, and backing vocals.
Key lyric:
Love came crashin’ in, oh, bombs away
Blowin’ up my world
From the fallout, I can say
I’m better off broken
I did all I could to run away
But now I’m givin’ up
If it’s the only way I stay
I’m better off broken

The Answer Is Yes – This song, which has a live gospel music feel, was written by Maher, Brian Elmquist, Jacob Sooter and Thad Cockrell. It was produced by Elmquist and Sooter. The song, which is about turning to God when we don’t know where else to turn, features guitar, piano, and a gospel choir.
Key lyric:
You’ve seen me through good times (Yes)
You’ve held me through pain (Yes)
You’ve heard all my questions
The answer’s the same

The Way You Love Me – This joyful song about God’s love, was written by Maher, Ethan Hulse and Ran Jackson and produced by Jacob Sooter and Brian Elmquist. The song features drums, a choir, bass, organ, guitar and piano.
Key lyric:
Oh, how can it be? Makes me want to sing
Every day I’m amazed at the way You love me
‘Cause I’ve finally found what it’s all about
Gotta say, I’m amazed at the way You love me

In the Room (Live) – This extended live version features Ben Fuller and Ellie Holcomb.
Burning Heart of God (Live) – This live version features Nate Moore.
Leaning (Live) – This extended live version features Lizzie Morgan.
Common Ground (Live) – This song about brothers and sisters standing together, was written by Maher and Anne Wilson. It was produced by Jacob Sooter and Brian Elmquist and features Dee Wilson on vocals. The song features piano, organ and some excellent vocals.
Key lyric:
Tear down the walls between us
Make way for love to heal us
Show us the way of Jesus
Where He is found in common ground, yeah

Inheritance (Live) – This worship about Jesus being our inheritance, was written by Maher, Dameon Aranda, JT Murrell, and Mia Feldes. The song was produced by Jacob Sooter and Brian Elmquist. The song features guitar, piano, bass, drums, and backing vocals. Jesus is our inheritance that we don’t deserve.
Key lyric:
You don’t withhold a thing
You were the offering
I don’t deserve it, doesn’t make sense
What an inheritance, yeah

The Time Is Now – This song was written by Maher, Brian Elmquist and Greg Lwinski. It was produced by Jacob Sooter and Brian Elmquist. The song features guitar, bass, organ, piano, drums, and backing vocals.
Key lyric:
If we are the lessons we’re learnin’
If everyone’s someone worth savin’
Then the time is now

One Heart at a Time – This upbeat song was written by Maher and Brian Elmquist and was produced by Elmquist and Jacob Sooter. The song features piano, guitar, bass, drums and backing vocals. If you lose your way, remember that love moves at the speed of forgiveness one heart at a time.
Key lyrics:
I wanna hear you talk
Even if we don’t agree

My Old Friend – This song was written by Maher and Drew Holcomb and was produced by Brian Elmquist and Jacob Sooter. The song features Drew Holcomb on vocals, guitar, bass, and percussion. Holcomb’s and Maher’s voices blend well.
Key lyric:
Time stands still
Whenever I see you once again
I always will
Hold onto the memories, my old friend

Wedding Ring – This love song was written by Maher, Emily Weisband, Bernie Herms, and Jacob Sooter. The song was produced by Sooter and Brian Elmquist. The song features guitar, backing vocals, bass, and drums.
Key lyric:
Said I did, and I do
I always will, still willin’ to
Say I’m sorry for the times I should
When you’re lettin’ go and holdin’ everything
The magic in a wedding ring

I Wanna Feel Again – This melancholy song was written by Maher and Taylor Leonhardt. It was produced by Brian Elmquist and Jacob Sooter, and features Taylor Leonhardt on vocals. His heart is a heavy stone and his mind is a lonesome road. The song features guitar and a guitar solo. Maher’s and Leonhardt’s voices blend well.
Key lyric:
So open up the floodgates
Let it all come rushin’ in
Oh, I, I just wanna feel again
I just wanna feel again

Only Good Will Grow – This song was written by Maher and Brian Elmquist. The song is produced by Elmquist and Jacob Sooter and features Elmquist on vocals. Maher and Elmquist sing this song in excellent harmony. The song features guitar, drums, bass and a guitar solo. The title of the song relates to the house the album was recorded in, which is owned by Marty Stuart, and was one time between houses owned by Johnny Cash and Roy Orbison. After Orbison’s house burned down, killing two of his children, Cash bought an orchard next door and promised him that only good will grow there.
Key lyric:
Only light will shine on this sacred garden
Every season new life, death has long departed
Plant you a tree, roots have wings

Favorite songs:
In the Room
Leaning
The Stories I Tell Myself
Common Ground (Live)
Inheritance (Live)
Only Good Will Grow

Live from Bridgestone Arena – NEEDTOBREATHE
****

NEEDTOBREATHE recently released a surprise concert film (and accompanying audio version), of their October 29, 2021 concert at the Bridgestone Arena in Nashville. I say surprise, because we saw them on their Into the Mystery Acoustic Tour in Peoria just eleven days before this project was released, and the band made no mention of this impending release.
NEEDTOBREATHE is an excellent, high energy live band. This is the band’s fourth live album, and second in two years. The twenty-five songs here span their career. Highlights include “Carry Me”, featuring Jon Foreman of Switchfoot and “I Will Remember” featuring Carrie Underwood.
If you are not familiar with NEEDTOBREATHE, this would serve as an excellent introduction to the band.
Watch the entire concert film here.

Dreamland (Deluxe Edition) – Amos Lee
*** ½

Amos Lee’s Dreamland was one of my favorite albums of 2022. Here’s my review of the album.
Lee has released a Deluxe Edition of Dreamland, featuring four new songs and two acoustic versions of songs from Dreamland.
Here’s a few brief comments about each song on the Deluxe Edition:
Beeline – This song is about driving away fast from the sirens. There is only broken glass behind them. The song features synth, finger snaps, backing vocals, drums, and bass.
Key lyrics:
But there’s only broken glass
Behind us, so keep going fast
So fast, we’re set to the sky

Gameshow – This R&B flavored song features Lee singing in a falsetto, guitar, synth, drums, bass and keys. The song is about a girl living a superficial Instagram life.
Key lyrics:
But I ain’t playing games
And I ain’t on your gameshow all my life

I Won’t Let Go – This beautiful and encouraging song features synth, keys, bass, drums, strings and guitar. He has her back and won’t let her go.
Key lyrics:
I hope you know
That I won’t let you go

Shine – This upbeat love song features strings, bass, drums, guitar, percussion and backing vocals.
Key lyrics:
I love the way you shine, shine, shine, shine, shine, shine

Worry No More (Acoustic) – Lee has said that this song is about walking out into the city listening to music, and disappearing into the crowd.
Key lyrics:
Worry no more
Oh, worry no more
There’s an open door for you

See the Light (Acoustic) – This song has a gospel flavor both musically and lyrically.
Key lyrics:
When I fall off the map and disappear without a trace
Even when I can’t breathe in
And I’m falling out of line
Everybody ’round me says that everything gonna be alright

Favorite songs:
I Won’t Let Her Go
Shine

Stand (Deluxe Edition) – Newsboys
***

The Newsboys have released a Deluxe Edition of their 2021 album Stand (you can read my review of the original album here). The Deluxe Edition includes three previously unreleased songs and two new versions of songs included on the original album.
Here are a few comments about each of the new songs:
King Of Kings – This cover of a song by Hillsong Worship was written by Brook Ligertwood, Scott Ligertwood and Jason Ingram. The song was produced by Seth Mosley and features Bart Millard of MercyMe. The song features guitar, bass, drums, keys, and backing vocals.
Key lyric:
Praise the Father, praise the Son
Praise the Spirit, three in one
God of glory, Majesty
Praise forever to the King of Kings

Stand – This song, which was included on the original album was written by Michael Tait, Ben Glover and Jeff Sojka. It was produced by Sojka and Glover and features TobyMac. The song is about who we will be when trouble comes calling for us. This version of the song retains the original song’s production with TobyMac’s vocals in the bridge instead of Tait’s.
Key lyric:
I’m gonna stand in a world that’s breaking
Stand for a truth unchangin’
I’m not ashamed, I’ve considered the cost
I’ll stand right here at the foot of the cross
And stand

Jesus Did – This song about Jesus setting us free, was written by Michael Tait, Micah Kuiper and Juan Otero and produced by Kuiper. The song features piano, drums, cello, guitar, bass, and vocals from Kuiper.
Key lyric:
Nobody else could’ve reached for me
Could’ve pulled me out, could’ve set me free
Hallelujah, Jesus did

All Things Are Possible – This song was written by Michael Tait, Micah Kuiper, Bryan Fowler and AJ Pruis and produced by Carter Frodge. The song features strings, cello, bass, backing vocals and drums.
Key lyric:
For all my days, I will sing it
With all my heart, I believe it
All things, all things
All things are possible

I Still Believe You’re Good (Acoustic) – This song was written by Michael Tait, Micah Kuiper and AJ Pruis and produced by Kuiper. This is a remix of the song included on the original album. The song features keys, acoustic guitar, drums and backing vocals from Pruis.
Key lyric:
Even in the valley, I still believe
You’re good

Favorite songs:
Jesus Did
All Things Are Possible
I Still Believe You’re Good (Acoustic)

Always – Chris Tomlin
****

Following up his 2020 album Chris Tomlin & Friends, in which he partnered with country music artists, Tomlin is back with Always, doing what he does best, writing and singing worship songs for the church, though a few of the songs do have a country music feel to them. I have long enjoyed Tomlin’s music, and I really like this new album. It is one of my favorite albums of 2022.

Here are a few brief comments about each of the thirteen songs on the album:

Yahweh (No One) – This song was written by Chandler Moore, Jason Ingram, Chris Brown, Steven Furtick and Tomlin, and produced by Jeff Sojka and Ben Glover. The song is a cover of Elevation Worship’s “No One” and features Chris Brown of Elevation Worship on vocals. The upbeat song highlights the first commandment “You shall have no other gods before me.” (Exodus 20:3), and the third commandment “You shall not take the name of the Lord your God in vain.” (Exodus 20:7). A good opener.
Key lyrics:
There will be no other God before You
There is no one above You, no one beside You
And nobody like You

Always – This song was written by Ben Glover, Daniel Carson, Jeff Sojka, Jess Cates, and Tomlin, and produced by Glover and Sojka. The song about our everlasting God, features acoustic guitar, piano, drums, bass, backing vocals.
Key lyrics:
The Lord is faithful, yesterday, now, and always

Strongholds – This upbeat song about our freedom in Christ was written by Ed Cash, Louie Giglio and Tomlin, and produced by Cash. The song features drums, bass, guitar, and keys. All obstacles are coming down by the blood of the Lamb.
Key lyrics:
Jesus is undefeated, the battle is the Lord’s
Shout it out, every stronghold must come down

Holy Forever – This song of worship to Jesus was written by Phil Wickham, Jenn Johnson, Jason Ingram, Brian Johnson, and Tomlin. It was produced by Jonathan Smith. The song features a choir, keys, guitar, drums and backing vocals.
Key lyrics:
Your name is the highest
Your name is the greatest
Your name stands above them all
All thrones and dominions
All powers and positions
Your name stands above them all

O Lord You’re Beautiful – This is a beautiful version of the classic song written by Keith Green. It was produced by Ben Glover and Jeff Sojka, and features Steffany Gretzinger on vocals. The song features piano and strings.
Key lyrics:
O Lord, You’re beautiful
Your face is all I seek
And when Your eyes are on this child
Your grace abounds to me

The Answer – This song about Jesus was written by Josh Kear, Charles Kelley, Ben West, and Dave Haywood (of Lady A). The easygoing song, which has a country music flavor, and would have fit nicely on Chris Tomlin & Friends, was produced by West and Haywood. The song features keys, drums, guitar, and backing vocals.
Key lyrics:
Who is gonna love me all my life
Who is gonna never leave my side
Who is gonna be the heartbeat of everything I do
The answer is always You
Always You

Great Forgiver – This mid-tempo song about Jesus as our great forgiver, was written by Bear Rinehart (of NEEDTOBREATHE), Ben Glover, Jeff Sojka and Tomlin, and produced by Glover and Sojka. The song features drums, keys, guitar, handclaps and backing vocals.
Key lyrics:
‘Cause You are the great, great forgiver
Nobody else gonna take my trouble
Nobody else gonna take my shame

I Believe in Jesus – This worship song confessing Jesus as our Savior and Lord, was written by Mitch Wong, Ben Fielding, and Tomlin, and produced by Ben Glover and Jeff Sojka. The song, which gently builds, features piano, bass, backing vocals, strings, and drums.
Key lyrics:
I believe in Jesus
He is the Son of God
He died and rose to save my soul
I confess that He is Lord

I See You – This song of praise was written by Bryan Fowler, Jonas Myrin and Tomlin and produced by Fowler. The mid-tempo song features Brandon Lake on vocals. The song features keys, drums, bass, guitar, backing vocals and a memorable chorus.
Key lyrics:
I see You in the morning light
I feel You in the fire by night
I hear You say, “Child, I am with you
Everything will be alright.”

Father Of Lights – This song was written by Ben Glover, Jeff Sojka, Steven Furtick, Jason Ingram, and Tomlin, and produced by Glover and Sojka. The song, which has a country music feel, is based on James 1:17, and features guitar, bass, drums, and backing vocals.
Key lyrics:
Every good thing in my life
Comes down from the Father of lights
It comes down from the Father, down from the Father
Down from the Father of lights

History – This song about thankfulness and gratitude for the goodness and faithfulness of God, was written by Jess Cates, Cody Carnes and Tomlin and was produced by Jonathan Smith. The song features guitar, handclaps, drums, bass, backing vocals, and a memorable chorus.
Key lyrics:
I’ve got so much history of how good You are
You’ve been the guiding light in me right through the dark
Whatever giants I may face, I don’t have to be afraid
‘Cause I’ve got so much history of how good You are

All In All – This song was written by Corey Crowder, Tyler Hubbard (of Florida Georgia Line), Jason Ingram and Tomlin and was produced by Ben Glover and Jeff Sojka. The worship song to Jesus, slowly builds and features piano, guitar, bass, drums, and backing vocals.
Key lyrics:
Where would I be now without Your love

Precious Love – This song was written by Ben Cantelon, Sam McCabe and Tomlin and was produced by Jonathan Smith. The song, which takes us through the crucifixion and resurrection of Jesus, features piano, guitar, drums, bass, and backing vocals. An excellent song for congregational singing.
Key lyrics:
Oh, the precious love of Jesus
Oh, the fount of grace divine
Flowing as a mighty river
Washing sinners in its tide
There will never be another
In whose name we are redeemed
Oh, the precious love of Jesus
Pouring out for you and me

Favorite songs:
Yahweh (No One)
Always
Holy Forever
I Believe in Jesus
Father of Lights
Precious Love

Still – Steven Curtis Chapman
***

Still is Steven Curtis Chapman’s first all new full-length release since 2016’s Worship and Believe. The new album features twelve new songs of hope and encouragement from the most awarded artist in Christian music history. In his 35-year career, the soon to be 60-year-old Chapman, has won 5 Grammy Awards, 59 Dove Awards, had 49 number 1 songs, while selling more than 11 million albums with 10 RIAA-Certified Platinum and Gold albums. Still is a solid addition to Chapman’s catalog as he works with respected producers Bryan Fowler, Micah Kuiper and Ben Shive.

Below are a few comments about each song:

Welcome Back to Wonder – This short song was written by Chapman and Dave Barnes and produced by Chapman, Bryan Fowler and Micah Kuiper. The song features keys, guitar, backing vocals, bass, and drums. The song is about experiencing the majesty of the world God has created.
Key lyric:
With every beat of my heart, I hear You callin’
“Welcome back, welcome back to wonder”

Still – This song was written by Chapman, Micah Kuiper and Bryan Fowler and produced by Fowler. The song features guitar, drums, bass, piano, and backing vocals. The song is about trusting God wherever our journey takes us because He is faithful.
Key lyric:
Still, I’m gonna praise
The Only One who always stays the same
Oh, I know He is good, I know He is faithful
Still

Don’t Lose Heart – This upbeat song was written by Chapman, Micah Kuiper and Bryan Fowler and produced by Kuiper and Fowler. The song features guitar, bass, drums, and backing vocals. The song is about walking through the valley with a friend. It was inspired by Chapman’s own journey through the valley of grief and loss that he and his family have traveled.
Key lyric:
Let me walk with you through this valley
And tell you all that I’ve learned to be true

I’m Alive – This upbeat song was written by Chapman and Tom Douglas, and produced by Chapman, Micah Kuiper and Bryan Fowler. The song features guitar, bass, drums, keys, and backing vocals. The song is about embracing the fear, pain and tears of life knowing a day is coming when the tears will all be gone.
Key lyric:
I wanna taste every tear that falls
I wanna face every fear that calls my name
I’m gonna stand and say I’m alive

Kindness – This song, about living with a heart of kindness, was written by Chapman, Bryan Fowler, Ethan Hulse and Micah Kuiper, and was produced by Chapman, Fowler and Kuiper. The song, which gently builds, features guitar, keys, drums, bass and backing vocals.
Key lyric:
So when they stand and tell the stories
Of who we are and what we’ve done
Of a thousand things that we could leave behind us
If they say just one word, well, let that word be kindness

Running After You – This song, about God’s amazing love, was written by Chapman and Brent Milligan, and was produced Chapman, Milligan, Ben Shive, Caleb Chapman and Will Chapman. The song features drums, bass, keys, backing vocals and a memorable chorus.
Key lyric:
And once you’ve been captured by the Father’s heart
You can finally rest in knowin’
His love is never gonna let you go

Unfixables – This upbeat song, about living between these ruins that we don’t understand and the future restoration, was written by Chapman, Jacob Sooter and Micah Kuiper, and was produced by Chapman, Kuiper and Bryan Fowler. The song features guitar, backing vocals, drums, bass and a memorable chorus.
Key lyric:
I’m gonna trust You with all these unfixables
Until the day when I finally see the way
You make masterpieces out of these unfixables

Love Now – This song, a reminder about loving now because we don’t know how much time we have, was written by Chapman, Bryan Fowler, Micah Kuiper and Mary Chapman, and was produced by Chapman, Fowler and Kuiper. The song features piano, guitar, bass, drums, and backing vocals.
Key lyric:
And we’re reminded again, only the Father knows when
He’s gonna call His children home

Where Else Could I Go – This song was written by Chapman, Caleb Chapman and Will Chapman and was produced by Chapman, Caleb Chapman, Brent Milligan, Will Chapman and Ben Shive. The song, which echoes John 6:68 when Peter told Jesus “Lord, to whom shall we go? You have the words of eternal life”, features piano, guitar, keys, bass, drums, and backing vocals.
Key lyric:
Where else could I go?
All my hope is in You and You alone

A Desperate Benediction (Peace On Earth) – This song, a prayer for peace, was written by Chapman and Tom Douglas, and produced by Chapman, Brent Milligan and Ben Shive. The song features piano, keys, bass, guitar and backing vocals.
Key lyric:
We’re all brothers and sister cryin’ to the Father
For peace on Earth

Living Color – This song, about Chapman’s best friend in seventh grade Carlton who had a good heart, was written by Chapman and was produced by Chapman, Brent Milligan and Ben Shive. The song features piano and strings.
Key lyric:
And his skin was dark, and my skin was light
But all we saw was a friend in each other’s eyes
And our blood ran red in both our hearts
And we were lookin’ at the world in living color

Trying To Get Back Home – This song was written by Chapman and Ben Shive, and was produced by Chapman, Shive, Brent Milligan, Caleb Chapman and Will Chapman. The song, about our journey to get home to heaven, features guitar, strings, and backing vocals.
Key lyric:
So be kind to yourself and everyone else
On this long and windin’ road
And don’t you believe it if you start feelin’ alone
We’re all just tryin’ to get back home

Favorite songs:
Still
Don’t Lose Heart
Running After You
Unfixables
Where Else Could I Go

Revolver (Super Deluxe) – Beatles
****

Giles Martin, son of the Beatles long-time producer Sir George Martin, continues his work of overseeing the re-release of special edition Beatles albums. He started with Sgt. Pepper’s Lonely Hearts Club Band in 2017, The Beatles (White Album) in 2018, Abbey Road in 2019 and Let it Be in 2021. Now comes the re-release of the Beatles 1966 groundbreaking album Revolver. The release is available in a variety of configurations. I listened to the Super Deluxe edition which contains 63 songs.
The original Revolver album had 14 songs, though in the U.S. it had only 11 songs, as “I’m Only Sleeping”, “And Your Bird Can Sing”, and “Doctor Robert” were included on the Yesterday and Today album. The album was recorded between early April and the end of June 1966. John Lennon and Ringo Starr were 25 years old, while Paul McCartney and George Harrison were only 23 at the time.
Revolver was very different from its predecessor, 1965’s Rubber Soul. Revolver is experimental, fueled by the band’s drug use and increasing use of studio effects.
The Super Deluxe edition features the original album in a new 2022 stereo mix, as well as a mono mix, alternate takes of all songs except “Good Day Sunshine”, and early demos. In addition, the two-sided single “Paperback Writer”/“Rain”, recorded during these sessions, but not included on the album, is included in stereo and mono mixes.
Just like Peter Jackson’s 2021 excellent documentary The Beatles: Get Back allowed us to watch how McCartney’s song “Get Back” developed, on this project we get to hear how songs like “Yellow Submarine”, “And Your Bird Can Sing”, “Tomorrow Never Knows”, Got to Get You Into My Life” and “Love You To” evolve significantly into the versions that we are so familiar with.

Sandra McCracken is a singer-songwriter and hymn writer from Nashville, Tennessee. A prolific recording artist, McCracken has produced 14 solo albums over two decades. Her best selling release, Psalms (2015) received critical acclaim, followed by God’s Highway (2017) which made the top 50 on Billboard Heatseekers chart without a major label. She has had songs featured in TV, including ‘Ten Thousand Angels’ on ABC’s Grey’s Anatomy and has over 15 million streams. Blending the old and new, Sandra has also shown a unique ability to recast sacred scripture texts into theologically rich yet accessible songs. Her thoughtful lyrics and gospel melodies in songs like “We Will Feast In The House Of Zion,” “Steadfast” and “Thy Mercy My God” have become staple anthems in churches across the U.S. As a published writer, she contributes a regular column in Christianity Today and released her first book “Send Out Your Light” in September 2021. She has released three full-length albums in 2022. Here are reviews of each of them:

November Songs – Shadowlands
****

Shadowlands consists of singer/songwriter Sandra McCracken, Brett Taylor, Director of Worship Arts at West End Community Church in Nashville, and acclaimed songwriter Luke Laird, who has written more than twenty number one Billboard singles. The title of the EP comes from the fact that the songs were written in November, 2021. The songs are written and produced by the band. All lead vocals are by Sandra McCracken, with the exception of “Quiet Mind”, on which Brett Taylor sings lead. The mostly acoustic songs feature excellent musicianship, songwriting and performance. This is one of my favorite releases of the year. I hope that there is a full-length follow-up to this EP.
Here are a few comments about each song:
Saving Me – This song features, drum, piano, acoustic guitar, backing vocals. bass, and a guitar solo. The song touches on forgiveness, grace and seeing Jesus face to face.
Key lyrics:
Finally free to struggle
‘Stead of struggling to be free

Let My Heart Be Moved – This was the first of the songs to be written by McCracken, Taylor and Laird. The song features percussion, backing vocals, guitar, bass and piano. In times of doubt, fear, unbelief and burdens sing this prayer.
Key lyrics:
Let my heart be moved
Draw me close and let make me new.
Healer of the broken
Keep my eyes wide open
To see you

Quiet Mind – This was the last song written for the project. The lead vocals are handled by Brett Taylor. The song features guitar, backing vocals, beautiful harmonies, drums, and bass. It is a prayer asking for the Lord to give a quiet mind and the peace to be still and know.
Key lyrics:
Tonight, give me a quiet mind

Hold Together – This was the first single from the project. McCracken described the song as a snapshot of real life right along with real theology. The song is based on Colossians 1:17: “And he is before all things, and in him all things hold together.” It features piano, guitar, bass, backing vocals, and drums.
Key lyrics:
Before all things
Through Him all things
Were created and belong to him forever
For by Him
All things for him we sing
In Him all things hold together

Hear You – This song features guitar, piano, bass, backing vocals, and drums.
Everyone is telling her what she needs to do, where to go, and what to say, but what she needs to is hear God’s voice.
Key lyrics:
I need to hear Your voice

Song for the Waiting – McCracken has said that this song is a lament, a lullaby. It weaves together a shared love for old hymns and folk music inflections into a new melody. It’s a song for when we are holding and waiting, a song to keep you company when you are waiting for the morning to break. This song features piano, percussion, bass, and backing vocals. The song samples the 1887 hymn “Leaning on the Everlasting Arms” by E.A. Hoffman.
Key lyrics:
You are the song in the night
Like bells on a hill still ringing
You are the song in the night
I cannot keep from singing

Favorite Songs:
All!

Listen to November Songs here.

Light in the Canyon – Sandra McCracken
****

Light in the Canyon is Sandra McCracken’s 17^th album and is the follow-up to her early 2022 covers album Carry Each Other. The excellent new album was recorded on a weekend retreat in the Texas hill country at Laity Lodge. She reimagines with a jazz sound, some of her songs that span two decades of songwriting as well as including a new song. McCracken is accompanied by musicians John Pattiucci, Jon Cowherd, James McAlister, Andrew Osenga and John Raymond, as well as background singers. I especially enjoyed the outstanding piano work by Cowherd.
McCracken tells us that this is a collection of gospel songs, songs of truth and hope in an age of uncertainty. They are songs that help us remember what we believe, like light in a valley. They are also songs that correspond with her recent book, Send Out Your Light: The Illuminating Power of Scripture and Song.
Here are a few brief comments about each song:
Send Out Your Light – This song was written by McCracken and is based on Psalm 43. The song features, piano, horns, backing vocals, and drums. A great opening song.
Key lyrics:
Send out Your light and Your truth
Let them lead me
Bring me to Your holy hill
To Your dwelling
Then I will go to the alter of God
To God my exceeding joy
Then I will praise You with all my heart
Oh my joy, my joy

I Will Sing – This song of worship was written by McCracken and Leslie Jordan. The song features drums, piano, bass, and guitar.
Key lyrics:
With my mouth
I will tell of Your faithfulness
I’ll declare, Lord, Your covenant
With my life

Trinity Song – This song about the Father, Son and Holy Spirit was written by McCracken. The song features piano, guitar and horns.
Key lyrics:
Holy Father, Son and Spirit
Holy Communion, Three in One
Holy Father, Son and Spirit
Holy Communion, Three in One

Thy Mercy, My God – The lyrics to this song were written by John Stocker, and the music by McCracken. The beautiful worship song has McCracken accompanied by piano.
Key lyrics:
All praise to the Spirit, His whisper divine
Seals mercy and pardon, and righteousness mine

We Will Feast In The House Of Zion – This song was written by McCracken and Joshua David Moore. The song features piano, bass, light percussion, and backing vocals.
Key lyrics:
We will feast in the house of Zion
We will sing with our hearts restored
He has done great things, we will say together
We will feast and weep no more

Hold To God’s Unchanging Hand – This song was written by Jennie Wilson in 1906. The song features bass, guitar, piano and backing vocals.
Key lyrics:
Hold to God’s unchanging hand,
Hold to God’s unchanging hand;
Build your hopes on things eternal,
Hold to God’s unchanging hand

Call Upon Him – This song about prayer was written by McCracken, Rachael Lampa and Trillia Newbell. The song features drums, guitar, piano, bass and backing vocals.
Key lyrics:
Call upon Him, call upon Him
There is power in the Name
Call upon Him, call upon Him
There is power in the Name

Have Mercy – This song, a prayer, was written by McCracken and Thad Cockrell. The song features piano, drums, guitar, and bass.
Key lyrics:
Have mercy on us
Have mercy on us, O Lord

Christ Is The Life Of The World – This worship song was written by Sandra McCracken. The song features piano, light percussion and guitar, horns and some excellent bass.
Key lyrics:
Let us lift up, lift our hearts,
It is good to lift our hearts to the Lord

Until He Comes Again – This new song, which features Andrew Osenga, is about remembering what the Lord has done for us as we celebrate the Lord’s Supper and long for His return. The song features piano, bass, drums, guitar, and backing vocals.
Key lyrics:
By this we remember in love
As we gather with bread and wine
We remember until He comes again

Favorite songs
Send Out Your Light
I Will Sing
Thy Mercy, My God
We Will Feast in the House of Zion
Hold to God’s Unchanging Hand

Carry Each Other – Sandra McCracken
***

I was introduced to singer/songwriter Sandra McCracken over the past few years when I saw her perform at the Gospel Coalition National Conference and Sing! conferences. Carry Each Other, her follow-up to 2020’s excellent Patient Kingdom (my favorite album that year), has her covering eleven songs that have meant a lot to her.
About the album, McCracken has said:
“We are each carried by certain songs through pivotal moments of our lives. Alongside my love for songwriting and old hymns, I’m so excited to share this collection of songs written by some of the modern, musical truth-tellers who have carried me through some of my own life-seasons. I hope these recordings will shine light as you listen, reminding you of some of the songs that have carried you, too.”
The album was produced by Tyler Chester, and features McCracken’s excellent vocals accompanied by piano, acoustic guitar, bass, drums, synth, backing vocals, and strings. I’m not generally a fan of a covers album, such as Switchfoot’s 2020 album Covers, and though I most likely won’t listen to this one as much as Patient Kingdom, I was glad to hear McCracken’s interpretation of these songs, some of which I knew and some I didn’t.
Here is the track list:
One – This song was written by Bono, The Edge, Larry Mullen Jr., Adam Clayton and recorded by U2.
Only Love Can Break Your Heart – This song was written and recorded by Neil Young.
Most of the Time – This song was written and recorded by Bob Dylan.
Everybody Hurts – This song was written Mike Mills, Michael Stipe, Peter Buck, Bill Berry and recorded by R.E.M.
Heart of a Girl – This song was written by Brandon Flowers, Dave Keuning, Mark Stoermer, Ronnie Vannucci Jr., Daniel Lanois and recorded by The Killers.
Anthem – This song was written and recorded by Leonard Cohen.
Fairest of the Seasons – This song was written by Nico, Jackson Browne, Gregory Copeland and recorded by Nico.
Weather with You – This song was written by Neil Finn, Tim Finn and recorded by Crowded House.
It Ain’t Me, Babe – This song was written and recorded by Bob Dylan.
You Can Never Hold Back Spring – This song was written Tom Waits, Kathleen Brennan and recorded by Tom Waits.
What’ll I Do – This song was written by Irving Berlin and recorded by many artists including Frank Sinatra and Bob Dylan.

Christ Our Hope in Life and Death – Keith and Kristyn Getty
****

Keith and Kristyn Getty follow-up their 2021 album Confessio – Irish American Roots with Christ Our Hope in Life and Death, their first major collection of new hymns since 2016’s Facing A Task Unfinished. The new album, one of my favorites of 2022, features guest artists such as Michael W. Smith, Skye Peterson, Matt Boswell and Matt Papa, and Rend Collective.
Below are a few comments about each of the songs:
Christ Our Hope in Life and Death (Radio Mix) – This song was written by Keith Getty, Matt Boswell, Jordan Kauflin, Matt Merker and Matt Papa. It was produced by Bryan Fowler and features Michael W. Smith on vocals. Inspired by the first question of the Heidelberg Catechism, this is one of our best modern hymns. The song features backing vocals, drums, bass, piano, guitar, and strings.
Key lyrics:
O sing hallelujah!
Our hope springs eternal;
O sing hallelujah!
Now and ever we confess
Christ our hope in life and death

Rejoice – This joyful song was written by Keith Getty, Kristyn Getty, Ben Shive, Skye Peterson and Bryan Fowler. It was produced by Shive and Fowler and features Rend Collective on vocals. The song was written out of a desire to answer the question, “How do we find opening songs that are energetic, full of joy, but rich in the Bible?” The song puts Paul’s encouragement in Philippians 4:4 into song: “Rejoice in the Lord now and always, sing it again we rejoice.” The song features drums, backing vocals, guitar, bass, and guitar.
Key lyrics:
With each breath He’s given, praise the Lord
In these times we live in, we will praise the Lord
Throughout every season, I am sure
We have every reason to praise the Lord

The Lord Almighty Reigns – This song was written by Keith Getty, Kristyn Getty, Matt Boswell and Matt Papa. It was produced by Ben Shive and Bryan Fowler. The song features piano, bass, drums, guitar and backing vocals.
Key lyrics:
Certain of that day
Christ we will proclaim
Oh, that more would share the prize
Salvation in His name

Take Shelter – This song was written by Skye Peterson, Kristyn Getty and Ben Shive and produced by Shive. The song features Skye Peterson on vocals, piano, keys, guitar, bass, and backing vocals.
Key lyrics:
And I’ll take shelter
Take shelter
In the loving arms of God

On Jordan’s Stormy Banks – This hymn was written by 18^th century London pastor Samuel Stennett and Christopher Miner, and produced by Ben Shive. The song features guitar, drums, bass, backing vocals, and a nice guitar solo.
Key lyrics:
When shall I reach that happy place
And be forever blessed?
When shall I see my Father’s face
And in His bosom rest?

Beautiful and Greatly Loved – This lullaby was written by Kristyn Getty and Jordyn Shellhart and introduced at the 2022 Sing! Conference. The song was produced by Ben Shive, and features guitar, strings, piano, drums, organ, bass, and backing vocals.
Key lyrics:
You are beautiful and greatly loved
Though the flower may fade
Your worth will never age
The breath of heaven from above
Flows through the both of us
Singing over us
You are greatly loved

Press On – This song was written by Kristyn Getty and Ben Shive and produced by Shive. The song features piano, drums, bass, organ, vocals by the Getty Girls, and a nice organ solo.
Key lyrics:
Press on all you saints
Press on till the end
Christ with us, ever with us
Until He comes again

Christ is All in All – This gospel flavored song, which debuted at the 2021 Sing! Conference, and was included on the live conference album, was written by Kristyn Getty, Ben Shive and Dwan Hill and produced by Shive. The song features guitar, organ, drums, backing vocals, bass and a nice organ solo.
Key lyrics:
Sons and daughters of the King
Rise up and sing
That Christ is all in all

Christ The True and Better – This song was written by Keith Getty, Matt Boswell and Matt Papa. It was produced by Ben Shive. The song initially appeared on Almost Home: The Hymns of Matt Boswell and Matt Papa Vol. 2, and is one that we have recently been singing in our church. The song features guitar, piano, bass, strings, backing vocals and some excellent drums.
Key lyrics:
He who makes the many righteous
Brings us back to life again
Dying, He reversed the curse, then
Rising, crushed the serpent’s head

If It Had Not Been for the Lord – This song was written by Kristyn Getty, Matt Boswell and Matt Papa, and produced by Ben Shive. The song features piano, bass, guitar, drums, and vocals from Matt Boswell and Matt Papa.
Key lyrics:
Our hope our help from age to age the same
Our God our rock most worthy to be praised
From this mount of grace our grateful hearts will say evermore
If it had not been for the Lord

Christ Our Hope in Life and Death – This is an alternate version of the title track, produced by Keith Getty, Kristyn Getty and Nathan Nockels.

Favorite Songs
Christ Our Hope in Life and Death (Radio Mix)
Rejoice
The Lord Almighty Reigns
On Jordan’s Stormy Banks
Christ is All in All
Christ the True and Better
If It Had Not Been for the Lord

Together for the Gospel Live V – Matt Merker
****

This album features 19 classic and modern hymns sung at the final Together for the Gospel Conference at the Kentucky International Convention Center in Louisville in April, 2022. The hymns are led by modern hymn writer Matt Merker. It is a wonderful worship experience listening to Merker, on piano, lead ten thousand voices. The songs range from newer hymns such as “Christ Our Hope in Life and Death”, “Yet Not I But Christ in Me”, and “His Mercy is More” to older hymns such as “The King of Love (Psalm 23)”, “Crown Him With Many Crowns”, and “Rejoice the Lord is King”.

New Creation (Deluxe Version) – Mac Powell
****

Mac Powell (former lead singer of Third Day) has long been a favorite of mine. His 2021 album was one of my favorites last year. Here is my review of the album. Powell has now released a Deluxe Version of the album, which features two new songs and live versions of “Be Praised”, “River of Life”, “Love is the Reason” and “New Creation”, which were previously available on an EP.
Here is information on the two new songs:

You Are – This upbeat worship song was written by Hank Bentley, Jeff Pardo and Powell. The song features acoustic and electric guitar, drums, bass and hand claps, and backing vocals.
Key lyrics:
You are the way that I wanna be going
You are the truth I wanna know
You are the life that I wanna be living
Everywhere that I go
Jesus, You’re the answer

Savior and Friend – This song about the love of Jesus was written by Ethan Hulse, Jonathan Smith and Powell. The song features acoustic guitar, piano, backing vocals and drums.
Key lyrics:
Oh, how sweet it is
To be given a love without end
Just to know and live in your goodness
Jesus my savior and friend

There is One Gospel (Deluxe Edition) – CityAlight
****

There is One Gospel is a collection of new music for congregational worship by CityAlight, a music ministry from St. Paul’s church in Sydney, Australia. I recently got to see CityAlight for the first time at the 2022 Sing! Getty Music Worship Conference in Nashville, one of many highlights from the conference.
In a session at the conference entitled “Behind the Songs Live with CityAlight,” I learned that they intentionally write simple folk melodies, which might even sound familiar to us, to go along with their biblically informed lyrics. It is not unusual for them to take six months to write a song, as each song goes through several reviews.
Here are a few comments about each song on this excellent new album:

Every Step – This song was written by James Ferguson and Ian Lewis. The song features piano, drums, bass, guitar and backing vocals. The song is about trusting in Christ with every step we take.
Key lyrics:
For all of my days I will live for your glory
Running with courage and faith
The prize of my journey, the joy of salvation
To meet my King face to face

There is One Gospel – This song was written by Jonny Robinson and Rich Thompson. The song features piano, guitar, bass, drums, and backing vocals. The song is about the one Gospel on which we stand.
Key lyrics:
And when in glory still I will sing
Of this old story that rescued me
Praise to the Savior, the King of life
I stand in the Gospel of Jesus Christ

On That Day – This song was written by Scott Lavender, Jonny Robinson, Rich Thompson, Nigel Hendroff and Michael Farren. The song features piano, bass, guitar, drums and backing vocals. The song is about the resurrection day.
Key lyrics:
On that day we will see you shining brighter than the sun
On that day we will know you as we lift our voice as one
Till that day we will praise you for your never-ending grace
And we will keep on singing on that glorious day

Psalm 42 (I Will Praise Him Again) – This song was written by Jonny Robinson and Tiarne Tranter. This song, based on Psalm 42, was written after Tranter suffered a miscarriage. The beautiful song features piano, acoustic guitar, drums and backing vocals.
Key lyrics:
Why, my soul, are you downcast?
Why are you troubled within?
For I will hope in my Savior, my God
And will praise Him, yet praise Him again

This is the Day – This joyful song was written by Jonny Robinson, Rich Thompson and Tiarne Tranter. The song is based on Psalm 118:24. The song features guitar, drums, backing vocals and keys.
Key lyrics:
This is the day that the Lord has made
We will rejoice as we lift His name
This is the day that the Lord has made
Come and rejoice, we will rejoice and be glad in it

Known and Loved – This song was written by Tiarne Tranter, Jaywan Maxwell and Fiona Aghajanian. The song, about being known and loved by Jesus, features piano, guitar, bass, keys, drums and backing vocals.
Key lyrics:
I come to Jesus, lay down my weakness
No need for hiding, here in His light
This truth I treasure, my peace forever
Is being known and loved by Him

Your Will Be Done – This song was written by Rich Thompson and Jonny Robinson. The song, based on Jesus’ prayer in the Garden of Gethsemane in Luke 22:42, features piano, guitar, bass, drums, and backing vocals.
Key lyrics:
And in this Name we overcome
For You shall see us safely home
Now as your church
We lift our voice and pray
Father, not my will but Yours be done

There is Hope – This song was written by Niki Shepherd and Paris Robertson. The song features piano, bass, drums, guitar, backing vocals and strings.
The song is about Jesus, our hope forever.
Key lyrics:
Jesus Christ my hope forever
Hope unlike the world can bring
Your steadfast love beyond all measure
There is hope in Christ my king

Bonus Tracks:
The Night Song – This beautiful song about Jesus, who has saved us from the darkness, was written by Colin Buchanan, Jonny Robinson and Rich Thompson, and features Buchanan. The song features piano, guitar, strings and backing vocals.
Key lyrics:
All this day Your hand has held me
God of Heaven, by my side
Thank you, Father, for Your goodness
You will hold me through the night

It Was Finished Upon That Cross – This song, about the cross of Christ (John 19:30), was written by Jonny Robinson, Rich Thompson, and Nigel Hendroff. The song features piano, guitar, drums, bass, and backing vocals.
Key lyrics:
Death was once my great opponent
Fear once had a hold on me
But the Son who died to save us
Rose that we would be free indeed!

Jesus Strong and Kind – This song was written by Jonny Robinson, Rich Thompson, Michael Farren and Colin Buchanan and features Buchanan. The song features keys, piano, bass, drums, and backing vocals.
Key lyrics:
For the Lord is good and faithful
He will keep us day and night
We can always run to Jesus
Jesus, strong and kind

Favorite Songs
All

Life After Death – TobyMac
****

Life After Death is 57-year-old TobyMac’s eighth studio album, and his first since 2018’s The Elements and the 2019 death of his 21-year-old son Truett from an accidental drug overdose. The 15-song album is the best I have heard this year.
Eight of the fifteen songs were released prior to the official album release date. The songs, which date from 2020’s “21 Years” and “I’m Sorry (a lament)”, include themes of loss, lament, hope, racial equality, the goodness of God, relationships, living for Christ and rest. Toby has said that there is life after death, and that the album chronicles the journey he has been on over the last two years. And somehow, through it all, he has experienced the goodness of God.
There are several collaborations on the album, including with Blessing Offor, Tauren Wells, Sheryl Crow, Zach Williams, and former DC Talk bandmates Michael Tait, and Kevin Max. Musically, the songs feature excellent, catchy melodies and beats, and the production is top notch. In other words, exactly what you would expect from a TobyMac album.

Below are a few comments about each song:

Help Is On The Way (Maybe Midnight) – This song was written and produced by Micah Kuiper and Toby, and features Jon Reddick, Gabe Real, Michael Cochran, and Kuiper on backing vocals. The upbeat song was released in February 2021 and was a hit on Christian radio. This was the first song of hope that Toby wrote after the death of Truett. A great start to the album and it was the opening song on his recent tour.
Key lyric:
It may be midnight or mid-day
He’s never early, never late
He gonna stand by what He claimed
I lived enough life to say…
Help is on the way

The Goodness – This joyful song was written by Kyle Williams, Gabe Real, Bryan Fowler and Toby. It was produced by Fowler, Williams and Toby, and features vocals from Blessing Offor, and backing vocals from Fowler, Williams, Real and Ryan Stevenson. Through the good and the bad and the ugly, he can still see the sunshine above him.
Key lyric:
Everywhere that I go
You keep showin’ up
Lord, You make me wanna shout it, oh
You’re the goodness in my life

Deeper – This song was written and produced by Micah Kuiper and Toby, and features Tauren Wells on vocals. The song features bass, percussion, and backing vocals. He wants to go deeper. He is tired of surface level conversations and friendships.
Key lyric:
Deeper, I wanna go deeper
I’m gettin’ tired of the surface

Show Up Choose Love – This song about racial unity, was written by Jon Reddick, Tommy Sims, Janice Gaines, Micah Kuiper, Benji Cowart, Tony Wood and Toby. The song was produced by Kuiper, Reddick and Toby, and features Worship Pastor Jon Reddick on vocals. The song features keys, bass, drums, and a choir. Sometimes the next right thing is all you can do.
Key lyric:
We’ve come a long way
Been through some dark days
We seen some things change
And we shall overcome

Promised Land (Collab OG) – This song was written by Adam Agee and Toby and produced by Micah Kuiper and Toby. This is an alternate version of the “Promised Land” radio single and features Sheryl Crow on vocals. The song features guitar, bass, drums, and backing vocals. Toby and Crow’s voices blend well. The song claims that in the midst of his grief, God is still his Promised Land.
Key lyric:
Through all these seasons
I’m still believin’
You’re my promised land
In all my grievin’
I’m still believin’
You’re my promised land

Everything About You – This song was written by Marlee, Jon Reddick and Toby, and produced by Bryan Fowler, Kyle Williams, and Toby. The song features Toby’s daughter Marlee on vocals in this heartfelt song about missing Truett. The song features a live orchestra (strings and horns), drums, bass, keys, and organ.
Key lyric:
I miss everything about you
I just miss bein’ around you
Outta sight, outta mind
Don’t add up, not this time
It’s the cold truth
I miss everything

Life On It – This hard-driving song was written by Bryan Fowler, Saint X, Reske, Ging, and Toby. The song is produced by Fowler, Saint X, Micah Kuiper, and Toby and features Sarah Reeves on vocals. The song features, keys, guitar, drums, horns, and a rap by Toby. He’d rather live for something than to die for nothing.
Key lyric:
From the blessings poured out to me losin’ my son
You’re my way and my truth, I’m a disciple of You
Through the highs and the lows, my heart will always stay true
They could put me in chains, they could lock me away
They would slay me in vain, I will always remain

Faithfully – This song was written by Kyle Williams and Toby, and produced by Micah Kuiper, Williams, and Toby. The song features horns, bass, strings, guitar and backing vocals. He may never be the same man, but he’s a man who still believes.
Key lyric:
‘Cause when my world broke into pieces
You were there faithfully
When I cried out to You, Jesus
You made a way for me

Cornerstone – This upbeat worship song, which has a bit of a classic rock sound, was written and produced by Micah Kuiper, Bryan Fowler and Toby, and features Zach Williams on vocals. The song features drums, guitar, bass, and backing vocals and samples some of the 1834 hymn “My Hope is Built on Nothing Less” by Edward Mote.
Key lyric:
You’re the only Rock that I could ever stand on
You’re the only one for me

Found – This upbeat praise song was written by Lydia Lubben, Dave Lubben, Mutiat Isola and Toby and produced by Dave Lubben and Toby. The song features Terrian and Wande and Terrian. The song features keys, piano, guitar, drums, and backing vocals. He once was lost, but now he’s forever His.
Key lyric:
All I am is because of You
All I’ll be is because of You
All I was is lost
But now I’m found

Fire’s Burnin’ – This upbeat worship song was written and produced by Micah Kuiper, Bryan Fowler and Toby, and features Cory Asbury on vocals. The song features guitar, bass, drums, backing vocals and a memorable chorus.
Key lyric:
I put it all on the table
You’re the one that I choose
You got my whole heart, Lord
This fire’s burnin’ for You

Space – This song about relationships was written and produced by Dave Lubben and Toby, and features DC Talk bandmates Michael Tait and Kevin Max on vocals. The song features keys, drums, percussion, guitar, bass and backing vocals, and could be about the space that has grown in the relationship between the three. The song includes a bit of 1 Corinthians 13. It is great to hear their three voices together again.
Key lyric:
How can we start to erase?
How can we start to erase this space between us?

21 Years – This powerful song was written by Bryan Fowler, Blake NeeSmith, and Toby in 2020, as a tribute to Toby’s son Truett, a song Toby never wanted to write. The song was produced by Fowler and Toby. The song features keys and strings.
Key lyric:
Well until this show is over
And you run into my arms
God has you in Heaven
But I have you in my heart

I’m Sorry – This song was written by and produced by Tommee Proffit and Toby. The song laments our falling short of what Jesus asks of us as His church in Matthew 5, 6 and 7. The song ends Toby reciting the Beatitudes. The song features keys, drums, a choir and a passionate vocal by Toby.
Key lyric:
Wake us up, wake us up, wake us up, Lord
Wake us up, wake us up, wake us up

Rest – This short ending song was written and produced by Dave Lubben and Toby, and features Terrian and Gabe Real on vocals. The song features keys, strings, guitar, and backing vocals. This song about the Sabbath includes each artist sharing a Bible verse about the topic.
Key lyric:
Fall into the arms of God and rest your weary head
Just rest

Favorite songs:
Help Is On The Way (Maybe Midnight)
The Goodness
Promised Land (Collab OG)
Life On It
Faithfully
Found
Fire’s Burnin’
Space
21 Years
I’m Sorry (a lament)

Worship Forever – Michael W. Smith
***

Michael W. Smith’s best-selling album is Worship, which was released on September 11, 2001, the day our nation was attacked. As a way to honor the tragic September 11 anniversary, Smith has released a reimagined version of the album. Worship Forever was recorded in front of a live audience in Nashville in July with a full symphony orchestra, choir and guest appearances by Amy Grant, Matt Redman, and Tauren Wells.
Smith adds a few newer songs to the track list including “Surrounded/Waymaker” and the new studio recording, the piano and orchestra driven “Sing Again.” Below is the chorus for “Sing Again”:

This lonely heart will sing again
These barren lungs will breathe again
Through suffering we’re stronger
In the palm of His hand
Like a beacon in the night
Hope illuminates the sky
Reaching for each other
And as we carry on
We are keepers of the light

The project is very well done, though Smith performs the songs a bit slower with the orchestra than he did on the original album.
Here is the track list for Worship Forever:
Forever
Heart of Worship (featuring Matt Redman)
Draw Me Close
Turn Your Eyes Upon Jesus
Open the Eyes of My Heart
Above All
Breathe
Let It Rain
Agnus Dei (featuring Amy Grant)
Awesome God
More Love, More Power (featuring Tauren Wells)
Surrounded/Waymaker (not on original album)
Forever (reprise)
Sing Again (new song)

What Are We Waiting For? for KING & COUNTRY
***

The Australian duo for KING & COUNTRY, comprised of brothers Joel Smallbone and Luke Smallbone, follow up their 2018 album Burn the Ships and their 2020 Christmas album A Drummer Boy Christmas with What Are We Waiting For? Their fifth studio album features their distinctive sound of bass, drums and strong vocals. Themes on the album include being the same in different ways, letting go of mistakes we’ve made, God loving us as we are, racial unity, holding on till the pain ends, parents, commitment in marriage, differences, and worship.

Below are a few brief comments about each song:

Relate – This song was the first single from the album and was written by Joel Smallbone, Luke Smallbone, Josh Kerr and Tayla Parx, and produced by Kerr, Tedd T and for KING & COUNTRY. The song, which reached number one on Christian radio, features keys, bass, drums, and backing vocals, and tells us that we don’t know what it’s like to be one another but by the grace of God we’ll see each other’s heart.
Key lyric:
I don’t know what it’s like to be you
You don’t know what it’s like to be me
What if we’re all the same in different kinds of ways
Can you, can you relate?

Broken Halos – This song was written by Josh Kerr, Mick Coogan, Joel Smallbone and Luke Smallbone, produced by Kerr, Tedd T and for KING & COUNTRY. The song features synth, keys, drums, bass, and backing vocals. We can take our mistakes and let them go because we all wear broken halos.
Key lyric:
Don’t you dare, don’t you dare
Don’t you hang your head

Love Me Like I Am – This song was written Michael Pollack, Josh Kerr, Luke Smallbone and Joel Smallbone, and produced by Jeff Sojka, Kerr and for KING & COUNTRY. The song features keys, bass, drums and backing vocals. The song could be addressing horizontal or vertical love.
Key lyric:
It’s amazing that You can
Love me like I am
And even when I can’t
You still love me as I am

Unity – This song was written Tony Williams, Federico Vindver, Josh Kerr, Luke Smallbone and Joel Smallbone, and produce by Vindver, Kerr and for KING & COUNTRY. The song about racial unity features Dante Bowe on vocals, keys, bass, drums, and a choir.
Key lyric:
Save us from this madness
Heal us from this sadness
Lead us to what matters
Closer to You

For God Is With Us – This song was written by Joel Smallbone, Luke Smallbone, Jordan Reynolds and Josh Kerr, and produced by Aqualung, Kerr, Tedd T, Benjamin Backus and for KING & COUNTRY. The song features guitar, keys, bass, drums and backing vocals. The song about Jesus addresses his birth, crucifixion and present reign.
Key lyric:
Can you feel the hope that’s rushin’ in?
Can you hear the song that’s echoin’?
Join with the choir as we sing
This is where love truly begins

Hold On Pain Ends – This song was written by Luke Smallbone, Joel Smallbone, Jordan Reynolds and Josh Kerr, and produced by Kerr, Benjamin Backus, Tedd T and for KING & COUNTRY. The song about holding on until pain ends features bass, drums, bass and backing vocals.
Key lyric:
When it’s hard to say amen
And it doesn’t go as planned
When it’s more than you can stand
You can hold onto me then

Unsung Hero – This song was written by Seth Mosley, Luke Smallbone, Joel Smallbone, and Federico Vindver, and produced by Vindver, Mosley and for KING & COUNTRY. The tender song about mothers and fathers, features strings, backing vocals, and guitar.
Key lyric:
You’re an unsung hero, so I’ll sing this song for you

Harmony – This short song was written by Federico Vindver, Aqualung, Seth Mosley, Luke Smallbone and Joel Smallbone, and produced by Mosely, Vindver and for KING & COUNTRY. The song features Sleeping at Last, keys, strings and backing vocals.
Key lyric:
Just the way that you taught us
Sing our songs, our melodies
In harmony

Shy – This song was written by Josh Kerr, Luke Smallbone, Joel Smallbone and Taylor Hill, and produced by Tedd T, Kerr and for KING & COUNTRY. The song features bass, drums, and backing vocals. The song addresses not being shy about our faith, despite the fear.
Key lyric:
When the world is trying to cut me up
And the fear is running through my mind
You won’t see me backing down
I’m not gonna be shy

Together – This song was written by Joel Smallbone, Luke Smallbone, Josh Kerr, Kirk Franklin, Ran Jackson and Ricky Jackson, and produced by Kerr, Federico Vindver and Benjamin Backus. Kirk Franklin and Tori Kelly are featured on vocals. This song was released in May, 2020 and was a number one song on Christian radio. It was previously released on the Burn the Ships Deluxe Edition: Remixes and Collaborations album. The song is about how together with our differences, we are bolder, braver and stronger.
Key lyric:
If you’re lookin’ for hope tonight, raise your hand
If you feelin’ alone and don’t understand
If you’re fightin’ in the fight of your life, then stand
We’re gonna make it through this hand-in-hand

Seasons – This love song was written by Michelle Buzz, Josh Kerr, Luke Smallbone and Joel Smallbone, and produced by Tedd T, Kerr and for KING & COUNTRY. The song features keys, backing vocals, bass and drums.
Key lyric:
On the day that I met you
You knew that I knew
When I said that I choose you
You know I still do

Cheering You On – This song was written by Josh Kerr, Jordan Reynolds, Luke Smallbone, and Joel Smallbone, and produced by Kerr and for KING & COUNTRY. The song features synth, drums, keys, bass, and backing vocals. The song is about cheering on a friend who is going through a difficult time.
Key lyric:
I’ll be cheering you on when no one else will
I’ll be cheering you on as you run your race

Benediction – This beautiful worship song was written by Nicolas Balachandran, Ricky Jackson, Ran Jackson, Josh Kerr, Luke Smallbone and Joel Smallbone and produced by Kerr. The song features organ,
Key lyric:
With all my mind
With all my strength
I want to be just like You
In all my days
In all my ways
I want to be just like You

Favorite songs:
Relate
Together
Benediction

Milk & Honey Tour: Austin City Limits Live – Crowder
***

Crowder released his excellent Milk & Honey album in June, 2021. It was one of my favorite albums last year. A deluxe edition was released in March, 2022, containing a few new songs and mixes. Now, a live album Milk & Honey Tour: Austin City Limits has been released. Crowder is an excellent live performer, and the songs featured here – all but “How Great Thou Art: by Chidima and “Child of God”, are from the Milk & Honey album – are high energy and worshipful.

What’s It Gonna Take? by Van Morrison
*** ½

This is Van Morrison’s 43rd studio album, following 2021’s Latest Record Project Vol. 1. See my review of that album here. With the fourteen new songs here, Morrison has now released an amazing forty-two songs over the past year.
The album cover features a couple running away from the city on puppet strings with “Wake Up” in the background. Many of the songs on the album are about Morrison’s reaction to the COVID-19 lockdowns and restrictions. I write this review from the perspective of living in a state that had some of the strongest COVID restrictions in the U.S. I’m also writing from the perspective of someone who nearly lost his brother to the virus.
My wife and I saw Morrison in concert two weeks before this album’s release. His voice is still an incredible instrument at age 76, as he leads his incredible band, showcased on this album. Morrison did not perform any of the songs on this new album in the concert.
Although some may disagree with some of the lyrics on the album, few will disagree that Morrison and his band deliver excellent performances here. Themes on the album are the impact of the COVID-19 lockdowns and restrictions (depression, misery and strife), the need to fight back, freedom, government lies, the media/fake news, free speech and celebrity

Dangerous – This upbeat song is about Morrison’s feud with Robin Swann, the Northern Ireland Minister of Health, who last fall filed a defamation lawsuit against Morrison. The song showcases the band, featuring Richard Dunn on Hammond organ and Seth Lakeman on fiddle.
Key lyric:
Somebody said I was dangerous
I said something bad, and it must’ve been good
Somebody said I was dangerous
I must be getting close to the truth

What’s It Gonna Take? – This upbeat song asks what’s it gonna take for people to wake up, or be broken. He addresses politicians, singing that the lockdown is making us crazy and freedom is a God given right. The song features hand claps, background vocals, trumpet by Crawford Bell, and Hammond organ by Richard Dunn.
Key lyrics:
What’s it gonna take for you to wake up?
What’s it gonna take for you to break?

Fighting Back Is the New Normal – This upbeat song is driven by the Hammond organ by Richard Dunn, piano by Stuart McElroy, drums by Collin Griffin and background vocals by Jolene O’Hara. He sings that fighting back is essential, we’ve gotta stop sitting on the fence.
Key lyrics:
Fighting back is the new normal
Gotta take a tip from the French

Fodder for the Masses – This song is about fake news that fills us with fear so that we will follow their rules. If you don’t accept it, you’re accused of being a conspiracy theorist. The song is driven by bass from Pete Hurley, piano from Stuart McElroy, backing vocals from Jolene O’Hara and Dana Masters and Hammond organ from Richard Dunn.
Key lyrics:
Fill you up with fake news for their masters
They know exactly just what they’re after
Get you to submit, get you to quit
If you don’t follow, follow all the rules like a fool

Can’t Go On This Way – This song, which has a slower pace, is about not being able to go on under the lockdowns (no holidays, travel abroad, etc.) and the lying by the government. The song features Richard Dunn on Hammond organ and Mike Barkley on trumpet.
Key lyrics:
Everyone is just sad
But not sad enough
To start getting mad

Sometimes It’s Just Blah Blah Blah – This mid-tempo song is about the lockdowns, restrictions and government lying. The song features Morrison on sax and Richard Dunn on Hammond organ, and ends with Beach Boys like vocals.
Key lyrics:
How do you like the new normal?
Tell me, how is that goin’ for you?
How did you overcome the restrictions?
How do you handle the news?

Money From America – On this blues song, he sings that there’s no such thing as free money. There’s no more Economic forum. He sings that Prince Charles, Mark Zuckerberg and Bill Gates are staring at the gates from Hell. The song features bass from Pete Hurley, guitar from Dave Keary, Hammond organ from Richard Dunn, and backing vocals.
Key lyric:
Don’t need no government telling me
Telling me my business
Got to tell them
Tell them to go away, go away

Not Seeking Approval – On this song, Morrison sings that his name is muck and he’s run out of luck. He sings that they want to enslave the population. You have to comply to even exist as experts run your life, causing misery and strife. But for them it’s just business as usual, they’re not seeking our approval. The song features bass by Pete Hurley, Hammond organ by Richard Dunn, drums from Colin Griffin and backing vocals by Dana Masters.
Key lyrics:
You think it’s about a virus, yes, it is
Well, it’s me and you against us

Damage and Recovery – This mid-tempo song with a memorable chorus, asks how long this can go this time. They tried it on for size and took our rights before our eyes. The lockdown brought this misery, now it’s damage and recovery. This song features piano by John McCullough, saxophone by Morrison, drums by Eamon Ferris, backing vocals by Kelly Smiley,
Key lyrics:
In our so-called free society
Is freedom just a memory?

Nervous Breakdown – This song has Morrison, as band leader, beginning the song by bringing the different aspects into the song (“First we start with the drums, then the bass….”). He asks “Is it any wonder at this time, not much is working for me?” The song features drums by Colin Griffin, bass by Pete Hurley, piano by Stuart McElroy, Hammond organ by Richard Dunn, Paul O’Reilly on saxophone, Mike Barkley on trumpet, and Jolene O’Hara and Kelly Smiley on backing vocals.
Key lyrics:
When you’re not allowed free expression
Or to follow your obsession
Showed you’re not essential, it’s a crime
Against humanity
Is it any wonder at this time?
Not much is working for me

Absolutely Positively the Most – On this song, which has a Ray Charles/gospel sound, Morrison sings that he is a preacher and teacher. He’s the master of his own soul. With his joy and freedom, where does he belong but God? When he sings “Pick your own salvation”, it reminds me of his song “Precious Time” from the Back on Top album, when he sings that it doesn’t matter to which God you pray. It’s unclear who the “He” is as he sings “He’s absolutely positively the most”. The song features an excellent Hammond organ solo by Richard Dunn, drums by Colin Griffin, bass by Pete Hurley, and backing vocals by Dana Masters and Kelly Smiley.
Key lyrics:
But restriction is a sin
It cannot win if we’re not free
Be ourselves, the wisest men say
Freedom is two-edged sword

I Ain’t No Celebrity – This song, which has a country feel, Morrison sings that he’s no celebrity, playing music is enough for him. The song features backing vocals by Dana Masters and Jolene O’Hara, Hammond organ by Richard Dunn, drums by Colin Griffin and piano by Stuart McElroy.
Key lyrics:
I ain’t no celebrity
Playing music is enough for me

Stage Name – This song is about stage names for celebrities. The song features Hammond organ by Richard Dunn, piano by Stuart McElroy, and backing vocals by Dana Masters.
Key lyric:
It’s a stage name
Not a real name
Could be a nicknam
Or a make-it-stick name

Fear and Self-Loathing in Las Vegas – This song has Morrison going through the day preparing for an evening show that night in Las Vegas. The song features an excellent saxophone solo by Morrison, bass by Pete Hurley, drums by Colin Griffin, and Hammond organ by Richard Dunn,
Key lyrics:
Step right up
Step right up now
Ain’t you glad you made it here tonight?
Tonight, tonight, tonight, tonight

Pretending – This song finds Morrison pretending his life is not in ruins and that he’s not depressed. The song features John McCullough on piano, Richard Dunn on Hammond organ, Mike Barkley on trumpet, and Jolene O’Hara on backing vocals.
Key lyrics:
Pretending makes the world go round
People love it when you wear that mask

Favorite Songs
Dangerous
Damage and Recovery
Nervous Breakdown
Absolutely Positively the Most
Fear and Loathing in Las Vegas
Pretending

New Creation – Mac Powell
****

I’ve long enjoyed Mac Powell’s music, mostly from his time as lead singer of four-time Grammy winners Third Day. I also enjoyed his 2019 album Back Again with Mac Powell and the Family Reunion. In fact, my wife Tammy and I saw Powell with his band the Family Reunion in November 2019, which was the last concert we saw before concerts were shut down due to the pandemic.

Me and Mac

Powell has also released two country music solo albums, but this is his first solo album of Christian music, and it’s a good one. He brings his distinctive baritone voice – one of the best in music – to these songs with a bit of a country/southern flavor. The album is produced by Jonathan Smith, Hank Bentley, Jeff Pardo, Seth Mosely, Colby Wedgeworth, and Ed Cash. Powell co-wrote each song, collaborating with Jonathan Smith, Ethan Hulse, Seth Mosley, Jeff Pardo, Brenton Brown, Hank Bentley, Matt Maher, Benji Cowart, Casey Beathard and Tommy Iceland.
Below are a few comments about each song:

River of Life – This upbeat anthem features organ, hand claps, backing vocals, guitar, bass and drums. There is healing in the river of life.
Key lyrics:
Brothers, sisters, come on down to that river
Guaranteed you’ll never be the same
There’s a fountain flowing from the heart of the Savior
Bring your sins and all your guilty stains
Let that river of life wash it all away

New Creation – This joyful song tells how God changed Powell (2 Corinthians 5:17). The song features backing vocals, hand claps, guitar, bass and drums.
Key lyrics:
You brought me blessings out of tragedy
You turned my old song into a symphony
And with your Spirit living inside of me
I’m a new creation
I’m a new creation

Love is the Reason – In this song, which Powell has said is his favorite on the album, Powell looks at three situations (his mom taking him to church, his brother fighting in the war, and Jesus dying for our sins), and says love was the reason for all three. The song features guitar, percussion, piano, organ, bass and backing vocals.
Key lyrics:
Love is the reason, love is the reason
Oh, love is the reason that I go
Standing up for what I believe in
That’s where my heart is leading
And love is the reason that I go

Be Praised – This song is about the name of the Lord being praised. The song features piano, bass, drums and backing vocals.
Key lyrics:
From the rising of the sun
To going down of the same
Let the name of the Lord be praised
Both now and forever more
All of heaven and earth proclaim
The name of the Lord be praised

1991 – This joyful song is about Powell being saved in 1991 at the age of 18. The song features guitar, drums, organ, hand claps, bass, piano, backing vocals and keys.
Key lyric:
By April 21st, 1991 I was worn out
tired from all the miles that I had run
Saw an old church and walked right in
Same old truth but it felt new then
On April 21st, 1991

The Center of It All – This song features guitar, drums, organ, piano, and bass. The song is about how from the beginning to the ending of Scripture Jesus is the center of it all.
Key lyrics:
From the beginning to the ending, You’re the center of it all
It’s for You and it’s from You, You and You alone
The Author of our story, let it all be for Your glory
From the beginning to the ending, You’re the center of it all

Joy of the Lord – This upbeat song about the joy of the Lord, based on Psalm 118:14, features keys, guitar, drums, bass, and backing vocals.
Key lyrics:
The joy of the Lord is my strength and my song
That sweet melody in my soul all day long
No matter what comes I’ll just keep going on
Cause’ the joy of the Lord is my strength and my song

Jesus You Are – The song about Jesus being whatever we need, features piano, hand claps, organ, backing vocals, and drums.
Key lyrics:
When I need rescue
You are my ransom
When I need shelter
You are my home
When I am weak Lord
You’re what I reach for
Lord I believe, whatever I need, Jesus you are

Everlasting Arms – This song about the everlasting arms of God, samples “Leaning on the Everlasting Arms” by Anthony J. Showalter and Elisha Hoffman. The song features piano, organ, backing vocals, guitar, bass, drums,
Key lyrics:
In the morning I am met with Your mercy
In the evening I am wrapped in Your love
There’s no end to Your reach
There’s no place I’d rather be
I’m leaning on Your everlasting arms

Baptized – This song about being baptized, features Matt Maher on vocals, and piano, guitar, bass, drums, and backing vocals. The song references the hymn “Nothing But the Blood of Jesus” by Robert Lowry.
Key lyrics:
Tell me how deep and wide is the love of Jesus
My soul will testify to the water’s edges
I’ve been born again
Had to die to find new life
In the water, in the fire
I’ve been baptized

All of the songs are strong musically and lyrically. My favorites are:
River of Life
Be Praised
1991
Everlasting Arms
Baptized

Sing! In Christ Alone. Live at the Getty Music Worship Conference – Keith & Kristyn Getty and Friends
****

This is the fifth live album that Keith & Kristyn Getty have released from their annual Sing! conferences (one for each conference). I always enjoy these albums as they bring back special memories from attending the conference. Sing! In Christ Alone was recorded at the Bridgestone Arena in Nashville in September 2021. The sixteen songs on the album feature artists such as Keith & Kristyn Getty, Matt Boswell and Matt Papa, Dana Masters, Laura Story, Chris Tomlin, Sandra McCracken, Jubilant Sykes, Bill Gaither, Buddy Greene, CityAlight and more.
Below is the album track list:
Psalm 150 (Praise the Lord) – This song was written and performed by Matt Boswell and Matt Papa.
Come Thou Almighty King – This song was written by Felice De Giardini, and arranged by Tommy Bailey, Sarah Gehri, Nathan Mickle and Tom Yarbrough. The lead vocal is performed by Tommy Bailey.
Amazing Grace – The lyrics of this song were written by John Newton. The lead vocals are performed by Kristyn Getty and Dana Masters, with saxophone from Kirk Whalum.
Christ is All in All. This new song, which debuted at the conference, was written by Kristyn Getty, Ben Shive and Dwan Hill. The lead vocal is performed by Kristyn Getty.

All Hail the King of Heaven This song was written and performed by Matt Boswell and Matt Papa.
Speak O Lord – This song was written by Keith Getty and Stuart Townend. The lead vocal is performed by Laura Story.
His Mercy is More – This song was written and performed by Matt Boswell and Matt Papa, and features Shane and Shane.
Pass the Promise – This new song, which debuted at the conference, was written and performed by Kristyn Getty and Sandra McCracken.
Almost Home – This song was written by Matt Boswell, Matt Papa and Lauren Papa and performed by Matt Boswell and Matt Papa, and features Shane and Shane.
Sometimes I Feel Like a Motherless Child – This traditional African-American spiritual was sung by Jubilant Sykes.
Is He Worthy – This song was written by Andrew Peterson and Ben Shive and sung by Chris Tomlin.
Because He Lives – This song was written by Bill Gaither and Gloria Gaither. Bill Gaither leads the audience in singing the song, accompanied by Keith Getty on piano and Buddy Greene on harmonica.
It Was Finished Upon That Cross – This song was written by Rich Thompson, Jonny Robinson and Nigel Hendroff, and performed by CityAlight.
Kristus Yang Indah (The Beautiful Christ) – This song was written and performed by Stefanie Limanputri.
Él Me Sostendrá (He Will Hold Me Fast) – This song was written by Matt Merker and performed in Spanish by Iglesia Bautista Ozama church.
In Christ Alone – This song was written by Keith Getty and Stuart Townend, and sung by Kristyn Getty and Travis Cottrell.

Milk & Honey Deluxe Edition – Crowder
****

Crowder’s album Milk & Honey was one of my favorites of 2021. Here’s my review of the album. Now, a Deluxe edition of the album has been released, with six new tracks. They are:
King – which features Maverick City Gospel Choir. The one new song on the expanded edition.
Milk & Honey – a remix from Paradis.
God Really Loves Us – which was recorded live with Chidima at the 2022 Passion Conference.
In the House – radio version.
In the House – acoustic version.
In the House – recorded live at Austin City Limits.
I enjoyed the additional songs, but really see no reason for releasing three additional versions of “In the House”, Crowder’s latest single.
Favorite songs on Deluxe Edition:
King
God Really Loves Us

Stomping Ground – Dion
****

I first became interested in Rock and Roll Hall of Famer Dion (DiMucci), now 82, when he recorded five Contemporary Christian Music albums between 1980 and 1986. I’ve enjoyed his music ever since.
Dion follows up his 2020 album Blues with Friends (one of my favorites that year), with Stomping Ground, a blues album that again finds him collaborating with music greats with whom he shares mutual admiration. Most of the album’s fourteen songs were written by Dion and his songwriting partner Mike Aquilina. The sole non-original is “Red House,” the Jimi Hendrix song that has become a blues standard.
The album was produced by Wayne Hood with Dion, and features guests Boz Scaggs, Mark Knopfler, Eric Clapton, Peter Frampton, Patti Scialfa, Bruce Springsteen, Billy F Gibbons, Keb’ Mo’, Sonny Landreth, Joe Menza, Mike Menza, Marcia Ball, Jimmy Vivino, Rickie Lee Jones, Wayne Wood, Joe Bonamassa, and G.E. Smith. The liner notes were written by Pete Townshend.

The track listing for Stomping Ground is:

Take It Back with Joe Bonamassa
Hey Diddle Diddle with G.E. Smith
Dancing Girl with Mark Knopfler
If You Wanna Rock n’ Roll with Eric Clapton
There Was a Time with Peter Frampton
Cryin’ Shame with Sonny Landreth
The Night Is Young with Joe Menza & Wayne Hood
That’s What the Doctor Said with Steve Conn
My Stomping Ground with Billy Gibbons
Angel In the Alleyways with Patti Scialfa and Bruce Springsteen
I’ve Got to Get to You with Boz Scaggs and Joe and Mike Menza
Red House with Keb’ Mo’
I Got My Eyes on You Baby with Marcia Ball and Jimmy Vivino
I’ve Been Watching with Rickie Lee Jones and Wayne Hood

I thoroughly enjoyed this album and the talents the collaborators brought to these songs. My favorite songs were:

If You Wanna Rock n’ Roll with Eric Clapton
That’s What the Doctor Said with Steve Conn
My Stomping Ground with Billy Gibbons
Angel in The Alleyways with Patti Scialfa and Bruce Springsteen
I’ve Got To Get To You with Boz Scaggs and Joe and Mike Menza

The End – Trip Lee
****

The End is the multi-talented (pastor, conference speaker, author, rapper), Trip Lee’s first new album since 2016’s The Waiting Room. Lee has said that the title symbolizes coming to the end of ourselves, where one door closes so another can open. Themes on the album include Lee’s return to music after six years, dealing with illness for fifteen years, Christ being better than riches, Heaven, divisions in our society, fame, things he wishes were different in the world, having nothing left to prove, love for his wife and new life in Christ.
Here are a few brief comments about each song:
Let Go – This song was written and produced by Lee. Most of the vocals on this song are handled by Chastity (Chazz). Lee sings only the fourth verse.
Key lyric:
Lord, grab my soul
Lose my hold on things that hold me back

Right Out the Gate – This hard-hitting song was written and produced by Mashell and Lee. Some thought he had left music, but he’s back, still on his game.
Key lyric:
Thought he was gone, I think He back
He ain’t wait long, on the attack
Still unashamed, you know it’s facts

You Got It – This hard-hitting song, which was originally released on Reach Records Summer Twenty-One release, was written and produced by Mashell and Lee. Where else can he go? Riches don’t satisfy. Christ has the words of eternal life (John 6:68).
Key lyric:
But I know, all them others leave us in the cold
I don’t wanna gain the world and lose my soul

Homecoming – This song was written by Mashell and Lee and produced by Mashell and Juice Bangers. The song is about going home to Heaven. The list of his sins is a mile long but the bill is paid for.
Key lyric:
When I’m gone, who cares if I’m known
I’m just headed home

Witness This song was written by Wande, WHATUPRG, Lee, Mashell and Juice Bangers. It was produced by Lee, Juice Bangers and Mashell and features Wande and WHATUPRG. God is his witness. He has nothing to prove.
Key lyric:
Your expectations, that’s yours to own
No borders, out here tryna please the Lord alone

Put Your Weapon Down – This hard-driving song was written and produced by Lee and 1995 (Producer) and features 1K Phew. The song addresses the divisions in society, where all we seem to do is pick sides and criticize.
Key lyric:
We know what we hate
And we know what we ain’t
But if he call us saints
What kind of picture do we paint?

All Mine – This mid-tempo song was written by Mashell and Lee, produced by Mashell and features Taylor Hill. Here Lee addresses fame. He’s been out there living like it’s all his.
Key lyric:
The whole world is my stage
I’m allergic to the small time
I been out here living like it’s all mine

Supernatural – This song was written and produced by Juice Bangers, Lee and Mashell. The song addresses some of the things Lee wishes were different in the world, some serious (racism, violence, politics, church corruption), and some not so serious (Dr. Pepper) and the solution being the Lord.
Key lyric:
If I have to, we can skip the hassle
Show you what them facts do
They say he a natural
But we need supernatural, we need supernatural
The way He acts do it seem so supernatural?

End of Me (Interlude) – This short song was written and produced by Lee and features Chastity (Chazz) on vocals.
Key lyric:
The end of me may taste bittersweet
But that’s where You tend to be

Dreamin – This slow rap was written and produced by Lee, Enzo Gran and 1995 (Producer). The song features keys and Lee vulnerably addressing the illness that he has battled for years, repeated doctor visits and prescriptions that don’t work.
Key lyric:
Cause what good is a dream, if it don’t submit to the king?
It’s all his anyway, I’ll let him do his thing

Call It Life – This song was written and produced by Lee, 1995 (Producer) and Enzo Gran. It’s a musically interesting song. Once he saw the light, that’s all he likes. Loving God isn’t going to blend with loving money or the world in the end.
Key lyric:
Was blind to His wonder, Stevie
He’s the key to life, He lead me

Wake Up – This hard-driving song was written by 1995 (Producer), Enzo Gran, Lee and KB, and produced by 1995 (Producer), Enzo Gran and Lee. The song features KB, and is the first time Lee and KB have collaborated since 2013’s “The Saints”.
Key lyric:
They talk jewelry, but I’m talking about the Judge now
Before the Lord touch down, hands up, boy, wake up

Stone – This hard-driving song was written by Lee, Mashell and Juice Bangers and produced by Mashell and Juice Bangers. The song includes snippets of sermons from Pastor E.K. Bailey. The song is about Earth not being our home but we still having work to do.
Key lyric:
Can’t kick my feet up ’cause I ain’t home
You can tell ’em put that in stone

Know It – This easy-going love song to Lee’s wife was written and produced by 1995 (Producer), Enzo Gran and Lee and features an infectious chorus.
Key lyric:
Oh, girl, could there be anyone like you in this world? I doubt it
Everybody wanna brag ’bout the bag, talkin’ ’bout a good thing, I found it
Always at your pace how your run your race, putting in that mileage
I don’t know if you know it, I just want you to know it

Gave It Up – This slow rap was written and produced by Lee and Mashell, and features Desi Raines on the chorus and bridge. The song is about Lee’s new life in Christ.
Key lyric:
Lost it to find it
Gave it to gain it
Gave it up to get it back
I get it back

Favorite songs
Right Out the Gate
You’ve Got It
Homecoming
Supernatural
Wake Up
Stone

Dreamland – Amos Lee
*** ½

I’ve been a fan of Amos Lee’s music since seeing him open for Bob Dylan in 2007. Dreamland is Lee’s eighth album and the follow-up to 2018’s My New Moon. The album sound quality is great, thanks to producer Leggy Langdon. The eleven songs feature Lee’s excellent vocals, and a variety of musical styles, including acoustic ballads, gospel and R&B.
Lee has said “I’ve had a lot of episodes with anxiety in my life and now I feel much more equipped to handle them, partly because my family and friends have always been so supportive of me. Over the course of my life, I’ve come to understand that music is my bridge to other people. I have no idea what the waters are like below that bridge—it might be lava for all I know—but music allows me to float over the whole thing and connect.”

Here are a few comments about each song:

Dreamland – In Dreamland, nothing’s ever what it seems. When he feels it tearing him down, that’s when he hears his angel’s calls. He is reaching out for someone (God? a woman?) but they just listen to him scream. This song features piano, guitar, bass, drums, and synth.
Key lyrics:
But I, I’m not afraid to dream
Even when I can’t stop shaking
Even when my heart is breaking
And I, I’m not afraid to dream
Even when I can’t stop falling
Even when the light calling

Worry No More – This song, the first to be released from the album, was written prior to the pandemic. Lee has said that it is about walking out into the city listening to music, and disappearing into the crowd, The uplifting song features, finger snaps, bass, backing vocals, drums and piano.
Key lyrics:
Worry no more
Oh, worry no more
There’s an open door for you

How You Run – This song, written to a fighter, features guitar, bass, drums and backing vocals. The lyrics do get a bit repetitive, though musically the song is excellent, especially the guitar.
Key lyrics:
Pretty baby
Who will save you
Who will you know?
Not your mother
Not your father
A firefight breaks out in the fog

Into The Clearing – This features guitar, keys, bass, and drums. Regrets have been taking a toll on him. He wants to burn up and disappear into the clearing.
Key lyrics:
I can be free again
Into the clearing

Hold You – This song features guitar, synth, bass, and drums. She doesn’t need to be fixed as she isn’t broken. He doesn’t want to cause her any pain. As she fights through, he will be standing with her.
Key lyrics:
There is a shelter
A sweet little shack
Want to sit with me?
Wait peacefully for the storm to pass
Beauty beneath me
Beauty above me
I want you to reach me, want you to teach me how I can love you

See The Light – This song has a gospel flavor both musically and lyrically. It features synth, keys, guitar, backing vocals, bass, and handclaps.
Key lyrics:
When I fall off the map and disappear without a trace
Even when I can’t breathe in
And I’m falling out of line
Everybody ’round me says that everything gonna be alright

It’s Real – This song features synth, bass, drums, and piano. His love is real even when she wants to walk away.
Key lyrics:
And if you want me, I’d fall at your feet

Seeing Ghosts – This song features piano, bass, and drums. He’s seeing ghosts everywhere. They disappear in the light. He’s not scared.
Key lyrics:
From where you stand
From where you see me
Am I a mystery?
Part of your history?

Shoulda Known Better – This song features a falsetto vocal, guitar, backing vocals, bass, and handclap.
Key lyrics:
I shoulda known better but I didn’t guess
I shoulda known better but I got no regrets

Clean – This song features guitar, bass, handclap, backing vocals
Nothing can come between them except for his demons, which won’t leave his side. Will she wait for him?
Key lyrics:
Will you wait, will you wait
Will you wait for me?

Invisible Oceans – This song features acoustic guitar, bass, synth and drums. Lee sings that in invisible oceans, we get so carried away.
Key lyrics:
It’s unbearable that I can’t lift the weight of her world
And I guess it was delusional to think ever could

Best songs:
Dreamland
Worry No More
Hold You
See the Light
Shoulda Known Better

Get Back: The Rooftop Performance
****

Over Thanksgiving weekend 2021, Disney+ released Peter Jackson’s The Beatles Get Back. See my review here. In addition, there were special remix editions of the Beatles 1970 album Let It Be. Now, for the first time, the complete recording of the Beatles final concert appearance, recorded January 30, 1969 on top of the band’s Apple Corps headquarters in Central London, has been released on streaming sites as Get Back: The Rooftop Performance. Running a little more than thirty-eight minutes, the concert includes new stereo and Dolby Atmos mixes by Giles Martin (son of Beatles producer George Martin), and Sam Okell, consists of ten tracks – “Get Back” (three versions), “Don’t Let Me Down” (two versions), “I’ve Got a Feeling” (two versions), “Dig a Pony”, “One After 909”, and a brief instrumental “God Save the Queen”. Three of the songs from the rooftop performance made it on to the original Let It Be album – “I’ve Got a Feeling,” “Dig a Pony,” and “One After 909.”
A film version of the rooftop concert was shown in select IMAX theatres January 30, and will be available on Blu-Ray and DVD.

Stand – Newsboys
***

I really enjoyed Newsboys UNITED, featuring former band members Peter Furler and Phil Joel. With Stand, the Newsboys move on with members Michael Tait, Duncan Phillips, Jeff Frankenstein, and Jody Davis. The ten songs here give you what you exactly what would expect from the band – clean production, relatively short songs (the album clocks in at just 33 minutes), catchy hooks, backing vocals and simplistic, but encouraging lyrics.
Themes on the album include God not giving up on us and always coming through for us, Jesus doing the unexpected, believing God in difficult times, standing for God when trouble comes calling for us, not fearing, the blessings in our lives, and never being too far from a forgiving God.
Here are a few brief comments about each song:

Magnetic – This upbeat song was written by Michael Tait, AJ Pruis, Bryan Fowler and Micah Kuiper. It was produced by Kuiper, Pruis and Tedd T. The song features guitar, drums, bass, percussion, and backing vocals. The song is about how God will never give up on us.
Key lyrics:
But every time I’m in that fight
Your love keeps pullin’ me back, pullin’ me back
It’s magnetic

Ain’t It Like Jesus – This reggae influenced song was written by Michael Tait, Micah Kuiper, Juan Otero, Michael Cochren and Tedd T. It was produced by Tedd T. The song features guitar, bass, horns, backing vocals and drums. The song is about how Jesus will always do the unexpected.
Key lyrics:
Ain’t it like Jesus
To flip the situation?
Ain’t it like Jesus?
Zero limitations

I Still Believe You’re Good – This song was written by Michael Tait, AJ Pruis, Bryan Fowler and Micah Kuiper. It was produced by Kuiper and Fowler. The song features keys, guitar, bass, drums, and backing vocals. Michael Tait has said that this song is really the whole COVID-19 story wrapped up in melody.
Key lyrics:
Even in the valley, I still believe
You’re good

Stand – This anthem was written by Michael Tait, Jeff Sojka and Ben Glover. It was produced by Sojka and Glover. The song features keys, guitar, bass, drums and backing vocals. The song is about who we will be when trouble comes calling for us. This will be a good song for Christian radio.
Key lyrics:
I’m gonna stand in a world that’s breaking
Stand for a truth unchangin’
I’m not ashamed, I’ve considered the cost
I’ll stand right here at the foot of the cross
And stand

Clean – This song was written by Michael Tait, Jonathan Smith, Bryan Fowler, Michael Cockren and Tedd T. It was produced by Tedd T and Fowler. The song features percussion, bass, keys, drums, and backing vocals. The song addresses how people perceive us and how we want to be perceived.
Key lyrics:
God, You’re strong when I am weak
I need Your grace to help me to see
That I’m not longer a slave to me
I’ve been washed, I’ve been set free

Won’t Be Afraid – This anthem about not fearing was written by Michael Tait, Be Calhoun and Tedd T. It was produced by Calhoun and Tedd T. The song features guitar, percussion, bass, keys, backing vocals, drums and a catchy chorus.
Key lyrics:
When I walk through the fires of life, I
Won’t be afraid, no, won’t be afraid, no

Come Through – This song about God coming through for us written by Michael Tait, Micah Kuiper, Bryan Fowler, Michael Cochren and Tedd T. It was produced by Tedd T and Kuiper. The song references Romans 8:28, and features guitar, bass, drums, keys and backing vocals.
Key lyrics:
You always come through
You have not forsaken me
You are working all things for my good
Even when I cannot see
I know You always come through
For me

Blessings on Blessings – This upbeat song about all of the blessings in our lives was written by Michael Tait, Ethan Hulse and Jeff Pardo. It was produced by Kuiper, Tedd T and Pardo. The song features keys, organ, handclap, guitar, bass drums, backing vocals, and a catchy chorus.
Key lyrics:
I’ve got blessings on blessings
Written all over my life
Even when things are goin’ wrong
I got so much goin’ right
There’s a song in my soul
And there’s breathe inside o’ my lungs
So many things to thank You for
How could I just choose one?

No Doubt – This song was written by Michael Tait, AJ Pruis, Micah Kuiper and Bryan Fowler. It was produced by Micah Kuiper. The song is about how Jesus is the only one. The song features guitar, bass, drums and backing vocals.
Key lyrics:
There’s no doubt
You are the only who has never let me down

Never Too Far Away – This song was written by Michael Tait, Bryan Fowler, Matt Lott and Dave Stovall. It was produced by Fowler. The song, which builds at the chorus, features keys, percussion, guitar, bass, drums and backing vocals.
The song tells us that no matter what we may have done, we’re never too far away from a forgiving God.
Key lyrics:
When everything falls apart
You’re still in the arms of amazing’ grace
You’re never too far away

Best songs:
Ain’t It Like Jesus
I Still Believe You’re Good
Won’t Be Afraid
Blessings on Blessings

Roll Tape: Live from Melody League Studios – Jon Foreman
****

2021 was a busy year for Jon Foreman. Roll Tape: Live from Melody League Studios follows the February release of his solo album Departures (four of the twelve songs included here are from Departures), and the August release of Switchfoot’s album interrobang, followed by a tour with NEEDTOBREATHE. Foreman has described Roll Tape, which has an “unplugged” feeling, and some of which may have come from his livestreams, as his attempt to make a live album, his first, in a year when there was essentially no live music due to the COVID-19 pandemic.
I enjoyed this new live solo release from Foreman, as I did his Departures, interestingly much more than I enjoyed interrobang from Switchfoot.
Below are a few comments about each song:
Terminal – This song, originally released on The Wonderlands: Sunlight, was written by Foreman. The song, which builds gently, features guitar, some excellent cello, bass, backing vocals, and drums.
Key lyric:
We are, we are the living souls
With terminal hearts, terminal parts
Flickering like candles, shimmering like candles
We’re fatally flawed, we’re fatally flawed

Jesus, I Have My Doubts – This song, originally released on Departures, was written by Foreman. He has stated that this is a song that steps into the ring with God. It is Foreman asking the big questions at the end of a long, difficult season. It’s his honest attempt to sing into his doubts. The song features harmonica, guitar and cello. He’s been singing broken songs looking for the light for so long, but the pain goes on and on. Can God reach him in the silence?
Key lyric:
Jesus, feels like the worlds in pieces
I’m sure You’ve got Your reasons
But I have my doubts
Jesus, I have my doubts

Side By Side – This song, originally released on Departures, was written by Foreman. The easy-going love song features Madison Cunningham. The song features acoustic guitar and bass. Foreman’s and Cunningham’s voices blend well. They are as different as snowflakes, but side by side they start to melt into something wonderful. Foreman has said that the song is an attempt to sing out the truth against a backdrop of his fears and doubts.
Key lyric:
Oh, the irony, friends and enemies
We’ll all be buried side-by-side

A Place Called Earth – This song, originally released on Departures, was written by Jon Foreman, Tim Foreman and Lauren Daigle. The song features guitar, piano, bass and light percussion.
Key lyric:
Oh, how I long for Heaven in a place called Earth
Where every son and daughter would know their worth
Where all the streets resound with thunderous joy

Southbound Train – This song, which samples Johnny Cash’s “Folsom Prison Blues”, was originally released on Fall, was written by Foreman. The song features guitar, harmonica and cello.
Key lyric:
So, I’m looking out the window
And I’m drifting off to sleep
With my face pressed up against the pane
With the rhythm of my heart
And the ringing in my ears
It’s the rhythm of the southbound train

Red and Gold – This song, originally released on Departures, was written by Foreman. The song was inspired as Foreman was on a hill in San Diego watching the sun go down and the car lights on the freeway below. The city glows, the traffic and rushing, of thirsty souls, hungry for meaning and love. The song features drums, bass, harmonica, guitar, and backing vocals.
Key lyric:
So, hold your faith, you’re not alone here
Stay your pace, you’re almost home
We’re on our way, we’re on our way home

Resurrect Me – This rocker, originally released on Summer, was written by Foreman. The song features bass and guitar, harmonica, and an excellent vocal.
Key lyric:
Father Time steals our days, like a thief
There’s no price that I wouldn’t pay to get some relief
I’ve become an empty shell
Of a man I don’t like so well
I am a living, breathing hell
Come on and resurrect me

The Cure for Pain – This song, originally released on Fall, was written by Foreman. The song features guitar, cello, bass and drums.
Key lyric:
And heaven knows, heaven knows
I tried to find a cure for the pain
Oh my Lord, to suffer like You do
It would be a lie to run away

Only Hope – This song, originally released on Switchfoot’s album New Way to Be Human, was written by Foreman. The song features cello, guitar, bass and drums.
Key lyric:
So, I lay my head back down
And I lift my hands and pray to be only Yours
I pray to be only Yours
I know now You’re my only hope

Inheritance – This love song, originally released on The Wonderlands: Dawn, was written by Foreman. The song features guitar, bass, keys, and drums.
Key lyric:
Your heart is a work of art
I wanna be rich in memories not money
Our love is our inheritance honey

Your Love is Strong – This song, which samples the Lord’s Prayer, originally released on Spring, was written by Foreman. The song features guitar, keys, bass, backing vocals, and light percussion.
Key lyric:
Two things You told me
That You are strong and You love me

It Is Well With My Soul – This hymn was written by Horatio Spafford and Philip Bliss. Foreman sings the song accompanied by acoustic guitar.
Key lyric:
Whatever my lot, Thou hast taught me to say,
It is well, it is well with my soul.

A Place Called Earth – This version of the song was recorded live at the Ryman Auditorium and features Lauren Daigle on vocals. The song features guitar, backing vocals and bass.

Best songs:
Jesus, I Have My Doubts
Southbound Train
Resurrect Me
A Place Called Earth (Live from the Ryman Auditorium)

Never Land II – Andy Mineo
****

Andy Mineo, who has also released a number of EPs, returns with his fourth full-length album, and first album of all-new material since 2017’s Andy Mineo and Wordsplayed Present Magic & Bird. It is a follow-up to 2014’s Never Land EP, which featured the gold record “You Can’t Stop Me”. The album includes brief narration from Mineo’s mother Fran, who died in 2018. The album features honest and vulnerable lyrics, excellent beats and collaborations. Themes on the album include relationships (with people and God), things he’s not going to do and things he’s trying to do, that life is hard but it could be worse, and priorities. It’s my favorite release of Mineo’s since 2015’s Uncomfortable.

Below are a few comments about each song:

Am I… – This song was written by Mineo, Hadar Adora, GAWVI, James Douglas and BEAM. It was produced by GAWVI and BEAM. The song features guitar and backing vocals as he makes references to some of his previous releases.
Key lyric:
The key is to find beauty inside of the tragedy

…Falling? – This song was written by Mineo, Hadar Adora, GAWVI, James Douglas and BEAM. It was produced by GAWVI and BEAM. The song features bass, percussion and backing vocals. He asks whether he’s falling from the sky, or falling in God’s hand. Is it a disguise or is it in God’s plan?

Key lyric:
And my pronoun is just “that guy”

Been About It – This song was written by Mineo, Lecrae, SAK PASE and NOT KLYDE. It was produced by Mineo and SAK PASE and features Lecrae. The song features bass and percussion.
Key lyric:
How you never had COVID, you still got no taste?

You Know the Drill – This song was written by Mineo, Enzo Gran, Juice Bangers, Delgis Mustafa, and Wordsplayed. It was produced by Gran and Bangers, and features Wordsplayed, who reunites with Mineo from their 2017 album Andy Mineo and Wordsplayed Present Magic & Bird. The song features a heavy bass beat and percussion. They make several pop culture references and hint that they will drop a second volume of Magic & Bird with no prior announcement.
Key lyric:
God made me, I’m a one of one

Working On It – This song was written by Mineo, Rickie Tice, Alex Goose, Kaydence, Taylor Hill and Chandler Moore. It was produced by Alex Goose and Taylor Hill and features Moore and Hill. The song features a heavy bass beat, percussion, and backing vocals. The song is about working on things in our relationships.
Key lyric:
At least you know I’m always inconsistent

Nobody’s Coming – This song was written by Mineo, Lonestarmuzik, Noah NorTH, S1, Jameil Aossey, and Hulvey. It was produced by Aossey, NorTH, Lonestarmuzik and S1. The song features guitar, bass, percussion, and an emotional vocal from Mineo.
Key lyric:
What if we’re the ones that we’re waiting on?

Remind Me – This song was written by Mineo, Zac Lawson and JVKE. It was produced by JVKE and Lawson and features JVKE. The song features guitar, bass and percussion. The song is about problems in a relationship.
Key lyric:
Sometimes I forget your love
Forget your touch
Yeah, you got, you got, you gotta remind me

Not Gon’ Do – This song was written by Mineo, Joseph Solomon, Taylor Hill, Britton Rauscher, Conor Back and Aayana Smith. It was produced by Mineo and Hill, and features Solomon. The song features keys, bass, percussion and backing vocals. He talks about all the things he’s not going to do.
Key lyric:
I won’t apologize for being who I am

It Could Be Worse – This song was written by Mineo and A.G. It was produced by A.G. The song features keys, bass and percussion. Life is hard, he thanks God, because it could be worse.
Key lyric:
Look at what happened to Cosby, man
Look at what happened to Ravi, damn
Now trying to make sure that it’s not me man

Priorities – This song was written by Mineo, BigBreeze, Hulvey, Zac Lawson and JVKE. It was produced by JVKE and Lawson and features BigBreeze. The song features a heavy bass beat.
Key lyric:
I need God in my life, yeah
‘Cause we don’t be talking enough
I give a call when I’m stuck
Not when I’m all the way up
I think He calling my bluff
I said I don’t got no time for him
We make the time for the things that we love
You tell me what are your priorities

Trying – This song was written by Mineo, Ryan Lott, Dave James and Thad Cockrell. It was produced by Mineo and James. This song has Mineo talking and rapping over bass, guitar, keys and percussion as the song builds. He addresses a number of different areas in his life in which he is trying.
Key lyric:
All my life all I ever did was try

Cross My Heart – This song was written by Mineo, Dizzycleanface, James Reese, Justin Peroff, Keith “Baby Wonder”, Duplessis, Dave Hamelin, Ink and ALDAE. It was produced by Hamelin, Dizzycleanface, Ace Harris and Soul Surplus, and features Ink. The song features drums, guitar and keys.
Key lyric:
What if we didn’t panic but instead we took advantage
Of the time that we got right now

Coming in Hot – This song was written by Mineo, Lecrae, Wordsplayed, SAK PASE, Marlon Montgomery, Brian Taylor, Ace Harris and Beleaf. It was produced by SAK PASE and features Lecrae. The song was originally released on Reach Records Summer Eighteen, and was recently certified gold. The song features bass and percussion.
Key lyric:
First, nobody wanna listen
Now, everybody pay attention
Now, everybody pay a fee

Best songs:
Working On It
Nobody’s Coming
It Could Be Worse
Coming in Hot

Confessio: Irish American Roots – Keith & Kristyn Getty
****

The latest album by Keith & Kristyn Getty is a diary of hymns and songs that underscore the Gettys’ Irish American journey. In 2020, the Gettys spent ten months in Ireland, tracing their journey back to Northern Ireland and the Scots-Irish-American roots of their hymn writing. The album features guest artists such as Sandra McCracken, Alison Krauss, Dana Masters and Kirk Whalum, and a mix of new original songs, new arrangements of well-known hymns, and a remixed version of their most popular modern hymn “In Christ Alone”. It is beautifully produced by Ben Shive. The Gettys ended up recording enough songs for two albums, so they plan to follow up this album with another album Christ Our Hope In Life And Death, in the summer of 2022.

Below are a few comments about each song on Confessio: Irish American Roots:

Confessio – This song, inspired by the prayer of St. Patrick, was written by Keith Getty, Kristyn Getty, Fionán de Barra and Matt Papa. The song features the incredible Getty band, including acoustic guitar, violin, bass, drums, and backing vocals.

Key lyrics:
We go homeward
Christ, be with us as we go
We go homeward
Christ, be with us on the road

This Is My Father’s World – This song was written by Maltbie D. Babcock. The arrangement is by Keith Getty, Fionán de Barra and Ben Shive. This beautiful arrangement features acoustic guitar, violin, bass, light percussion, strings, and backing vocals.
Key lyrics:
This is my Father’s world,
And to my listening ears
All nature sings, and round me rings
The music of the spheres.

When I Survey the Wondrous Cross – This song was written by Isaac Watts (words) and Lowell Mason (music). This beautiful arrangement features horns, strings, acoustic guitar, backing vocals, and piano.
Key lyrics:
When I survey the wondrous cross
On which the Prince of glory died
My richest gain I count but loss
And pour contempt on all my pride

Pass the Promise – This song, inspired by Hannah’s song, was written by Kristyn Getty and Sandra McCracken and features Sandra McCracken on vocals. The song features drums, violin and a memorable chorus. It’s my favorite song on the album.
Key lyrics:
Pass the promise
To our sons and daughters
God most high, God our Father
We bear witness

Amazing Grace – This song was written by John Newton and was recorded in Keith Getty’s friend’s fish and chips shack in Ireland. The beautiful arrangement features Keith Getty on piano, Dana Masters and Kristyn Getty on vocals and Kirk Whalum on saxophone.
Key lyrics:
When we’ve been there ten thousand years,
Bright shining as the sun,
We’ve no less days to sing God’s praise
Than when we first begun.

Come Thou Almighty King – This song was written by Felice De Giardini. The arrangement was by Tommy Bailey, Sarah Gehri, Nathan Mickle and Tom Yarbrough and features the Getty Girls. The song features violin, backing vocals, Irish instruments, and some excellent acoustic guitar.
Key lyrics:
To the great one in three
Eternal praises be
Hence – evermore!
Death where now is the sting
Crown Him the King of Kings
We to eternity
Love and adore!

And Are You Sleeping? – This song was written by Malcolm Guite and Kristyn Getty. The song features acoustic guitar, violin, and backing vocals.
Key lyrics:
And she has risen from her bed
And held her arms out wide
And touched his wounded hands and heart
And gone to be his bride

Waulking Song/All My Heart Rejoices (Song of Anna) – This song was written by Keith Getty, Kristyn Getty and Sandra McCracken and features Sandra McCracken on vocals. The song about Anna (Luke 2), includes reference to Psalm 34:18, and features acoustic guitar, violin, and backing vocals.
Key lyrics:
And all my heart rejoices, rejoices
As angels lift their voices to proclaim
Praise be to God
Redemption resounds
Till all the earth
Rejoices, rejoices

It Is Well With Me Soul – This song was written by Horatio Spafford (words), Philip Bliss (music). The beautiful arrangement by Keith Getty builds powerfully toward the end, and is featured in the film Sabina: Tortured for Christ, the Nazi Years, features violin, piano, strings, and choir.
Key lyrics:
And Lord, haste the day when my faith shall be sight,
The clouds be rolled back as a scroll;
The trump shall resound and the Lord shall descend;
Even so, it is well with my soul

How Can I Keep from Singing? – This song was written by Keith Getty and Fionán de Barra. This song features acoustic guitar, Irish instruments, piano and backing vocals.
Key lyrics:
No storm can shake my inmost calm
While to that refuge, clinging
Since Christ is Lord of heaven and earth
How can I keep from singing?

Be Thou My Vision – This Traditional Irish hymn was arranged by Keith Getty, Ben Shive and Fionán de Barra. The song features Irish instruments, strings, piano, drums, and backing vocals.
Key lyrics:
High King of heaven, my victory won
May I reach heaven’s joys, O bright heaven’s sun
Heart of my own heart, whatever befall
Still be my vision, O ruler of all

Farewell to Ballymoney – This instrumental was written by Keith Getty, Ben Shive and Fionán de Barra. The song features the incredible Getty band. If you have never seen them in concert, you are missing a treat.

In Christ Alone – This song was written by Keith Getty and Stuart Townend and features Alison Krauss. The song is a remixed version of a song that appeared on the 2012 album Hymns for the Christian Life. The song, which builds powerfully, features acoustic guitar, Irish instruments, and backing vocals.
Key lyrics:
And as He stands in victory,
Sin’s curse has lost its grip on me;
For I am His and He is mine—
Bought with the precious blood of Christ.

I enjoyed each of these songs. My favorites were:
Confessio
Pass the Promise
Amazing Grace
It is Well With My Soul
How Can I Keep From Singing?
Farewell to Ballymoney

January Flower Deluxe Edition by Mat Kearney
****

Mat Kearney returns with January Flower, his sixth studio album, and first since 2018’s CRAZYTALK. The new songs are primarily relationship driven acoustic songs with a beat. His sprinkles in references to his faith throughout the album.
I really enjoyed this album. Below are a few comments about each song:
Powerless – This song was written by Kearney and Eli Teplin and produced by Robert Marvin. The song begins with acoustic guitar and then adds percussion and backing vocals. The song references beginning to work on the album in the desert when they encountered record rainfall. It is about losing control and being powerless.
Can’t Look Back – This mid-tempo song was written by Kearney and Trent Dabbs, and produced by Kearney and Robert Marvin. The song, about a relationship, features guitar, keys, drums, backing vocals and a memorable chorus. There’s no future in the past and you can’t look back.
Grand Canyon – This song, about a distance in a relationship, was written by Kearney and Eli Teplin, and produced by Kearney, Robert Marvin, Teplin and Gabe Simon. The song features synth, guitar, percussion, keys and bass.
Pontiac – This song was written by Kearney, Robert Marvin, Eli Teplin, Ruslan Rov and Rob Resnick, and produced by Marvin, Teplin, Rov. The upbeat song features keys, percussion, and has Kearney looking back on their relationship driving in her Pontiac.

They Don’t Know – This song is about what it takes to keep a relationship together (faith, a love that comes from above, etc.). She is his heart. The song features acoustic guitar, percussion and keys.
Anywhere With You – This love song was written by Kearney, Robert Marvin, Eli Teplin and Trent Dabbs, and produced by Marvin. The song features a good beat and memorable chorus driven by guitar, synth and percussion.
Say It Now – This song, about falling in love, was written by Kearney, Eli Teplin and Trent Dabbs, and produced by Robert Marvin, Teplin and Ruslan Lov. The song features keys, backing vocals, bass and percussion.
Stuck in the Moment – This song finds Kearney looking back on a love that has moved on, though he can get caught in the moment, just for a moment. The song features acoustic and electric guitar and percussion.
I Don’t Really Care – This upbeat song features keys, hand claps and percussion. He wishes that they could just watch the sunset, and not their phones and worrying about how they compare with others.
Running In Circles – This upbeat song features percussion, keys, hand claps, a memorable chorus and a good beat. He can’t get any peace. She has him running in circles. He’s tired of waiting.
Boulder – This song is about a coffee shop in Nashville, now closed, when Kearney would bring his child as a newborn. The song features acoustic guitar, backing vocals and bass. You can’t stop a boulder when it starts.
Blame – He was the one to blame, he was the one who changed and lost his way. He knows that that Lord forgives him but it doesn’t make what he did right. The song features acoustic guitar, bass and percussion.
Something Beautiful – This is a beautiful acoustic love song. Way back when, they knew their love could be something beautiful

Deluxe Edition:

Odds – This upbeat song was written by written by Kearney, Micheal Pollack and Zach Skelton. It was produced by Robert Marvin and Skelton. The song features drums, guitar, bass and saxophone. If he had listened to the odds, he would have never made it through. Instead, he left it up to God, watched the mountain move and met her.
Save Me – This upbeat song was written by Kearney, Jason Lehning, Josh Crosby and Robert Marvin. It was produced by Marvin. The song features guitar, drums, bass and organ. This song could be about either human or divine love, as the lyrics include elements of both.
Still the One – This love song was written by Kearney, Eli Teplin and Robert Marvin. It was produced by Marvin. The song features guitar, backing vocals, bass, keys and light percussion. He wants to know that he is still the one.

Best songs:
Grand Canyon
Can’t Look Back
Pontiac
They Don’t Know
Blame
Something Beautiful
Odds
Save Me

Let It Be – Super Deluxe Edition – Beatles
****

The Beatles Let It Be album has had a long and complicated history. The album was originally begun on January 2, 1969, as Get Back, a “back to their roots” effort, as the band had not toured since August 29, 1966. I remember listening to a bootleg version of some of the songs as a pre-teen at a friend’s house. Eventually, the tapes would sit unreleased, as the band would go on to record Abbey Road, one of their best albums, just a few weeks after the Let It Be sessions concluded.
The band first turned the Get Back tapes over to engineer Glyn Johns for him to put together a mix for release. Beatles John Lennon, George Harrison and Ringo Starr didn’t like the results, so they turned the tapes over to Phil Spector, whose version was the one originally released as Let It Be on May 8, 1970, the band’s final album to be released (though Abbey Road was the last to be recorded). Paul McCartney never liked the version that was released, and in 2003 led the effort that was to be called Let It Be…. Naked.
Giles Martin, as he did with Sgt. Pepper’s Lonely Hearts Club Band, The Beatles White Album) and Abbey Road, has done the work to release a 50^th anniversary re-release of Let It Be. Included on the Super Deluxe edition is a 2021 mix of the original Phil Spector produced album, the Glyn Johns tracks, along with alternate takes, demos and outtakes, songs that would appear on Abbey Road and a few songs that would end up on Beatles solo albums – “Gimme Some Truth” from John Lennon, “Teddy Boy” from Paul McCartney, and “All Things Must Pass” from George Harrison.
The Let It Be sessions, which lasted just three weeks, culminated with a live rooftop concert which was included in the documentary film Let It Be that was released. I remember going to that film with my Dad. A new three-part, six-hour film called The Beatles: Get Back, directed by Lord of the Rings director Peter Jackson, will stream on Disney+ beginning November 25.

Change the World (EP) – Ringo Starr
***

Former Beatle Ringo Starr recently stated that he would no longer be releasing full-length albums, but instead would be releasing EPs. His latest EP is “Change the World”, which features four songs, and was recorded at his home studio. Here are a few comments about each song:
Let’s Change the World – This song was written by Joseph Williams and Steve Lukather (Toto), and produced by Starr. The song features horns, drums, piano, guitar, and female backing vocals. This is a positive and upbeat song that features familiar Starr themes of peace, love and singing. Christians know however that only Christ can change individuals and thus the world.
Just That Way – This song was written and produced by Bruce Sugar and Starr. It is a mid-tempo reggae flavored song that features drums, keyboards, horns, guitar, female backing vocals and organ. The song tells us that sometimes life and love is just that way.
Coming Undone – This song was written by Linda Perry, and produced by Starr, Bruce Sugar and Linda Perry. The song features Trombone Shorty. It is a likeable easy-going toe tapper about coming undone that features guitar, drums, horns, and backing vocals.
Rock Around the Clock – This song was written by Jimmy DeKnight and Max Freedman and produced by Bruce Sugar and Starr. The song was a number one hit for Bill Haley & His Comets in 1954. The fun song features drums, piano backing vocals, and guitar by Joe Walsh. This is the best song on the EP. Watch the music video featuring Joe Walsh.

Best songs:
Coming Undone
Rock Around the Clock

Emmanuel: Christmas Songs of Worship – Chris Tomlin
*** ½

Chris Tomlin releases his fifth Christmas Songs of Worship project. His Christmas Songs of Worship series includes Miracle Of Love: Christmas Songs of Worship EP released in 2020, Christmas Day: Christmas Songs of Worship EP from 2019, 2015’s Adore: Christmas Songs of Worship, and the gold-certified Glory In The Highest: Christmas Songs of Worship from 2009. The new 12-song project, which includes four songs previously released on the above-mentioned EPs, was produced by Ed Cash and includes new songs as well as reimagined Christmas classics. The album has Tomlin collaborating with CeCe Winans, We the Kingdom, Matt Redman, and Blessing Offor.

Below are a few comments about each song:

Emmanuel God With Us – This song was written by Chris Tomlin and Jason Ingram. The song opens with Tomlin singing over piano. It then gently builds with drums, bass, guitar and backing vocals towards a joyful chorus.
Key lyric:
Emmanuel, God with us
Emmanuel, King Jesus
The Savior of the world is born
Emmanuel, God with us
Emmanuel, King Jesus
The Savior of the world is born

Christmas Day – This previously released song was written by Ed Cash, Scott Cash, Franni Cash, Martin Cash and Andrew Bergthold. The joyful song features drums, guitar, and excellent vocals from Tomlin and We The Kingdom. Classic Tomlin, this song would be a good one for congregational singing.
Key lyric:
Sing all you people
The Lord almighty reigns
Sing every creature of God
Come bless His name
For He is good, for He is good
He was born to conquer the grave
Light of the world
The reason for Christmas Day

All The World Awaits (Hosanna) – This previously released praise song about the coming of the Savior was written by Tomlin, Jason Ingram and Matt Maher. The song begins with guitar and gently builds with piano, drums and backing vocals. The song is inspired by Matthew 21:9 and Isaiah 9:6.
Key lyric:
Hail the heaven born Prince of Peace
Hail the Son of righteousness
Light and life to all He brings
Glory to the newborn king

Hallelujah – This joyful song features The Voice contestant Blessing Offor, who sang “Tin Roof” on Tomlin’s Chris Tomlin and Friends album. Offor sings over piano, bass, drums, organ and backing vocals.
Key lyric:
Hallelujah, Hallelujah
That’s what the angels cried
Hallelujah, Hallelujah
Precious little child
Hallelujah, Hallelujah
Sound of the angel’s joy
Hallelujah, Hallelujah
Little baby boy

I Heard The Bells on Christmas Day – This Christmas carol, which was based on a poem by poet Henry Wadsworth Longfellow, includes a new chorus. Tomlin sings over piano, organ, bass, drums and backing vocals.
Key lyric:
I heard them ringing
I heard them ringing
All across the earth
I heard them ringing
The bells remember
They ring forever
Unto us a child is born a savior
Our savior

His Name is Wonderful – This previously released song was written by Tomlin and Ed Cash, and includes a chorus taken from Isaiah 9:6. The song begins with Tomlin singing over piano, and then builds with drums, strings and choir.
Key lyric:
Come and adore Him
On bended knee
He came to ransom
Someone like me

O Come, O Come Emmanuel – This Christmas carol was translated in 1861 by John Mason Neale. The song starts quietly and gently builds featuring guitar, backing vocals and some nice drums.
Key lyric:
Rejoice, rejoice, Emmanuel
Shall come to thee, Israel

Hope of Israel – This previously released song was written by Tomlin, Ben Fielding, Jason Ingram and Reuben Morgan. The song begins with Tomlin singing over piano, then builds gently with strings and backing vocals.
Key lyric:
God is with us
Christ our Savior
Jesus our Emmanuel
He shall reign our King forever
The hope of Israel

O Holy Night – This Christmas carol was based on a poem that was set to music by Adolphe Adam. The song features a powerful vocal by CeCe Winans singing over guitar, piano, drums, bass, and choir.
Key lyric:
God with us, Emmanuel
O night, O night divine

Crown Him (Christmas) – This song was originally written by Matthew Bridges and Godfrey Thring, and includes some new lyrics. The song features vocals by Matt Redman, piano, backing vocals, guitar, drums and bass.
Key lyric:
Crowned by their royal gifts
Gold, frankincense and myrrh
Wise men approach this manager throne
With honors from afar
Behold the Son of God
And bow down in this place
The Prince of Peace has come to us
O crown Him with your praise

O Little Town of Bethlehem – This song was written by Phillip Brooks. The song features piano, strings, backing vocals and drums.
Key lyric:
We hear the Christmas angels
The great glad tidings tell
O come to us, abide with us
Our Lord Emmanuel

Crown Him (reprise) – This short ending song features vocals by Matt Redman, strings and a choir.
Key lyric:
Not a throne of gold, but a manger throne
See His humility
Not a crown of gold, but a crown of thorns
See His humility

Best songs:
Emmanuel God With Us
Hallelujah
O Holy Night
Crown Him (Christmas)

Interrobang – Switchfoot
** ½

interrobang is Switchfoot’s 12^th studio album and the follow-up to 2019’s Native Tongue album and 2020’s forgettable Covers EP. It was produced by Tony Berg. The album’s title comes from a punctuation mark ‽ designed for use especially at the end of an exclamatory rhetorical question.
This is a serious album and features an experimental late 1960’s era pop sound, the familiar Switchfoot guitar sound and good backing vocals. The band stated that the album is unlike anything they’ve ever made before, and I agree with that. I give the band credit for not resting on their laurels, but instead pushing themselves. I found the music fresh, but some of the lyrics are vague to the point of being hard to determine the message/meaning, and there is minimal explicit Christian content, perhaps making it difficult to get the songs played on Christian radio. Although Switchfoot is one of my favorite bands, this is not one of my favorite albums by them, and probably one that I won’t revisit much in the future. Themes on the album include questions, love, looking for truth and light, disagreeing, being wrong and learning things the hard way.
Below are a few comments about each song:
beloved – This song about looking for truth and light was written by Jon Foreman, Tim Foreman and Tony Berg. The song features keyboards, drums, guitar, bass, backing vocals and a Beatle sounding chorus. If he could open his eyes, would the truth be what would set him free. He can’t find the truth in the news or his social media feed.
Key lyrics:
I’m still looking for the truth
But I can’t seem to find it in the news
Maybe I’ll start singing like the blues, maybe

lost ‘cause – This song was written by Jon Foreman and Tim Foreman. The song features a driving beat, led by guitar, drums and bass. The guitar work on this song stands out and reminds me of The Edge from U2.
Key lyrics:
Are we a lost cause?
Are we just lost ’cause
We won’t be the future we refuse to see?

fluorescent – This song was written by Jon Foreman. The song opens with guitar and cello and then breaks out with a heavy rock drum, bass, keyboards and backing vocals. Foreman sings about being a moth outside a window, beating his wings against the front porch light. It’s a call to a woman he’s dreaming of, and his wings can’t sustain him too much longer. He wonders how long it will be until his florescent girl is his.
Key lyrics:
We are always separate, always near

if i were you – This song was written by Jon Foreman and Tim Foreman. The upbeat song is driven by a fast bass beat and drums, with guitar, keyboards and backing vocals. There are references to being 2020 enemies, Twitter, fear, and disagreeing.
Key lyrics:
If I were you
And you were me
Would we still be doomed
To disagree?

the bones of us – This song was written by Jon Foreman and Tim Foreman. The ballad has Foreman reflecting on a relationship. The song features guitar, keyboards, bass, light percussion, backing vocals and a memorable chorus.
Key lyrics:
Our heart’s like a flood
That washes us new
I’m fighting for us
But most of all, for you

splinter – This rocker was written by Jon Foreman and Tim Foreman. The song features a driving beat led by drums, guitar and bass. It also features backing vocals and keyboards. It’s only illusions. Who can take the broken splinters from his head?
Key lyrics:
My mind is at war
I lie awake in bed
Like a splinter in my hand
Like a splinter in my head

i need you (to be wrong) – This mid-tempo song, which was started a decade ago, was written by Jon Foreman and Tim Foreman. The song features guitar, bass, drums, keyboards and backing vocals. Often times we need the other to be wrong, but we find out that we were both wrong.
Key lyrics:
All along we both were wrong
I need you

the hard way – This upbeat song was written by Jon Foreman and Tim Foreman. The song features guitar, backing vocals, bass, drums. He always learns things the hard way.
Key lyrics:
Maybe there’s no such thing as a rewind
There’s no way to go back in time
I learn best from the replay
I always learn things the hard way

wolves – This song was written by Jon Foreman. Musically, this song is unlike any other on the album. The song features cello, bass, drums and backing vocals. All of his world is a collision and spin. It’s my least favorite song on the album.
Key lyrics:
All of my world’s a collision and spin
Hope is a war that we’re already in

backwards in time – This mid-tempo love song was written by Jon Foreman and Tim Foreman. The song features guitar, bass, drums, Sgt. Pepper type sound effects, vocals from Tim Foreman and backing vocals. The song is about going back in time to give a relationship one more try.
Key lyrics:
If we could go back, would we take the same path?
If we knew what we know?

electricity – This love song was written by Jon Foreman. The song features guitar, drums, backing vocals and Sgt. Pepper type sound effects.
Key lyrics:
Come on, hang up and hang out

Best songs:
beloved
lost ‘cause
the bones of us
splinter
if i were you
the hard way

Almost Home: The Hymns of Matt Boswell and Matt Papa Volume 2
****

This is the second album of hymns from Matt Boswell and Matt Papa. Their first album, His Mercy is More: The Hymns of Matt Boswell and Matt Papa, was my favorite album of 2019. This new album may well end up being my favorite for 2021.
I was introduced to “the Matts” at the Getty Worship Sing! conferences in 2018. Some of the songs on this album, all of which were written for congregational singing, were introduced at prior Sing! conferences. The album was produced by Ben Shive. Here is a short “Behind the Scenes” video about the album.
Below are a few comments about each song:
Psalm 150 (Praise the Lord) – This song was introduced at the 2020 Sing! conference and highlighted at the 2021 Sing! conference. It was written by Matt Boswell and Matt Papa. The song features piano, guitar, strings, drums, bass and backing vocals.
Key lyric:
Praise the Lord
Praise the Lord
Sing His greatness
All creation
Praise the Lord
Raise your voice
Your heights and all your depths
From furthest east to west
Let everything that has breath
Praise the Lord

All Hail the King of Heaven – This song was written by Matt Boswell and Matt Papa. The song features piano, drums, bass, strings, and choir.
Key lyric:
All hail the king of heaven,
Now join with all creation,
Let endless praises crown his name
All hail the king of heaven.

Almost Home – This song was written by Matt Boswell, Matt Papa and Lauren Papa and highlighted at the 2021 Sing! conference. This song features piano, bass, strings, choir and some excellent drums.
Key lyric:
We’re almost home
So press on toward that blessed shore
O praise the Lord
We’re almost home

Lovingkindness – This song was written by Matt Boswell, Matt Papa and Matt Redman, and was introduced at the 2020 Sing! conference. This song features bass, guitar, drums and choir.
Key lyric:
A life laid down to rescue us
With arms outstretched upon the cross
The greatest Gift there ever was
Of lovingkindness
Your lovingkindness

Christ Our Hope in Life and Death – This wonderful modern worship hymn was written by Keith Getty, Matt Boswell, Jordan Kauflin, Matt Merker and Matt Papa, and was first released in 2020. The song features drums, bass, piano, organ, strings and choir.
Key lyric:
O sing hallelujah!
Our hope springs eternal;
O sing hallelujah!
Now and ever we confess
Christ our hope in life and death.

The Everlasting Love of God – This song was written by Matt Boswell, Matt Papa and Matt Redman, and was introduced at the 2020 Sing! conference. The song features piano, strings, drums, bass, and choir.
Key lyric:
O, the everlasting love of God,
It shall ever be my song
So immense and free; more than life to me!
The everlasting love of God

Unto the Almighty – This song was written by Matt Boswell and Matt Papa. The song features guitar, drums, bass, piano, strings and choir.
Key lyric:
All blessing, all honor, and glory
To him who is worthy
All praises unto the almighty

Christ the True and Better – This song was written by Matt Boswell, Keith Getty, and Matt Papa, and was introduced at the 2020 Sing! conference. The song features piano, bass, strings, organ, drum and choir.
Key lyric:
Amen, amen
From beginning to end
Christ the story
His the glory
Alleluia, amen

With Simple Faith – This song was written by Matt Boswell and Matt Papa. The song features piano, choir, bass and percussion.
Key lyric:
Only trust him
Only trust him
Turn to Jesus now
He will save you
He will save you
With simple faith and childlike trust

Promises – This song was written by Matt Boswell, Matt Papa, Jonny Robinson, and Rich Thompson. The song features drums, bass, guitar, piano, organ and choir.
Key lyric:
You are faithful to your promises
We will trust in what the cross has said
Through the ages, hallelujah you are
Faithful to your promises

O Give Thanks – This song was written by Matt Boswell and Matt Papa. The song features drums, organ, bass, piano and choir.
Key lyric:
O give thanks to God forever
for all he’s done for all he’s given
for every grace, bring every praise
to the giver of all, give thanks

O Worship the Risen Christ – This song was written by Matt Boswell and Matt Papa. The song features piano, bass, drums and choir.
Key lyric:
O praise the One, the Risen Christ
The name of names, the Lord of Life
Let songs of joy now fill the skies
He lives, he lives
O Worship the Risen Christ

Forever Jesus – This song was written by Matt Papa and Stuart Townend and was introduced at the 2019 Sing! conference. The song features, piano, organ, drums, bass, strings and choir.
Key lyric:
When I meet His gaze, I will sing my praise
To the King, “forever Jesus”
All my sorrows past, I am home at last
With my King, “forever Jesus!”

Almost Home (Acoustic) – This is an acoustic version of the title song, written by Matt Boswell, Matt Papa and Lauren Papa.
All of the songs are excellent. Here are my favorites:
Psalm 150 (Praise the Lord)
All Hail the King of Heaven
Almost Home
Lovingkindness
Christ Our Hope in Life and Death
The Everlasting Love of God
Christ the True and Better
Promises
Forever Jesus

Springtime In New York: The Bootleg Series Vol.16 1980-1985 – Bob Dylan
****

The latest volume in Bob Dylan’s Bootleg Series looks a period of his career (1980 – 1985) that is not generally considered to be one of his strongest. But this collection shows that there was a lot of excellent music created during that period, even if some of these songs didn’t appear on official albums – at least not in these versions – and that makes this an essential collection for any Dylan fan.
Springtime in New York comes in a few different configurations. I listened to the 25-song version edition, which consists of previously unreleased outtakes, alternate takes, an alternate mix, rehearsal recordings and a live performance. The deluxe five-CD edition includes 57 Dylan recordings, 54 of them which have been previously unreleased in any format.
Springtime in New York draws from sessions from 1981’s Shot of Love, 1983’s Infidels (one of my favorite Dylan albums co-produced by Dylan and Dire Strait’s Mark Knopfler), and 1985’s Empire Burlesque, and it makes each of those records more fascinating than some have given them credit for. Other songs from the Shot of Love period were included on 2017’s Trouble No More: The Bootleg Series Vol. 13/1979-1981, which I highly recommend.
I enjoyed listening to these songs, some of which are now more than four decades old. Some of the outtakes or alternate take versions sound better than the versions that were officially released on these albums.

My Favorites:
Blind Willie McTell (Take 5, Infidels Outtake)
Too Late (Band version, Infidels Outtake)
Foot of Pride (Infidels Outtake)
Someone’s Got a Hold of My Heart (Infidels Outtake)
Enough is Enough (Live)
Tight Connection to My Heart (Has Anyone Seen My Love) (Empire Burlesque Alternate Mix)
Clean Cut Kid (Empire Burlesque Outtake)
New Danville Girl (Empire Burlesque Outtake, early version of Brownsville Girl)
Dark Eyes (Empire Burlesque Alternative Take)

Latest Record Project Volume I by Van Morrison
***

Van Morrison has been very outspoken about the COVID-19 lockdown restrictions in the UK. He released a few songs specifically about that which do not appear on this ambitious 28-song, two-hour plus collection that was recorded during the lockdown.
Latest Record Project Volume I, Morrison’s 42^nd studio album has been blasted by critics – The Guardian gave it a one-star (out of five) review, for example – but the more I listened to this album, the more I enjoyed it. The 75-year-old Morrison is in fine form, as is his excellent band, as they play songs that fall into the genres of blues, R&B, jazz and soul. Morrison produced the album and wrote or co-wrote all of the songs unless noted below.
Morrison plays piano, guitar and sax, and is joined by Richard Dunn on Hammond organ, Dave Keary on guitars and banjo, Stuart McIlroy on piano, Pete Hurley on bass, Colin Griffin on drums and percussion, and a vocal trio of Dana Masters, Crawford Bell and Kelly Smiley; with some tracks featuring Jim Mullen on guitar, Gavin Scott on bass, Paul Moran on the organ and Mez Clough and Teena Lyle on vocals.
Below are a few brief comments about each song, along with a list of my favorites from the album:

Latest Record Project – This song has Morrison asking if people are listening to his new music, not his older, familiar songs. The song features call and response backing vocals and organ.
Where Have All the Rebels Gone? – This song has Morrison asking where all the rebels in rock and roll have gone. Where they really all that tough, or was it just a PR stunt? The upbeat song features organ, piano, guitar, drums, and backing vocals. A newer version of this song called “The Rebels” was recorded with Eric Clapton singing lead under the name “Slow Hand and Van”.
Psychoanalysts’ Ball – This song is about someone who needs psychological help to function. The song has a slower pace with light percussion, organ, guitar solo, chimes, piano and backing vocals.
No Good Deed Goes Unpunished – This song is about an ungrateful woman, perhaps Morrison’s wife who he was divorced from in 2018. He’s given her a million Euro, but she said that wasn’t enough. The song features organ, drums and keys.
Tried to Do the Right Thing – This song is about Morrison being conned in business. He tried to do the right thing for his baby but it all went wrong. The song features light percussion, piano, bass, a guitar solo and backing vocals.
The Long Con – In this blues song, Morrison says that he is a targeted individual who has to get to the bottom of who is pulling the strings. The song showcases the band and features drums, guitar, harmonica, organ, piano and backing vocals.
Thank God for the Blues – He was born to sing the blues, and he’s singing for the people who feel the same way that he does. This excellent blues song features bass, organ, drums, guitar, backing vocals and piano. A highlight.
Big Lie – This song features Chris Farlowe on vocals. He was king for a day but someone stole his crown. It was all a big lie. The song features guitar, drums, organ, bass and drums.
A Few Bars Early – He was a few bars early, but then he got it right. This blues song showcases the band and features organ, bass, drums, guitar and piano.
It Hurts Me Too – This blues song was written by Elmore James. When things go wrong, he knows it ain’t right and it hurts him too. The song features organ, drums, bass, backing vocals and harmonica.
Only a Song – It’s only a song, not set it stone. It’s only a poem and it could change in the long run. It’s what he said then just to make it rhyme. The upbeat song features saxophone, drums, organ and backing vocals.
Diabolic Pressure – Pleasing people gets you nowhere. He’s not gonna work for them anymore. He’s gonna work for himself. The band excels on this song, featuring piano, guitar, drums, bass, horns, piano, backing vocals and saxophone.
Deadbeat Saturday Night – This song might refer to the lockdown period when there was no work and no shows for musicians, it’s just another deadbeat Saturday night. The defiant song features drums, guitar, backing vocals, saxophone, organ and piano.
Blue Funk – He’s in a blue funk listening to the TV junk and mainstream media junk. He can’t believe how far we’ve sunk. He needs to pull himself out of the mire, lift himself a little higher and get out of this blue funk. The song features drums, bass, guitar, organ, backing vocals and saxophone.
Double Agent – This cryptic song is about a double agent, and when the lines start to blur strange things occur. The song references rock and rock roll, M15, compromise and drinking the Kool Aid. The song features drums, organ, guitar and bass.
Double Bind – This song could refer to the government during the lockdown. Mind control keeps you in line. You need to try to think outside the blind leading the blind and break the double binds. The slow groove song is driven by a bass beat, and features guitar, drums and an organ solo.
Love Should Come With A Warning – This song was written with Don Black. Love should come with warning. It can break your heart. One minute you’re falling in love and the next you’re falling apart. The song features organ, drums, guitar and backing vocals.
Breaking The Spell – On this upbeat and optimistic song he is trying to break the spell of the bright shiny objects. He’s in the country down by the river on a Sunday morning. He’s moving up to a higher plane. The song features backing vocals, drums, organ and piano.
Up County Down – In this upbeat song, he sings that he has been around, from the heart of Texas to L.A.’s Whiskey-A-Go-Go in L.A. in 1966 with his band Them when the Doors were opening. He might as well be in the County Down, a county in Northern Ireland, where the healing waters flow. The song features saxophone, organ, bass, drums, banjo and backing vocals.
Duper’s Delight – In this song, he sings of lies and double-crossing. The duper’s delight is a giveaway smile. The ballad features piano, organ, drums, bass and guitar.
My Time After a While – This song could be about Morrison’s second wife, who he was divorced from in 2018. It’s her time now, but it’s gonna be his time after a while. She got away with everything, but one of these days she’s gonna get caught. He just wants to see his darling children smile. The upbeat song features organ, drums, piano, guitar, saxophone and backing vocals.
He’s Not the Kingpin – He’s not the kingpin, he’s just a fall guy. He was used by the media for their agenda. This could be another reference to the lockdown. The song features organ, bass, backing vocals and drums.
Mistaken Identity – This song was written with Don Black. You thought you knew him, but you were wrong. There’s more to him than his music. You think that you can read him, but you can’t. The easy-going song features backing vocals, guitar, percussion, organ, bass and drums.
Stop Bitching, Do Something – In this rant, he sings that you’ve gotta put up or shut up and do something. The system, perhaps referring to the government during the lockdown, tells you that you are obsolete and non-essential. The repetitive song features guitar, bass, organ, drums, backing vocals and saxophone.
Western Man – This song could be about the government during the lockdown. Western man has no plan. He was complacent and stopped believing in himself. While he was dreaming, others were scheming, doing deals behind his back.   Now, caretakers have taken over the main building. Lunatics have taken over the farm and there are clandestine meetings in the forest. Things are not going back to the way it was. The song features banjo, organ, guitar, drums and bass.
They Own the Media – Morrison has clarified on Twitter that the “they” in this song is Boris Johnson’s UK government. They control the narrative. They perpetuate the myth and keep on telling lies. The song features organ, drums, guitar, bass and saxophone.
Why Are You on Facebook? – In this song he asks why those who are on Facebook need second-hand friends and why do they really care who’s trending (which actually refers to Twitter, not Facebook). He says to get a life, because it must be empty and sad. The repetitive song features organ, bass, drums, backing vocals.
Jealousy – In this easy-going song he sings that the things they say about him is just plain jealousy. Is it because he is good at his job and he’s not a slave to the system? The song features piano, organ, drums, backing vocals and saxophone.

Best Songs
Where Have All The Rebels Gone?
Thank God for the Blues
It Hurts Me Too
Only a Song
Diabolic Pressure
Deadbeat Saturday Night
Love Should Come With a Warning
Breaking the Spell
My Time After a While
Jealousy

Into the Mystery – NEEDTOBREATHE
****

Into the Mystery is NEEDTOBREATHE’s eighth full-length studio album. It debuted at #1 on the iTunes “Top Albums” charts upon release, and is one of my top albums of 2021 thus far.
During the pandemic, the band recorded the album over a three-week period at a historic house turned recording studio in Columbia, Tennessee with co-producer and engineer Konrad Snyder, and special guests. Into the Mystery follows closely 2020’s Out of Body and 2021’s Live from the Woods Vol. 2.
Themes from Bear Rinehart’s lyrics include reflecting back, longing to be loved, being easier on yourself, God’s love for us and taking chances.
Below are brief comments about each song:

What I’m Here For – This autobiographical song has Bear looking back to his teens and twenties. A theme is being easier on yourself. The song features acoustic guitar, backing vocals, drums, bass, keys and strings.
Key lyric:
I don’t need silver linings
I don’t need so much more
I just need room to be wrong sometimes
That’s all I’m hoping for

Into the Mystery – This song features acoustic guitar, backing vocals, electric guitar, bass, drums and organ. The song is about longing to hear that one is loved, be it a human love or supernatural love.
Key lyric:
‘Cause I just wanna be loved by you
I cannot resist the need to hear you say it
Whatever you do, I will be there
Son, I will follow you anywhere

Sunshine – The band has said life is going to occasionally lead to disappointment and some very sobering mistakes. This is a song about being kind to yourself. The song features organ, drums, guitar, bass, and backing vocals.
Key lyric:
I, I wanna see you running through the field sometimes
I wanna see your eyes looking up through your hands to the sky
Tell ’em we feel alright, we’re living in sunshine

Carry Me – This song was written by Bear Rinehart and Jon Foreman. This is a campfire song about wanting God to carry us from the river’s mouth, to the mountain peak, through the great divide and the valley deep features Jon Foreman of Switchfoot. The song features acoustic guitar, drums, keys, piano and backing vocals.
Key lyric:
All the ashes and scars they fail
They pale in comparison to yours

I Am Yours – This song about God’s love for us features the band’s original drummer Joe Stillwell. The song features synth, guitar, banjo, backing vocals, drums, bass, drums and keys.
Key lyrics:
If I had to write a story
Of the greatest love in time
I would have to sing of you

Chances – This beautiful song about taking chances was written by Bear Rinehart. Rinehart woke up early one day while the band was recording the album and he wrote this song, which the band recorded that day. The acoustic guitar driven song features backing vocals, piano, strings, and electric guitar.
Key lyric:
It’s always hard to find the courage to start dancing
But I am determined to take my chances
But peace can be hard to find in all this misunderstanding
I am determined to take my chances

Sittin’ in the Backseat – This song has Rinehart reflecting back on his family’s red 1986 Chevette, and remembering how free and fun it felt to sit in the car and look at the stars as they were riding down the road. The song, which features a memorable chorus, features guitar, keys, bass and backing vocals.
Key lyrics:
We were young and we were undefeated

Give Me a Chance – This was a live take in the studio, and features Joe Stillman on drums. It’s a fun “jingle jangle rock song”. The song features guitar, tambourine, backing vocals, drums, piano, hand claps, organ and a few guitar solos.
Key lyrics:
Give me a chance to be your man, baby

Don’t Throw All The Good Things Away – This song was written by Bear Rinehart and Natalie Hemby, and features Hemby. Rinehart has said that it’s easy to get caught up in what we’re doing and forget about relationships. Most of the time he looks back on those decisions with regret, so this song was a reminder of that. The song features acoustic guitar, keys, strings, bass and backing vocals.
Key lyrics:
Don’t spit on the grave while your family weeps
Don’t throw all the good things away

Innocence – This is about Rinehart’s grandmother. The song features piano, drums, bass, guitar and backing vocals.
Key lyrics:
I wanna rest
My weary bones on your providence
I wanna find somewhere that I can
Recover my innocence

I Wanna Remember – This song was written by Bear Rinehart and features Carrie Underwood. The song features keys, acoustic and electric guitar, drums, piano and backing vocals. The band has said that it is about life’s fleetingness, and is a nostalgic song that takes you back to the moments you never want to forget.
Key lyric:
I wanna memorize you, wanna stay here forever
‘Cause I, I
I take a picture in my mind so we’re always together
‘Cause I, I wanna remember

West Texas Wind – This song reflects back on when the band was first touring in a van and would drive across the country. As the band went through Amarillo, it would be windy on the interstates, and they would literally see tractor trailers blown over on the side of the road. The song has Rinehart reflecting on the good life he has led. Yes, he’s made mistakes and hurt those he loves. He needs God again and is ready to let the world go. The song features piano, guitar, backing vocals, bass, organ and drums.
Key lyric:
I’m running to you like a west Texas wind
Singing God I need you, oh, how I need you
God I need you again

Best Songs
What I’m Here For
Sunshine
I Wanna Remember
Carry Me
I Am Yours
Chances
West Texas Wind

Psalms, Hymns and Spiritual Songs, Vol. 1 – Shane and Shane
****

I was introduced to the worship duo Shane and Shane (Shane Barnard and Shane Everett) at the 2018 Getty worship conference Sing! For the entire time that I have followed them, the duo has released projects covering hymns and modern worship songs. Their last album of original material was 2015’s Psalms Vol. 2. Psalms, Hymns and Spiritual Songs, Vol. 1 is a welcome return to original material, and it’s one of my favorite releases of 2021 thus far. The thirteen modern hymns are consistently excellent. It was hard to pick my favorites.
The album’s title comes from Colossians 3:16: Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God.

Here are a few brief comments about each song:

Psalm 42 (Loudest Praise) – This song was written by Shane Barnard and Bryan Fowler. The song, which starts slow and builds, features acoustic guitar, backing vocals, drums, bass and organ.
Key lyrics:
Come thou fount of living water
Tune my heart to bless Your Name
Streams of trouble never ceasing
Call for songs of loudest praise

My Portion – This song was written by Shane Barnard, Bryan Fowler and Grayson Kessenich. Our heart and flesh may fail, but Jesus is our portion. The song, which gently builds, features strings, piano, guitar, bass and backing vocals.
Key lyrics:
Yet no thought so precious
So full of joy to me
Is this Thou art my portion
And shalt forever be

Psalm 90 (Satisfy Us with Your Love) – This song was written by Shane Barnard. The song is a prayer, which builds powerfully, features piano, backing vocals, organ, guitar, bass, drums and a choir.
Key lyrics:
When the sun comes up, satisfy us
Before the day has passed us by
Before our hearts forget all Your goodness
Satisfy us with Your Love

Hallelujah, Christ Will Come Again – This song was written by Shane Barnard, Robbie Seay and James Tealy. The song features guitar, backing vocals, organ, drums, bass, and builds powerfully with a choir. The chorus uses the “Memorial Acclamation”.
Key lyrics:
Christ has died
Christ is risen
Hallelujah, Christ will come again

Psalm 8 (How Majestic Is Your Name) – This song was written by Shane Barnard. The song, which builds powerfully, features keys, piano, guitar, backing vocals, bass and a choir.
Key lyrics:
So we’ll sing of Your name
Live our lives for Your greatness, oh God
And Your glory and honor

Only There – This song was written by Shane Barnard, Bryan Fowler and Grayson Kessenich. The song, which builds powerfully, features keys, piano, backing vocals, guitar, bass, drums and choir.
Key lyrics:
Only there, only there
Love and mercy flow for me
Only there, only there
Can I find my rest in Thee

Song in the Night – This song was written by Shane Barnard and Adam Westlake. The song features bass, drums, keys, guitar and backing vocals.
Key lyrics:
I will cling to the lover of my soul
Letting go of the rudder in the storm
I will call on the name of the Lord
You’re my song in the night
Oh, Jesus Christ

Psalm 84 (I’m Home) – This song was written by Shane Barnard, Jimmy Needham and Bryan Fowler. The song, which builds powerfully, features keys, piano, backing vocals, guitar, bass, drums and a choir.
Key lyrics:
When I sit at Your table
I am right where I belong
In the doorway of my Father’s house
I’m home

How Awesome Is Your Love – This song was written by Shane Barnard and Grayson Kessenich. This joyful song features acoustic guitar, drums, bass and backing vocals.
Key lyrics:
Your love, Your love
How deep, oh, how wide
And oh, my soul is satisfied
Your love, Your love
Is better than life

Living Water – This upbeat song was written by Shane Barnard and Bryan Fowler. The song features drums, guitar, backing vocals and a choir. We can never have too much of God’s love.
Key lyrics:
Living water
Deep within me
Saturate my soul
Like a river
Break the levee
Let it overflow

Greatest Love I’ve Ever Known – This song was written by Shane Barnard and Bryan Fowler. The song features keys, bass, acoustic and electric guitar, drums, and backing vocals. The song samples Isaac Watts’ hymn “Alas, and Did My Savior Bleed”.
Key lyrics:
With open arms
Upon the cross
You paid it all
At the highest cost
You gave Your life
To save my soul
Oh Jesus, You’re the great love I’ve ever known

Steadfast Love – This song was written by Shane Bernard and Robbie Seay. The song features keys, acoustic guitar, backing vocals, bass, strings, drums and piano.
Key lyrics:
Your steadfast love never ceases
Your goodness God
Calling me to rest
Your mercy just when I need it
How great is Your faithfulness

Your Nearness – This song was written by Shane Barnard and Bryan Fowler. The song features acoustic and guitar, keys, bass, organ, drums and backing vocals. The song concludes with a nice instrumental section.
Key lyrics:
Your nearness
Oh, Your nearness
Is my good

Best songs
Psalm 42 (Loudest Praise)
Psalm 90 (Satisfy Us with Your Love)
Psalm 8 (How Majestic Is Your Name)
Only There
How Awesome is Your Love
Living Water
Steadfast Love

Watch the album release livestream from July 23, beginning at the 6:12 mark.

Sing! Global (Live At The Getty Music Worship Conference) [Deluxe Edition] – Keith and Kristyn Getty and Friends
****

This new Deluxe Edition of the album from the 2020 Sing! Global Getty Music Conference includes five songs not on the original edition. You can read my review of the original release here.
Here are a few brief comments about the five new songs:
Yet Not I But Through Christ In Me – This song was written by Michael Farren, Jonny Robinson and Rich Thompson and performed by CityAlight. The song features piano, backing vocals, drums, guitar, bass, and a choir.
Key lyrics:
To this I hold, my hope is only Jesus
All the glory evermore to Him
When the race is complete, still my lips shall repeat:
Yet not I, but through Christ in me!

His Mercy is More – This song was written by Matt Boswell and Matt Papa, and performed by Keith and Kristyn Getty and the Getty Girls. The song features drums, bass, guitar, strings, backing vocals and a choir.
Key lyrics:
Praise the Lord!
His mercy is more.
Stronger than darkness; new every morn;
Our sins, they are many, His mercy is more.

There is Hope (There is Hope) – This beautiful song was written by Mark Edwards and Stuart Townend, and performed by Keith and Kristyn Getty. The song features violin, drums, bass, piano and a choir.
Key lyrics:
My highest calling and my deepest joy
To make His will my home

Revive Us Again – This song was written by William MacKay and John Husband and performed by Keith and Kristyn Getty and the Getty Girls. The song features piano, backing vocals, drums, violin, bass and a choir.
Key lyrics:
Hallelujah! Thine the glory.
Hallelujah! Amen.
Hallelujah! Thine the glory.
Revive us again.

Crown Him With Many Crowns – This song was written by Matthew Bridges and Godfrey Thring, and performed by Keith and Kristyn Getty. The song features violin, drums, piano, bass, and a choir.
Key lyrics:
Awake, my soul, and sing
Of him who died for thee,
And hail him as thy matchless king
Through all eternity.

Best songs
All

Live in Denver – TobyMac
*** ½

TobyMac, who is currently charting with his single “Help Is On The Way (Maybe Midnight)” has released a new live album Live in Denver. The project features 15 songs from his Hits Deep early 2020 Tour, and includes collaborations with Terrian, Aaron Cole, Cochren & Co. and Ryan Stevenson. This follows his 2016 live album Hits Deep Live. Live in Denver is currently only available in a digital format. A CD/DVD version will be released September 10.
The track list focuses heavily on later career songs, including “21 Years”, the 2020 song he wrote after son Truett died, 8 from 2018’s The Elements, 3 from 2015’s This is Not a Test, and 2 from 2012’s Eye on It. He also includes “Lose My Soul” from Portable Sounds.
The complete track list and the album the song was originally on, is below:

I just need U. – The Elements
Everything – The Elements
Love Broke Thru – This is Not a Test
21 Years – Single
See The Light – The Elements
Move (Keep Walkin’) – This is Not a Test
Lose My Soul (featuring Terrian) – Portable Sounds
The Elements – The Elements
Hello Future – The Elements
Til The Day I Die – This is Not a Test
Starts With Me (featuring Aaron Cole) – The Elements
Overflow – The Elements
Edge Of My Seat (featuring Cochren & Co.) – The Elements
Me Without You – Eye on It
Speak Life (featuring Ryan Stevenson) – Eye on It

TobyMac’s The Theatre Tour will stop in Peoria at the Peoria Civic Center Theatre on November 13. Some tickets still remain. To purchase tickets, go here.

The Work Tapes EP – Wilder Woods
***

Bear Rinehart, the lead singer of NEEDTOBREATHE is Wilder Woods. The name comes from his two sons Wilder and Woods. During the pandemic, he wrote between 70-80 songs. Five of the songs are included on The Work Tapes EP, and more are planned to be released. Rinehart, who possesses one of the most distinctive and powerful voices in music, has been busy with NEEDTOBREATHE, as well as adding vocals to songs from Chris Tomlin, Carrie Underwood and We the Kingdom. He wrote, recorded and produced the The Work Tapes at his home studio. The EP is a follow-up to his 2019 solo debut Wilder Woods.
Themes on the project include change, love, fear, sin and getting better.

Below are a few comments about each of the songs:
Long Night Coming – This upbeat song features guitar, backing vocals, light drums and keys. He needs a change. He needs to get back on the road and play music, because that’s where his soul is uplifted.
Key lyric:
I wanna sing in a crowd of people I’ve never met before
It makes me love and remember what I’m working for
Sink Our Love Now – This passionate song features acoustic and electric guitar, bass, keys, and backing vocals. Their love may not be what it once was, but they have persevered and are committed to each other. As long as they are together, they’ll be able to figure it out.
Key lyric:
If the ship’s still floating, you can figure it out
It’s gonna take a lot more to sink our love now
Heavenly Light – This song features keys, percussion, backing vocals, guitar and bass. It is a song for his wife. She is his heavenly light.
Key lyric:
Baby I could die with you by my side
I could do so many wrongs by you’d make them right.
What Are You Afraid Of? – This song features acoustic guitar, keys, and backing vocals. It is a tender song written for his wife about helping her with her fears.
Key lyric:
Trying to be the right kind of lover and friend
So, won’t you let me and Jesus carry your troubles again?
Man Made Weather – This song features keys, acoustic guitar, percussion, backing vocals and guitar. This song finds Rinehart reflecting as a father on the times we are living in. The song addresses sin such as crime and hate. It’s not a foregone conclusion that we’re going to be fine, but he has hope that we can get better.
Key lyric:
I know we can be better
Gotta find some way to get better
There’s a cloud hanging over our kids
And its man-made, man-made weather

Best songs:
Long Night Coming
Man Made Weather

Canyon – Ellie Holcomb
****

I first heard Ellie Holcomb on the song “Elizabeth”, a song she wrote with Kristyn Getty and included on the 2017 album Sing! – An Irish Christmas: Live at the Grand Ole Opry House. Watch a live performance of the song here.
I was attracted to this album by a tweet from NEEDTOBREATHE indicating that lead singer Bear Rinehart had teamed up with Holcomb for “Sweet Ever After”. I’m glad I checked out the album, as it’s one of my favorites of 2020.
The album was inspired by a trip Holcomb took to the Grand Canyon last summer. She has said that the songs, born out of a season of a lot of personal and global (COVID-19, racial tension, tornado, etc.) loss, feel like a soundtrack to healing and hope. Canyon, produced by Cason Colley, is Holcomb’s follow-up to her 2017 Red Sea Road album. She wrote or co-wrote all of the songs. Her father, Christian music veteran Brown Bannister served as executive producer.
Here are a few brief comments about each song:

I Don’t Want To Miss It – This upbeat song was written by Thad Cockrell, Cason Cooley and Ellie Holcomb. The song features drums, bass, piano, backing vocals, and banjo. She doesn’t want to miss God’s voice and touch.
Key lyrics:
I don’t want to miss a thing
So I climbed up in a sycamore tree
‘Cause I don’t want to miss a thing
And I don’t want to miss it
I don’t want to miss a thing
I don’t want to miss the melody
That You’ve been singing over me

Canyon – This hopeful song was written by Thad Cockrell, Cason Cooley and Ellie Holcomb. The song features, banjo, backing vocals, drums, piano and bass. She found the Lord in the desert. Holcomb has said that this song, and the album, is about a deeper sorrow and a higher hope. There’s a river running through her deepest sorrow and pain. There’s a river running through every dream that never came true.
Key lyrics:
I walked into the desert and I found You
You set a table for me in the presence of my enemies
To share with my enemies
No longer my enemies

Color – This song was written by Bear Rinehart and Ellie Holcomb. Holcomb sings of stone-cold lonely nights when she built her house on sand. She thought the truth was black and white, but now sees it is made of color. The song, which builds powerfully, features keys, finger snaps, bass, guitar, drums and backing vocals.
Key lyrics:
In the broken sanctuary light
I’m surrendered, I am hypnotized
I can see You even though I’m blind
This world is made of color

Bridge – This song was written by Jordan Reynolds, Ellie Reynolds, Ellie Holcomb, Carly Bannister and Alexandria Mowry. The song features piano, guitar, bass, drums and backing vocals. The song is about racial reconciliation, rebuilding what has been broken, repentance and forgiveness.
Key lyrics:
I wanna listen, I wanna repent
It’s time to rebuild what’s been broken
Teach me to love, help me learn to forgive
And when hate melts it down, we’ll rebuild it again

Paradox – This song was written by Natalie Hemby and Ellie Holcomb and features Hemby. She thought see would see God clearly from the top of the world, but now that she is in the valley looking up God has never felt so close. The song features piano, keys, backing vocals, bass and drums.
Key lyrics:
And now I’m in a valley, looking up
You have never felt so close
Canyons all around me, stars above
Meet me in the depths below
Where the lost is found
Where the broken is crowned
Where the souls rise up
From the ground
You got me in the valley, looking up

Brand New Day – This song was written by Jeremiah Dunlap, Matt Wertz and Ellie Holcomb. We all fall down and get banged up. There’s a storm, but you’ve not going under. It’s a brand-new day. I really enjoyed the musical arrangement on this song, featuring guitar, hand claps, bass and backing vocals.
Key lyrics:
Mercy new, don’t miss the way it shines
It’s a brand-new day

Sweet Ever After – This song was written by Bear Rinehart and Ellie Holcomb, and features Rinehart of NEEDTOBREATHE. The song references the tornado that struck Nashville in March, 2020, and features banjo, bass, backing vocals, drums. The sun is coming up on the stairway to Heaven in the sweet ever after.
Key lyrics:
Got a lot of bad days still coming our way
But a sweet ever after
Wind and waves breaking over our walls
But the ship, it don’t shatter

Stronger – This song was written by Nicole Witt, Ellie Holcomb and Christa Wells. The encouraging song is about being stronger than your fear. It features piano, drums, guitar and backing vocals.
Key lyrics:
Go fly away my dear, up to the golden sun
Don’t build your home right here, you were made for love
Worry whispers lies but let the truth be clear
You are stronger, love, you are stronger than your fear

Mine – This song was written by Ellie Holcomb and features Drew Holcomb. It’s a beautiful piano and strings driven song for their children.
Key lyrics:
Before I held you, I knew I loved you
Before I saw you, I was sold out for you
I was writing lullabies
Before I ever heard your cry
I’ve been here the whole time
You always have, you always will be mine

I Will Carry You – This song was written by Ben Glover and Ellie Holcomb. The song could be addressed to a friend who is tired, hurting and full of anxiety. It features piano, guitar, banjo, drums, and backing vocals.
Key lyrics:
I will carry you
Through your darkest night
When you’re terrified
I will carry you
When the waters rise
When your hope runs dry
I will carry you

Gold – This song was written by Ellie Holcomb and features Carly Bannister. It sounds like a love song to Holcomb’s husband Drew, as she sings that she learned to sing so she could sing right next to him. The song features acoustic guitar, pedal steel guitar and backing vocals.
Key lyrics:
You are wonderful, you are kind
You are patient, you are humble, and you are wise
You don’t see it with your own eyes
But you are gold to me and I love the way you shine

Constellations – This song was written by David Leonard (Christian), Ellie Holcomb and Jon Guerra. The piano driven song features a passionate vocal from Holcomb as she cries out to God to promise her that she is not alone.
Key lyrics:
‘Cause out here in the dark
Underneath a canopy of stars
Constellations falling from Your heart
They tell me that I’m not alone
‘Cause honestly, I’m so alone
But promise me I’m not alone

Best Songs
All

Chris Tomlin & Friends: Summer EP
***

Chris Tomlin follows up his successful 2020 album Chris Tomlin & Friends with this new EP featuring three new songs, as well as two previously released songs from the Chris Tomlin and Friends album. The EP is produced by Corey Crowder. If you already have the full-length album, you’ll want to check out the three new songs.
Below are a few brief comments about each song:

Good To Be Loved – This song about God’s love was written by Tyler Hubbard Chris Tomlin, Corey Crowder and Blessing Offor, and features Hubbard. God’s mercy is new every morning (Lamentations 3:22), is never ending, goes from east to west (Psalm 103:12), and is deep and wide (Ephesians 3:18). The song features piano, bass, drums, organ and backing vocals.
Key lyrics:
It don’t run out
It’s never-ending
It goes as far
As the east is from the west

Talk To Him – This song about prayer was written by Chris Tomlin, Russell Dickerson, Tyler Hubbard, Corey Crowder and Ashley Gorley, and features Dickerson, who was formerly Tomlin’s guitar tech on the road for three years.
The song features guitar, bass, drums and backing vocals.
Key lyrics:
Just talk to the One who created the Heavens and Earth, yeah
He’s always there waiting and always will be
Yeah, He made you, He knows you
He loves you, He’s for you
He already knows what you need, so just
Talk to Him, talk to Him, talk to Him

Love People – This song about loving each other was written by Chris Tomlin, Tyler Hubbard, Corey Crowder, Dave Barnes, and features Jimmie Allen. Love doesn’t see color, and underneath the surface we’re all the same. The song includes a part of 1 Corinthians 13. The song features piano, bass, drums and backing vocals.
Key lyrics:
We didn’t all come up the same way
But we’re all in need of the same grace

Thank You Lord – This song was written by Tomlin, Thomas Rhett, Tyler Hubbard, Corey Crowder and David Garcia, and features Florida Georgia Line and Thomas Rhett. Tomlin has said that to have a life of gratitude and thank God for all things – good and hard – that are around us, was a major theme of the Chris Tomlin and Friends album. The verses have a country music feel, and the bridge is more worship music, featuring Tomlin. This is a feel-good, sing along song that features hand claps, backing vocals, guitar and drums.
Key lyric:
Praise up, eyes closed
One thing I know
I just wanna thank You Lord, thank you Lord

Sing – This song was written by Tomlin, Corey Crowder, Brian Kelley, Tyler Hubbard and Cary Barlowe, and features Russell Dickerson and Florida Georgia Line. The easy-going song about singing about God’s love features guitar, hand claps, backing vocals, drums and a memorable chorus.
Key lyric:
You make me wanna sing about Your love
Make me wanna tell the whole world what You’ve done
How You’ve turned my life around, I was lost but now I’m found
You’re the song stuck inside my head all day
Yeah, You make me wanna sing, sing
Sing all about You
Yeah, You make me wanna sing

Sing! Global: Live at the Getty Music Conference – Keith and Kristyn Getty and Friends
****

The latest album from Keith and Kristyn Getty’s Sing! Getty Music Conferences was recorded live at the Grand Ole Opry House in Nashville and around the world. Due to the COVID-19 pandemic, the conference was held online, rather than live in Nashville as in past years. The nineteen tracks feature a mix of new and old songs, and artists including Keith and Kristyn Getty, Matt Boswell, Matt Papa, CityAlight, Steven Curtis Chapman, Shane & Shane, Matt Redman, Sandra McCracken and others. I most enjoyed the new songs “Christ Our Hope in Life and Death”, “Lovingkindness”, “Psalm 150”, “The Everlasting Love of God”, “Christ the True and Better” as well as Sandra McCracken’s “We Will Feast in the House of Zion”, featuring H.B. Charles Jr.
Below are a few comments about each song:

Christ Our Hope in Life and Death – This song was written by Keith Getty, Matt Boswell, Jordan Kauflin, Matt Merker and Matt Papa, and features Matt Boswell, Matt Papa, Jordan Kauflin and Matt Merker. It was my top song of 2020.

Psalm 150 (Praise the Lord) – This song was written by and features Matt Boswell and Matt Papa.

Habla, Oh Dios (Speak O Lord) – This song was written by Keith Getty and Stuart Townend. It features Iglesia Bautista Ozama singing “Speak O Lord” in Spanish.

Lovingkindness – This song was written by and features Matt Boswell, Matt Papa, and Matt Redman.

Psalm 121 (I Lift My Eyes) – This song was written by Kristyn Getty, Jordan Kauflin, Matt Merker, and Matt Papa, and features Jordan Kauflin and Matt Merker.

The Lord Is in His Holy Temple – This song was written by Kristyn Getty and Ben Shive, and was included on the 2020 album Evensong: Hymns And Lullabies At The Close Of Day.

Yesu – This song was written by Kwagala Price and Sidney Kalanje, and features the African Children’s Choir.

My Worth Is Not in What I Own (At the Cross) – This song was written by Keith Getty, Kristyn Getty and Graham Kendrick, and features We are Messengers.

Every Promise of Your Word – This song was written by Keith Getty and Stuart Townend, and features the Getty Girls.

A Mighty Fortress Is Our God – This hymn was written by Martin Luther, and features Tommy Bailey.

Lift High the Name of Jesus – This song was written by Keith Getty, Kristyn Getty, Ed Cash and Fionan De Barra, and features the Getty Girls.

The Everlasting Love of God – This song was written by and features Matt Boswell and Matt Papa and Matt Redman, and features Matt Boswell and Matt Papa.

Christ the True and Better – This song was written by Matt Boswell, Keith Getty, and Matt Papa, and features Matt Boswell and Matt Papa.

Across the Lands – This song was written by Keith Getty and Stuart Townend. Speak O Lord – This song was written by Keith Getty and Stuart Townend, and features Shane and Shane and Blair Linne.

Grace – This song was written by Niki Shepherd, Jonny Robinson and Rich Thompson, and features CityAlight.

Great is Thy Faithfulness/My Redeemer Is Faithful and True – “Great Is Thy Faithfulness” was written by Thomas Chisholm and William M. Runyan. “My Redeemer Is Faithful and True” was written by Steven Curtis Chapman and James Isaac Elliott. The song features Steven Curtis Chapman and John Piper.

There Is a Higher Throne – This song was written by Keith and Kristyn Getty.

We Will Feast in the House of Zion – This song was written by Sandra McCracken and Joshua Moore, and features Sandra McCracken and H.B. Charles Jr.

Sing! Global 2021 will be held online and in person in Nashville September 12-15. See here for more information and to register.

Zoom In (EP) – Ringo Starr
** ½

The music of the Beatles was very important to me in my childhood, and I’ve continued to enjoy the group’s music, as well as their solo albums, ever since. It’s hard to believe that the band broke up 51 years ago in April, 1970.
Ringo Starr, along with Paul McCartney are the two living members of the band. Starr, who is now 80 years old, has said that his 2019 album What’s My Name, will be his final full-length album. In the future, he will only release EPs. Zoom In is a five-song EP, recorded at Starr’s home studio during the 2020 pandemic lockdown. The five songs include familiar themes from Starr’s music – good times, memories, friends, encouragement, peace and love. Zoom In will be enjoyed by Beatles and Ringo fans.
Here are a few brief comments about each song:

Here’s to the Nights – This song was written by Diane Warren and produced by Ringo and Bruce Sugar. The song features a number of guest artists on backing vocals, including fellow Beatle Paul McCartney, Joe Walsh and Sheryl Crow. This is a sentimental song about memories, mistakes and friends. The song features guitar from Steve Lukather of Toto, who is also a member of Ringo’s touring All-Starr Band.
Key lyric:
Here’s to the nights we won’t remember
With the friends we won’t forget
May we think of them forever
As the days that were the best

Zoom In, Zoom Out – This catchy song was written by Jeff Silbar and Robert Joe Turley III, and produced by Ringo and Bruce Sugar. It’s one of the better songs that Ringo has made over the past several albums and the best song on this new release. Watch the video for the song here. It’s about getting a new perspective. Everything is possible. Love is what it’s all about. The song features drums, bass, piano, guitar and backing vocals.
Key lyric:
If we could only see through each other’s eyes
Imagine what could happen (Imagine what could happen)

Teach Me to Tango – This song was written by Ringo, Grant Michaels and Sam Hollander, and produced by Michaels and Hollander. The feel-good song has a nice beat driven by drums, horns, guitar, backing vocals and throw away lyrics. It’s about living it up until you get what you want.
Key lyric:
Just hitch a ride with your favorite drummer
Pay no mind where we end up

Waiting for the Tide to Turn – This reggae flavored song was written and produced by Ringo and Bruce Sugar. The song is about the power of music to help you during difficult times as you are waiting for things to get better. The song features drums, horns, keys, guitar and backing vocals.
Key lyric:
There is light at the end of the tunnel
There is hope with the rising sun

Not Enough Love in the World – This easy-going song was written by Steve Lukather and Joseph Williams and produced by Ringo and Bruce Sugar. The song returns to peace and love, familiar themes in Ringo’s music. He references having to stay inside during the pandemic lockdown, and offers encouragement not to give up and close your heart. The song features drums, horns, a guitar solo, and backing vocals.
Key lyric:
Every night
I pray for some kinder time
Do we figure it out in time?
The time’s coming soon

Best songs
Here’s to the Nights
Zoom In, Zoom Out

Milk & Honey by Crowder
****

Milk & Honey is Crowder’s fourth studio album, and his follow-up to 2018’s I Know a Ghost. Crowder has written that the title Milk & Honey is about promise. The album is a celebration of the future we are marching towards together and a prayer that each of us can live in this promise in the here and now. It features a variety of musical genres, though less of the swamp rock and bluegrass that his previous albums have included. Several of the songs are about Jesus and will soon find themselves into worship services. This is one of my top albums of 2020 thus far.

Below are a few comments about each song:
Good God Almighty – This song was written by Jeff Sojka, Ben Glover and Crowder, and produced by Sojka and Glover. The song has charted high on Christian radio. Crowder describes this song as some good old-fashioned group singing, people singing in harmony. An excellent opening song.

Key lyrics:
Good God almighty, I hope You’ll find me
Praising Your name no matter what comes
‘Cause I know where I’d be without Your mercy
So I keep praising Your name at the top of my lungs
In the House – This song about the church was written by Jeff Sojka, Ben Glover and Crowder, and produced by Sojka and Glover. The song features banjo, drums, bass, backing vocals and hand claps.
Key lyrics:
Doesn’t matter if you’re rich, you’re poor, whoever you are
This is where we all find grace
He Is – This song about Jesus was written by Hank Bentley, Jeff Pardo and Crowder, and produced by Bentley and Pardo. The song, which builds throughout, features piano, acoustic guitar, bass, banjo, drums and backing vocals. This would be an excellent song to sing in a worship service.
Key lyrics:
He is hope for the hopeless, rest for the weary
Help for the hurting, He is, He is
Mending the broken, bearing the burdens
All that you’re needing, He is
Milk & Honey – This song was written by Seth Philpott, Hank Bentley and Crowder, and produced by Zach Paradis and Bentley. This song is about heading to the Promised Land. The upbeat song features Crowder’s swamp rock sound, banjo, hand claps, percussion and bass.
Key lyrics:
Choirs will be singing, saints on bended knee
Angels will be dancing, we will all be free
God in all His glory as far as you can see
It’s like every day is Sunday in the land of milk and honey
Higher Power – This song is written by Solomon Olds, Rebecca Olds, Jeff Sojka, Crowder, Hulvey and Ben Glover, and is produced by Glover, Sojka and Solomon Olds. This song about the power of God’s gathered people, features Hulvey on vocals. The high energy song is driven by guitar, drums, bass, a heavy beat and backing vocals.
Key lyrics:
Higher power
We stronger, we louder
Put your robe on we the choir
We champions, throw the flowers
Sweet Jesus – This song was written by Solomon Olds, Rebecca Olds, Jeff Sojka, Crowder and Ben Glover, and produced by Glover and Sojka. The song features, guitar, finger snaps, bass, drums and the excellent backing vocals of Maverick City Music.
Key lyrics:
Say His name, say His name
The name above all names
God Really Loves Us – This song was written by Jeff Sojka, Crowder, Dante Bowe and Ben Glover, and produced by Glover and Sojka. The song features Dante Bowe and Maverick City Music. The song is driven by piano and builds beautifully with the backing vocals.
Key lyrics:
Hallelujah
We are not alone
God really loves us
Who’s Gonna Stop The King – This worship song was written by Jordan Sapp, Jeff Sojka, Crowder, Colby Wedgeworth and Ben Glover and produced by Glover and Sojka. The song begins with hand claps, and builds, with bass, percussion and backing vocals. No one is going to stop the King.
Key lyrics:
Praise Him, praise Him
Praise the everlasting King
Better Than Sunshine – This song was written by Jeff Sojka, Crowder and Ben Glover and produced by Glover and Sojka. The song about Jesus features acoustic guitar, percussion, bass and backing vocals.
Key lyrics:
My Savior is better
My Jesus is better
His love is forever
Glory, Glory (God Is Able) – This gospel song was written by Ed Cash and Crowder and produced by Ben Glover and Jeff Sojka. The toe-tapping song, which may remind you of “Will The Circle Be Unbroken?” in parts, features piano, bass, percussion, backing vocals and banjo.
Key lyrics:
I feel better
So much better
Since I laid my burden down
Hallelujah For Every Broken Heart – This song was written by Ed Cash, Crowder and Bear Rinehart of NEEDTOBREATHE, and produced by Ben Glover and Jeff Sojka. Jesus uses all of the pain and hurt in our lives. The song features bass, piano, hand claps and backing vocals.
Key lyrics:
Hallelujah for a broken heart
Hallelujah when I’m falling apart
There’s a sun rising when the sky is dark
I’m singing, hallelujah for a broken heart
The Anchor – This song was written by Tommee Profitt and Crowder and produced by Profitt. The song, about Jesus, features piano, a passionate vocal and builds powerfully with a chorus.
Key lyrics:
He is the anchor
He is the anchor of my soul

Best songs
Good God Almighty
He Is
Milk & Honey
Sweet Jesus
God Really Loves Us
Glory, Glory (God is Able)
The Anchor

Leftover Feelings – John Hiatt with the Jerry Douglas Band
****

I’m been a fan of the now 68-year-old singer-songwriter John Hiatt’s music since his 1987 album Bring the Family. Leftover Feelings is his follow-up to 2018’s The Eclipse Sessions. The new album, one of my favorites of 2021, is a collaboration with the Jerry Douglas Band. It was produced by Douglas and recorded at the historic RCA Studio B in Nashville. Hiatt is joined by multi-instrumentalist Douglas (dobro, lap steel guitar, etc.), Daniel Kimbro on bass, Mike Seal on guitar, Christian Sedelmeyer on violin and Carmela Ramsey on vocals. They chose to record without drums to keep expressive Hiatt’s voice and lyrics in the spotlight. The album features a bluegrass and country rock sound and features a number of Hiatt’s story songs along with a few introspective songs.

Here are a few brief comments about each song:

Long Black Electric Cadillac – The opener is an upbeat song about his long black electric Cadillac. She goes a thousand miles on a charge. He’s heading out west to see his girl and will only have to stop twice. The band is fantastic on this song, giving you a taste of what is to come on the album.

Mississippi Phone Booth – This is a bluesy song about being at a Mississippi phone booth in the middle of the night. He’s somewhere close to Jackson and needs Memphis on the line.

The Music is Hot – This song has a bluegrass feel to it. It’s a sentimental song about a time in the past. The transistor radio is on playing Waylon Jennings (who recorded in Studio B) and Merle Haggard, and the sheets are drying on the line. The song features backing vocals and a memorable chorus.

All the Lilacs in Ohio – This song was originally recorded on Hiatt’s 2001 album The Tiki Bar is Open. It’s about a girl he met briefly in New York City and shared a taxi ride with. This is a more restrained version than the original, and it’s an excellent showcase for the band, with a nice solo, and features some backing vocals.

I’m in Ashville – On this acoustic track, he’s in Ashville and he’s sorry for having dropped the ball and thrown in the towel on a relationship. He’s sorry for leaving her behind. He’s on a road he never traveled to a place he’s never been. From these leftover feelings a vision of her comes up again.

Light of the Burning Sun – This acoustic song is about Hiatt’s brother who shot himself when Hiatt was 11 years old after gambling away his father’s company’s payroll.
Key lyric:
The message was sent
The task was done
Prayers offered up in the night
Faced the light of the burning sun

Little Goodnight – This upbeat song features Mike Seal’s electric guitar and backing vocals. It’s about a little baby girl named Little Goodnight who wouldn’t sleep at night, keeping her parents from sleeping.

Buddy Boy – This acoustic song features a passionate vocal from Hiatt and strings arranged by Christian Sedelmeyer. It features a nice acoustic guitar solo mid-song. Buddy Boy needs to stop his ramblin’ and come home and sleep in his own bed.

Changes in My Mind – This is a beautifully written and performed acoustic song, with the band allowing Hiatt’s tender vocals to be front and center. He has regrets of not being the man he and she both hoped he would be.

Keen Rambler – This is an upbeat song about a rambler who walks all over town from the morning until the sun goes down. The band is allowed to stretch out on this song, which will sound great in concert as Hiatt and the Jerry Douglas Band plan to tour together.

Sweet Dream – The closing song is another story song about a girl he once had a relationship with. It’s an acoustic track that has a nice instrumental break mid-song. The upbeat music contrasts with the sadness of the lyrics. They were a long time together and he has kept her memory near. In his mind he goes there for a little while until his sweet dream disappears.

Favorite songs:
Long Black Electric Cadillac
Mississippi Phone Booth
All the Lilacs in Ohio
Changes in My Mind
Keen Rambler
Sweet Dream

Fogerty’s Factory (Expanded Edition) – John Fogerty
*** ½

I’m a longtime fan of John Fogerty’ music, both as the leader of Creedence Clearwater Revival and as a solo artist. Fogerty’s Factory has Fogerty with a new backup band – sons Shane (a regular member of his touring band), Tyler and daughter Kelsy. The twelve-track project is comprised of five Creedence songs (“Proud Mary”, “Fortunate Son”, “Bad Moon Rising”, etc.) five Fogerty solo songs (“Centerfield”, “Hot Rod Heart”, etc.), in addition to two covers – Steve Goodman’s “City of New Orleans”, which was made popular by Arlo Guthrie, and Bill Wither’s “Lean on Me”, the latter of which is preceded by a few brief comments Fogerty about racism, which he says is not intended to be political, but about human rights, empathy and compassion. The title and cover of the album are a nod to Creedence’s classic 1970 Cosmo’s Factory album, with the cover photography done by Fogerty’s brother Bob, who shot the original cover for Cosmo’s Factory fifty years ago.
The idea for the project was inspired by Fogerty’s wife and manager Julie. The COVID-19 pandemic project is intended to be fun and innocent, and began as informal, lockdown-inspired jams in the family’s Southern California home in the spring, and later grew to a series of weekly performances on YouTube, an EP released in May, 2020, and now this full-length album. Fogerty stated that they didn’t have a drummer, but Shane developed a bass style that’s somewhat percussive, and Kelsy also played some snare drum. He said that the spirit of the project was to be fun, and to sound like a jam.
“Centerfield” was recorded in center field at an empty Dodger Stadium in Los Angeles on Fogerty’s 75^th birthday on May 28, 2020. Watch the video of the performance here.

Departures – Jon Forman
****This is the first solo album for the multi-talented leader of Switchfoot, after releasing multiple EPs, the latest being 2015’s four EP collection The Wonderlands. The album features 12 new songs all of which were written or co-written by Foreman. He also produced or co-produced each song. The mostly acoustic songs feature excellent musicianship, and I particularly liked his use of strings.
Foreman has said that this is an album “born out of the turmoil and desperation of the last year, (and this year, too). It’s an album that’s born from the journey, not the destination.” This is an excellent album with themes such as doubt, fears, lessons learned, thanksgiving, love, loss, and those things that really matter. I’ve always enjoyed Foreman’s solo work, and feel that this is his strongest release to date.
Below are a few comments about each song:

The Ocean Beyond The Sea – This opening song is somewhat different musically from what we normally get from Foreman, and it’s actually my least favorite on a very strong album. The song builds as he sings softly about forests, valleys and highways. The song features some excellent strings.
Key lyric:
Beyond the tyrant
Beyond the sirens
Beyond the silence
I heard a whisper
As soft as thunder
As cold as fire
By the ocean beyond the sea
Education – This is an upbeat song, with a good drum beat, guitar, horns and backing vocals. Foreman has said that the lessons that have stuck with him most in life have been the ones that have cost him pain, time and loss. He sings that the scars are teachers that you’re never gonna forget. Love is the hardest lesson you have to learn.
Key lyric:
Most things worth doing in this life
Are gonna kill you in the end
And the things worth fighting for
Are the things that you can’t defend
Side By Side – This easy-going love song features Madison Cunningham. The song features acoustic guitar and bass. Foreman’s and Cunningham’s voices blend well.
They are as different as snowflakes, but side by side they start to melt into something wonderful. Foreman has said that the song is an attempt to sing out the truth against a backdrop of his fears and doubts.
Key lyric:
Oh, the irony, friends and enemies
We’ll all be buried side-by-side
A Place Called Earth – This song was written by Jon Foreman, Tim Foreman and Lauren Daigle. Daigle sings the third verse, and her and Foreman’s voices blend well on the chorus. He longs for Heaven on a place called Earth, where every son and daughter will know their worth. The song features piano, strings, drums, bass and acoustic guitar.
Key lyric:
Oh, how I long for Heaven in a place called Earth
Where every son and daughter would know their worth
Where all the streets resound with thunderous joy
Red And Gold – This song features acoustic guitar, electric guitar, bass, drums, strings and backing vocals. The song was inspired as Foreman was on a hill in San Diego watching the sun go down and the car lights on the freeway below. The city glows, the traffic and rushing, of thirsty souls, hungry for meaning and love.
Key lyric:
So, hold your faith, you’re not alone here
Stay your pace, you’re almost home
We’re on our way, we’re on our way home
Jesus, I Have My Doubts – Foreman has said that this is a song that steps into the ring with God. It is him asking the big questions at the end of a long, difficult season. It’s his honest attempt to sing into his doubts. The song features acoustic guitar, electric guitar, bass, strings and light percussion. He’s been singing broken songs looking for the light for so long, but the pain goes on and on. Can God reach him in the silence?
Key lyric:
Jesus, feels like the world’s in pieces
I’m sure You’ve got Your reasons
But I have my doubts
Jesus, I have my doubts
Thanks Be To God – This worship song of thanksgiving features strings, synth, drums, acoustic guitar, piano and bass. He loves the truth and has seen the light, but there is still sin (shadow) alive inside (Romans 7).
Key lyric:
Christ, Christ alone come and set me free
Thanks be to God who delivers me
The Gift – The beautiful song features acoustic guitar and strings. Our lives go through change, and love is what remains (1 Corinthians 13). The question is whether we will recognize the gift before it’s gone.
Key lyric:
May the wind that blows the hardest bring you home
Weight Of The World – This song addresses his doubt as he asks where God is now. He doesn’t understand how these difficult times fit into God’s plans. The song features acoustic guitar, light percussion, bass and some excellent strings.
Key lyric:
I’ve been waiting for
Your capable hands to come down
I’ve been praying for
Your capable hands to come down and turn this around
Your capable hands
Could carry the weight of the world
Love Is The Rebel Song – After a short opening, this musically upbeat song features acoustic guitar, backing vocals, strings and drums. Even if hate is the loudest song, he refuses to sing along. In a world at war love is the rebel song.
Key lyric:
Sing to me a melody for the ones who will never win
Songs of dreamers In-betweeners the ones that will never fit in
Where the wars go on and on
Love is the rebel song
The Valley Of The Shadow Of Planned Obsolescence – On this song, Foreman is feeling disposable and old. He’s looking back at old girlfriends, friends, social media, his music CD’s, and the Internet, the things he used to prize. He encourages us to focus on the things that will last (relationships), singing What would we do if we finally saw the light? If we dropped this accursed pride could we make amends? The song features cello, horns, acoustic guitar, whistle and a stringed instrument.
Key lyric:
On the day my heart beat dies
I want to be with you
The rest is just pretend
Just make believe
Last Words – This song seems to be about a friend who died in the COVID-19 pandemic, as the song begins and ends with ambulance sirens. None of the words he heard made sense of his friend leaving. The song features acoustic guitar, synth, backing vocals, light percussion and bass.
Key lyric:
Your last words to me were keep breathing
So I’m breathing in the breath you left behind

Best Songs
Education
A Place Called Earth
Jesus, I Have My Doubts
The Gift
Weight of the World
Love is the Rebel Song
The Valley of the Shadow of Planned Obsolescence

Evensong (Deluxe/An Evening at Hidden Trace Farm) – Keith and Kristyn Getty
****

Keith and Kristyn Getty released Evensong: Hymns and Lullabies at the Close of Day in October, 2020. See my review of that album here. Also, watch the video Sanctify the Night: The Story of Evensong.

This new release includes the 13 songs from the original album, as well as newly released tracks in a deluxe expanded edition that includes fresh, live audio from the Hidden Trace Farms filming sessions. Watch the Evensong Deluxe videos here. The new edition includes 10 live versions of songs from the album and 2 new songs – “Christ Our Hope in Life and Death” (my top song of 2020), and a new arrangement of “Be Still My Soul/He Will Hold Me Fast” – in my opinion the highlight among the new recordings here – which features a choir and some beautiful muted horns.
All of the songs on this new deluxe edition contain wonderful lyrics and are beautifully performed.

All That You Can’t Leave Behind – U2 (20^th Anniversary Super Deluxe Edition)
****

I have a long, and complicated, relationship with U2. From the Christian content on War the brilliance of The Joshua Tree and through Achtung Baby, U2 was my favorite band. I saw them in concert for the first time on their Zoo TV tour – a concert that I really looked forward to – and was completely turned off. I skipped their Zooropa and Pop albums, and was pretty much done with them. In October 2000, they released All That You Can’t Leave Behind. Pete, a team member of mine, ran over and bought the album over lunch. I didn’t plan to purchase it, but he let me borrow it that night. The U2 I loved was back.
I saw two shows on their tour supporting the album – one before the 9/11 tragedy and one after, two very different shows. The album would go on to win seven Grammy Awards, including record of the year and best rock album.
U2 has released four studio albums in the past 20 years, all good but not great. This was their last great album. Some of their political views (pro-abortion, for example), of the past few years has again soured me on the band. Like I said, my relationship with the band is complicated.
Twenty years to the day of its original release, the band released a 20^th Anniversary Edition of the album in multiple formats. The “Super Deluxe” audio edition includes 51 songs, including the unreleased “The Ground Beneath Her Feet”, a previously released (on video) Boston concert, B-sides, outtakes and remixes. The original album has been remastered and sounds great. I’m generally not a fan of remixes, and four dances remixes of “Elevation” seems excessive. Still, I would recommend this for fans off U2’s music.

Freedom (EP) – Justin Bieber
*** ½

Justin Bieber released this surprise six-song EP on Easter, just two weeks after he had released his latest album, the chart-topping Justice. The project, which includes several collaborations, features lyrics clearly affirming Bieber’s faith and trust in Jesus as his savior. My only criticism, and it’s a minor one, is that the energy falls off a bit with the final three songs, after opening with three upbeat songs.
Here are a few brief comments about each song:

Freedom – This song was written by Bieber, BEAM, Boi-1da, Jordan Douglas, Don Mills and Vinylz. It was produced by CVRE, Boi-1da, Vinylz and Mills, and features BEAM. This song about the freedom of salvation has a beat driven by bass and percussion.
Key lyric:
Children, you are forgiven
Ain’t nothin’ you could do for you to change that
And everythin’ you did, He erased that
Yeah, He took it all and threw it in the wasteland

All She Wrote – This song was written by Bieber, Brandon Love, Boi-1da, Leigh Elliot, Sean Momberger, Gerald Levert, Chandler Moore and Vinylz. It was produced by Momberger, Lee Major, Boi-1da and Vinylz, and features Moore and Love. The song samples “It’s Your Turn” by Levert. It is about turning our lives over to Jesus. We can’t save ourselves. We need a savior.
Key lyric:
I keep failin’ myself, I need somethin’ new
So I lay my life down, I give it all to You

We’re in This Together – This song was written by Bieber, Paimon Jahanbin, Nima Jahanbin, Isaiah Johnson, Federico Vindver and Angel Lopez. It was produced by Lopez, Vindver, DJ Alizay and Wallis Lane. This song features bass and percussion. Bieber tells his story, from playing drums at two, to making a million by seventeen. He had everything that people strive for. When everything hit the fan, God was with him and is the reason he is still standing. The song, which includes some brief adult language (a clean version is available), ends with a prayer.
Key lyric:
Gave His life upon the cross to wash our sins away

Where You Go, I Follow – This song was written by Bieber, David Bowden, Judah Smith, Jonathan Gateretse, O’necean Gordon, Tarik Henry, Lenard Ishmael and Luig Majr Tiano. The song was produced GOATSMANS, and features Smith, Chandler Moore and Pink Sweat$. The song, which features guitar, bass and percussion, is about following Jesus, who rose on the third day, beating death once and for all. The song ends with a spoken piece by pastor Judah Smith.
Key lyric:
Where You go, I follow
You’re with me every step of the way

Where Do I Fit In – This song was written by Bieber, Tori Kelly, Tarik Henry, O’necean Gordon, Luigi Majr Tiano, Lenard Ishmael, Judah Smith, Jonathan Gateretse and Chandler Moore. The song was produced by GOATSMANS, and features Smith, Moore and Kelly. The beautiful song has a slow pace driven by keys, and is about trusting God during times of fear and our darkest days. The song ends with a spoken piece by pastor Judah Smith.
Key lyric:
But then you remind me that you’re holding me tight
You say the past is behind me and it’ll be alright

Afraid to Say – This song was written by Bieber and Julian McGuire. It was produced by Bieber and JulesTheWulf, and features Lauren Walters. The song features acoustic guitar and piano, speaks of cancel culture, wondering if we have the room to make mistakes, or are we judged for everything we say. The song ends with a spoken piece by Lauren Walters.
Key lyric:
We can’t write people off
God never writes us off

Best songs:
Freedom
All She Wrote
We’re in This Together
Where You Go, I Follow

Live from the Woods, Vol. 2 – NEEDTOBREATHE
****

NEEDTOBREATHE follows their previous live albums – 2015’s Live from the Woods and 2018’s Acoustic Live Vol. 1 – with Live from the Woods Vol. 2, recorded outdoors March 12-14 at The Caverns in Pelham, Tennessee. This is their first live project since founding member Bo Reinhart left the band, the band now consisting of vocalist/guitarist Bear Rinehart, bassist Seth Bolt and keyboardist Josh Lovelace. The songs on this collection focus on the band’s most recent album, with 8 of the 17 tracks coming from the band’s August 2020 album Out of Body, which the band didn’t get to tour behind because of the pandemic. Three songs come from their 2009 album The Outsiders, 2 from 2014’s Rivers in the Wasteland, and one from 2016’s Hard Love, 2018’s EP Forever on Your Side, 2011’s The Reckoning and 2007’s The Heat.
NEEDTOBREATHE has always been known as an excellent high energy live band, and they prove it again on Live from the Woods Vol. 2. It’s obvious that they are energized to be performing in front of a live audience again. I enjoyed every song on this album, which features more than an hour and a half of music. Highlights for me included a blistering version of “Prisoner” from their 2009 album The Outsiders, “Who Am I” from 2020’s Out of Body, “Feet, Don’t Fail Me Now” from 2014’s Rivers in the Wasteland, the rarely played “Garden” from The Outsiders, “Brother” from Rivers in the Wasteland, and the unplugged Encore Medley: “Something Beautiful” from The Outsiders, “White Fences” from 2011’s The Reckoning, and “Washed by the Water” from 2007’s The Heat, with the audience singing along.

My Savior – Carrie Underwood
****

My Savior is the long awaited first gospel album by seven-time Grammy winner, country artist superstar Carrie Underwood, and her eighth studio album overall. The album, a companion to her 2020 Christmas album My Gift, features thirteen gospel hymns that Underwood grew up singing in a very small Free Will Baptist church in her hometown of Checotah, Oklahoma. I believe that this album of hymns may have the same long-lasting impact of fellow country artist Alan Jackson’s hymns projects.

Underwood sticks to traditional arrangement on these hymns, which I appreciate, beginning with a harmonica driven instrumental version of “Jesus Loves Me”. CeCe Winans joins her on “Great is Thy Faithfulness”, Bear Rinehart of NEEDTOBREATHE provides backing vocals on “Nothing But The Blood of Jesus” and Buddy Greene plays harmonica on the opening instrumental “Jesus Loves Me”, “Blessed Assurance” and “Amazing Grace”. Underwood co-produced the album with David Garcia.

I really enjoyed this album of traditional hymns, featuring Underwood’s powerful voice. Highlights for me included the harmonica from Buddy Greene on the instrumental opener “Jesus Loves Me”, “Great is Thy Faithfulness”, an upbeat country version of “Victory in Jesus”, “How Great Thou Art”, and a powerful “The Old Rugged Cross”.

Here is the complete song listing for the album.

Jesus Loves Me
Nothing But The Blood of Jesus
Blessed Assurance
Just As I Am
Victory in Jesus
Great Is Thy Faithfulness
O How I Love Jesus
How Great Thou Art
Because He Lives
The Old Rugged Cross
I Surrender All
Softly and Tenderly
Amazing Grace

Feared by Hell – Social Club Misfits
***

Shortly after the release of Feared by Hell, Social Club Misfits (Fern and Marty), won the Dove Award for Rap/Hip Hop Album of the Year for Mood//Doom, which had actually been released as two separate EPs during 2019. Feared by Hell, a strong album, features a number of guest artists and musical genres, such as Latin, Contemporary Christian and Hip-Hop. Themes on the album include Jesus, family, being yourself, trust in God, fun and the love of a wife.
Below are a few comments about each song:
Act of God – This song was written by Fern, nobigdyl., and Marty. It was produced by DJ Pez, Dirty Rice and Marty and features nobigdyl. This mid-tempo song about thankfulness recognizes that God has brought him through so much, and he doesn’t deserve it.
Key lyric:
Looking at my life, it’s an act of God
Never thought I would make it this far

Is That Okay? – This song was written by Marty and Fern and produced by Jimmy James and Marty. The song features an infectious beat, with keys, bass, percussion, hand-claps, horns, and some excellent guitar. The song has a good message about being yourself. Being different is a superpower. He’s always being himself, and has no time to be anyone else, and God blesses him for who he is.
Key lyric:
I know I’ll never be picture perfect
But can I be myself, is that okay?

Conmigo – This love song was written by Fern, Marty and Jay Kalyl. It was produced by Sam Ash. The song features Kalyl and Ash. Some of this song is sung in Spanish. The title translates to “With Me” in English.

To the Top – This song was written by Fern, Foure and Marty and was produced by Juice Bangers and Dirty Rice. The song features 1K Phew. The song features an excellent beat driven by bass and percussion. The only direction is up. Every day they are making history.
Key lyric:
When there was nowhere to go
You redirected my feet

God on My Side – This song was written by Ty Brasel, Fern and Marty. It was produced by Juice Bangers and Marty, and features Ty Brasel. The song about trust in God, features a mid-tempo beat, with bass, percussion and hand-claps.
Key lyric:
Yeah, I know who to call when I need help

Savior – This song was written by Fern and Marty and produced by Tommee Profitt. This prayer about Jesus being Savior, and His life for ours being the payoff, features Jeremy Camp. The song features acoustic guitar, drums, bass, backing vocals, hand-claps.
Key lyric:
Eternally grateful
When I needed you most, you came through

Luau – This song was written by Fern and Marty and produced by Marty. The song features Hulvey. This song has an easy-going beat, featuring guitar, bass, and percussion. The song is about a summer day hanging with friends by the pool.
Key lyric:
Go and call your friends, I hope summer never ends

Night Glow – This song was written by Marty and produced by Ray Rock. This easy-going song has a beat driven by drums and bass. His faith was tested, but he never wavered. His only friend was Jesus, the night glow when he didn’t have hope.
Key lyric:
You look inside
My God lives there
I might fall down
But can’t stay there

Young Gunz – This song was written by Fern, Evan Craft and Marty. It was produced by Sam Ash and Juice Bangers and features DAViES. The song features an infectious chorus sung by DAViES, as well as guitar, keys, hand-clap and percussion. The song is about Social Club Misfits being young gunz, who have a fire in their soul, are running wild lifting Jesus high.
Key lyric:
Every L I took, that’s a lesson that I needed
And every time I win, I give them something to believe in
One day we gon’ look back and say that it was Jesus

I Need You – This love song was written by Fern and Marty and produced by Marty. The song features a dance beat, with bass, percussion and keys.

Somos Familia – This song about always being able to count on family was written by Andy Alemany, Sam Ash, Evan Craft and Marty. It was produced by Ash and features Blanca. Some of the song is sung in Spanish. The song’s title in English means “We are Family”. The upbeat song features guitar and drums.
Key lyric:
My Lord, I just wanna tell the world looking for remedies
None of it will work unless love is inside the recipe

Without You – This song was written by Fern, Marty and Colby Wedgeworth. It was produced by Dirty Rice and features Riley Clemmons. The up-tempo song features bass and percussion. God is the anchor of his life. He’s lived too many days far from God. There’s no way he’s ever going back to that life.
Key lyric:
Without You
I’m just a house of cards ’bout to fall down

Best songs:
Act of God
Is That Okay?
Savior
Young Gunz
Without You

Let There Be Wonder (Acoustic) EP – Matt Redman
****

Matt Redman released Let There Be Wonder, one of my favorite albums of 2020, in January, before the COVID-19 pandemic swept the world. He recently released this six-song EP Let There Be Wonder (Acoustic), featuring five songs from that album, plus his classic “Blessed Be Your Name”. What holds all of these stripped-down songs together is that they are all about Jesus, and praising his wonderful name.
Even if you are familiar with these songs, I think you’ll enjoy these new versions. What really stood out for me was the use of strings on these songs. The EP was produced by Steve Marcia, who had the idea to use a string quartet as a signature sound for this project. Recorded during the lockdown, we hear four different string players who recorded themselves in four different locations, with beautiful results. I also enjoyed the backing vocals.
Below are a few comments about each song:

Let There Be Wonder (Intro) – The EP begins with the chorus of “Let There Be Wonder”, written by Redman, Joshua Silverberg, Jacob Sooter and Corey Voss. The brief song features keys and strings.
Key lyric:
Let there be wonder, let there be wonder in this place
Let there be worship, let there be worship for Your name
Come Holy Spirit, how we need Your fire again
Let there be wonder, let there be wonder

We Praise You – This song was written by Redman, Brandon Lake, Brian Johnson and Phil Wickham. The song, about praising the Lord, features acoustic guitar, strings, piano and backing vocals.
Key lyric:
We’ll see You break down every wall
We’ll watch the giants fall
Fear cannot survive when we praise You
The God of breakthroughs on our side
Forever lift Him high
With all creation cry, ‘God, we praise You’
Oh, we praise You

All Praise (Sing Praise) – This song was written by Redman, Andi Rozier and Jason Ingram. The song features piano, acoustic guitar, strings, and some wonderful backing vocals. God’s amazing grace far exceeds our past mistakes. God brought us back to life again and we will rise with Jesus from the grave. He is coming soon. His promises all come true and He deserves all praise.
Key lyric:
Your name, Your name always
Jesus, You alone deserve all praise

Upon Him – This song was written by Redman, Andi Rozier and Jon Guerra. The song features acoustic guitar, piano, and backing vocals. There is no greater name than Jesus. One day every knee will bow and every heart confess (Philippians 2:10-11).
Key lyric:
Christ has died, we are forgiven
And Christ alive, we are the risen
And He shall come again
Praise the King, praise the King

Jesus Your Name – This song was written by Redman, Lindsey Sweet, Joshua Silverberg and Jacob Sooter. The song features backing vocals, piano, acoustic guitar, strings, and is about Jesus’s wonderful name.
Key lyric:
Jesus Your name, when the whole world shakes
Jesus Your name, I will ever praise
My battle cry every night and day
I’ll sing Your name over everything
I’ll sing Your name over everything

Blessed Be Your Name – This song was written by Beth and Matt Redman a few weeks after the tragedy of September 11, 2000, when they were in California for the start of a sabbatical break. The Redmans have said that this is “a song born out of the whole of life – a realization that we will all face seasons of pain or unease. And in these seasons, we will need to find our voice before God. The Church (and indeed the world) needs it songs of lament.” This version of the song has a slower pace than usual, and features strings, piano, acoustic guitar, backing vocals.
Key lyric:
You give and take away
You give and take away
My heart will choose to say
Lord, blessed be Your name

Best songs
All

Letter to You – Bruce Springsteen
*** ½

I’ve been a long-time fan of Springsteen’s music, though not his politics. The first of his albums that I bought new was 1978’s excellent Darkness on the Edge of Town. I fondly remember humming songs from that album – “Prove it All Night”, “Badlands”, etc. – as I was walking through an office building doing an end of night inspection as the manager of a cleaning crew while going to college.
Letter to You is the 71-year-old Springsteen’s twentieth studio album, and first with the E Street Band (Roy Bittan, Nils Lofgren, Patti Scialfa, Garry Tallent, Stevie Van Zandt, Max Weinberg, Charlie Giordano and Jake Clemons), since 2014’s High Hopes. The album was produced by Ron Aniello and assisted by Springsteen.
Springsteen wrote all of the songs, most of which were written in April 2019. Three of the songs “Janey Needs a Shooter”, “If I Was a Priest” and “Song for Orphans” date back to the early 1970’s. The album was recorded live in just five days at Springsteen’s home studio with very minimal overdubs.
This is a very personal album. Themes include loss of friends, relationships, looking back, the power of music, and spirituality.
Springsteen fans will, as I did, enjoy the familiar sounds of the E Street Band on this album, bringing back memories of previous songs or concerts that you may have experienced in the past. The album is good, and solid throughout, making it one of the better releases of 2020, but it lacks any really great songs, which to me keeps it from being among Springsteen’s all-time best releases.
Below are a few comments about each song:
One Minute You’re Here – Springsteen has stated that the album was influenced by the loss of close friends and former band members, such as E-Street Band members Clarence Clemons and Danny Federici. This subdued opener is about how friends and loved ones are seemingly here one minute and gone the next. The song features Springsteen backed by acoustic guitar, before being joined by organ, piano and light percussion.
Key lyric:
I lay my penny down on the rails
As the summer wind sings its last song

Letter to You – This was the first song released from the album and has a true E-Street Band feel to it with guitars, organ and drums starting the song. There is a nice break featuring guitar and organ mid-song. The song features some excellent drum work by Weinberg. The song has Springsteen addressing his listeners about his music (his letter).
Key lyric:
Things I found out through hard times and good
I wrote ’em all out in ink and blood
Dug deep in my soul and signed my name true
And sent it in my letter to you

Burnin’ Train – This rocker opens with guitar and drums and features a few blistering guitar solos. The song is about a relationship, perhaps with his wife Patti.
Key lyric:
I wanted you to heal me
But instead you set me on fire

Janey Needs a Shooter – Springsteen wrote this nearly seven-minute story song in 1972, but could not release it due to a pending lawsuit. The song opens with drums and organ and shows off the genius of the E Street Band, including harmonica and backing vocals. This one will sound great in concert.
Key lyric:
Janey needs a shooter now
A shooter man who knows her style
The way that I know her style

Last Man Standing – With the death of George Theiss in 2018, Springsteen became the only living member of his first band the Castiles. He is the last man standing. The song, dedicated to Theiss, begins with Springsteen singing over acoustic guitar before the band kicks in on verse three. The song features some excellent sax work from Clemons.
Key lyric:
Rock of ages lift me somehow
Somewhere high and hard and loud
Somewhere deep into the heart of the crowd

The Power of Prayer – This song, which has nothing to do with prayer, again features some excellent sax work from Clemons and piano from Bittan. The song opens with piano, before Weinberg’s drums leads the rest of the band in.
Key lyric:
I’m reaching for heaven, we’ll make it there
Darling, it’s just the power of prayer

House of a Thousand Guitars – On an album surprisingly free of political commentary, Springsteen takes a shot at Donald Trump, singing:
The criminal crown has stolen the throne,
He steals what he can never own.
This mid-tempo song is about the healing power of music. The song features piano, and a guitar solo.
Key lyric:
So, wake and shake off your troubles, my friend
We’ll go where the music never ends

Rainmaker – The song is about a charlatan who promises to bring rain to drought-stricken farmers. But it’s also about our modern-day politicians. The song features a memorable chorus.
Key lyric:
Sometimes folks need to believe in something so bad, so bad, so bad
They’ll hire a rainmaker

If I Was the Priest – This story song was one of the songs Springsteen performed at his 1972 Columbia Records audition, but had never recorded until now. Springsteen has often included Christian imagery in his songs. In his autobiography he stated that he came to realize that once you’re a Catholic, you’re always a Catholic. This song includes Catholic, along with the old West imagery. The song begins with acoustic guitar before the full band joining in. In this song, Jesus is the sheriff and the Virgin Mary runs the Holy Grail saloon.
Key lyric:
There’s still too many outlaws trying to work the same line

Ghosts – This rocker, along with “Last Man Standing” is dedicated to George Theiss. It pays tribute to those bandmates that Springsteen has lost. The E Street Band really shines on this song.
Key lyric:
Count the band in then kick into overdrive
By the end of the set we leave no one alive

Song for Orphans – This song was written in 1971 and features Springsteen on harmonica. It’s hard to tell what the meaning of this song, with its wordy verses, means. It’s my least favorite song on the album.
Key lyric:
Well sons they search for fathers, but the fathers are all gone
The lost souls search for saviors, but saviors don’t last long

I’ll See You in My Dreams – This song opens with acoustic guitar, piano and organ before the full band kicks in, including a guitar and organ solo mid-song. Springsteen sings about those that he has lost and indicates that death is not the end because he’ll see them in his dreams.
Key lyric:
And though you’re gone and my heart’s been empty it seems
I’ll see you in my dreams

Best songs:
Letter to You
Burnin’ Train
Janey Needs a Shooter
Ghosts
I’ll See You in My Dreams

Skin and Wind – Charlie Peacock
****

I’ve appreciated Charlie Peacock’s music for many years, dating back to his late-night concerts at the Cornerstone Festival when it was held outside of the Chicago area, and his West Coast Diaries releases in the late 1980’s. The multi-talented (artist, producer, author) Peacock writes all of the songs on Skin and Wind, his fourteenth vocal album, and the follow-up to 2019’s Lil’ Willie. In addition, he produces the album, handles lead vocals, and plays multiple instruments (piano, Rhodes and Wurlitzer electric piano, drums, bass, acoustic and electric guitar and percussion). Backing him are son Sam Ashworth (acoustic guitar and background vocals), Ruby Amanfu (background vocals), Bridget Ashworth (background vocals), Jerry McPherson (electric and acoustic guitars and ukulele), Andy Leftwich (fiddle and mandolin) and Dan Dugmore (pedal and lap steel). The album cover is a 1986 photo of Peacock backstage at the Filmore Auditorium in San Francisco.
I thoroughly enjoyed this outstanding album, which features excellence in vocals (Peacock’s voice is still an incredible instrument), production, musicianship and poetical lyrics. Here are a few comments about each of the ten songs:

Skin and Wind is a Mind Bend – This beautiful and lyrically rich song is driven by acoustic guitar, light percussion and backing vocals. It begins with references to rain: A rainstorm of righteousness is dripping from the ceiling, yet do not fix that leak it’s all we have to quench the thirst of the need to be known, the need to be heard. He sings Let’s see where the water goes, and then brings in the wind: There is a wind an untitled wind, a friend to every color of skin. A great opening song.
Key lyric:
I say to myself, don’t you dare ever think
What you see will always be
As it is even now in the summer of ‘20
When you’ve still got more than plenty
Call It Destiny – This song features acoustic and electric guitar, piano, backing vocals, and Sam Ashworth on drums. The song is about a life of contentment. He has no more lust for spinning plates. Every day is a homily.
Key lyric:
There’s no reason to think this season
Is anything but a gift, not a battle hard won
Sing It Blue – This song is driven by acoustic guitar, and features backing vocals, Jeff King on electric guitar and Sam Ashworth on drums and bass. Peacock sings that we should all do our part to be a heart that beats in time with the truth.
Key lyric:
Too many beaten down
Ignored or written off
What happened to the gold
In the rule, did it stop?
Waiting is the Plan – This song features acoustic and electric guitar, bass, and backing vocals. This is a song about supporting someone who is waiting. They are angry. Waiting is not the easiest thing to do, but it’s the plan.
Key lyric:
I’ll be standing on the shore
Waiting to see some history
Watching the sun set in the west
Hoping to God for the best
And waiting, oh waiting
Waiting is the plan
Even When You’re Not – This is a love song that is different musically from the previous songs on the album. It is driven by a bass beat, with backing vocals, guitar, organ and drums.
Key lyric:
There’s nothing that could ever break apart
What we got when you’re near to me
Even when you’re not
Is There Anything – This is a love song that has a country music feel, featuring drums, guitar, organ, backing vocals, and Matt Slocum (Sixpence None the Richer) on cello.
Key lyric:
I’ll wrap my heart around you baby
You wrap your heart around me too
Let’s be the answer to the question
Is there anything that love cannot do?
Never Be Another One – This is a love song, with a good beat driven by acoustic guitar, and featuring backing vocals. She has other lovers lining up, but needs to keep in mind that they once had a good time and there is no reason they can’t have another one.
Key lyric:
There will never be another one who can open my door, so wide
24 Hour Parade – This song features acoustic guitar, bass, drums, backing vocals and cello. This day is another 24-hour parade of everything he believes. You can always be ready to be anything you need to be, or need to do or say, come what may.
Key lyric:
I see the lion on the prowl
I drop a knee and say a prayer
Come Light, true Truth
One Life, in You
The Captain – This upbeat song features piano, backing vocals, Mark Hill on bass, Steve Brewster on drums, Jeff Taylor on accordion and whistle, and Bryan Sutton on acoustic guitar. He keeps a close watch on how fast he’s sinking, but he still rises and prays thy will be done as he navigates the lane between sadness and delight. An excellent vocal from Peacock.
Key lyric:
I’ve got the least amount of time that I’ve ever had
My heart is full, my mind is quick
My body wants to lay it down
I’m a riddle, I’m a puzzle, I’m a quandary all around
I’m the Captain of a ship that’s going down
Faith, Hope & Love – This song is a prayer, and features acoustic and electric guitar, Mark Hill on bass and Nir Z on drums. He is waiting for the helping hand of love to lift him up and put him down on solid ground.
Key lyric:
I am down on my knees
Right where I need to be
There’ll be time enough to do
All I’ve dreamed of
But right now what I really need
Is faith, hope and love

Best songs:
Skin and Wind is a Mind Bend
The Captain
Faith, Hope & Love

Until We Meet Again (Live Unplugged) – Mat Kearney
****

Until We Meet Again features songs from Kearney’s second acoustic tour, his winter 2020 Revisited tour. These songs were recorded in January and February, just before the COVID-19 shutdown. Many of the songs are from early in his career, with five of the eleven songs from his 2011 album Young Love and three from his 2009 album City of Black and White. Most of the songs, are about love and relationships, with other themes including encouragement and trust in God.
If you are not familiar with Kearney’s music, this would be an excellent project to check out. Below are a few brief comments about each song:
Fire and Rain – This song was written by Robert Marvin and Kearney and originally appeared on the 2009 album City of Black and White. They may not be together anymore, but his love for her will not fade. The song features acoustic guitar, drums, bass, and backing vocals.
Key lyric:
My love will not fade
Through the fire and rain

Kings & Queens – This song was written by Judah Akers, David Garcia and Kearney, and originally appeared on the 2018 album CRAZYTALK. The song features acoustic guitar, bass, percussion, backing vocals and an infectious chorus. Kearney has said that the song is about how there are moments when you can be doing well commercially, but feel totally worthless, and also moments when no one cares about your music but you feel fulfilled. The latter is what the song is about.
Key lyric:
Richer than Solomon with you by my side
We’ll be kings and queens in our mind
Count on Me – This song was written by Jason Lehning, Robert Marvin and Kearney and originally appeared on the 2011 album Young Love. The song features some excellent acoustic guitar, backing vocals, bass and drums. In this song he tells her that he loves her and that she can trust him.
Key lyric:
When your number’s called
Back’s against the wall
Pick you up when you fall
Be there when you call
Learning to Love Again – This song was written by Kearney and originally appeared on the Young Love album. The song features acoustic guitar, bass, piano, drums, backing vocals. The Young Love album, and likely this song, were inspired by conversations Kearney had with passengers as he worked as a cab driver in Nashville.
Key lyric:
Hey brother, we’re all learning to love again
Closer to Love – This song was written by Robert Marvin, Josiah Bell and Kearney and originally appeared on the City of Black and White album. The song features acoustic guitar, bass, percussion and piano. We are all just one phone call from bad news that drives us to our knees in prayer. The song is about love, strength and hope.
Key lyric:
Oh, it’s your light
Oh, it’s your way
Pull me out of the dark
Just to show me the way
City of Black and White – This song was written by Michael Logan and Kearney and originally appeared on the City of Black and White album. The song features acoustic guitar, piano, bass, light percussion and backing vocals. This love song tells how she opened his eyes. He wants her to stay.
Key lyric:
I don’t want to wait until tomorrow
To tell you how I’d feel the rest of my life
Sooner or Later – This song was written by Josh Crosby, Robert Crosby, Robert Marvin, Jason Lehning, Nate Campany and Kearney, and originally appeared on the Young Love album. The encouraging song features percussion, bass, acoustic guitar and some excellent backing vocals. Though times are difficult he assures her that sooner or later they’ll get there.
Key lyric:
Baby, it’s like we’re walking on a wire thru the fear
Take my hand, we’ll get there
Air I Breathe – This song was written by Seth Mosley and Kearney and originally appeared on the 2015 album Just Kids. The song features acoustic guitar, bass, percussion, and backing vocals. Kearney has said that the song is about his journey battling perfectionism, being in control, and ultimately his trust in God.
Key lyric:
You are the air I breathe
You are the song I bleed
You are the war that I can’t win
This is my white flag in the wind
Every word You speak
Is the air I breathe
Ships in the Night – This song was written by Jason Lehning, Josh Crosby, Robert Marvin and Kearney and originally appeared on the Young Love album. The rap/pop song features acoustic guitar, drums, percussion, backing vocals and some excellent piano. This is a song about a relationship in which they avoid their problems, instead wasting their time trying to prove who is right.
Key lyric:
And if it all goes crashing into the sea
If it’s just you and me
Trying to find the light
Like ships in the night
Hey Mama – This song was written by Kearney and originally appeared on the Young Love album. The upbeat song features, drums, acoustic guitar, bass, backing vocals and audience participation. This love song seems to tell the story of Kearney and his wife meeting and falling in love.
Key lyric:
Hey lover, don’t want no other
Finger for my ring
Nothing Left to Lose – This song was written by Kearney and originally appeared on the 2006 album Nothing Left to Lose. This song is about his move from Oregon to Nashville, where he would pursue his calling as a singer-songwriter. The song features acoustic guitar, bass, backing vocals and piano.
Key lyric:
And here we go, there’s nothing left to choose
And here we go, there’s nothing left to lose

Best songs:
Kings & Queens
Air I Breathe
Hey Mama
Nothing Left to Lose

Out of Body – NEEDTOBREATHE
****

Out of Body is NEEDTOBREATHE’s seventh studio album, and first since 2016’s Hard Love. The album debuted at #1 on iTunes Top Albums chart. It is also the band’s first album as a trio – Bear Rinehart (lead vocals, guitar, piano, harmonica), Seth Bolt (backing vocals, bass, percussion), and Josh Lovelace (backing vocals, piano, organ), following the departure of founding member Bo Rinehart. The album was recorded in Nashville with producers Cason Cooley and Jeremy Lutito. Five of the eleven songs were released in advance of the full album release.
The band has said that the album is about their journey toward their true selves. This is a strong album, one of my favorites of 2020. As you would expect, the lyrics are vulnerable, and the musicianship and production are excellent. Below are a few comments about each song:

Mercy Shore – This song was written by Bear Rinehart and Tyler Burkum. It features piano, organ, pedal guitar, banjo, bass, drums, backing vocals and a memorable chorus. His arms are tired and weary, and his wounds are on full display. There’s no place he feels safe. He’s lost in the waves that crush him. He’s been battling a broken heart, but one day he’ll wash up on mercy’s shore.
Key lyric:
I see the light but never find the surface
I don’t know if I can swim no more
White knuckles and wild horses
One day we’ll wash up on mercy’s shore
Alive – This song was written by Seth Bolt, Josh Lovelace, Bo Rinehart and Bear Rinehart. This joyful song is upbeat musically, and features organ, piano, bass, guitar, backing vocals and some excellent drums. Someday his body is going to come to a rest, but for now, he wants to chase a vision like he’s running downhill.
Key lyric:
These hills take longer than we think to get down
So I’ll get used to living with my feet off the ground
Hang On – The song, along with “Seasons” were the first to be released by the band as a trio. The song was written by Bear Rinehart, Bo Rinehart, Daniel Tashian and Ian Fitchuk. The band has said that the song is about the feeling you get when good things in life happen for the first time, and remembering the bravery and vulnerability it took to be present in those moments. The song is upbeat musically, and features keys, drums, guitar and backing vocals.
Key lyric: So hang on to the light in your eyes and the feelings
Survival – This was the third song released from the album, and was recorded during the pandemic. The song was written by Cason Cooley, Jeremy Lutito, Josh Lovelace and Bear Rinehart. It has an older NEEDTOBREATHE rock and roll feel to it, and features Drew and Ellie Holcomb on vocals. The song opens with acoustic guitar, and then adds drums, backing vocals, keys and electric guitar.
Key lyric:
I am a man in need of
A constant revival
Jesus, come quickly
I need You for my survival
Child Again – This song was written by Cason Cooley, Emily Weisband, Jeremy Lutito and Bear Rinehart. It features synth, guitar, backing vocals, bass and keys.
The song is a prayer. God is his hope and innocence. He is free like a river and a child again.
Key lyric:
I wanna hear your voice
In the rain and wind
I wanna know it’s safe to be
A child again
Out of Body – This song was written by Cason Cooley, Jeremy Lutito and Bear Rinehart. The song has a good beat, and features piano, guitar, children’s choir, bass, drums and backing vocals. He prays for God to take him out of his body and mind. He wants to know how God made him and be given God’s mystical eye.
Key lyric:
I wanna see my world in a new light
I wanna drift through the fields where the moonlight’s bright
I wanna lose myself in the full of light
I wanna know how it looks from the other side
Who Am I – This was the fourth song released from the album. The song was written by Jordan Reynolds and Thomas Rhett. Bear Rinehart has said that it is a song about the fight to accept, embrace, and trust that the greatest love requires nothing in return. The song works equally well from the perspective of divine and human love. The song features keys, backing vocals, drums, guitar and a passionate lead vocal.
Key lyric:
I push You away, still You won’t let go
You grow Your roses on my barren soul
Banks – This was the fifth song released from the album. It was written by Bo Rinehart, Trent Dabbs and Bear Rinehart. The band indicated that it is a song about the women in their lives. The song is their way of saying that they support them, and that there’s nothing more beautiful than watching them effortlessly become the very thing they were made to be. The song features acoustic guitar, backing vocals, bass and drums.
Key lyric:
I wanna hold you close but never hold you back
I’ll be the banks for your river
Riding High – This song was written by Cason Cooley, Josh Lovelace, Bo Rinehart, Seth Bolt, Trent Dabbs and Bear Rinehart. The song has a driving modern country music beat, beginning with acoustic guitar before going into a full band sound, with excellent harmonies, vocals, drums, guitar, organ, and piano. He’s been living on the tip of his tongue and by the roll of the dice. If it’s going to be done, it’s going to be tonight. They might go out trying, but they’ll go out riding high.
Key lyric:
Bad decisions, they don’t feel bad at the time
Consequences, they don’t always fit the crime
Bottom of a Heartbreak – This song was written by Chloe Gasparini, Jayson DeZuzio, Neil Ormandy and Bear Rinehart. The song, which builds powerfully, features a passionate vocal, piano, percussion, bass, backing vocals. He’s feeling trapped with no escape. He wants to be well and to change, and needs a lot of time and a little space.
Key lyric:
There’s nowhere to hide
Where you feel safe
At the bottom of a heartbreak
Seasons – This song was released with “Hang On”, as the first songs from the new album. It was written by Bear Rinehart, Bo Rinehart, Josh Lovelace and Seth Bolt.
It was inspired by the story of close friends who went through tough time with fertility and adoption struggles. The song features bass, excellent vocal harmonies, mandolin, drums and keys.
Key lyric:
We won’t be here forever
Just a moment then we’re through
We can’t be shifting with the sands
Like seasons always do

Best songs:
Hang On
Survival
Who Am I
Banks
Child Again
Riding High
Seasons

Precious Memories Collection – Alan Jackson
****

This collection of Alan Jackson’s traditional gospels songs includes his two previous gospel albums 2006’s Precious Memories and 2013’s Precious Memories: Vol. II, along with two additional songs – “It’s All About Him” (inspired by his wife’s book of the same title) and “That’s the Way” (which he sang to his wife at their wedding), for a total of 28 songs and nearly an hour and a half of music. The songs feature Jackson’s smooth country vocals over a stripped-down backing consisting primarily of piano, acoustic guitar, light drums and backing vocals. The songs include such favorites as “Amazing Grace”, “How Great Thou Art”, “Blessed Assurance”, “Softly and Tenderly”, “The Old Rugged Cross” and many more. This collection will be a joy for those who love the great old hymns of the faith.

McCartney III – Paul McCartney
*** ½

Former Beatle, 78-year-old Paul McCartney, follows up his chart-topping 2018 album Egypt Station with McCartney III, his eighteenth solo album, and the third in his series of recorded at home McCartney albums. The new album, recorded at his Sussex estate in the spring during the COVID-19 pandemic lockdown, follows 1970’s McCartney (“Maybe I’m Amazed”), which was released as the Beatles were breaking up and McCartney II (Coming Up”), released in 1980 as Wings was breaking up. The new album is a pleasing eclectic collection (acoustic, rock, pop) of eleven songs which you will appreciate more with each repeated listening. McCartney wrote all of the songs, plays almost all of the instruments (“Slidin’” being the only exception), handles all vocals and produced the album (with the exception of “Slidin’”, which he co-produced with Egypt Station producer Greg Kurstin). I’ve been enjoying Sir Paul’s music for 56 years, and thoroughly enjoyed this new release.
Below are a few comments about each of the songs:

Long Tailed Winter Bird – McCartney featured a few instrumental tracks. This mostly instrumental opener, featuring some outstanding acoustic guitar, along with bass, drums and brass sounds, is a highlight.
Find My Way – This upbeat pop song features guitar, drums, and harpsichord. McCartney uses a falsetto at times as he sings that he can help you out and be your guide. He can help you reach the love you feel inside. The song has a false ending and concludes with some Sgt. Pepperish sound effects. Here is the music video for the song.
Pretty Boys – This song is about male models, objects of desire, posing for photographers. The song could be semi-autobiographical, as McCartney has been posing in front of photographers for more than a half century. The song features acoustic guitar, guitar, bass, drums and backing vocals.
Women and Wives – This ballad features piano, bass and light drums. He gives advice to husbands, wives, lovers and parents, indicating that what we do with our lives seems to matter to others. as some of them may follow roads that we run down.
Lavatory Lil’ – This short rocker, which could have fit nicely on side two of Abbey Road, features some excellent guitar, drums, bass and backing vocals. You’ve got to look out for Lavatory Lil. You think she’s being friendly, but she’s looking for a Bentley. She’s acting like a starlet, but she’s looking like a harlot, as she’s slowly heading over the hill. The song will sound great in concert.
Deep Deep Feeling – This eight-minute plus experimental song features bass, drums, piano, guitar, backing vocals and at times a falsetto vocal. He sings of the deep deep pain of feeling when you love someone so much. The song goes on too long, and has a false ending.
Slidin’ – This is a “Helter Skelter” like rocker, with throwaway lyrics, featuring guitar, bass and drums. I enjoyed the “Come Together” sound at the break mid-way through the song. The song may be an outtake from the Egypt Station sessions as it is co-produced by Greg Kurstin, and features touring band members Rusty Anderson on guitar and Abe Laboriel Jr. on drums. This is another song that will sound good in concert.
The Kiss of Venus – This song was inspired by a book McCartney read about the constellations and the stars and orbits of Venus. He used phrases from the book for the song. The song features a falsetto vocal over acoustic guitar and harpsichord.
Seize the Day – This song features, guitar, piano and drums, backing vocals.
It’s a Wings-like pop song with positive lyrics about love, being kind and seizing the day.
Deep Down – This mid-tempo song features brass sounds, bass, drums, piano, acoustic guitar, harmonium and backing vocals. The song is excellent vocally and musically, but has throwaway lyrics.
Winter Bird/When Winter Comes – “When Winter Comes” is an unreleased song from the early 1990’s, which was produced by George Martin. “Winter Bird” opens with the excellent guitar from “Long Tailed Winter Bird” and then moves into the acoustic guitar driven “When Winter Comes” as he sings about being on his farm, a song that would fit well on his 1971 album Ram.

Best Songs
Long Tailed Winter Bird
Find My Way
Lavatory Lil
Seize the Day
Deep Down
Winter Bird/When Winter Comes

Lo, How a Rose E’er Blooming (EP) – Fernando Ortega
****

This surprise (I didn’t find out about it until after Christmas), four song Christmas EP is Fernando Ortega’s first new music release since his 2017 album The Crucifixion of Jesus. The songs are beautifully performed with Ortega backed by piano and cello. Listed below is brief information about each of the songs on the EP, along with videos of Ortega performing them:

Lo, How a Rose E’er Blooming – This is a 15^th century German Christmas carol, which was translated by Theodore Baker.

In the Bleak Midwinter – This Christmas carol was written by Christina Rossetti (words) in 1872, and Gustav Holst (music) in 1906.

See Amid the Winter’s Snow – This hymn was written by Edward Caswall (words) in 1858 and Sir John Goss (music) in 1871.

Gloria – This song uses lyrics from what is known as the “Gloria Patri”.

His Glory Alone – KB
***

This is KB’s fourth studio album, his first album since 2017’s Today We Rebel (see my review here), and also his first since leaving Reach Records. The new album features God-centered lyrics, samples from several worship songs, and contains themes including praise and worship, being a father, and race.
Below are a few comments about each song:

Let it Reign – This song was written by Tee-Wyla, Michael Farren, Cardec Drums, Bizzle and KB. It was produced by Tee-Wyla and Drums. The song features Bizzle, and begins with a sample of Michael W. Smith’s song “Let it Rain”. The song then moves into a hard-driving beat as he calls for Yahweh to reign over all.
Key lyric: Your throne won’t end, Your crown won’t move

Lil Boy – This song was written by Cardec Drums and KB and produced by Drums. The hard-hitting song is about the example KB wants to set for his two sons. He wants them to be men of character and integrity.
Key lyric: God got a plan, stand up and act like a man

10K – This song was written by Jonas Myrin, Quinten Coblentz, Matt Redman, Wes Writer and KB. It was produced by Coblentz and Writer. This is a worship song that is based on Matt Redman’s song “10,000 Reasons (Bless the Lord)”.
Key lyric:
I got a God don’t change with the seasons
Ten thousand reasons I can believe in

This is Life – This song was written by Michael Fatkin, Benjamin Hastings, Cardec Drums, Quinten Coblentz, Joel Houston, Wes Writer and KB. It was produced by Drums, Coblentz and Writer. The song samples Hillsong UNITED’s worship song “So Will I (10 Billion X)” The song is about our life praising God, just as the stars, mountains and oceans do.
Key lyric: ‘Cause if everything exists to lift You high, so will I

Armies – This song was written by Wes Writer, Scott Cash, Mashell, Ed Cash, Chris Tomlin and KB. It was produced by Mashell. The song, in which KB expresses his confidence in the Lord to fight his battles, is hard-driving, and features backing vocals. The song samples Chris Tomlin’s “Whom Shall I Fear (The God of Angel Armies)”
Key lyric:
When you come to handle me
There’s another hand on me.

Masterpiece – This piano-driven song was written by Quinten Coblentz and KB and produced by Coblentz. It is a song for KB’s newborn daughter. She is a masterpiece. The song builds with backing vocals.
Key lyric:
There’s nothin’ that you have to be
Already, you’re a masterpiece

Libre – This Latin influenced song was written by Wes Writer, Cardec Drums, Tommy Royale and KB. It was produced by Drums and features Royale. The song is about KB’s freedom in Christ.

Yes Song – This worship song was written by Jonathan Smith, Mia Fieldes, Eddie Hoagland, Jason Cornet, Swoope, Cardec Drums, Tee-Wyla and KB. It was produced by Drums and Tee-Wyla. The song samples “Yes I Will” by Vertical Worship and features Eddie Hoagland. The song begins with piano and builds with backing vocals.
Key lyric:
Hand in my face, I can’t see
I have nothing left to bring

Dark Skin – This song was written by Cardec Drums and KB. It was produced by Drums and features Black Violin. This song addresses racism, and the incidents involving George Floyd and Ahmaud Arbery. Jesus is the answer. If we do what he commands and humble our pride, God can mend us. The song begins with piano, and builds with percussion, bass and horns.
Key lyric: Ain’t no left or right side in heaven

We Right Here – This song was written by Cardec Drums, Quinten Coblentz, Wes Writer and KB. It was produced by Drums, Coblentz and Writer. It is a hard-driving song that is a rally cry for millennial-aged Christians. The song samples “KIDZ” by Andy Mineo and Wordsplayed.
Key lyric:
They say millennials are leavin’ God
I just smiled, like you really need to see the squad

Loyal Til the End – This song was written by Cardec Drums, DJ Pez, Jon Keith and KB. It was produced by Drums and Pez and features Jon Keith. It’s a hard-driving song about his loyalty to his friends that features some nice percussion.
Key lyric:
All of my dawgs defiant
Loyal ‘til the end

The Name – This worship song about exalting the name of the Lord, was written by Cardec Drums, Quinten Coblentz, Wes Writer, Koryn Hawthorne and KB. It was produced by Drums, Coblentz and Writer and features Hawthorne. The song features an instrumental break mid-song and some nice drums and vocals from Coblentz and Hawthorne.
Key lyric:
All my heavy chains gettin’ broken
And my weary heart’s given hope
Come exalt Your Name

Si Cancion – This is the Spanish language version of “Yes Song” and features Blanca and Musiko.

Best Songs
10K
Yes Song
The Name

Patient Kingdom – Sandra McCracken
****

I have to admit that I’m a late-comer to Sandra McCracken, being introduced to her music at the 2018 Gospel Coalition National Conference and the last few Getty Music Sing! Conferences. I also really enjoyed her 2019 Christmas album, one of my favorites of last year.
This new album of worship songs features 9 new songs, and a reimagined hymn, all written or co-written by McCracken. The album, which was produced by Ben Shive and Tyler Chester, was recorded during the COVID-19 pandemic, with friends collaborating and recording across four states.
Patient Kingdom is an excellent album, which I’m sure will end up high on my “Best” list for 2020.
Below are a few comments about each song:

I Will Sing – This song about singing about the Lord’s great love (Psalm 89:1), has an easy going pace, and features piano, light bass and light drums, acoustic guitar and backing vocals.
Key lyric:
I will sing of the Lord’s great love forever
I will sing of the Lord’s good love
You Are With Me– This song features piano, drums, acoustic guitar and backing vocals. Our hearts may be heavy and tired in this valley. Sorrow may last for a night, but in the morning, the joy of the Lord breaks in with the light, and we know that He is with us.
Key lyric:
You walk beside me, through darkest valleys
I know You are with me
You Are The Word – This song has a nice play on the word “Word”. We can trust God’s word (His promises) in the pain as the Lord, the Word (John 1:1), will make all of this work for our good (Romans 8:28). He was broken, buried and raised, and we give him praise. McCracken’s vocals have an echo effect, and are backed by light acoustic guitar, backing vocals, and light drums.
Key lyric:
You gave me Your word
You gave me Your word
You are The Word
On High Places – This song features some nice drum work, acoustic guitar, and backing vocals. Fear has been an old friend, solitude has been a teacher of the truth, and peace has been a steady covering.
Key lyric:
On high places, here we go
We will rise, we will rise
And pass through shadows, take it slow
I Am One – This worship song features drums, acoustic guitar, piano, a guitar solo, and Citizens on backing vocals, and would be a good one to sing in a worship service.
Key lyric:
I am one with You in Light
I am one with You in Fire
I am one with You in Love
I am one with You in Glory
Lay My Worry Down – This song features guitar, drums, and backing vocals. We are confident that we can take our anxious fears and turn them over to our Father, resting in His mercy.
Key lyric:
Dark is the night, deep is Your love
Great is my need, You are enough
Thirst No More – This song about the living water that only Jesus provides (John 4:10), features acoustic guitar, drums, backing vocals, and piano.
Key lyric:
Thirst no more, thirst no more
Thirst no more, come and drink
Patient Kingdom – This beautiful song features acoustic guitar, backing vocals, and light drums. In the midst of the chaos, slow us down Lord and let love do its work.
Key lyric:
Let my soul rise up to meet You
As the day rises to the sun
Let my soul rise up to meet You
Let that patient kingdom come
Into The Harbor – This song features light drums, organ, acoustic guitar and backing vocals. In our trouble we cried out and the Lord heard us. He has provided the safety we have been longing for.
Key lyric:
Into the harbor You guide us, O Lord
Into the safety are Thy distant shore
Be Still My Soul– This song is a new version of the hymn written by Jean Sibelius, with a new bridge added by McCracken. The song features organ, acoustic guitar, electric guitar, drums, and some nice backing vocals.
Key lyric:
Be still, my soul, the Lord is on thy side;
bear patiently the cross of grief or pain;
leave to thy God to order and provide;
in every change He faithful will remain.

Best songs:
All

Over the Rainbow: The American Standard EP – James Taylor
*** ½

This EP includes three songs recorded during James Taylor’s American Standard album sessions, but not included on the original album. Read my review of American Standard – one of my favorite albums of 2020 – here.
Here are a few brief comments about each song.
I’ve Grown Accustomed to Her Face – This song was written by Frederick Loewe and Alan Jay Lerner. It was included in the 1956 musical My Fair Lady. The cast recording of My Fair Lady was one of Taylor’s parent’s favorite records. The song features strings, bass and acoustic guitar.
Never Never Land – This song was written by Jule Styne, Betty Comden and Adolph Green. It was included in the 1954 musical Peter Pan, starring Mary Martin. The cast album was a favorite from the Taylor family record collection. The song features acoustic guitar, bass and light percussion.
Over the Rainbow – This song was written by Harold Arlen and Yip Harburg. It was included in the 1939 film The Wizard of Oz. Taylor’s solo guitar version of the song includes Yip Yarburg’s original introductory verse, which is rare.

A Drummer Boy Christmas – for King & Country
***

Australian duo for King & Country, comprised of brothers Joel and Luke Smallbone, follow their best-selling 2018 album Burn the Ships with their first full-length Christmas album, based around their popular version of “Little Drummer Boy”. The album is comprised mostly of well-known Christmas carols, opening and closing with verses from “In The Bleak Midwinter”. There are two new songs included – “Heavenly Hosts”, and “The Carol of Joseph (I Believe In You)”. Bear Rinehart of NEEDTOBREATHE guests on “O Come, O Come Emmanuel” and country singer Gabby Barrett guests on “Go Tell It On The Mountain”.
The duo brings their signature high energy sound to these songs. In addition, the album includes two monologues, which fit in well with the album. A Drummer Boy Christmas was produced by Tedd Tjornhom and for King & Country, and co-produced by Benjamin Backus, with Matt Hales handling executive production.

A Drummer Boy Christmas would be a good addition to your Christmas music collection. Below are a few comments about the two new songs on the album:
Heavenly Hosts – This joyful song was written by Benjamin Backus, Joel Smallbone, Luke Smallbone, Aqualung, Tedd T and Tony Wood. The song starts with piano and then builds with bass, strings, drums and choir. The song is about when the angels met the shepherds in Luke 2.
The Carol Of Joseph (I Believe In You) – This song was written by Joel Smallbone, Luke Smallbone and Aqualung. The piano and strings driven song is about Joseph’s reaction to the birth of Jesus, which reminded me of Michael Card’s classic “Joseph’s Song”.

Miracle of Love: Christmas Songs of Worship (EP) – Chris Tomlin
***

Following close on the June release of his successful country music album Chris Tomlin & Friends, Tomlin is back with his fourth Christmas project, which includes two new songs – “Miracle of Love” and “All the World Awaits (Hosanna)”, along with the four songs from his 2019 EP Christmas Day: Christmas Songs of Worship, and one song from his 2015 album Adore: Christmas Songs of Worship. If you have all of Tomlin’s previous Christmas music, you’ll just want to download the two new songs.
Here are a few comments about each song:
Miracle of Love – This upbeat joyful song was inspired by the Tomlin’s third daughter, due this December, and the parallel story of the birth of Jesus. Tomlin has talked about how each line of the song has a double meaning. The song opens with piano, and picks up with drums, backing vocals and a nice use of horns at the chorus. The song was written by Ashley Gorley, Ed Cash and Chris Tomlin.
Key lyric:
A baby born; a baby born
A miracle of love
A gift from God sent to us
From heaven above
All the World Awaits (Hosanna) – This praise song about the coming of the Savior was written by Tomlin, Jason Ingram and Matt Maher. The song begins with guitar and gently builds with piano, drums and backing vocals. The song is inspired by Matthew 21:9 and Isaiah 9:6.
Key lyric:
Hail the heaven born Prince of Peace
Hail the Son of righteousness
Light and life to all He brings
Glory to the newborn King
Christmas Day – This song is written by Ed Cash, Scott Cash, Franni Cash, Martin Cash and Andrew Bergthold. This joyful song features drums, guitar and excellent vocals by Tomlin and We The Kingdom. Classic Tomlin, this song would be a good one for congregational singing.
Key lyric:
Sing all you people
The Lord almighty reigns
Sing every creature of God
Come bless His name
For He is good, for He is good
He was born to conquer the grave
Light of the world
The reason for Christmas Day
His Name Is Wonderful – This song is written by Tomlin and Ed Cash with a chorus taken from Isaiah 9:6. The song begins with Tomlin singing over piano, and then builds with drums, strings and choir.
Key lyric:
Come and adore Him
On bended Knee
He came to Ransom
Someone like me
Little Drummer Boy – This Christmas classic was written by Katherine Davis, Henry Onorati and Harry Simeone in 1958. The song features guitar, backing vocals and of course some excellent drum work.
Hope Of Israel – This song was written by Tomlin, Ben Fielding, Jason Ingram and Reuben Morgan. The song begins with Tomlin singing over piano, then builds gently with strings and backing vocals.
Key lyric:
God is with us
Christ our Savior
Jesus our Emmanuel
He shall reign our King forever
The hope of Israel
Noel – This song, originally included on Tomlin’s 2015 album Adore: Christmas Songs of Worship, features Lauren Daigle on lead vocals, and was written by Tomlin, Ed Cash and Matt Redman. Tomlin is known for sharing the spotlight with others, such as including Audrey Assad’s “Winter Snow” on his 2009 album Glory in The Highest: Christmas Songs of Worship. Since this recording, Daigle has gone on to great success with her Look Up Child album, which could be the reason this older song was added to the new EP.
Key lyric:
Unto us a Child is born
He shall reign forevermore

Best songs:
A Miracle of Love
All the World Awaits (Hosanna)
Christmas Day
Noel

Live from the Forum MMXVIII – Eagles
****

This new live album – it is available in multiple formats, including Blu-Ray video, digital, vinyl and audio CD, and was shown as a concert film on ESPN over the July 4 weekend – was filmed/recorded September 12, 14 and 15, 2018 at the Forum in Inglewood, California. My wife Tammy and I had seen the Eagles on the same tour just a few weeks earlier, on July 26, at Nationals Park in Washington, D.C.
The album is the first release to feature the new Eagles, with Vince Gill and Deacon Frey, replacing founding member Glenn Frey, who died in 2016. Gill and Frey join Don Henley, Joe Walsh and Timothy B. Schmidt as they perform classic Eagles songs, as well as Henley, Gill and Walsh solo hits – 26 songs.
From the first harmonies of the opener “Seven Bridges Road”, you’ll realize that this band, though formed 49 years ago (Henley is the only surviving founding member) is still at the top of their game. Deacon sings a few of his father’s songs (“Take it Easy”, “Peaceful Easy Feeling”), while Gill takes the lead on “Lyin’ Eyes” and “Take it to the Limit”).
If you enjoy the music of the Eagles, you’ll love this new live recording.

Still, Vol. 1 – Michael W. Smith
**

I’ve enjoyed Michael W. Smith’s music since his debut album in 1983. Now 63, he has done just about everything in music, from pop, worship, instrumental, movie soundtrack, Christmas, etc. Still Vol. 1 is a very different Michael W. Smith album, and though I give him credit for trying something different, it won’t be everyone’s “cup of tea”, and it’s sadly my least favorite of Smith’s albums.
The album provides an “atmospheric listening experience of improvisational music” along with Smith reading scripture on the first five tracks. The final five are all instrumental. His prayer for the project “is that this music will help the listener find moments to meditate with scripture.” Smith describes Still as a worship album that is more for individuals during their personal quiet times. There are also videos on Smith’s YouTube channel that accompany each song.
I believe the album will be enjoyed most during listener’s daily devotional and prayer time, or as quiet background music.

Nothing But a Word – Derek Minor and Propaganda
***

Nothing But a Word, a seven song EP, is the result of a plane delay that left Propaganda in Nashville with some extra time on his hands. He contacted longtime friend Derek Minor about recording and that led to this collaboration. It is Propaganda’s first project since 2017’s excellent Crooked, one of my favorite albums of that year. The new project was produced by Minor.
Here are a few comments about each song:
Dope – This song features John Givez as he shares vocals with Propaganda. He’s underrated and underestimated, and has some folks back home questioning how he made it. Life’s not perfect, but it’s worth it, because it’s dope. The song features finger snaps, backing vocals, synth and bass. A highlight.
Key lyric:
Remind me I ain’t crazy and the grace stay amazing
He came down to prove I wasn’t talking to an empty room
Remind me that the truth is that I’m looking at an empty tomb
Comments – This song addresses our online (Twitter, etc.) lives and how we can get pulled into debates by people we don’t even know. The information cycle is polarizing, and it’s beneath you to believe that nonsense (deep state, fake news). The song features a heavy beat, driven by percussion, bass, synth. Contradiction – This song features Aaron Cole on vocals. He wants to honest, shares the many ways that his life is a contradiction, and that he is at war with himself. The song features a heavy beat, driven by bass and percussion, and also features some guitar.
Impose – Although he’s not one to hold his tongue, he has grown a little, and is working on his patience. He doesn’t want to impose or tell you what you already know. The song references Donald Trump, privilege and equality. It is driven by synth and a steady beat.
Overjoyed – He’s overjoyed, but not overwhelmed, living in California, where good churches and bad cops are on the same boulevard. He speaks of fine tuning his priorities, which seem like they are always at war with him. The song features some excellent guitar work.
Key lyric:
It ain’t love if you ain’t willing to fight for it
It ain’t real if you aren’t willing to kill for it
Change – This song is about some things that need to change. He asks what lessons can we learn. We are a culture in crisis. The song references such current issues of refugees and equal pay for women. The song features Daniella Mason on vocals, guitar and a bass beat.
Fallen – This song features Tobe Nwigwe and Liz Vice on vocals, over drums and a bass beat. The chorus includes “They say that we are fallen, then tell me why you follow”. Propaganda and Nwigwe handle the verses.
Key lyric:
When Lucy try to tempt you, remember that it was written
Best songs:
Dope
Comments

Work in Progress – Andy Mineo
*** ½

Work in Progress, the latest from Andy Mineo is a mixtape/podcast hybrid. It features 12 songs that are raw, unmastered and alternate versions of tracks recorded over the years. Each song has a clip from his podcast that explains what the song is about. The songs have been on his hard drive for years, some dating back to 2014, but have never been released for various reasons. The songs are classic Mineo. I’m glad that he cleaned out his vault, and that these songs are seeing the light of day.
Below are a few brief comments about each song:
Reflections – This song was written by Mineo, Joel McNeil, John McNeil and Evan Ford. It was produced by 42 North and Ford. The song is driven by keys and drums. Andy talks about an encounter with a fan, Jesus being crucified and questions which America we speak of when we say we want to make it great again.
OT OD – This song was written by Mineo and produced by BEAM and Alex Medina. It features BEAM on vocals. This song, with its many sports references, sounded like it would have felt at home on Andy Mineo and Wordsplayed Present Magic & Bird. It features percussion, synth and handclap.
Keepin It Movin’ – This song was written by Mineo and Guvna B. It was produced by Iggy Music. It features London rapper Guvna B on vocals. The hard-hitting song about their careers and daily life features synth and drums.
I Don’t Need You – This song was written by Mineo, Matthew Scott Cohen and GAWVI, and produced by Cohen and GAWVI. This emotional song features synth, drums, bass and handclap. He doesn’t need them. He’s built walls so as not to feel pain. By the end of the song he realizes that maybe he does need them after all.
1988 – This song was written by Mineo and produced by Nottz and 42 North. Andy is reflective about turning 30. He addresses time, which will one day go on without him. He considers how he might be remembered. Now he’s less eager to prove something, but more confident in who he is.
Anything But Country – This song was written by Mineo, GAWVI, Joseph Prielozny and !llmind and produced by !llmind, GAWVI and Prielozny. The song addresses stereotypes (music, girls), As he has gotten older, he’s formed his own opinion and stopped letting other people do his own thinking. The song features percussion, backing vocals and an infectious chorus.
Another Me – This song was written by Mineo and produced by GAWVI. This is a love song to Mineo’s wife. She’s his priority. He doesn’t want to miss any of her. The song features synth and some backing vocals.
Til Death – This song was written by Mineo and Brian Reath. It features Reith on backing vocals. The song has a catchy R&B vibe, and features keys, percussion, guitar and handclap. He promises to be there for worse or better till death do they part. The song was recorded in 2014 around the time of his wedding.
So Gone Easy – This song was written by Mineo, B.Keyz, Dave James and Ace Harris. It was produced by James and Harris and features B.Keyz and James. The song features percussion, synth, guitar, keys, and bass, and varies in style between rap and easy going. He’s been doing this for so long, it’s so hard to make it look easy.
Honest 2 God – This song was written by Mineo and BEAM, and produced by BEAM and Daniel Steele. The song features bass, drums, synth, and some backing vocals. He wonders how often we have honest moments. He addresses some doubt about his faith, depression, his wife and grandmother. The honesty here is similar to his recent EPs The Sword and The Arrow.
I Ain’t Done – This song was written by Mineo and produced by BEAM. A version of this song appeared on his 2018 EP The Arrow. This song features a heavy bass and drum beat. He addresses his depression and anxiety. He’s not done making music. As long as there is breath in his lungs, he’ll keep rapping.
Family Photo – This song was written by Mineo and Weathrman and produced by Weathrman. A version of this song appeared on his 2018 EP The Arrow. The song tells the story of Mineo’s father not attending his wedding.

Marty for President 2 EP – Marty
***

Marty takes a break from the Social Club Misfits for a solo outing. Marty For President 2 is the follow-up to his 2015 EP Marty for President. The seven song EP features a number of guest artists, song writers and producers, and will be enjoyed by fans of Social Club Misfits.
Below are a few comments on each song:
The One about the Misfit, Pt. 2 – This song was written by Dave James, DJ Pez and Marty. It was produced by Dave James and DJ Pez. The song starts with a slow pace, a talk-rap over synth, and then builds slightly with percussion and guitar. He states that during the Misfits best year he was depressed the whole time and that sometimes you’ve gotta go through hell on the way to heaven. The song includes a mild “adult language” word that I’m disappointed hearing on a faith-based project. Leave the adult language to the mainstream rappers.
The One Where I Talk to God – This song about needing to talk to God during difficult times, was written by Daniel Chrisman, Israel Hindman, Juice Bangers, Andy Mineo and Marty. It was produced by Marty and Juice Bangers. The song has an easygoing beat and features Andy Mineo and Tree Giants. The song is driven by percussion, synth and bass.
The One Where I Hate You – This song was written by Joshua Toala, Marty, Jung Youth, Ray Castro and Luis Calderon. It was produced by Luis Calderon and Ray Castro. The song, has an easygoing beat, and features drums, bass and keys. It’s about dating someone who is wrong for you. He’s so happy that she’s gone.
The One with the Presidential Freestyle – This song was written by Israel Steven Mercedes, Derek Minor and Marty. It was produced by Chino Dollaz and Derek Minor. The confident song has a hard driving beat driven by synth, percussion and bass. He’s trying to run the race of life without wrecking, while Satan is waiting for his downfall.
The One with the Emo TRL Sound – This song was written by Dave James, Hollyn and Marty. It was produced by Dave James and Marty. The song, which is very different from the others on the EP, features Hollyn. The song is driven by acoustic guitar and is about missing a loved on.
Key lyric:
What does it really mean to be in love?
It’s a choice you make every day even when you’ve had enough
The One with No Discounts – This song was written by DJ Pez, Israel Steven Mercedes, Gravez, Dmitry Lavender, GAWVI, Marty and Tommy Royale. It was produced by Dmitry Lavender and DJ Pez. The song, driven by percussion, synth and bass, features GAWVI and Tommy Royale. God’s everlasting grace is on him and he can’t waste any time.
The Last One – This song was written by Luis Calderon, Ray Castro, Marty and Wande. It was produced by Marty, Luis Calderon and Ray Castro. The upbeat song, with a memorable chorus, features Wande and is driven by drums and guitar. He just wants to shine his light, play his part, sing his songs because of the talent he has he received from God.
Key lyric:
Your work is not in vain, it’s only preparation
It’s about the journey not the destination
Best songs
The One Where I Talk to God
The One with the Presidential Freestyle
The Last One

Doom – Social Club Misfits
****

Social Club Misfits, comprised of rappers Fern (Fernando Miranda) and Marty Mar (Martin Lorenzo Santiago), return with Doom, a six-song EP. I’ve enjoyed some of their previous music, in particular 2018’s Into the Night and its predecessor
2017’s The Misadventures of Fern & Marty. I really enjoyed Doom and look forward to their new full-length release.
Below are a few comments about each song:
Doom – This song was written by Jung Youth, Dave James and Marty and Fern, and produced by James and Marty. Jung Youth handles the vocals on the chorus, with Marty and Fern each taking one of the verses. If they can reach one person, it will be worth it. It’s never been about fame, but purpose. God never said it would be easy, but that He would be by their side and never leave them.
The song features keys and some nice percussion.
Key lyric:
I know that You’ll be there
Now there’s no more doom
Believe – This song was written by Fern and Marty, and produced by DJ Pez and Marty. Dave James adds vocals to the song. Marty has stated that the song is about struggling with faith, looking for an answer and waiting on a response. Do you still believe in what you can’t see? The song features keys, percussion and bass.
Tamo Aqui – This song was written by Fern, Marty and Israel Steven Mercedes. The song was produced by Rey King, who also sings the chorus. The song title means “We are here” in English. Fern sings the first verse in Spanish and Marty the second in English. The song features a good beat, horns and backing vocals.
God WYA – This song was written by Fern, Marty and Ben Lopez and produced by Lopez. He’s sorry for the time he’s wasted, when he took God for granted. Now, the more he prays the freer he feels. The song features a good beat, driven by bass, percussion, keys, backing vocals, and has a memorable chorus.
Enough – This song was written by Fern, Marty, Willyecho and Austin French. It was produced by Jordan Sap. Austin French handles vocals on the chorus and bridge. The joyful song features finger snaps, bass, keys and percussion. Even when we’re broken and tired, God is enough, enough, enough. A highlight.
Stones – This song was written by Fern and Marty and produced by Dave James and Marty. The song features guitar, backing vocals, bass, drums and synth. The song is about being honest about our struggles. We don’t always understand, but it’s the peace of God that surpasses all understanding (Philippians 4:7).
Key lyric:
I know I’m not perfect
But You still said I’m clean
Best songs:
God WYA
Enough

StonesEvensong – Hymns and Lullabies at the Close of Day– Keith and Kristyn Getty
****

Evensong is the first new studio album for Keith and Kristyn Getty since 2016’s Facing a Task Unfinished. It is not your usual album of new modern hymns from the Gettys, but rather more of a Kristyn Getty solo project born out of a family tradition. The Gettys close out their days with a time of reflection in thought, song, and prayer. These are lullabies and hymns that they have sung to and for their own children.
The project was recorded in Nashville during the COVID-19 shelter at home season. Ben Shive, who produced the album with Keith and Kristyn, was able to gather recordings from each musical collaborator and create a project fusing the Celtic, folk, bluegrass, classical, and Americana sound the Gettys have become known for. The musical backing is more restrained than a normal Getty album, but no less beautiful. The cover art was specially created by internationally renowned Irish artist Ross Wilson. The album features guest appearances from Vince Gill, Heather Headley, Ellie Holcomb, Sierra Hull, Deborah Kelmme and Sandra McCracken.
Below are a few thoughts about each song:

Hush-a-by (Come Unto Me and Rest) – This song was written by Keith and Kristyn Getty. The song begins with the first verse from Horatius Bonar’s 1846 hymn “I Heard the Voice of Jesus Say”, and then moves into a “Hush-a-by Baby” lullaby. The beautiful song features piano, acoustic guitar, percussion, bass and strings.
Key lyric:
Hush-a-by baby
The Lord surely keeps
Mother and child in His arms
He keeps us both in His arms
Sun of My Soul (Shine) – This song was written by Kristyn Getty and Sandra McCracken. The song features acoustic guitar, light percussion and the beautiful harmonies of Kristyn Getty, Sandra McCracken and Skye Peterson
Key lyric:
Sun of my soul, steady my gaze
As daylight runs its race
Your Word is a lamp unto my feet
On this journey
Consider the Stars – This song was written by Keith Getty, Kristyn Getty and Fionan De Barrs, and originally appeared on the Getty’s 2016 album Facing a Task Unfinished. The song features piano, strings, and a tender vocal from Kristyn Getty. The song is a lullaby that was written for the Getty’s daughters to help them go to sleep at night
Key lyric:
Do not be afraid
He who made all of this, says “You’re worth more than this,”
And holds you in his hands
Softly and Tenderly/Ashokan Farewell (Medley) – “Softly and Tenderly” was written by Will L. Thompson in 1880. A new verse was written by Kristyn Getty. “Ashokan Farewell” was written by Jay Unger. The song features vocals by Vince Gill, Ellie Holcomb, Sierra Hull, and Deborah Klemme. The song features acoustic guitar, bass, violin and beautiful harmonies.
Key lyric:
Come home, come home
Ye who are weary come home
Earnestly, tenderly, Jesus is calling
Calling O sinner come home
Is He Worthy? – This song was written by Andrew Peterson and Ben Shive. The song features piano and vocals from the Getty’s daughters
Key lyric:
Is He worthy? Is He worthy?
Of all blessing and honor and glory?
Is He worthy of this? He is
Lily in the Valley – This song was written by Kristyn Getty and Ben Shive. The beautiful song features acoustic guitar, strings, and Kristyn singing a part of the song in French.
Key lyric:
He is the pearl you seek
And worry adds no single hour
But He knows every need
His Eye is on the Sparrow – This song was written by Gene Bartlett, Charles Gabriel and Civilla D. Martin, and features the vocals of Heather Headley. The song features piano, light percussion, strings, and excellent vocals by Getty and Headley.
Key lyric:
I sing because I’m happy
I sing because I’m free
His eye is on the sparrow
And I know He watches me
Jesus, Friend of Little Children/Jesus Loves Me – “Jesus, Friend of Little Children” was written by Walter John Mathams. “Jesus Loves Me” was written by Anna B. Warner and William Bradbury. Additional lyrics were written by Keith and Kristyn Getty. The song features acoustic guitar, an accordion sounding instrument, and the vocals of the Getty’s daughters.
Key lyric:
Never leave me, nor forsake me
Ever be my friend
For I need Thee from life’s dawning
To its end
The Lord is in His Holy Temple – This song was written by Kristyn Getty and Ben Shive. This beautiful song features piano, bass, and an excellent choir. My favorite song on the album, and one that would be good for congregational singing.
Key lyric:
The Lord is in His holy temple
Let all the earth keep silence
My Heart is Fill with Thankfulness – This song was written by Keith Getty and Stuart Townend and originally appeared on the Getty’s 2012 album Hymns for the Christian Life. The song features piano and beautiful strings.
Key lyric:
For ev’ry day I have on earth
Is given by the King;
So I will give my life, my all,
To love and follow Him.
Keep Letting the Light In – This song was written by Keith Getty, Kristyn Getty and Matt Papa. The song features piano and strings.
Key lyric:
He who said let there be light
Will surely overcome the night
As another day begins
Keep letting the light in
Abide With Me – This song was written by William Henry Monk. The song features strings, piano, light horns, and backing choir.
Key lyric:
Where is death’s sting? Where, grave, thy victory?
I triumph still, if Thou abide with me
Evensong – This song was written by Kristyn Getty and Matt Papa. The song features acoustic guitar, a backing choir, strings,
Key lyric:
Now, turn our hearts toward Thy way
Help those in doubt, in loss, in pain
Oh Lord, have mercy on this world
Thy song of hope be ever heard
Best songs:
Sun of My Soul (Shine)
Softly and Tenderly/Ashokan Farewell (Medley)
His Eye is on the Sparrow
The Lord is in His Holy Temple
Abide with Me

Heaven – Sing! The Life Of Christ Quintology
****

Sing! The Life of Christ: Quintology is the fourth album to be released from Keith and Kristyn Getty’s wonderful Sing! worship music conferences, following 2018’s Sing! Live at The Getty Music Worship Conference and 2019’s Sing! Psalms: Ancient + Modern (Live At The Getty Music Worship Conference) and Sing! An Irish Christmas – Live At The Grand Ole Opry House.
The new album was released in five separate EPs over a period of several months. The project followed the five main themes of the 2019 Sing! conference – the Incarnation, Passion, Resurrection, Commission, and Ascension of Jesus Christ, and includes 29 songs. To find out more about my takeaways from the 2019 conference, held in Nashville, read my article “Reflections From the 2019 Sing! Getty Worship Conference” here.
The album was recorded at the Gaylord Hotel Convention Center, the Grand Ole Opry House and the Bridgestone Arena in Nashville. Everything that the Gettys and their musical friends do is with excellence. Throughout, the songwriting, singing and musical performances are of a very high quality, especially noteworthy for a live recording.
The fifth and final EP to be released is on Heaven. Below are a few comments about each song:
Forever Jesus – This song was written by Matt Papa and Stuart Townend. Townend and Kristyn Getty handle the lead vocals. The triumphant song, one of my favorite new songs of 2020, features piano, drums, bass, strings, and the singing of the conference choir.
Key lyric:
So for all my days I will sing my praise
To the King, “forever Jesus”
Though the storms may rage He is strong to save
He’s the King forever Jesus
There is a Higher Throne – This song was written by Keith Getty and Kristyn Getty. Kristyn Getty handles the lead vocals. The uplifting song features guitar, flute, drums, piano, and conference choir.
Key lyric:
Hear heaven’s voices sing;
Their thund’rous anthem rings
Through em’rald courts and sapphire skies.
Their praises rise.
All glory, wisdom, pow’r,
Strength, thanks, and honor are
To God our King, who reigns on high
Forevermore
The Lord is My Salvation – This song was written by Keith Getty, Kristyn Getty, Nathan Nockels and Jonas Myrin. Kristyn Getty and Shane and Shane handle the vocals. This powerful hymn of praise features, guitar, drums, piano, flute, bass and conference choir.
Key lyric:
Who is like the Lord our God?
Strong to save, faithful in love
My debt is paid and the vict’ry won
The Lord is my salvation
God the Uncreated One (King Forever More) – This song was written by Pete Jams and Aaron Keyes. Lead vocals are handled by Tommy Bailey, Director of Worship at the Village Chapel in Nashville. This joyful hymn features piano, violin, bass, drums, guitar, and conference choir.
Key lyric:
What joy in everlasting life
All is love and faith is sight
Justice rolls and praises rise
At the name of Jesus Christ
King of Kings forever
King of Kings forever
King of Kings forevermore
Christ the Sure and Steady Anchor – This song was written by Matt Papa and Matt Boswell. Lead vocals are handled by Boswell and Papa. The song features piano, bass, drums, violin, and the conference choir.
Key lyric:
Christ the sure and steady anchor
As we face the wave of death
When these trials give way to glory
As we draw our ﬁnal breath
We will cross that great horizon
Clouds behind and life secure
And the calm will be the better
For the storms that we endure
The King in All His Beauty – This song was written by Matt Boswell and Matt Papa. Lead vocals are handled by Papa. The song features piano, bass, drums, and conference choir.
Key lyric:
Now see the Savior lifted up
The Lamb who reigns in splendor
The hope of every tribe and tongue
His kingdom is forever
Best songs:
All

Restoration – Lecrae
****

This long-awaited album, Lecrae’s ninth studio album, is his follow-up to 2018’s collaboration album with Zaytoven Let the Trap Say Amen, and is his first solo album since 2017’s All Things Work Together. The album doesn’t disappoint.

Four songs were released prior to the full album. Restoration is the companion release to his upcoming book I Am Restored: How I Lost My Religion but Found My Faith. The album has Lecrae partnering with a large number of guest artists, songwriters and producers. The theme of Lecrae’s restoration from life’s difficulties weaves throughout the album. As expected, the production is crystal clear and the performances are all of a high quality. The Road to Restoration, a behind the scenes look about the making of the album was released in three parts shortly before the album’s release.
Below are a few comments about each song.

Restore Me – This song, which is 1 minute and 16 seconds long (a nod to Romans 1:16 and Reach Records), was written by Ray Castro, Ace Harris, Alex Medina, Dave James, Lecrae and Taylor Hill. The song was produced by Ray Castro, Ace Harris, Alex Medina, Dave James and Taylor Hill, and features Hill. The brief song sets the tone for the album, addressing the difficulties in Lecrae’s life – trauma, losing his faith, loss of fans when he spoke out about racial injustice, etc. It ends with a prayer to God to restore him.
Key lyric:
Use all this pain, use all this hurt
To grow me
If that’s what it takes to know what I’m worth
Restore me

Set Me Free – This was the first song released from the album, and was written by Erica Campbell, GAWVI, Hulvey, Lecrae, Torey D’Shaun, Trecina Atkins-Campbell, Warryn Campbell, WHATUPRG and YK Osiris. The song was produced by GAWVI, and features Osiris. Lecrae has said that “set free” is a triple entendre in the song – industry, society and spiritually. The song samples Warren Mary Mary’s song “Shackles (Praise You)”.
Key lyric:
Shackles on my feet, You broke the hold and now I’m free

Even in the darkest times You kept Your light on me
Wheel’s Up – This song was written by S1, Epikh Pro, Kelvin Wooten, Marc E. Bassy, Abe Parker and Lecrae. It was produced by Inc. no world, Epikh Pro, Kelvin Wooten and S1. The song features Marc E. Bassy on the chorus. Lecrae handles the verses with a fast rap style. The chorus has his problems fading away as he sits back in a plane that is taking off and he gets to experience God’s eye view on everything.
Key lyric:
Some days I can’t believe how far we made it
I thank God for the fans and pray for patience

Over the Top – This trap influenced song was written by Tray Haggerty, Torey D’Shaun, Hulvey 30 Roc and Lecrae. It was produced by 30 Roc. This song is about how success in life (number one album, awards, money, fame), will fade away. All of that perishes, but you are left with the best, God and your family.
Key lyric:
You can have the percs, I’d rather have a purpose

Self Discovery – This song was written by Mez, Kelvin Wooten, S1 and Lecrae. It was produced by Kelvin Wooten and S1. The song features Trip Lee, Michelle Campbell and a sample from James Williams. On this song, Lecrae talks about his growing up days. He stated that this was his favorite track on the album, where he realized that God is relational, not transactional. The song features some nice keys throughout.
Key lyric:
It’s obvious, I’m highly blessed
I finally get to understand what a man is when he at his godliest
To get there I was highly stretched and I was highly stressed

Deep End – This was the second song released from the album and was written by Khari Alamin, Anthony Gardner, Foushee, John Summit and Lecrae. It was produced by Anthony Gardner. The song features Summit. Lecrae is transparent about the pain and trauma he has experienced as a black man when he has seen black people gunned down in the street.
Key lyric:
I’ve been doin’ better than I was before
I walk with a limp ‘cause I’ve been wrestlin’ with the Holy Ghost
Deep end of this pit, but still somehow I keep floating on
Thought I lost my grip, but God reminded me He’s holding on

Drown – This was the third song released from the album and was written by Jim Lavigne, Micah Premnath, Alex Stacey, Danny Majic, DJ Frank E, Ace Harris, John Legend and Lecrae. It was produced by Danny Majic, DJ Frank E and Ace Harris. The song features John Legend on the chorus. Darkness, drama, shame and heartache has him down and in over his head. God is his last resort. Only He can take the pain away.
Key lyric:
If I had one call, would You answer it?
Or would You take back all of Your promises?
‘Cause I don’t know who to turn to or who to trust
I don’t know who to turn to or who to trust

Saturday Night – This song was written by Mez, Lecrae, Joshua Brennan and Jozzy.
It was produced by Oshi. The song features Jozzy and Khari Alamin. This song finds Lecrae in the club again on a Saturday night. But is it real, or was he dreaming all this time? The song ends with a voice telling him to wake up and get his church clothes on.
Key lyric:
Measures of success
They hate you and admire you too

Sunday Morning – The companion song to “Saturday Night”, this song was written by Blu June, Nathanael Saint-Fleur, Terrence Antonio Jones, Ace Harris, Epikh Pro, SAK PASE, Saint Bodhi, Brittany Coney, Kirk Franklin and Lecrae. It was produced by The Crate League, Ace Harris, Epikh Pro and SAK PASE. The song features Kirk Franklin and a church choir (Melanie Rose, Emerald Campbell, Blu June and Ariel Campbell). He’s thankful for every day he gets to wake up. The last night was a mess, but God just hit “refresh”. The song ends with this from Kirk Franklin:
My life and your life is just a vapor
And if what you see is all you see
Then you do not see all there is to be seen
We leave
Quickly
We leave

Zombie – This was the fourth and final song released before the album was released and written by Tommie Walker, Fred Hammond, Epikh Pro, Taylor Hill and Lecrae. It was produced by Epikh Pro and Taylor Hill. The song features Tedashii and Taylor Hill, and samples Fred Hammond’s song “We’re Blessed”. The song features some nice keys. He was in the dark, but then Jesus called him.
Key lyric:
I was in the dark, I swear you couldn’t tell me nothing
I was after flesh, I guess I was some type of zombie
Demons used to haunt me
Then I heard the voice of God, I’m grateful Jesus called me

Keep Going – This song was written by Ace Harris, Carvello, Quay Global, Lecrae and Fletcher Redd. It was produced by Quay Global, Carvello and Ace Harris. He’s come too far to let it go; he can’t quit. He’s got to keep going.
Key lyric:
I was down, at the bottom, got it out the mud
Kept it goin’, even when they never showed me love
Momma said it would come a time I would struggle
Keep your hands to the ceiling when you see the troubles

Still – This song was written by Mike Woods, Brittany Coney, Blu June, DaniLeigh and Lecrae. It was produced by NOVA WAV and Mike Woods, and features DaniLeigh on the chorus. This is a song to Lecrae’s wife. He wasn’t acting the way his momma raised him. He did her bad, but now he really needs her.
Key lyric:
Let me come through, I can do what nobody else do for you
Let me prove everything I gotta prove

Only Human – This song was written by Kenneth Deron-Anderson, Ace Harris, Ty Brasel, Dave James, John McNeil, Joel McNeil, John Smythe, BJ the Chicago Kid and Lecrae. It was produced by Dave James, Ace Harris, and 42 North, and features BJ the Chicago Kid on the chorus. In a fast rap style Lecrae shares the difficulties in his life and how God restored him.
Key lyric:
But God said “Hol’ up, I got it, I do this”
He lifted my head up then helped me get to it
He gave me the beauty for ashes, I blew it
I thought I was ruined, He started renewin’

Nothing Left to Hide – This song was written by S1, Gwen Bunn and Lecrae. It was produced by S1, and features Gwen Bunn. Lecrae ends the album, and “maybe the end of a long run”, with a confident and hard-hitting vocal, admitting that he had lost his direction, but he didn’t forget the resurrection. He asks us what’s the point of each day if there is isn’t a God. What’s the purpose of waking up? He says we love to beat each other up instead of praying and working to heal each other. He’s not finger pointing, but if the shoe fits, go ahead and wear it.
Key lyric:
Never good enough to get the love of Christ
But He’s good enough to get the love of me

Best songs
Wheel’s Up
Drown
Zombie
Sunday Morning
Only Human
Nothing Left to Hide

Chris Tomlin and Friends
****

Chris Tomlin has been one of my favorite artists for several years. His thirteenth studio album is unlike anything he’s ever done before. It’s his attempt to break down the walls of the Christian music genre and allow the music to be accessible to a wider audience. I give him credit for trying something new and different, bridging country music with his worship music genre. It’s not an album in which guest artists merely join Tomlin, but it’s a true collaboration. Tomlin has talked of the album as being created entirely through friendships. On the downside, there is so much collaboration that on some songs Tomlin can barely be heard.

Florida Georgia Line’s Corey Crowder produced 12 out of the 13 songs, with David Garcia producing one track and Ed Cash co-producing one. The album is also different in that Tomlin is known for writing songs for the church to sing, but most of these songs don’t fall into that category.

The album grew on me with each repeated listen. Below are a few comments about each song:

Thank You Lord (Intro) – This brief song features a gospel choir led by Shannon Sanders that was brought in for the song “Power”.

Thank You Lord – This song was written by Tomlin, Thomas Rhett, Tyler Hubbard, Corey Crowder and David Garcia, and features Florida Georgia Line and Thomas Rhett. Tomlin has said that to have a life of gratitude and thank God for all things – good and hard – that are around us is a major theme of the album. The verses have a country music feel, and the bridge is more worship music, featuring Tomlin. This is a feel-good, sing along song that features hand claps, backing vocals, guitar and drums.
Key lyric:
Praise up, eyes closed
One thing I know
I just wanna thank You Lord, thank You Lord

Reaching For You – This song was written by Tomlin, Shay Mooney and Ed Cash, and features We The Kingdom. This song is probably closest to a traditional Tomlin worship song, featuring keys, synth, backing vocals, drums and guitar.
Key lyric:
And I don’t have to wonder where
My hope is coming from
I lift my hands for who You are
And everything You’ve done

Who You Are To Me – This song was written by Tomlin, Charles Kelley, Hillary Scott and Dave Haywood and features Lady A (formerly known as Lady Antebellum). The song features keys, drums, guitar and backing vocals.
Key lyric:
Some people think You’re distant, just some words on a page
That You’re nothing more than fables, handed down along the way
But I’ve seen You part the waters
When no one else could pull me from, the deep
That’s who You are to me

God Who Listens – This song was written by Tomlin, Thomas Rhett, Ashley Gorley and David Garcia, and features Thomas Rhett. The song features guitar, bass, drums, and backing vocals.
Key lyric:
I’m not just hoping
I’m not just wishing
I know I’m praying
To a God who listens
I know He hears me
I know He’s living
Yes, I am praying
To a God who listens

Power – This song was written by Tomlin, Pat Barrett and Ed Cash and features Bear Rinehart, lead singer of NEEDTOBREATHE. This gospel flavored song, based on Psalms 20 and 121, is one that Tomlin has had for a while, and he teams up well with Rinehart and the gospel choir. This is another song that sounds like a traditional Tomlin worship song.
Key lyric:
There is wonder working power
Holy Spirit power
Great redeeming power
Power in the name
Resurrection power
Bondage breaking power
Power in the name of Jesus

Be The Moon – This song was written by Tomlin, Corey Crowder and Tyler Hubbard, and features Brett Young and Cassadee Pope. Tomlin has said that this song represents the heart of the album. God calls us to be a light in the darkness, and that is what the moon does, reflects the light of the sun amidst night. The easy-going song features backing vocals, drums, guitar and a memorable chorus.
Key lyric:
I wanna be the moon
Up among the stars
Fly around the world
Lighting up the dark at night
I’m nothing without the Son’s amazing grace
On everything I do
If You’re shining on me
I’m shining right back for You
I wanna be the moon

Sing – This song was written by Tomlin, Corey Crowder, Brian Kelley, Tyler Hubbard and Cary Barlowe and features Russell Dickerson (who was formerly Tomlin’s guitar tech on the road for three years), and Florida Georgia Line. The easy-going song features guitar, hand claps, backing vocals, drums and a memorable chorus.
Key lyric:
You make me wanna sing all about Your love
Make me wanna tell the whole world what You’ve done
How You’ve turned my life around, I was lost but now I’m found
You’re the song stuck inside my head all day
Yeah, You make me wanna sing, sing
Sing all about You
Yeah, You make me wanna sing

Chase Me Down – This song was written by Racheal Lynn David, Josh Kerr and Hannah Ellis, and features RaeLynn on lead vocals as Tomlin sings harmony. The song is about how God pursues us, and features keys, synth, guitar, bass, and drums.
Key lyric:
You chase me down when I don’t deserve it
You show me love, You don’t make me earn it
I make a mess and I just start running
Hoping that You won’t know
Oh, when I’m lost and I’m low
In a place that I think You won’t go
You chase me down
You chase me down

Gifts From God – This song was written by Tomlin, Corey Crowder and Tyler Hubbard and features Chris Lane. This was the first song written for the album. It’s about thanking God for those gifts that are the ones money can’t buy. The song features guitar, hand claps, drums, backing vocals, and a memorable chorus and a worshipful bridge.
Key lyric:
The best things in life are straight from His hands
Like the raising kids on a piece of land
A little peace of mind when the day is done
Where you think that comes from? That’s gifts from God

Forever Home – This song was written by Tyler Hubbard, Brian Kelley, Ashley Gorley, Corey Crowder and features Florida Georgia Line. This song features guitar, organ, drums, backing vocals, and a memorable chorus.
Key lyric:
When we get to our forever home
We’ll see beauty like we’ve never known
Angels singing Hallelujah songs
Hard to imagine one day

Together – This song was written by Tomlin, Brian Kelley, Tyler Hubbard, Russell Dickerson and Corey Crowder and features Russell Dickerson. Tomlin has said that the song is about through everything, through the ups and the downs, through the bends in the road, through the valleys and the highs and the lows, God holds us together. The song, which touches on Romans 8:28, features guitar, piano, percussion and a gospel choir.
Key lyric:
Together, together
Your mighty hands are holding me
Together, together
You’re the God that never leaves
When life gets hard, the only Jesus
We fall apart and You’re putting the pieces
Together, together
Thank You, Lord, You hold all things together

Tin Roof – This song was written by Blessing Offor and Natalie Hemby and features Blessing Offor. On an album of superstars, Offor is an unknown blind singer, songwriter and musician from Nigeria, who now lives in Nashville. Offor says about the song “In Nigeria where I grew up, I would lay at night and those African rains would hit the roof. That rain on a tin roof reminds me of home and I think of heaven. That’s what heaven is, home.” The song features Offor and Tomlin singing beautifully over piano and organ.
Key lyric:
They tell me in the promise land
There are mansions to choose
Oh, but I pray Heaven is like rain on a tin roof

Best songs:
Thank You Lord
Who You Are to Me
God Who Listens
Power
Sing
Forever Home
Tin Roof

Great Commission – Sing! The Life of Christ Quintology EP – Keith and Kristyn Getty and Friends
****

Sing! The Life of Christ: Quintology is the fourth album to be released from Keith and Kristyn Getty’s Sing! worship music conferences, following 2018’s Sing! Live at The Getty Music Worship Conference and 2019’s Sing! Psalms: Ancient + Modern (Live At The Getty Music Worship Conference) and Sing! An Irish Christmas – Live At The Grand Ole Opry House.
The new album is being released in five separate EPs over a period of several months. The project will follow the five main themes of the 2019 Sing! conference – the Incarnation, Passion, Resurrection, Commission, and Ascension of Jesus Christ, and include approximately 30 songs. To find out more about my takeaways from the 2019 conference, held in Nashville, read my article “Reflections From the 2019 Sing! Getty Worship Conference here.
The album was recorded at the Gaylord Opryland Convention Center, the Grand Ole Opry House and the Bridgestone Arena in Nashville. Everything that the Gettys and their musical friends do is with excellence. Throughout, the songwriting, singing and musical performances are of a very high quality, especially noteworthy for a live recording.
The fourth EP to be released is on the Great Commission. Below are a few comments about each song:

Facing a Task Unfinished – The original words to this song were written by Frank Houghton, with music by Samuel Wesley. New words and music were written by Keith Getty, Kristyn Getty, Ed Cash and Fionan De Barra. This missions hymn originally appeared on the Facing a Task Unfinished album. Lead vocals are handled by Kristyn Getty, backed the conference choir and the incredible Getty band. The drums really stood out on this song.
Key lyric:
We go to all the world
With kingdom hope unfurled
No other name has power to save
But Jesus Christ The Lord
May the Peoples Praise You – This joyful song was written by Keith Getty, Kristyn Getty, David Zimmer, Stuart Townend and Ed Cash, and originally appeared on the Facing a Task Unfinished album. The song is a call to worship and missions. Lead vocals are handled by Kristyn Getty, backed by the conference choir and the Getty band.
Key lyric:
May the peoples praise You
Let the nations be glad
All Your blessing comes
That we may praise
May praise the Name of Jesus
Let the Nations Be Glad – This song was written by Matt Boswell, Matt Papa and Aaron Boswell. The song features vocals by Matt Boswell and Matt Papa, and originally appeared on their album His Mercy is More: The Hymns of Matt Boswell and Matt Papa, my favorite album of 2019. The song features drums, guitar, bass and the conference choir.
Key lyric:
Let the nations be glad
Let the people rejoice
For salvation belongs to our God
Let the whole earth be filled
With the praises of the Lord
For salvation belongs to our God
Let the nations be glad
For the Cause – This song was written by Keith Getty, Kristyn Getty and Stuart Townend and originally appeared on the Facing a Task Unfinished album. The song is on the call to missions and the cause of the Kingdom around the world. Lead vocals are handled by Kristyn Getty, backed by the conference choir and the Getty band. The drums stand out on this song.
Key lyric:
Let it be my life’s refrain:
To live is Christ, to die is gain;
Deny myself, take up my cross
And follow the Son
O Church Arise – This song, a call to the church, was written by Keith Getty, Stuart Townend and Andrew Christopher, and originally appeared on the In Christ Alone album. Lead vocals are handled by Shane and Shane, backed by the conference choir and the Getty band.
Key lyric:
And as the stone is rolled away,
And Christ emerges from the grave,
This victory march continues till the day
Ev’ry eye and heart shall see Him.
By Faith – This song, inspired by Hebrews 11, was written by Keith Getty, Kristyn Getty and Stuart Townend, and originally appeared on the Awaken the Dawn album. Lead vocals are handled by Kristyn Getty, backed by the conference choir and the Getty band.
Key lyric:
We will stand as children of the promise
We will fix our eyes on Him our soul’s reward
Till the race is finished and the work is done
We’ll walk by faith and not by sight
Best songs
All

Covers EP – Switchfoot
***

This side project from Switchfoot was recorded during the COVID-19 quarantine period. The band covers six diverse songs, about which Jon Foreman has stated: “There is a commonality in melody, and rhythm, and lyric, and truth that speaks to me even from someone who might look different than myself. This is the beauty of music: it can take us around the world, even when we’re quarantined at home.”
I was not familiar with any of these songs, nor had I heard any music from the artists that are covered here. I approached each song on its lyrical merits and Switchfoot’s performance, which was up to their usual high standards. Here are a few brief comments about each of the songs:
Swim Good – This is a cover of a 2011 song by Frank Ocean. This dark song about a suicide was written by Waynne Nugent, Kevin Risto, Charlie Gambetta and Frank Ocean. It was produced by Tim Foreman and Jon Foreman. The song features bass, keys, guitar and is driven by some exceptional drums from Chad Butler.
Key lyric:
I’m about to drive in the ocean
I’ma try to swim from something bigger than me
Kick off my shoes and swim good, and swim good
Take off this suit and swim good, and swim good, good
Harmony Hall – This is a cover of a 2019 song by Vampire Weekend. The song was written by Ezra Koenig. The song features acoustic and electric guitar, hand claps, backing vocals, and drums. The song, which has themes of power, resistance, and anti-Semitism, is musically more upbeat than the lyrics are.
Key lyric:
And the stone walls of Harmony Hall bear witness
Anybody with a worried mind would never forgive the sight
Of wicked snakes inside a place you thought was dignified
I don’t wanna live like this, but I don’t wanna die
Stupid Deep – This is a cover of a 2018 song by Jon Bellion. The song was written by Travis Mendes, Raul Cubina, Mark Williams, Jon Bellion and Christianne Jensen. It was produced by the Freeman Brothers. The song features guitar, backing vocals, drums and bass. The song speaks to the hole in our hearts, our attempts to fill it, and our continual failure to do so.
Key lyric:
What if who I hoped to be was always me?
And the love I fought to feel was always free?
What if all the things I’ve done
Were just attempts at earning love? Yeah
‘Cause the hole inside my heart is stupid deep, oh, stupid deep
Lucky Man – This is a cover of a 1997 song by the Verve. It was written by Richard Ashcroft. The song begins with acoustic guitar and then builds with drums, electric guitar, bass and backing vocals. The song, which was inspired by Ashcroft’s relationship with his wife, is one that U2’s Bono has said that he wished he would have written.
Key lyric:
Happiness
More or less
It’s just a change in me
Something in my liberty
Lights Up – This is a cover of a 2019 song by Harry Styles. It was written by Kid Harpoon, Tyler Johnson and Harry Styles. The song has a dance beat, featuring guitar, keys, backing vocals, and drums. The song, about freedom, self-reflection and self-discovery, is musically more upbeat than the lyrics are.
Key lyric:
Shine, step into the light
Shine, so bright sometimes
Shine, I’m not ever going back
Sick Boy – This is a cover of a 2018 song by the Chainsmokers. It was written by Tony Ann, Emily Warren, Alex Pall and Andrew Taggart. The song features acoustic guitar, backing vocals, drums, guitar and bass. The dark song addresses what if feels like to be alive right now, the struggle of self-identity in a crazy world, and about dealing with anxiety.
Key lyric:
Welcome to the narcissism
Where we’re united under our indifference
My overall assessment is that Switchfoot continues to surprise, not rest on their laurels, be creative, and remain relevant. Jon Foreman’s expressive vocals lead this incredible high energy band. Unfortunately, the songs here didn’t move me like Switchfoot songs do. Although I enjoyed the performances, this is not a project that I will be going back to often.

The Worship Initiative, Vol. 20 – Shane and Shane and Various Artists
****

The latest release from the Worship Initiative features a pleasing combination of excellent songs and performances. Shane and Shane handle lead vocals on four of the songs, with Davy Flowers and Robbie Seay each handling vocals on two songs. I really enjoyed this release. Here are a few brief comments on each song:
Behold the Lamb – This triumphant song was written by Kristian Stanfill, Melodie Malone and Phil Wickham. The lead vocal is performed by Shane and Shane, and the song features piano, acoustic guitar, backing vocals, bass and light drums. The song builds powerfully at the chorus.
Key lyric:
Behold the Lamb
The story of redemption written on His hands
Jesus, You will reign forevermore
The victory is Yours
We sing Your praise
Endless hallelujahs to Your holy name
Jesus, You will reign forevermore
The victory is Yours
The Passion – This praise song was written by Brooke Lingertwood, Chris Davenport and Scott Ligertwood. The lead vocal is performed by Dinah Wright and the song features guitar, drums, bass, piano and backing vocals.
Key lyric:
Our chains are gone, our debt is paid
The cross has overthrown the grave
For Jesus’ blood that sets us free
Means death to death and life for me
You Cannot Be Stopped – This joyful song was written by Chris Quilala, Hank Bentley and Phil Wickham. The lead vocal is performed by Davy Flowers, and the song features synth, keys, acoustic guitar, bass, drums and backing vocals. Jesus has triumphed over the grave and the battle is won.
Key lyric:
Mover of mountains
Breaker of chains
Jesus has triumphed
Over the grave
Sing hallelujah
The battle is won
Nothing can stand
Against our God
His Heart Beats – This triumphant song was written by Andrew Peterson and Ben Shive. The lead vocal is performed by Shane and Shane and the song features acoustic guitar, bass, drums, keys and backing vocals. The song is about Jesus’s heart beginning to beat as he is resurrected. The last enemy to be destroyed is death.
Key lyric:
He took one breath
And put death to death
Where is your sting, O grave?
How grave is your defeat
I know, I know His heart beats
Jesus, Only Jesus – This song about the sufficiency of Christ was written by Matt Redman, Chris Tomlin, Christy Nockels, Kristian Stanfill, Nathan Nockels and Tony Wood. The lead vocal is performed by Bethany Barnard and the song features synth, piano, drum, and backing vocals, building powerfully.
Key lyric:
Holy, King almighty Lord
Saints and angels all adore
I join with them and bow before
Jesus, only Jesus
Christ Our Hope in Life and Death – This new Easter hymn was written by Jordan Kauflin, Matt Merker, Matt Boswell, Matt Papa and Keith Getty. The lead vocal is performed by Shane and Shane and the song features acoustic guitar, piano, drums, backing vocals, violin, and is about Christ, our only hope.
Key lyric:
O sing hallelujah!
Our hope springs eternal;
O sing hallelujah!
Now and ever we confess
Christ our hope in life and death.
My Victory – This triumphant song was written by Crowder, Darren Mulligan, Ed Cash and Hank Bentley. The lead vocal is performed by Robbie Seay and the song features drums, piano, bass, guitar, and backing vocals, building powerfully. The song is about the victory of Jesus on the cross.
Key lyric:
Oh, Your love bled for me
Oh, Your blood in crimson streams
Oh, Your death is hell’s defeat
A cross meant to kill is my victory
Glorious Day (Living He Loved Me) – This triumphant song was written by Mark Hall and Michael Bleecker. The lead vocals are performed by Shane and Shane, and the song features acoustic guitar, piano, bass, drums, strings, and backing vocals, building powerfully at the chorus. One day Jesus is coming, and what a glorious day that will be.
Key lyric:
Living, He loved me
Dying, He saved me
Buried, He carried my sins far away
Rising, He justified freely forever
One day He’s coming
Oh glorious day, oh glorious day
Overcome – This triumphant song about Jesus overcoming the grave, was written by Chris Brown, Mack Brock and Steven Furtick. The lead vocal is performed by Davy Flowers and the song features, guitar, bass, drums, piano and backing vocals.
Key lyric:
We will not be moved
When the earth gives way
For the risen One has overcome
And for every fear
There’s an empty grave
For the risen One has overcome
Christ is Risen – This victorious song was written by Brian Johnson, Mack Brock and Phil Wickham. The lead vocal is performed by Robbie Seay and the song features acoustic guitar, bass, drums and piano and backing vocals, building powerfully toward the end of the song.
Key lyric:
Hallelujah, Christ is risen from the grave
Best songs
Behold the Lamb
Christ Our Hope in Life in Death
Glorious Day (Living He Loved Me)
Christ is Risen

Rough and Rowdy Ways – Bob Dylan
****

Rough and Rowdy Ways is 79-year-old Bob Dylan’s 39^th studio album, and his first of original material since 2012’s Tempest. The title of the album comes from the 1929 song “My Rough and Rowdy Ways” by Jimmie Rodgers. Between Tempest and the new album, Dylan released three albums (one of them being a triple album), of traditional pop standards covers, many of which had been recorded by Frank Sinatra, as well as seven volumes in his ongoing Bootleg Series. The ten new songs here, which cover nearly 71 minutes, have themes of love, mortality, menace, and doom, and make allusions to many historical figures and works of art. Dylan is backed by his touring band, he wrote all songs, and it is assumed that it was self-produced, though there are no producer credits given.
The album, his first album of new material since he was awarded the Nobel Prize in Literature in 2016, is one of my favorite releases of 2020 thus far. Below are a few comments about each song:
I Contain Multitudes – This was the second song released prior to album’s release. The title comes from Song of Myself, 51 from Walt Whitman. Dylan sings the song beautifully in a low register over an acoustic guitar and cello. He’s a man of contradictions, a man of many moods, he contains multitudes
Key lyric:
I’m just like Anne Frank, like Indiana Jones
And them British bad boys, the Rolling Stones

False Prophet – This slow blues song was the third song released prior to the album’s release. The song features a gravely Dylan vocal over guitar, bass and drums, and a few excellent guitar solos. The song incorporates a guitar lead and other elements from the B-side of a 1954 single by Billy “The Kid” Emerson, a pianist, singer and composer whose songs were recorded by Elvis Presley and others. The song touches on life, death, love, hatred, and about Dylan himself.
Key lyric:
I ain’t no false prophet
No I’m nobody’s bride
Can’t remember when I was born
And I forgot when I died

My Own Version of You – This slow blues song has Dylan as sort of a Dr. Frankenstein visiting morgues and monasteries collecting body parts in hopes of creating his own version of a past lover, someone who feels the way that he feels. The song features soft percussion, guitar, bass, and an expressive vocal from Dylan.
Key lyric:
I’ll bring someone to life, is what I wanna do
I wanna create my own version of you

I’ve Made Up My Mind to Give Myself to You – This slower paced song could be a love song, or a song of spiritual awakening. It features acoustic guitar, bass, light percussion, light backing vocals and has a guitar solo mid-song. Traveling is a theme in the song. He can’t bear to live his life alone. He laments that many people he has known are now gone.
Key lyric:
If I had the wings of a snow white dove
I’d preach the gospel, the gospel of love
A love so real, a love so true
I’ve made up my mind to give myself to you

Black Rider – The vocal and music on this song may remind some of Dylan’s recent pop standards albums. The slow song features sparse instrumentation of acoustic guitar and bass, with the focus on Dylan’s vocal. In the song, Dylan addresses a mysterious figure, perhaps Death.
Key lyric:
Black rider, black rider, tell me when, tell me how
If there ever was a time, then let it be now
Let me go through, open the door
My soul is distressed, my mind is at war

Goodbye Jimmy Reed – This blues song features a great beat driven by guitar, drums, bass and harmonica. The song includes a lot of religious imagery.
Key lyric:
For thine is kingdom, the power, the glory
Go tell it on the mountain, go tell the real story
Tell it in that straightforward, puritanical tone
In the mystic hours when a person’s alone

Mother of Muses – This is a slower paced song that features acoustic guitar, bass, and mandolin. The muses may be a reference from Homer’s Odyssey. He sings that he is falling in love with Calliope, one of the nine muses – the muse of poetry – in Greek Mythology. He praises the muses for clearing the path for Presley to sing, and carved the path for Martin Luther King. My least favorite song on the album.
Key lyric:
I’ve already outlived my life by far

Crossing the Rubicon – This slow blues song is about Dylan crossing the Rubicon River, an ancient red river in Italy, that is “three miles north of purgatory, and one step from the great beyond”. He sings:
What are these dark days I see?
In this world so badly bent
I cannot redeem the time
The time so idly spent
How much longer can it last?
How long can it go on?

The song features bass, drums, and some excellent guitar.

Key lyric:
I feel the Holy Spirit inside
See the light that freedom gives
I believe it’s in the reach of
Every man who lives
Keep as far away as possible
It’s darkest ‘fore the dawn (Oh Lord)
I turned the key, I broke it off
And I crossed the Rubicon

Key West (Philosopher Pirate) – This nine-minute, slower paced song, is about an outlaw who is dying and hiding out in Florida. He is alone except for his radio. The song features accordion, bass, and light percussion.
Key lyric:
Key West is the place to be
If you’re looking for immortality
Key West is paradise divine
Key West is fine and fair
If you lost your mind, you’ll find it there
Key West is on the horizon line

Murder Most Foul – Dylan surprised everyone when he released this song at midnight on March 27. The song would top Billboard’s Rock Digital Song Sales chart, becoming Dylan’s first number one song. The title of the 17-minute song comes from Shakespeare’s Hamlet. Dylan talk/sings over piano, violin and soft percussion. He uses the assassination of President John F. Kennedy as the foundation of the song, includes many references to popular culture, and ends with sending out a plea to DJ Wolfman Jack to play the songs of musical legends. In a recent interview, Dylan said “The song is like a painting, you can’t see it all at once if you’re standing too close. The individual pieces are just part of a whole.”
Key lyric:
The day that they killed him, someone said to me,
“Son, the age of the Antichrist has just begun”.

Best songs:
False Prophet
Goodbye Jimmy Reed
Crossing the Rubicon
Murder Most Foul

Blues with Friends – Dion
****

I first became interested in Rock and Roll Hall of Famer Dion (DiMucci), who will turn 81 in July, when he recorded five Contemporary Christian music albums between 1980 and 1986. I’ve enjoyed his music ever since. The liner notes for Blues with Friends are written by Bob Dylan, a friend of Dion since the early 1960’s, when they were both signed to Columbia Records. Dylan writes “Dion knows how to sing, and he knows just the right way to craft these songs, these blues songs. He’s got some friends here to help him out, some true luminaries. But in the end, it’s Dion by himself alone, and that masterful voice of his that will keep you returning to share these blues songs with him.”
The album has a number of guest artists (Van Morrison, Bruce Springsteen, Paul Simon, etc.), partnering with Dion, with great results. All songs were written by Dion and Mike Aquilina, with the exception of two remakes – “Kickin’ Child 2020” and “Hymn to Him”. The album was produced by Wayne Hood, who also played guitars, bass, Wurlitzer electric piano, Hammond Organ and drums.
I thoroughly enjoyed this album, one of my favorites of 2020 thus far. Here are a few brief comments about each song:

Blues Comin’ On – This song features Joe Bonamassa on guitar. The song begins with guitar and immediately moves into a driving beat, including a few guitar solos from Bonamassa. Dion offers a strong and confident vocal. An excellent opener.
Kickin’ Child 2020 – This mid-tempo song was written by Dion and Buddy Lucas, and features Joe Menza on guitar. This was the title song of Dion’s “lost album”, recorded in 1965, but not released until 2017. It features a Menza guitar solo mid-song.
Uptown Number 7 – This song features Brian Setzer (Stray Cats) on guitar. The song opens with Setzer’s guitar and immediately moves into a good rockabilly Stray Cats type beat, featuring a few Setzer guitar solos. About the song, Dion said that he wanted to write an old-fashioned gospel song in the style of the Golden Gate Quartet, about moving forward in the spiritual life, having a goal, and facing temptations along the way.
Can’t Start Over Again – This song features Jeff Beck on guitar. The pace slows down on this country blues song. The song is about love and loss and heartache. It features strings and a Beck guitar solo mid-song
My Baby Loves to Boogie – This song features John Hammond, who Dion has been friends with since the 1960’s, on harmonica. This song kicks off with guitar and harmonica and goes right into a driving blues beat. It features a guitar solo mid-song.
I Got Nothin’ – This song features Van Morrison on vocals and Joe Louis Walker on guitar. This song starts with guitar and harmonica and a driving beat. The song, which has Dion and Morrison trading vocals, features some excellent guitar, including a solo mid-song.
Stumbling Blues – This song features Jimmy Vivino on guitar and Jerry Vivino on saxophone. The easy-going song has a melody built on a classic blues progression, with Dion singing in a lower register, and also includes some piano and strings.
Bang Bam Boom – This song features Billy F. Gibbons (ZZ Top) on guitar. This song is driven by guitar and bass, and features some background vocals. Caroline saved his soul and eased his worried mind.
I Got the Cure – This song features Sonny Landreth, an incredible guitarist, who I saw in concert as a part of John Hiatt’s band two years ago. The song has Dion bragging about what he can do, he’s got the cure. The song features guitar, drums and some excellent horns. The song features a few guitar solos by Landreth.
Song for Sam Cooke (Here in America) – This is a powerful song that touches on racism in America that Dion began many years ago. It includes reference to his walking southern streets with Cooke in 1962. He would put the song aside because he thought it was too personal, until he saw the 2018 Oscar winning film Green Book. The mid-tempo song features acoustic guitar, violin, and Paul Simon on backing vocals.
What If I Told You – This song features Samantha Fish on guitar. The song is about suspicion. It is driven by Fish’s excellent guitar work and drums.
Told You Once in August – This song features John Hammond on guitar and Rory Block on slide guitar and vocals. This song has an Appalachian blues feel, and is about the anger of a man who gradually realizes that he’s been done wrong by his woman.
Way Down (I Won’t Cry No More) – This up-tempo song features Stevie Van Zandt on grunge guitar. He’s been way down but won’t stay long. The song features some excellent guitar from Van Zandt.
Hymn to Him – This song was written by Dion and Bill Tuohy, and features Patti Scialfa on vocals and Bruce Springsteen on guitar. The mid-tempo song was originally recorded on Dion’s 1986 album Velvet and Steel. Springsteen surprised Dion by coming into the studio and asking to play a guitar solo on the song.
Key lyric:
Come to Him through the darkness
Come to Him through the rain
Walk with Him from misfortune
Walk with Him from the pain

Best songs:
Blues Comin’ On
Uptown Number 7
I Got Nothin’
Bang Bam Boom
Song for Sam Cooke (Here in America)
Hymn to Him

Go – John Schlitt
****

I first heard the incredible voice of John Schlitt in 1975 when I was a freshman in college and he was the lead singer of Head East. Their album Flat as a Pancake had two singles that were getting a lot of play on the radio – “Never Been Any Reason” and “Love Me Tonight”. I was excited when I heard that Schlitt had joined the Christian band Petra as lead singer in 1986. During his tenure with the band, Petra earned 10 Dove Awards and four Grammys. Schlitt has been inducted into the Gospel Music Hall of Fame as the lead singer of Petra. Now, 45 years after Flat as a Pancake, and at age 70, he has released Go, his sixth solo album, and his voice still sounds amazing. I thoroughly enjoyed this new album, mostly made up of rockers.

Here are a few comments about each song:

Go – This up-tempo song was written by Schlitt and Mark Lee Townsend, with Townsend producing. The song features acoustic guitar, bass, electric guitar and drums. Petra’s John Lawry is among those adding backing vocals. The song addresses the question of what our path is. There is no time to stop. Take your shot and keep moving on. An excellent opener.

Feel It – This rocker was written by Schlitt, Scott Bernard and Dan Needham, and produced by Needham. The song features electric guitar, drums, backing vocals from Needham, and a nice guitar solo mid-song. When you feel like you are losing control, all you have to do is to have a little faith.
Takin’ It Higher – This rocker was written by Schlitt, Scott Bernard and Dan Needham, and produced by Needham. The song begins with some nice electric guitar and then drums are added. Needham adds backing vocals and Bernard a guitar solo. The song is about holding on with what you’ve got. Keep pressing on, and never stop. You’ll find your way. No matter what they say, take it higher, every day.
Fighting the Fight – This mid-tempo song was written by Schlitt and Ryan Horn, and produced by Petra’s John Lawry, who also adds backing vocals, keyboards and bass. The song features a nice guitar solo by Paul Brannon. The song is about living the Christian life and fighting the fight with the Lord’s help.
Key lyrics:
Looking forward I will run the race
Heading to the finish line
Where I see You face to face
With angels shouting cheers
I’ll run to the light
With all I got, I’ll never stop
I’ll never give in
I’ll keep fighting the fight
Just Let Go – This rocker was written by Schlitt, Jeff King and Dan Needham who also produced the song, in addition to adding backing vocals and drums. The song features guitar, drums, keyboards and some nice guitar from Jeff King. The song addresses that where we go from here isn’t so clear. Are you willing to let go of what is for what might be? Just grab hold of something new and be set free.
Time Keeps Rollin’ – This rocker was written by Schlitt and Mark Lee Townsend who also produced the song. John Lawry plays keyboards is among those providing backing vocals. The song features drums, guitar and backing vocals. The older you get the faster time moves. You need to know where you’re going to spend eternity.
Where Would I Be – This gospel flavored rocker was written by Schlitt and Chuck Anderson and was produced by John Lawry, who also adds keyboards and backing vocals. The song begins with keys and hand claps, and features guitar, bass, drums and backing vocals. The song addresses where he would be if the Lord hadn’t saved him. Amazing grace keeps setting him free.
Find a Way – This easy-going song was written by Schlitt, Scott Faircloff and Dan Needham, who also produced the song, in addition to adding backing vocals, drums and guitar. The song opens with acoustic guitar, percussion and features some nice backing vocals. It has taken him so long to see the truth and find the Lord, he doesn’t want to waste any more time in finding the road that leads to Heaven.
Fake News – This rocker was written by Schlitt and John Lawry, who also produced the song and added keyboards and backing vocals. The song features guitar, drums, keyboards and backing vocals. He calls on God to help with the fake news we are exposed to.
Key lyrics:
Where is the truth?
Where has it gone?
Where is the trust?
What’s goin’ on?
Let’s Go – This rocker was written by Schlitt, Scott Faircloff and Dan Needham, and was produced by Needham, who also added drums and guitar. It features guitar backing vocals, hand claps and a guitar solo. The song continues the theme of the song “Go”, when he sings that there is no time to hesitate, it’s time to go.
Not Dead Yet – This rocker was written by Schlitt, Jerry McPherson and Dan Needham, who also produces the song and adds backing vocals, keyboards and drums. The song is driven by drums and guitar by McPherson, and features bass and backing vocals. The 70-year-old Schlitt sings that you might think he’s washed up, but he’s still in the game, just getting started. He encourages all of us to live each moment like it was meant for us.
Best songs:
Go
Feel It
Where Would I Be
Find a Way

United: Live – Newsboys
***

In the spring of 2018, former Newsboys lead singer Peter Furler and former bassist Phil Joel joined the then current Newsboy lineup of Michael Tait, Duncan Phillips, Jeff Frankenstein and Jody Davis for a Newsboys reunion tour. That resulted in the album United, one of my top albums of 2019 (see my review here).
Since reuniting, the Newsboys “United” lineup has played more than 250 concerts to date. Now, less than a year since the release of United, the band has released an EP of five songs (and accompanying videos) from the album recorded on their recent Greatness of Our God tour.
Below are a few comments about each song:
Greatness of Our God – This worship song about the greatness of God, was written by Bryan Fowler, Colby Wedgeworth and Ethan Hulse. Furler and Tait share lead vocals on the song, which was the biggest hit from United. Phillips drums stand out on the upbeat song.
Symphony – This upbeat song was written by Bryan Fowler, Colby Wedgeworth and Ethan Hulse. The voices of Furler and Tait blend well on this prayer, and Phillips’ drums particularly stand out.
Key lyrics:
So, let my life be, let my life be
A symphony, a symphony
Every breath that I breathe
Lord I wanna bring You glory, glory
Love One Another – This song, based on Jesus’ words in John 13:34 “A new commandment I give to you, that you love one another”, was written by Duncan Sparks, Furler and Steve Taylor, and features Tait’s former DC Talk bandmate Kevin Max on vocals. The upbeat song opens with guitar and then moves right into a good driving beat.
Only the Son (Yeshua) – This worship song was written by Seth Mosely, Peter Furler and Summer Furler. An early version of the song (“Yeshua”), appeared on the Peter Furler Band’s 2014 album Sun and Shield. A new chorus “Only the Sun” has been added. The song features some good guitar from Davis. Tait and Furler share vocals and their vocals blend well on the memorable chorus.
Beautiful Story – This song was written by Andrew Holt, Mia Fieldes and Robert Marvin and features Tait on vocals. The power ballad begins with piano and builds with guitars, bass and drums.
The bridge brings in Romans 8:28 “You work all things together for good.”
Key lyrics:
You write a beautiful story
From glory to glory I believe
Like Switchfoot, Chris Tomlin and others, the Newsboys have released a live EP of songs from a recent album. The live performances and production on this project are excellent, but if you have the United album, I’m not sure you’re going to want to purchase United: Live, at least the audio version, as the performances don’t differ that much from the original release.

Hymns in the Round – Shane and Shane
****

The latest project from the duo Shane and Shane is an album of ten hymns and worship songs from acoustic studio sessions held in Dallas in November, 2019. Most (eight of ten) songs included here were also included on their 2019 Hymns Vol. 2 album. The difference here is that the songs are performed “unplugged”.

Below are a few comments about each song:

Praise to the Lord (Joyful, Joyful) – “Praise to the Lord Almighty” was written by Joachim Neander in 1680. “Joyful, Joyful We Adore Thee” was written by Henry J. van Dyke in 1907. The song features acoustic guitar, piano, bass, backing vocals, banjo (giving it a bit of a NEEDTOBREATHE sound), cello/fiddle, and light drums.
My Jesus I Love Thee – This hymn was written by William R. Featherston in 1864. It features acoustic guitar, bass, cello/fiddle, light percussion, piano and backing vocals.
Turn Your Eyes Upon Jesus (Amazing Grace) – “Turn Your Eyes Upon Jesus” was written by Hellen Howard Lemme in 1922. “Amazing Grace” was written by John Newton. The song features acoustic guitar, bass, backing vocals, cello/fiddle, synth, light percussion, and piano.
Living Waters (As the Deer) – “Living Waters” was written by Kristyn Getty and Ed Cash. “As the Deer” was written by Martin Nystrom. The song features some nice percussion and banjo, cello/fiddle, piano, acoustic guitar, bass and backing vocals. “Living Waters” has a nice beat and country music sound.
Ancient of Days – This song was written by Jonny Robinson, Rich Thompson, Michael Farren and Jesse Reeves. It features acoustic guitar, cello/fiddle, piano, backing vocals and drums. This is a bit of a slower version of the song than CityAlight’s.
Be Thou My Vision (Lord You Are) – “Be Thou My Vision” is an 8th century Irish hymn that was translated by Eleanor Hull in 1912. “Lord You Are (More Precious Than Silver)” was written by Lynn DeShazo. The song features acoustic guitar, synth, piano, drums, bass, cello/fiddle, backing vocals and banjo.
Come Behold The Wondrous Mystery – This song was written by Matt Boswell, Matt Papa and Michael Bleeker. It features acoustic guitar, synth, cello/fiddle, bass, percussion and backing vocals. The song builds powerfully towards the end.
Oh Lord Almighty – This song, which may be less familiar to many, was written by Jon Able and Shane Barnard. It includes an excellent lead vocal, acoustic guitar, synth, drums, bass, piano, and backing vocals.
Power of The Cross – This song was written by Keith Getty and Stuart Townend. It features, synth, piano, acoustic guitar, backing vocals, bass, drums and cello/fiddle.
All I Have is Christ – This song was written by Jordan Kauflin. It features an excellent lead vocal, acoustic guitar, cello/fiddle, bass, backing vocals and light drums.

Best songs:
Living Waters (As the Deer)
Ancient of Days
Come Behold the Wondrous Mystery
All I Have is Christ

The Lost Demos – TobyMac
****

This surprise EP is the result of TobyMac digging through old laptops and hard drives during this Covid-19 quarantine period, and realizing that he had some good songs there that had not been released. These were songs that had not been included on previous albums for one reason or another.
Don’t let the word “Demos” in the album’s title scare you away. These are excellent songs, with the level of writing, performance and production you would expect from TobyMac.

Below are a few comments about each song:
On Your Own – This song from 2017 was written and produced by Christopher Stevens and TobyMac. The song is about the fact that we will never be on own our own, as God will always be there with us. The song has a good beat, driven by keys, finger snaps, drums and backing vocals.
Drivin’ Me – This song from 2016 was written by David Garcia, Mat Kearney, Robert Marvin and TobyMac. The song was produced by Garcia and TobyMac. The song is about God being in control of his life through every twist and turn that the world brings. The easy-going song, which begins with a Mat Kearney feel guitar, features keys, finger snaps, bass, percussion, backing vocals and a catchy chorus.
The Real You – This 2018 song was written and produced by Christopher Stevens and TobyMac. The passionate song is about Toby’s relationship with his son Truett (who died October 23, 2019). He’d not been himself, the pain had him acting like someone else. The song features bass, drums and keys.
Rich – This upbeat 2016 song was written by Bryan Fowler, Mr. Talkbox and TobyMac. It was produced by Fowler and TobyMac and features Mr. Talkbox. Rather than the riches of this world, he wants to be rich in love, loaded with friends and family. The easy-going beat features keys, finger snaps, bass, drums, horns, backing vocals and a memorable chorus.
Home – This 2017 song was written and produced by Dave Lubben and TobyMac. This song is about Toby being lost without God’s love, so he’s coming home. The song has a good beat, driven by keys, finger snaps, bass and percussion.
Key lyric:
I don’t know how You’ve been so patient
With this one-sided arrangement
Woulda washed my hands and called it history
But You pursue with such intention
It’s beyond my comprehension
To see the love I took for granted come after me
Love of My Life – This 2014 song (the oldest on the EP), was written by Cary Barlowe, David Garcia, Jesse Frasure and TobyMac and produced by Garcia and TobyMac. This upbeat song is about his total dependence on God, though it is also one of those songs that could be a song to his wife instead. (“I-I-I remember the first time I met You (Met You), My heart raged, jumped out my Earth suit”). The driving beat is driven by guitar, bass, percussion and backing vocals.
Fighting for Your Life – This 2017 song was written and produced by Bryan Fowler and TobyMac. This is a song to his wife. He will be the last man standing by her, fighting for her heart. The chorus features a memorable beat, driven by keys, percussion, horns and backing vocals.

Best songs:
Drivin’ Me
Rich
Home

Resurrection – Sing! The Life of Christ Quintology – Keith and Kristyn Getty and Friends
****

Sing! The Life of Christ: Quintology is the fourth album to be released from Keith and Kristyn Getty’s Sing! worship music conferences, following 2018’s Sing! Live at The Getty Music Worship Conference and 2019’s Sing! Psalms: Ancient + Modern (Live At The Getty Music Worship Conference) and Sing! An Irish Christmas – Live At The Grand Ole Opry House.
The new album is being released in five separate EPs over a period of several months. The project will follow the five main themes of the 2019 Sing! conference – Incarnation, Passion, Resurrection, Commission, and Ascension of Jesus Christ, and include 30 songs. To find out more about my takeaways from the 2019 conference, held in Nashville, read my article “Reflections From the 2019 Sing! Getty Worship Conference here.
The album was recorded at the Gaylord Hotel Convention Center, the Grand Ole Opry House and the Bridgestone Arena in Nashville. Everything that the Gettys and their musical friends do is with excellence. Throughout, the songwriting, singing and musical performances are of a very high quality, especially noteworthy for a live recording.
The third EP to be released is on the Resurrection. Below are a few comments about each song:

Christ is Risen, He is Risen Indeed – This joyful song was written by Keith Getty, Kristyn Getty and Ed Cash, and features Shane and Shane on vocals. The song originally appeared on the Hymns for the Christian Life album. I enjoyed the backing vocals on the song. This is really outstanding version of the song.
Key lyric:
Christ is risen, He is risen indeed!
Oh, sing hallelujah.
Join the chorus, sing with the redeemed;
Christ is risen, He is risen indeed.

Christ Our Hope in Life and Death – This wonderful new Easter hymn was written by Keith Getty, Jordan Kauflin, Matt Papa, Matt Boswell and Matt Merker. This song was recently released, and thus is not from the 2019 Sing! conference, as are the other songs. Matt Papa handles the lead vocals. The song features piano, drums and backing vocals. This is sure to be a worship classic.
Key lyric:
O sing hallelujah
Our hope springs eternal
O sing hallelujah, now and ever we confess
Christ our hope in life and death
Now and ever we confess
Christ our hope in life and death

Come People of the Risen King – This song was written by Keith Getty, Kristyn Getty and Stuart Townend. The song originally appeared on the Awaken the Dawn album. The joyful song features drums and backing vocals.
Key lyric:
Rejoice, rejoice
Let every tongue rejoice
One heart, one voice
Oh, church of Christ rejoice

Magnificent, Marvelous, Matchless Love – This song was written by Keith Getty, Kristyn Getty, Matt Papa, Luke Brown and Aaron Keyes. The song originally appeared on The North Coast Sessions EP. It was a song that I immediately liked with its memorable chorus. The song soars over synth, bagpipe sound, guitar, drums and backing vocals.
Key lyric:
Magnificent, marvelous, matchless love
Too vast and astounding to tell
Forever existing in worlds above
Now offered and given to all

I Will Wait for You (Psalm 130) – This song was written by Jordan Kauflin, Keith Getty, Matt Merker and Stuart Townend and features Jordan Kauflin on vocals. The song originally appeared on The North Coast Sessions EP. The song, which is a prayer, opens and closes with singing over bagpipe sounds. The main part of the song features piano, backing vocals and drums.
Key lyric:
I will wait for You
I will wait for You
On Your word I will rely
I will wait for You
Surely wait for You
Till my soul is satisfied

Holy Spirit, Living Breath of God – This song was written by Keith Getty and Stuart Townend. The song originally appeared on the Hymns for the Christian Life album.
The song, a prayer, features some beautiful violin, piano and backing vocals.
Key lyric:
Holy Spirit, come abide within,
May Your joy be seen in all I do.

Best songs
All

Christ Be All EP – Grace Worship
****

Grace Worship is the worship ministry of Grace Presbyterian Church in Peoria, Illinois, where Kevin King is the worship leader and Bryan Chapell has served as senior pastor since 2013. The songs feature theologically rich lyrics with soaring melodies. Chris Zobac produced the EP, which is one of my favorite releases of 2020 thus far. Here are a few brief comments about each song:

Unlimited Grace – In 2016, Bryan Chapell wrote an excellent book Unlimited Grace: The Heart Chemistry That Frees from Sin and Fuels the Christian Life (see my review here). For this song, Chapell wrote verse lyrics that went along with the theme of the book, and King wrote the chorus and music. King handles the lead vocal. The song features piano, drums and backing vocals.
Key lyric:
Glory, glory hallelujah!
Jesus Christ has saved my soul;
Though I once stood as a sinner,
For me, blood was shed,
Yes, his love has bled,
Now I stand in unlimited grace.

Psalm of Thanksgiving – This song was written by Kevin King. It has a Crowder-like electronic/pop feel. The song is joyful and about thankfulness, and features guitar, finger snaps, backing vocals and some nice drums.
Key lyric:
Whom have I in heaven but You?
Nothing on earth can out shine You.
Bones may break and spirits crumble,
But God remains my strength
And I am His forever.

Christ Be All (studio) – This song was written and sung by Kevin King. The song incorporates words from Andrew Murray’s classic book Humility. The song is meant to help worshippers express, along with the Apostle Paul, “It is no longer I who live, but Christ who lives in me” (Galatians 2:20), as they sing, “May Christ be all and I be nothing.” King has said with the song he was seeking to have the worshiper understand through song that it is to our joy to ‘become nothing’ (Philippians 2:7) as Jesus did; to lose our lives so we can find them in Him.
A great song, both lyrically and musically, and one of my favorites of 2020.
Key lyric:
May Christ be all, and I be nothing,
His glory shines in vessels weak;
May Christ be all, and I be nothing,
This is my hope:
Not I, but Christ in me.

The Love of God – This hymn was written by Frederick Lehman in 1917. Bryan Chapell wrote a new verse for the song, the second verse. This new arrangement by Kevin King brings a somewhat somber feel to the song, with the female vocal over drums and excellent piano and strings.

Calvary’s Anthem – This song was written by Bryan Chapell and Kevin King, incorporating lyrics from Robert Lowry’s hymn “Nothing But the Blood of Jesus” in the chorus. The song, sung by King, invites worshippers to celebrate Christ’s sacrifice for us on the cross of Calvary. This is a beautiful hymn for congregational singing and features piano, strings, drums, horns, and backing vocals.
Key lyric:
At the cross You opened fully,
Heaven’s heart poured out completely,
Angels singing, hell now fleeing,
Roars of saints shout, “Christ, our vic-t’ry!”

Christ Be All (live) – This is a nice live version of the title song.

Best Songs
Unlimited Grace
Psalm of Thanksgiving
Christ Be All
Calvary’s Anthem

Illumination – Phil Keaggy and Rex Paul
****

Phil Keaggy is one of the most respected guitarists of this generation, and has been a long-time favorite of mine. His last vocal album, 2016’s All at Once, was one of my top albums of that year. He returns with a new vocal album collaboration with Rex Paul Schnelle. The two first met in the mid-1980’s. They collaborated on the song “I Love the Way You Love Me” on All at Once, which led to this collaboration.
The album features five songs that Keaggy and Paul wrote together, four new versions of Keaggy classics, and one song that each artist collaborated on with others. The album was recorded at the artist’s home studios. The two-guitar approach, strong vocals, and fresh production by Paul, makes for an enjoyable listening experience. Keaggy’s vocals are outstanding, and he sounds as good as he did in the 1980’s.

Below are a few comments about each of the songs:
Don’t Hold Back. This song was written by Paul and Keaggy. The song features excellent guitars, including a few solos and drums. Keaggy takes the lead vocal. The song is based on Matthew 25:20 and Jesus’ words “Truly, I say to you, as you did it to one of the least of these my brothers, you did it to me.” We are to love the least of these until judgment day and not hold back the love in our heart from our fellow man in need.
Calling Us Home. This song was written by Paul and Keaggy. The song opens with acoustic guitar. Paul and Keaggy share lead vocals, and their voices blend well on backing vocals. God is calling us home to stay, and we will worship the King. There is a guitar solo mid-song.
Time. This song was written by Keaggy and first appeared on his 1976 album Love Broke Thru. Keaggy handles lead vocals on this rocker, which opens with strong drums, which are soon joined by electric guitar. His name is time and he’s coming to an end. Jesus died for you to set you free. Where will you be when time ends? The song features a few guitar solos.
Nothing Can Separate Us. This song was written by Paul and Keaggy. It is based on Romans 8:35-39 which tells us that nothing will be able to separate us from the love of God in Christ Jesus our Lord, and that we are more than conquerors through him who loved us. The mid-tempo song starts with guitar and a good drum driven beat. Keaggy handles the lead vocals and their voices blend nicely on backing vocals. There is a guitar solo mid-song.
Glorify Your Name. This worship song was written by Paul and Keaggy. It opens with Beatle-like guitars, followed quickly by drums. Keaggy handles the lead vocals, and their voices blend well on the backing vocals. From creation to the cross, we can trust in His salvation and glorify His name. There is a guitar solo mid-song.
Let Everything Else Go. This beautiful song was written by Keaggy. It’s one of his personal favorites, and one of his most-requested songs in concert. It originally appeared on the 1980 album Town to Town album, later appearing on Way Back Home and Live from Kegworth. The song opens with piano and acoustic guitar. Keaggy handles lead vocals and the song builds on the chorus with backing vocals.
Oh, I can’t wait to see you Jesus, face to face,
Nothing in this world can take Your place.
The song features a few nice guitar solos. Nothing can compare with what You are, let everything else go. A highlight.
I Believe. This mid-tempo song was written by Paul and Keaggy. Keaggy was on tour with Glass Harp in 1971 and had been working on what would eventually become this song, but all he had left was the chorus of the song. Keaggy handles the lead vocals, with good backing vocals. The song is about the early days of a new believer. I believe and I have a reason to live. The song features a few guitar solos.
Spend My Life With You. This song was written by Keaggy and appeared on his 1980 album Ph’lip Side. The easy-going and joyful song is driven by acoustic guitar. Keaggy handles lead vocals and the song builds with backing vocals on the chorus. The song closes with an acoustic guitar solo.
Key lyrics:
‘Cause there’s a home in my heart
And I believe the day is coming
When we’ll never be apart.
Just to be where you are,
And to spend my live with you
Would be a perfect start.
You Never Know. This song was written by Tom Douglas and Paul. Paul and Keaggy trade lead vocals and their voices blend well on the chorus. You’ll never know who you might meet on a bus. The song references Hebrews 13:2 “Do not neglect to show hospitality to strangers, for thereby some have entertained angels unawares”. The song closes with a guitar solo.
Full Circle. This song was written by Keaggy and originally appeared on his Town to Town album. The joyful song opens with acoustic guitar, drums and a bit of organ. The Lord took his hand and led him out of the darkness. With one touch of His hand he was made a newborn man. He has come full circle in his life. The song features a few guitar solos. Another favorite.
Day of the Lord. This song was written by Bryan Clark and Keaggy. The song features drums, guitars, including solos, and organ. In this world we face hardships (hunger, poverty, homelessness, suffering, sorrow, etc.). But one day death will be swallowed up (1 Corinthians 15:55), so set your mind on things that will last (Colossians 3:2).
Key lyrics:
The art of life in living is loving the best that you can.
Lend your neighbor a hand
Let us be forgiving, the day of the Lord is at hand.

A Great Adventure: Live Solo Performances of Timeless Hits by Steven Curtis Chapman
****

The latest project from Steven Curtis Chapman, which arrived less than two months after his Deeper Roots: Where the Bluegrass Grows album, comes in both a DVD and audio recording format, filmed and recorded at the Gaither Studios in Alexandria, Indiana. The album version chronicles Chapman’s life in song through live solo acoustic performances of some of his most popular songs, but no between song comments. Chapman has toured extensively performing solo concerts the past few years, and is very comfortable performing his songs backed only with his acoustic guitar. Listening to these songs, originally released between 1987 and 2018, reminds the listener of the blessing his music has been for more than thirty years now.
Below are a few comments about each of the songs (who wrote them and on which album they first appeared):
Lord of The Dance/No Better Place – “Lord of the Dance” (which he refers to as Chapter 1) was written by Chris Clark, Stephen Kipner and John Parker, and originally appeared on Chapman’s 1996 album Songs of Life. “No Better Place” (which he refers to as Chapter 2) was written by Phil Naish and Chapman, and originally appeared on his 1990 album For the Sake of the Call.
Remember to Remember – This song was written by Chapman and released as a single in 2018. This is the first time it has been available on an album.
The Great Adventure – This song was written by Geoff Moore and Chapman and originally appeared on his 1992 album The Great Adventure.
He Touched Me/There’s Something About That Name/Because He Lives – This is a medley of songs written by Bill and Gloria Gaither.
More to This Life – This song was written by Phil Naish and Chapman and originally appeared on his 1989 album More to This Life.
Be Still and Know – This song was written by Chapman and originally appeared on his 1999 album Speechless.
I Will Be Here – This song was written by Chapman and originally appeared on his 1989 album More to This Life.
Cinderella – This song was written by Chapman and originally appeared on his 2007 album This Moment.
Glorious Unfolding – This song was written by Chapman and originally appeared on his 2013 album The Glorious Unfolding.
Together – This song was written by Chapman and originally appeared on his 2013 album The Glorious Unfolding.
His Strength Is Perfect – This song was written by Chapman and originally on his 1988 album Real Life Conversations.
When Love Takes You In – This song was written by Chapman and originally appeared on his 2001 album Declaration.
My Redeemer Is Faithful and True – This song was written by James Isaac Elliot and Chapman and originally appeared on his 1987 album First Hand.

American Standard – James Taylor
****

American Standard is James Taylor’s 19^th studio album, and first new album since 2015’s Before This World. The songs on the album are songs he has always known. He writes in the liner notes that most were part of his family’s record collection, the first music he heard as a kid growing up in North Carolina.
Work on the album began a little over two years ago when John Pizzarelli joined Taylor at the Barn, his recording studio in Massachusetts to work on a few songs. Taylor loved the sound of their two guitars together, and that forms the basic sound of these songs, giving it the feel of Taylor’s early recordings. As he reinterprets these songs, he is supported by his regular family of players who tour and record with him, as well as contributions from Viktor Krauss (upright bass), Stuart Duncan (violin) and Jerry Douglas (dobro). The album is produced by Taylor, along with Dave O’Donnell and John Pizzarelli.
Below are a few comments about each of the songs on the album:

My Blue Heaven. This song was written by Walter Donaldson and George A. Whiting in 1924. The song was used in the Ziegfeld Follies of 1927. The upbeat song is driven by acoustic guitar and features violin and bass and a nice violin solo mid-song.
Moon River. This song was written by Henry Mancini and Johnny Mercer in 1960. It was originally performed by Audrey Hepburn in the 1961 film Breakfast at Tiffany’s, winning the Oscar for Best Original Song. Later it would become Andy Williams’ theme song. This song is driven by acoustic guitar and features what sounds like a harmonica solo mid-song.
Teach Me Tonight. This song was written by Gene De Paul and Sammy Cahn in 1953. The song is driven by acoustic guitar and features light percussion, bass, and features a nice horn solo mid-song.
As Easy as Rolling Off a Log. This song was written by M.K. Jerome and Jack Scholl, a song featured in Katnip Kollege, a 1938 Merrie Melodies cartoon that Taylor first discovered as a child. The upbeat song is driven by acoustic guitar and features bass, a nice horn solo mid-song and closes with some whistling.
Almost Like Being in Love. This song was written by Frederick Loewe and Alan Jay Lerner in 1947 for their musical Brigadoon. This easy-going song is driven by acoustic guitar and features backing vocals, and a horn solo mid-song.
Sit Down, You’re Rockin’ the Boat. This song was written by Frank Loesser in 1950, and was introduced in the Broadway musical Guys and Dolls. This upbeat song is driven by acoustic guitar and features bass, light percussion, and backing vocals.
The Nearness of You. This song was written by Hoagy Carmichael and Ned Washington in 1938. The song is driven by acoustic guitar and features bass, horns, including a nice horn solo mid-song.
You’ve Got to be Carefully Taught. This song was written by Richard Rodgers and Oscar Hammerstein II in 1949 for the musical South Pacific. The song is driven by acoustic guitar and features violin.
God Bless the Child. This song was written by Billie Holiday and Arthur Herzog Jr. in 1941. It is driven by acoustic guitar and features bass, light percussion, and features a nice guitar solo mid-song.
Pennies from Heaven. This song was written by Arthur Johnston and Johnny Burke in 1936, appearing in the film of the same name. The upbeat song is driven by acoustic guitar and features bass, horn and some nice Hammond B3 organ.
My Heart Stood Still. This song was written by Richard Rodgers and Lorenz Hart in 1927. It was written for the Charles Cochran review One Dam Thing After Another. The song is driven by acoustic guitar and features violin, light percussion and bass.
Ol’ Man River. This song was written by Jerome Kern and Oscar Hammerstein II in 1927, and appeared in the musical Show Boat. The slow-paced song is driven by acoustic guitar and features bass, with Taylor offering an expressive vocal.
It’s Only a Paper Moon. This song was written by Harold Arlen, Yip Hardburg and Billy Rose in 1932. The song was originally written for the unsuccessful Broadway play The Great Magoo. This easy-going song is driven by acoustic guitar and features bass and backing vocals.
The Surrey with the Fringe on Top. This song was written by Richard Rodgers and Oscar Hammerstein II in 1943 and appeared in the musical Oklahoma! The song is driven by acoustic guitar, and features vocals Taylor’s wife Caroline.

Best songs:
Teach Me Tonight
As Easy as Rolling Off a Log
It’s Only a Paper Moon
Sit Down, You’re Rockin’ the Boat
Pennies from Heaven

More Blood, More Tracks: The Bootleg Series Vol. 14 – Bob Dylan
****

Blood on the Tracks was the first Bob Dylan album I bought new. I had the iconic album cover on the wall of my basement apartment my Dad had built for me to live in during college. Little did I know then that the album had quite the recording history. The songs were primarily written by Dylan on his farm in Minnesota while his marriage to Sara was disintegrating. He started the recording process by working solo with engineer Phil Ramone in New York City in September, 1974. Ramone then brought in the band Deliverance to back Dylan, but that collaboration didn’t work well. Dylan chose to record the rest of the material over the four days of recording in NYC with Deliverance bassist Tony Brown. Still not satisfied, and with only a month to go before the album was to be released, in December Dylan’s brother set up two days of recordings in Minnesota with local musicians while Dylan was still tweaking lyrics. The original Blood on the Tracks album contained five songs from the NYC sessions and five from the Minnesota sessions.
Something I wasn’t aware of was that Dylan had asked Ramone to speed up the mix 3%. Ramone also added a bit of a studio echo. The songs on More Blood, More Tracks removes the accelerated mix and echo.
Like most of the Bootleg Series, this fourteenth volume comes in different configurations, including a 6 CD, 87 tracks limited edition version. I purchased the single CD compilation of alternate versions of the album’s 10 songs plus one that wasn’t included, “Up to Me” from the NYC sessions. The recordings are acoustic and intimate and will be enjoyed by Dylan fans. “Up to Me” fits well with the rest of the originally released songs on the album. Dylan has always included biblical imagery in his songs. “Up to Me” includes the interesting verse:
We heard the Sermon on the Mount and I knew it was too complex
It didn’t amount to anything more than what the broken glass reflects
When you bite off more than you can chew you pay the penalty
Somebody’s got to tell the tale, I guess it must be up to me

Live from the NATIVE TONGUE Tour – Switchfoot
***

This six-song EP, from Switchfoot was recorded live at the Tabernacle in Atlanta on the band’s Native Tongue tour. It once again proves that Switchfoot is an excellent live band. Here are a few comments about each song.
Native Tongue – This song was written by Tim Foreman, Jon Foreman and Brent Kutzle. It starts with Jon telling the crowd that rather than fear, hatred, and retaliation, love is our native tongue. The song has a great beat, beginning with Jon singing over hand claps and light drums before a driving drum comes in. The song includes some effective backing vocals. I really appreciated the Chad Butler’s drums on the song. Tim Foreman’s bass comes through on this version more so than it did on the studio version. There is also a nice guitar solo on the song. Where did we go wrong, we forgot our song? He wants the world to sing in her native tongue and use our lungs for love.
Voices – This song was written by Brent Kutzle, Jon Foreman, Ryan Tedder, Tim Foreman and Tyler Spry. The song, which was inspired by a homeless man at the beach, begins with some excellent electric guitar, before Jon’s vocal kicks in. Butler’s drums drive an excellent beat, which features Jerome Fontamillas’ keys. In the catchy chorus, Jon sings of having an army of voices in his head. Each moment is crowded with choices, which speak to him and drown out the voices. There are also some good backing vocals on the song.
Let it Happen – This song was written by Jon Foreman. The song features crashing guitars and driving drums, over Jon’s lead vocal. Backing vocals join him for the chorus and there is a nice guitar solo mid-song. This life seems hollow and mostly borrowed. He doesn’t know the meaning and his body is aching. He doesn’t know what is going to happen tomorrow but he trusts God with his future. Excellent song and performance.
Take My Fire – This song was written by Tim Foreman and Jon Foreman. The song begins with drums, then distorted guitar. Satan is never going to take his fire, his love for God. The defiant, guitar-driven rocker features a brief guitar solo and slows down mid-song before a powerful ending.
All I Need – This song was written by Tim Foreman and Jon Foreman. The band sings the song around one microphone to bring it back to where it all began. You can hear the crowd singing along. The love song begins with acoustic guitar, before keys, bass and drums are added later in the song. The chorus is memorable as he sings that all he needs is the air he breathes, the time they share and the ground beneath his feet. He wants to know if she believes in him.
Native Tongue – This is another version of the first song on the EP. Chad Butler’s drum work really stands out on this song. It is a bit of a different version of the song, but I question why the band would include two versions of the same song on a six-song EP.

Sing! The Life of Christ Quintology: Passion (EP)
****

The new album will be released in five separate EPs over the next several months. The project will follow the five main themes of the 2019 Sing! conference – Incarnation, Passion, Resurrection, Commission, and Ascension of Jesus Christ, and include 30 songs. To find out more about my takeaways from the 2019 conference, held in Nashville, read my article “Reflections From the 2019 Sing! Getty Worship Conference here.
The album was recorded at the Gaylord Hotel Convention Center, the Grand Ole Opry House and the Bridgestone Arena in Nashville. Everything that the Gettys and their musical friends do is with excellence. Throughout, the songwriting, singing and musical performances are of a very high quality, especially noteworthy for a live recording.

The second EP to be released is on the Incarnation. Below are a few comments about each song:

The Power of the Cross – This worship song, one of the Getty’s best, was written by Keith Getty and Stuart Townend. This wonderful version of the song was performed at the Bridgestone Arena. It is preceded by Jackie Hill Perry performing an original spoken word piece with flute accompaniment by Pedro Eustache. Kristyn Getty handles lead vocals, backed by the choir and the Getty Band – piano by Keith Getty, bass, drums, violin, etc. – as the song builds powerfully.
Key lyric:
This, the pow’r of the cross:
Son of God—slain for us.
What a love! What a cost!
We stand forgiven at the cross.

My Worth Is Not in What I Own (At the Cross) – This song was written by Keith Getty, Kristyn Getty and Graham Kendrick. The song was performed at the Bridgestone Arena, and features Fernando Ortega and Kristyn Getty sharing lead vocals. The song features Ortega on piano, backed by the Getty band – beautiful cello, violin, drums, and choir.
Key lyric:
Two wonders here that I confess
My worth and my unworthiness
My value fixed – my ransom paid
At the cross

My Savior’s Love (What Tongue Could Tell) – This song was written by Matt Boswell, Matt Papa and Keith Getty. It was performed by Matt Papa, backed by choir, piano, drums and bass. I enjoyed the ending of the song, with the chorus being sung acapella.
Key lyric:
What tongue could tell my Savior’s love
What song of angels could describe
Could endless praises be enough
To echo full His sacrifice

His Mercy is More – This song has been one of my favorites since being introduced to it at the Sing! 2018 Conference. It was written by Matt Boswell and Matt Papa. The song was performed at the Bridgestone Arena. Matt Papa and Matt Boswell share the lead vocals, backed by piano, drums, guitar, bass, violin, and choir.
Key lyric:
Praise the Lord!
His mercy is more.
Stronger than darkness; new every morn;
Our sins, they are many, His mercy is more.

He Will Hold Me Fast – This song was written by Ada Habershon and Matt Merker. The song was performed by Selah during the “Hymn Sing” at the Grand Ole Opry House. Selah is backed by piano, a beautiful cello and choir.
Key lyric:
Raised with Him to endless life
He will hold me fast
Till our faith is turned to sight
When he comes at last

Let There Be Wonder – Matt Redman
****

Let There Be Wonder is worship leader, singer/songwriter Matt Redman’s fourteenth album, and first since 2017’s Glory Song. The album was produced by Jacob Sooter and Joshua Silverberg, and was recorded live in front of more than 1,000 people at Free Chapel in Orange County, California. Redman wrote all of the songs, collaborating with writers and friends such as Sooter, Phil Wickham, Hillsong’s Joel Houston, Jason Ingram, Pat Barrett, Corey Voss, Andi Rozier (Vertical Church Band), Jon Guerra, and Brandon Lake, who also appears on the project along with Evan Craft.

I really enjoyed this album of live worship. Below are a few comments about each song:
The Same Jesus – This joyful song was written by Redman, Jacob Sooter and Josh Silverberg. It was the first song released from the album. The song features drums, backing vocals, keys and drums. The same Jesus is still with us, still on the move, making us new. We know that He is coming again. He’s alive and is keeping His promises.
Key lyric:
This Jesus
Who carried our shame
This Jesus
Who rose from the grave
The same Jesus
We worship today, we worship today

We Praise You – This upbeat worship song was written by Redman, Brandon Lake, Brian Johnson and Phil Wickham. Redman and Lake share the vocals. The song features guitar, backing vocals and some good drums. An excellent song for congregational singing.
Key lyric:
We’ll see You break down every wall
We’ll watch the giants fall
Fear cannot survive when we praise You
The God of breakthroughs on our side
Forever lift Him high
With all creation cry, ‘God, we praise You’
Oh, we praise You

All Praise (Sing Praise) – This song was written by Redman, Andi Rozier and Jason Ingram. The song begins with guitar and keys and builds at the chorus with backing vocals, drums and bass. God’s amazing grace far exceeds our past mistakes. God brought us back to life again and we will rise with Jesus from the grave. He is coming soon. His promises all come true and He deserves all praise.
Key lyric:
Your name, Your name always
Jesus, You alone deserve all praise

Upon Him – This song was written by Redman, Andi Rozier and Jon Guerra. The song begins with keys and light guitar, and builds powerfully with backing vocals and drums. There is no greater name than Jesus. One day every knee will bow and every heart confess (Philippians 2:10-11).
Key lyric:
Christ has died, we are forgiven
And Christ alive, we are the risen
And He shall come again
Praise the King, praise the King

Let There Be Wonder – This worship song was written by Redman, Joshua Silverberg, Jacob Sooter and Corey Voss. The song begins with synth, guitar and keys and then builds powerfully with bass drums and backing vocals. He is the God who parted the sea, who heals our disease and is the source of all that we need.
Key lyric:
Let there be wonder, let there be wonder in this place
Let there be worship, let there be worship for Your name
Come Holy Spirit, how we need Your fire again
Let there be wonder, let there be wonder

King Jesus – This song was written by Redman, Jason Ingram and Joel Houston. The worship song opens with electric and acoustic guitar and keys, and builds at the chorus with drums and backing vocals. His is the name above all names (Philippians 2:9). There will never be a higher name. All glory to God alone, the King is in residence here.
Key lyric:
All glory to God alone, praise to the One who gave it all
Name above all names, King Jesus, King Jesus
All glory to God alone, praise to the One who holds the throne
Name above all names, King Jesus, King Jesus

Merciful Father – This upbeat song was written by Redman, Tim Wanstall and Pat Barrett. The song begins with keys, drums, bass and builds with guitar and backing vocals. The song describes attributes of God such as love, goodness, faithfulness, merciful and kindness.

Mercies (New Every Morning) – This mid-tempo song was written by Redman, May Angeles, Edith Mcneill, DK Kim and Colby Taylor. The song features keys, guitar, drums and bass, and speaks to God’s faithfulness and goodness, though like many worship songs, lyrically it gets a bit repetitive.
The chorus is from Lamentations 3:23:
They are new every morning
New every morning
Great is Your faithfulness
Your mercies are new every morning
New every morning
Great is your faithfulness

Jesus Your Name – This song was written by Redman, Lindsey Sweet, Joshua Silverberg and Jacob Sooter. The song features acoustic guitar, synth, keys, bass, excellent drums, and backing vocals, and is about Jesus’s wonderful name.
Key lyric:
Jesus Your name, when the whole world shakes
Jesus Your name, I will ever praise
My battle cry every night and day
I’ll sing Your name over everything
I’ll sing Your name over everything

In The Name – This triumphant song was written by Redman, Ryan Ellis, Joshua Silverberg and Jacob Sooter. The song features keys, synth, bass, guitar, some nice drums, and backing vocals. Interestingly, it’s follows another song about the name of Jesus.
Key lyric:
In the name of Jesus, all fear must go now
In the name of Jesus, perfect peace
In the name of Jesus, burdens be lifted
In the name of Jesus we believe

Hymn of Surrender – This song was written by Redman, Mitch Wong, Joshua Silverberg and Jacob Sooter. The song features synth, keys, guitar, drums, bass and backing vocals. The song is a prayer to Jesus. He’s going to deny himself and follow Jesus. For less of him is more of Jesus.
Key lyric:
No compromise
I won’t give You just half my life
If it’s all or nothing
Let it all be, let it all be for Jesus

Send Me Lord – This song was written by Redman, Joshua Silverberg and Mitch Wong. The song features, synth, keys, guitar, backing vocals, and is a prayer to God. He contrasts his own selfishness with God’s holiness.
Key lyric:
Where You go, I will go, I belong to You alone
Letting go of my selfishness, send me Lord

A Ti Adoramos (We Praise You) – This is a second version of “We Praise You”, this time featuring Evan Craft, with some of the singing in Spanish.

The Same Jesus (single version) – This is a shorter version of the first song released from the album.

Best songs:
Upon Him
The Same Jesus
We Praise You
Jesus Your Name
Hymn of Surrender

Alive & Breathing, Vol. 1 – Matt Maher
****

This is the first of four Alive & Breathing releases from Matt Maher. Each EP will feature three songs – a new song, a live version of a song that Maher has written for other artists but hasn’t recorded himself, and a live version of some of Maher’s previous songs. Here are a few comments on each song on Vol. 1.

Run to the Father – This song was written by Maher with Cody Carnes and Ran Jackson and produced by Bernie Herms. The powerful song of surrender features piano, strings, drums, and backing choir vocals.

Key lyric:
I run to the Father, I fall into grace
I’m done with the hiding, no reason to wait
My heart needs a surgeon, my soul needs a friend
So, I’ll run to the Father, again and again

Lord, I Need You (Señor, Te Necesito) – This is a live version of Maher’s worship song “Lord, I Need You”, which Maher recorded with Bianca, who sings in Spanish. Maher wrote the song with Christy Nockels, Daniel Carson, Jesse Reeves and Kristian Stanfill. The song features piano, bass, guitar, drums, and the audience singing along. The voices of Maher and Bianca blend well.

White Flag – This is a live version of a song that Chris Tomlin originally recorded at the Passion Conference. Maher wrote the song with Tomlin, Jason Ingram and Matt Redman. The song features synth, drums, guitar, bass and the audience singing along.

Key lyric:
We raise our white flag
We surrender all to you, all for you
We raise our white flag, the war is over
Love has come, your love has won

Alive & Breathing, Vol. 2 – Matt Maher
****

This is the second of four Alive & Breathing releases. Each EP features three songs – a new song, a live version of a song that Maher has written for other artists but hasn’t recorded himself, and a live version of some of Maher’s previous songs. Here are a few comments on each song on Vol. 2.
Alive & Breathing – This new song was written by Maher and Elle Limebear. Limebear also adds vocals to the song. This song of encouragement features piano, backing vocals, guitar, strings and drums.

Key lyric:
Joy still comes in the morning
Hope still walks with the hurting
If you’re alive and breathing, praise the Lord
Don’t stop dancing and dreaming
There’s still good news worth repeating
So, lift your head and keep singing, praise the Lord

Because He Lives (Amen) – I was introduced to this song when Maher sang this song in concert a few years ago as he opened for Toby Mac. This is a live version of the song he wrote with Bill Gaither, Gloria Gaither, Chris Tomlin, Daniel Carson, Ed Cash and Jason Ingram. The joyful song features drums, synth, piano and the audience singing along.

Soul on Fire – One of my favorite Third Day songs, I recently heard Mac Powell and the Family Reunion perform this song in concert and the next day when they led worship at a church in Indiana. The song was written by Maher with Brenton Brown, Mac Powell, Tai Anderson, David Carr and Mark Lee. This excellent live version features drums, guitar and the audience singing along.

Alive & Breathing, Vol. 3 – Matt Maher
***

This is the third of four Alive & Breathing releases. Each EP features three songs – a new song, a live version of a song that Maher has written for other artists but hasn’t recorded himself, and a live version of some of Maher’s previous songs. Here are a few comments on each song on Vol. 3.

Lord of My Life – This new song was written by Maher and Daniel Bashta. The song features piano, backing vocals, guitar, synth, and drums. He is prone to wander. The Lord is the destination and the way to get there. He surrenders all.

Key lyric:
Be the song I sing, be my guiding light
Savior of my soul, be the Lord of my life
Every step I take, always by my side
I am Yours, You are mine, be the Lord of my life

Your Love Defends Me – This is a live version of Maher’s song that he wrote with Hannah Kerr. Maher has said that the song comes out of Psalm 91, and the idea of God being not a refuge, but our only refuge. The song features acoustic guitar and the audience singing along and then builds with electric guitar, piano and drums.

Here for You – This is a live version of a worship song Maher wrote with Tim Wanstall, Jesse Reeves and Matt Redman, who originally recorded the song. The song was also recorded live at a Passion Conference, with Chris Tomlin handling the lead vocals. The song features keys, synth, bass, drums, partially distorted vocals, the audience clapping and singing along.

Alive & Breathing, Vol. 4 – Matt Maher
****

This is fourth and final of the excellent Alive & Breathing EP releases from Matt Maher. Each features three songs, a combination of new songs, live versions of songs that Maher has written for other artists but hasn’t recorded himself, and live versions of some of Maher’s previous songs. Here are a few comments on each song on Vol. 4.

Come as You Are – This is a live version of a song made popular by Crowder, and included on his 2014 album Neon Steeple. The song was written by Maher, Crowder and Ben Glover. The song begins with acoustic guitar and then slowly builds with piano, guitar, bass and the audience singing along.

Key lyric:
Oh, wanderer come home
You’re not too far
Lay down your hurt
Lay down your heart
Come as you are

Lord, I Need You – This is a live version of perhaps Maher’s most popular song, which was written by Maher, Christy Nockels, Daniel Carson, Jesse Reeves and Kristian Stanfill. I first heard this song sung by Chris Tomlin on the 2011 Passion conference album Here for You. The song begins with piano and gently builds with bass, drum and the audience singing along.

Key lyric:
Lord, I need You, oh, I need You
Every hour I need You
My one defense, my righteousness
Oh God, how I need You

Come Holy Spirit – This is a live version of a song I hadn’t previously heard, featuring Martin Smith, formerly of the band Delirious? The song was written by Smith, Maher, Paul Nelson, Lydia McAllister, Henry Milne and Connor Patterson. The song begins with piano, and then builds powerfully with keys, strings, bass, drums, guitar, the audience singing along and ends with some excellent organ. This was the highlight of the EP for me.

Key lyric:
Come, Holy Spirit
Fall on us
Burn like a fire
Living flame of love

United – Newsboys (Deluxe Edition)
****

In the spring of 2018, former Newsboys lead singer Peter Furler and former bassist Phil Joel joined the then current Newsboy lineup of Michael Tait, Duncan Phillips, Jeff Frankenstein and Jody Davis for a Newsboys reunion tour. Since then the Newsboys United have played more than 150 concerts. As a result, this new studio album has been highly anticipated. And the album, which is comprised of praise and worship songs, does not disappoint. The album, co-produced by Furler and Duncan Sparks and featuring a number of different writers, has a clean and energetic sound, as it merges the former members and current members together for a satisfying result.

Below are a few comments about each song:

Greatness of Our God – This worship song about the greatness of God, was written by Bryan Fowler, Colby Wedgeworth and Ethan Hulse. This was the first song released from the album. Furler and Tait share lead vocals on an excellent opening song.

Symphony – This song was written by Bryan Fowler, Colby Wedgeworth and Ethan Hulse. The voices of Furler and Tait blend well on this prayer, and Phillips’ drums particularly stand out.

Key lyrics:
So, let my life be, let my life be
A symphony, a symphony
Every breath that I breathe
Lord I wanna bring You glory, glory

Love One Another – This song, based on Jesus’ words in John 13:34 “A new commandment I give to you, that you love one another”, was written by Duncan Sparks, Furler and Steve Taylor, and features Tait’s former DC Talk bandmate Kevin Max on vocals. The song opens with guitar and then right into a good driving beat.

Never Setting Sun – This song was written by Bede Benjamin-Korporaal, Renee Sieff and Seth Mosley. This joyful song of praise to Jesus features Furler primarily on vocals, has an infectious chorus driven by Phillips’ drum beat.

Beautiful Story – This song was written by Andrew Holt, Mia Fieldes and Robert Marvin and features Tait on vocals. The power ballad, which will sound good on Christian radio, begins with piano and builds with guitars, bass and drums.
The bridge brings in Romans 8:28 “You work all things together for good.”

Key lyrics:
You write a beautiful story
From glory to glory I believe

Worth Fighting For – This song was written by Furler and Steve Taylor. The song opens with guitar and features a good drum beat. Furler and Tait share vocals on this song about love and forgiveness. The song references Jesus’ commandment in Mark 12:31 ^“You shall love your neighbor as yourself”.

Fearless – This song was written by Jonathan Lindley Smith, Maggie Eckford and Mia Fieldes. The song opens with keys, and features excellent drums from Phillips. Tait and Furler share lead vocals and their voices blend well.

Key lyrics:
I am Fearless in Your presence
You’re all around, me all around me
In my weakness You are strongest
You surround me, You surround me

This I Know – This song was written by Aodhan King, Furler, Reuben Morgan and Seth Mosley. The song of praise opens with guitar, starts slowly and then gently builds with drums and keys. He is with us through the trials and has never let us go. Tait and Furler share vocals.

Key lyrics:
This I know
At the whisper of Your name
There is peace I can’t explain
I am fearless, I am safe
Here with You, here with you

Only the Son (Yeshua) – This worship song was written by Seth Mosely, Peter Furler and Summer Furler. An early version of the song (“Yeshua”), appeared on the Peter Furler Band’s 2014 album Sun and Shield. A new chorus “Only the Sun” has been added. The song features some good guitar from Davis. Tait and Furler share vocals and their vocals blend well on the memorable chorus.

Set Me Ablaze – This song was written by Bryan Torwalt, Jacob Sooter, Katie Torwalt and Mia Fieldes. Furler delivers a passionate lead vocal on this worship song to the Holy Spirit, asking Him to “Breathe, come and breathe on the coals of my heart”. The song features guitar and drums.

Deluxe Edition – This Deluxe edition includes one new song, a previously released single, two remixes and an interview. Although I normally prefer a Deluxe edition, I don’t see the extra value in this particular one.

Rejoice – This song was written by Steve Taylor and Furler. Tait and Furler share vocals on this upbeat and joyful song. Faith and love make you want to rejoice. The song features good guitar and drums.

The Cross Has the Final Word – This worship song about, the power of Jesus and the work He on the cross, was written by Cody Carnes and produced by Seth Mosley. It was released as a single in May, 2017, and was the first song released in which Furler joined the current lineup of the Newsboys.

Greatness of Our God (Doug Weier Remix) – This is a remix of a song included on the standard edition.

Only the Son (Yeshua) (Doug Weier Remix) – This is a remix of a song included on the standard edition.

United: The Story Behind the Album (Interview with Peter Furler and Michael Tait). This is a seven minute plus interview with Doug Hannah.

Believe – Russ Taff
****

I’m a long-time Russ Taff fan, having seen him in concert several times and have followed his music since his days with the Imperials. Amazingly, he has been inducted into the Gospel Music Association Hall of Fame an unprecedented three times – as a member of the Imperials, a member of the Gather Vocal Band and as a solo artist. This is his first worship album and the first new album in seven years for the 66-year-old singer. The album sounds great, being well-produced by Phil Naish and Mark Hornsby. It was released on the heels of the documentary Russ Taff: I Still Believe, and ahead of a book titled I Still Believe: A Memoir of Wreckage, Recovery, and Relentless Love, which was published in February 26, 2019.

This album is a welcome return for Taff, who is one of contemporary Christian music’s great vocalists, who sounds better than ever. Below are a few comments about each song:

Your Love Never Fails – The opening song is an excellent cover of the Jesus Culture song written by Anthony Skinner and Chris McClarney. The song has high energy from the beginning note with Taff bringing his strong vocals over a driving beat led by guitar, organ, drums and backing vocals.

I Still Believe – This song was written and originally recorded by The Call, and was included on Taff’s excellent 1990 self-titled album. On this new version Taff sings his heart out, backed by an excellent accompanying band, featuring a good guitar solo and backing vocals. About the song, Taff said “It meant the world to me back when I was struggling trying to find my way and I was screaming at the sky, but today it’s a joyous anthem. I’m up here singing again for Jesus. I survived.”

Key lyric:
But I still believe
I still believe
Through the pain,
And through the grief,
Through the lives,
Through the storms,
Through the cries,
And through the wars.
Oh, I still believe!

Don’t Try So Hard – On this beautiful midtempo song, Taff is joined by Amy Grant, who herself was accompanied by James Taylor when she originally recorded the song. I enjoyed the organ on this track, with also features a nice guitar solo.

Key lyric:
Don’t try so hard
God gives you grace and you can’t earn it
Don’t think that you’re not worth it
Because you are
He gave you His love and He’s not leaving
Gave you His Son so you’d believe it
You’re lonely even with your scars
Don’t try so hard

Same Power – This is an excellent cover of the joyful Jeremy Camp song. Taff brings a powerful vocal to the song over organ, guitar, piano, drums and backing vocals. There is victory in singing that we will not be overtaken, we will not be overcome.

Key lyric:
The same power that rose Jesus from the grave
The same power that commands the dead to wake
Lives in us, lives in us.

I Am – This is a cover of Crowder’s song which appeared on his 2014 debut album Neon Steeple. Crowder joins Taff on this excellent version. A guitar solo replaces the banjo that was on Crowder’s version. The song also features some excellent drums. Crowder has said “Standing and singing ‘I Am holding onto you in the middle of the storm’ alongside Russ is one of life’s greatest memories.”

Key lyric:
I am
Holding on to You
In the middle of the storm
I am Holding on

Be Still My Soul – This is a song that Taff originally recorded with the Imperials on their 1980 album Priority. It was a song, written with his wife Tori, during a time when he was making the difficult decision to leave the Imperials. The beautiful song features piano, strings and some excellent backing choir vocals.

Key lyric:
Be still my soul and know that He is God
Stand quietly – He is the Lord
If God is for me who can be against me?
Be still my soul, He is the Lord

No Longer Slaves – This is a cover of the Bethel Music song written by Brian Johnson, Joel Case and Jonathan David Helser. It opens with a brief female vocal. The joyful song builds with a powerful vocal from Taff, drums and strong backing vocals.

Key lyric:
I’m no longer a slave to fear
I am a child of God

When I Hear Your Name – This beautiful song features strings, piano acoustic guitar and backing vocals. It is about the impact of God’s name. His whole world is changed and he is changed when he hears God’s precious and beautiful name. There Is a Fountain – This is a cover of William Cowper’s classic 1772 hymn. Taff delivers a passionate vocal over piano, drums and some excellent strings.

Key lyric:
Redeeming love has been my theme
And shall be till I die

There’s a Hallelujah – This song features a driving beat from the beginning, featuring guitar, bass, drum and some excellent guitar. No matter what happens, he will worship Him the same. Hallelujah when I rise, hallelujah when I fall, Yes, there’s a hallelujah in it all.

Isn’t the Name – This is a cover of the Bethany Worship song written by Jonathan Stockstill. This song features piano, as well as some excellent strings that were recorded at the legendary Abbey Road studio in London. The name of Jesus is all we need.

We Will Stand – This song was originally recorded on Taff’s classic 1983 album Walls of Glass. The song features guitar, organ and builds powerfully with Taff’s vocal and a backing choir. Taff has said about the song “It’s a message that is important to the Church, especially today. Politics are tearing the body of Christ apart. People are losing friends and walking away from each other because of who they voted for. We’ve got to rise above that, love one another and allow another person to have their own feelings and beliefs.”

Key lyric:
But I, I don’t care what label you may wear
If you believe in Jesus you belong with me

Sing! The Life of Christ: Quintology: Incarnation – Keith and Kristyn Getty and Friends
****

Sing! The Life of Christ: Quintology is the fourth album to be released from Keith and Kristyn Getty’s Sing! worship music conferences, following 2018’s Sing! Live at The Getty Music Worship Conference and 2019’s Sing! Psalms: Ancient + Modern (Live At The Getty Music Worship Conference) and Sing! An Irish Christmas – Live At The Grand Ole Opry House.
The new album will be released in five separate EPs over the next several months. The project will follow the five main themes of the 2019 Sing! conference – Incarnation, Passion, Resurrection, Commission, and Ascension of Jesus Christ, and include 30 songs. To find out more about my takeaways from the 2019 conference, held in Nashville, read my article “Reflections From the 2019 Sing! Getty Worship Conference here.
The album was recorded at the Gaylord Hotel Convention Center, the Grand Ole Opry House and the Bridgestone Arena in Nashville. Everything that the Gettys and their musical friends do is with excellence. Throughout, the songwriting, singing and musical performances are of a very high quality, especially noteworthy for a live recording.
The first EP is on the Incarnation. Below are a few comments about each song:

Across the Lands/Of the Father’s Love Begotten – “Across the Lands” was written by Keith Getty and Stuart Townend. “Of the Father’s Love Begotten” was written by Aurelius Clemens Prudentius. This track begins with the recitation of John 1 by astronaut Colonel Jeff Williams before segueing into the choir singing verses one and three of “Of the Father’s Love Begotten” before the full band goes into “Across the Lands” with Kristyn Getty on lead vocals.

Key lyrics:

You’re the Author of creation;
You’re the Lord of ev’ry man;
And Your cry of love rings out across the lands.

Sing We the Song of Emmanuel – This song was written by Matt Boswell, Matt Papa, Stuart Townend, and Keith Getty. The song opens with piano, and then the full band kicks in. This was my favorite song of 2019. We sang it often in our church worship service. Boswell and Papa share lead vocals with the audience joining in on the closing “Gloria”.

Key lyrics:

Glory shining for all to see
Hope alive, let the gospel ring
God has made a way, He will have the praise
Tell the world His name is Jesus

Come Adore the Humble King – This song was written by Matt Boswell and Matt Papa. This piano driven song has Boswell and Papa sharing lead vocals. The song features a violin solo and builds powerfully.

Joy Has Dawned/Angels We Have Heard on High – “Joy Has Dawned” was written by Keith Getty and Stuart Townend. “Angels We Have Heard on High” was written by James Chadwick. The song begins with the choir singing verse one and the refrain from “Angels We Have Heard on High” before the full band kicks in with “Joy Has Dawned”, with lead vocals by Kristyn Getty. The upbeat song gives the band an opportunity to flex its muscles mid-song. The song ends with the refrain and verse three from “Angels We Have Heard on High”.

Key lyrics:

What a Savior! What a Friend!
What a glorious myst’ry!
Once a babe in Bethlehem,
Now the Lord of hist’ry.

Come Behold the Wondrous Mystery – This song was written by Matt Boswell, Matt Papa and Michael Bleecker. The song begins with piano, before adding drums, bass and guitar. Boswell and Papa share lead vocals.

Key lyrics:

What a foretaste of deliverance
How unwavering our hope
Christ in power resurrected
As we will be when He comes

In Christ Alone/I Stand Amazed (O How Marvelous) – “In Christ Alone” was written by Keith Getty and Stuart Townend. “I Stand Amazed’ was written by Charles Gabriel. Kristyn Getty and Travis Cottrell share lead vocals on “In Christ Alone”, and the album closes with a spirited version of “I Stand Amazed”.

Key lyrics:

And as He stands in victory,
Sin’s curse has lost its grip on me;
For I am His and He is mine—
Bought with the precious blood of Christ.

Best songs: All

Note: The 2020 Sing! Getty Worship Music Conference will be held August 31 – September 2 in Nashville. To get more information and register go here.

The Worship Initiative Christmas – Shane and Shane
***

The duo Shane and Shane returns with a new five-song Christmas EP. The project includes one new song “Sing We The Song of Emmanuel”, as well as four Christmas classics. The duo’s voices blend well and the instrumentation is top-notch.

Below are a few comments about each song:

Sing We The Song of Emmanuel – This new Christmas song was written by Matt Boswell, Matt Papa, Stuart Townend, and Keith Getty. The song features acoustic guitar, bass and chimes. The song builds powerfully with the mid-song “Gloria”.

Key lyric:
Come we to welcome Emmanuel
King who came with no crown or throne
Helpless He lay, the Invincible
Maker of Mary, now Mary’s son

Oh Holy Night – This joyful song was written by Adolphe Adam in 1847. The song features acoustic guitar, drums, bass, piano and an excellent vocal with a good overall pace. A highlight.

Little Drummer Boy – This song was written by Katherine K. Davis, Henry Onorati and Harry Simeone in 1958. The upbeat and joyful arrangement features guitar, bass, and of course drums. A highlight.

The First Noel – This traditional English Christmas carol dates back to 1823. The song features acoustic guitar, piano, bass, backing vocals, and is driven by a light percussion beat.

O Come O Come Emmanuel – This song was translated by John Mason Neale in 1861. The joyful song features acoustic guitar, bass, synth, piano, backing vocals, and some nice drum work.

Best songs:
O Holy Night
Little Drummer Boy

Bing at Christmas – Bing Crosby with the London Symphony Orchestra
****

Bing at Christmas was produced by Nick Patrick, who has also produced albums with orchestras by artists such as Elvis Presley, Aretha Franklin, the Carpenters, Beach Boys, and others. Patrick took recordings by Crosby, who died in 1977, and added newly-recorded orchestral arrangements, performed by the London Symphony Orchestra. The overall effect is giving a fresh clean sound to some of Crosby’s most loved Christmas songs.
The album features fourteen classic Crosby Christmas songs, including his biggest hit, “White Christmas”, which is the world’s best-selling single, with sales in excess of 50 million copies worldwide. The song is included in two versions on the album. Joining Crosby on a special version of the song is the multi-Grammy Award winning a cappella group Pentatonix, whose voices fit perfectly with Crosby’s.
If you have loved Crosby’s Christmas music in the past, you’ll want to check out this new release.

Below is a list of the songs included on this new release:

It’s Beginning To Look A Lot Like Christmas
Sleigh Ride
Let It Snow! Let It Snow! Let It Snow!
White Christmas (featuring Pentatonix)
I’ll Be Home For Christmas
Jingle Bells (with The Andrew Sisters featuring the Puppini Sisters)
Have Yourself A Merry Little Christmas
Do You Hear What I Hear?
The Christmas Song
Little Drummer Boy (with David Bowie)
Twelve Days Of Christmas (featuring the Puppini Sisters)
Winter Wonderland
The Christmas Song (featuring the Tenors)
White Christmas

Joy of Every Longing Heart – Sara Groves
***

Sara Groves follows up her 2008 Christmas album O Holy Night with Joy of Every Longing Heart, which she calls the bookend to the earlier album. While O Holy Night featured songs about Jesus’ birth, Joy of Every Longing Heart – which is a mix of new songs, Groves’ interpretation of 5 traditional Christmas songs, and one instrumental – focuses on those who were directly part of the Nativity story, the angels, wise men and shepherds. The album’s title comes from the last line of the song “Come Thou Long Expected Jesus”. The album cover art is a rendition of the city of Bethlehem, purposefully showcasing the color tones of oranges and purples to represent the dawn and awaiting the birth of Jesus. The album was produced by John Mark Nelson and recorded at Art House North, a one hundred-year-old house in St. Paul, Minnesota. A minor complaint is that the nine songs clock in at just 32 minutes.

Below are a few comments about each of the songs:
O Come O Come Emmanuel – This Christmas standard was written by John Mason Neale. The joyful song features light drums, bass, a guitar solo, backing vocals, and some excellent piano. A highlight.
Angels From The Realms of Glory – This song was written by James Montgomery. The song features guitar, piano, backing vocals and light drums. The song starts slowly and then gently builds.
God Rest Ye Merry Gentleman – This is a traditional English Christmas carol. The song features piano, strings, drums, guitar and backing vocals.
Come Thou Long Expected Jesus – This song was written by John Stainer, and features acoustic guitar, piano, some nice drum work, backing vocals and a new chorus.
We Wait – This new song features guitar, piano, bass, drums, backing vocals. The song is about the people of Bethlehem waiting. They wait for a number of things – a sign, peace and goodwill to all men, a break in the weather, the light of the morning, and most of all they wait for Jesus.
Winter Wonderland – This song was written by Richard B. Smith and Felix Bernard. The song features a slower pace than usual and acoustic guitar, piano, bells, and backing vocals. It also includes a reference to St. Paul, Minnesota, where the album was recorded.
Just Like They Said – This new song is seen through the eyes of a shepherd as he first heard about the birth of Jesus. The sky was on fire. It was just like they said it would be. He was wrapped in a cloak and laid in a manger. But no one believed the shepherd, instead shaking their heads and saying nothing good comes from Bethlehem. But he knows what he saw. The song features piano, bass, backing vocals, and strings.
Tidings – This short instrumental was written by John Mark Nelson and John Arndt. The song features cello and strings.
Let Our Gladness Have No End – This song was written by G. Kucharik. It features piano, backing vocals and strings.

Key lyric:
Let our gladness have no end, alleluia!
For to earth did Christ descend, alleluia!

Best songs:
O Come O Come Emmanuel
Just Like They Said

Christmas – Sandra McCracken
****

I love Christmas music and each year add new albums to my collection. Christmas by Sandra McCracken is a new album that I can recommend to you. I became aware of McCracken’s music at a few conferences that my wife Tammy and I have attended recently.
The album was recorded over three days in a studio just outside of Nashville. McCracken wrote that she joined up with Gabe Dixon, Will Sayles, Anthony LaMarca, Joey Bradshaw, Cindy Morgan, Matt Pierson, Don Chaffer and Tim Nicholson to make the record. Russ Long mixed the recordings together with orchestration from Isaac Wardell and friends in Charlottesville, VA, vocals from Josh Garrels in Indiana, and cello from Cara Fox and B3 from Phil Madeira.
McCracken has had the desire to record a Christmas album for years. It was on a trip to Israel two years ago when she visited the birthplace of Jesus and the shepherd’s field near Bethany that pushed her to make Christmas. The eleven songs include both originals and Christmas classics. Here are a few comments on each song:

Joy to the World – This Christmas classic written by Isaac Watts, features McCracken singing over piano, light guitar, bass, cello and drums. She adds a new chorus “Repeat the sounding joy”.
Ring the Bells – This song was written by McCracken and Cindy Morgan. McCracken has said that she wanted the song to provide a picture of a present-day holiday scene, the family gathering together, the candlelight service, the call for peace and comfort from one to another. The song features some nice piano, strings, drums and bass.
Key lyrics:
We’re gonna ring the bells on Christmas day
Let the light bring forth the dawn
We’re gonna ring the bells the joy proclaim
Giving us hope, helping us carry on
All is Well – This song, set around the birth of Jesus, in a manger, a humble landing in a quiet place, is written by McCracken and Cindy Morgan. The song features acoustic guitar, bass, light percussion and piano.
Mary’s Arms – This joyful song, with a memorable chorus, features piano, light percussion, strings, and backing vocals, ending with some excellent organ. A highlight.
Key lyrics:
Now is the time,
Songs fill the skies
Redeeming love, baby child
Resting in Mary’s arms.
Jesus What A Wonderful Child – This traditional spiritual begins with bass, and then adds guitar, drums, hand claps, piano, organ and some excellent backing vocals from Cindy Morgan and Gabe Dixon. It’s instantly likable0 and my favorite song on the album.
Hark the Herald Angels Sing – This Christmas classic was written by Charles Wesley (lyrics) and Felix Mendelssohn (music). The song features bass, piano, light percussion and organ.
This Is the Christ – This song was written by Martin Luther (lyrics) and McCracken (music). The song features McCracken singing over piano, bass, light guitar and drums.
Key lyrics:
This is the Christ, our God and Lord
Who in all need shall aid afford
He will himself our savior be
And from our sins will set us free
Bright Morning Stars – This short traditional song features McCracken leading a group of singers. The song has a raw sound, much different from the other songs on the album, leading you to believe that it wasn’t recorded in a studio.
Go Tell it on the Mountain – This African-American spiritual song, compiled by John Wesley Work, Jr., and dating back to at least 1865, is one of my favorite Christmas songs. The joyful song features acoustic guitar and some excellent backing vocals. A highlight.
The Space Between – This song was written by McCracken, Cindy Morgan and Gabe Dixon, and features Josh Garrels on vocals. The song looks at the days after Christmas and before the New Year begins. McCracken has said that the song is a reflective, joyful reminder to accept the discomfort of life transitions with grace. It is a call to see what’s next. The song features acoustic guitar, bass, drums, piano and strings.
Silent Night – This Christmas classic was written by Joseph Mohr in 1816. The beautiful version of the song features McCracken singing over acoustic guitar, backing vocals, and strings.
Best songs:
Mary’s Arms
Jesus, What a Wonderful Child
Go Tell it on the Mountain

Christmas Day: Christmas Songs of Worship – Chris Tomlin
****

Over the years, Chris Tomlin has given us some excellent Christmas music, primarily through his two full-length Christmas albums 2009’s Glory in the Highest: Christmas Songs of Worship and 2015’s Adore: Christmas Songs Of Worship. His latest release is Christmas Day: Christmas Songs of Worship, a four song EP. The EP features three new songs, and one classic Christmas song.
Here are a few comments about each song:
Christmas Day – This song is written by Ed Cash, Scott Cash, Franni Cash, Martin Cash and Andrew Bergthold. This joyful song features drums, guitar and excellent vocals by Tomlin and We The Kingdom. Classic Tomlin, this song would be a good one for congregational singing.
Key lyrics:
Sing all you people
The Lord almighty reigns
Sing every creature of God
Come bless His name
For He is good, for He is good
He was born to conquer the grave
Light of the world
The reason for Christmas Day
His Name Is Wonderful – This song is written by Tomlin and Ed Cash with a chorus taken from Isaiah 9:6. The song begins with Tomlin singing over piano, and then builds with drums, strings and choir.
Key lyrics:
Come and adore Him
On bended Knee
He came to Ransom
Someone like me
Little Drummer Boy – This Christmas classic was written by Katherine Davis, Henry Onorati and Harry Simeone in 1958. The song features guitar, backing vocals and of course some excellent drum work.
Hope Of Israel – This song was written by Tomlin, Ben Fielding, Jason Ingram and Reuben Morgan. The song begins with Tomlin singing over piano, then builds gently with strings and backing vocals.
Key lyrics:
God is with us
Christ our Savior
Jesus our Emmanuel
He shall reign our King forever
The hope of Israel
Best song: Christmas Day

50 Year Trip: Live at Red Rocks – John Fogerty
****

John Fogerty was the lead singer and songwriter for Creedence Clearwater Revival (CCR), who dominated Top 40 radio from mid-1968 – mid-1972, with nine of the band’s singles cracking the Top 10 during that period. The band, who sold more than 35 million albums and singles in the U.S. alone, was inducted into the Rock and Roll Hall of Fame, and Rolling Stone magazine has them at Number 82 on its list of the 100 greatest artists of all time.
CCR broke up in 1972, and Fogerty has gone on to have a very successful solo career as well. Now 74, he recorded this live album at Red Rocks Amphitheatre in Morrison, Colorado on June 20 during a tour celebrating his 50-year career, dating back to the release of CCR’s first album, released July 5, 1968. The concert was also filmed and was shown in theatres on November 11 (Veteran’s Day).
Fogerty has released a few live solo albums over the years (Premonition, The Long Road Home – In Concert). As with those albums, 50 Year Trip: Live at Red Rocks features his still excellent vocals and a strong band, this time featuring his two sons. The performances are tight, and the band stretches things out on “The Old Man Down the Road”, “I Heard It Through the Grapevine” and “Keep on Chooglin’”. The album features 19 CCR and Fogerty classics and is a must-have for CCR and Fogerty fans. Here is the entire track list:

Born on the Bayou
Green River
Lookin’ Out My Back Door
Susie Q
Who’ll Stop the Rain
Hey Tonight
Up Around the Bend
Rock and Roll Girls
I Heard It Through The Grapevine
Long As I Can See The Light
Run Through The Jungle
Keep On Chooglin’
Have You Ever Seen The Rain
Down On The Corner
Centerfield
The Old Man Down The Road
Fortunate Son
Bad Moon Rising
Proud Mary

Jesus is King – Kanye West
***

Jesus is King is the highly anticipated and publicized new album, and the first gospel music album, from the controversial Kanye West. I’ll admit that I’ve not previously heard any music from West, who has won an amazing 21 Grammy Awards.
This year, West began attending Placerita Bible Church in Newhall, California. The church is a non-denominational congregation, led by senior pastor, Adam Tyson, a graduate of the respected Master’s Seminary, which was founded by John MacArthur. Tyson has been instrumental in guiding Kanye West’s spiritual journey, including consulting on the lyrics of this album.
West uses a lot of collaborators on the writing and producing of these songs. This album, his ninth studio project, clocks in at only 27 minutes, and topped the charts upon release.
My overall assessment is that while inconsistent, this is a solid effort and worth consideration from those who enjoy Christian hip-hop/rap music. Here are a few comments about each song:

Every Hour – This song was written and produced by Budgie Beats, Federico Vindver and West. The song doesn’t include West, but instead features the Sunday Service Choir, from West’s weekly Sunday Service that he has been holding in 2019. Backed by piano, the choir sings that we should sing every hour till the power of the Lord comes down.
Selah – This song was written by Sean Leon, CyHi The Prynce, Rennard East, A. Jeffrey LaValley, Pusha T, No Malice, Federico Vindver, Dexter Raymond Mills Jr., Ant Clemons and West. It was produced by Boogz, Francis Farewell Starlite, Vindver, E*Vax and Benny Blanco. “Selah” is a Hebrew word used often in the Psalms, that tells us to pause, stop and consider. West raps over synth and drum beat. The Sunday Service Choir handles the chorus, comprised almost entirely of the word “Hallelujah”.
Key lyric:
To whom the son set free is free indeed
He saved a wretch like me.
Follow God – This song was written by Xcelence, Boogz, Bryant Bell, Curtis Eubanks, Calvin Eubanks and West. It was produced by Xcelence, West and Boogz. The song samples Whole Truth’s 1974 “Can You Lose by Following God”. West raps about trying to live his life for Christ, sharing his struggles, having to respond to people pushing his buttons, especially those who really know you, such as his Dad telling him things he is doing and saying aren’t Christ-like.
Closed On Sunday – This song was written by A$AP Bari, Ab-Liva, Timbaland, Victory Elyse Boyd, Timothy Mosley, Pusha T, No Malice, Federico Vindver, Chango, Farias Gomez, Brian “All Day” Miller, Angel Lopez and West. The song was produced by Vindver, West, Timbaland, Miller and Lopez. In this song, West addresses resting on Sunday, referencing the popular quick service restaurant
Chick-fil-A, which is closed on Sunday. The pace of the song is slow, with West’s spoken word vocals over synth and light acoustic guitar. He says to hold the selfies and put away Instagram on Sunday, leading your family in prayer instead.
Key lyric:
I bow down to the King upon the throne
My life is His, I’m no longer my own
On God – This song was written by CAMEone, Boogz, CyHi The Prynce, Pi-erre Bourne, Federico Vindver and West. It was produced by CAMEone, Bourne, Boogz and West. Over a heavy bass beat and synth West raps biographically about his comments about the thirteenth amendment (which abolished slavery), the IRS, the Grammys etc.
Everything We Need – This song was written by Finatik, Boogz, CyHi The Prynce, Ronny J, Mike Dean, Zac, Federico Vindver, Bradford Lewis, Ant Clemons, Ty Dolla $ign and West. It was produced by FnZ, Ronny J and West. The song is driven by a good percussion beat and features acapella vocals on the chorus from Clemons and Ty Dolla $ign indicating that we have everything we need.
Water – This song is written by Boogz, Timbaland, Jahmal Gwin, Bruce Haack, Angel Lopez, Victory Elyse Boyd, Alexander Nelson Klein, Federico Vindver, Ant Clemons and West. It was produced by Boogz and West and features Clemons on vocals. The song is a prayer to Jesus, asking that he cleanse, heal, forgive, reveal, grace, etc.
God Is – This song was written by Robert Fryson, Labrinth, Victory Boyd, Angel Lopez, Federico, Vindver, Warryn Campbell and West. It was produced by Labrinth, Campbell and West. The song features a sample of “God Is” by James Cleveland’s Southern California Community Choir, and is a clear expression of West’s faith. He sings that God is alive and has opened up his vision, giving him a revelation. This isn’t a show, but a mission.
Hands On – This song was written by Xcelence, Timbaland, Federico Vindver, Fred Hammond and West. It was produced by Timbaland, Angel Lopez, Vindver and West. The song features Fred Hammond on some distorted vocals. On his spoken word vocal, West tells the devil, who he has been working for all his life, that he’s going on strike. He states that Christians will be the first to judge him when they find out that he has made a gospel album. He asks for prayer, and that hands be laid on him.
Use The Gospel – This song is written by Sean Leon, Boogz, Fonzworth Bentley, Ab-Liva, Timbaland, Pi’erre Bourne, Federico Vindver, Angel Lopez, Kenny G, West, Pusha T and No Malice. It was produced by Bourne, Lopez, Vindver, Timbaland and DRTWRK. The song features raps from the reunited Clipse (Pusha T and No Malice) on the verses, West sings the chorus and Kenny G provides a sax solo. Use the Gospel for protection, because it’s a hard road to Heaven. He puts his faith in the Father.
Jesus Is Lord – This song was written by Sean Leon, Timbaland, Federico Vindver, Claude Leveillee, Brian “All Day” Miller and West. It was produced by Miller, Angel Lopez, Timbaland, Vindver and West. The less than one-minute beautiful song has West singing lyrics adapted from Philippians 2: 10-11 over horns (trumpet, sax, tuba, French horn).
Every knee shall bow
Every tongue confess
Jesus is Lord
Jesus is Lord

Best Songs:
God Is
Use the Gospel
Jesus is Lord

West has announced that his next album will be Jesus is Born, to be released on Christmas day.

Three Cords & The Truth – Van Morrison
****

The legendary Van Morrison returns with the excellent Three Cords & The Truth, featuring nearly 70 minutes of music. It’s his sixth new album in the past four years, first of all new material since 2016’s Keep Me Singing, and one of the best of 2019. The album title is from a quote by Harlan Howard describing country music. Morrison produced the album and wrote all of the songs, with the exception of “If We Wait for Mountains”, which he co-wrote with Don Black. Morrison, who sounds great here, is backed by his road band and joined on six songs by guitarist Jay Berlinger, who played on Morrison’s classic Astral Weeks.

Here are a few brief comments about each song:
March Winds In February – This song features light drums, some excellent acoustic guitar from Berlinger, organ and a strong vocal from Morrison. He sings about the March winds in February on the Côte d’Azur (French Riviera).
Fame Will Eat The Soul – This song features a duet with Bill Medley of the Righteous Brothers. The two teamed up after Morrison went to see Medley’s show in Las Vegas while he was recording there. Their voices blend well. The song is driven by electric guitar, light drums, piano and organ. Fame will eat the soul until you just can’t take it anymore.
Dark Night Of The Soul – This song features guitar, light drums, organ and piano.
He’s on his way to understanding things that he might not yet know. He’s looking for a brand-new day. A highlight.
Key lyrics:
Meditate on this and it will be revealed
Meditate on this and you will get healed
Meditate on this and you will whole
Get the vision of the ghost, again
In Search Of Grace – This song features drums, guitar, organ, guitar solo. The song is about a woman named Grace who disappeared and went off the radar back in 1967 or 1968.
Nobody In Charge – This is a toe-tapping blues song, that features organ, guitar and sax and includes Morrison’s commentary about politicians, the media and the police.
Key lyrics:
Speculation across the nation
Media implantation rules the day
Brainwash is easy, if everybody’s lazy
And everything always just looks grey
You Don’t Understand – This slow blues song features drums, bass, organ, piano and guitar. Morrison bites lyrics that state that you don’t understand how hard it can be for one man, and how evil people can be. Human nature can’t be trusted, it can’t be true, because it’s only human through and through. You don’t understand how mad, bad and dangerous some people can be.
Read Between The Lines – This upbeat song features drums, guitar and some excellent organ work. He had to read between the lines to keep staying in the game and to get back in the know.
Does Love Conquer All? – This mid-temp song features drums, guitar and a nice organ solo. Does it make any difference, or does love conquer all? Probably my least favorite song on the album.
Early Days – This upbeat rockabilly song features drums, guitar, piano and sax solos, and a spirited vocal from Morrison. He has to go back to the beginning, the early days of rock and roll to get back in touch with his memories and feelings. A highlight.
If We Wait For Mountains – This song was co-written with Don Black. It features piano, bass, light drums and some excellent organ work. It’s classic Morrison. A highlight.
Key lyrics:
Wonders all around us
And life is all we’ve got
If you wait for mountains then you’re
Gonna miss a lot
Up On Broadway – This is a slower easy-going song that features guitar, light drums, bass and some nice organ work. He’s up on Broadway, far away from trouble where the night is quiet and still. It’s where he wants to go. It’s far away from trouble.
Three Chords And The Truth – This toe-tapper features organ, piano, percussion and guitar. The song showcases the band with a good vocal by Morrison. He woke up in the morning and heard the good news. Three chords and the truth, a shot of rhythm and blues. A highlight.
Bags Under My Eyes – This song has an old time country music sound. It features light drums, guitar, bass, piano and a harmonica solo. He’s singing about being on the road and has bags under his eyes. When is he going to get wise?
Days Gone By – This song, which stretches to almost eight minutes, features, light drums, piano, bass, organ and guitar. The song references and samples “Auld Lang Syne”. Morrison provides a passionate vocal. He wants to drink a cup of kindness with her for the sake of the days gone by. Everything he’s doing, he had to fight for it in the days gone by.

Best songs:
Dark Night Of The Soul
Early Days
If We Wait For Mountains
Three Chords And The Truth

Western Stars – Songs from the Film – Bruce Springsteen
***

Bruce Springsteen’s latest album, Western Stars – Songs from The Film, is the soundtrack album to the film Western Stars, Springsteen’s directorial debut (co-directed by Thom Zimny). The album features each of the live performances from the film that were recorded in front of a small audience of friends in a 100-year-old barn on Springsteen’s Stone Hill Farm in Colts Neck, New Jersey. The album includes live versions of each of the fourteen songs on Western Stars – which was his first studio album of all new, original material since his 2012’s Wrecking Ball – plus a spirited cover of Glen Campbell’s 1975 hit “Rhinestone Cowboy”. Read my review of the Western Stars studio album here.
Springsteen is backed by a band, a 30-piece orchestra, backing singers and his wife Patti Scialfa on guitar and vocals. There is basically no interaction with the audience, with the focus being on the intimate performance of the songs. The performances here are good, but not different enough from the studio versions released just four and a half months earlier to warrant purchasing this album. Die- hard Springsteen fans should just consider downloading “Rhinestone Cowboy”.
Here is the official trailer from the film Western Stars.

What’s My Name – Ringo Starr
** ½

The Beatles broke up nearly 50 years ago. Only Paul McCartney and 79-year-old Ringo Starr survive. What’s Your Name is Ringo’s 20^th studio album. It’s about what you would expect from Ringo – a lot of “peace and love”, Beatles references and guest artists (Paul McCartney, Joe Walsh, Edgar Winter, Dave Stewart and a number of past and current All-Star Band members). The lyrics aren’t deep, oftentimes the song’s title will tell you all you need to know about the song’s content. But What’s My Name is also a lot of fun, and his happiness and positive outlook is infectious.
The album, which clocks in at just under 35 minutes, was recorded at Ringo’s home studio Roccabella West. It was produced by Ringo who played drums, and recorded and mixed by Bruce Sugar. Here are a few brief comments about each song:
Gotta Get Up To Get Down – This song was written by Ringo and brother in law Joe Walsh after they heard Klaus Voorman (who designed the Beatles 1966 Revolver album cover) say “Well, you’ve got to get up to get down”. Walsh plays guitar and adds vocals to this quirky, but entertaining rocker that features Edgar Winter on clavinet.
It’s Not Love That You Want – This upbeat song was written by Ringo and Dave Stewart. Stewart plays guitar and Benmont Tench (of Tom Petty and the Heartbreakers) plays clavinet. It’s not love that you want, but it’s love that you need.
Grow Old With Me – This is the song from the album that most people will be interested in. It was written by John Lennon shortly before he was murdered in 1980. On the demo of the song, Lennon indicated that the song would be a good one for Ringo to sing, something Ringo wasn’t aware of until recently. The song features Paul McCartney on bass and backing vocals. It also features a good vocal from Ringo, piano and Joe Walsh on guitar. The string arrangement is by former Lennon producer Jack Douglas and Daniel Cole. Watch the lyric video here.
Magic – This upbeat song was written by Ringo and Steve Lukather (Toto). It features Lukather on piano and guitar and some good backing vocals.
Money (That’s What I Want) – This song was written by Berry Gordy and Janie Bradford, and was covered by the Beatles (with John Lennon on lead vocals), on their 1963 With the Beatles album. Steve Lukather plays guitar and there are some good backing vocals from Maxine Waters and sister Julie Waters on this fun remake.
Better Days – This song was written and co-produced by Sam Hollander, based on comments Ringo made in a magazine interview. The song is excellent musically with organ, piano, guitar solos, horns and features a good vocal by Ringo.
Life Is Good – This song was written by Ringo and Garry Burr. The song is catchy but has simplistic lyrics. It includes some nice guitar work by Steve Lukather and backing vocals.
Thank God For Music – This song was written by Ringo and Sam Hollander. It includes keys, guitar from Steve Lukather and backing vocals by Maxine Waters and Julia Waters. It’s catchy but has some almost embarrassing lyrics.
Send Love Spread Peace – This song was written by Ringo and Gary Nicholson. It features Benmont Tench on organ and piano, backing vocals, and a guitar solo by Steve Dudas. The song title pretty much explains what the song is about.
What’s My Name – This fun rocker was written by Colin Hay (Men at Work), and features piano, harmonica, backing vocals from Maxine Waters and Julie Waters, and a guitar solo by Steve Lukather. The title comes from Ringo’s question to his concert audiences.
Nothing stays the same
But I’m still in the game
What’s my name? (Ringo!)
A highlight. Watch the lyric video here.

Best songs:
Gotta Get Up To Get Down
Grow Old With Me
What’s My Name

Hymns Vol. 2 – Shane and Shane
****

Shane and Shane follow Hymns Vol. 1 and Hymns Live with more classic and modern hymns done in their distinctive worshipful style. The hymns are creatively arranged in a way that they can be used for congregational singing in church worship services, as well as enjoyed for individual worship. The album starts with four classic hymns, then moves to four modern hymns, before ending with two more classic hymns.
Below are a few brief comments about each of the songs:
Be Thou My Vision (Lord You Are) – “Be Thou My Vision” is an 8th century Irish hymn that was translated by Eleanor Hull in 1912. “Lord You Are (More Precious Than Silver)” was written by Lynn DeShazo. The song features acoustic guitar, strings, backing vocals and some good drum work.
Turn Your Eyes Upon Jesus (Amazing Grace) – “Turn Your Eyes Upon Jesus” was written by Hellen Howard Lemme in 1922. “Amazing Grace” was written by John Newton. The song features acoustic guitar, keys, light drums, strings, and backing vocals.
My Jesus I Love Thee – This hymn was written by William R. Featherston in 1864. The song features keys, bass, strings, light percussion and a particularly strong lead vocal. The song ends with a snippet from the following song “Praise to the Lord Almighty”.
Praise to the Lord (Joyful, Joyful) – “Praise to the Lord Almighty” was written by Joachim Neander in 1680. “Joyful, Joyful We Adore Thee” was written by Henry J. van Dyke in 1907. The song features acoustic guitar, backing vocals, guitar, strings, and a particularly good drum beat.
Oh Lord Almighty – This song, which may be less familiar to many, was written by Jon Able and Shane Barnard. The song features acoustic guitar, drums, backing vocals, keys and strings. A highlight.
Key lyrics:
Holy
All God’s children singing Holy
Nothing left to say but Holy
Oh Lord Almighty
Power of the Cross – This song was written by Keith Getty and Stuart Townend. The song, which builds powerfully, features keys, strings, acoustic guitar, drums, and backing vocals.
Come Behold the Wondrous Mystery – This song was written by Matt Boswell, Matt Papa and Michael Bleeker. The song, which builds gently to a powerful ending, features acoustic guitar, backing vocals, synth, and some good drum work.
Living Waters (As the Deer) – “Living Waters” was written by Kristyn Getty and Ed Cash. “As the Deer” was written by Martin Nystrom. This song, which is driven by a good drum beat, features acoustic guitar, backing vocals, guitar and synth. This is a more upbeat version of “Living Waters” than was recorded by Keith and Kristyn Getty. A highlight.
All Hail the Power of Jesus’ Name – “All Hail the Power of Jesus’ Name” was written by Edward Perronet in 1779. The song features keys, some excellent percussion, backing vocals, synth, and a strong vocal. The song then goes directly into “Crown Him with Many Crowns”.
Crown Him with Many Crowns – This 1851 hymn had lyrics written by Matthew Bridges and Godfrey Thring, with the music written by George Job Elvey. The song features drums, guitar, and backing vocals. The song ends by going powerfully back into “All Hail the Power of Jesus’ Name”.

The St. Nemele Collab Sessions – TobyMac
***

The latest project from TobyMac is his fifth remix album. The project includes new mixes of 10 of the 11 songs from his excellent 2018 album The Elements (only “Starts with Me” is not included here), and one new song “Heart of My Beat”. Each song has a different producer and guest vocalist. I’m not usually a fan of remix projects, but this one is pretty good, featuring a few of my favorite artists (Crowder and Matt Maher), some others who are well known (Jen Ledger, Bart Millard, Jordan Feliz, Cory Asbury and Sarah Reeves) as well as some others that I was not familiar with. As with all of TobyMac’s projects, the production is of a high quality. Even with the diversity of producers and guest vocalist, the project has a cohesive feel.

The full track list, with guest vocalist and producer is listed below:
The Elements, with guest vocalist Jen Ledger of Skillet. Produced by Neon Feather.
Hello Future, with guest vocalist Crowder. Produced by DJ Maj Par-T Side.
Overflow, with guest vocalist Bart Millard of Mercy Me. Produced by Willyecho
See The Light, with guest vocalist Jordan Feliz. Produced by RUSLAN.
Everything, with guest vocalist Jonathan McReynolds. Produced by Capital Kings.
I Just Need U, with guest vocalist Cory Asbury. Produced by Tide Electric.
It’s You, with guest vocalists Matt Maher and Terrian. Produced by Tide Electric.
Horizon (A New Day), with guest vocalist Aaron Cole (who guested on “Starts with Me” on The Elements). Produced by Stereovision.
Scars (Come With Livin’), with guest vocalist Sarah Reeves. Produced by Neon Feather. A highlight.
Edge Of My Seat, with guest vocalist Cochren & Co. Produced by THUNDERBIRD.
Heart Of My Beat. This is the one new song on the album. The song is produced by JT Daly and written by TobyMac, Daley, Sarah Reeves and Sam Tinnesz. Toby sings that God has been with him every step of the way, opening doors for him and guiding him along His plan. The song has a good beat and memorable chorus.
Key lyrics:
From the start to eternity
You are the fresh air I breathe
You will always be
The heart of my beat, the heart of my…
You put the soul in my melodies
I write the songs in Your key
Yeah, You will always be
The heart of my beat, the heart of my…

If you haven’t listened to The Elements, I would start there, but this new remix project is enjoyable and certainly worth a listen.

Okie – Vince Gill
****

This is the first Vince Gill album I’ve listened to. My interest in the Country Music Hall of Fame member, who has won 21 Grammy Awards and sold more than 26 million albums, came as a result of seeing him twice as a touring member of the Eagles. I’m not a country music fan, but I found this album, which deals with subjects such as sexual abuse, abortion, faith, racism, love and tributes to two of his country music heroes, to be one of my favorites of the year. The mostly acoustic music is sparse – Gill is accompanied by Tom Bukova and Jedd Hughes – allowing you to focus on the lyrics. Gill wrote eight of the album’s twelve songs, co-writing the other four. The album was produced by Gill and Justin Niebank and includes a few instances of light adult language.
Here are a few thoughts about each song:
I Don’t Want To Ride the Rails No More. This song was written by Gill. The song features acoustic guitar, bass, backing vocals and a guitar solo mid-song. He doesn’t want to ride the rails any more. He wants to know a woman’s love worth dying for and to hear children playing through an old screen door.
The Price of Regret. This song was written by Gill. The song features acoustic guitar, drums and backing vocals. It is about regret, pain, judgement, kindness and forgiveness.
Key lyric:
You’re black and I’m white
You’re blinded by sight
Close your eyes and tell me the color of my skin
Forever Changed. This song was written by Gill. It’s a song about sexual abuse that was inspired by an incident that happened to him in the seventh grade when he was approached inappropriately by a basketball coach/gym teacher. He was lucky to escape, but many don’t. The song is written to an abuser of a young woman. The song features acoustic guitar, piano and light percussion.
Key lyric:
Because of you, she’s forever changed
An Honest Man. This song was written by Gill, and is addressed to his wife, singer Amy Grant. The song features acoustic guitar, bass, piano and light backing vocals. He has his failings – occasionally drinking too much, a temper at times, and letting her down – but he always keeps his promises. Take him as he is and he’ll do the best he can.
What Choice Will You Make? This song was written by Gill and Leslie Satcher. This is a song about a teen pregnancy and the decision that the girl will need to make about the baby. The song features acoustic guitar, light percussion, bass, backing vocals and a guitar solo mid-song.
Key lyric:
What choice will you make?
Whose heart will you break?
Whatever you choose, you will wear on your face
Black and White. This song was written by Gill and Charlie Worsham. The song looks back to an America when they told the truth on the news at night. Now we’re divided, too far left and too far right, and there’s too much greed. But being kind is more important than being right. He prays that our best days are ahead. The song features acoustic guitar, light percussion, banjo, and a guitar solo mid-song
The Red Words. This song was written by Gill. The song is about the red words in the Bible, those words that Jesus spoke. He sings about his wife being a great mother and loving him well. He encourages us to open the Bible and read what the red words say. The song features, guitar, organ, backing vocals and a guitar solo to close the song.
Key lyrics:
The red words cut the deepest
The red words are the call
The red words come from Jesus
And they mean the most of all
When My Amy Prays. This song was written by Gill. He has said that it’s perhaps the best vocal he has ever done, and I agree that it is an excellent one. When his wife Amy prays is when he sees Jesus’ face. She gave him his first Bible. She loves him and doesn’t judge him. The song features some beautiful piano, bass and light percussion. A highlight.
Key lyric:
But when my Amy prays
When my Amy prays
That’s when I see His face
A Letter To My Mama. This song was written by Gill and Dean Dillon about 18 years ago, but never recorded. The song is written as a letter and a tribute to his now 93-year-old mother from the bottom of his heart. He is sorry for being selfish and that things didn’t work out with his father. He could never pay her back the love he owes. The song features acoustic guitar, light percussion, bass, piano and a guitar solo.
Key lyric:
If I could stop this pen from shaking, I’d write these words down too
There’s no one in this world I love like you
Nothin’ Like A Guy Clark Song. This song was written as a tribute to Guy Clark by Gill. Clark was a friend of Gill’s for more than 40 years. They recorded and wrote songs together. Gill has said that this song is comprised of inside references to Clark and his songs told in a way that not only honors him but gives good insight to who he was. The song features acoustic guitar, light percussion and a guitar solo mid-song.
That Old Man of Mine. This song was written by Gill. It’s the most musically upbeat song on the album. Gill has described it as a good old country music murder ballad that’s mostly fiction, with a little bit of truth thrown in. The song features, guitar, drums, organ and backing vocals.
Key lyric:
The Lord says we all got a cross to bear
That old man was mine
A World Without Haggard. This song was written by Gill as a tribute to Merle Haggard, who was his favorite country music artist. Haggard made him proud to be an Okie, and was his greatest inspiration, the reason why he sings the blues. He’s lost in a world without Haggard. The song features guitar, piano, bass, light percussion and a guitar solo mid-song.

Abbey Road, Super Deluxe Anniversary Edition – The Beatles
****

Abbey Road, the last album recorded by the Beatles (though the inferior Let it Be, was the last to be released), was recorded at Abbey Road Studios in the summer of 1969. I had just turned 13 when the album was released. Just a few months ago, while on a family vacation, my wife Tammy and I got to walk across the iconic crosswalk featured on the album’s cover.
Just as he did with Sgt. Pepper’s Lonely Hearts Club Band and The Beatles (The White Album), Giles Martin, son of the long-time Beatles producer George Martin, has given us a remixed anniversary project on the 50^th anniversary of the album’s release. The Super Deluxe Anniversary Edition includes a new mix of the original album, produced by George Martin, which includes the famous closing suite on side 2, John Lennon’s “Come Together” and two of George Harrison’s best songs – “Something” and “Here Comes the Sun”. In addition, this edition includes 23 outtakes and demos, which was what I was most excited about in this release.
The studio banter included here shows that the band had moved past the contentious recording sessions that we saw in the film Let it Be. Here, they seem to be enjoying each other and having fun, even though they knew by this time it was to be their final album.
Here are a few of my highlights from the outtakes and demos:

“I Want You (She’s So Heavy)” featuring some outstanding work from Billy Preston on organ.
“Goodbye”, not included on Abbey Road, which McCartney wrote for Apple artist Mary Hopkins
“The Long One,” the late-July title given to Side 2’s 16-minute medley/suite, encompassing nine shorter songs (Eight were on the released album, with “Her Majesty” moved to the end of the album), written by Lennon and McCartney.
“Come and Get It”, not included on Abbey Road, a McCartney song that would be a hit for Apple artist Badfinger.
“The Ballad of John and Yoko”, not included on Abbey Road, performed by only Lennon and McCartney.
A ragged vocal from Lennon on an alternate take of “Come Together”.
“Old Brown Shoe”, a Harrison song not included on Abbey Road, which would be the “B-Side” of “The Ballad of John and Yoko”.
George Martin’s isolated orchestration from Harrison’s “Something”.

Abbey Road is considered one of the greatest pop/rock albums of all time.

This anniversary edition is a “must have” for Beatles fans.

His Mercy is More: The Hymns of Matt Boswell and Matt Papa
****

This is the first time hymnwriters Matt Boswell and Matt Papa have recorded an album together. Recorded live with a full band and the voices of the audience worshipping with them, His Mercy is More: The Hymns of Matt Boswell and Matt Papa is a gift to the church. The album includes some well-known hymns that are sung in churches such as “His Mercy is More”, “Christ the Sure and Steady Anchor” and “Come Behold the Wondrous Mystery”, as well as some hymns that have not been previously recorded. The two have been writing together for the past 10-12 years. This album will be on my list of top albums for the year.
Below are a few comments about each song:
His Mercy is More – This song was written by Matt Boswell and Matt Papa and inspired from one of John Newton’s letters.
Key lyric:
Praise the Lord!
His mercy is more.
Stronger than darkness; new every morn;
Our sins, they are many, His mercy is more.

Magnificent, Marvelous, Matchless Love – This song about God’s love was written by Keith Getty, Kristyn Getty, Matt Papa, Aaron Keyes and Luke Brown. It was first recorded by Keith and Kristyn Getty on their 2018 EP The North Coast Sessions and was also included on the 2018 Sing! Psalms: Ancient + Modern (Live At The Getty Music Worship Conference) album. The song has an infectious joyful chorus, is driven by a good drum beat and features some nice guitar.
Key lyric:
How great, how sure; His love endures forevermore.
Magnificent, marvelous, matchless love.
Come Behold the Wondrous Mystery – This song was written by Matt Boswell, Michael Bleecker and Matt Papa and features Kristyn Getty on vocals.
Key lyric:
See the price of our redemption
See the Father’s plan unfold
Bringing many sons to glory
Grace unmeasured, love untold
Sing We the Song of Emmanuel – This song was written by Matt Boswell, Matt Papa and Stuart Townend. The joyful song took about three years to complete. It features some excellent guitar work and choral singing of “Gloria” to end the song.
Key lyric:
Glory shining for all to see
Hope alive, let the gospel ring
God has made a way, He will have the praise
Tell the world His name is Jesus
My Savior’s Love (What Tongue Could Tell) – This song was written by Matt Boswell, Matt Papa and Keith Getty. The song features keys, drums and guitar.
Key lyric:
My Savior’s love
What could compare
What tongue could tell my Savior’s love
Lord from Sorrows Deep I Call (Psalm 42) – This song was written by Matt Boswell and Matt Papa and was included on the 2018 Sing! Psalms: Ancient + Modern (Live At The Getty Music Worship Conference) album. The song features piano and strings.
Key lyric:
And, oh, my soul, put your hope in God
My help, my Rock, I will praise Him
Sing, oh, sing through the raging storm
You’re still my God, my salvation
Let the Nations Be Glad – This song was written by Matt Boswell, Aaron Boswell and Matt Papa. The song features drums and guitar.
Key lyric:
Let the nations be glad
Let the people rejoice
For salvation belongs to our God
Let the whole earth be filled
With the praises of the Lord
For salvation belongs to our God
Let the nations be glad
Christ the Sure and Steady Anchor – This song was written by Matt Boswell and Matt Papa. The song features keys, drums and steel guitar.
Key lyric:
We will hold fast to the anchor
It will never be removed
Lord Have Mercy (For What We Have Done) – This song was written by Matt Boswell, Matt Papa, Aaron Keys, and James Tealy. The song features, keys, guitar, organ, and light drums.
Key lyric:
In thought word and deed, we’ve failed You our King
How deeply we need a Savior

The King in All His Beauty – This song was written by Matt Boswell and Matt Papa. The song features keys and drums. The song builds toward a powerful third verse.
Key lyric:
Bring praise and honor to His courts
Bring wisdom, power, blessing
For endless ages we’ll adore
The King in all His beauty
How Rich a Treasure We Possess – This joyful song was written by Matt Boswell and Matt Papa. The song features guitar and drums.
Key lyric:
The penalty was paid in full
The spotless Lamb was slain
Salvation what a priceless gift
Received by grace through faith
Christ is All – This song was written by Matt Boswell and Matt Papa. The song features guitar, keys, drums and a guitar solo mid-song.
Key lyrics:
Christ is all Christ is all
And my song will ever be
Come Adore the Humble King – This beautiful song was written by Matt Boswell and Matt Papa. The song features, organ, piano, light percussion and strings.
Key lyric:
Fall oh fall before the one
Who in mercy left His throne
Christ the Lord God’s only Son
His glories now we sing
O praise the humble King

Watch this short video in which Boswell and Papa discuss their writing process and some of the songs on the album.

The Search – NF
****

The Search is the fourth, and perhaps the best, studio album by NF. It is the follow-up to 2017’s Perception. The album debuted at number one on the Billboard Top Albums chart, as did Perception. The twenty-song album was written by and produced by NF and Tommee Profitt, unless otherwise noted below. The album features NF’s hard-hitting music and transparent and vulnerable lyrics. Below are a few comments about each song:
The Search – This hard-hitting track was the second single released from the album. He’s been dealing with some things. He admits that he had breakdown last year and saw a therapist. He’s been searching, leaving his burdens, but admits that he brought some with him. He’s been looking for the map to hope. As the song ends, he’s back, the search is beginning, so enjoy the trip.
Leave Me Alone – This song was written and produced by NF, Tommee Profitt and Saint X. Profitt adds backing vocals on the song. The song has Nate wanting his fame to leave him alone. He addresses his OCD and doesn’t need advice from his doubts right now.
Change – This song features backing vocals from Debi Selby, Nicki Conley, Jason Eskridge, Moiba Mustapha and Travis Cottrell. The song opens with brief backing vocals, and then goes into a driving beat. He’s addicted to pain and has mood swings. He doesn’t like new things. He’s looking for change but never wants to commit. Saying we need change is easy, but change is hard to do. He felt suicidal last year. This year, he might do something different like talking to God more.
My Stress – The song opens with Nate singing that some days he just wants relief from his stress and negativity. Then he begins to rap about pressures he is facing and his insecurities. He’s a hostage to his own pride. He wonders what he would do if he only had a short time to live. Would he call his Dad and tell him he loves him?
Nate – This song has Nate passionately talking to his younger self, preparing him for what is coming. He got the idea for the song when he spent four days in therapy from depression, disconnected from the world after the first leg of the Perception tour. He tells his younger self that life is hard. If you have questions or need advice, talk to God because he’s the only one who listens. He references incidents from his childhood and parents, and tells his younger self that making millions won’t make him happy.
Time (Extended) – This song opens with strings by Jeremy Larson. Nate then sings over keys that even if she says she hates him and they go to bed angry, he’s sure everything will be alright. He promises he is changing. He then raps that he just needs more time to show her he is worth it. He says that he is the definition of “wreck” if you look into his soul, which comes out the most when he feels he’s in a vulnerable place.
Returns – This song was written and produced by NF, Tommee Profitt and Saint X. Nate seems to be directing anger at a fellow rapper. The song is hard-hitting and confident, with Nate displaying some fast rapping skills.
When I Grow Up – This was the third single released from the album. Nate talks about his dream growing up of being a rapper, rather than going to college and getting a job.
Only – This song was written by NF, Tommee Profitt, King Henry and Sasha Sloan with Sloan also contributing vocals. He doesn’t need a lot. He just wants to find his peace. He wishes that he would pray more often and put more time into his faith. He loves his job, but hates the fame that comes with it. He can’t be the only one who is lonely tonight, needing company and comforting.
Let Me Go – This song was written and produced by NF, Tommee Profitt and Saint X. Jeremy Larson adds the opening strings. Nate talks about his dark side. His vocals grow more intense as the song progresses. He prays to God to ask if hope is real. Is he Hell-bound, or will he find Heaven?
Interlude – This is a brief track in which Nate talks about how he was spiraling during the successful Perception album and tour.
Hate Myself – This song features keys and some excellent percussion. Nate questions his calling by asking if this is really what he was born to be. Late nights are the worst, when he has had suicidal thoughts. He’s not a spokesman, but a broken record. He prays to God with arms open. If this is it, then he feels hopeless.
I Miss the Days – Backing vocals on this song are provided by Debi Selby, Nicki Conley, Jason Eskridge, Brooke Griffith, Moiba Mustapha and Travis Cottrell. Nate looks back on his childhood, when he had a smile on his face, wasn’t so caught up in the small things, and didn’t overthink his life. He wonders what happened to him. When did he start to believe that he wasn’t worth it? He feels he’s blessed, but cursed as well. The song builds powerfully toward the end.
No Excuses – This song was written and produced by NF, Tommee Profitt and Saint X. It’s a high energy song in which Nate says he was self-taught. He has no excuses. He displays some fast rapping skills on the song.
Like This – This song was written and produced by NF, David Garcia and Saint X.
This song features some excellent percussion. He wastes too much time on things he can’t fix. He holds things inside that he can’t forget and that he thought he could let go. He feels more together when he’s a mess. He’s feeling too much like his old self, backsliding.
Options – This song was written and produced by NF, David Garcia and b | r z.
This hard-hitting song, which is a reminder that he still spits, has Nate saying that these are the options. And even if the record doesn’t sell a copy, he’s going to do it as a hobby. He’s not quitting unless the Lord tells him to.
Why – This song was the first single released from the album. It was written and produced by NF, Tommee Profitt and Saint X. The song features some excellent percussion. He wants to be great, but he gets in the way of himself and thinks about everything he could never be. He holds his issues up for all to see. A lot of people know him, but they don’t know him well.
Thinking – The song was written and produced by NF and Saint X. This song features some excellent percussion. The first verse could be to his wife. He is vulnerable and the person he’s singing to has the keys to open all his secrets. They have always been there when he’s low, to help pick up the pieces.
Key lyric:
To most, negative thinking makes you a pessimist, but
To me, negative thinking means I’m just realistic
Trauma – This haunting and ballad features piano and strings from Jeremy Larson. This could be a song addressed to God or his wife. He is helpless and needs them with him. He needs their hand as he’s drowning. Traumas surround him. He yearns for peace and to be found.
Time – This was the fourth single released from the album. See “Time Extended” above.

Wilder Woods – Wilder Woods
** ½

This is the first solo album from Bear Rinehart, a founding member and lead singer of NEEDTOBREATHE, one of my favorite bands. The album and band are both named after his two sons Wilder and Woods. Rinehart has said that there are two distinct sides to the album. The Wilder side, which comprises most of the album, is all about love, flirtation and desire, while the Woods side is more serious and reflective. The song “Religion” falls onto the Woods side, and will surely get much discussion as to its meaning.
Musically, the album is a blend of soul, R&B and pop and features his excellent vocals. The album was recorded in East Nashville with producer Gabe Simon.
Below are a few comments about each song.

Light Shine In – The opening song was written by Rinehart, Simon and Austin Jenkins. It starts quietly with acoustic guitar, before keys are added. It then quickly builds powerfully with guitar and backing vocals. For twenty years (the length of time he was in NEEDTOBREATHE), he was completely blind to all of his fears. Sometimes he wishes he was lost, as there’s nothing worse than being found. His plea is for the children of broken men to let their light shine in. The song ends with the acoustic guitar that opened it.
Sure Ain’t – This song was produced by Simon and Josh Bruce Williams, and written by Rinehart, Williams and Andy Albert. It is a love song directed to his wife Mary. The song features electric guitar and drums. If she thinks she might kiss him, it sure wouldn’t break his heart.
Someday Soon – This song was written by Rinehart. It features acoustic guitar, keys, strings, and backing vocals. Rinehart uses a higher range vocal, similar to Amos Lee, for part of the song. Someday soon these worries will roll on. He could use a reminder of what forgiveness is for. He encourages the person the song is directed to not to give up on the Kingdom, they’ll still be let in.
Key lyric:
Don’t think the battle’s over just ’cause you say “Amen”
Supply & Demand – This easy-going R&B flavored love song was written by Rinehart. It opens with keys and features drums, backing vocals and a memorable hook.
Electric Woman – This love song was written by Rinehart. It features light percussion and light guitar at the beginning, picking up the beat on the chorus with a catchy drum beat, some higher range vocals and backing vocals. The electric woman is sending shocks through his body. He wants to be her electric man. He’s never been good at letting her go.
Mary, You’re Wrong – This R&B flavored love song to Rinehart’s wife was written by Rinehart and Simon. The song features keys, light percussion, guitar, organ, strings, and light backing vocals. She’s wrong if she’s thinking he would ever want to leave.
Feel – This mid-tempo love song was written by Rinehart, Simon and Kevin Griffin. The song features keys, bass, backing vocals, drums, backing vocals and a guitar solo mid-song. He wants to know if he is bound for rejection or all of her affection. He’s not going to cut and run. He wants to know if she feels the way he feels.
Hillside House – This mid-tempo love song was written by Rinehart and David Leonard. It features a good bass line, light guitar, drums, and backing vocals. It’s hard to think of their hillside house without her around. So, while they’re still young, and while they still can, he’s gonna wrap her up in his arms again.
What Gives You The Right – This love song was written by Rinehart, Simon and Trent Dabbs. This song brings back some energy after a few slower songs, featuring guitar, drums, backing vocals and organ. What gives her the right to come and rescue him knowing that he would trust her, even if it meant his life.
Key lyric:
I never planned for surrender
But I’m a fool for your splendor
Religion – This song was written by Rinehart and Simon. It features acoustic guitar and backing vocals. The song could be taken as Rinehart’s departure from the faith. We don’t know who he might be directing these lines to:
You’re a temptress, you’re to blame
For the guilt I can’t displace
Though there’s winters and summers
And so much has changed
You’re the fortress for my shame

Rinehart grew up as a pastor’s son. He sings:
I was born in the shadows of preachers and saints
I was raised in a house of God
But the blood on my lips and the dirt on my face
Is all the religion I’ve got

She’s a needy harlequin
Built by greed and selfish men
Though it’s easy to love her for all you discover
She’s bound to fall again

“Religion” is a confusing song that will surely lead to much discussion about its meaning. It might refer to a dead faith, a rejection of religion, frustration with today’s churches, venting about money and institutions and what they do to the Gospel, venting about the church’s role in creating shame, etc.

Live at Woodstock – Creedence Clearwater Revival
****

On Sunday, August 17, 1969, Creedence Clearwater Revival (CCR), arguably the hottest band on the planet at the time (their album Green River had just been released and their single “Bad Moon Rising” was on the radio), played the Woodstock Festival. The band had appeared on the Andy Williams television program in Los Angeles the night before. They then took a flight to Boston, a private jet to upstate New York, a helicopter ride to a nearby Holiday Inn and another one to the rainy and muddy festival site. They were scheduled to play in front of the crowd of 500,000 at 10:00pm that evening. But the Grateful Dead set went long, and they didn’t get on until about 1:00pm, when most of the crowd was asleep. The band chose not to be included in the film or the soundtrack recording (rumors were that John Fogerty wasn’t happy with the set), but on the 50^th anniversary of the Woodstock Festival, the entire eleven song set is finally being released for the first time.
After a less than enthusiastic introduction by the emcee, the band kicks into “Born on the Bayou”. The set includes CCR classics such as “Green River”, “Bad Moon Rising”, “Proud Mary” and “Suzie Q”, as well as some covers, and other CCR songs. The remastered version of the concert sounds excellent and shows off the band’s high energy and musical expertise, including Fogerty’s vocals and guitar solos. The entire set is excellent. Highlights include the cover of Screamin’ Jay Hawkins 1956 hit “I Put a Spell on You” and the closing three songs, Ray Charles’ 1958 “Night Time is the Right Time”, “Keep on Chooglin” and the encore “Suzie Q”, the latter two each stretching to more than ten minutes.
While it is a shame that it took 50 years for this recording to come out, it is an essential recording for CCR and Fogerty fans.

Acoustic Live, Vol. 1 – NEEDTOBREATHE
****

In the fall of 2017, NEEDTOBREATHE did something they had not done before – a fully acoustic tour. Acoustic Live, Vol. 1 features twelve songs from that tour. It is their second live album in just three years. Live From The Woods was released in April, 2015, and the band has released just one full-length album 2016’s Hard Love, and two EPs 2017’s HARD CUTS: Songs from the H A R D L O V E Sessions and 2018’s Forever On Your Side Niles City Sound Sessions EP since then. Five of the twelve songs included on the new live project were also included on Live From The Woods.
The twelve songs are pulled from five of the band’s albums, plus an EP, and one, “Stand By Me”, has not previously been recorded by the band, so there is good representation from the band’s career. The album, like Live From The Woods, shows just how good a live band NEEDTOBREATHE is. The album also includes some of the band’s comments from the stage.

Below are brief comments about each of the songs:
Let’s Stay Home Tonight – This song was written by Bo Rinehart, Bear Rinehart and Luke Laird. It first appeared on Hard Love. The song opens with synth and then builds with acoustic guitar, drums and piano. The backing vocals and piano solos are a highlight on this song.
Drive All Night – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on The Reckoning, and was also included on Live from the Woods. Bear delivers a strong vocal over acoustic guitar, drums, backing vocals and some incredible banjo. This was the song that got me hooked on the band.
Key lyric:
I need somewhere I can drive all night
Out into the darkness
Follow the headlights down
I need to know if they can take me
I gotta to know if they can save me
No Excuses – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on Hard Love. The song opens with acoustic guitar, and backing vocals, and features an excellent organ solo. Mid-song the band includes part of “The House of the Rising Sun”, made popular by the Animals in 1964, featuring some acapella vocals.
State I’m In – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on Rivers in the Wasteland and was also included on Live From The Woods. The upbeat song opens with acoustic guitar and then builds with backing vocals, drums and piano. The song features a nice piano solo.
Washed By The Water – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on The Heat, and was also included on Live From The Woods. The band plays a snippet of “I’m Free” a gospel song before starting this song. Bear offers a strong vocal over piano backing. He won’t fall as long as the Lord is around him.
Key lyric:
Even when the rain falls
Even when the flood starts rising
‘Cause even when the storm comes
I am washing by the water
Testify – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on Hard Love. This worship song opens with acoustic guitar, then builds with backing vocals, light percussion and piano. The song features a nice piano solo and some nice “Beach Boys” type vocals near the end.
Key lyrics:
There is a peace, there is a love
You can get lost inside
Come to the fountain and let me hear you testify
Oh, Carolina – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on Rivers in the Wasteland and was also included on Live From The Woods. The song opens with acoustic guitar and then builds with drums, backing vocals, guitar and piano. The song features a nice harmonica solo. As the band plays an extended version of the song, they play a snippet from the Who’s “Squeeze Box”.
Stand By Me – This song was written by Ben King, Jerry Leiber and Mike Stoller. It was a hit by Ben E. King in 1961. This is the first time it has appeared on an NEEDTOBREATHE album. The song opens with acoustic guitar, and builds with backing vocals, a brief lead vocal from Seth Bolt, and drums. It features a nice guitar solo and a powerful ending.
Stones Under Rushing Water – This song was written by Bo Rinehart and Bear Rinehart and features Drew and Ellie Holcomb. It first appeared on The Outsiders.
The song opens with acoustic guitar and builds with drums. The song features a nice harmonica solo and acapella vocals.
Key lyrics:
Yeah, the years go by
Like stones under rushing water
We only know
We only know when it’s gone
White Fences – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on The Reckoning. The song begins with acoustic guitar, then drums and backing vocals are added. The keys stood out for me on this track.
Key lyric:
You leave me in the dark
Recounting all my sins
You put words in my mouth
But who is gonna mend
These white fences
Cages – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on HARD CUTS: Songs from the H A R D L O V E Sessions. The song opens with piano, acoustic guitar, and different band members alternate on lead vocals. The song features a nice guitar solo.
Key lyrics:
I went looking for attention
In all the wrong places
I was needing a redemption
And all I got was just cages
Brother – This song was written by Bo Rinehart, Bear Rinehart and Gavin DeGraw. It first appeared on Rivers in the Wasteland and was also included on Live From The Woods. This song begins with acoustic guitar and light percussion. It builds with some excellent vocals, and eventually an audience singalong.
Key lyric:
Brother, let me be your shelter
Never leave you all alone
I can be the one you call
When you’re low
Brother, let me be your fortress
When the night winds are driving on
Be the one to light the way
Bring you home.

Back Again – Mac Powell and the Family Reunion
****

Mac Powell was the lead singer for the Christian band Third Day for 25 plus years. During that time, the band sold 10 million albums, earned 4 Grammy Awards and 24 Dove Awards. Powell formed his new band in 2018 after Third Day played its final show. The Family Reunion is a band that has developed over the past several years from musicians that have been recording and playing live with Powell in support of his two solo albums, his self-titled 2012 debut and 2014’s Southpaw.
Back Again is southern roots and American rock music, propelled by Powell’s powerful voice, that pays tribute to the early musical inspirations from his childhood. This is not a Christian music album, but there is Christian content in “Heaven” and “What I Came Here For” and there are no objectionable lyrics on the album. It was recorded in Atlanta and produced by Jason Hoard.

Below are a few comments about each of the fifteen songs:
Back Again – This is an excellent opener. It’s an upbeat southern rock song with driving guitars and drums, with Powell’s strong vocal. He was raised to ramble and born to run. He’s always been a traveler and made to move. The only thing that will make him settle down is to come on back to her.
Flood Waters – This is a toe-tapping guitar-driven song. A storm is coming. There will be earthquakes, lightening and flood waters rising. You (God? A woman?) will be the only one he’ll be looking for. There are some nice backing vocals and a guitar solo mid-song.
Whoo! – This song features guitar and drums. It’s a fun song about celebrating the weekend, after a long week of work. The song features country artist Craig Morgan on vocals and a guitar solo mid-song.
Watermelon Rind – This song features guitar and drums, with some organ and a brief guitar solo. The joyful song is about remembering when he was a little boy down at the river swimming with his cousins and sister. When they got hungry his mama got them a watermelon and they ate it down to the rind.
Red On A Rose – This love song has a slower pace. It features acoustic guitar, keys, light drums and backing vocals. Sometimes life doesn’t work out as planned, but she can count on him. He’ll be her shelter, hold her close and never let her go.
I’m Beginning To Wonder – This song features a driving guitar sound and backing vocals. She’s been pulling him down and treating him so bad for so long. He’s beginning to wonder if she ever did love him.
Going To California – This easy-going love song is driven by pedal steel guitar. He’s going to California, find a diamond and buy it for a song. When she wakes up in the morning, he’ll be gone, but he’ll come back home to her in Georgia. The song features a guitar solo mid-song.
I Could Get Used To This – This is a slower paced love song that builds. It features light guitar and drums. He’s never been the type to stick around for too long. But she’s the only one whose made him want to stay. He could get used to staying with her rather than running around.
Tiptoein’ – This is an upbeat fun swamp rock song featuring banjo, guitar, drums and backing vocals. From the time he was five, he was tiptoeing. Now he has kids and he can hear the kids upstairs tiptoeing.
Heaven – This is a slower paced song featuring light guitars and backing vocals that gradually builds. The world’s going crazy and sometimes it seems nothing is left here for him. But all that he wants and needs is right there where he longs to be (in Heaven). The song features an excellent guitar solo near the end of the song.
What I Came Here For – This song has an acoustic, unplugged sound, featuring banjo that builds toward the end. He’s been running. He doesn’t know what he is chasing but he knows there is something more. One of these days, he prays, he’s going to open up the door and find what he came here for. He’s looking for a light to guide his way. Thematically, it reminded me of U2’s “I Still Haven’t Found What I’m Looking For”. A highlight.
Mess of Me – This song begins with acoustic guitar, and is a toe-tapper, instantly likeable. First time he saw her he fell in love. But he’s running out of time to get her to love him. The temperature is rising and it’s hard for him to breath. He’s dizzy, and it’s hard for him to see. It features a guitar solo mid-song. A highlight.
Settlin’ Down – This song features driving guitar and drums and a sound not unlike a Springsteen solo record. He wants to settle down, get a little place, go out dancing on a Saturday night, talk to dawn and have a couple of kids.
Sittin’ Here Talkin’ With You – This love song has a slower pace with accordion, acoustic guitar and light drum. There is nothing he would rather do than to hold her hand on the front porch swing. It’s his favorite thing sitting there talking with her. The song features a guitar solo mid-song.
Mississippi – This foot-stomping song is driven by guitar and drums. She treats him bad and he’s going to leave. By the time she gets to “10 Mississippi” he’ll be long gone.

Western Stars – Bruce Springsteen
***

Bruce Springsteen returns with his 19^th studio album, and first of all new, original material since his 2012’s Wrecking Ball. The 69-year-old Springsteen wrote all of the songs and co-produced the album with Ron Aniello, who produced 2014’s High Hopes and Wrecking Ball. The album, which draws inspiration from the Southern California pop music of the late ’60s and early ’70s, features guest appearances by more than 20 players, including multi-instrumentalist and composer Jon Brion, violinist and singer Soozie Tyrell and former E Street Band member David Sancious. Springsteen has said that the album is a return to his solo recordings, and features character-driven songs and sweeping, cinematic orchestral arrangements.
This album grew on me, sounding better with each repeated listening. The music is laid back and the lyrics are relatively simple. Here are a few brief comments about each song:

Hitch Hikin’ – This song opens with banjo and acoustic guitar and then builds with synth and piano. He’s hitch-hiking all day long with what he can carry and his song. We hear about a few people who stop and give him a ride.
The Wayfarer – This song opens with guitar and synth, and builds with percussion, synth, piano, strings, horns, organ and backing vocals. He’s a wayfarer who drifts from town to town. While others are inspired be living comfortably at home, when he goes to sleep, he can’t count sheep for the white lines of the highway in his head.
Tucson Train – The song opens and closes with train sounds. The song has a very Springsteen sounding synth sound, drums, guitar and memorable chorus. He was down and out in San Francisco, so he headed for the sunshine in Tucson where he got his operator’s license and spends his day running a crane. He thought he had left his love behind but now his baby is coming on the 5:15 Tucson train.
Western Stars – This song begins with guitar and builds with bass, slide guitar, drums and synth. He was an actor who once did a scene with John Wayne. That one scene has bought him a thousand drinks. These days he does commercials for Viagra and credit cards companies.
Sleepy Joe’s Café – This upbeat song begins with drums and acoustic guitar and then builds with synth, piano and accordion. Joe came home from the war in 1945 and bought a place out on the highway across the San Bernardino line where the truckers and the bikers gather every night at the same time. The band comes on at seven and the locals dance the night away. He comes on the weekend and Monday morning feels a million miles away.
Drive Fast (The Stuntman) – This song opens with acoustic guitar and builds with guitar, piano, synth and percussion. At 19 he was king of the dirt down at the Remington draw. He liked the pedal and didn’t mind the wall. Now he has two pins in his ankle, a busted collarbone, and a steel rod in his leg, but it walks him home.
Chasin’ Wild Horses – This song begins with acoustic guitar and synth, and builds beautifully with slide guitar and banjo. He does work with the Bureau of Land Management in Montana chasing wild horses. It’s the only thing he’s found to get her off his mind.
Sundown – This song begins with piano, guitar, synth, and drums. He’s in Sundown, 2,500 miles away from his girl. He drifts from bar to bar in the lonely town, wishing she were there with him in Sundown, where the cafés are filled with lovers passing time. The voice in his head tells him that when summer’s over, she’ll come around. That’s all he has to keep him from sinking down.
Somewhere North of Nashville – This song begins with acoustic guitar and then builds with slide guitar and piano. He came into Nashville with his songs. He made the rounds but didn’t last long. Now he’s out on the highway somewhere north of Nashville. He’s got a long list of things he didn’t do right, with putting his music ahead of her at the top of the list.
Stones – The song features synths, drums, acoustic guitar, piano, strings and backing vocals. He woke up in the morning with stones in his mouth. The stones were only the lies she told him.
There Goes My Miracle – This song begins with synth and drums and builds, and features a memorable chorus. As the song begins, he’s searching for his love. But there goes his miracle, walking away from him.
Hello Sunshine – This song was the first single released from the album. It begins with a nice soft drum that drives the beat and bass. The song then builds with synth, piano, and slide guitar. He’s had enough of heartbreak and pain and would like the sunshine to stay. He’s always loved a lonely town, but if you fall in love with lonely, you end up that way. He’s also always liked that empty road. He has no place to be and miles to go.
Moonlight Motel – The closing song features acoustic guitar, synth, bass and piano. He is looking back at an affair he had with a lover at the now boarded up desert Moonlight Motel. She had told him that it’s better to have loved. Years later, he pulls a bottle of Jack Daniels out of a paper bag, and pours one for him and one for her.

I Know a Ghost – Crowder
****

This is Crowder’s third solo album, and his follow-up to 2016’s American Prodigal. The sixteen songs include a diverse blend of musical styles – modern bluegrass, hip-hop, swamp rock, pop and EDM (electric dance music). Crowder worked with a number of producers and songwriters on the album. A recurring theme on the album is the Holy Ghost, also known as the Holy Spirit. It is a strong album, though it is short on songs that will translate well to worship services.
Below are a few comments about each song on the album:

I Know A Ghost – The opening song was written by Crowder and he produced it with Tommee Profitt (NF). This song begins with guitar and then builds with drums, synth and a foot stomping beat. He knows the Holy Spirit, but he still feels darkness and heaviness. But he knows that God paid the debt for him.
Wildfire – This song was written by Crowder, Lauren Olds and Solomon Olds. It was produced by Tommee Profitt. The song was released as a two-sided single ahead of the album and features a swamp rock sound, complete with sounds of crickets and frogs, drum machine and banjo. He sings of the joy of experiencing the Holy Ghost in revival.
Golgotha Hill (King Of Love) – This song was written by Crowder, Ed Cash and Tommee Profitt, with Cash and Profitt producing. The powerful song tells the story of Jesus’ death on the cross on Golgotha Hill and his rising on resurrection Sunday. The song features guitar, drum machine, strings, backing vocals, and foot-stomping beats.
Key lyric: There ain’t no stopping love
Crushing Snakes – This song was written by Crowder, Ed Cash, Martin Cash and Cole Dye. It was produced by Ed Cash and features vocals from Taya Gaukrodger. The song opens with piano and quickly moves to drum machine and foot-stomping beat. We’re not afraid. A promise of God can never be torn away. The song ends powerfully with a vision of the resurrected Christ from Revelation.
Key lyric:
We’re taking back our freedom
Our battle has been won
We have been liberated
Back from the dead we’ve come
Red Letters – This song was written by Crowder and Ed Cash, and produced by Cash and Tommee Profitt. The song was released as a two-sided single ahead of the album and has the sound of a great Crowder radio song. The joyful song tells of him reading Jesus words in the Bible (“red letters”), and being awakened by the Holy Ghost. The song begins with piano, light guitar and then builds, with drums and backing vocals. A highlight.
Key lyric:
When I read the red letters
And the ground began to shake
The prison walls started falling
And I became a free man that day
Let It Rain (Is There Anybody) – This song was written by Crowder and Ed Cash and produced by Cash. It features vocals from Mandisa. It was the third and final song released ahead of the album. The song begins with piano, drums, and then goes into a foot tapping beat that is a prayer to the Lord. He is able.
Key lyric:
So let it rain, let it pour
Lord, I need You more and more
Let it rain, rain down on me
Every day, whatever You want
Not my will but Yours, Lord
Let it rain, rain down on me
Everyday I’m Blessed – This song was written by Crowder and Solomon Olds and produced by Olds. This song has an instantly likeable swamp rock sound, featuring banjo and backing vocals. A highlight.
Key lyric:
My God is able, my God is good
My God is able, He’ll pull me through
My God is able, my God is good
He’ll pull me through, yeah, that’s what He do
I’m Leaning On You – This song was written by Brenton Brown, Chris McClarney, Hank Bentley and Crowder. It was produced by Tommee Profitt and features vocals from Riley Clemmons. This R&B flavored song begins with piano and then light drum machine. It is a prayer to the Lord about leaning on Him. Nothing can separate us from God’s love (Romans 8: 38-39).
No Rival – This song was written by Chad Mattson, Hank Bentley, Jonathan Lowry and JR Collins. It was produced by Tommee Profitt. It features a rap, and call and response vocals from JR Collins. It also features drum machine and is about the all sufficiency of Jesus. There is a no one like Jesus. He has no equal.
Key lyric:
He is gentle
But you can’t tame Him
Child Of God – This song was written by Crowder, Ed Cash and Solomon Olds and produced by Olds. It is an upbeat foot-stomping joyful song featuring fiddle, drums and banjo about being a child of God.
Happy Day – This was written by Crowder, Ed Cash and Solomon Olds and produced by Cash. This is a foot-stomping song, featuring banjo, fiddle and backing vocals about the joy of being saved, having our sins washed away by the sacrifice of Christ.
Night Like This – This song was written by Crowder and produced by Solomon Olds. The song has a joyful foot-stomping country sound with hand claps and background crowd noises. There ain’t nothing better than a night like this with his friends.
Key lyric:
And it’s only gonna get better than this
I can only imagine what comes next
La Luz – This song was written by written by Crowder, Ed Cash, B-Coe, Fern and Marty. It was produced by Ed Cash and B-Coe and features the Social Club Misfits.
“La Luz” is Spanish for “The Light”. This “Holy Ghost party song” opens with banjo, drum machine, harmonica and a foot-stomping beat. The song includes some hip-hop and Latin beats.
Key lyric:
Break the bread, pour the wine
The Father’s arms are open wide
Break the bread, pour the wine
Ain’t nobody gonna sleep tonight, come on
The Sinner’s Cure – This song was written by Crowder and produced by Tommee Profitt. It opens with keys and drum machine. The song asks probing questions. The answer, the sinner’s cure, is the blood and sacrifice of Christ.
Hundred Miles – This was the only song on the album not written, or co-written, by Crowder. The song was written by Brian MacDonald, Judah Akers and Nathan Zuercher and produced by Hank Bentley. The first line of this worship song is from Psalm 103. The song opens with acoustic guitar, then builds with full band (drums, guitar, piano, banjo and backing vocals).
Key lyric:
Bless the Lord, oh my soul
Sing praise to Him and Him alone
Bless the Lord, oh my soul
Sing praise with me, you heavenly hosts
Ghost – This song was first released on the 2018 Passion album Whole Heart. The song was written by Crowder and Ed Cash and produced by Cash. The song opens with some EDM and then builds to a powerful chorus. We’re ready like a waiting bride.
Key lyric:
Get ready, there’s an empty tomb
Get ready, there’s a Ghost in the room
Get ready, even mountains move
Get ready, all the stories are true
Get ready, there’s an empty tomb

Into the Night – Social Club Misfits
****

Into the Night is the long-awaited and strong follow-up to Social Club Misfits 2017 major label debut The Misadventures of Fern and Marty and is their tenth overall project. Marty and Fern have stated that the album is about being a light no matter where you are in life. The diverse, confident and Christ-centered album is well written, performed and produced, as they work with multiple producers and guest artists.
Below are a few comments about each song:

Nightmare – This song was produced by Daniel Steel and Wit. It is written by Fern and Marty. The album starts out by Marty indicating that SCM are the Devil’s worst nightmare. This album is the moment we’ve been waiting for. They are back in town and they are going into the night to reach Misfits that nobody believes in, fighting for what is right.
Dive – This was the first single released from the album. It is produced by Young Sidechain and Beam and features Beam. It is written by Young Sidechain, Jordan Douglas, Beam, Marty and Fern. Key lyric: I go fishing for the hope
War Cry – This was the fourth single released in advance of the album’s release. It is produced by Tauren Wells and Tommee Profitt. It is written by Wells, Profitt, JT Roach, David Frank, Fern and Marty. The song features Wells, and is powerful song about now being the time to rise up and share the Gospel that will sound great on radio.
Into The Night – This song is produced by Wit and Daniel Steele and features Chris Batson. It is written by Batson, Fern and Marty. Baston handles the chorus with Fern and Marty taking the verses. They were doubted, but every year is their year. They are taking it to the max.
Tuyo – This was the fifth and final song released in advance of the album’s release. The song features Jordin Sparks and Danny Gokey and is written by Sparks, Gokey, Fern and Marty. It has a Latin vibe to it, with much of it sung in Spanish. Key lyric: Every race, every color, every nation, Come together, there’s no more separation. It’s time to rise up and make a statement
Happy Accident – This song is produced by Alex Medina and written by Fern and Marty. The song features a good drum beat throughout. For them, it’s not about making it up to the top, but about making a difference. Key lyric: Why do you think that I’m here. I came for the Man who’s in charge.
Lucky – This song is produced by John Smythe, Wit and Daniel Steele. It is written by Smythe, Wit, Steel, Fern and Marty. Additional vocals are provided by Ian Everson. The song is not about being lucky, but about working hard. Key lyric: Maybe we got lucky or maybe we chosen.
Say Goodbye – This song was the second single released from the album. It is produced by Wit and 42 North. It is written by Joel McNeil, John McNeil, B. Reith, Fern and Marty. This song has a slower vibe to it. Key lyric: This is the part where you leave without saying goodbye.
Number One (A Song For You) – This song is produced by Rugah Rahi. It is written by Rahi, Fern and Marty. Rahi opens the song. This song is about making the Lord number one and that’s why they are on top. It features a good drum beat throughout. Key lyric: Game over, yes, over the breaks, over, witness the takeover, and God gets the praise for it.
Sinatra / Ca$h – This song is produced by Al Cres and written by Ben Lopez, Cres, Fern and Marty. This intense song has a good drum beat throughout. Things slow down after the bridge. Ten projects in and they are just starting.
Key lyric: The feeling that I bring through a verse such detail and doctrine, but I tell you myself you need a church and a pastor.
Clear – This song is produced by produced by Young Sidechain, and features Foggieraw, who takes verse three. It is written by Young Sidechain, Foggieraw, Fern and Marty. The song is driven by a good beat throughout. There’s no pride, just honesty. No hate, just truth. Key lyric: I was chosen it’s not random.
The One Of A Kind One – This song is produced by Daniel Steel and Wit. It is written by John Smythe, Steele, Wit, Fern and Marty. It features some excellent horns throughout. SCM tells their story about being courted by labels and going from underground to sold out crowds. They were told it wouldn’t last with this God thing. As far as other rappers, they aren’t looking at them, they are looking past them. Key lyric: I feel like I’m in my zone, bringing the best vibes that’s Christ alone.
Solo – This song is produced by Israel Steven Mercedes. It features Evan Craft and is written by Rey King, Mercedes, Craft, Fern and Marty. Like “Tuyo”, the song has a Latin beat and sung in both Spanish and English.
Key lyric:
You never left me alone, I could always feel Your heart
Your plan has always been perfect, I just had to play my part
You always wanted to use me, I just had to let You start

Untitled Hymn: A Collection of Hymns – Chris Rice
****

Chris Rice returned to the music scene in January after twelve years with Songs We Wrote On Tuesdays, a collaborative duo side project he completed with Andrew Ripp. Untitled Hymn: A Collection of Hymns is Rice’s long-awaited follow-up to his 2006 best-seller Peace Like a River: The Hymns Project. That record has been streamed an incredible 72 million times to date. Similar to that album, Untitled Hymn is very simple musically, with Rice’s voice usually accompanied by piano, acoustic guitar and light backing vocals. The album, which was produced by Ken Lewis, features a new recording of his classic “Untitled Hymn (Come to Jesus)”, eleven other hymns and one new song “Too Much I Love”. I absolutely love this new recording.
Here are a few comments about each song:

What A Friend We Have In Jesus – This hymn was written by Joseph Scriven (words) and Charles Crozat Converse (music) in 1855. The song features acoustic guitar and some backing vocals.
Amazing Grace – This hymn was written by John Newton. In 1779, together with the poet William Cowper, Newton published 280 of his hymns in the popular Olney Hymns. “Amazing Grace” was part of the collection. The song features piano, light organ and cello.
Untitled Hymn (Come To Jesus) – This song was written by Chris Rice, and originally appeared on Rice’s 2003 album Run the Earth, Watch the Sky. It features piano, light strings, acoustic guitar and backing vocals.
O For A Thousand Tongues – This hymn was written by Charles Wesley (words) and Carl Gottholf Glaser (music). Wesley wrote the words in 1740. Rice includes a new refrain “And I had a thousand tongues, still I could never sing enough”. The song features acoustic guitar, backing vocals and strings. A highlight.
When I Survey The Wondrous Cross – This hymn was written by Isaac Watts and published in Hymns and Spiritual Songs in 1707. The song features piano and strings, and new timing in the chorus.
This Is My Father’s World – This hymn was written by Maltbie Davenport Babcock. Soon after his death in 1901, his wife released a collection of Babcock’s poems entitled Thoughts for Every-Day Living that contained the poem “My Father’s World.” The music is from Franklin Shepherd, who adopted an English folk song. The song features acoustic guitar, piano, light strings and backing vocals.
There Is A Fountain – This hymn was written by William Cowper, most likely in 1771. The song features piano and a backing choir. A highlight.
Leaning On The Everlasting Arms – This hymn was written in 1887 by Anthony J. Showalter and Elisha Hoffman (words) and Showalter (music). The song features acoustic guitar, a bluegrass fiddle, and backing vocals.
Hallelujah, What A Savior – This hymn was written by Philip P. Bliss in 1875. The song features acoustic guitar, piano, backing vocals, and ends with a children’s choir.
Were You There – This hymn is an African American spiritual that was first published in William Barton’s 1899 Old Plantation Hymns. The song features piano, light organ and backing choir.
Fairest Lord Jesus – This writer and the history of this hymn is debated. The song features acoustic guitar and backing vocals.
Too Much I Love – This beautiful new song was written by Rice. The song started as one of the poems in his book Widen: A Collection of Poems. It features piano and light organ. The song is about his love for God’s wonderful creation, “Too much I love this world You made”, but it points to more “she echoes better places.”

Mood – Social Club Misfits
****

Social Club Misfits (Marty and Fern) follow up their excellent 2018 album Into the Night with Mood, a new five-song EP, which will whet your appetite for Social Club Misfits music until the next full-length album is released. Below are a few comments about each of the songs on the EP:

Everytime – This song was written by Young Sidechain, Marty and Fern and produced by Young Sidechain. It was the lead single for the EP. The song addresses the loss of a few friends, their childhood, and living out their dreams doing what they love.
Que lo Que – This song was written by Daniel Young Kim, Dirty Rice, Fern and Marty, and produced by Dirty Rice. GAWVI provides additional vocals. The song begins with an acoustic guitar and quickly transitions into a likeable Latin beat, with the vocals alternating between Spanish and English.
Key lyric:
All I know is that God is sovereign
He’s in control
I’m letting go, I went from pit to palace.
Up – This song was written by Cardec, Marty and Fern and produced by Cardec. They came from the bottom and things are going well now. They are rapping for applause and their numbers are going up.
Chinatown Freestyle – This song was written by Ben Lopez, Marty and Fern and produced by Lopez. The intro is from Chris Durso “Why would we concern ourselves with words from men when we got ourselves a word from God. We’re misfits”. Themes in the song include touring, childhood and a death threat.
Key lyric:
If you hate on Social Club then you’re dead inside.
So Our God Came to Us – This song was written by Dirty Rice, Jung Youth, Fern and Marty and produced by Dirty Rice. Jung Youth sings the chorus. We were all alone, but our God came to us. Marty and Fern rap hard on their verses. They achieved their goals and wrote more, but God had His own plan. Without His guidance theirs has no purpose. Joy comes in serving Him.

Deeper Roots: Where The Bluegrass Grows – Steven Curtis Chapman
***

In 2013, five-time Grammy winner Steven Curtis Chapman released Deep Roots, an album which featured 12 songs, 5 of which are available on the new Deeper Roots: Where The Bluegrass Grows, released on Chapman’s own New Day distributed-SCSee label. Both albums represent a return to bluegrass, Chapman’s musical roots.
In addition to the 5 songs from Deep Roots, the new album contains eight other songs. The album is comprised of a mixture of well-loved hymns, new versions of Chapman favorites and two new songs. Chapman is joined by Ricky Skaggs, Rascal Flatt’s Gary LeVox and family members on the album, which was produced by Chapman and Brent Milligan.
Below are a few comments about each of the songs:

Where the Bluegrass Grows – This upbeat new song features banjo, fiddle, acoustic guitar and backing vocals. He comes from a place where the bluegrass grows. He can’t believe all the places he and his guitar have been – from the Grand Old Opry stage to Carnegie Hall. He comes right back home when he hears a banjo.
Dive – This Chapman classic is revitalized with the help of Ricky Skaggs. Skaggs had also joined Chapman on “What a Friend We Have in Jesus” on Deep Roots. The song features some excellent banjo and backing vocals.
‘Til The Blue – This is a new song written by Chapman, Lori McKenna and Barry Dean. It features Gary LeVox of Rascal Flatts on vocals. This is a beautiful song, featuring acoustic guitar. It’s a song about helping someone going through a difficult time. There are no words to say or answers to give to the questions they are asking. But the friend is there to help carry them through the difficult time.
Key lyric:
‘Til the blue returns to your sky
‘Til the laughter returns to your eyes
I’ll be right here to cry with you
And right here to give you a song
To help you go on
Until you’re strong
Cinderella – This Chapman classic was previously available on Deep Roots.
Victory in Jesus – This hymn features Chapman’s father, Herb Chapman Sr., and brother, Herb Chapman Jr.
Great is Thy Faithfulness – This hymn features Chapman’s father, Herb Chapman Sr., and brother Herb Chapman Jr.
My Redeemer is Faithful and True – This Chapman classic was previously available on Deep Roots.
How Great Thou Art – This hymn, featuring Chapman’s daughter-in-law Jillian Edwards Chapman, was previously available on Deep Roots.
Life is Like a Mountain Railroad – This classic hymn, featuring Chapman’s father, Herb Chapman Sr., and brother, Herb Chapman Jr., was previously available on Deep Roots.
I’ll Fly Away – This classic hymn features good backing vocals, banjo and fiddle.
Without Him – This classic hymn features Chapman’s father, Herb Chapman Sr., and brother Herb Chapman Jr.
Be Still and Know – This Chapman classic, featuring Chapman’s son Caleb Chapman, was previously available on Deep Roots.
I’d Rather Have Jesus – This classic hymn features Chapman’s father, Herb Chapman Sr.

The Eclipse Sessions – John Hiatt
****

The Eclipse Sessions is 66-year-old John Hiatt’s first album since 2014’s excellent Terms of My Surrender, and 23^rd studio album overall. The album, one of the best of the year, was recorded at Kevin McKendree’s home studio at his farm outside of Nashville over four days in the summer of 2017 that included the August 21st solar eclipse. Hiatt recorded the album as part of a trio comprised of guitar, Patrick O’Hearn on bass and long-time drummer Kenneth Blevins. McKendree, who produced the album, added occasional organ, while his 16-year-old son, Yates McKendree, played additional guitar and engineered the album. Hiatt has said that Yates was their secret ingredient. His guitar playing is a definite highlight on the album. Hiatt has said that The Eclipse Sessions feels like the final part of a trilogy that includes 1987’s Bring the Family and 2000’s Crossing Muddy Waters.
Below are a few comments about each of the songs on the album:

Cry to Me – The opener begins with acoustic guitar and features piano, organ and has an excellent guitar solo. She can cry to him, though he’s probably going to let her down. He promises not to keep her down.
All the Way to the River – The song speaks of cowardice and courage needed to leave town. How is she going to get through this night? Dirty Nashville is her home. The song features acoustic guitar, drums, organ and a nice guitar solo.
Aces Up Your Sleeve – On this sad song, Hiatt is accompanied on acoustic guitar, bass, drum and organ. The song is about a former lover who is now with someone else. It features a nice guitar solo mid song. Key lyric: “The queen of hearts has shown her face, she wants you to believe you were never meant to have aces up your sleeve”.
Poor Imitation of God – This rocker features some excellent guitar, including a mid-song solo. He can do the devil in his sleep but he’s a poor imitation of God.
Nothing in My Heart – This song features acoustic guitar, drums and a nice organ solo mid-song. Hiatt offers a gruff vocal as he sings about a former lover who wanted the better man. There’s nothing in his heart, there’s just enough of him and the darkest part of his heart to hide his love away. He has no feelings bad or good. No pain and no despair, there’s nothing there.
Over the Hill – This song starts with acoustic guitar, and builds with organ, drums and some excellent guitar from Yates McKendree. He sings about the aging process, indicating “I’m long in the tooth, and what can I say, I’ve taken huge bites of life and I ate the bones”. She mourns for the way that things might have been. She can have him, but he’s over the hill.
Outrunning My Soul – This song is driven by a guitar and electric piano beat, and features a nice electric piano solo mid-song. She’s outrunning his soul. What’s it gonna take to slow her down. It’s like he’s taking a stroll. He’s got no control. He can’t fake the man he’s supposed to be.
Hide Your Tears – This song features guitar, bass and light drums. He doesn’t spend too many days thinking about his reckless ways, how to outrun death or the broken hearts, trouble and pain he’s caused. He tells her to hide her tears out in plain sight, hide them to catch the light, show them to her friends. Then go and hide your tears again.
The Odds of Loving You – This slow acoustic blues song features some excellent guitar from Yates McKendree, including a solo mid-song. He rode in on his high horse, taking notes and naming names, but ran out like a dog in shame. He likes the gravy but she wants to save him from himself. He’s stubborn and stupid. Seven nights of heaven and eleven nights of who shot who. He likes those odds of loving her.
One Stiff Breeze – This is a Goners-like rocker featuring a distorted guitar sound. He can’t find her anywhere, though he would have thought she would stand out in a crowd with her flashlight eyes. The song suddenly changes toward the end of the song with him singing “I love you” and some organ added.
Robber’s Highway – This was the first song Hiatt wrote for the record. He has stated “I was just thinking in terms of somebody who’s out there hammering away with his music, wondering what it’s all coming to.” The song is sung over acoustic guitar, bass and light drums. He’s aging and has regrets about his life on the road. He’s wondering what it was he did so well. Now he doesn’t have feeling in the fingers of one of his hands. The night before felt like a three-night stand. He didn’t plan to wake up this day. He sings “Come and get me Jesus, I don’t know. Come and get me ‘cause I can’t go.”

In the Blue Light – Paul Simon
****

I first read about 76 year old Paul Simon’s plans to make a “revisit” album with new interpretations of some of his previously recorded songs in Robert Hillburn’s excellent 2018 biography Paul Simon: The Life. In the Blue Light, Simon’s 14^th solo album, features ten recordings of old works, newly considered that were originally released from 1973 to 2011. In the liner notes, Simon says he chose “songs that I thought were almost right, or were odd enough as to be overlooked the first time around”. The album was produced by Simon and Roy Halee.
The album features excellent contributions from jazz trumpeter Wynton Marsalis, guitarist Bill Frissell, Chamber ensemble yMusic, saxophonist Joe Lovano, drummer Jack DeJohnette, bassist John Patitucci and The National’s Bryce Dessner.
In some instances, Simon even makes small tweaks to some of his lyrics. Simon includes four songs from his 2000 album You’re the One, none of his hits and no songs from his classic album Graceland.
Below are a few brief comments about each song on the album:

One Man’s Ceiling Is Another Man’s Floor – This song was originally included on 1973’s There Goes Rhymin’ Simon. This version, which is more bluesy than the original, features some excellent piano, horns and a passionate vocal from Simon.
Love – This song was originally included on the 2000 album You’re the One. This version features some excellent Spanish guitar.
Can’t Run But – This song was originally included on 1990’s The Rhythm of the Saints. This version moves from Brazilian world music to more of a modern classical music feel/acoustic chamber music from yMusic with a new arrangement from The National’s Bryce Dessner. A lyrical change has the blues band by the riverbank that appeared in the original version being replaced by the DJ.
How the Heart Approaches What It Yearns – This song was originally included on the 1980 album One-Trick Pony. Marsalis’ trumpet and some good piano bring a jazz feel to this version of the song and the atmosphere of the now downtown (formerly local) bar and grill. His trumpet replaces the acoustic guitar on the original version.
Pigs, Sheep and Wolves – This song was originally included on the 2000 album You’re the One. The song, which Simon has described as an urban song about racial profiling, is jazzier than the original. This version with Marsalis’ trumpet and the percussion is a Mardis Gras march, a New Orleans-styled party.
Rene and Georgette Magritte with Their Dog After the War – This song was originally included on the 1983 album Hearts and Bones. This version features YMusic’s strings arrangement and light horns.
The Teacher – This song was originally included on the 2000 album You’re the One. This version is more unplugged than the original. It features some tasty Spanish guitar from Odair Assad and Sergio Assad and some good saxophone.
Darling Lorraine – This story song about a troubled relationship was originally included on the 2000 album You’re the One. This version includes acoustic guitar, some from the late Vincent Nguini, who played with Simon until his death in 2017. The song also features some light backing vocals and a good vocal from Simon.
Some Folks’ Lives Roll Easy – This song was originally included on the 1975 album Still Crazy After All These Years. This version, which features piano, bass, and saxophone, is jazzier than the original, and has Sullivan Fortner’s piano replacing the electric piano on the original version.
Questions for Angels – This song was originally included on the 2011 album So Beautiful or So What. This version is driven by some beautiful acoustic guitar.
Key lyric:
Questions for the angels
Who believes in angels?
Fools do
Fools and pilgrims all over the world

Never Fold by Tedashii
****

Never Fold is the fifth studio album from Tedashii. The 17-song, 54-minute album is his follow-up to his excellent 2016 EP This Time Around and is his first full-length album since 2014’s Below Paradise. He did release a few songs in 2017 and 2018 that are not included here (“Way Up”, “Messenger” and “Splash”, though a revised version of the latter song is included), and two that are, “Gotta Live” (featuring Jordan Feliz) and “Smile”. It’s been way too long since we got a new full-length album from Tedashii, but the wait has definitely been worth it. The album features a number of special guests, among them Lecrae, Trip Lee and Crowder, and he uses multiple songwriters and producers. Never fold and the pain of losing his son Chase are themes that show up throughout the album.
My favorite songs are “God Flex”, “Get Out My Way” and “Gotta Live”. Here are a few comments about each song on the album:

There’s a Heaven – This song is written by Justin Lay, Sean Hamilton, Jimi Cravity and Tedashii, and produced by Hamilton and Cravity. This short opener features distorted vocals over keys.

God Flex – This song was produced by Daramola and Cardec and written by Daramola, Cardec, Jacob “Biz” Morris, WHATUPRG, Ace Harris, Trip Lee and Tedashii. It features Lee and Daramola on vocals and Swoope on orchestra. This is a hard-hitting song that will pull you in right away. The song was based on a real moment in Tedashii’s life when God showed up less than a year after his son Chase died. He had to let go of pride and humble himself to see God as good. Trust God, he is going to show up in your moment.
Key lyric:
But he gonna swing low in the chariot and carry me home

Get Out My Way – This song is written by Cardec, Wes Writer, Lecrae and Tedashii, and produced by Cardec. This song features a great collaboration with Lecrae. It’s a hard-hitting song. Every day is a struggle. People are throwing stones and trying to make them stumble. They’ve taken a lot of hits but they are getting through it.

Son of Sam – This song is written by Zach Paradis, GAWVI, Chad Gardner, Daniel Steel, Derek Minor, Andy Mineo and Tedashii, and produced by Minor. The song features a brief intro from Mineo. On this song Tedashii shares his struggles after losing his son Chase. He’s trying to figure out who he is. He’s all alone and struggling, but encouraged by friends. He feels like he’s dying from grief, suffering panic attacks. His heart is getting harder to heal.

Home – This song is written by Alex “Juice” Hitchens, Mashell, Zach Paradis, Ace Harris, Tedashii and Crowder. The song is produced by Paradis, Mashell and Harris, and features Crowder on the chorus. In a passionate vocal, Tedashii sings of hurt and grief. He did his best, but confesses that he needs God’s help, who gave him love that he didn’t deserve. He refuses to waste a day. The electronic drums shine on this track.
Key lyric:
Looking for the shade where the trees are dead
Trying to find my way to the peace inside

Splash II – This song is written by Zach Paradis, Mashell, Ace Harris, Iggy Music, Wes Writer, Parris Chariz, Jarry Manna and 1K Phew. It is produced by Paradis, Harris, Iggy Music and Mashell. The song uses the same chorus as “Splash” featuring 1K Phew that was released in early 2018. Other vocals are provided by Jarry Manna and Parris Chariz. This upbeat song is about making a splash for God.

Water – This song is written by Zach Paradis, Tumeh Gailor, Royce Munroe, Lloyd Musa, Ace Harris, Jeremiah “Sick Pen” Bethea and Tedashii. The song is produced by Paradis and Harris. He sings of being cleaned by the water and how Houston made it through the flooding from Hurricane Harvey in 2017.

Diamonds – This song is written by Steve Tirogene, Sean Minor, Jamal Wesley James, Dustin “DAB” Bowie, Desmond Jamal Rasberry and Tedashii. It is produced by Tirogene, Minor, and Desmond South. The sound features a good beat driven by the percussion. He’s got a lot of pain in his heart, trouble in his soul and feels like he has the whole world on his shoulders. He has a lot of pressure on his body but diamonds are made just like that. Life will test him each day but he’ll never fold, he’ll get through.
Key lyric:
I got blessings on the way
I can see a better day

Step into Love – This song is written by Jordan Sapp, Sarah Reeves and Tedashii. It is produced by Sapp and features Reeves on the chorus. Life has been hard and he almost gave up. People may change but God is always the same, so why should he quit. We need to step into love like you’ve never been hurt before. The song features keys and a good beat driven by electric drums.

My Lifestyle – On this song Tedashii sings of battling depression and grief. The devil put him through hell, but the Lord helped him through it and gave him a reason for living. He’s still unashamed and with the people he came with.

Gotta Live – This song was written by Chris Howland, Zach Paradis, Jordan Feliz and Tedashii, and produced by Ace Harris. The song, which features a memorable chorus, features Feliz on vocals, and reached number one on Billboard’s Christian Hot AC/CHR chart. Tedashii has said that this song is about perseverance and encouragement. Life is meant to be lived as the gift from God that it is and we should see that as a reason to keep going and never fold.
Key lyric:
Everybody has their doubts but you can’t stop now

Hold Me Down – On this song Tedashii expresses appreciation for those who stick by his side. He sings of doing what he does for his family and a cousin in prison. He tries to love his enemies and use their energy. The song ends with a young rapper on the last verse.

Smile – This song was written by SAK PASE, Philip Green, Marquis Rachad, Ace Harris and Tedashii and produced by SAK PASE. It was first released in early 2018. Tedashii has said that the song, with its easy going and uplifting rhythms and singing, fits the mood of what he wanted to create to help people smile and have joy. DJ Blak offers additional vocals.
Key lyric:
Life is hard, but it’s getting better
We all harmed, but the scars, they not here forever

All In Love – This song is written by Kelvin Wooten, Kameron Glasper, Chris Owens and Tedashii. It is produced by Chris King and features Kam Parker on the chorus. This is a song to Tedashii’s wife who has been with him through it all. With her he been blessed, feeling like he hit the lottery.

Full Effect – This song was written by Wesley E. Smith Jr., SAK PASE, Ace Harris and Tedashii and produced by SAK PASE. Tedashii brings a confident vocal on this song. He’s in his element, at his best. He sings that life is curtains, drawn back, but God came to open the blinds and let the sun in.

Won’t Bring Me Down – This song was written by Tyron, Boosen, Joshua Toala, Cardec, Evan Ford and Tedashii. It was produced by Tee-Wyla, Cardec and Ford. The song features a female vocalist on the chorus. God never told him that it would be easy, just that He would be with him through the nightmares and broken dreams. His help comes from the Lord (Psalm 121.2)

It is Well – The closing song is a short version of Horatio G. Spafford’s 1873 hymn “It is Well With My Soul”. The song is sung in another language by a female vocalist. It is a beautiful, piano driven song.

AWAKEN: The Surrounded Experience – Michael W. Smith
***

Over the course of his 35-year career, the multi-talented Michael W. Smith has provided the church with excellent music in a number of different genres – pop, Christmas, instrumental and worship. At age 61, he is going stronger than ever, having released three albums in 2018, a live worship album Surrounded, a studio album A Million Lights, and a children’s album Lullaby. In addition, he honored Billy Graham and George H. W. Bush by singing at their funerals. He is back to start 2019 off with the new live worship album Awaken: The Surrounded Experience. The album was recorded at the Bridgestone Arena in Nashville, on August 30, 2018 at the free Surrounded: A Night to Pray, Worship and Be Awakened concert. The event was a multi-racial, multi-denominational and multi-generational gathering of 14,000 people, which was later broadcast on the Trinity Broadcasting Network (TBN) to 175 countries worldwide as the special Surrounded: A Night of Worship, Prayer, and Awakening. The evening began with a time of prayer for the city of Nashville, surrounding communities, and the nation, led by area pastors.
The new album includes 13 songs from that concert, 6 of which were included on the Surrounded album. Also included are Will Reagan’s “Set a Fire”, the opening song, Jennie Lee Riddle’s “Revelation Song” and three songs included on previous Smith albums – “Let it Rain”, “Healing Rain” and “Agnus Dei”. Smith turns over lead vocals on Todd Dulaney’s “King of Glory” to CeCe Winans, and on Sinach’s “Waymaker”, the album’s initial single, to Vanessa Campagna and Madelyn Berry.
The production quality of the recording is excellent, which is especially noteworthy for a live album. Although the album captures the worship experience well, and I enjoyed it, with nearly half of the album being comprised of songs that appeared on the live album Surrounded just a year earlier, some buyers may feel like they have to choose between Surrounded and AWAKEN: The Surrounded Experience.

Holy Roar: Live from Church – Chris Tomlin
***

I’ve enjoyed Chris Tomlin’s music for several years. For years, I would look forward to the new songs he introduced each January at the Passion conference in Atlanta (and following live album), and also his own solo albums. His 2016 studio album Never Lose Sight was my favorite album of that year. His latest studio album, Holy Roar, was released last October. The album was good, but not great, and I found that it was one that I didn’t go back to listen to a lot after its initial release. It was also his first album since 2004’s Arriving to not hit the top of the Christian charts, topping out at #3 and only #103 on Billboard’s Top 200 Album chart (2013’s Burning Lights hit #1 on both).
So, I found it surprising that Tomlin would release a live album comprised of seven songs from Holy Roar, plus one from Pat Barrett (who is signed to Tomlin’s label, and who is also with Tomlin on the current Holy Roar tour), recorded in front of 200 worship leaders at a small church in east Nashville. Tomlin’s music is best heard live in a worship setting (concert or church) and that’s probably why he wanted these songs to be heard in that context. The album is also a nice tie-in with the tour, which kicked off a week before the album was released.
For the most part however, the performances here are not different enough from the studio versions for most listeners to purchase this new live album. The exceptions would be Tomlin’s live version of Andrew Peterson and Ben Shive’s “Is He Worthy?”, which was released as part of a three song EP ahead of the full album and his “Goodness, Love and Mercy”, which brings more energy than the studio version.

Sing! Psalms: Ancient + Modern (Live At The Getty Music Worship Conference) – Keith and Kristyn Getty
****

This album was recorded live at the second annual Getty Music Worship Sing! Conference at the Nashville Music City Center and historic Ryman Auditorium, September 10-12, 2018. I attended this conference, and can attest that the singing of the 7,500 attendees, along with a 300-person choir, was a foretaste of Heaven. Keith Getty and his incredible songwriting partners had written several new songs on the Psalms for the conference, many of which were included on the Getty’s EP The North Coast Sessions, which was released just prior to the conference. Five songs from The North Coast Sessions are included on the new live album. This recording features Keith and Kristyn Getty, their amazing band and several special guests.
Among the many musical highlights from the conference that are included here is Matt Redman leading the attendees in his “10,000 Reasons (Bless the Lord)”, Andrew Peterson singing his incredible “Is He Worthy?” backed by the 300-person Sing! choir, Matt Boswell and Matt Papa singing “His Mercy is More”, and Shane and Shane joining Kristyn Getty on vocals for “The Lord is My Salvation”. The great Phil Keaggy adds acoustic guitar to “My Dwelling Place (Psalm 91).” Other special guests included on the album are Cindy Morgan and Stuart Townend, a frequent writing partner with Keith Getty, and co-writer of the classic “In Christ Alone”.
The production quality is excellent, especially impressive for a live album.

To The Kindness of God – Michael Card
****

It’s hard for me to put into words what the ministry of Michael Card has meant to my spiritual growth. For 35 years, his music, books, and Biblical Imagination Conferences have had a profound impact on me. The first album of his that I bought was 1984’s Known by the Scars when I was a relatively new believer. Many of his books have also had an accompanying album, as is the case here. The new album is about the wonderful concept of hesed, which Card refers to as an “untranslatable, three-letter, two-syllable Hebrew word”. He does help us with a working definition of hesed – “when the person from whom I have a right to expect nothing gives me everything”. The album is a companion to his excellent book Inexpressible: Hesed and the Mystery of God’s Lovingkindness (see my review here), and may be his final full-length album. Let’s hope that we continue to be blessed by the biblically based music of Michael Card, in whatever format, for many years to come.
Cards has described the album as a “very acoustic, classical-sounding record” with no drums. There are six new songs, a new live version of a previously released Card song, and three covers. Below are a few comments about each song on the album:
Come as You Are – This beautiful opener is driven by piano, with backing vocals and light percussion added at the chorus, which is from Psalm 100:5:
For the Lord is good and his love is everlasting.
Oh, the Lord is good and his mercy never ending
Won’t you come
A female vocalist joins in at the second verse.
Hymn to the Kindness of God – On this song, Card sings of many attributes of God (beauty, kindness, gentleness, tenderness, endless, graciousness, patience, etc.) over piano and an impressive string arrangement.
The Shelter of the Shadow – This song features strings, and a female vocalist backed by a classical choir. The song is about Exodus 34 and Moses’ encounter with God, which Card has described as the defining moment of hesed in the Hebrew Bible. Moses has asked to see God’s glory. The Lord has responded by revealing the true nature of that glory: compassion, mercy, truth, kindness, hesed. He references Exodus 34:6:
^“And he passed in front of Moses, proclaiming, “The Lord, the Lord, the compassionate and gracious God, slow to anger, abounding in love and faithfulness.”
That Kind of Love – This is a cover of Pierce Pettis’ song, a song I wasn’t previously aware of. It’s a beautiful piano driven song with a nice string arrangement. The lyrics fit nicely with the hesed theme. That kind of love can’t be bought, sold or faked. It always gives itself away. May we be remembered by that kind of love.
When Dinah Held My Hand/Jesus on the Mainline – This song refers to a story that Card tells in the book about a time when Dinah demonstrated hesed to him when he visited an African American church. The song is driven by banjo and other string instruments. The song then merges into a Black gospel version of the traditional song “Jesus on the Mainline” driven by piano and female vocals.
Gomer’s Song – This is a new live version of “The Song of Gomer”, originally recorded on Card’s 1992 album The Word: Capturing the Imagination. It is about the adulteress wife of the prophet Hosea. The song features a nice acoustic guitar solo. Hosea showed hesed to Gomer, who had no right to expect anything.
Simply more than I can see
How he keeps on forgiving me
The wife of adultery
Gomer is my name
This is My Father’s World – This song was written by C. Barny Robertson and Maltbie Babcock. It features acoustic guitar and beautiful strings by Alan Moore, who came out of retirement to do the arrangement. This is a beautiful recording, but I didn’t see the connection to the subject of hesed that the other songs on the album have.
I Will Be Kind – This beautiful song, featuring piano, strings and backing vocals, is about one of the fundamental facets of hesed, reciprocity. In his book, Cards tells us that once a relationship or covenant of hesed is established, there is an unspoken mutuality. The one who was initially shown hesed naturally demonstrates hesed in return. He tells us that reciprocity is an indication that you have internalized the truth of hesed. In light of all He has done for us, what should we do? We will become His hands and feet, forgiving, loving as we have been forgiven, being gracious and kind.
Why Not Change the World – This song aligns with Card’s final challenge to the reader of the book – to take the understanding we have in our heads of hesed and allow the Spirit to move it into our hearts. In the book, he tells us that we must enter into the world of the word hesed and then take that world into our world, back to our families, to our churches and towns—to our enemies. The upbeat song is driven by piano and light percussion and features a Korean choir singing in their native tongue.
Why not change the world,
why not set it free?
Why not let the change begin with you and me?
We will never make a difference
Till we see a change of heart
Why not change the world, why not make a start?

Versatile – Van Morrison
****

The 72-year old Morrison follows his excellent September, 2017 blues album Roll with the Punches with the self-produced Versatile, his 38^th studio album. The appropriately titled Versatile focuses on his interpretation of nine of the 20th century’s greatest vocal jazz standards, as well as 3 new jazz-influenced originals, three new versions of songs he’s previously recorded, “I Forgot That Love Existed,” “Only A Dream” and “Start All Over Again”, and an arrangement of the Scottish traditional “Skye Boat Song.” I thoroughly enjoyed this album, especially the more upbeat arrangements. It’s hard to go wrong with Morrison’s singing, excellent musicians and some great songs.
Below are a few brief comments about each of the songs:

Broken Record – This is a new song written by Morrison. The instantly likeable tune features piano and horns, including a couple of solos. Yes, his repeating of “broken record” may make you think that the record is stuck. The song is better musically than lyrically.
A Foggy Day – This song was written by George and Ira Gershwin and was introduced by Fred Astaire in the 1937 film A Damsel in Distress. It has been covered by artists such as Frank Sinatra and Ella Fitzgerald. Morrison’s version features horns and a nice piano solo.
Let’s Get Lost – This song was written by Frank Loesser and Jimmy McHugh and appeared in the 1943 film Happy Go Lucky. It has been recorded by Chet Baker and others. Morrison’s version features horns, piano, organ and a nice sax solo.
Bye-Bye Blackbird – This song was written by Ray Henderson and Mort Dixon in 1926. Morrison’s version features piano and horn, flute and piano solos, as well as a good vocal performance.
Skye Boat Song – This Scottish folk song was arranged by Morrison. The instrumental features several solos (horn, sax, piano).
Take It Easy Baby – This is a new song written by Morrison. It has an extended instrumental introduction with horns, piano and a sax solo and includes a good vocal by Morrison. It fits in well with the standards he’s recorded on the album.
Makin’ Whoopee – This song was written by Walter Donaldson and Gus Kahn, and was sung by Eddie Cantor in the 1928 musical Whoopee! Van gives the song a laid-back arrangement featuring horns and piano, with sax and guitar solos.
I Get a Kick Out of You – This song was written by Cole Porter and first appeared in the 1934 Broadway musical Anything Goes. Van gives the song a breezy arrangement featuring horns, light percussion and piano.
I Forgot That Love Existed (Live) – This song was written by Van Morrison and originally appeared on his 1987 album Poetic Champions Compose. The song features horns, piano and a sax solo. Key lyric: I forgot that love existed, then I saw the light, everyone around me make everything alright.
Unchained Melody – This song was written in 1955 by Alex North and Hy Zaret, and was a hit for the Righteous Brothers. You would not recognize Morrison’s slow version as “Unchained Melody”. Perhaps the one misstep on the album.
Start All Over Again – This song was written by Van Morrison. This upbeat song previously appeared on Morrison’s 1990 album Enlightenment. The song features horns and piano and is a highlight.
Only A Dream (Live) – This song was written by Van Morrison and originally appeared on his 2002 album Down the Road. It features horns, piano, drums and a spirited vocal. There is a nice instrumental break midway through the song and sax solo towards the end. A highlight.
Affirmation – This is a new song written by Morrison and features Sir James Galway on flute. It is primarily a contemplative instrumental, with Morrison proving some scatting.
The Party’s Over – This song was written by Betty Comden, Adolph Green and Jule Styne. It was introduced by Judy Holliday in the 1956 musical comedy Bells Are Ringing. This bouncy song features some excellent organ, horns and vocal from Morrison.
I Left My Heart in San Francisco – This song was written by George Cory and Douglass Cross in 1953 and is the signature song for Tony Bennett. Morrison delivers a slow version that gradually builds. The song features good sax, organ and guitar solos.
They Can’t Take That Away from Me – This song was written by George and Ira Gershwin and was introduced by Fred Astaire in the 1937 film Shall We Dance. Morrison’s version swings with an extended instrumental break in the middle, and a spirited vocal, giving the album a strong finish.

You’re Driving Me Crazy – Van Morrison and Joey DeFrancesco
****

This excellent new studio collaboration between Van Morrison and legendary Hammond organ/trumpet virtuoso Joey DeFrancesco is the 72-year-old Morrison’s 39th studio project and third in the past seven months. The album features new versions of jazz and blues standards as well as eight of Morrison’s previously released songs from 1968 to 2015. The album was recorded live with the musicians all located in the same room. The playing was spontaneous and the musicians improvised throughout with some incredible solos. The album was recorded all in one take over two days and it appears that the musicians had a great time making the album. DeFrancesco and his band – guitarist Dan Wilson, drummer Michael Ode and tenor saxophone player Troy Roberts – wonderfully accompany Morrison’s excellent vocals. I hope this is the first of multiple collaborations between DeFrancesco and Morrison.
Below are a few comments about each song from this excellent project:
Miss Otis Regrets – This song was written by Cole Porter in 1934. The song has a slow groove, featuring some nice saxophone, and Van doing some singing at a lower register. It also includes an excellent horn solo.
Hold It Right There – This song was written by Clark Terry, Grey and Eddie “Cleanhead” Vinson. This song has a great beat from the beginning. It features excellent organ and saxophone solos and some nice female backing vocals from Van’s daughter Shana.
All Saints Day – This song was written by Morrison and was first included on his 1991 album Hymns to the Silence. The song has an excellent beat driven by saxophone and organ. It features a wonderful organ solo.
The Way Young Lovers Do – This song was written by Morrison and was first included on Astral Weeks, his second album, released in 1968. The song is driven by horns and an extended organ solo.
The Things I Used to Do – This song was recorded by Eddie Jones in 1954. This upbeat song driven by some nice drums features a great vocal by Van and excellent organ, saxophone, guitar and harmonica solos.
Travelin’ Light – This song was written by Johnny Mercer, James Mundy and James Young in 1942. It has a slower groove and is driven by horns and an expressive vocal by Van. It features an excellent saxophone and organ solos.
Close Enough for Jazz – This song was written by Morrison and was first included on his 1993 album Too Long in Exile. The song features organ, including a great solo, and sax with a strong vocal from Van.
Goldfish Bowl – This song was written by Morrison and was first included on his 2003 album What’s Wrong with This Picture? This song has a slower groove driven by horns and organ and a great vocal from Van. It includes excellent organ, guitar and saxophone solos.
Evening Shadows – This song was written by Morrison and Acker Bilk and was first included on his 2002 album Down the Road. It has a punchy beat driven by saxophone, organ and drums. It features an excellent organ solo.
Magic Time – This song was written by Morrison and was first included on his 2005 album Magic Time. This song has a slow groove, driven by saxophone and organ, with a beautiful vocal from Van. It features an excellent saxophone solo.
You’re Driving Me Crazy – This song was written by Walter Donaldson in 1930 and opens with horns and features horn, guitar solos and an incredible organ solo.
Every Day I Have the Blues – This blues song was written by Peter Chatman. It features horns and a great organ, sax and guitar solos.
Have I Told You Lately – This is one of my favorite songs from Morrison, which was first included on his 1989 album Avalon Sunset. It features a much more upbeat groove than the original driven by organ and female backing vocals from Van’s daughter Shana. It features saxophone and organ solos.
Sticks and Stones – This song was written by Titus Turner. This song has a great beat from the very beginning. It features saxophone, keyboards, backing vocals and a great vocal from Van. It also includes keyboard and saxophone solos.
Celtic Swing – The closing instrumental was written by Morrison and was first included on his 1983 album Inarticulate Speech of the Heart. It features an easy-going groove that showcases the excellent band.

The North Coast Sessions – Keith and Kristyn Getty
****

This EP of new hymns and songs, inspired by the book of Psalms and created with the Sing! 2018 conference in mind, was recorded by Keith and Kristyn Getty with their band in the little harbor of Portbradden along the North Antrim coast near the Getty’s home in Northern Ireland. I enjoyed hearing many of these songs at the Sing! 2018 conference.

Below are a few comments about each song:

I Will Wait for You (Psalm 130) – This song is written by Jordan Kauflin, Matt Merker, Keith Getty and Stuart Townend. The song features Kristyn Getty singing over piano and Irish instruments (perhaps Uilleann pipes, the traditional bagpipe of Ireland). The beautiful song slowly builds powerfully with backing vocals.
Key lyric:
I will wait for You
Surely wait for you
Till my soul is satisfied
Magnificent, Marvelous, Matchless Love – This song, which we sang three times at the Sing! 2018 conference, was written by Keith Getty, Kristyn Getty, Matt Papa, Aaron Keyes and Luke Brown. This wonderful song could very well be the next Getty song to be sung in churches around the world. It’s one of my favorite songs of the year. The upbeat worship song really shows off the band as it opens with guitar, drums and pipes. Kristyn’s vocal leads to the memorable chorus with backing vocals.
Key lyric:
How great, how sure; His Love endures forevermore
Magnificent, marvelous, matchless love
The Lord Is My Shepherd (Psalm 23) – This song is written by Keith Getty, Kristy Getty and Tom Douglas. This worshipful song begins with Kristyn singing accompanied by some excellent acoustic guitar. The band then joins in with piano, drums, bass and some wonderful backing vocals for Dana Masters, who has sung with Van Morrison.
My Dwelling Place (Psalm 91) – This song is written by Keith Getty, Kristyn Getty, Kelly Minter, Stuart Townend and Chris Eaton. This song has Kristyn singing over piano accompaniment. The song features a nice violin work.
Key lyric:
Wonderful, powerful
My hope and my defender
Mighty God, Emmanuel
My dwelling place forever
I Lift My Eyes (Psalm 121) – I couldn’t find writing credits for this song. The song opens quietly with Kristyn singing over pipes and a stringed instrument, and then the band really kicks in with a driving drum, along with some backing vocals.
Key lyric:
He will not slumber
He will not sleep
But all my days He keeps
You Have Searched Me (Psalm 139) – I couldn’t find writing credits for this song. The song begins with a child’s vocal accompanied by acoustic guitar on the first verse. Kristyn picks up the vocal on the second verse. The song features an acoustic guitar solo and backing vocals.
Key lyric:
Search me know my heart
Lord, test my anxious thoughts
Save me from where I have strayed
To walk in your everlasting ways
Psalm 150 – This is an instrumental song that shows off the incredible Getty band.
Inishowen – Again, I couldn’t find writing credits for this song. The song is about Inishowen, the largest peninsula on the island of Ireland. The song opens with acoustic guitar and pipes, with light drums and backing vocals added.
Key lyric:
In my heart I am living in Inishowen
Hearing Your voice in the wind
As breath comes from breath as life comes from life
Following the ancient song
It leads me to you

The Beatles (White Album) – The Beatles
****

I can still remember as a 12-year-old seeing the Beatles double “White Album” (officially The Beatles), at our local K-Mart when it was released on November 22, 1968. But Christmas was coming, and I would have to wait a month to get the album. Later, during the time of the “Paul is Dead” rumors, I would play “Revolution 9” backwards and yes, hear very clearly “Turn me on dead man”. Fast forward many years, I was able to hear many of these songs performed in concert – by Paul McCartney, who I will see in concert for the thirteenth time in 2019, George Harrison on his only U.S. tour in 1974, and Ringo Starr in 2014.
On the 50^th anniversary of the release of the album, comes a wonderful remastered project, available in different editions. There is the Deluxe edition, which includes the original 30 song double album remastered by Giles Martin (who handled 2006’s Love and 2017’s remastered Sgt. Pepper’s Lonely Hearts Club Band project), son of the Beatles late producer George Martin, as well as the Esher demos. The Esher demos were 27 solo acoustic songs taped on a four-track machine at George Harrison’s home. These are “unplugged” recordings of Lennon, McCartney and Harrison demoing for each other the songs they had written in India.
The Super Deluxe includes “The Sessions”, 50 early takes, working versions, outtakes, including a nearly 13-minute slow blues version of “Helter Skelter”, an excellent alternate take of Ringo’s “Good Night”, with the strings replaced by backing vocals, some songs that made later Beatles albums (“Hey Jude”, “Lady Madonna”, a very different sounding “Let it Be”, substituting “Brother Malcom for “Mother Mary”, “The Inner Light” and “Across the Universe”), one that didn’t show up until later, “What’s the New Mary Jane”, or ended up on Beatles’ solo albums (Harrison’s “Circles” and “Not Guilty”, the latter of which went through 107 takes and still didn’t make the “White Album”, McCartney’s “Junk”, and Lennon’s “Child of Nature”, an early version of what would become his “Jealous Guy”). There are also takes of songs like “Blue Moon”, “St. Louis Blues” and “You’re So Square (Baby I Don’t Care)”. You’ll also hear George ordering a sandwich immediately before launching into a take of his classic “While My Guitar Gently Weeps”.
The “White Album” was remastered in 2009 and I thought it sounded great at the time, bringing out new sounds not heard on previous versions. Martin’s remastering here takes it even a step further. For example, on “Dear Prudence”, a song that was never one of my favorites, the mix is very clear, letting the listener fully experience and appreciate what is going on here (backing vocals, Starr’s drums, Harrison’s guitar, keys, etc.).
In summary, the Deluxe edition with the new Giles Martin mix of the original double album and the Esher demos is essential for Beatles fans. If your budget allows, go with the Super Deluxe edition. You won’t be disappointed.

Native Tongue – Switchfoot
****

Native Tongue is San Diego based Switchfoot’s eleventh studio album and first since 2016’s Where The Light Shines Through. The ambitious fourteen songs (out of nearly a hundred written for the album), is diverse, featuring a variety of music styles as the band takes some chances. They wanted to pursue joy and let it happen after taking some time off. The album was produced primarily by the band, along with OneRepublic bassist and multi-instrumentalist Brent Kutzle. Jon Foreman has said that the album was an attempt to be a loving embrace of all the human souls who have been weighed down by the times, and that hatred is not our language, love is our native tongue.
Below are a few comments about each of the songs on the album:

Let It Happen – This song was written by Jon Foreman and produced by Tim Foreman, Jon Foreman and Tyler Chester. The song features crashing guitars and driving drums, over Jon’s lead vocal. Backing vocals join him for the chorus and there is a nice guitar solo mid-song. This life seems hollow, he doesn’t know the meaning and his body is aching. He doesn’t know what is going to happen tomorrow but he trusts God with his future.
Native Tongue – This song was written and produced by Tim Foreman, Jon Foreman and Brent Kutzle. The song has a great beat. It starts with Jon singing over hand claps and light drums before a driving drum comes in. The song includes some backing vocals. I really appreciated the Chad Butler’s drums on this song. Love is the language, our native tongue. He wonders where we went wrong, we forgot our song. He wants the world to sing in her native tongue and use our lungs for love.
All I Need – This song was written by Tim Foreman and Jon Foreman. The love song begins with acoustic guitar and finger snaps and then builds. The chorus is memorable as he sings that all he needs is the air he breathes, the time they share and the ground beneath his feet. He wants to know if she believes in him.
Voices – This song was written by Brent Kutzle, Jon Foreman, Ryan Tedder, Tim Foreman and Tyler Spry. It was produced by Kutzle, Jon Foreman, Tim Foreman and Tyler Spry. The song, which was inspired by a homeless man at the beach, begins with keys and then Butler’s drums drive an excellent beat. In the catchy chorus, Jon sings of having an army of voices in his head. Each moment is crowded with choices, which speak to him and drown out the voices. There are also some good backing vocals on the song.
Dig New Streams – This song, which shows the band taking chances, was written by Tim Foreman and Jon Foreman. The song opens slowly with Jon singing over acoustic guitar and backing vocals. Mid-way through the chorus the band kicks in with guitar, drums and horns as Jon sings “I’ve got thirty voices in my head, they’ve been telling me to quit while I’m ahead.” Midway through verse two the song changes again as Jon sings “If you’ve been hurt by the church of black and white, come unto me, find rest my burden’s light “
Joy Invincible – This song was written by Tim Foreman and Jon Foreman. It begins with guitar and a nice drum driven beat. An illness has led to shattered dreams and the need to be brave in the midst of suffering. Jon sings “Hallelujah nevertheless, was the song the pain couldn’t destroy, hallelujah nevertheless, You’re my joy invincible.”
Prodigal Soul – This song was written and produced by Tim Foreman and Jon Foreman. The song is a prayer. It begins with acoustic guitar, before the band joins in at the chorus. He has been wandering and wants to come home, reminiscent of the parable of the prodigal son (Luke 15: 11-32). A highlight.
The Hardest Art – This song was written by Tim and Jon Foreman and produced by Tyler Chester, Tyler Spry, Brent Kutzle, Tim Foreman and Jon Foreman. The song features Kaela Sinclair of the French electronic band M83. Jon handles the first verse and Sinclair the second. Love is surrender and is the hardest art to earn. The song has a dance beat, with Switchfoot again taking chances with a new sound.
Wonderful Feeling – This song was written by Tim Foreman and Jon Foreman and they produced it with Tyler Chester. The mid-tempo song begins with piano and then builds, with a good drum beat, guitar solo and backing vocals. Jon sings how it’s funny how you fight what you need the most. Though he has spent a lot of time chasing his shadow, he has a wonderful feeling and hopes set high. His prayer is to let God’s light be his.
Take My Fire – This song was written and produced by Tim Foreman and Jon Foreman. The song begins with drum machine and then a distorted guitar. Satan is never going to take his fire, his love for God. This is about as hard as Switchfoot has rocked. A highlight.
The Strength to Let Go – This song was written and produced by Tim Foreman and Jon Foreman. The song begins with acoustic guitar and synth and builds at the chorus. Like “The Prodigal Soul”, it’s a prayer asking God to show him the way to come home. He chooses mercy instead of control. He needs the faith to surrender.
Oxygen – This song was written and produced by Tim Foreman and Jon Foreman.
The song begins with piano and drums and then settles into an easy going beat with backing vocals and a guitar solo. The song is about a relationship that has gone bad with one partner leaving. It’s probably my least favorite song on the album.
We’re Gonna Be Alright – This song is written by Tim Foreman and Jon Foreman, and they produced it with Tyler Chester. The catchy easy-going song begins with acoustic guitar, and includes a good beat and backing vocals. It’s OK to doubt, fear, grieve, etc. The joyful and memorable chorus tells us that we’re gonna be alright, just take a look at the sky.
You’re The One I Want – This song was written by Jon Foreman and written by Tim Foreman and Jon Foreman. This is a love song, featuring Jon singing over piano and cello. The song would fit well on one of his solo albums.

The Gift: A Christmas Compilation – 116
****

The Gift is the third overall studio album from 116, and their first Christmas collection. Noticeably missing from the Reach Records group is Andy Mineo and KB, but there are some surprise guests including Derek Minor on the album. Adam Grason did the cover art, which merges the look and feel of vintage Christmas with traditional hip-hop elements. The album debuted at #1 on iTunes Hip-Hop and Rap chart.

I really enjoyed this album and getting exposed to some artists I was not familiar with, as well as hearing some of my favorites such as Lecrae, Trip Lee and Tedashii.
Below are a few brief comments about each song:

O’ Come – The song is written by Dustin “DAB” Bowie, John McNeil, Joel McNeil, Crystal Nicole, Ace Harris, CASS, Tedashii and nobigdyl. It is produced by Weathrman and Ace Harris, and features CASS, nobigdyl and Tedashii. The chorus includes a bit of the Christmas hymn “O Come All Ye Faithful” written by John Francis Wade. The song opens with CASS, with Tedashii taking the first verse, CASS the second, nobigdyl the third, and Tedashii closing things out. The joyful song has a great beat and some hand claps.
Key lyric:
He changed the world, that’s a landslide
God meant for all mankind

This Christmas – The song was written by Ace Harris, Epikh Pro, Evan Ford, Abe Parker, Jon Keith and Jaylon Ashaun. It was produced by Ace Harris and Epikh Pro and features Jon Keith, Jaylon Ashaun and Evan and Eris. Evan and Eric handle the chorus, with Jaylon Ashaun on the first verse and Jon Keith on the second on this light-hearted and joyful song with a great beat.
Key lyric:
It’s gonna be the best time of the year
Got my hands in the sky ’cause I know that I’m living my best life when you’re near

Joy – The song was written by Ace Harris, Epikh Pro, Alex Hitchens, Abe Parker, Trip Lee and Lecrae. It was produced by Ace Harris and Epikh Pro, and features Lecrae, Trip Lee and Abe Parker. Lee and Lecrae each take a verse, and Parker handles the chorus, which includes a bit of the Christmas hymn “Joy to the World” written by Isaac Watts. The song addresses pain, injustice and life’s difficulty, along with God’s faithfulness and spreading the good news. A highlight.
Key lyric:
Why wait for tomorrow?
Joy came and He called us

What A Time – The song was written by Cardec, Ace Harris, Zach Paradis, Jimi Cravity, Dave James, SVRCINA and WHATUPRG. It was produced by Ace Harris, Dave James, Zach Paradis and Cardec, and features WHATUPRG and SVRCINA. The chorus includes a bit of the Christmas hymn “O Holy Night” written by Adolphe Adam. There are also some references to the song “What Child Is This?” written by William Chatterton Dix. The drums really stand out on this track. WHATUPRG’s and SVRCINA voices blend well as they sing together near the end of the song.
Key lyric:
What Child is this?
Whose crown is this?
On the ground I live
Falling on my knees
Giving everything to the King of kings

Silent Night – The song is written by John Smythe, Joel McNeil, John McNeil and Chrystal Nicole. The song is produced by Weathrman and features Chrystal Nicole on vocals. Nicole has worked with Lecrae, Andy Mineo and Tedashii in the past. The chorus includes a bit of lyrics from the Christmas hymn “Silent Night” written by Joseph Mohr. Nicole delivers a powerful vocal over guitar and excellent backing vocals as the song builds.

All Is Bright – The song is written by Derek Johnson, Crystal Johnson, John McNeil, Joel McNeil, Wande and 1K Phew. It was produced by Weathrman and features 1K Phew, Derek Minor & Wande. The chorus includes a bit of the Christmas hymn “Silent Night” written by Joseph Mohr. The vocals from Wande, 1K Phew and Derek Minor are strong. Minor sings in verse three of being saved out of the slums, with dealers, users, scammers and hustlers.
Key lyric:
You got a way of, making me stay
You pull me closer when I push You away

Noel – The song is written by and features Trip Lee and Dave James, and is produced by James. The song includes a bit of the Christmas hymn “The First Noel”. This song is about Jesus. Lee handles the verses. I loved the line “Baby clothes couldn’t cloak His divinity”. Includes some nice guitar at the end of the song. A highlight.
Key lyric:
Who would’ve known that this babe was the King on the throne?

Angels – This song was written by Abe Parker, Crystal Johnson, Rhomar Jessy, Joel McNeil and GAWVI. The song was produced by Weathrman and features GAWVI, who delivers his usual strong vocal over a punchy percussion driven beat. The chorus includes backing singers infectiously singing a bit of the Christmas hymn “Angels We Have Heard on High” written by James Chadwick.
Key lyric:
I wonder where would I be, I be if You never found me when I needed You

We Three Kings – The song is written by Zach Paradis, Alex Hitchens, Wande Isola, Ace Harris, Epikh Pro, Paul Russell, Lecrae and Abe Parker. It is produced by Zach Paradis, Ace Harris, Epikh Pro and Abe Parker, and features Lecrae, Abe Parker and Paul Russell. The song is based on the Christmas hymn “We Three Kings” written by John Henry Hopkins Jr., and begins “We three kings with the diamond rings, bringing gifts, coming from afar”. The song is upbeat, starting with guitar before it dives into a great percussion driven beat, featuring a memorable chorus. The song also includes a lyric “Long lay the world in sin and error pining” and from the Christmas hymn “O Holy Night” written by Adolphe Adam.
Key lyric:
Was the lowest of the low, born in a manger
Came to Earth out of love so You could save us

A Worship Initiative Christmas, Vol. 2 – Shane and Shane
****

Shane and Shane (Shane Barnard and Shane Everett) follow 2014’s A Worship Christmas Initiative with this second full-length album of Christmas songs. Last Christmas, they released an EP of five songs titled A Worship Initiative Christmas, Vol. 2. This year, we get an entire ten song album.
This is my second album from Shane and Shane after seeing them perform at the Sing! Conference early this year. I really enjoyed Hymns Vol. 1 and this new album of worshipful Christmas songs as well.
Below are a few comments about each song on this excellent album:

Come Thou Long Expected Jesus – The lyrics of this hymn were written by Charles Wesley. The song opens with beautiful vocals over piano and strings. It then builds gently with guitar, bass and percussion.
Key lyric:
By Thine own eternal Spirit
Rule in our hearts alone;
By Thine all sufficient merit
Raise us to Thy glorious throne

Joy to the World (Joyful, Joyful) – The lyrics of this hymn were written by Isaac Watts. This version includes a verse from Henry Van Dyke’s hymn “Joyful, Joyful, We Adore Thee”. The song features Phil Wickham, who Shane and Shane are on the road with on a short Christmas tour. The song begins quietly with piano, chimes, strings and then builds joyfully with drums, bass and guitar as it goes into a new refrain “We will sing, sing, sing, Joy to the World”, which might remind you a bit of Chris Tomlin.

Hark the Herald Angels Sing – The lyrics of this hymn were written by Charles Wesley. The song begins with acoustic guitar and piano and then builds gently with guitar, bass, strings and drums. The song adds a refrain “Glory to the newborn king”.
Key lyric:
Born that man no more may die
Born to raise the sons of earth
Born to give them second birth

O Little Town of Bethlehem – The lyrics of this hymn were written by Phillip Brooks. This beautiful rendition begins with acoustic guitar and bass and gently builds with light percussion, backing vocals and some excellent piano.
Key lyric:
Where meek souls will receive Him still
The dear Christ enters in

Breath of Heaven – This song was written by Amy Grant and Chris Eaton. This rendition of the song, made popular by Grant, features Bethany Bernard (formerly known as Bethany Dillon), wife of Shane Barnard. The song opens with piano, then adds light bass, strings and light percussion. The strings and piano stood out on this song, along with an excellent vocal.

Face of God – This song was written by Shane and Shane, and features Phil Wickham. It’s the one song on the album that I was not familiar with. The song opens with acoustic guitar and strings, and then builds joyfully at the chorus with full band.
Key lyric:
Gloria, I hear the angels singing
Gloria, all the heavens are ringing
Gloria, the Savior of the world is in her arms
She’s staring at the face of God
The face of God

What Child is This? – This hymn was written by William Chatterton Dix. This song begins with acoustic guitar, and then builds with bass, drum, strings, piano and backing vocals. The song includes a nice newly added refrain.
Key lyric:
Come, let us adore You
Our hearts with enthrone You

Away in a Manger – This music to this hymn was composed by William J. Kirkpatrick. The author of the lyrics is unknown. The song begins with acoustic guitar and piano. It then builds with bass, percussion and backing vocals.

Winter Snow – This song was written by Audrey Assad and features Dinah Wright. I first heard this beautiful song with Assad singing it on Chris Tomlin’s first Christmas album, 2009’s Glory in The Highest: Christmas Songs of Worship. This version opens with piano and acoustic guitar, and then builds with bass, percussion, strings and backing vocals.

It Came Upon a Midnight Clear – This hymn was written by Edmund Sears. The song opens with synth, piano and bass and builds after the first verse with backing vocals, drums, acoustic guitar and keys. A refrain is added at the end of the song.
Key lyric:
Glory to God
Glory in our heart

Season of Peace: The Christmas Collection – Michael McDonald
****

I love Michael McDonald’s Christmas music. Three years ago, we saw a wonderful show on his This Christmas: An Evening of Holiday and Hits tour at the Fox Theatre in St. Louis.
This is his fourth Christmas album. His 2001 In the Spirit-A Christmas Album is one of my all-time favorite Christmas albums. He followed that up in 2005 with an album made for Hallmark, Through the Many Winters: A Christmas Album. After In the Spirit, Through the Many Winters was somewhat of a disappointment, with more sparse instrumentation and laid-back arrangements. I just recently found out that McDonald was forced to complete the entire album in two weeks, including mixing and mastering. In 2009 he released This Christmas, a compilation of twelve songs from the first two albums along with four new songs. Season of Peace: The Christmas Collection is another compilation of fifteen songs, with one new one, a short (less than two minute) instrumental recording of “Winter Wonderland”, featuring ukulele virtuoso Jake Shimabukuro. The album cover art was painted by McDonald.

Below is the track listing for Season of Peace:

1. 1. That’s What Christmas Means to Me (from This Christmas)
  2. White Christmas/Winter Wonderland, featuring Jonny Lang (from In the Spirit)
  3. Children Go Where I Send Thee, featuring Twinkie Clark (from In the Spirit)
  4. God Rest Ye Merry Gentlemen (from Through the Many Winters)
  5. Wexford Carol, featuring Amy Holland (from Through the Many Winters)
  6. Christmas on the Bayou (from Through the Many Winters)
  7. To Make a Miracle (from In the Spirit)
  8. Peace (from In the Spirit)
  9. Through the Many Winters (from Through the Many Winters)
  10. Every Time Christmas Comes Around (from In the Spirit)
  11. On Christmas Morning (from In the Spirit)
  12. World Out of a Dream (from In the Spirit)
  13. Oh, Holy Night (from Through the Many Winters)
  14. Winter Wonderland, featuring Jake Shimabukuro (new recording)
  15. Have Yourself a Merry Little Christmas (from This Christmas)

Season of Hope: The Christmas Collection does a nice job of pulling some of the best songs from McDonald’s previous Christmas albums. However, if you have his previous albums, you can pass on this one.

Holy Roar by Chris Tomlin
****

This is Chris Tomlin’s first album since 2016’s excellent Never Lose Sight, which was my top album of that year. Holy Roar is another gift to the church from Tomlin, containing songs that will be sung in churches around the world.
Below are a few comments about each of the songs:

Holy Roar – This song is written by Jason Ingram and Tomlin, and produced by Bryan Fowler. The song begins with keys and guitar and then builds with full band and backing vocals. This is a worship song to lift God up, to sing Him a song of love, to give God worship, which He is worthy of, a holy roar reaching for Heaven.

Nobody Loves Me Like You – This was the second single released ahead of the album. It was written by Scott Cash and Ed Cash. It begins quietly with soft guitar and then builds with piano, drums, backing vocals and a joyous chorus about the love of Jesus.
Key lyric:
Nobody loves me like You love me, Jesus
I stand in awe of Your amazing ways
I worship You as long as I am breathing
God, You are faithful and true
Nobody loves me like You

Resurrection Power – The first single from the album released way back in January was written by Ed Cash, Ryan Ellis and Tony Brown. This joyful song opens with Tomlin singing over keys, and it then builds with drums, bass, guitars and backing vocals.
Key lyric:
Jesus, You have given us freedom
I’m no longer bound by sin and darkness
Living in the light of Your goodness
You have given us freedom

Goodness, Love and Mercy – This song is written by Ed Cash, NEEDTOBREATHE’s Bo Rinehart and Bear Rinehart and Tomlin. The mid-tempo song opens with acoustic guitar and gently builds, featuring some good piano, guitar and backing vocals. It is a worship song based on Psalm 23.
Key lyric:
Surely goodness, love and mercy
Will follow wherever I go

Satisfied – This song is written by Jason Ingram, Ross Copperman and Tomlin. Driven by an excellent drum beat, and hand claps, this upbeat and joyful song will sound great on the radio and in concert. Tomlin sings that as he counts his blessings he couldn’t ask for more. In God he is satisfied. Nothing and no one else will ever satisfy.
Key lyric:
I count my blessings one by one
Your goodness in my life
How could I ask for more
In You, I’m satisfied

Impact – This song is written by Mitch Wong, Tommy Sjostrom and Tomlin. The worship song begins with piano and strings. It gently builds, as Tomlin sings of waiting, surrender and laying down his defenses, to a powerful bridge in which he sings of love like a mighty river and rushing wind.
Key lyric:
As I worship in surrender
I feel heaven drawing closer
As I lay down my defenses
Your love invades
And I brace for the impact

Praise Him Forever – This song has a driving beat from the beginning. It is a joyful worship song that sounds like the best of Tomlin’s worship songs. Let everything that breathes, let all the earth proclaim great is the Lord our God. The song ends with another reference to the album’s title, Hear the holy roar, praise Him forever. A highlight.

Is He Worthy? – This wonderful song based on Revelation 5 was written by Andrew Peterson and Ben Shive, and was originally recorded by Peterson for his Resurrection Letters, Vol 1 album. The song opens with Tomlin singing over piano and light guitar and it gradually builds to a powerful ending. It features excellent choir vocals.
Key lyric:
Is He worthy? Is He worthy?
Of all blessing and honor and glory
Is He worthy of this?
He is

Forever Young – This is not a cover of the Bob Dylan song with the same title. The song begins with keys and guitar and gently builds. He is born again, saved by loved. In God’s presence he is forever young. With his final presence he’ll praise the Lord.

I Stand In Awe – This beautiful worship song features Nicole Serrano on lead vocals, with Tomlin offering some light backing vocals. When we consider all that God has done, we can do nothing but stand in awe. The song begins with Serrano singing over piano and the song builds gently. All glory, all honor, all worship and all praise, all blessing and all power is His.

Praise Is The Highway – This mid-tempo worship song is written by Tomlin, Hillsong’s Ben Fielding, Bethel’s Brian Johnson and Sean Feucht. The song begins with guitar and drums and builds gently. He is our God, He will be praised. Revival will come and the church will awake. He forever reigns. Sing like thunder His praises loud.
Key lyric:
Praise is the highway to the throne of God
Praise is the highway to the heart of God
Praise is the highway to the move of God

How Sweet It Is – The closing song is written by Tomlin, Pat Barrett, Hank Bentley and Jessie Early. This is a slower praise song, which features vocals from Pat Barrett, who co-wrote “Good Good Father”, which Tomlin recorded for his previous album. The song begins with acoustic guitar and keys. Nothing else in history compares with what God has done for us. How sweet it is to be loved by Jesus.

The Elements by Toby Mac
****

The Elements is Toby Mac’s seventh solo album and first since 2015’s excellent This is Not a Test. The album was preceded by the release of four songs, including the chart-topping “I Just Need U”.
This is a mature work dealing with many themes, including family, God being our only hope, seeing God in everything, race relations, new opportunities, new mercies, the church and encouragement. Most of the songs are upbeat musically, containing a good groove. It’s one of the best releases of 2018.
Below are a few brief comments on each song:

The Elements – This song was written and produced by Tommee Profitt (NF) and Toby. This was the fourth song released prior to release of the album.
The song begins with Toby singing over keys. This world is trying to steal his heart and rip his family apart. Vocally and musically the song hits it hard in the chorus and he sings that he will be doing down swinging, if he goes down at all. The bridge is a prayer to God. He’s willing to fight the elements.
Key lyric: I might bend but I won’t break

I just need U – This song was written by Bryan Fowler, Blake NeeSmith and Toby and produced by Fowler and Toby. It was the first single released from the album and topped the Christian music charts for an incredible 12 weeks. The song starts with keys, bass and light backing vocals. The song really takes off with the chorus and the memorable beat will stay in your head long after the song is over. The song includes a few lines from Psalm 23.
Key lyric: ‘Cause all I know, all I know is You’re my only hope
Scars – This song was written by and produced by Bryan Fowler, Cole Walowac and Toby and was produced by Fowler and Walowac. It was the third song released in advance of the album. Toby wrote the song for his 20-year-old son Truett about what life was throwing at him. The song is a bit more laid back though it builds powerfully towards the end. This is a touching song from a father to a son, encouraging him. He tells him that when life cuts so deep try and remember that you’re not alone. We’ve all been there and scars come with living. Lift your head to where your help comes from. The song features some light backing vocals.
Key lyric: It doesn’t matter who you are, this world gonna leave some battle scars

Everything – This was the second single released from the album. It was written produced by David Garcia and Toby. The song has an instantly likeable groove that will stick in your head.
Key lyric: I see You in everything, all day, and every beat of my heart keeps reminding me

Starts With Me – This song was written by Dave Lubben, Cole Walowac, Aaron Cole and Toby. It was produced by Lubben and Walowac and features 19-year-old Christian hip-hop artist Aaron Cole on vocals. The song addresses race relations from both perspectives. They sing about the homes they were raised in and what was passed down to them from generation to generation. The song has a good beat and includes some samples from a Martin Luther King Jr. speech.
Key lyric: With a history that’s filled with hate, have we ever been united states?

Edge Of My Seat – This is an upbeat song both musically and lyrically. It has a great dance beat, driven by drum, and features some backing vocals. The Lord is opening up his eyes to new opportunities. The song quotes Isaiah 43:19, Behold, I am doing a new thing in the land.
Key lyric: Ain’t no one ever gonna steal the mystery You put right in front of me
It’s You – This song slows down the pace a bit. The song is about the Lord. Life doesn’t make sense without Him. The song features some backing vocals, keys and percussion.
Key lyric: It’s You, then everything else just falls in line

Horizon (A New Day) – This is an upbeat song about the body of Christ, the church. He references 1 Corinthians 12, that the church, the body, the family has different parts but is one and the same. The song opens with keys and has a good driving beat. A new day is on the horizon and nothing is going to stand in the way of the church.

Hello Future – On this song, Toby sings of nothing sweeter than welcoming new mercies every morning (Lamentations 3:22-23). Over a good beat, he sings of going through a difficult time but now the troubles have washed away and he’s home again. The future is going to be OK.

Overflow – This joyful song, features a good beat and some horns. When he’s running empty, the Lord fills up his cup till it overflows.
Key lyric: You are the sweetest love, sweetest love that I’ve ever known

See The Light – In this song Toby is encouraging to those who are going through a hard season of life. Life is hard, there are doubts, uphill climbs and battles. But just hang on a little longer, burdens will fade. He points us to Psalm 121, where we see that our help comes from the LORD. The song has a good beat, and will be a particularly encouraging song in concert, with many hands held high.
Key lyric: You got more than you on your side

Happy Xmas by Eric Clapton
***

The 73-year-old legendary guitarist Eric Clapton is the only three-time inductee in the Rock and Roll Hall of Fame – as a member of the Yardbirds, Cream, and as a solo artist. Happy Xmas is Clapton’s first Christmas album, and he did the artwork for the album cover. The fourteen songs are a mix of standards, lesser known holiday songs and one new Clapton-written song “For Love on Christmas Day.” This is Clapton’s 24th studio album, and first since 2016’s I Still Do, which some speculated might be his final album. Clapton completed the album over a four-year period, and produced the album with Simon Climie. About the album, he said “I had in my head that these holiday songs could be done with a slight blues tinge, and I started to figure out how to play the blues lines in between the vocals. I got it down and one of the most identifiable songs on the album, the one that became the foundational style, is ‘Have Yourself a Merry Little Christmas’.”
I really enjoyed this album, which has only one major misstep, the electronic dance music (EDM) “Jingle Bells”, which is a tribute to the late DJ and producer Avicii, and doesn’t fit with the rest of the album.

Below are a few comments about each song on the album:
White Christmas – Clapton opens this Christmas standard from Irving Berlin with some blues guitar and then settles back in, accompanied by backing vocals, strings and a great guitar solo. A strong start to the album.

Away In A Manger (Once In Royal David’s City) – Clapton slows the pace down and delivers a good vocal on this traditional Christmas carol dating back to the late 19th century. It features some nice backing vocals, organ and acoustic guitar.

For Love On Christmas Day – This is a new song written by Clapton. It’s a sad song about wishing for a lost love to return. It features keys, acoustic guitar and strings. He’s living in a dream world and dying a little more each day. There is snow on the sidewalk but it’s cold inside his heart.

Everyday Will Be Like A Holiday – This 1967 song was written by William Bell and Booker T. Jones. The song features blues guitar, keys, organ and backing vocals.

Christmas Tears – This song was written by Robert Wilson and Sonny Thompson and recorded by Freddie King in 1961. Clapton delivers a blues vocal with some excellent guitar, including a solo, backed by drum, bass, piano and female vocals. A highlight.

Home For The Holidays – This song was written by Anthony Hamilton. He’ll be home for the holidays, was thinking he’d stay away but can’t wait to see her smiling face. The song has an easy going pace, featuring acoustic and light electric guitar, piano, organ and backing vocals.

Jingle Bells – This is the album’s one major misstep. It is a six-minute electronic dance music mostly instrumental almost unrecognizable cover of James Pierpont’s Christmas classic. The song is dedicated to Avicii, who died of a suicide earlier in the year. Clapton’s guitar joins with the electronic music in a song that doesn’t fit with the rest of the album. Skip this song.

Christmas In My Hometown – This song was written by Sonny James and John Skye. The song has a laid-back country feel, featuring piano, guitar, soft percussion and female backing vocals. He’d love to spend this Christmas with the folks in his hometown.

It’s Christmas – This song was written by Anthony Hamilton. The song is upbeat, featuring guitar, keys, drums and backing vocals. It feels just like Christmas, love is in the air and everybody’s heading home.

Sentimental Moments – This song was written by Frederick Hollander and was featured in the 1955 film We’re No Angels. It has a slower pace, and features piano, and some nice acoustic guitar, though it’s not really a Christmas song.

Lonesome Christmas – This song was written by Lloyd Glenn. The song has a great blues beat, led by guitar, piano and drums. The song is highlighted by a guitar solo. A highlight.

Silent Night – This Christmas classic was written by Joseph Mohr. This version has a good pace as Clapton sings over drums, organ, light guitar and backing vocals.

Merry Christmas Baby – This song was written by Lou Baxter and John Dudley Moore. This song is a slow blues, with piano, bass and some excellent blues guitar. A highlight.

Have Yourself A Merry Little Christmas – This song was written by Hugh Martin and Ralph Blane. This is a slow jazz version, with a Clapton’s vocal over piano, strings, acoustic guitar and percussion.

Hymns Vol. 1 – Shane and Shane
****

Shane and Shane are a contemporary worship duo comprised of Shane Barnard and Shane Everett. I recently got to enjoy their music at the Sing 2018 conference in Nashville. Prior to that, what I knew about the duo was primarily through the ministry of Desiring God.

Hymns Vol. 1 is a new album featuring new arrangements of ten modern and traditional hymns, totaling in excess of 57 minutes of music. This is an album that I thoroughly enjoyed. At first listen, it can appear like a simple and basic covering of these wonderful hymns. However, each repeated listening brings out something new about these extended arrangements, which are connected, with no breaks between the songs. The lead and harmony vocals are excellent throughout, as is the musical accompaniment, which never gets in the way of the words of these wonderful hymns. I can’t wait for Vol. 2.

Below are a few brief comments about each song:

Tis So Sweet – The lyrics to this hymn were written by Louisa M.R. Stead in 1882, and the music by William J. Kirkpatrick. This version, which clocks in just under seven minutes, features guitar, light percussion, and violin, and builds powerfully.

How Great Thou Art – This hymn, which is my favorite, was based on a poem written by Carl Boberg in 1885. It was translated into English by the missionary Stuart K. Hine, who also added two additional verses. The hymn was set to a Russian melody. The song features guitar, piano, drums and builds powerfully.

Give Me Jesus – This hymn is an African American spiritual. I first became aware of this song through Fernando Ortega’s wonderful version. This beautiful version features acoustic guitar, piano, and some effective drum work.

Come Thou Found (Above All Else) – “Come Thou Fount of Every Blessing” was written in 1757 by pastor and hymn writer Robert Robinson at age 22. This version features acoustic guitar, piano and violin. It also includes a brief worship chorus “Above All Else”.

The Lord is My Salvation – This modern hymn was written by Keith Getty, Kristyn Getty, Nathan Nockels and Jonas Myrin. This excellent version features some good drum work, guitar and piano.
Key lyric:
Who is like the Lord our God?
Strong to save, faithful in love
My debt is paid and the vict’ry won
The Lord is my salvation

Holy, Holy, Holy (We Bow Before Thee) – “Holy, Holy, Holy” was written by Reginald Heber in 1826. This hymn opens with acoustic guitar and light percussion. It builds with violin and includes the worship chorus “We Bow Before Thee”.

He Will Hold Me Fast – This hymn was written by Ada Habershonnew and Matt Merker. It’s one of my favorite “new” hymns. It features acoustic guitar, piano, light percussion and keys.
Key lyric:
For my life He bled and died
Christ will hold me fast
Justice has been satisfied
He will hold me fast
Raised with Him to endless life
He will hold me fast
Till our faith is turned to sight
When he comes at last

My Worth is Not in What I Own – This modern hymn was written by Keith Getty, Kristyn Getty and Graham Kendrick. This is another of my favorite new hymns. It features keys, guitar, violin and light drums.
Key lyric:
I rejoice in my Redeemer
Greatest Treasure,
Wellspring of my soul
I will trust in Him, no other.
My soul is satisfied in Him alone.

In Christ Alone – This modern hymn was written by Keith Getty and Stuart Townend. It’s one of our church’s favorites to sing in our worship service. This version features piano, acoustic guitar, drums, and violin, as it builds powerfully.
Key lyric:
No guilt in life, no fear in death
This is the pow’r of Christ in me
From life’s first cry to final breath,
Jesus commands my destiny.
No pow’r of hell, no scheme of man,
Can ever pluck me from His hand
‘Til He returns or calls me home
Here in the pow’r of Christ I’ll stand

There is a Fountain (Full of Love) – This hymn was written by William Cowper in 1772. This version features guitar, light percussion and violin. It also includes the worship chorus “Full of Love”.

Egypt Station – Paul McCartney
****

Egypt Station is the 76-year-old former Beatle’s 17^th solo album and his first new album since 2013’s New. It is very good, at times brilliant, with only one major misstep. The album was produced by Greg Kurstin, with the exception of the album’s one misstep “Fuh You” which was produced by Ryan Tedder. McCartney stated that the album “Starts off at the station on the first song and then each song is like a different station. So, it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.”
Egypt Station was McCartney’s first U.S. number one album since 1982’s Tug of War, his eighth overall and his first to debut at number one.
Throughout, McCartney’s voice sounds great, the production is excellent and McCartney’s excellent long-term touring band joins him on several songs. All songs were written by McCartney, with the exception of “Fuh You” which was co-written with Ryan Tedder. Themes range from politics, lust, bullying, contentment in marriage, etc.

Below are a few comments about each of the sixteen songs on the album:

Opening Station – This is an instrumental track that includes some background noise that reminds me of Sgt. Pepper and some choral vocals.

I Don’t Know – One song of the two-sided single released in June ahead of the album. The piano-driven song opens with piano and acoustic guitar and then adds bass, light drums and backing vocals. He asks What am I doing wrong, Now what’s the matter with me? I don’t know, I don’t know.

Come on to Me – This is the second song of the two-sided single released in advance of the album. The lyrics are almost embarrassing – Did you come on to me, will I come on to you? If you come on to me, will I come on to you? – but the music is catchy and this one will sound good on McCartney’s upcoming Freshen Up Tour.

Happy with You – In contrast to “Come on to Me” and “Fuh You”, this acoustic song finds him happy, and could be a song to his wife Nancy. The song is driven by acoustic guitar. He writes that he used to sit around and get stoned, now he’s happy and enjoying nature. The song includes some light backing vocals, strings and light percussion.

Who Cares – This guitar driven rocker about bullying could easily fit on 1974’s classic Band on the Run. It has a “Helen Wheels” or “Juniors Farm” feel, and features an excellent rock vocal from McCartney.
Key lyric:
Who cares what the idiots say
Who cares what the idiots do
Who cares about the pain in your heart?
Who cares about you?
I do

Fuh You – This song was the third song released prior to the album. It’s the one major misstep on the album. It was written by McCartney and Ryan Tedder and produced by Tedder and Zach Skelton. The song sounds great musically, but is embarrassing lyrically, as McCartney, who previously wrote “Why Don’t We Do It in the Road” and “Hi, Hi, Hi”, leaves nothing to the imagination as to what he wants to do to the girl in this song. This song gets immediately skipped for me. Confidante – This is an acoustic guitar driven song. He sings to one who used to be his confidante, a true friend, who stood beside him as he fought, but he fell out of love with them and brought their romance to an end.

People Want Peace – Over the years, McCartney has revisited the subject of peace several times (“Pipes of Peace”, “Peace in the Neighborhood”, etc.). He opens this song by saying that he has something important to say and he’s not going to let anything get in his way. It’s a simple message that he knows we’ve heard before – that people want peace, a simple release from their suffering. The song features some good percussion, keys, hand-claps, backing vocals and a passionate vocal from McCartney.

Hand in Hand – This piano-driven song revisits his happiness in a relationship that he addressed in “Happy with You”. “We can make each other happy if we get it right”. The song features two cellists, a mid-song solo from a woodwind instrument, and light backing vocals. He wrote the song on his father’s old piano. As he wrote it he was imagining he and wife Nancy about to go through life hand in hand. It was written in the early stage of their relationship.
Key lyric:
Hand in hand
Walking through life
And making our plans

Dominoes – This song begins with acoustic guitar and builds with light drums, bass, electric guitar, backing vocals and some Sgt. Pepper-like sound effects. McCartney has described the song as being a people song about how things are really all right, but they don’t always seem to be alright. He brings in the idea of dominoes in that one little action can have such a big effect on this huge line of dominoes. He states that even though the subject of the song goes through all this stuff, and all these dominoes fall over and life goes on and in fact in the end it’s okay.

Back in Brazil – McCartney wrote this song in his hotel room in Brazil while on tour. It is ambitious musically with Latin rhythms, and a number of instruments, including keys, percussion, strings, clarinets, flute, etc. The song tells the imaginary story of two young Brazilian people.

Do It Now – “Do it Now” is an expression McCartney’s father used to say. McCartney has said that the song is an imaginary journey suggested by the fact that his father would have said, “Go on that journey now, don’t leave it till it’s too late”. The song begins with McCartney singing over keys. It builds, with bass, backing vocals, drums and strings.
Key lyric:
Do it now, do it now
While the vision is clear
Do it now
While the feeling is here
If you leave it too late
It could all disappear

Caesar Rock – McCartney has said that this slightly oddball track came when he and his engineer Steve Orchard were making stuff up in the studio. The song is a fun musical jam, with drum machine, piano, backing vocals, guitar, but is basically a throwaway track lyrically.

Despite Repeated Warnings – McCartney, who supported Hillary Clinton in the 2016 U.S. presidential election, has stated that this song is about President Donald Trump and other politicians who believe that climate change is a hoax. He has said that the song is similar to “Band on The Run” or “Live and Let Die” in that it is kind of episodic and of an epic production. His intent is to try to remind people that climate change is not a hoax, and that we should avoid having a mad captain (Trump) steering us towards the icebergs. It is one of the more interesting songs musically on the album.

Station II – Similar to “Opening Station”, this is a brief instrumental track.

Hunt You Down/Naked/C-Link – This is a closing suite, not unlike the famous one that closes out side two of the Beatles’ Abbey Road. “Hunt You Down” opens with some great guitar, horns, drums, a rock vocal and backing vocals. “Naked” slows things down. He sings that he’s been naked since he was born and broken in so many places.
Key lyric:
Save my soul and set it free
Free to fly home
There’s a place I’m meant to be
Back, back home

“C-Link” is a closing instrumental rock track featuring a good guitar solo.

Forever On Your Side (Niles City Sound Sessions) – NEEDTOBREATHE
*** ½

This EP contains four songs that the band recorded over a few weeks while they were in Fort Worth, Texas with the producer trio Niles City Sound. The EP gives us a good idea where the constantly evolving band is now. Below are a few comments about each of the new songs:
Bridges Burn – This was the first song released from the EP. It opens with piano and hand-clap. Bear Rinehart sings that it’s time for moving on as there are some things you can’t forget. He wants to watch all his bridges burn and dance in the light of a lesson learned. He wants to leave everything that hurts and never go back to the way they were. The mid-tempo song builds gradually over a passionate vocal.
Key lyric: I need to find somewhere I can believe. I need to know there’s a chance we can be.

Darling – This beautiful song has Bear singing over acoustic guitar. He is singing to his wife, wanting to talk to her on the phone while he’s on the road and she’s at home. He just wants to be home with her, the only thing that carries him through. He acknowledges that it’s hard for her to be at home, taking care of the house on her own. As the song builds, light instrumentation, including some horns and backing vocals supplement Bear’s vocals. Key lyric: I don’t wanna do this alone.

Bullets – This song opens with guitar, and then moves into a rock beat, with drum, organ, horns, keys and backing vocals. The song is about how you can’t put the bullets back into a gun, can’t undo what we have done or said, which is a tough lesson we have to learn. Musically, it’s the most interesting song on the collection.
Key lyric: Don’t let your heart be stone, don’t be the bitter one.

Forever On Your Side – The closing song was the only song that hadn’t been released prior to the full EP being released, and it’s my favorite song on the EP. It features husband and wife duo Johnnyswim (Amanda Sudano and Abner Ramirez) on backing vocals. The band has indicated that this song was written for their fans who have been with them since the very beginning. The song begins with guitar and then builds with drums and banjo. The lyrics are uplifting and encouraging. We don’t know what’s around the bend but love knows no end and he’ll be forever on her side. Like Jesus, he will carry her every time because he’s forever on her side. With Johnnyswim joining the band on tour, this song will sound amazing live.
Key lyric: Take my hand when you can’t see the light, ‘cause I’m forever on your side.

Nobody Loves Me Like You – Chris Tomlin
****

Holy Roar, Chris Tomlin’s first full-length album since 2016’s Never Lose Sight, which was my top album for that year, will be released October 26. In advance of the album comes this surprise EP, with four songs from the album, plus a bonus track. The songs are produced by Ed Cash and Bryan Fowler.
The album’s companion book “Holy Roar: 7 Words That Will Change the Way You Worship” by Tomlin and his pastor Darren Whitehead of Nashville’s Church of the City, will be re-released October 23.
Here are a few brief comments on each of the songs on the new EP:
Nobody Loves Me Like You – Tomlin’s next single, this song is written by Scott Cash and Ed Cash. It begins quietly with soft guitar and then builds with piano, drums, backing vocals and a joyous chorus about the love of Jesus. Key lyric:
Nobody loves me like You love me, Jesus
I stand in awe of Your amazing ways
I worship You as long as I am breathing
God, You are faithful and true
Nobody loves me like You

Satisfied – This song is written by Jason Ingram, Ross Copperman and Tomlin. Driven by an excellent drum beat, and hand claps, this upbeat and joyful song will sound great on the radio and in concert. Tomlin sings that as he counts his blessings he couldn’t ask for more. In God he is satisfied. Nothing and no one else will ever satisfy. Key lyric:
I count my blessings one by one
Your goodness in my life
How could I ask for more
In You, I’m satisfied

Goodness, Love and Mercy – This song is written by Ed Cash, NEEDTOBREATHE’s Bo Rinehart and Bear Rinehart and Tomlin. The mid-tempo song opens with acoustic guitar and gently builds, featuring some good piano, guitar and backing vocals. It is a worship song based on Psalm 23. Key lyric:
Surely goodness, love and mercy
Will follow wherever I go

Impact – This song is written by Mitch Wong, Tommy Sjostrom and Tomlin. The worship song begins with piano and strings. It gently builds, as Tomlin sings of waiting, surrender and laying down his defenses, to a powerful bridge in which he sings of love like a mighty river and rushing wind. Key lyric:
As I worship in surrender
I feel heaven drawing closer
As I lay down my defenses
Your love invades
And I brace for the impact

Our God – This song, perhaps my all-time favorite from Tomlin, from 2010 is written by Matt Redman, Jonas Myrin, Jesse Reeves and Tomlin. This is a great song, but I’m not sure why it is included on the EP.

My New Moon by Amos Lee
*** ½

My New Moon is Amos Lee’s seventh studio album, and his first since 2016’s excellent Spirit. The album contains ten new songs produced by Tony Berg. The songs have been described as the product of a period of intense connection and loss, making this Lee’s most personal album as well as his most politically outspoken one as well. The album features contributions from multi-instrumentalists Ethan Gruska and Blake Mills, keyboardists Benmont Tench and Patrick Warren, pedal steel guitarist Greg Leisz and strings by Rob Moose. Many of the songs deal with pain and loss. Lee is one of our great vocalists, and he proves it again on this new collection.
Below are a few comments about each of the songs:
No More Darkness, No More Light – The first single from the album, this was a song that Lee had recorded a few times, with different lyrics and a different title. After the Valentine’s Day shooting at Stoneman Douglas High School in Parkland, Florida, in which 17 people were killed, he completely re-wrote the song. The song has a graceful African-influenced groove and melody, being driven by drums, guitar and light backing vocals. Key lyric:
Some days it feels so hopeless
Nothing’s makin’ any sense
Flags we raise in praise of ruthless
Supposes innocence

Louisville – This is a song that would not feel out of place on a Springsteen solo record. Musically the band really shines on this song (drums, organ, guitar, piano) along with backing vocals. He’s heading back to Louisville, but that may not be a good thing. Key lyric:
Sweet sacrifice coming for the kill
Now I’m heading back to Louisville

Little Light – This inspirational song is about is Maya (or “Mighty Maya”), who Lee met two years ago in Seattle. At the time, she was 7 years old and had recently been diagnosed with kidney cancer. Amos sent Maya songs to cheer her up on some of the toughest days and to serve as lullabies on sleepless nights. The song features a great R&B beat, with excellent soulful backing vocals, handclaps, guitar and drum. Key lyric:
Let your little light shine
For the world to see

All You Got Is A Song – Lee delivers a great soulful vocal on this song about pain, as she slips away. The drums and keys stand out, as well as the backing vocals. Key lyric:
I’m gonna sing away the pain
Till the morning light will break on through

I Get Weak – This is a more of a laid-back song, which builds near the end. He’s looking for his love who is nowhere to be found. The song features soft percussion, a bass beat and guitar. Key lyric:
Looking for you my love
Always disappear
Like a phantom in my soul
That always feels so near

Crooked – This song finds Lee getting political as he is most likely writing about President Trump, though he writes that he is crooked too. We are all crooked, for “All have sinned and fall short of the glory of God”. (Romans 3:23). The song is about propaganda, misinformation and lies. It opens with what sounded to me like prison shackles and chains, or perhaps soldiers marching. It has a memorable hook, with the emphasis on the biting words. There are some nice strings and piano in the middle of the song. Key lyric:
I read a crooked headline on a crooked page
There’s a crooked leader on a crooked stage
But he seems to think he’s standin’ tall
Turns out it’s all crooked, y’all

Hang On, Hang On – Lee has written that this was the hardest song for him to sing on the album. He wrote the song after losing his grandmother. The song is based on their last evening together. It’s a gentle and touching song, featuring acoustic guitar, piano and backing vocals. Key lyric:
We never left you
Even though you fell far away
Couldn’t hold you
But you didn’t wanna be here anyway

Don’t Give A Damn Anymore – This is an angry song. It’s ambitious musically, with a strong drum beat, and backing vocals. He’s been wrong so many times before, he don’t give a damn anymore. Key lyric:
Devil been a-knocking at my door
Said the angel been calling, but he can offer more.

Whiskey on Ice – Lee offers a tender vocal for this piano-based song about a couple’s struggle as they cope with the death of their son. The song features light percussion and backing vocals and builds toward the end. Key lyric:
Looking for the light
Finally found your shape
While the sun, it falls
Tumbling down my face
Moonlight crashing in
Like waves on the shore
You are at the gate
Waiting till you find
All the fortune that you lost
That night

Don’t Fade Away – The closing song is about someone fading away, perhaps through dementia, a slow goodbye, and then dying. The song is laid back and somber, with piano, soft percussion, light guitar, bass and backing vocals. Key lyric:
Don’t fade away, don’t fade away
Cause I need you here

Favorite songs: Crooked, Louisville, Little Light

The Narrative – Sho Baraka
****

Three years in the making, Sho Baraka returns with his fourth album. The fourteen songs address themes of race, faith and love. Each title has an accompanying year that symbolizes something important. It is an important album that is musically diverse and creative, and lyrically relevant. Below are a few comments on each song:
Foreward, 1619 – The opening track was written by the Beatbreaker (who also produced it), Adam Bean and Baraka. It features C Lacy and Bean. 1619 was the start of American slavery, which is addressed in Adam Bean’s verse. From 1619 and beyond, here he stands. He is a man. Baraka asks whether he should he pray or riot. He states that we are all desperate and broken.
Don’t close the book, I got more to write
You can change the story, that is my advice
I read in color, they see black and white
You just saw the cover, but there’s more to life

Soul, 1971 – This track was written by Baraka and produced by Jamie Portee, who also contributes vocals. It features some excellent James Brown-like horns. He’s picking up the pieces in a world that’s fallen. He addresses being poor, bad schools, bad food, and bad predatory lenders.
Kanye, 2009 – This song was produced by Jamie Portee and Swoope. It features Jackie Hill-Perry, who co-wrote the song with Baraka. The song briefly opens with piano and a gospel choir. This is his Kanye rant. He has something to say and a lot on his mind. The track features some good sax work.
Love, 1959 – This song is produced by the Beatbreaker and Jamie Portee and written by Baraka. He references Jimmy Bee’s “If It Wasn’t For Love” in the opening. Features some good horns and piano. And if it wasn’t for love, where would he be? It’s unconditional love that he needs.
Here, 2016 – This song is produced by the Beatbreaker and Swoope and features Lecrae, who co-wrote the song with Baraka. First of all, the song sounds great – live horns, drums and keys. It has jazz and soul elements. The song also has powerful lyrics, about justice, equality, holding politicians accountable, love over hate, faith, etc. The song ends with a spoken word piece about the strength of Black women.
30 & Up, 1986 – This song is produced by J.R. and features Courtney Orlando, who co-writes the song with Baraka. Baraka has said that this is a song that celebrates those people who are living life 30 and up in the sense of love and relationships. A key lyric: You know we got to work to stay in love.
Profhet, 1968 – This song is produced by and features Jamie Portee, who co-writes it with Baraka. Baraka has said that the song is about the commodification of him as an individual, his body, his likeness, his tonality, also his religion, his faith, and how sometimes we allow ourselves to be pimped out and sold. And also, the idea that activism needs prophets, not profit. You can offer him money but you can’t have his soul. A key lyric: I’m undervalued but I can be a prophet.
Maybe Both, 1865 – This song is produced by, and features Jamie Portee, who also co-wrote the song with Baraka. This song is loosely based on Malcolm X’s “Ballot in a Bullet” speech. He critiques both political parties, and looks at how we can use Jesus to promote our own agendas, but understands that Christ is pretty complicated. A key lyric: Are they killing with a pistol or a vote?
Excellent, 2017 – This song is produced and features Courtney Orlando, who also co-wrote the song with Baraka. Creative musically, he mentions several people in this song. A key lyric: I know Black lives matter, and they should matter in the womb.
Road to Humble, 1979 – This autobiographical song is produced by Jamie Portee, who also co-wrote the song with Baraka. He raps about pride, salvation, being a part of 116 Clique, Reach and Humble Beast. A key lyric I’m deeply loved, I’m forgiven, I have vision. He has changed my condition on the day he was risen.
Myhood, U.S.A., 1937 – This song is produced by theBeatbreaker and features Venessa Hill, who also co-wrote the song with Baraka, theBeatbreaker and Lataurus Johnson. Baraka tells us a love story, though not your typical love story. He gives us a history lesson for Black Americans from the 1930s onward using a fictional ‘Myhood USA’. A key lyric: This is a love song, I like to call it justice.
Words, 2006 – This song is produced by theBeatbreaker and Jamie Portee and written by Baraka. It is about being a father of a child with special needs and his father with cancer. It opens with a baby crying over a piano, then builds with drums. Key lyric: Maybe we don’t need words to communicate our love.
Fathers, 2004 – This song is produced by Jamie Portee and written by Baraka. Musically, it’s more laid back, with piano, light drums and horns. He gives advice and encouragement to first his son, and then daughter, and finally to other fathers. Key lyric: How do you spell Dad? It goes L-O-V-E.
Piano Break, 33 A.D. – The final song is produced by Jamie Portee and written by Baraka. He sings about being made in the image of God and celebrating that.

Contains some language that got the album banned from a major Christian bookstore chain. Features piano over a drum beat. Includes samples from a preacher, who shouts “Hallelujah” throughout the song. Key lyrics: If my words bring conviction, let’s call in context, I’m realizin’ life is pretty complex and I’m a servant, but I have a room in the palace.

The Narrative Vol. 2: Pianos & Politics – Sho Baraka
****

Baraka followed up his groundbreaking 2016 release The Narrative with a surprise EP. The Narrative Volume 2, featuring four new songs and two remixes from The Narrative. Here are a few brief comments about each song:
Pedantic – This song is written by Amisho Baraka Lewis, Thomas Joseph Terry and Bryan L. Winchester. It includes soundbites from an interview with Denzel Washington and is produced by Braille. The song features a good drum beat throughout and an excellent guitar solo. Information is a theme throughout. Key lyric: I had information but did I have wisdom?
Pianos in Jericho – This song features Sean C. Johnson. It is written by Amisho Baraka Lewis, Thomas Joseph Terry and Bryan L. Winchester and produced by Braille. The song features a driving drum beat, piano and some backing vocals. The wall is a theme throughout. Key lyric:
Man, I think I’ve let my problems become my savior
I’ve taken focus off the Lord and focused on my anger
I think I’ve let my opposition define who’s my neighbor
Piano Bars – This song is written by Amisho Baraka Lewis, Thomas Joseph Terry, Bryan L. Winchester, Ron Sararana and Jamie Portee. It features record scratches by DJ Efectho and is produced by Braille. Sho raps over a great beat, driven by piano. Includes some humor and a reference to his music being removed by Baptist owned bookstores for mentioning a male body part. Key lyric:
He’s moving between thugs and seminary professors
He writes with intelligence and honors his heritage
The bottom line is he is changing the narrative
Pluralism – This song is written by Amisho Baraka Lewis, Thomas Joseph Terry and Bryan L. Winchester. It features background vocals from Lauren Michael and is produced by Braille. The song features piano and drums. Key lyric:
But be careful how you share your views
Cause they’ll protest you
Maybe Both – This song, which was included on The Narrative, features James Portier. DSTL does the remix, which features a great beat and percussion. It is written by Amisho Baraka Lewis, Thomas Joseph Terry, Bryan L. Winchester, Daniel Steele and Jamie Portee. The song is loosely based on Malcolm X’s “Ballot in a Bullet” speech. He critiques both political parties, and looks at how we can use Jesus to promote our own agendas, but understands that Christ is pretty complicated. A key lyric: Are they killing with a pistol or a vote? Or maybe it is both.
Here – This song, which was included on The Narrative, features Lecrae. Coutland Urbano does the remix. It is written by Amisho Baraka Lewis, Thomas Joseph Terry, Bryan L. Winchester, Lecrae and Courtland Urbano. This is a stripped-down version of the version on The Narrative, which featured piano and horns, and has excellent percussion. The song has powerful lyrics, about justice, equality, holding politicians accountable, love over hate, faith, etc. Key lyric: I promise there’s healing for your hurt now.

Today We Rebel by KB
****

This is KB’s follow-up to 2015’s Tomorrow We Live. Much has happened in our county since that album was recorded. The album cover was illustrated by Alex Castro and directed by Alex Medina. It can be confusing at first, as the artist appears to be on the throne with a halo over his head. He has stated that the halo represents spiritual devotion and he is sitting on steps, not a throne. There are a number of symbols of people and objects that have impacted KB’s life.
This is an excellent album, and has KB collaborating with a number of producers and special guests including Lecrae and Andy Mineo. Below are a few comments about each of the songs on the album:

DNOU – This song is produced by Mykalife and written by Natalie Lauren and KB. DNOU stands for “Don’t Nobody Own Us”. About the song, KB has stated that if it honors God and your conscious is clear, do what you want. We should not let anyone rule over our decisions with their own fears and insecurities. This song has a good beat over keys. Key lyric: Does it honor God and conscience? You owe nothin’ but your love man.

Tempo – This song was produced by Dirty Rice, Juicy Bangers and Joseph Prielozny. It is written by KB and was released as a single in July, 2016. KB has stated that the song is about focus and freedom. Key lyric: I’m gonna do what I’ve been called to do, not what’s expected.
Monster – This song is produced by Halo Hitz and Cardec Drums. It is written by Wes Writer, Hitz, Drums, KB and new Reach Records artist Aha Gazelle. Writer and Gazelle, who was featured on Lecrae’s “Watchu Mean” on his new All Things Work Together album, add vocals. The song features some of KB’s fast rap style.
Key lyric: If it hadn’t been for Jesus I’d be still runnin’ around like I’m a gangster.
Primetime – This song is produced by COBRA and was written by Dirty Rice, Joseph Prielozny, Ty Brasel and KB. The song has a good beat and features some strong vocals from Brasel. KB has stated that the song is about failure not being final and we can rise in anything. Key lyric: I see L’s like new lessons.
Get Through – This song is produced by COBRA and features vocals from Reach Records label owner Lecrae, Andreas Moss and Bowie. The song is written by Dirty Rice, Joseph Prielozny, Andreas Moss, David Brown, Dustin “DAB” Bowie, Lecrae and KB. The song is about hearing God’s voice as we go through struggles and the purpose in our pain. Lecrae’s and KB’s opening verses are hard-hitting. The song slows down at the bridge with vocals from Moss and KB. Key lyric: You see the voice whispers on the mountain tops and screams from the valleys. Listen, because when the voice gets strong. When the voice gets through, it can change the situation, but it also changes you.
Art of Drifting – This song is produced by Blair Andre Atkinson and Cardec. It is written by KB. This is a sobering song about a dream he had, in which he drifted away from God and his Word and into sin. Part two of the story is in the following “Art of Hope”. Key lyric: God is not God no more. He is just a job homeboy, oh boy.
Art of Hope – This song is produced by Hillsong UNITED, Joel Houston, Joseph Prielozny and Cardec. It is written by KB. The song samples “With Everything” by Hillsong Worship. KB sings with emotion in this follow-on to the previous song “Art of Drifting”. The song is about the process of returning to God. The song ends with a part of the much-loved hymn “Be Thou My Vision”, with a female vocal, strings and piano.
Not Today Satan – This song is produced by Cardec Drums, Dirty Rice and Joseph Prielozny. It is by written by KB and Andy Mineo, and features Mineo on vocals. It’s a bold song featuring backing vocals, and some nice trumpet by Byron Juane. Key lyric: He bring up your past. Boy, bring up his future.
I Am Not the One – The song is produced by COBRA and Cardec. It is written by Cardec, Dirty Rice, Joseph Prielozny and KB. This song reflects the boldness of his faith. Key lyric: Calling me the Christian rapper. All I know I just wanna be more Christian than rapper.
New Portrait – This song is produced by Dirty Rice and written by Rice, Doctor Jarvis Williams, Lisa Sharon Harper, Emanuel Lambert and KB. This is a slower song, focusing on powerful lyrics over keys and strings. There are many different Christs portrayed. We need to focus on the true Christ. The song ends with a short spoken word excerpt from Lisa Sharon Harper and Doctor Jarvis Williams. Key lyric: Which Christ do you believe? You gotta know before you leave.
Bring You War – This song is produced by Scootie, and written by Joseph Priezlozny, Benjamin Backus, Luke Smallbone, Joel Smallbone, Michael Anderson and KB. It features vocals from Scootie as well as For KING & COUNTRY, who joined Lecrae on the song “Messengers” from Anomaly. The bold and confident song features strong vocals over catchy percussion driven beat. Key lyric: I don’t know if you are wrong or if I’m right but If you want a war, I’ll give a war.
Sing to You – This song is produced by COBRA and is written by Dirty Rice, Joseph Prielozny, Leeland Mooring, Natalie Lauren, Casey J and K. It is about continuing to lift up worship and praise in song to the Lord in the midst of suffering and loss. The song includes organ, horn, a good beat, backing vocals, hand clap and vocals from Casey J. Key lyric: When sorrows falling down like rain, when I can hardly take the pain, all I know is, I will sing to You.
Rebel Intro – This song is produced by Cardec and COBRA and written by Natalie Lauren, Dirty Rice, Cardec, Joseph Priezlozny and KB. It features vocals from Sarah Reeves, sampling Lecrae’s “Battle Song” from Rehab: The Overdose.
Rebel Rebel 88 – This song is produced by Cardec and written by Cardec and KB. KB is saying that his God is neither Democrat nor Republican. Christians need to be able to love people who disagree with them. The song features a good percussion driven beat. His allegiance is to, and his primary identity is in, Christ. Key lyric: I am American, Black is my heritage, but, before that, I am a child of the Kingdom.

Wide Open – Michael McDonald
****

Wide Open is 65-year old Michael McDonald’s (Doobie Brothers, Steely Dan), first new studio album in more than nine years, and first album of original material in seventeen years, following Blue Obsession in 2000. It follows three R&B/Soul cover albums for Motown, the most recent being Soul Speak, released in 2008. He has also released a few Christmas albums during this time.
The 71-minute album of keyboard-heavy soul and blues ballads was written over several years and recorded at McDonald’s Nashville studio, along with drummer Shannon Forrest (Toto), and session players from Nashville. The album features collaborations with guitarist-singer Warren Haynes, guitarist Robben Ford, bassist Marcus Miller and saxophonist Branford Marsalis.
McDonald has said that most of the songs on the album have to do with sobriety, the journey in his life of getting sober, which he has been since 1986. It is a kind of wide open conversation of many different subjects, both musically and lyrically.
McDonald’s signature voice still sounds great. If I had any criticism of the album, it would just be that a few of the songs go too long, with only one song coming in at under four minutes.

Below are a few brief comments about each of the songs:
Hail Mary – Clocking in at nearly seven minutes, the opening song features McDonald’s wife Amy Holland on backing vocals. It’s driven by a bass beat and keyboards. Key lyric: Does the sound of my voice still carry any kind of message still important to you?
Just Strong Enough – This is a slow blues number featuring guitar, piano, horns and strings.
Find It In Your Heart – This was the first single released from the album. It will most remind you of McDonald’s 70’s funk groove, led by Marcus Miller’s bass. It has an old soul sound and wah-wah guitar. Key lyric: Love’s the truth that sets us free. A highlight.
Half Truth – This song is written by McDonald’s son Dylan. It opens with a harmonica and is driven by drums and some excellent guitar work. It’s a sad song, slower in pace. Key lyric: It’s just one of those times, when a half truth, becomes a whole lie.
Ain’t No Good – This song is about a relationship gone wrong and is driven by strong drumming and some excellent guitar. Key lyric: I ain’t looking for the key to heaven, just open the gates to hell enough to let me out.
Honest Emotion – McDonald has said that this is the most personal song for him on the album. It is about the kind of autopilot we go through life operating on, avoiding any real feelings that you might be feeling, and trying to just deal with the ones that are comfortable. It features acoustic guitar and strings. Key lyric: Would honest emotion even know me if I walk through this door?
Blessing in Disguise – This song is driven by some strong drumming and excellent saxophone from Branford Marsalis. Key lyric: The highs and lows can only point to in between, but time will show a blessing in disguise.
Dark Side – This ballad starts slowly with acoustic guitar, and then builds with a good drum beat, horns, piano and strings. Key lyric: We all know love is blind, we only see what we want, you’re bound to learn somehow love has a dark side.
If You Wanted to Hurt Me – this upbeat song is driven by drums, keyboards, guitar, piano and horns. She’s leaving him and running to another. McDonald lets loose on this song, which will sound great in concert.
Beautiful Child – This ballad starts slowly with drums and acoustic guitar and then builds. Key lyric: You can search this world over, and still be a prisoner in a cage.
Too Short – This song features the stories of three characters. Musically it has an upbeat breezy drum-driven pop beat with guitar, horn and backing vocals. Key lyric: This life, it was too short to give up.
Free a Man – This upbeat song is written by Richard Stekol. It has political lyrics, and musically is driven by drums, guitar, horns and a keyboard solo. This is another one I would like to see McDonald perform in concert. Key lyrics: Free a man and love will follow and Religion has not failed man, no, it’s the other way around.

I: The Arrow (EP) – Andy Mineo
****

This is the first chapter in a series of EP’s that Mineo plans to release. He has stated that he has been going through a period of doubt of himself and of his faith, as he has experienced a season of anxiety and depression. This is a transparent and honest release from Mineo as he works through anxiety and confusion. It is unlike any of his releases to date. It’s the follow-up to 2017’s Andy Mineo and Wordsplayed Present Magic & Bird with Wordsplayed and is his first solo album since his excellent 2015 release Uncomfortable.
Give these songs several listens. They require and deserve that. I look forward to the next EP.
Below are a few brief comments about each of the six songs:

I’ve Been…. – This song was written by Wit, Joel McNeill, John McNeill, BEAM and Mineo. It was produced by Weathrman and BEAM. Additional vocals are provided by Willow Stephens. The opener is a slower song and introduces the theme of the record. He’s been lost for some time.
Key lyric: I hope I get the benefit of the doubt
I need a minute just to figure this out
Clarity – This song was written and produced by Daniel Steele, Chad Gardner, GAWVI and Mineo. Additional vocals are provided by Gardner. The song opens with Mineo speaking over keyboards by Daniel Steele. He raps hard in verse two. The song includes spoken word interludes from a female. He wants clarity because all of his heroes are frauds, just like he is. Watch the video for “Clarity” here.
Key lyric: The opposite of faith ain’t doubt
Family Photo – This heart-breaking song about Mineo’s father Joe was written by Wit, Joel McNeill, John McNeill and Mineo. It was produced by Weathrman and Mineo. He tells about how his father didn’t show up for his wedding. The song starts slow and builds in intensity as his rage about his father builds. The song ends with him reciting Reinhold Niebuhr’s “Serenity Prayer”. Key lyric: ‘Cause when you bury emotions, you bury them alive
They only come back stronger, somewhere later in your life
Anxiety – This song was written by Wit, Joel McNeill, John McNeill and Mineo. The song was produced by, and features, Weathrman. The song was recorded in November, 2016 after Mineo had his first anxiety attack. The song describes what he felt as he was going through the anxiety attack. The song has a slower beat and ends with an outro spoken piece that may have been recorded in concert that leads into “I Ain’t Done”.
I Ain’t Done – This song was written and produced by Mineo and recorded on the bus while on tour in 2017. This bold song pounds from the very beginning, as he made up the lyrics on the spot. Key lyric: Man, my problems big, but I know God way bigger.
…Lost – The final track of the EP continues where “I’ve Been…” left off. It is written by David Ham, Joel McNeill, John McNeill, Wit, BEAM and Mineo. It was produced by Weathrman, BEAM and Mineo, and features Willow Stephens on vocals. The song starts slow and builds to a gospel vibe with a nice tip of the cap to his song “Never Land”. It ends with a spoken word piece explaining where he got the cover art for the EP and then some brief keys. It has a more hopeful spirit than the other songs. Key lyric: When I get above those clouds, yeah, I know that the sun’s out, I’ma be alright

Live on Soundstage: Michael McDonald
****

Michael McDonald has had quite a career, spanning 45 years, from Steely Dan, the Doobie Brothers to a successful solo career, which has included a number of Christmas albums and a few albums of Motown covers. This live project (DVD/CD) was filmed and recorded at Soundstage’s Grainger Studios in Chicago on May 25, 2017. It includes some of the five-time Grammy Award winner’s biggest hits, as well as three songs from his excellent 2017 comeback album Wide Open, his first album of new material in seventeen years.
The album showcases McDonald’s distinctive voice, which is still a wonderful instrument at age 65. He is backed by a strong ensemble, including horns and background singers.
I thoroughly enjoyed this recording. Below are the songs included on the album, and a comment on when they were originally recorded by McDonald. Note, some of the songs downloaded in a different order than they are listed on the album.

It Keeps You Running – This song was recorded by the Doobie Brothers, was the third single released from their 1976 album Takin’ It To the Streets, reaching number 37 in the U.S.
Sweet Freedom – This song reached #7 on the U.S. charts for McDonald in 1986, and was featured in the film Running Scared.
I Keep Forgetting – This song was from McDonald’s 1982 solo debut If That’s What It Takes, reaching #4 on the U.S. charts.
Find It In Your Heart – This song was the first single released from McDonald’s 2017 album Wide Open.
If You Wanted to Hurt Me – This song was included on McDonald’s 2017 album Wide Open.
I Can’t Let Go Now – This song was included on McDonald’s 1982 album If That’s What It Takes.
Beautiful Child – This song was included on McDonald’s 2017 album Wide Open.
Minute by Minute – This song was released on the Doobie Brothers’ 1978 album Minute by Minute. The single was released in 1979 and reached number 13 in the U.S.
What a Fool Believes – This song was released on the Doobie Brothers’ 1978 album Minute by Minute and reached number one in the U.S. The song won the Grammy 1980 for both Song of the Year and Record of the Year.
Takin’ It To the Streets – This song was included on the Doobie Brothers’ 1976 album Takin’ It To the Streets and reached number 13 in the U.S. This was the band’s first single with McDonald singing lead.

The three encores were:
You Belong To Me – This song was written by McDonald and Carly Simon and originally recorded by the Doobie Brothers for their 1977 album Livin’ on the Fault Line. The song was made popular by Simon on her 1978 album Boys in the Trees. Her single reached number 6 in the U.S.
What’s Going On – This classic Marvin Gaye song was included on McDonald’s 2004 album Motown II.
I Heard It Through the Grapevine – This classic song has been recorded by many, but probably the definitive version was Marvin Gaye’s 1967 recording. It was included on McDonald’ 2003 album Motown.

25 in 24
****

The film 25 in 24 documents a crazy dream. It was the dream of Christian band Switchfoot’s Jon Foreman. His dream was to play 25 concerts in 24 hours in his hometown of San Diego. The film is directed by Melody League and is beautifully filmed with many scenes of the San Diego area.
Foreman loves to play music. He is able to connect with people through his music. After Switchfoot concerts, he will meet fans outside the venue to play solo impromptu acoustic concerts.
As he released four Wonderlands EPs – Sunlight, Shadows, Darkness and Dawn a few years ago, he came up with a crazy dream. He would play 25, 3-song concerts in his hometown of San Diego in 24-hour period. There was much to coordinate, and many variables (musicians, transportation, traffic, weather, etc.). Could he remember all of the lyrics to 75 songs playing for 24 consecutive hours? Could he pull off this ambitious project? He tells us that a beautiful dream is worth chasing, even if you fail.
At 10:00 am on October 24, Foreman started out in his van beginning the realization of his dream, an entire day of song. This film follows Foreman as he fulfills his dream, embracing community one song at a time.
I enjoyed watching Foreman and his fellow musicians (only the cellist played all 25 shows) playing in a variety of locations in San Diego – Spreckels Organ Pavilion in Balboa Park (with Foreman’s mother Jan), Fidel’s Mexican Restaurant with a Mariachi Band, at Rady’s Children’s Hospital with a high school orchestra, singing “Your Love is Enough” at a wedding reception for the first dance for the bride and groom, on the roof of Ironsmith Coffee Shop, a blistering “Resurrect Me” in show 24, etc. Highlights for me were the concert on Mount Soledad, where they watched the sunrise afterwards, the show at Rady’s Children’s Hospital, and the final show on Swami’s beach, where Foreman went into the Pacific Ocean to surf immediately afterwards.
As the evening went on, people began following them from show to show. When it got late into the evening, the crowds became smaller and the shows more intimate. In the midst of it all, Foreman’s van breaks down.
As Foreman and the musicians finished show 25, it was a celebration of family, friendship and community. This was an event that made people come alive.
Foreman tells us that many times it’s the chase that we are looking for. He was chasing after wonder, looking for his Maker, one song at a time. He stated that journey is where life happens. Not in control but in the chaos.
The film is available online where movies are sold (Amazon Prime, iTunes, etc.). Music fans – Switchfoot and Jon Foreman fans in particular – will appreciate this film.

Abide with Me – Sara Groves
****

Sara Groves follows her acclaimed 2015 album Floodplain with her thirteenth studio album. She has stated that her previous album found her on the floodplain reflecting on the kind provision that comes when she finds herself in a place where she cannot rescue herself. Abide with Me is a collection of hymns and songs that were with her on the floodplain. The album was recorded in a 105-year old church (the construction of which is shown on the album cover photo), that the Groves purchased in 2011 and converted into Art House North, a creative community for the common good, in the West End of Saint Paul, Minnesota. Groves has stated that it was appropriate that the album was recorded in a space built for congregational singing. The album was recorded with her long-time bandmates, Aaron Fabbrini (bass, pedal steel) and Zach Miller (drums), produced by John Mark Nelson and mixed by Ben Gowell. The album includes songs carefully selected from Groves’ personal list of hymns. Each song has provided a source of healing and comfort to her throughout the years. Groves’ husband first came up with the idea of a hymns album about fifteen years ago and has been compiling possible songs for inclusion since then.

The album is recorded simply and sparsely and may underwhelm on initial listen. However, I encourage you to give these hymns additional listens and the project will grow on you with each listen. I would also recommend you have the lyrics to these hymns in front of you as you listen to this beautiful recording.

Below are a few comments about each of the eleven songs:

For the Beauty of the Earth – This Eucharistic hymn was written in 1864 by Folliott S. Pierpoint. It begins beautifully with woodwinds, then Groves’ vocal and then piano is added. Many will be familiar with the chorus:
Lord of all, to Thee we raise
This our hymn of grateful praise

Fairest Lord Jesus – This hymn, also known as “Beautiful Savior”, has a long and unconfirmed history. The lyrics we are familiar with are most likely from an 1873 translation by Joseph A. Seiss. The song begins with acoustic guitar. Groves’ vocal is then joined with light drums, pedal steel guitar and backing vocals. Key lyric:
Jesus shines brighter, Jesus shines purer
Than all the angels heaven can boast

Praise to the Lord – The lyrics to this hymn were written in German by Joachim Neander in 1680. Catherine Winkworth translated them into English in 1863. This was my favorite hymn growing up. This version features a choir providing backing vocals.

Abide with Me – This hymn was written by Scottish Anglican Henry Francis Lyte in 1847 as he was dying from tuberculosis. He would die just three weeks after its completion. It is most often sung to English composer William Henry Monk’s tune “Eventide”. This version features piano, banjo, pedal steel guitar and backing vocals. Key lyric: In life and death, Lord, abide with me

The Love of God – This hymn was written by Frederick M. Lehman in 1917, based on a Jewish poem titled Haddamut. This song starts with Groves accompanied by acoustic guitar and light backing vocals. As the song moves to verse two, she is joined by piano, bass and then a choir. Key lyric:
O love of God, how rich and pure
How measureless and strong

The Song of Blessing – Groves sings this short song with a choir, backed by acoustic guitar, piano and banjo.

What a Friend – This song has Groves singing to her redeemer about what a friend he is over piano, acoustic guitar and light backing vocals. Key lyric:
Nearer, draw nearer
Till my soul is lost in You

To the Dawn – This beautiful song is based on Henry Burton’s 19^th century poem “There’s a Light Upon the Mountains” with a refrain based on Isaiah 9:2. “All who walk in the dark have seen a great light”. The song begins with piano and strings. then guitar, percussion, pedal steel guitar and backing vocals are added.

Tis So Sweet – The lyrics to the hymn “Tis So Sweet to Trust in Jesus” were written by Louisa M.R. Stead in 1882. The music was written by William J. Kirkpatrick. This version begins with some likeable percussion, and then adds acoustic guitar, backing harmonies and a good mandolin solo. A highlight.

Lead on O King Eternal – This hymn was written Ernest Shurtleff upon request of his classmates for their graduation ceremony at Andover Seminary in 1887. The song begins with piano, with backing vocals and light drums added.

He’s Always Been Faithful – This song originally appeared on Groves’ 2001 debut album Conversations. The song incorporates the hymn “Great Is Your Faithfulness”, the lyrics of which were written by Thomas Chisholm in 1923, and the music composed by William Runyan that same year. The song features piano, upright bass and woodwinds. Groves estimates that she has played the song in concert well over a thousand times. A highlight.

Resurrection Letters, Volume 1 – Andrew Peterson
****

Ten years ago, Andrew Peterson, one of our most respected singer/songwriters, was working on an album that he says was more or less on the resurrection of Jesus. As he started working on the songs, he realized that they actually were more about the way Jesus’ resurrection plays out in our lives rather than the resurrection itself. So, the album was creatively titled Resurrection Letters, Vol. 2.
This year, Peterson finally began work on Vol. 1 with producer Ben Shive, who also produced Vol. 2, ten years ago. But Peterson felt it would be odd to write about Jesus’s victory over death without spending time writing about his death itself. That led to an EP, Resurrection Letters: Prologue. See my review here.
Now it is time for Resurrection Letters, Vol. 1. And it has been worth the wait. A Deluxe Edition version includes Resurrection Letters: Prologue. Below are a few brief comments about each song on this wonderful collection from one of our best songwriters.

His Heart Beats – This joyful song is about our Lord waking up, coming back to life in the grave. It begins with a drum beat that sounds like a heartbeat. It includes piano, drum, acoustic guitar and backing vocals. The Lamb of God slain for us is a lion ready to roar. His work is already done, he has defeated death, the final enemy, and the grave. Death no long has dominion over him. He took one breath and put death to death. The song includes the chorus of the much-loved Matthew Bridges 1851 hymn “Crown Him with Many Crowns”.
Key lyric: The blood that brought us peace with God is racing through his veins.
Risen Indeed – This is a song that Peterson wrote in 2009 on the Resurrection Letters Volume 2 tour and was saving to record for Resurrection Letters Vol. 1. The song begins with piano and builds with base and drum. He sings of Peter racing to the tomb and then of Jesus speaking Mary’s name. Abraham could not have dreamed of how all of those promises would be fulfilled in Jesus.
Key lyric: He is not dead; he is risen, risen indeed.
Remember Me – This song was written by Ben Shive to help himself and his church remember Jesus one Good Friday. There are references to familiar scripture passages throughout. The chorus is based on words spoken by the thief on the cross who came to faith in Christ. “Lord remember me when you come into your kingdom.” The uses a creative drum beat throughout, as well as piano and backing vocals.
I’ve Seen Too Much – This song is from the perspective of Peter. He knows it sounds crazy, but he knows what he saw. He saw Jesus die and be laid in the tomb. He’s seen too much to deny Jesus. Though the faithful have been scattered and he is tired and doubt has crept in, he can’t deny what he knows to be true. The song echoes Peter in John 6:68 when he said to Jesus “Lord, to whom shall we go? You have the words of eternal life”. The song opens with piano, percussion, acoustic guitar and then builds.
Remember and Proclaim – This upbeat song about celebrating the Lord’s Supper features some nice guitar work, light percussion and backing vocals. As we gather around the table, break the bread and drink the wine, we remember and proclaim his death until he comes again. Christ has died, Christ has risen, Christ will come again.
Maybe Next Year – This song was inspired by Peterson’s recent trip to the Western Wall, or Wailing Wall, in Jerusalem. It begins and ends with voices based on what we might hear at the Wailing Wall, and features piano, light percussion, accordion, keys, backing vocals and a guitar solo. Jesus never felt so real to him. He never felt so close to him. We’ll meet in the New Jerusalem someday, maybe next year.
Rise Up – This encouraging song is written by Ben Shive. It begins with piano and light percussion and then builds, featuring strings. Await, await the day of His return. Every stone that makes you stumble, every sad seduction and every clever lie will be crushed by the King of Love one day.
Key lyric:
‘Cause He will rise up in the end.
He will rise up in the end.
I know you need a savior,
And He is patient in his anger,
But He will rise up in the end.
Is He Worthy? – It is rare when that song comes along and from the first listen you know that it is special. That’s was the case with this song, the first song released from the album. Peterson has written that “the chorus is taken from that staggering moment in Revelation 5 when the prophet asks, “Is anyone worthy to break the seal and open the scroll?” He looks around, along with all the hosts of heaven, and when no one is found who is worthy to do so, he weeps bitterly. But then one of the elders says, “Do not weep! Behold, the Lion of Judah, the Root of David, has triumphed. He is able.” And then the Lamb, looking as if it has been slain, appears at the center of the throne, takes the scroll and breaks the seal, and at once all the heavenly hosts sing his praises: “He is worthy!””
I think this song, is destined to be a song that will be sung for years in churches around the world. The song starts with Andrew’s vocals and piano. It builds powerfully and triumphantly with strings and a choir.
Key lyric:
Is He worthy? Is He worthy?
Of all blessing and honor and glory
Is He worthy of this?
He is
All Things Together – The album ends with this worship song about Jesus. He sings about the attributes of Jesus from Scripture. He holds all things together. The song begins with piano and light percussion and then builds with strings and backing vocals.
Key lyric: He made peace by the blood of His cross.

A Million Lights – Michael W. Smith
****

A Million Lights is one of two new albums the 60-year-old Contemporary Christian Music legend Michael W. Smith released in February. And the two albums could not be any more different. While Surrounded is a live worship album of originals and covers similar to his other three live worship albums, A Million Lights is an album of all new pop songs. The first nine songs reflect a new sound, leaning on synthesizers and electronic dance beats, giving the album a fresh, modern toe-tapping sound. Think of Michael W. Smith meets Toby Mac. Smith used multi-platinum producer and songwriter Bryan Todd and songwriter Kyle Lee to help flesh out his vision for the new songs. Three of the final four songs will sound more familiar to Smith fans. I would have preferred that he continue with the new sound all the way through the album, but I give him a lot of credit for experimenting and taking chances with a more current sound for most of the album. While at first, the new sound was hard to adjust to (as I heard Surrounded first), the songs on A Million Lights grew on me with each repeated listen. So, if the album’s new sound puts you off at first, give it a chance. The theme of the album is on unity and reconciliation in our divided society, so the uplifting lyrics are filled with hope.

Below are a few comments about each song:
A Million Lights – This song is written by Kyle Lee and Smith and was the album’s first single. The song is musically interesting, opening with piano and building with backing vocals and synths. It is a celebration of God’s creation, as all of the stars are singing for Him.

Conversation – This song is written by Bryan Todd, Jason Walker and Smith. The song has an infectious beat and is about bringing reconciliation and unity to the division in our culture. It features a dance beat and hand clap. He wants to talk, and to hear what others are saying. Key lyric:
One by one we’re separated
What I thought was love just looked like hatred
I’ve been losing myself trying to prove You wrong
And right now all I know is I can’t go on
So I’m stepping across all the lines I’ve drawn

Something in My Heart – This song is written by Bryan Todd, Jason Walker and Smith. It is likeable musically, featuring upbeat dance music, but it is a little light and repetitive lyrically. If not for God, he would never move. God wakes something in his heart.

Footsteps – This song is written by Chris Davenport, Jason Walker and Smith. It is immediately likeable with a dance beat and finger snaps. The song is about complete dependence in following God’s guidance in life. Key lyric: But as long as I can see Your footsteps, I’m alright.

Your Love – This song is written by Kyle Lee and Smith. Style wise this song starts with a more Smith sound and then quickly builds with electronic dance beats. The song is about God’s wonderful endless love. Key lyric:
With trembling hands and an empty breath
You saw the struggle and You cast the nets
You knew me better than I ever knew myself
And now the only thing that’s left is Your Love

Love Always Wins – This song is written by Thad Cockrell and Smith. The song opens with synthesized sounds and then builds with electronic drums, hand claps and gang vocal chorus. He sings of a distance between those who disagree and say that the space between them is two wide, but God’s love always wins.

Crashing Waves – This song is written by Jonathan Jackson and Smith. This song opens with distorted vocals. He is broken, that’s how God found him. It is creative musically with a passionate vocal. The song ends with hope. Key lyric:
Somebody stole the pain, a thief in the night came.
I’ll never be the same, You rolled this stone away

Louder – This song is written by Bryan Todd, Jason Walker and Smith. The song begins with piano and distorted vocals. It is upbeat musically and lyrically encouraging, continuing the overall theme of the album to have open and honest conversation in these divided times.

Revolution – Musically, the pace slows down a bit on this song, with some use of acoustic guitar. The song is about building bridges in a world of hate and fear. There is a good use of high-range backing vocals.

Hey Love – This song is written by Wayne Kirkpatrick and Smith. Musically and lyrically, this song doesn’t fit with the previous nine songs. It is a piano driven love song, featuring the vocals of Jordan Sparks. Their voices blend well, but after the upbeat electronic dance beats, this song sticks out. My least favorite song on the album.

You Make Me Feel This Way – This song is written by Bryan Todd, Jason Walker and Smith. This song opens with acoustic guitar and features some good keyboard work. He sings in a lower register than normal. It is upbeat and joyous with good backing vocals. The lyrics are vague enough that he could be singing to God or to his wife.

Forgive – This song is written by Wes King and Smith. This song has more of a traditional Smith sound, a ballad that builds with piano, strings and backing vocals. The song is about someone who left him when he was young, breaking his heart. He is writing to say that he forgives them.

Who You Are – This song has a slower pace that gradually builds. It features piano, light drums and guitar. The theme is hope and healing of the pain. Key lyric:
Give me time
I’ll heal the pain you feel
Give me time
I’ll show you love that’s real

I Knew You When – Bob Seger (Deluxe Edition)
****

This is 72-year old Rock and Roll Hall of Fame member Bob Seger’s eighteenth studio album. It was self-produced and recorded in Detroit and Nashville and dedicated to longtime friend Glenn Frey, who died in 2016. The album cover features a mid-60’s photo of Seger. Some of the songs were written and originally recorded several years ago.
I saw Seger in concert with the Silver Bullet Band back at the now defunct Poplar Creek Music Theatre near Chicago in the summer of 1980 and have enjoyed his music ever since. Here are a few brief comments about each of the songs:
Gracile – The album opens strong with this rocker, featuring excellent guitar, including a nice solo, bass, drums and backing vocals. This song is a about a woman. She’s a winner, her body is gracile (slender, thin, graceful), and she’s in control.
Busload Of Faith – This song was written by Lou Reed and appeared on his 1989 album New York. It was the first single released from the new album. Seger changed some of the lyrics, substituting “You can’t depend on the President” for Reed’s “You can’t depend on the churches”. It’s an upbeat song with horns, a guitar solo and gospel-like backing vocals.
The Highway – This rocker is driven by guitar and a drum beat. It features a strong vocal by Seger, backing vocals, some of which sounds like an uncredited Bruce Springsteen, and a guitar solo. In a world of phony prophets, he’s packing up his gear, getting out of here and heading for the highway.
I Knew You When – This song has the feel of some of Seger’s biggest hits. It is a mid-tempo song featuring piano and backing vocals. The song dates back to 1997 and was considered for his Face the Promise album. It has Seger looking back to memories of a “glorious long ago”. He’s singing to someone who was always a friend.
I’ll Remember You – This is a powerful guitar driven ballad, that also features piano. Seger delivers a passionate vocal, and is backed by strong backing vocals. He has some regrets and wishes he had the words to take it all away. The song was originally considered for his 2014 album Ride Out.
The Sea Inside – Seger has described this song as being “very Led Zeppelin”. It features heavy guitars, including a few solos and strong drums. The song is about moving away from earthly things, being free at last, leaving the past behind, charting a new course and sailing the sea inside you. I’m not sure what that means exactly, perhaps some type of meditation technique. The song was originally considered for his 2014 album Ride Out.
Marie – This ballad features piano, drums, acoustic guitar and backing vocals. I had a hard time figuring out this song, directed to a Marie, who he encourages to stay free. He is going to follow her down for a while. He sings that not much has changed in 5,000 years.
Runaway Train – This is an up-tempo rocker, first recorded in 1993 for his album It’s a Mystery. It has a driving beat, strong vocal, excellent guitar and sax solos and good backing vocals. He doesn’t know what he’s doing, or where he’s going. He’s like a runaway train. Is there a reason he’s on this road or is it random?
Something More – This song dates back to 2001. It’s a power ballad with guitar, strong drum beat, sax and guitar solos and backing vocals. He asks the important question “Is that all you want or is there something more?”
Democracy – This song was written by Leonard Cohen and included on his 1992 album The Future. It features military style drumming, guitar, synth and backing vocals. Democracy is coming to the USA. Key lyric: I love the country but I can’t stand the scene. And I’m neither left or right, I’m just staying home tonight, getting lost in that hopeless little screen.
Forward Into The Past – This rocker dates back to 1999. The song is driven by guitar, including a solo, and heavy drum beat, with piano and backing vocals. Rural towns are drying up as everyone is heading to the city, taking jobs with big corporations, too tired to make a stand. There are references to bailouts and Wall Street. Hometowns are nearly empty, as are schools and churches, as everyone has left to go to the city. That whole way of life is fading fast.
Blue Ridge – This up-tempo rocker is an ode to the history and beauty of the Appalachian Mountains. This song dates back to 1997 and was a candidate for his Face the Promise album. The song is drum-driven and features keys, a guitar solo and backing vocals.
Glenn Song – This beautiful acoustic ballad is about Seger’s 50-year friendship with the Eagles’ Glenn Frey. Seger originally posted the song on his website on January 16, the one-year anniversary of Frey’s death.

Key lyric:
You were strong
You were sharp
But you had the deepest heart
You showed the whole world what we knew
There was no one quite like you

Surrounded by Michael W. Smith
****

Michael W. Smith has been a leader in the Contemporary Christian Music industry since his debut album in 1983, about the entire length of my Christian life. In addition to his pop albums, the talented artist has released several live worship and Christmas albums, along with a few instrumental albums, two albums of hymns, and even wrote music for Steve Taylor’s The Second Chance, a film he starred in. His 2001 album Worship has sold in excess of 2 million copies and the 2002 Worship Again has sold in excess of 1 million copies. He has won three Grammy Awards and an incredible 45 Dove Awards. Now 60 years old, Smith shows he is not slowing down. Surrounded, his second album to be released this month, and twenty-fifth overall, is a live worship album recorded during an in-the-round performance November 2, 2017 at the Factory in Franklin, Tennessee.
Smith has said that the idea of doing another live worship project has been something he has been thinking about for a while. He feels God calling His Church together, every nation, every tribe, tongue, social class and denomination.
Like his other worship albums, the songs here are a mix of originals and covers. My only critique would have been for Smith to include more originals. If you have enjoyed Smith’s previous worship albums, you’ll enjoy this one as well.

Here are a few thoughts about each song on this excellent album.
Your House – This song is written by Smith. It is an upbeat and joyful song that reminds me of a Chris Tomlin like sound – drums, guitar, piano, backing vocals. It’s an excellent start to the worship experience. Key lyric: We come into Your house with thanksgiving and praise all for Your name.
Light to You – This song is written by Smith. The song starts slowly, picking up triumphantly in the bridge. To the farthest horizon, God is there, He’ll find me. Key lyric: Even the darkness is light to You.
King of My Heart – This song is written by John Mark McMillan and Sarah McMillan, and has been covered by a number of artists such as Bethel Music and Kutless. The song builds powerfully. God is good and He will never let us down.
Reckless Love – This song is written by Cory Asbury, Caleb Culver and Ran Jackson and has been covered by several artists. The song, about the overwhelming, never-ending, reckless love of God, begins with piano and then slowly builds, running nearly nine minutes in length.
Here I Bow – This song is written by Jason Ingram, Matt Redman, Jonas Myrin, Brian Johnson and Jenn Johnson. It begins with light guitar and then builds with piano and backing vocals. Key lyric: So here I bow, to lift You high, Jesus, be glorified in all things, for all my life. I am Yours, forever Yours.
Miracles – This song is a cover of a Jesus Culture song, written by Stuart Garrard, Dustin Smith, Joshua Silverberg and Chris Quilala. The song starts slowly and then powerfully builds, running nearly nine minutes in length. It includes some lyrics sung in Spanish. Key lyric: I believe in You, You’re the God of miracles.
Do It Again – This is a cover of an Elevation Music song, written by Steven Furtick, Matt Redman, Mack Brown and Chris Brown. The song starts slowly and then builds powerfully in the bridge. God has never failed us. Key lyric: I’ve seen You move, You move the mountains, and I believe, I’ll see You do it again.
Surrounded (Fight My Battles) – This song is written by Elyssa Smith. It is simple lyrically, pretty much repeating the lines “This is how I fight my battles” and “It may look like I’m surrounded but I’m surrounded by You”. It is triumphant song, with the music and backing vocals building powerfully.
Build My Life – This song is written by Pat Barrett, Matt Redman, Brett Younker, Kirby Kaple and Karl Martin and has been recorded by Christy Nockels. It begins with some effective percussion, and includes piano and backing vocals. Jesus is worthy and we live for Him. Key lyric: I will build my life upon Your love, it is a firm foundation.
Washed Away – This song is written by Smith. This song begins with piano and builds powerfully with backing vocals about the joy that the believer has knowing that their sins washed away by the blood of Jesus. The song incorporates the classic hymn “Nothing But the Blood of Jesus”.
Great Are You Lord – This song was written by Jason Ingram, David Leonard and Leslie Jordan and has been recorded by All Songs and Daughters and others. The song starts with piano and slowly builds. Key lyric: It’s Your breath in our lungs
So we pour out our praise.
Light to You (Reprise) – The album closes with a reprise of the earlier “Light to You”. Key lyric: Even the darkness is light to you.

Resurrection Letters: Prologue
****

Ten years ago, Andrew Peterson, one of our most respected singer/songwriters, was working on an album that he says was more or less on the resurrection of Jesus. As he started working on the songs, he realized that they actually were more about the way Jesus’s resurrection plays out in our lives rather than the resurrection itself. So, the album was creatively titled Resurrection Letters, Vol. 2.
This year, Peterson finally began work on Vol. 1 with producer Ben Shive, who also produced Vol. 2, ten years ago. But Peterson felt it would be odd to write about Jesus’s victory over death without writing about his death itself. That led to this recording, which he humorously has called the prequel to the prequel. Got all that?
Volume 1 will be out soon. For this release, Peterson has written ““The five songs on Prologue are meant to be a sort of fast, opening with the last words of Jesus on the cross and ending with his interment in the tomb. May they’ll be a good reminder of the hard road Jesus walked in order to make the world new.”

Let’s look at the excellent EP, Resurrection Letters: Prologue, which is superbly written and performed:
Last Words (Tenebrae) – This beautiful song driven by piano, light percussion and backing vocals, focuses on Jesus’s last words on the cross, beginning with, “Father forgive them, they know not what they do”. The vocals are layered and build powerfully throughout the song. Ending with “Father into your hands I commit my spirit”.
Well Done, Good and Faithful – This song features piano and light percussion. It takes the listener through the suffering and death of Jesus on the cross, through his cries and groans when his Father turned away from him. The chorus is based on Hebrews 12:2 which reads in part “who for the joy that was set before him endured the cross, despising the shame, and is seated at the right hand of the throne of God.” Jesus finished his work, well, good and faithful, reminding us of the servant in Matthew 25:23.
The Ninth Hour – This is a beautiful instrumental featuring strings and piano. Mark 15:33 states “And when the sixth hour had come, there was darkness over the whole land until the ninth hour.”
Always Good – This intimate song to Jesus is driven by acoustic guitar and backing vocals. Jesus, who laid down his life and suffered for us, knows what we are feeling. Somehow His sorrow is shaping our hearts like it should, as we try to believe what is not meant to be understood. It’s hard to know what He is doing. Help us to trust that His intentions for us are still good. Maybe the answer surrounds us, but we don’t have the eyes to see that He’s always good.
God Rested – The EP ends with this song about Jesus’s body being taken down from the cross and being buried in the tomb of a rich man. Pilate had no peace during this time. Peterson creatively connects God’s work in creation with Jesus’s work. “Six days shall you labor, the seventh is the Lord’s. In six He made the earth and all the heavens, but He rested on the seventh.” He worked till it was finished (Matthew 19:30). God blessed the seventh day. The song is driven by piano, drums, synth and backing vocals.

Peterson has stated that his hope is that the listener would use these five songs during Lent and Holy Week to dwell on the terrible road Jesus had to walk in order to conquer not just sin, but the grave.
Meditate on these songs as you prepare your heart to celebrate the Lord’s resurrection.
Andrew will be one of the speakers at the Sing! 2018 Conference September 10-12 in Nashville.

One More Song by Ashley Cleveland
****

The first time I saw three-time Grammy winner Ashley Cleveland was outdoors at the Cornerstone Musical Festival years ago. I was blown away by this guitar playing artist with a powerful bluesy voice who reminded me of Bonnie Raitt. I would see her several more times over the years, including a few times playing her heart out for a small group of people at the Jesus House, a local inner-city mission in the community I live in. I’m convinced that she is one of rock music’s most under-appreciated talents.
This is her tenth album, and it is produced by husband and guitarist Kenny Greenberg. The album cover was painted by Jimmy Abegg. Cleveland wrote 6 of the 11 songs on the album. She has stated that all of the songs are very autobiographical. The songs travel along themes of addiction recovery and loss, loving – or attempting to love – those who are different from her, her children becoming adults and leaving home, aging and the joy and solace of her faith and the struggle to live it out in a broken world. Cleveland is working on a documentary titled Who’s the Girl, which will feature some of these songs. Below are a few comments on each song, all of which feature Cleveland’s powerful vocals and Greenberg’s excellent guitar work:

Way Out of No Way – This song was written by Cleveland. It’s a strong opener featuring powerful vocals and excellent guitar work from Greenberg. It’s an autobiographical song about her start in music, drinking and her need for a Savior.
Down by the Riverside – This arrangement from Cleveland features acoustic and electric guitars, including an excellent solo, organ, drums and backing vocals. Key lyric: I’m gonna lay down my sword and shield, down by the riverside, I’m gonna study, study, war no more
Crooked Heart – This is a slower, reflective acoustic song written by Cleveland, Rachel Yellen and Jameson Fuller. It begins with acoustic guitar and includes some light electric guitar. Key lyric: I love my crooked neighbor with my crooked heart.
Lily Grown Wild – This song is written by Cleveland about her youngest child leaving home. This guitar driven song has a Rolling Stones vibe to it (Ashley has previously covered the band’s song “Gimme Shelter”). The song is about children becoming adults and the struggle of learning to let go. A definite highlight.
Take Me to the Water/Cool Down by the Banks of Jordan – This arrangement from Cleveland includes her powerful vocals, acoustic guitar and organ. It starts slowly and as it transitions to “Cool Down by the Banks of Jordan”, where Jesus is going to meet us there. Driven by Greenberg’s guitar, you’ll not be able keep still. Features an excellent guitar solo.
Halfway Down – This song is written by Jim Lauderdale and was made popular by country artist Patty Loveless in 1995. It includes keys, bass, guitar, including a couple of solos, and organ. Key lyric: Halfway down, just a getting started, Yes, I’m beginning on my journey now.
To Be Good – This is a slower, reflective acoustic song written by Cleveland and Winston Yellen. It begins with acoustic guitar and includes some light drums and electric guitar, with a mid-song solo. It is a reflection of the end of one’s life. Key lyric: All I ever wanted was to be good.
Ezekiel 2 – This song was written by Cleveland and Phil Keaggy. “Ezekiel” appeared on Phil Keaggy’s excellent 2016 album All at Once. On that bluesy rocker, Ashley sang a duet with Phil, their voices blending well. Both that song and “Ezekiel 2” are about the valley of dry bones from chapter 37 of the book of Ezekiel. “Ezekiel 2” is faster, with Ashley’s powerful vocal and Greenberg providing some excellent guitar work, including a nice solo.
One More Song – This song, written by Cleveland is based on a story that Cleveland’s mother told her on a trip to the Smokey Mountains to see their old cabin for the last time. It’s about a memory that her mother shared from her own childhood with older sister Betsy. It’s an acoustic based song with a good guitar solo.
Walk in Jerusalem – This song originally appeared on Cleveland’s excellent 2012 album Beauty in the Curve. You won’t be able to keep still when listening to this song, which features some excellent guitar work, including a mid-song solo, from Greenberg, and a joyous vocal from Cleveland.
Born to Preach the Gospel – This song also originally appeared on Cleveland’s album Beauty in the Curve. The song starts slow in a slow groove with Greenberg’s guitar, and then powerfully builds up steam. The song features a mid-song guitar solo and organ. Key lyric: I was born to preach the Gospel, and I sure do love my job.

Overall, this is another strong effort from a very under-appreciated artist.
Check out Ashley’s recent interview with Andrew Osenga on the podcast The Pivot.

The Greatest Showman (Original Motion Picture Soundtrack)
****

The Greatest Showman is a very entertaining and well-made musical inspired by the life of P.T. Barnum, featuring excellent new songs by the Oscar winning lyricists from La La Land. The film includes eleven new songs written by Oscar (La La Land) and Tony (Dear Evan Hansen) Award winners Benj Pasek and Justin Paul.

Below are a few comments on each song:

The Greatest Show – The film opens with the title song performed in a big song and dance production number. Jackman, with his Broadway experience, is excellent in his portrayal of Barnum. He is joined on this song by Zac Efron, Zendaya and Keala Settle.

A Million Dreams – This song is initially sung by Ziv Zaifman as a young Barnum and then shifts to the adult Barnum with Jackman and Michelle Williams singing. In the film, the song is sung as we see a flashback in which Barnum, a young and impoverished tailor’s son, played by Ellis Rubin, first meets the privileged but sweet Charity, played by Skylar Dunn. We see them fall in love, but Charity’s father tells P.T. to stay away from his daughter, who is then sent away to a boarding school. But we see them stay in touch through letters. The film moves forward a dozen or so years, with Jackman portraying Barnum and Michelle Williams portraying his now wife Charity.

A Million Dreams (Reprise) – This short song is sung by Barnum’s daughters Caroline (Austyn Johnson) and Helen (Caroline Barnum) and Jackman.

Come Alive – This upbeat song is sung by Jackman, Keala Settle, Zendaya, Daniel Everidge.

The Other Side – In this song Jackman as Barnum convinces the socialite playwright Phillip Carlyle, played by Zac Efron to become his business partner.

Never Enough – This powerful song is performed in the film by Jenny Lind “The Swedish Nightingale”, the best singer in the world. While Lind is played in the film by Rebecca Ferguson, her singing is actually performed by Loren Allred.

This is Me – This powerful song has received an Oscar nomination. It is performed by Tony nominee Keala Settle, who plays the bearded lady in the film.

Rewrite the Stars – This song is performed by Zac Efron and Zendaya. If you’ve seen the film, you’ll remember their powerful scene in the circus ring about their love that has so many obstacles.

Tightrope – This beautiful song is sung by Michelle Williams as Barnum’s wife as she sings that she risks it all to be with Barnum and the life they’ve chosen.

Never Enough (Reprise) – This is a short reprise of Loren Allred’s powerful rendition of “Never Enough”

From Now On – This song starts slowly with Jackman’s vocal over piano and builds powerfully as the celebratory closing song of the film.

I’m not usually a fan of movie musicals, but I really enjoyed The Greatest Showman. It is a film that the entire family can enjoy. If you’ve seen the film, you’re most likely going to want to check out the movie soundtrack.

Echoes (Deluxe Edition) – Matt Maher
****

After seeing eight-time Grammy nominee Matt Maher open for Toby Mac a few years ago he quickly become one of my favorite artists and songwriters. His previous album Saints and Sinners was my top album of 2015.
This is Maher’s sixth studio album, and perhaps his most personal one to date. After writing most of the songs for the album, Maher lost his father. He has stated that for him this album is a declaration responding to the dilemma of suffering. The album answers the question of how we echo our faith, and whether it is possible to have hope and joy that is not governed by fear. He stated that many of these songs, in particular the worship songs, were inspired by hymns written in or around some personal experience or bout with suffering – suffering of all different kinds: personal, physical, mental, and spiritual.
Below are a few comments on each of the songs on this excellent album:

Echoes One – In this short opener, he sings of hearing the sound of a voice, or echoes, inside that keeps him awake in the middle of the night. The voice/echoes are telling him to make the wrong things right.
Clean Heart – This song was written by Audrey Assad and Maher. In a world where everyone is yelling, in all this division, may we be known by our love. May we follow Christ’s direction to love our enemies. This mid-tempo rocker has themes of forgiveness, mercy and compassion. Let it start with us with a clean heart. Key lyric: When everybody’s looking for another fight, when troubles on the rise, no end in sight. Oh Savior, won’t You come and make the wrong things right.
What a Friend – This song was inspired by the hymn “What a Friend We Have in Jesus” by Joseph M. Scriven, who wrote it in 1855 to comfort his mother in Iceland while he was living in Canada. The song speaks to God’s faithfulness even in the midst of personal sorrow and devastation. The songs is driven by a good drum beat, hand clap and backing vocals. We all have fears and worries, but we can lay our burdens down. Key lyric: What a friend we have in Jesus, east to west my sins are gone, I see grace on every horizon, and forever and ever His heart is my home.
Holy – This song is written by Chris Tomlin, Hank Bentley, Jason Ingram, Mike Donehey and Maher. It is a song of worship to God that begins with keys, and builds in the chorus with drums and backing vocals. Key lyric: Holy, You are holy. There is none beside Thee.
Your Love Defends Me – This was the first single released a few months before the album was released. The song was written by Hannah Kerr and Maher, the song originally appearing on her 2016 album Overflow. The song features excellent backing vocals. Key lyric: Surely my God is the strength of my soul, your love defends me, your love defends me.
Just as I Am – This song samples the well-known hymn written by Charlotte Elliot in 1835. We come to Jesus in our guilt and shame. He welcomes us and takes us in His loving arms through his amazing grace and shed blood. We’ll never be the same again.
Awake My Soul (A Thousand Tongues) – This song is written by Jonas Myrin, Laura Story, Matt Redman and Maher. It is inspired by Charles Wesley’s 1739 hymn “Oh, for a Thousand Tongues to Sing”. This worship song is piano driven and features some excellent backing vocals. Key lyric: Awake my soul to sing, the glories of my God and King, arise and praise the One, worthy of the songs of a thousand tongues.
Faithfulness – This song is written by Jacob Sooter, Stephen McWhirter and Maher, originally appearing on the 2017 album God That Saves by Iron Bell Music. The song features vocals from Steffany Gretzinger, who serves as a worship leader at Bethel Church in California. This worshipful song begins with piano and builds slowly. Great is the faithfulness of our God, always and forever.
Echoes Two – This short song is driven by acoustic guitar. He asks the Lord to bind us together as one, to find the greater good and search for the common ground.
Picket Sign – Using language from today’s news “protest, stand, march, walk, justice”, this song begins with piano and builds powerfully with a memorable chorus. Key lyric: The cross leapt in like a picket sign, You carried the weight for all mankind, You gave Your life just to give me mine.
Won’t Let Me Down – This song is written by Bryan Fowler, Jason Ingram and Maher. This song speaks to the faithfulness of God. He is not surprised by our suffering. There is no fear in His eyes. In the midst of suffering, through the night His love won’t let us down. He will hold us up. Starting with piano, the song features a good drum beat and backing vocals. Key lyric: Your love won’t let me down. You always find a way somehow.
The Least of These – This beautiful song is written by John Tibbs and Maher. It is simple musically, opening piano and includes strings. The song includes the recurring theme of echoes. He sings of the refugee, using Jesus’ words in Matthew 25:35 “For I was hungry and you gave me food, I was thirsty and you gave me drink, I was a stranger and you welcomed me”. Key lyric: When love became a refugee, He became my refuge
The Cross Forever Speaks – This song is written by Jason Ingram, Paul Mabury and Maher. It features a good drum beat. This song addresses questions about suffering. Even if everything is taken from him, he knows he is not forsaken. He will still lift his hands up in praise. Key lyric: You may silence me, but the cross forever speaks.
Into Your Hands – This song is written by Jason Ingram, Paul Mabury, Trevor Morgan and Maher. This song samples the 1896 hymn “I Surrender All” by Judson W. Van DeVenter. It features some excellent piano playing, as well as guitar and organ. Key lyric: You have all my heart, all that is broken. I surrender all, My life into Your hands.
As Good as It Gets – This song is written by David Garcia, Francesca Battistelli and Maher. This beautiful song is driven by acoustic guitar. It is about God being real in our struggle. Key lyric: You take my eyes off of the future. You lead my heart out of the past. You are the promise here in the moment, where I find my rest.
Your Love Defends Me (Solo Piano Version) – The Deluxe Edition ends with a beautiful stripped-down version of this excellent song. Day and night, God is with him in the fight. He is not alone.

Glory Song – Matt Redman
****

Two-time Grammy Award winner and writer of many wonderful worship songs for the church including “10,000 Reasons (Bless the Lord)”, Matt Redman follows his excellent 2016 Christmas album These Christmas Lights, with this album recorded at the famed Capitol Studios in Los Angeles. Prior to the Christmas release, his three prior albums had been recorded live. The album was co-produced by Jeremy Edwardson and Jeremy SH Griffith. He intentionally tried to bring more of a gospel sound to the album, including Tasha Cobbs Leonard, Kierra Sheard and a gospel choir. I can’t tell you how much I was blessed and encouraged by this album – it’s one of my favorites.

Below are a few comments on each song on the album:
All Glory – This song was written by Jonus Myrin and Redman, and features vocals from Kierra Sheard (who also appears on Lecrae’s new album), and a gospel choir. The chorus is an adaptation of the Gloria Patri. Key lyric: All glory to the Father, all glory to the Son, all glory to the Spirit.
The Spirit of our God. As it was in the beginning, and will be in the end. All glory to Your everlasting name.
Gospel Song – This song blends familiar Redman elements with an excellent beat and even some rap from Guvna B. It starts slowly with piano, then builds with catchy beat, gospel choir, guitar and organ about the joy of singing the gospel song. You’ll hear bits of John 3:16 in here too. I liked him stepping out of his norm.
Greatest Hallelujah – This song is written by Jonas Myrin and Matt Redman. It will remind you of some of Redman’s most-loved worship songs. It features a choir and some shouts. A highlight. Key lyric: From this breath to my last, then forever and a day, I’ll pour out my heart, I’ll pour out my soul
My greatest hallelujah.
Gracefully Broken – This song was written by Tasha Cobbs Leonard and Redman and was the first single released ahead of the album. It features a gospel choir and strong vocals from Leonard, who also includes a version of the song on her album Heart. Passion. Pursuit. The song starts slow and builds to the worshipful chorus. It will be a wonderful song for congregational singing. Key lyric: Here I am, God Arms wide open, pouring out my life, gracefully broken
One Day (When We All Get to Heaven) – This song, which incorporates the hymn “When We All Get to Heaven”, is written by Eliza E. Hewitt, Beth Redman, Leonard Jarman and Redman. It features a strong Redman vocal with a piano and later organ backing. Again, this is different from the usual Redman song, and I really liked it.
Redemption Ground – This song is written by Nick Herbert, Sam Bailey and Redman. It starts slowly with guitar and then builds with drums and backing vocals from female vocalist Madison Cunningham. On this redemption ground he’ll stand with all the saints. It features a nice guitar solo.
Key lyric: Who can count the souls of all who have been found here on redemption ground.

It Is Finished – This song is written by Jonas Myrin, Ed Cash and Redman about the words Jesus spoke on the cross and what those words mean. It is a triumphant song which features choir. He (and we) stands in awe and amazed. There is no more condemnation. Hallelujah, God be praised. This will be a wonderful song to sing in worship services. Key lyric: It is finished, it is finished, O, what else is there to say, Shame is silenced, death defeated, Hallelujah, God be praised.
Questions (You Are Faithful) – This song is written by Jonas Myrin and Redman. It speaks to how God holds us even when we have questions, fear and doubt. One thing that will never change is that He is faithful to the end. The song features backing vocals from a choir that culminates in Redman’s prayer near the end of the song. Key lyric: Lord, I believe, but help my unbelief (Mark 9:24)
Still I Will Sing – This upbeat song (drums, guitar, piano, organ) is written by Jonas Myrin and Redman. It has an infectious beat from the beginning. It’s about singing to the Lord no matter what the circumstances. Sometimes it’s a song of joy or sacrifice. We sing in the battle, in the blessings and the shadows. Key lyric: Sing it like you mean it, sing and believe it, for the glory of God.
Place Of Praise – This song is written by Bernie Herms, Aaron Lindsey and Redman. It opens slowly with primarily piano and then builds with powerfully with Kim Walker-Smith and a choir. Key lyric: If the highest praise is a sacrifice and the greatest song is to give my life then I will not bring that which costs me nothing.
Hope Is Marching On – This song of encouragement is written by Jonas Myrin and Redman. It opens with Redman’s singing with a piano backing. He is later joined by a gospel choir, still accompanied by just a piano. It is about relying on God during times of tears and trouble, through the darkness of the night. Key lyric: And Your love, it keeps on lifting me, and Your hope is marching on, and Your mercy surely carries me, and Your hope is marching on.
Simple Pursuit / Glory Song – The song is written by Sam Bailey, Nick Herbert, Ben Cantelon and Redman. It is about going back to the basics of the faith. A simple pursuit of God, a church that is known of His presence. This song of worship starts slowly with acoustic guitar, piano and female vocal. It builds gently and includes a prayerful ending. Key lyric: Nothing and no one comes close to You. Your Ways – This song is written by Nick Herbet, Sam Bailey and Redman.
This song of thanksgiving has a slow worshipful pace with acoustic guitar, organ, piano and choir. Key lyric: Your ways of loving us. So deep and wide and never will they change. How we love your ways.

Give More Love – Ringo Starr
***

The 77-year old former Beatle follows his 2015 album Postcards from Paradise with his nineteenth studio album, which was recorded in his home studio in Los Angeles. The album was originally planned to be a country album recorded in Nashville with Dave Stewart. They recorded one song – “So Wrong for So Long” – before the album took a different shape. In addition to ten new songs, there are four bonus tracks, which are new versions of old songs. Starr self-produced the album, assisted by engineer Bruce Sugar. The album features a number of guests, including former band-mate Paul McCartney, brother-in law, guitarist Joe Walsh, and fellow Eagles singer-bassist Timothy B. Schmit, Heartbreakers keyboardist Benmont Tench, saxophonist Edgar Winter, guitarist-producer Jeff Lynne, guitarist Dave Stewart, bassists Nathan East and Don Was, Toto guitarist Steve Lukather and multi-instrumentalist Greg Leisz.

Below are a few comments on each song:

We’re on the Road Again – The album starts off on a high note with this energetic rocker written by Toto’s Steve Lukather and Starr. It features backing vocals from Richard Marx, Edgar Winter, Georgia Middleman, Gary Burr, Gary Nicholson, Joe Walsh, Paul McCartney (who also plays bass and add screams), Lukather and Starr. It’s a song about the joys of being on the road and playing live. A highlight.
Laughable – Starr shows he can address social and political issues in this song with Peter Frampton. It addresses the turbulent events of the world as he sings “It would be laughable if it wasn’t sad.”
Show Me the Way – This is a tribute to Barbara Bach, Starr’s wife of 36 years. It is written with Lukather and features bass from McCartney. Backing vocals are provided by Amy Keys, Richard Page and Timothy B. Schmidt. He sings “After all this time we’ve had to share/The better life I’ve had ’cause your still there/I need to show you just how much I care/There were times It wasn’t always easy, but we got through”.
Speed of Sound – This song is written by Richard Marx and Starr and features some nice Talkbox guitar work from Peter Frampton. Backing vocals are provided by Amy Keys, Windy Wagner and Marx.
Standing Still – This song is written by Gary Burr and Starr. Greg Leisz’s dobro gives it a country feel. Backing vocals are provided by Georgia Middleman and Burr. Like “Laughable”, this song makes reference to the difficult conditions in today’s world and the importance of being optimistic. Starr has said that the upbeat song is about even when you’re at the bottom of the hill, you’ve got to get up and take that first step.
King of the Kingdom – This reggae-flavored song was written with Van Dyke Parks. It features saxophone from Edgar Winter and backing vocals from Amy Keys and Windy Wagner. The song mentions Haile Selassie and Bob Marley.
Electricity – This song was written by Glen Ballard and Starr. It takes us back to Liverpool and Starr’s time with Rory and the Hurricanes. Backing vocals are provided by Amy Keys, Windy Wagner and Ballard. Joe Walsh plays guitar and Don Was bass.
So Wrong for So Long – This catchy, laid-back country song was written by Dave Stewart and Starr for what was planned to be a country album. Backing vocals are provided by Georgia Middleman and Gary Burr. Starr has previously recorded a country album, 1970’s Beaucoups of Blues his second solo album.
Shake It Up – This rockabilly toe-tapper is written by Gary Nicholson and Starr. Backing vocals are provided by Amy Keys and Windy Wagner. Edgar Winter adds some excellent piano and Steve Dudas guitar. The song has an early-Beatles, “Honey Don’t” sound. One of my favorites.
Give More Love – This song is written by Gary Nicholson and Ringo. Backing vocals are provided by Amy Keys, Richard Page and Timothy B. Schmidt. Ringo sings that we need to give more love, it’s what we know we need more of.

The remaining four songs are bonus cuts for the CD and digital versions of the album:

Back Off Boogaloo – This is a re-recording of Starr’s hit that he wrote and George originally produced. Jeff Lynn and Joe Walsh add new guitars over Starr’s original demo recently found in a box of tapes.
Don’t Pass Me By – This song, included on the Beatles 1968 “White Album”, was the first Starr written song recorded by the Beatles. Starr gives the song a country-folk remake with American band Vandaveer.
You Can’t Fight Lightning – This song was included on Starr’s 1981 Stop and Smell the Roses album is and is remade with the Swedish band Alberta Cross.
Photograph – This is a re-recording of Starr’s hit song that he wrote with George Harrison. Starr gives the song a country-folk update with American band Vandaveer.

Songs of Experience – U2 (Deluxe Edition)
****

U2 has always been more than just a band. With Songs of Experience, they show their maturity, while still taking chances. The band’s 14^th studio album – incredibly with no band member changes – is their follow-up to 2014’s companion Songs of Innocence. Thematically, the album is a collection of letters written by Bono to people and places closest to his heart. The album is influenced by Bono’s “recent brush with death”, and inspired by the Irish poet Brendan Kennelly’s advice to him to “write as if you’re dead”. The band worked with nine different producers and 15 engineers on the album. There is much to digest here, and it will best be appreciated after multiple listenings.

The album was ready to be released in late 2016, but after the shift of global politics in a conservative direction, the band decided to delay it and reassess the tone of the album. The album included nine different producers and 15 engineers, so there is a lot of variety included. The album cover features a photo of Bono’s son Eli and the Edge’s daughter Sian holding hands, taken by the band’s long-time photographer Anton Corbijn.

Here are a few brief comments about each song:

Love Is All We Have Left – This song was produced by Andy Barlow. It’s a slow, quiet song, with Bono singing with synth backing. Bono uses some falsetto, as he duets with his own electronically modified voice. A rather underwhelming track to start the album, which repeats the song title often.

Lights Of Home – This song was produced by Brent Kutzle, Ryan Tedder, Jacknife Lee and Jolyon Thomas, and co-written by the Haim sisters from the alternative pop-rock band HAIM, who sing back-up vocals. This song references Bono’s brush with death “Shouldn’t be here ’cause I should be dead”, and has him looking toward Heaven (the lights of home). The song features a nice guitar solo from the Edge.

You’re The Best Thing About Me – This song was produced by Ryan Tedder, Steve Lillywhite and Jacknife Lee. It was the first single released from the album. It opens with some excellent guitar from the Edge and continues with a driving beat led by drummer Larry Mullen. The song could very well be about Bono’s wife Ali. It includes some humor “Shooting off my mouth, that’s another great thing about me”.

Get Out Of Your Own Way – This song is produced by Jolyon Thomas, Ryan Tedder, Jacknife Lee, Brent Kutzle and Steve Lillywhite. Verse contains these interesting lyrics:

The face of liberty’s starting to crack
She had a plan up until she got smacked in the mouth
And it all went south
Like freedom
The slaves are lookin’ for someone to lead them
The master’s lookin’ for someone to need him
The promised land is there for those who need it most
The song ending features Kendrick Lamar, who previously collaborated with U2 on his song “XXX.” From DAMN. track e ending It features Kendrick Lamar who delivers a brief monologue – a twisted version of Jesus’ Beatitudes (Matthew 5:3-11) – over the Edge’s guitar.

American Soul – This song is produced by Jacknife Lee, and written by Kendrick Lamar and U2. It begins with Kendrick Lamar offering more “Beatitudes” in a spoken word opening. The song includes an alternate take on the “XXX” chorus.
The song is strong musically, driven by the Edge on guitar. America is not a place but a thought that offers grace to refugees. The song is both about American music and politics. Key lyric:
Let it be unity, let it be community
For refugees like you and me
A country to receive us
Will you be our sanctuary
Refu-Jesus

Summer of Love – This song is produced by Brent Kutzle and Ryan Tedder and features additional vocals from Tedder and Lady Gaga. The song is driven by Edge’s acoustic guitar. This song could be about the Syrian city of Aleppo.

I’ve been thinking about the West Coast
Not the one that everyone knows
In the rubble of Aleppo
Key lyric: Oh, and when all is lost, when all is lost we find out what remains.

Red Flag Day – This song is produced by Ryan Tedder, Brent Kutlzle, Andy Barlow and Steve Lillywhite. The song features additional vocals from Tedder and Julian Lennon and is driven by the Edge’s guitar and Larry Mullen Jr’s drums. The song references the many migrants drowning in the Mediterranean Sea. Key lyric: Paradise is a place you can see when it’s yours.

The Showman (Little More Better) – This song is produced by Ryan Tedder, Steve Lillywhite and Jacknife Lee, and features additional vocals from Tedder. This song has Bono (the Showman) singing about himself. It features an instantly memorable 60’s sounding chorus. Key lyric:
It is what it is but it’s not what it seems
This screwed up stuff is the stuff of dreams
I got just enough low self-esteem
To get me where I want to go

The Little Things That Give You Away – This song was produced by Andy Barlow and Joylon Thomas. The band debuted the song on their summer 2017 Joshua Tree 30^th anniversary tour. The song opens slowly with Larry’s drums and keys. The song builds powerfully toward the end with Bono’s “Sometimes” reflections over the Edge’s guitars. Key lyric:
Sometimes
I can’t believe my existence
See myself from a distance
I can’t get back inside

Landlady – This song was produced by Ryan Tedder, Jacknife Lee and Andy Barlow. This song is love letter to Bono’s wife Ali. It’s a slower, quieter song with Bono singing over Larry’s drums and the Edge’s guitars. Key lyric:

And I’ll never know, never know what starving poets meant
Cause when I was broke, it was you that always paid the rent

The Blackout – This song is produced by Ryan Tedder, Brent Kutzle and Jacknife Lee. The opening guitar reminded me of sounds from Achtung Baby. The song has a driving beat driven by Adam Clayton’s bass. Reference is made to current events in the U.S. “Statues fall, democracy is flat on its back, Jack”. Key lyric: When the lights go out, don’t you ever doubt, the light that we can really be.

Love Is Bigger Than Anything In Its Way – This song is produced by Jacknife Lee, who also contributes vocals. This anthem with Bono singing about love over guitar, keys and drums, will be popular as a sing along in concert.

Key lyric:
If you listen you can hear the silence say
When you think you’re done
You’ve just begun

13 (There Is A Light) – This song is produced by Paul Epworth and Ryan Tedder. Light is a theme on the album. It’s a slower song that begins with Bono singing over synths. The chorus samples the band’s “Song for Someone” from Songs of Innocence.

Key lyric:
If there is a light
We can’t always see
And there is a world
We can’t always be
If there is a dark
Now we shouldn’t doubt
And there is a light
Don’t let it go out

The below songs are included on the Deluxe Edition of the album:
Ordinary Love (Extraordinary Mix) – This song is a new mix of the band’s Oscar nominated song from the 2013 film Mandela: Long Walk to Freedom. It’s the first time the song has been included on a U2 album.
Book Of Your Heart – This song was produced by Andy Barlow. It appears to be another song addressed to Bono’s wife Ali. It begins with Bono singing over synths and slowly builds, driven by the Edge’s guitar and Larry’s drums.
Lights Of Home (St Peter’s String Version) – This song is produced by Brent Kutzle, Ryan Tedder, Jolyon Thomas and Jacknife Lee, and is written by the band with Danielle Haim, Alana Haim, Este Haim and Ariel Rechtshaid. This version of the song features violin by Avery Bright and Amy Helman and viola by Betsy Lamb.
You’re the Best Thing About Me (U2 Vs. Kygo) – This is a remix of the first single from the album.

Roll with the Punches – Van Morrison
****

Anytime you have the great Van Morrison covering strong material with excellent musicians you know you’re in for a treat. Morrison follows up 2016’s strong release Keep Me Singing with his 37^th studio album, which he self-produced. The album contains ten covers of old blues and soul classics along with five songs written by Morrison. Van’s voice is still an incredible instrument, and he brings passion to these blues songs, whether cover or original. Morrison has stated that from a very early age he connected with the blues. A strong group of collaborators join him on the album including Chris Farlowe, Georgie Fame, Jeff Beck (who contributes to seven of the songs), Paul Jones and Jason Rebello.

I thoroughly enjoyed this album. Below are a few comments about each song:

Roll with the Punches – This song was written by Morrison and Don Black. While an original, this sounds like a classic blues song. It features some excellent piano, guitar, keyboard. It’s an excellent opener.
Transformation – This ballad was written by Morrison. It features organ, an excellent guitar solo by Jeff Beck and backing vocals by Chris Farlowe. Key lyric: Get used to righteousness ’cause it makes you feel whole, gonna be a transformation right down in your soul
I Can Tell – This song was written by Bo Diddley and Samuel Bernard Smith in 1962. It has an instantly infectious beat, featuring keys, backing vocals, guitar solo and harmonica solo from Morrison.
Stormy Monday/Lonely Avenue – These songs were written by T-Bone Walker (in 1947), and Doc Pomus, the latter of which was a hit for Ray Charles in 1956. The songs previously had appeared on Morrison’s 1994 live album A Night in San Francisco. The song features vocals from Chris Farlowe, a guitar and harmonica solo from Morrison along with backing vocals.
Goin’ To Chicago – This song was written by Count Basie and Jimmy Rushing in 1941. It’s a slow blues number featuring a duet with Georgie Fame, harmonica by Morrison, and Chris Hill on double bass.
Fame – This song was written by Morrison. It had originally been included on Morrison’s 2002 What’s Wrong with this Picture? album. This version features backing vocals, a great blues beat, guitar and harmonica from Morrison. Key lyric: Oh no don’t believe all that old Andy Warhol guff. It takes a lot more than 10 or 15 minutes.
Too Much Trouble – This song was written by Morrison. The band really shines on this breezy blues song featuring guitar, horns, piano and Morrison on sax. He wants the trouble in his life stopped.
Bring It on Home to Me – This song was written by Sam Cooke in 1962. It appeared earlier on Morrison’s live album “…It’s Too Late to Stop Now…” Volume 1. The new version features a strong vocal from Morrison, organ, piano, backing vocals and a great guitar solo by Jeff Beck.
Ordinary People – This song was written by Morrison and originally appeared on his 1998 album Philosopher’s Stone. It features some excellent guitar by Jeff Beck, piano, keys, and backing vocals. Key lyric: Ordinary people, they just don’t seem to comprehend.
How Far From God – This song was written by Sister Rosetta Tharpe in 1946. The toe-tapping arrangement is led by some excellent piano, along with organ, guitar and a passionate vocal from Morrison. A highlight.
Teardrops From My Eyes – This song was written by Rudy Toombs in 1950. This breezy arrangement features piano, guitar, keys, backing vocals, and a great sax solo from Morrison.
Automobile Blues – This song was written by Lightnin’ Hopkins in 1949. Morrison’s sax playing is the highlight of this song, which also features piano and guitar.
Benediction – This song was written by Mose Allison in 1971. It was originally included on Morrison’s 1996 collaborative album Tell Me Something: The Songs of Mose Allison. It features piano, backing vocals, organ and sax from Morrison. Key lyric: Wherever you wander, whatever your breed, there’s just one thing baby, that comes from above. When push comes to shove, thank God for self-love.
Mean Old World – This song was written by Little Walter in 1951. It’s a slow blues number featuring, some excellent piano, a guitar solo, and harmonica solo by Morrison.
Ride On Josephine – This song was written by Bo Diddley in 1960. This upbeat track features Morrison on harmonica, along with good backing vocals and guitar. It would be a great song for Morrison and band to tackle in concert. A highlight.

Perception – NF
****

Perception is the third studio album by NF. It’s the follow-up to 2016’s Therapy Session, and it doesn’t disappoint. The album debuted at #1 on both iTunes Top Albums and Hip-Hop/Rap charts. The sixteen-song album is written by NF and produced by Tommee Profitt, unless noted otherwise. The album cover shows NF in a cage, holding six keys—an image that was first displayed in the “Outro” music video.

Below are a few brief comments about each song:

Intro III – This song starts slowly with the vocal over keys and then builds in intensity with percussion and some voices, before ending quietly with keys. He talks about his old fears, stemming back to when his mother’s boyfriend was physically abusing him his sister. Key lyric: Hey, I’m NF. Is it me or the fear talking?
Outcast – This song opens and closes with the sound of keys in a cell door. It begins with synth and then builds in intensity with a strong beat and backing voices. He doesn’t want to fit the mold or blend in with other rappers.
10 Feet Down – This song is written by Kyd the Band, Maggie Eckford (Ruelle) and NF, and features vocals from Ruelle. The intro and outro of the song are played backwards. The song talks about forgetting the important things as he climbs to the top and gets there. It features a good steady beat, less intense than first two songs. Key lyric: Yeah, seems like we’re all trying to climb a ladder. It’s crazy what we’ll do to climb it faster. It’s like we throw away the things in life that really matter, just so that we can make it to the top and wonder what we’re even climbing after.
Green Lights – This song was produced by David Garcia, Tommee Profitt and NF. It was the second single released in advance of the album’s release. The song features a good beat throughout. He has a positive outlook. All he sees for his life is green lights. He’s not going to let anyone distract him. Key lyric: Who’d have known I’d write something that could change lives?
Dreams – This song features a slower beat. He reflects on sad days, regret, relationships from Michigan and doing himself, following his dreams.
Let You Down – This song is written by Tommee Profitt and NF and produced by David Garcia and Profitt. It has a slower beat, and is about his relationship with his father. He’s sorry that he’s let him down. He doesn’t want to be a disappointment to him.
Destiny – This song is produced by BLRZ and Tommee Profitt. It is an intense song, as he raps about fulfilling his destiny. Key lyric: Forget the mansion, I’m in the attic.
My Life – This song is produced by David Garcia. The song is addressed to his sister, who is probably wasted by 10:00am. They don’t have a lot in common, but both miss their mother. He states that we all make mistakes, that’s just life. Key lyric: Life’s about taking chances, making moves, not about what you did, it’s what you do.
You’re Special – This song appears to be about a current girlfriend. It has a slower pace, with a good beat. He needs a woman he knows he can trust and he has one.
If You Want Love – This song has a slower pace. It opens and closes with guitar. If you want love you’re going to have go through pain and learn how to change. Key lyric: I‘ve always tried to control things, in the end that’s what controls me.
Remember This – This song picks back up the intensity with a good beat. He encourages us to surround ourselves with people that challenge how we think, not people that nod their heads and act like they agree. His biggest failures in life are knowing that he hasn’t tried. Key lyric: I’ve always had a problem with relationships, but that’s what happens when you see the world through a broken lens.
Know – On this song, he brings intensity, wanting us to know that he’s back with a vengeance trying to be the best rapper that’s ever walked the earth. He’s going to outwork all the others. He wants to know what’s it’s like to be happy and have friends that understand him.
Lie – Anger comes through on this song addressed to a former girlfriend. She lies, telling friends one thing, and him another.
3 A.M. – This song is produced by David Garcia. He sings about a past relationship that went bad. Key lyric: Everyone’s your friend when the music start buzzing
I’m closer to the people that were there when I was nothing.
One Hundred – This song is produced by David Garcia. He’s confident in what he’s achieved as he tells other rappers that he’s here to coach them.
Outro – The closing song is produced by David Garcia and Tommee Profitt. It is written by Garcia, Profitt and NF. It was the first single released from the album. Over a synth back, he sings with confidence about his new music he’s about to release.

All Things Work Together – Lecrae
****

This highly anticipated major label debut from Lecrae is his first album since January 2016’s mixtape Church Clothes 3, and it doesn’t disappoint. Beginning in October, 2016, six songs were released in advance of the album’s release, building excitement. The album title is taken from Romans 8:28: And we know that for those who love God all things work together for good, for those who are called according to His purpose. Lecrae has stated that the idea of the album is that the dark times have worked together for him to become the person he is today.
This hard-hitting and honest album is strong from start to finish and features Lecrae collaborating with many different artists. It is a mature work, Lecrae’s best album, and my top album of the year thus far.
Here are a few brief comments about each song on this strong release:

Always Knew – This song was produced by Ramon “REO” Owen and written by Owen and Lecrae. He dedicates it to those, especially the Lord, who have helped him through the highs and lows. Key lyric: Listen, I know God did it, can’t take the credit, paid off all of my debts, but I still feel so indebted.
Facts – This song was produced by Dem Jointz and written by Jointz and Lecrae. In hard-hitting lyrics, he states that he’s been waiting for the right time to tell us how he feels. He loves God and Jesus, who died for the world, not just the USA. Key lyric: I ain’t really changed, it’s the same rebel.
Broke – This song was produced by Boi-1da and T-Minus, written by Perfekt, Nikhil “Kromatik” Seetharam, Boi-1da, T-Minus and Lecrae and features Perfekt. The song looks at how money may have made him richer, but the struggle got him richer than he’s ever been. Key lyric: Being broke made me rich.
Blessings – This song is produced by Pluss and features Ty Dolla $ign. It was written by Pluss, Verse Simmonds, Swoope, Ty Dolla $ign and Lecrae. The song is about gratefulness and appreciating the little things in life. It features a slow beat that sounds better every time you hear it. Key lyric: If you woke up this morning it’s a blessing.
Watchu Mean – This song is produced by the Go Grizzly. It features Reach Records newest signee Aha Gazelle, and is written by Gazelle and Lecrae. This song has a great vibe as Lecrae and Gazelle go back and forth lots of sports and musical references.
Hammer Time – This song is produced by Metro Boomin and features 1k Phew. It is written by Boomin, 1k Phew and Lecrae. The song samples MC Hammer’s 1990 song “U Can’t Touch This”. The song has an infectious beat. Key lyric: I ain’t perfect, I’m just purchased.
Come and Get Me – This song is produced by DJ Dahl and Dernst “D’Mile” Emile II and they write it with Lecrae. It features a great beat throughout. He knows the devil is trying to stop him. He states confidently he’s not scared of the haters, he only fears the IRS and God. What he’s saying is nothing new. Key lyric: Look, I’ve been trying to tell them since 04’-05’ (that’s Real Talk). Still, you know these people doubt me every time.
Lucked Up – This song is produced by Tariq Beats and DJ Khalil and they write it with Nija Aisha-Alayia Charles, John Groover, Michael R. Cook Jr. and Lecrae. This is a love song for his wife, and features vocals from Nija Aisha-Alayia Charles.
Wish You the Best – This song is produced by Tane Runo and written with Joseph Hill, Natalie Lauren, Tane Runo, Verse Simmons and Lecrae. It features vocals by Verse Simmons. The song is about a former girlfriend and his sincere regrets. Key lyric: I wish you all the love you could imagine, and I wish you everything that never happened.
Can’t Stop Me Now (Destination) – This song was produced by Wordsplayed and Alex Medina. It features vocals by Childish Major, and was written by Wordsplayed, Medina, Major, Sufjan Stevens, Markus Randle and Lecrae. It was released in October, 2016, almost a year before the album was released. The song, which features horns and a slow beat, details Lecrae’s personal struggles with depression and a crisis of faith as a result of a number of losses and the reaction of others toward his response. Key lyric: I’m glad that Jesus ain’t American, and that’s why I care again.
I’ll Find You – This song is produced by Danny Maiic and DJ Frank E and features an excellent collaboration with Tori Kelly. It is written by Johnny Yukon, DJ Frank E, Maiic, Sasha Sloan, Natalie Lauren, Kelly and Lecrae. Lecrae has stated that the song is about hope in the midst of that pain, and is intended to encourage people to hold on and tell them we are here waiting, hoping, praying, and fighting with them. It was the fourth song released ahead of the new album. The song speaks to both human support and a faith in God to help during life’s most difficult times. Key lyric: They say fear haunts, and pain hates. I say pain strengthens, and fear drives faith.
8:28 – This encouraging title song is produced by Ayo the Producer and Keyzbaby. They write it with Lewis Sky and Lecrae. Sky provides additional vocals. It’s going to work out. We don’t have to worry about tomorrow. Key lyric: The Master Artist makes your mess a masterpiece regardless.
Cry For You – This song is produced by Taylor Hill and Swoope. They write it with Lecrae. It features strong vocals from Hill. It is a slower song, focusing on transparent, honest lyrics. Like Paul in 2 Corinthians 12, he prays for the thorn/pain to be taken away. Key lyric: But crooked sticks draw straight lines, just look at me.
Worth It – The final song is produced by Swoope, who writes it with Natalie Lauren, Jawan Harris and Lecrae. It features vocals from Harris and Kierra Sheard. It is about grace and optimism. Don’t worry. God is here. The song features a short sermon clip from Tony Evans. Key lyric: It’s just hard to believe it all but for grace.

Hard Cuts: Songs from the H A R D L O V E Sessions (EP) – NEEDTOBREATHE
****

NEEDTOBREATHE has stated that one of the hardest parts about finishing their chart-topping 2016 album H A R D L O V E was determining which songs had to be cut to get down to the twelve songs for the album. This new EP contains six songs, two of them alternate versions of “Hard Love”, along with four songs that were cut from the original album.
The EP contains two new versions of “Hard Love”, one featuring Serena Ryder and one featuring Andra Day. Along with the version featuring Lauren Daigle from The Shack: Music From and Inspired By, this makes three versions of the song released since the album was released last year, which seems to be a bit of an overkill.
Below are brief comments on the other four songs:
Waiting – This song was produced by Dave Tozer and NEEDTOBREATHE, and written by Bear and Bo Rinehart. It is a keyboard driven song with a strong drum beat, backing vocals and a good guitar solo. He is haunted by a woman, who keeps him waiting, shaking, trembling, and chasing mistakes that he made. It’s my least favorite of the new songs.
Count on Me – This song was produced by Dave Tozer and NEEDTOBREATHE, and written by Tozer, Bear and Bo Rinehart. This song features a strong drum beat, keys and some backing vocals. Thematically it is similar to “Brother” from their excellent Rivers in the Wasteland album. It features encouraging lyrics.
Everybody needs a pick me up
You can count on me
Walking on Water – The last two songs of the four new ones were my favorites, starting with “Walking on Water”. This song will appeal to the band’s Christian fan base as it will remind them of Peter walking on the water to Jesus in Matthew 14. It starts slowly and then builds powerfully and joyfully on the chorus with a with a strong drum beat and backing vocals. There’s no turning back.
Can’t see nothing at all
But Your outstretched arms
Help me believe it
Though I falter
You got me walking on water
Cages – This song was produced by Ed Cash and NEEDTOBREATHE and written by Bear and Bo Rinehart. It’s another song that the band’s Christian fan base will resonate with. It starts as a piano-driven song, with light drums. He was looking for attention, was needing redemption but all he got was cages. It then builds powerfully with drums and guitar. They reference their 2009 album The Outsiders, stating that they’re a band of outsiders.
I’m in a prison for a man gone wrong
But I’ve found a future, this is not my home

Saints of Zion – Jeff Lippencott & R.C. Sproul
****

This new collection of sacred music for the church from Emmy-nominated composer Jeff Lippencott and respected theologian R.C. Sproul, is their follow-up to their excellent 2015 release Glory to the Holy One. Similar to that release, these songs feature beautiful choral and orchestral arrangements suitable for congregational singing as well as private devotion. Sproul writes “Worship is the highest goal for believers. The Lord saves us so that we will worship Him, and we realize our greatest purpose as we worship God in truth, beauty, and holiness.” The goal of this second collection of hymns and sacred music is to help the church offer worship that is true, good, and beautiful.
The lyrics looks at various aspects of biblical truth – as an example: Saints of Zion (Hebrews 11), Create, O God, a Pure, Clean Heart (Psalm 51), Grace of God (Ephesians 2), Psalm of the Shepherd (Psalm 23), Veni Domine (Luke 2), Magnificat (Luke 1), The Word Made Flesh (lyrics from the Ligonier Statement on Christology), Ways of the Righteous (Psalm 1), Hear Me, Lord (Psalm 30), He Works His Will (Ephesians 1), Where He Is Now (John 14) and The New Jerusalem (Revelation 21). For the most part, the music is written by Lippencott and the lyrics are written by Sproul.
The music is arranged, orchestrated, and conducted by Lippencott. The Kansas City Chorale is conducted by Charles Bruffy and the Ligonier Festival Orchestra Concert Master is Joni Hanze. The recording is produced by Dirk Sobotka. The recording took place at Sproul’s home church of Saint Andrew’s Chapel in Sanford, Florida and The Cathedral of St. Peter in Kansas City, Missouri.
I recently listened to this new recording several times while on long walks, taking in God’s beautiful creation. The lyrics can be a bit difficult to make out, so a suggestion would be that as time allows to get a copy of the lyrics in front of you and follow along with these songs that bring glory to our Creator. I look forward to singing some of these songs at future Ligonier conferences.

Andy Mineo and Wordsplayed Present Magic & Bird
****

Andy Mineo returns with his first new album (mixtape) since 2015’s excellent Uncomfortable. The album debuted at #2 on iTunes Albums chart and #1 on their Hip-Hop/Rap chart. On this release, he teams up with good friend Wordsplayed (as Magic and Bird), the son of Nigerian immigrants who came to the United States in the early 1980’s and met Mineo in 2008. This playful and basketball themed release is a perfect summer listen, and builds on their 2015 single “Lay Up”, which is included here as a bonus track. Along with BEAM, the release includes production from GAWVI and !llmind, who also produced Uncomfortable.

Below are a few brief comments on each song:
Hi-Five – A short introductory track, mostly speaking.
KIDZ – The song was produced by Tyshane and Daniel Jordan. It was written by Tyshane, Jordan, Wordsplayed and Mineo. This was the first release from the new album. The bridge contains a brief piece reminiscent of the Doxology.
Key lyric:
I’m in the pocket like Brady,
Magic and Bird like the 80’s
Kobe, I might put up eighty
Look only Jesus can save me

Dunk Contest – This song was produced by Young Sidechain and Beam, and was written by Wordsplayed and Mineo. It was the second single to be released from the album. The two trade lines about basketball, cities, single moms, etc.
Key lyric:
Yeah, so shout out all the single mothers
2 jobs, 3 kids, I call that a triple double

Say Less – This song was produced by GAWVI and written by Wordsplayed and Mineo. It was the last track recorded for the project.
Key lyric: When you start talking and prayin’ less?
Disqus (Skit) – This short vocal interlude by Mineo was inspired by Wordsplayed’s high school track career in which he threw the discus.
R.U.T.S. – This song was produced by Alex Medina and written by Medina, Wordsplayed and Mineo. “R.U.T.S.” is an abbreviation for “Run Up The Score”. The song uses the first verse from Mineo’s 2016 songs “The Upside Down”.
Key lyric: I got one jog, make the flow silly, Serve one God, it’s my sole mission
Judo – This song was produced by GAWVI. It features Judo, and was written by GAWVI, Judo, Wordsplayed and Mineo. This was the third single to be released from the album. Opens with vocals by Judo before going into a rap by Mineo. GAWVI created the sample from scratch.
Key lyric:
Oh, you holier than thou?
Alright, tell Jesus on me

Break Bread – This song was produced by Alex Medina and features Beam. The song was written by Medina, Beam, Wordsplayed and Mineo. This song is about the hard work it’s taken to get them where they are today.
Key lyric: Brick after brick I was building this building (yeah), I never waited around for permission (no), I used that God given strength to go get it
Metro (Skit) – This short vocal interlude is about a woman who has lost her Metro Card.
Dance (You See It) – This song is produced by 42 North and written by Wordsplayed and Mineo. They start the song by saying that a lot of rappers are overrated. Wordsplayed and Mineo have some goals to reach.
Key lyric: ‘Crae told me new level, new devil in this, It’s a battle outside and you better be equipped.
Team – This song is produced by Daniel Steele and features Beam. The song is written by Beam, Wordsplayed and Mineo. They drop a lot of NBA references throughout the song.
Key lyric: Nobody can do it themselves, it don’t work
Legend – This song is produced by !llmind and written by Wordsplayed by Mineo. It contains a lot of autobiographical references from both Wordsplayed and Mineo.
Key lyric: No time to rest when you tryna be a legend
Lay Up (Bonus Track – This basketball themed song was written by Alex Medina, Tyshane, Wordsplayed and Mineo, and produced by Tyshane and Medina. It was released as a single released in May, 2015.
Key lyric:
Coach told me no lollygagin’
Still dunk with my pants saggin’
One sixteen, yeah, it’s tatted

The Crucifixion of Jesus – Fernando Ortega
****

Fernando Ortega, one of our most beloved Christian artists, returns with his first album since 2011’s Come Down O Love Divine. The Crucifixion of Jesus, which features eleven contemplative songs and six readings (which were selected and edited by his pastor), is a wonderful project about Holy Week, that will allow you to meditate on Jesus’ arrest and death and sacrifice. Ortega co-produced the album with Bernard Chadwick, and it was engineered and mixed by Brandon Bell.

Below are a few brief comments on each song:

Blessed Be Our God – This is a beautiful song that features Ortega’s vocal over piano and cello and light backing vocals.

Prepare The Way, O Zion – This song was written by Frans Mikael Franzen. It features light drums, piano and cello. It is about Jesus’ triumphal entry into Jerusalem where he will be crucified.

House of Prayer – This short song is about Jesus cleansing the temple (John 11:15-18). His house shall be called a prayer for all nations, but you have made it a den of thieves.

In My Father’s Kingdom – This song is about the institution of the Lord’s Supper (Mark 12-24). It features piano and cello.

Stay with Me Here – The song is about Jesus’ prayer in the Garden of Gethsemane (Mark 26: 26-42). Jesus’ soul is overwhelmed with sorrow to the point of death. He pleads for his disciples to stay with him and keep watch with him. Features piano and cello.

Your Will Be Done – This short song is a prayer to the Father that His will be done. It features a light guitar.

O Great Love, O Love Beyond Measure – He sings about a great love beyond measure that Jesus would lay down his life for a faithless sinner. He didn’t turn away from those who struck his face. It features piano and guitar.

Ah, Holy Jesus, How Have You Offended? – The was written by Johann Heermann in 1630 about the doctrine of Christ’s atonement. We denied Christ. We crucified him. The song features piano, cello, and backing vocals from Audrey Assad, Jonathan Noel and Amanda Noel.

My Song is Love Unknown – This song was previously recorded by Fernando on his 2002 album Night of Your Return. It features a guitar solo, as well as backing vocals from Audrey Assad. The lyrics were written by Samuel Crossman and John Ireland.

This is my friend, my friend indeed,
Who at my need, His life did spend.

Psalm 22 – This short song is taken from Psalm 22:1 which Jesus quoted from cross “My God why have you forsaken me?”

Stricken, Smitten and Afflicted – This song previously recorded by Fernando on his 2002 album Night of Your Return. It features piano, cello and light backing vocals.

Here we have a firm foundation
Here the refuge of the lost
Christ the Rock of our Salvation
Is the name on which we boast

Revival – Third Day (Deluxe Edition)
****

As Third Day looked to celebrate their 25^th anniversary as a band, they fulfilled a long-time plan to record a project at Fame Studios in Muscle Shoals, Alabama. The band (lead vocalist Mac Powell, guitarist Mark Lee and drummer David Carr), recorded with members of their touring band (keyboardist Scotty Wilbanks, mandolin/banjo/guitarist Trevor Morgan and bassist Tim Gibson). For this “back to their roots” album, the band reunited with producer Monroe Jones, who had worked with Third Day on six previous albums. Jones invited percussionist Ken Lewis to join the sessions and recruited Vance Powell to engineer the album.
The album has an almost “live” feel to it. The songs are simple lyrically, with about half of the songs being written before the band went into the studio and the other half just ideas that principal songwriter Mac Powell had.
On this album, Third Day brings it all together. Mac Powell has one of the best voices in music. Here the musical backing is worthy of his strong baritone, with strong guitars, drums, Hammond organ, horns, backing vocals, and crystal-clear production. Throw in some harmonica, tambourine, finger snaps and hand claps and this is truly a gem. It’s a multi-genre album – combining rock, southern rock, blues, soul, worship and gospel. I loved it from start to finish, and it’s my top album of the year thus far.
Here are a few brief comments on each song:

Revival – This was the first single released from the album and it is instantly likeable. It features a great vocal from Powell, plus piano, horns and backing vocals. It’s just a great overall song. Key lyric: God is gonna move and there ain’t no doubt.

Gonna Be There With Me – This joyful song finds Powell singing over piano, guitar, backing vocals, steel guitar and horns. It features brief piano and guitar solos. Key lyric: Lord, it’s always good to know that You’re gonna be there with me.

Leave This World Behind – This song opens with a Creedence-like guitar. It features some tasty piano, U2-like backing vocals and some excellent guitar work. Key lyric: All my tears and all my pain, Will be gone in Jesus name

Let There Be Light – This song is destined for heavy rotation on Christian radio. It speaks to God’s creation and man’s fall. Let there be light to bring us back home. The song features some organ, piano and U2-like singalong backing vocals that will be good to sing along with in concert.

Key lyric:
There is one light
There is one savior of the world
There is one hope
His name is Jesus, Jesus

Faithful and True – This ballad opens slowly with acoustic guitar, and then builds powerfully with organ, Lynyrd Skynyrd-like electric guitar and backing vocals. Key lyric: Everything that I ever been or ever hoped to be, It’s all because of You,
Your love is faithful

Gather Round Now – This song opens with a swamp guitar and some excellent drums. It is simple lyrically, and builds into a celebration about the Lord, the King of all creation, of every tribe and nation and what He has done for us. Features some excellent backing vocals and horns. Key lyric: One day He’ll return to take us home

In Your Hands – This is another song that could end up in strong rotation on Christian radio. It’s a power ballad that features keys, guitar and backing vocals.
Key lyric: In Your hands, I found where I belong

Loves Me Like a Rock – Paul Simon recorded this song with the Dixie Hummingbirds in 1973, and it reached #2 on Billboard’s Hot 100. This excellent version features the Oak Ridge Boys on backing vocals (who were originally to do the vocals with Simon), although their vocals are buried a bit in the mix. Features some good organ and horns and a fun acapella ending. I would have liked the Oaks’ vocals to be featured more on this track.

New Creation – This joyful song features handclap, guitar, horn and backing vocals. Key lyric: Hallelujah, I’m a new creation, the old has gone and the new has come

Nobody Loves Me Like Jesus – This song features guitar, drums, horn and backing vocals. Key lyric: Nobody in this whole wide world gonna give what I’m looking for

Anything is Possible – This encouraging song opens with acoustic guitar and quickly builds featuring percussion, strong backing vocals and horns. Key lyric: Let the Spirit lead and just believe that anything is possible

Great God Almighty – This instantly likeable song features harmonica, early Beatles guitar, backing vocals and a great sing along chorus.
Key lyric:
Great God Almighty
Won’t You save Your children
Lord in heaven won’t You lend a hand?
Ain’t no way we gonna do this without You

Devotion – The closing song on the standard edition is a worship song directed to the Lord. It features guitar, drums, horns, organ and backing vocals. Will be a powerful song in concert. Key lyric: Lord make my life a devotion to You

You Redeemed Me – This song features swamp guitar, drums and horns. It’s about what the Lord does in a sinner’s life. Key lyric: You turned my fears and failure to a story of Your grace

The Return – This song about the return of Jesus features drums, guitar organ and horns. Key lyric: Are you ready for the return?

The Deluxe Edition also includes the radio mix of “Revival”, the original cut of “Let There Be Light” and the first take of “Faithful and True”.

Watch this two-minute video of the band making Revival.

Crooked – Propaganda
****

Propaganda’s first album since 2014’s Crimson Cord is hard-hitting and challenging, with excellent vocal (spoken word and hip hop) delivery, musical backing and production. Much has happened in America since Crimson Cord and some of the lyrics are right out of the news.

Below are a few thoughts about each of the songs:

Crooked Way featuring Terence F. Clark – This is a powerful opening track, produced by Braille and written with Terence F. Clark. There is much to take in here, which will require multiple listenings. He covers a history of racism from Native Americans and the Confederate flag. Interjects humor about skinny jeans and Dickies. Says he is not a leader, just a hippie with daddy issues, crooked with halos balanced on the tip of his horns.

It’s Complicated – He has zipped up his emotions into a dusty duffel bag that he’s named poetry. He speaks of transgender issues, that we are a laundry list of identity issues and that sometimes our plumbing doesn’t match our urges. It’s complicated.

Bear With Me featuring Marz Gerrer – Produced by Ohmega Watts. This track is about the ups and downs of being in love. Love is not love if it’s never been tested.

Cynical featuring Aaron Marsh & Sho Baraka – This powerful track is produced by Beautiful Eulogy. It hits on several items out of the news – Trump rallies, refugees, immigration – but he’s concerned that Christians are arguing about bathrooms. He addresses being lied to, intolerance and fear.

Slow Cook – This track is produced by Courtney Orlando and Steele, and it’s about his musical influences. “That’s the hip hop I fell in love with”.

Do Know Wrong featuring Macho – Produced by Wert and co-written with Macho. His love letter to California (Cali), with numerous references (earthquake, smog, Poly High, palm trees, traffic, lack of water, ocean, Fatburger, King Taco).

Gentrify – Produced by DJ Efechto. This upbeat sounding track with Odd Thomas on keyboards, addresses a serious subject, gentrification. “And when you see them billboards yelling “cash for homes” Gentrify.”

I Hate Cats – This is a very creative spoken word piece on racism and stereotyping, substituting cats and dogs for Blacks and Whites. Funny and serious.

Darkie featuring Micah Bournes and Kackie Hill-Perry – Produced by Daniel Steele, this song addresses racism within the Black community (hating on they own kind). Features additional vocals from Izzy Ray.

It’s Not Working (The Truth) featuring Courtney Orlando. Produced by Courtney Orlando, who also co-wrote the song. A sad and powerful telling of the history of Blacks in America. He wants the truth and to focus on God. Features a guitar solo from Isaiah Cox.

You say I’m King of Kings, but son, I don’t get it how,
You could trust me for eternity, but can’t trust me for now

Andrew Mandela featuring Topknot Feather – The song title brings together the names of Nelson Mandela and Andrew Jackson, who are addressed in the first two verses. Produced by Courtney Orlando and co-written with Topknot Feather.

Ooh, I take shots at your sacred cows
Dance with skeletons in closets
I point at elephants in the room
And make a mockery of heroes

Olympian featuring Xavier Omär – Produced by Courtney Orlando, this song was written during a very difficult week (death, miscarriage, HIV positive), for some of Propaganda’s friends. Odd Thomas provides additional vocals.

Don’t you stop now, baby
Show your fight now, baby
You’re an olympian, baby
You can’t quit now

Made Straight featuring Audrey Assad – Produced by Courtland Urbano. Co-written with Audrey Assad, who contributes excellent vocals. He looks forward with joy and anticipation for the day in which God (the time keeper) comes and makes the crooked way straight.

ICPTSD – Produced by Derek Minor and written by Propaganda. This bonus track ICPTSD is an acronym for Inner City Present Traumatic Stress Disorder. It is about the trauma of living in the inner city. It features a good guitar solo at the end.

This is an album that requires serious listening. All aspects were well done. It was challenging for me as a white man, and it is my top album of the year thus far.

Best of Fernando Ortega: Live in St. Paul
****

I was introduced to Fernando Ortega years ago when he opened for Michael Card. He has since become one of my favorite artists. This concert recording was originally available only as a DVD, but is now fortunately also available as an audio recording. Including 19 songs, this concert was recorded in 2004 at Northwestern College’s Maranatha Hall as Fernando was on tour supporting his 2004 album Fernando Ortega. He plays 7 of that album’s 12 songs here, including the touching and humorous “Mildred Madalyn Johnson”. The recording features Ortega and band, including an accordion, but the focus is on Ortega’s gentle vocals over his piano.
If you’ve seen Ortega in concert you know that one of the best things is often times humorous introductions to his songs, which are not included here, the focus being solely on the music. In addition to the songs from Fernando Ortega, he includes many of his most-loved songs, such as “Creation Song”, “Lord of Eternity”, “Children of the Living God”, “This Good Day”, “Sing to Jesus” and “Our Great God”. This is Ortega’s only live album and it’s a gem.

Flowers in the Dirt (Special Edition) – Paul McCartney
****
This 2-CD “Special Edition” (the release comes in a number of different configurations), of McCartney’s excellent 1989 album Flowers in the Dirt features a remastered version of the original 13-song album (plus Où Est Le Soleil?, which wasn’t on the original album), on one disc, and nine previously unreleased demos McCartney recorded with Elvis Costello on the second disc. The demos are what really got my attention on this release, the 10^th installment of McCartney’s Archive Collection, all of which have been personally supervised by McCartney. This album has special significance for me as well. It was the album McCartney toured on for his 1989-90 World Tour, on which I saw three of the shows, the first of now twelve concerts I’ve seen of the former Beatle.
Listeners will be pleased with the remastered version of the original album. It features such strong songs as “My Brave Face” (his last Billboard solo Top 40 hit), “This One”, “Put it There” and the 89-90 World Tour opener “Figure of Eight”. The original demos with Costello are:

The Lovers That Never Were – song was not included on the original album
Tommy’s Coming Home – song was not included on the original album
Twenty Fine Fingers – song was not included on the original album
So Like Candy – song was not included on the original album
You Want Her Too – song was included on the original album
That Day Is Done – song was included on the original album
Don’t Be Careless Love – song was included on the original album
My Brave Face – song was included on the original album
Playboy To A Man – song was not included on the original album

The demos are just what you would think a demo would be – sparse, raw, stripped down, and in my opinion, worth the price of this excellent reissue. All in all this is a reissue that McCartney fans will be pleased with.

Cinco: The Album – Jim Gaffigan
****

Jim Gaffigan is my favorite comedian. Sometimes called “the clean comedian”, he gives us his common guy take on everyday topics such as his children, belts and morning people. I’ve seen him in concert in the past few years and will be catching him on his new tour later this year. This is the audio version of his fifth television special.
I found this material to be very funny, classic Gaffigan. My favorite bits were on seasons, leaves (my favorite), being fat (of course), binge watching, travel, eating fish, and a hilarious bonus clip about his Dad from 2001.
Included is a bonus disc is Gaffigan and wife Jeannie talking about each of the comedy bits on the special. Although not overly funny, I did find it to be interesting.

Therapy Session by NF
****

I came late to the NF game. It was only after hearing a few of these tracks – “I Just Wanna Know” and “Oh Lord” – on the radio that I decided to pick up the album, and I’m glad I did. Therapy Session is the sequel to the debut album Mansion by 25 year-old rapper NF (Nate Feuerstein). NF has had a difficult life thus far and he writes about that in these fourteen songs. The themes here are dark, and include pain, addiction, loss, depression and his critics. All songs are written by NF and Tommee Profitt, with the exception of Grindin’, on which Marty of the Social Club Misfits contributes. Most of the songs were produced by Tommee Profitt unless otherwise noted.

Below are a few thoughts on each of the songs:

Intro 2 – This is a sequel to “Intro”, which was included on Mansion. It is an intense, emotional and real introduction to the album. He sings “If you’re looking for music with watered down lyrics, I promise that you need to go somewhere else.”

Therapy Session – NF has called this a very aggressive and blunt song, one in which he wasn’t holding anything back. He sings about fans that talk to him about how much his music has helped them and others who have criticized him as he deals with depression and the pressure. The song is intense. It is produced by Tommee Profitt and David Garcia.

I don’t expect everyone to respect it
I don’t expect you to get my perspective
But, what’d you expect from a therapy session?

I Just Wanna Know – This song is about relationships that have gone bad in his life. He asks “When did you get so cold?”, “What happened to your soul?” “I thought we were close”.

How Could You Leave Us – This song addresses NF’s mother’s addiction to pills, which ultimately led to an overdose and her death in 2009. He calls it the most vulnerable song he has written. He was in tears as he recorded this song. It’s a song of intense pain and hard to listen to. The song opens with keys before it goes into an angry rap.

Breathe – This song features vocals from Brooke Griffith. It is about how he has matured the past year and a half, but also the realization that more is needed. Following the intense opening songs, this is a more a laid-back rap about regrets in a past relationship. A couple of good lines are “Apologies don’t mean a thing if you don’t ever fix it” and “I seem to be the only person that I play pretend with”.

Real – This song is written in response to his critics. He states that it’s “his time”. People want to know where his heart is. He sings that he stands out because he wears his garbage. The song opens with keys before going into a fast rap that gets increasingly intense. The song is produced by David Garcia.

Oh Lord – This song starts slow and melodic, and then builds in intensity. He’s asking if God sees what is happening on earth:

Sometimes I look up to the sky
And wonder do you see us down here

He states that we don’t call on God when things are going well for us. The song is produced by David Garcia.

I Can Feel It – Even as NF’s life is changing with increasing fame, he looks back to how his life was. This song opens with keys and a slow rap and builds in intensity.

Got You On My Mind – This slow rap is a love song. He’s on the road and misses her. The song is produced by David Garcia.

Grindin’ – This song features Marty of the Social Club Misfits. They are committed to their music, and no other rappers work harder than them

Wish You Wouldn’t – This song is about relationship problems. It starts slowly with keys. He sings that things aren’t working, he’s gotta do something different. She’s angry. They argue. He’s got too many things he’s dealing with. The only thing they have in common is that they have nothing in common. He sings:
I wish you didn’t say things, I wish you didn’t say things
That you don’t mean, that you don’t mean

The song is produced by The720.

Statement – This is an intense, angry rap directed to other rappers. It is produced by David Garcia and The720.

All I Do – His identity is a rapper, that’s all he does. And he’s competitive:
I do not look at these rappers out here like
I wanna be ‘em
I look at these rappers out here like
I wanna beat ‘em

The songs is produced by David Garcia.

Lost In The Moment – This song features Jonathan Thulin. Like the album cover, NF is having a therapy session with himself on this song as he refers to himself in the third person as he deals with his depression, anxiety and music.

My Review of U2’s The Joshua Tree Tour and Album

Sgt. Pepper’s Lonely Hearts Club Band – Beatles (Deluxe Edition)
****

Has it really been 50 years ago that we first heard Paul McCartney sing that opening line “It was 20 years ago today, Sgt. Pepper taught the band to play?” Yes, believe it or not, the Beatles classic album Sgt. Pepper’s Lonely Hearts Club Band, which many (including me), consider the greatest rock album of all time, was released in the U.S. 50 years ago on June 2, 1967 (having been released the previous day in England).
Back then there was no Internet, Twitter or iTunes. I bought my albums at the local K-Mart, where mono albums sold for $3.44 and stereo for $3.77. I remember looking at the albums on this particular night and only realizing that this strange looking album, with the band sporting facial hair for the first time and colorful uniforms, was a Beatles album, by seeing “BEATLES” spelled out along the bottom in funeral flowers.
My Mom worked evenings at the IAA building at that time. As we picked her up from work, from the back seat I excitedly said to her, “Mom, there’s a new Beatles album out!” I can remember her response like it was yesterday. She replied “I was afraid you’d find out about it”.
Much has changed in those 50 years. Mom is gone, K-Mart is gone, and so are two of the Beatles, John Lennon and George Harrison. And I’ve since heard most of these songs performed live in concert by Paul McCartney and Ringo Starr. And the soon to be 75-year old McCartney was only 25 years old when he released “When I’m 64”.
For the 50^th anniversary celebration, the remaining Beatles and their representatives turned to Giles Martin, the son of their long-time producer George, who died in 2016. Giles had assisted his father, then 80, on the excellent 2006 Beatles’ release Love. Giles worked with Abbey Road audio engineer Sam Okell on the new project.
Interestingly, in the liner notes, Martin states that the original Sgt. Pepper was primarily mixed as a mono album. Care and attention was applied to the mono album with the Beatles present for the mixes. He writes that almost as an afterthought the stereo album was mixed very quickly with the Beatles present at the sessions. Yet, Martin writes, it is the stereo album that most people listen to today.
The new Sgt. Pepper comes in various packages (single and double CDs, a deluxe box of four CDs and two DVDs, etc.). I purchased the 2 CD deluxe edition, containing 31 tracks, the remastered original album and 18 other versions of the original songs (including “Strawberry Fields Forever” and “Penny Lane”, recorded for the album but released in February, 1967, as a two-sided single, and not included on the album), in various states of development. Beatles fans will enjoy hearing these early versions of the songs. And with Sgt. Pepper already considered by many as the greatest rock album ever, how much better would it have been if “Strawberry Fields Forever” and “Penny Lane” had been included on the original album?
Of course it wasn’t just the facial hair and the fact that they weren’t performing as the Beatles that we knew, but instead as the fictional Sgt. Pepper’s Lonely Hearts Club Band. No, in the studio, the Beatles had the opportunity to experiment in sound. So they not only “looked” different, but Sgt. Pepper was ground-breaking in that it “sounded” different, with horns, sound effects, Indian instruments, etc. There were also the many references to drugs on the album – Ringo sings that he gets high with a little help from his “friends”, John Lennon’s “Lucy in the Sky with Diamonds”, was shorthand for LSD, which he was supposedly consuming like M&Ms during the recording sessions, and Lennon tells us in “A Day in the Life”, that he’d love to “turn us on”.
So what is the result of Martin’s and Okell’s work? The album was originally recorded on Abbey Road’s four-track board. The 2017 version is nothing short of stunning. You can clearly hear the instruments and background vocals better than before. For example, Ringo Starr’s drums on “Good Morning, Good Morning” come through as much more powerful than on the original version. Listen to the three beats before John Lennon sings “Lucy in the Sky with Diamonds”. George Harrison’s “Within You Without You”, always my least favorite song on the album, sounds fresh as you hear Harrison’s Indian instruments interact with George Martin’s 11-piece string section. And listen to George Harrison’s guitar work on “Fixing a Hole” and “Good Morning, Good Morning”.
So, check out the 2017 version of Sgt. Pepper in one of the packages available, and see what all the fuss has been about for 50 years.

The Real Royal Albert Hall 1966 Concert – Bob Dylan
****

The album’s rather strange title is based on the fact that for decades a famous Bob Dylan bootleg known as The Royal Albert Hall Concert was incorrectly labelled, having actually been a performance at the Manchester Free Trade Hall on May 17, 1966. That performance was officially released in 1998 as The Bootleg Series, Vol. 4: Bob Dylan Live, 1966: The “Royal Albert Hall Concert”. This is actually the recording of the Royal Albert Hall concert, recorded May 26, 1966, and originally recorded by Dylan’s CBS label for a live album. This is the 2-CD version, which is also included in the massive 36-CD 1966 Live Recordings box set.
From a historical context, Dylan was fresh off of the release of his classic Blonde on Blonde double album just ten days prior to the concert. His set included material from his incredible trio of albums from that period Bringing It All Back Back Home, Highway 61 Revisited and Blonde on Blonde.
The first CD is the acoustic set and contains seven songs, including an epic version of “Desolation Row”. Dylan’s voice sounds great, and he is backed only by his acoustic guitar and harmonica. The sound quality is excellent, and you hear the crowd’s appreciative but somewhat restrained applause.
The second CD is the electric set and has Dylan backed by the Hawks, who would become better known as The Band. The sound quality is not as a good as the acoustic set for some reason. The set begins with Dylan and the Hawks ripping into “Tell Me Momma”, a song he would never release a studio version of, and would play only 15 times on the 1966 tour, the final time being the concert after this one at the Royal Albert Hall. The music is raw and intense, led by Robbie Robertson’s guitar, and Dylan’s expressive vocals, spitting out the lyrics, quite a difference from the acoustic set. The crowd is energized and you hear Dylan interacting with them, stating before the start of a blistering “Leopard-Skin Pill-Box Hat”, “Are you talking to me? Come on up here and say that”. The blistering eight-song electric set ends with “Ballad of a Thin Man” and “Like a Rolling Stone”.
Recommended for Dylan fans and music fans who might not already have heard the earlier The Bootleg Series, Vol. 4: Bob Dylan Live, 1966: The “Royal Albert Hall Concert”.

Triplicate – Bob Dylan
****

You can never put Bob Dylan in a box. He will always surprise you. After 2015’s Shadows in the Night, he followed up with 2016’s Fallen Angels, a similar album of his unique interpretation of standards that had been recorded by Frank Sinatra. His last album of newly written material was 2012’s Tempest. So after winning the 2016 Nobel Prize for Literature, what does the 75-year old legend follow Fallen Angels up with, just over 10 months following that album? One might expect a stunning new album of songs about the state of our nation (racial tension, election of Trump, etc.). But Dylan rarely does what we expect him to do. Instead he returns with the excellent Triplicate, his 38^th studio album, a 30-song, three-album (his first triple album), project of newly recorded covers of mostly pre-World War II/rock and roll music songs known as the Great American Songbook.
Dylan, his touring band – guitarists Charlie Sexton and Dean Parks, bassist Tony Garnier, drummer George Recile and steel guitarist Donnie Herron – and arranger James Harper, went to Hollywood’s Capitol studios to record live (vocals recorded with instrumentation) hand-chosen songs from American songwriters such as Charles Strouse and Lee Adams, Harold Arlen and Ted Koehler, Harold Hupfield, and Cy Coleman and Carolyn Leigh. The project is thematically-arranged in three 10-song albums titled “’Til the Sun Goes Down,” “Devil Dolls” and “Comin’ Home Late”, each 32 minutes in length, which Dylan has said is the number of completion, a lucky number, and symbolic of light. Dylan has stated that the albums came out at the same time because thematically they are interconnected, one being the sequel to the other and each one resolving the previous one.
Interestingly, Sinatra released Trilogy in 1980, a three-album which too had a different theme for each album, “The Past,” “The Present” and “The Future.” The new project was produced by Dylan, under his usual pseudonym Jack Frost.
The 30 songs on Triplicate include classics such as “Stardust”, “As Time Goes By,” “September of My Years,” “Stormy Weather” and “Sentimental Journey” as well as less well-known songs such as Alec Wilder and Edwin Finckel’s “Where Is the One” and Jack Lawrence’s “It’s Funny to Everyone But Me.”
While many of the songs are slow ballads, often solemn and about loss, there are also a handful of more upbeat songs here as well. Dylan’s now road-weary voice, always an incredible instrument in itself, and which sounded really rough on Tempest, seems perfectly fitted for these songs and arrangements. He delivers vocal performances on these last three standards albums that I never thought I would hear from him again. Listen to his vocal and phrasing on “My One and Only Love”, for example. His touring band never gets in the way of Dylan’s heart-felt vocals within Harper’s intimate arrangements. Herron’s steel guitar is a highlight throughout. Horns are used sparingly, but effectively on songs such as “The Best is Yet to Come”, “Sentimental Journey”, and “My One and Only Love”.
I preferred the more upbeat songs on the album, with some of my favorites being “The Best is Yet to Come”, “Stardust”, “Day in and Day Out”, “It’s Funny to Everyone But Me”, “I Guess I’ll Have to Change My Plans” and “That Old Feeling”. Dylan ends the album with “Why Was I Born?” written by Kern and Hammerstein in 1929. It includes the introspective lyrics “Why was I born? Why am I living? What do I get? What am I giving?”
While I would prefer new music from Dylan, I enjoyed and appreciated Triplicate, songs that Dylan says are meant for “the man on the street, the common man, the everyday person”. Will you enjoy it? My assessment is that if you enjoyed Shadows in the Night and Fallen Angels, you’ll enjoy Triplicate. If you didn’t, you’ll probably want to pass on this one, though I would encourage you give it a listen before immediately dismissing it.

The Misadventures of Fern and Marty
****

The Misadventures of Fern & Marty is the first Social Club full-album release on Capitol Records after being independent artists, and their fourth studio album overall. The fifteen songs include themes of marriage, family, the grace and love of God and plenty of fun. There are a number of special guests such as Andy Mineo. Unless otherwise noted, the songs were produced by 42 North and Wit.

I really enjoyed this album. Below are a few comments about each of the songs:

Vibes Vibes Vibes – This song is written by 42 North, Wit, and the Social Club Misfits. It features a good beat right out of the box, with Fern and Aha Gazelle trading verses on this autobiographical track. It includes reference to their being signed to Capitol Records:

Now they say that we great
I just say that you late
Independent so long when the labels would call we thought it was fake

The song closes with a spoken word piece by about what it mean to be a misfit.

Pop Out Revenge – This song is produced by Amarl, and was the first single released from the album. It was written by Amarl and the Social Club Misfits and features some good beats. Amarl, Marty and Fern all take a turn at the lead vocals. Includes another reference to them being signed by Capitol.

Love 4 Real– This was the second radio single released. It was written by Wit, 42 North, Daramola and the Social Club Misfits. It’s a love song about dating, marriage and family. It has more of an easy-going vibe. Fern, Marty and Daramola share the lead vocals.

Who Else – This is a fun song that features Andy Mineo and includes lines like “Bout to make chubby fellas cool again” and “Come to your door like I’m Newman”. It was originally made for their Friends and Family Tour. It’s has a good beat throughout, and is my favorite track on the album, reminding me of the excellent collaboration Marty had with Mineo on “Paisano’s Wylin” from the latter’s Neverland EP. The track is produced by 42 North and written by Mineo and the Social Club Misfits.

Different People ft. Tree Giants – This is a more serious song about relationships, the cost of love, and what it looks like to maintain a healthy relationship, appreciating what you have. It is written by 42 North, Wit and the Social Club Misfits. It features Tree Giants, who share lead vocals with Marty and Fern. It’s a slower song with a heavy beat.

Maybe – This song features Chris Baston, who shares lead vocals with Marty and Fern. It was written by 42 North, Wit, Chris Baston and the Social Club Misfits. This song features a slower groove and some autobiographical lyrics:

Wish that I could go and just reverse time
And right wrongs in the worst times
But it’s over now, just verse rhymes
Just pour out what I went through
In the hopes that y’all won’t get caught up
In the same things I got into

How Good – This songs was produced by Ruslan and written by the Social Club Misfits. This is a song about sharing the love of God with others because they have struggles as well. The song has a great beat, and a hook that you won’t be able to get out of your head.

A Song For Cami – This song was written by 42 North, Wit and the Social Club Misfits. It encourages hard work and was written for Fern’s five-year old daughter. Fern handles the vocals. I liked the quick drum beat and keys. Fern sings that whenever he’s not around they don’t have to worry about him.

One With The New Yorkers – This song features Amari and Wordsplayed. It was written by Wordsplayed, Amari and the Social Club Misfits. Wordsplayed, Amari and Marty, all of whom have lived in New York City at one time, share the vocals. The idea behind the song is that people lie. We put our best foot forward. On social media we make people think that we are better than we are, but it’s a lie. “I think they live for the ‘likes’”. It opens with piano, and has a slow groove with a heavy beat.

Usual Suspects – This song features Willow Stephens, who shares the lead vocals with Fern and Marty. It is written by Willow Stephens and the Social Club Misfits. It open with Stephen’s sweet, haunting vocals before going into a rap by Fern. Fern and Marty have said that this can be a life song that gets you pumped up or it can be for a movie trailer.

Time 4 That – This song is written by the Social Club Misfits and is about their love stories. It opens with piano before going into an easy going vibe with Marty and Fern trading vocals.

Social SZN – This song is produced by Black Knight and written by Black Knight and the Social Club Misfits. Marty and Vern trade vocals on this energetic track. “I’m about to level up”. The song features a good beat and synths that sound like horns.

Wayyyyy Back – This song is produced by Ray Rock. It opens with an organ sound, and features a relaxed beat that looks back on their lives when it was much simpler.

I remember days when we used to play back when
Everything was simple, I just wanna go back and
I know the times have changed, but I wish that they all would just stay the same

Misfit Anthem – This song features Riley Clemmons, who shares vocals with Fern and Marty. The song is written by Clemmons and the Social Club Misfits. The hook samples the hymn “Amazing Grace” by John Newton, and the song is about the grace of God in the lives of the Social Club Misfits.

Extra Wavy – This bonus track is written and produced by the Social Club Misfits. It opens with Marty stating “This song is loud and offensive”. It’s a fun song with a catchy hook:

They ask us how we do it
Ask us how we do it, woo!
Misfit gang gang

Blue and Lonesome – Rolling Stones
****

In their first studio album in eleven years, the Rolling Stones return with an album of twelve mostly Chicago blues covers, the type of music that they cut their teeth on when they started out. Having been largely introduced to the blues by my brother-in-law, I really enjoyed this album; it was one of my favorites for 2016. To read more about the blues music from a Christian perspective check out Stephen Nichols book Getting the Blues: What Blues Music Teaches Us about Suffering and Salvation.

This wasn’t the album that the band intended to record. While in the studio to record new material, they would play a few old blues songs to warm up. They had so much fun playing them they recorded this album with co-producer Don Was last December over just three days. As an added bonus, Eric Clapton, who was recording in the studio next door, came over and played guitar on two of the songs. Overall, the album feels like a labor of love for the Stones, who are joined by bassist Darryl Jones, who has been playing with the band since 1993, and pianist Chuck Leavell.

Below are a few comments on each of the songs on the album:

Just Your Fool – This song was written by and recorded by Buddy Johnson in 1953 and a Chicago blues version recorded in 1960 by Little Walter. This is the first of four songs on the album credited to Walter, a large influence on Jagger’s harmonica playing style. It’s Jagger’s harmonica that is the first sound you hear on the album. Richards’ and Woods’ guitars and Watts’ drums propel the song along. A great start to the album.
Commit a Crime – This song was recorded in 1966 by Howlin’ Wolf. It later showed up (titled “What a Woman!”), on 1971’s London Howlin’ Wolf Sessions, which included Stones Charlie Watt and Bill Wyman. The song features some great guitar work as Jagger spits out that a woman poured poison in his coffee. He’s gonna leave her before he commits a crime. Jagger adds some excellent harmonica work here.
Blue and Lonesome – This slower sad song was recorded in 1959 by Little Walter. It again features Jagger on harmonica, who Richards once referred to as probably the best blues-harp player that he had ever heard, up there with Little Walter. The song also features some excellent guitar work.
All of Your Love – This song was Magic Sam’s debut single in 1957 as “All Your Love”. He updated and retitled the song “All of Your Love” in 1957, just before his death from a heart attack at age 32. The slow blues song opens with some excellent guitar work and beat provided by Watts and Jones, which sets the pace for the song. Leavell adds some tasty piano work in the middle of the song and Jagger adds a brief harmonica solo before the song ends with a guitar solo.
I Gotta Go – This song was recorded in 1955 by Little Walter with the Jukes. The song opens with Jagger on harmonica and gets going right away, propelled by Watts’ drumming. It’s a real toe-tapper, and it’s impossible to stay still listening to it. He’s got the blues and he can’t stay here no more. A great take on the song. One of my favorites on the album.
Everybody Knows About My Good Thing – The newest cover on the album, this slow blues song was recorded in 1971 by former Mighty Clouds of Joy member Little Johnny Taylor. The song opens with great slide guitar work from Eric Clapton, which makes this song another highlight for me. While the focus in on the guitar work, I also enjoyed Leavell’s piano.
Ride ‘Em on Down – This song was a 30’s era original by Delta blues legend Bukka White, then titled “Shake ‘Em On Down”. It was recorded with this title in 1955 by Eddie Taylor. It starts with some great guitar work, and a driving beat from Watts, which sets the pace for the song. The song features a blistering guitar solo mid-song and a harmonica solo from Jagger near the end.
Hate to See You Go – This song was recorded in 1955 by Little Walter. He got his start in Muddy Waters band before going solo in 1952. He would die at age 37 and is the only artist inducted into the Rock and Roll Hall of Fame specifically as a harmonica player. The song immediately grabs your attention with a driving beat propelled by harmonica, guitar and drum.
Hoo Doo Blues – This song was recorded in 1958 by Lightnin’ Slim, a good example of his stripped down, swampy style. The song opens and features Jagger on harmonica, and the slower beat is driven by Watts’ drumming and Jones’ bass.
Little Rain – This song was recorded in 1957 by Jimmy Reed. The Stones have long admired Reed, having covered his “Honest I Do” on their first album. This is a slow blues song featuring some excellent guitar work before the bass and drum kick in behind Jagger, who adds a lengthy and restrained harmonica solo.
Just Like I Treat You – This song was recorded in 1961 by Howlin’ Wolf as the B-side to his single “I Ain’t Superstitious”. It starts out with a great beat right from the start, and amazingly sounds like it could fit nicely on a mid-1960’s Stones album (reminding me of 1964’s “It’s All Over Now”). It features some nice guitar work, tasty piano from Leavell along with some harmonica work from Jagger. One of my favorites on the album.
I Can’t Quit You Baby – This song was written by Willie Dixon for Otis Rush, who recorded it with him in Rush’s first sessions in 1956. You may recognize it as a heavy blues cover from Led Zeppelin’s debut album, which they built off Rush’s 1966 version. This slow blues song begins with a guitar and the bass drives the slow beat. He can’t quit her but he’s gonna have to put her down for a while. The song features some excellent guitar work from Clapton, and Jagger offers some of his most expressive singing on the album.

All at Once – Phil Keaggy
****

Phil Keaggy is one of our greatest guitarists. He has released more than 50 albums, has won seven Dove Awards for Instrumental Album of the Year and is a two-time Grammy Award nominee. Although his instrumental albums are a frequent companion of mine, I hadn’t heard one of his vocal albums for some time. So this fan-funded album of thirteen vocals and one instrumental was a pleasant surprise. And though he is now 65, his sweet McCartney sounding vocals haven’t aged at all. Keaggy wrote or co-wrote all songs with the exception of the title song (written by Gordon Kennedy and Ben Cooper) and the closing hymn “I Must Tell Jesus”.

Below are a few comments about each song on this excellent album which features Keaggy’s superb guitar playing and contributions from strong backing players. In addition, the production is top-notch, giving the songs a live feel.

Mercy – The album starts out with a bang with this blues rocker. It features some great guitar, organ, drum and some backing vocals. There is no one like the Lord. Everybody wants and needs mercy all around the world. A great opener.
Undertow – This rocker features some excellent guitar work and a driving drum beat. Tell me about where you’ve been and what you know, your dreams. Grab ahold and don’t let go you’re not alone here in the struggle. Keep fighting in the undertow. An encouraging song that features some good backing vocals.
Call the Doctor – Keaggy slows it down a bit on this song that features some excellent blues guitar, backing vocals, organ and drums. Somebody call the doctor, the Great Physician, because this old world is a troubled soul. Ring that number straight to the heavenly throne. There is so much pain and hurt.
All At Once – Keaggy keeps it slow on this title track that starts with him singing a McCartney-like vocal over piano. It builds with drum, bass and guitar. How do you deal with the pain? All at once. It breaks the heart, but puts it back together stronger than it was.
I Love the Way You Love Me – This easy-going, joyful catchy love song starts with piano, drums and keys. He can’t wear a frown whenever she’s around. He loves the way she loves him. Features some good backing vocals and guitar work.
La La La Love You – This is another joyful love song. He could never write a song to say everything that she means to him, so he just says “La, La, La Love You”. Includes a nice guitar solo.
My Guitar’s In Love – This is a blues rocker that features some great guitar playing. She (his guitar) won’t do what she’s told. He’s lost control. They had been so close like a hand in glove. It includes tongue-in-cheek lyrics such as “don’t string me along”.
Stay Home Baby – This toe-tapper opens with drums, blues guitar and organ. He’s satisfied with everything he’s got and just wants to stay home with his baby and be by her side. Reminds me of Robert Johnson’s “Sweet Home Chicago”. Features some great blues guitar playing, organ work by the legendary Al Cooper, and backing vocals.
Fearless Love – This rocker opens with piano, guitar, and driving drum beat. I believe there is a way. We have to make a few adjustments to keep the ship on course. We need to show fearless love across the great divide. A love that is compassionate and slow to judge. What unites us is greater than what divides us. Features some great piano and guitar. Also features some good backing vocals.
Not Be Moved – This song features a Dylan-like “Gotta Serve Somebody” sound. We’re living in a world of trouble. It can get the best of us. Bad news and darkness. Trials and temptations that try to bring us down. He knows that there’s an answer that helps him stand his ground. But we stand on solid ground and we shall not be moved. Features an excellent guitar solo and some good organ work.
Ezekiel – This blues rocker features the exemplary vocals of Ashley Cleveland, which blend well with Keaggy’s. They sing about the valley of dry bones from chapter 37 of the book of Ezekiel. This is the Lord, this is the God who saves. The song features some excellent guitar, drums and organ.
I Prayed For You – This slow blues number is about him praying for someone not to give in. He pleaded with the Father until the answer came. Don’t give in to darkness before the battle is won. He prayed for them when they needed strength and were losing the fight. Features some good blues guitar.
Breathe – This is the one instrumental track on the album. Those familiar with Keaggy’s instrumental albums such as his classic The Master and the Musician will enjoy this.
I Must Tell Jesus – Keaggy closes out the album with a version of this 1893 hymn written by Elisha Albright Hoffman. The focus is on the vocal, but it also features some nice guitar playing and backing vocals.

Hits Deep Live – Toby Mac
****

Eight years after his Grammy winning live album Alive and Transported, Toby Mac returns with another high energy live album Hits Deep Live recorded at the CenturyLink Center in Bossier City, Louisiana. The 16 songs (64 minutes of music), are pulled primarily from his last two albums 2015’s This is Not a Test (9 songs), and 2012’s Eye on It (4 songs). There are also 2 songs from 2010’s Tonight and one song from 2007’s Portable Sounds.

Having seen Toby play many of these songs live, I’m convinced that his music is best experienced live in concert, and the sound quality here is excellent. He is backed by his Diverse City band and joined by several special guests – Colton Dixon, Britt Nicole and Hollyn. For “Love Feels Like”, former D.C. Talk bandmates Michael Tait and Kevin Max are not present, but their voices from the recording of the song are included, giving the feel of a live reunion.

With Hits Deep Live you get excellent songs performed well in a live setting, which adds to the energy. It’s hard to pick a favorite, but I always thought that “Feel It” would sound great live and it doesn’t disappoint here.

This will be appreciated by Toby Mac fans and would also serve as a good introduction to the artist for those wanting to check out his music.

The Waiting Room – Trip Lee
****

This 10-song mixtape is the multi-gifted (musician, author, pastor) Trip Lee’s follow-up to 2014’s excellent Rise, and it gives us some new music until his next full-length studio album, which he has said will be coming soon. The mixtape features excellent writing and musicianship, weighty topics, and some familiar friends (GAWVI, Tedashii, Alex Medina, etc.).

As far as the title, Lee has said that he wanted to give us music, a soundtrack that feels like the world we live in. One of the themes that kept coming up for him was how much waiting we have to do in this life. Themes of waiting, longing for God to heal him, what’s it’s like to be a Black man at this time in our country, and longing for Heaven come through in these ten excellent songs.

Below are a few comments about each of the new songs:

Clouds – This song is written by Dirty Rice, GAWVI and Lee and produced by !llmind, Dirty Rice and GAWVI. It has a great beat that grabs you from the very beginning. It takes you through his ups and downs of dreams and aspirations – from being ready to conquer all the monsters in his way and walking in his calling, to saying he needs a new dream because this one has become a nightmare, and then back again.

Too Cold – This song was written by Natalie Lauren, J.Monty, GAWVI and Lee and produced by GAWVI. It was the first single released. Musically, the beat is very satisfying. He’s not going to let the world mould or pressure him. He’s not going to make decisions about who he is, and what he does based on just what people want him to do and just how people respond to it.

Lord Have Mercy – This song is written by Lee and GAWVI and produced by GAWVI. He slows down the pace a bit as he sings that life this side of glory can be a mess. He first focuses on himself and his sin and then moves out to the world and the problems black men like himself are experiencing. In both cases he needs the Lord’s mercy. He’s waiting for Heaven and until then he’ll be be praising God in the waiting room.

IDK – This song (“I Don’t Know”) is produced by Keyzbaby. The beat is more laid-back. The song is a modern day psalm of lament (think of Psalm 13), as Lee painfully and honestly expresses that life is difficult, and his frustration that God is silent to him and others when they reach out to him for his help.

Ready – This song is written by Joseph Prielozny, Dirty Rice, Dimitri McDowell, John McNeill, Joel McNeill and Lee, and is produced by 42 North and Dirty Rice. The song features McDowell. The laid back tune finds Lee wrestling with his father’s death, the dying process, how he misses him and how he wishes that his father could know his two children. Lee is ready for death himself. Death has already been defeated. He’s ready. He’ll be ready when it’s his time.

Still Unashamed – This song is written by Dirty Rice, Alias (USA), Swoope, Tedashii, Alex Medina and Lee. It is produced by Dirty Rice, Alias (USA), Swoope and Alex Medina. It features Tedashii and samples Andre Crouch’s “We Are Not Ashamed”. The song is bold and has an infectious beat. Lee wants us to know that though the world is a mess, and people have said they have changed, he and Clique ten years later are still unashamed of the Gospel (Romans 1:16). A great song, and my favorite on the album.

Money Up – This song is written by Alex Medina and Lee, and produced by Medina, with additional production by Joseph Prielozny. This song features a good beat and lyrically is a bit different, with Lee role playing from a typical rapper’s perspective. He thinks that once he gets paid, once he makes good money, all of his problems will disappear. But he finds that with more money comes more problems.

Out My Way – This song is written by Alex Medina and Lee and produced by GAWVI. This defiant song is addressed to Satan, a hater, who wants his hope in the Lord destroyed. He owes him no favors, and is going to throw him overboard. But he also admits his own sin, and that not all of his problems are outside of him. The song features an infectious beat and hook.

Longer – This song is written by Natalie Lauren, India Shawn, Dirty Rice, Joseph Prielozny and Lee. It is produced by COBRA and features India Shawn. The laid-back track has similar themes as “Lord Have Mercy” and “IDK”, with him asking again “How long?” as he lets others (label, publisher, etc.) down. The focus here is on the soon to be 29 year-old Lee’s physical ailment (chronic fatigue). The theme of waiting comes up here again as Shawn sings the hook from God’s perspective, asking him to wait a little longer.

Billion Years – The closing song is written by Alias (USA), Natalie Lauren, Tyshane, Taylor Hill and Lee. It is produced by Alias (USA) and Tyshane and features Hill. Over a good beat, Lee longs for Heaven, he’s on his way home and not looking back.

Ain’t no joy that I want that I can’t get
Life as we know it will change
I’m in there with my gang
To be with the Lamb who was slain

Keep Me Singing – Van Morrison
****

This is the 71-year old Morrison’s 36^th studio album and his first for Caroline Records. He produces the album, his first of new material since 2012’s Born to Sing: No Plan B, which I really enjoyed. The album includes 12 new original songs, as well as a cover of the blues song “Share Your Love with Me”. Many of the songs show him in a reflective mood, looking back at his life. The musicianship is excellent and Van’s one of a kind voice sounds great here. I really enjoyed this album and you can tell that Van loves making music. Below are a few comments on each of the songs on the album, one of my favorites of the year:

Let it Rhyme – The opening song has an easygoing tempo. It features some light horns, drums, piano, organ, backing vocals and excellent harmonica. He sings that in time, you’ll be mine.

Every Time I See a River – This song has Morrison collaborating with lyricist Don Black. Every time he sees a river, hears a train or a sad song, it reminds him of a past love and he feels like he is back in love again. There are good horns and nice guitar and organ solos here. Van delivers a great vocal.

Keep Me Singing – This song is about his joy in singing. He references a few Sam Cooke songs. He wants to be singing when the day is done. He’s doing just what he knows what to do. The song features a nice harmonica solo.

Out in the Cold Again – This song features piano, strings, light percussion, and a nice guitar solo. He was “Mr. Nice Guy” for too long, playing the losing role. Now he’s standing all alone, out in a cold black night in this “dog eat dog world”. The focus is on Van’s expressive vocal.

Memory Lane – This song features strings, light guitar and percussion as Van is looking back at his past. He’s stuck here back again on memory lane, where it’s getting dark. He’s back with questions and answers standing in the pouring rain.

The Pen is Mightier Than the Sword – This blues songs is driven by guitar (including a nice solo), organ, light drums, some good backing vocals and Van’s strong lead vocal. Van’s vocal reminded me somewhat of Dylan from his Slow Training Coming album. He can’t tell you what you’re supposed to do, but he’s gotta live by his pen because it’s mightier than the sword.

Holy Guardian Angel – This song features strings, light drums, good backing vocals, and nice piano and guitar solos. He was born in the midnight hour. He quotes the spiritual “Nobody Knows the Trouble I’ve Seen” – nobody knows the trouble he’s seen. Nobody knows his sorrow, nobody but him. He prays to his holy guardian angel in the witching hour (midnight to 2:00 am), long before the break of day. Van gives a strong vocal in this song that has a gospel sound.

Share Your Love with Me – This is a cover, and a tribute to Bobby Bland, who did the original recording of the song. The song was made popular by Aretha Franklin in 1970. It features a nice organ solo, light horns and drums. It features a great vocal from Van as he stretches his voice here more than on most of the songs on the album. It’s a shame if you don’t wanna share your love with me.

In Tiburon – The fog is lifting and he’s in Tiburon, a town across the bay, just north of San Francisco. Over piano, he sings about memories of places and people he likes there, including a place that Chet Baker used to play his horn. He wants to go back to Frisco. They need each other more than ever to lean on. Features a nice sax solo.

Look Behind the Hill – This song has a great beat, opening with piano and horns, featuring an upbeat and optimistic vocal from Van. When your troubles are a burden let your mind be still. The sky is clearer just above the ridge. When facing troubles you need to look beyond the hill.

Going Down to Bangor – A blues song that opens with a harmonica solo over guitar and drums. A strong blues vocal by Van, sounding years younger than he is. There is a guitar solo in the middle, and it ends with another harmonic solo. A highlight.

Too Late – The first single, this upbeat and instantly likeable song features excellent organ, horns, a sax solo by Van, drums, backing vocals behind a strong lead vocal from Van, which turns gruff on the final chorus. As he lets go of old hurts, he sings that it’s too late for a sorrow, and tomorrow just can’t wait.

Caledonia Swing – This upbeat instrumental features Morrison on sax and some great horns, piano and organ over a good drum beat. Caledonia was the name that the Romans gave to the area now known as Scotland/Northern England. Van formed the Caledonia Soul Orchestra in 1973. It would be fun to see Van and his band play this song in a live setting.
acoustic-christmas Acoustic Christmas –Neil Diamond
****

I’ve loved Neil Diamond’s Christmas music since his The Christmas Album in 1992. But I have to admit that when I saw the title of this album I wasn’t excited. I generally don’t like stripped down releases. However, I’m happy to admit that I really loved this mostly folk-styled new release!

First of all, the 75 year-old Diamond’s voice sounds great on this Don Was and Jacknife Lee produced record. The pair produced Diamond’s 2014 album Melody Road. It was during those sessions that the idea for this project took shape. Diamond recorded the record with a handful of musicians sitting around a circle of microphones and Christmas lights.

The album features traditional well-known Christmas songs, two new songs and some lesser known songs. For the most part, the songs features piano, acoustic guitar and no backing vocals. The album starts out with “O Holy Night” (my favorite Christmas song), “Do You Hear What I Hear?” and the new Diamond penned “Christmas Prayers”. The latter is a bittersweet song about remembering those close to him who are no longer here to celebrate Christmas with him.

The album continues with “Hark the Herald Angels Sing”, “Mary’s Boy Child” and “Silent Night”, before going into a higher gear with my two favorite songs on the album “Go Tell It On the Mountain” and “Children Go Where I Tell Thee”, which both feature backing vocals from The Blind Boys of Alabama.

The upbeat Irish-inflected “Christmas in Killarney”, best known for Bing Crosby’s version, follows. The album closes with a the joyful three-song “Christmas Medley”, including the upbeat “Almost Day” (written by Pete Seeger and others), the Diamond-penned “Make a Happy Song” and concluding with “We Wish You a Merry Christmas”.

If I had one critique it would be that the standard ten-song edition goes too quickly. Perhaps a few more songs could have been included. Otherwise, I loved this new Neil Diamond Christmas album.

Chapter and Verse – Bruce Springsteen
***

This album is the musical companion to Springsteen’s massive new autobiography Born to Run, which I’m currently reading. Springsteen personally chose the 18 songs to reflect the themes and sections of the book; songs recorded over a 46-year period from 1966 to 2012, and are included here in chronological order. Of most interest to Springsteen fans will be the first five songs included, which have not previously been available and “Growin’ Up” from 1972, previously available only on the 1998 Tracks box set. The five previously unreleased songs are:

Baby I – This rather crude recording was made with his high school band the Castiles in 1966. Written by Bruce and Castiles’ guitarist George Theiss, this rocker features some good guitars and backing vocals.
You Can’t Judge a Book by the Cover – This song was recorded by the Castiles in 1967, just four months after “Baby I”. It is a cover of a 1962 Willie Dixon song that was made popular by Bo Diddley. Again, this is a rather crude recording. It features some good organ work.
He’s Guilty (The Judge Song) – This song was recorded by his pre-E Street Band group Steel Mill in 1970. It features some excellent guitar that kicks off the song, as well as a solo later in the song, as well as the late Danny Frederici’s organ. We can also begin to more clearly hear Springsteen’s lead vocal here, as well as some good backing vocals.
Ballad of Jesse James – This song was recorded by the short-lived Bruce Springsteen Band in 1972. It features some excellent guitar work and features some good backing vocals. Springsteen was 22 at the time of the recording. He sings “Don’t you want to be an outlaw”? It was recorded 40 years before Springsteen wrote “Outlaw Pete”. The band featured future E Street players Steve Van Zandt, Garry Tallent, Vini Lopez and David Sancious.
Henry Boy – Musically, this is an early version of Springsteen’s classic “Rosalita”, recorded in 1972, though the song has its own story to tell. This solo demo as well as “Growing Up”, was recorded shortly before he began recording his debut album Greetings from Ashbury Park, N.J. It features Springsteen solo on vocals and acoustic guitar.

The remainder of the album features some of Springsteen’s most popular songs such as “Born to Run”, and focuses largely on his more personal work. Many Springsteen fans will already have most or all of these songs already. While any Springsteen music is worthy of our library, the real attraction of this new collection will be the five previously unreleased songs as well as the connection to the new autobiography.
Never Lose Sight – Chris Tomlin (Deluxe Edition)
****

Chris Tomlin is one of my favorite artists. We get the benefit of his music on the annual Passion releases as well as his solo albums. His worship songs are sung by an estimated 30 million people in churches around the world each week, leading some to refer to him as America’s worship Leader. This highly anticipated release is his eleventh studio album and first album of all new non-Christmas songs since 2014’s excellent Love Ran Red. Tomlin has stated that joy is at the heart of the album because of what Jesus has done for us.

Every well-crafted and performed song on this album is excellent, resulting in what most artists would be proud to have as a “Greatest Hits” collection. It will most likely (short of an unexpected release), be my favorite album of the year.

Below are a few comments on each of the songs on the Deluxe Edition of the album:

Good Good Father – This song was written by Pat Barrett and Tony Brown, and has been recorded by a number of artists, including Housefires. It is probably the most popular song that Tomlin has ever recorded, winning the 2016 Dove Award for song of the year. The single was released a year ago and is still near the top of the Christian charts. The song was also the inspiration for the children’s picture book of the same name co-written with Pat Barrett.
Jesus – Written with Ed Cash, this was the second single released from the album. This is a straight forward worship song about our Savior:
Who walks on the waters
Who speaks to the sea
Who stands in the fire beside me
He roars like a lion
He bled as the lamb
He carries my healing in his hands
Jesus
Impossible Things – Danny Gokey, a third place finalist on the eighth season of American Idol, joins Tomlin on this song. He recently won the Dove Award for Christmas album of the year for his album Christmas is Here. The songs starts an infectious beat with Tomlin singing over acoustic guitar and drum. Gokey joins him on verse 2 which is from Psalm 23. Our God is with us, we will fear no evil because He does impossible things. This joyful song will be wonderful to sing in a worship service.
Home – Written with Ed Cash and Scott Cash, this song is about longing for Heaven, our ultimate home and where we belong. This is an upbeat, joyful song that opens with hand claps and is instantly likeable. It is based on Revelation 21 and will sound great in concert or a worship service.
God Of Calvary – Written by Tomlin, Jonas Myrin and Matt Redman, this is Tomlin’s favorite song on the album. The song takes us from the cross to the resurrection. It begins with what takes place on the cross at Calvary and then moves into a triumphant chorus. We are set free by His wounds and redeemed by His blood. Christ crossed the great divide for us. Redman provided the bridge, from which Tomlin takes the title of the album. He will never lose sight of the cross and Christ. The song then moves to Christ’s resurrection from the dead.
He Lives – This power ballad starts slowly with piano and synth and gradually builds. Christ rose from the grave to life. He lives reigning in power. He lives name above all names. He lives in me.
Glory Be – This is an upbeat praise song version of the Gloria Patri. It’s a song from his lips from the time he rises about the Trinity.
Glory be to God, the Father
Glory be to God the Son
Glory be to God the Spirit
All Glory to the One
Come Thou Fount (I Will Sing) – Like he did with “Amazing Grace (My Chains are Gone)” Tomlin merges a classic hymn “Come Thou Fount of Every Blessing”, written by Robert Robinson in 1758, with some new lyrics. He starts with the hymn over acoustic guitar. The new section is about how God’s mercy yet pursues us, His mercy never fails. Till the day we die we will sing of Him. Features some good backing vocals.
Yes And Amen – This song is also featured on Housefires III, and was written by Nate Moore, Chris McClarney and Tony Brown, the latter of which co-wrote “Good Good Father” with Pat Barrett. He is faithful and all of His promises are yes and amen. Features some good backing vocals. This is one of many songs that will sound good in corporate worship.
All Yours – This is a worship song about the God of creation. God reigns over all of creation, it’s all His, the earth, sky, the day, the night and every breath we take. All creation praises him – the mountains, oceans, everything is His. Features a good drum beat as the song builds to a worshipful chorus.
First Love – This is a duet with Kim Walker-Smith of Jesus Culture. It starts with piano and acoustic guitar and slowly builds. Jesus is still our first love and all we are is His. He is our anchor and guiding light and greatest joy. Musically, this is a bit of a departure for Tomlin.

Deluxe Edition Only:
The God I Know – This praise song opens with guitar and drums and builds with a good beat. He sings of God’s goodness and mercy. God will make a way, whatever comes, whatever we face. He is strong to save. He is the Lord and conquered the grave. He works all things for our good (Romans 8:28).
God And God Alone – This song was also included in the Passion album Salvation’s Tide is Rising released earlier this year. It is written by Jason Ingram, Jonas Myrin and Tomlin. It opens with an acoustic guitar. It is sung to the Lord that He is forever God and God alone, and forever seated on His throne. Nothing can separate us from the amazing love of the God in Christ Jesus our Lord. (Romans 8:39). Every knee will eventually bow down to the Lord.
Kyrie Eleison – This wonderful song features the vocals of Matt Maher, Matt Redman and Jason Ingram. Their voices merge well on this song that begins with piano and synths. Lord have mercy and Christ have mercy, hear our cry. Let God’s kindness lead us to repentance (Romans 2:4). Who is this God who pardons all our sins, so ready to forgive? He delights to show His mercy.

These Christmas Lights – Matt Redman
****

This is singer, songwriter and worship leader Matt Redman’s first Christmas album. He is perhaps best known for his song “10,000 Reasons (Bless the Lord)”. To help with the songwriting for the record, Redman went on a retreat to Israel. He walked through the old roads that Jesus would have walked, and went to some of the key places where key events of the gospel happened when Jesus walked this Earth. During this time he thought a lot about Jesus coming as a little newborn baby. His intent is not just to tell the story of Christ’s birth, but to make sure we put ourselves in the story as well.

As always, Redman provides us with biblically based worship music that we can enjoy and also sing in corporate worship this Christmas season. Below are a few comments on each of the songs:

These Christmas Lights – In the title song, he sings of the lights shining bright as the cry of the angels sing for the glory of the King (Luke 2). We need to sing that sacred song again. This is really a prayer that our eyes be opened and our hearts believe that the wonder of that Christmas night be born in us, and that our Christmas lights will shine for Him alone.
His Name Shall Be – Written with Jonas Myrin. His name shall be Jesus, it’s the name that came to save us. The joyful chorus for this song comes from the angel’s song in Isaiah 9:6 that we can sing now:
His name shall be called Wonderful,
Counselor
Mighty God,
Everlasting Father
Prince of Peace for all eternity oh,
His name shall be
O Little Town (The Glory Of Christmas) – This is a new version of the traditional Christmas hymn “O Little Town of Bethlehem”. It opens with Redman singing with piano, and it gently builds with the help of a backing choir. The glory of Christmas is the glory of Christ and the story of his love.
Angels (Singing Gloria) – This song features vocals from Redman’s long-time friend and occasional collaborator Chris Tomlin. It features keyboard, acoustic guitar, horns and choir. It is based on Luke 2:14 – Glory to God in the highest, and on earth peace among those with whom he is pleased!”
Help From Heaven – This song features strong vocals from British singer and songwriter Natasha Bedingfield who shares lead vocals with Redman. It begins with piano and builds gently with strings, and then powerfully with the help of a choir. Every heart needs a rescue, every soul needs a breakthrough. We all need help from Heaven. The song is a bit of a departure for Redman.
Hearts Waiting (Joy To The World) – This song opens with a hand-clap and a sample of the Christmas hymn “Joy to the World”. The chorus joyfully proclaims joy to the World, the Lord has come to us. It closes with a sample from Handel’s “Hallelujah Chorus”, “And He shall reign for ever and ever”.
Glory To You In The Highest (O Come Let Us Adore) – This song features the vocals of urban contemporary gospel singer Tasha Cobbs. It is a song of adoration to Christ, based on Luke 2:14. Christ came to bridge the great divide. To us Christ has been born and to us He has been given. He is the hope of all the earth and the highest name in Heaven. The song builds including a choir and includes a sample of the hymn “O Come All Ye Faithful”.
How Far – This beautiful song has Redman singing with just piano and strings. There is a theme of “how far”? He asks how far is it to Bethlehem where hope was born and sin conquered, and the great divide bridged with perfect grace and sacrifice. How far love has come to bring us home. How far Mary and Joseph went to Bethlehem and how far Christ went for Calvary. No greater grace was ever known. No great love was ever seen. From Bethlehem to Calvary, our hearts will always follow Him. This simple, but powerful song is my favorite on the album.
Glory Hallelujah – This song begins with a heavy beat, piano, guitar and adds good backing vocals. It is simple lyrically, has a live sound, and would be excellent for corporate worship as we raise our voices high to join the angel’s choir singing the praises of our God.
The Name Of Emmanuel – This song looks at God coming as a man. It opens with keyboards as he asks can it be that the voice that said “Let there be light” is now in the newborn cry of the Christ child. He is God with us (Emmanuel). The holy One is one of us. Can it be that the almighty God who never rests is lying here in perfect peace? It’s the amazing miracle of Christ’s incarnation, Son of Man and Son of God. The song builds powerfully and features good backing vocals that can lead to nothing other than praise.
Holy Night – This song is about the sacred holy night in the fields of Bethlehem that includes a heavenly symphony from the angels. God has come. God’s glory is shining bright on this holy night. It builds with keys, drums and choir. Let Your Glory shine on us just like on that holy night.

American Prodigal (Deluxe Edition) – Crowder
********

After a successful sixteen-year run leading the David Crowder Band that ended in 2012, David Crowder, now known simply as Crowder, released Neon Steeple in 2014, one of my favorite albums of that year. He returns now with American Prodigal, and what he calls “swamp pop”. The album features recurring themes of sin and forgiveness, chains, freedom, being a prodigal and Heaven. Below are a few thoughts about each of the songs on the Deluxe edition of the album:

American Intro – This brief minute and a half opener features Crowder with a simple piano backing. He wants Heaven to be opened and all of the angels of Heaven to sing along Come on Hallelujah!

Keep Me – This is a prayer to the Lord to keep him walking as the devil keeps calling him back. But the Lord keeps calling him home. It features a foot-stomping, hand-clapping, heavy beat, banjo, fiddle, good backing vocals and even some rapping from Crowder. The chorus reminded me a bit of Toby Mac’s “Move (Keep Walkin’).

Run Devil Run – The first single, this is a rousing toe-tapping rocker. He sings that he has something that’s going to make the devil run. He has three (the Father, Son and Holy Spirit) and the devil has none. We have revival. A song that will really be fun in concert.

My Victory – Was included on the Passion album Salvation’s Tide is Rising. This is a great song that will be sung in churches around the world. It features more of a Passion band sound than Crowder’s usual “folktronica” sound. It starts slow and then builds to a powerful chorus and the line “A cross meant to kill is my victory”. Amen! One of my favorite songs of the year.

Prove It – This song features Christian rapper KB. It has a foot-stomping, driving beat. It’s about freedom. He sings that if you’re free, prove it. If not, loose the chains on your soul.

All Your Burdens – This song opens with banjo and then goes into a driving rocker with excellent guitar and drums. He sings that all his burdens weigh him down, but the chains will be broken and we shall overcome and have victory.

Back to the Garden – This song is from the perspective of Adam. He sings that he was born to be royal and made for glory, but was torn from the garden when the devil lied to him. It starts slow and builds powerfully. He longs to go back to the garden when he walked in the presence of God. The song features a blazing guitar solo.

Forgiven – A powerful worship song that begins with guitar and piano, then builds with banjo and drums. He sings that he was the one who held the nail, hid in the garden and denied Jesus with his lips. Despite this, we can receive God’s unconditional love and find freedom by falling to our knees and receive forgiveness from our sins.

Promised Land (Glory, Hallelujah) – This is a triumphant worship song featuring Crowder’s swamp sound. Who has the power (to save, heal, raise the dead, make me whole, etc.)? It’s his sweet Lord. He’s longing for the Promised Land. It features a rap from Christian rapper Tedashii, who will be touring with Crowder.

All My Hope – This song has the feel of an old-time gospel song. It opens with piano, and builds slowly with light drums and finishes with a great backing choir. He’s been held by the Savior. All his hope is in Jesus. All of his sins are forgiven. He’s been washed by the blood. The chains are removed, he’s freed and forgiven. One of my favorites on the album.

Shouting Grounds – This song features the swamp pop sound. He should be dead but he’s alive. He’s a prodigal, who was lost but now is found. He wants to be taken to shouting grounds, where it’s going to get loud. No grave is going to hold him down. This is a triumphant, victory song. Features some Native American chanting toward the end of the song.

Shepherd – The worship song is an adaptation of the 23^rd Psalm. It features banjo, light drums and backing vocals. When his heart is prone to wandering, Jesus shepherds him.

All We Sinners – Was also included on the Passion album Salvation’s Tide is Rising. The song begins and ends with acoustic guitar. It’s a triumphant song that starts slow and then builds. The keys to the grave have been stolen and the gates of heaven are open.

American Outro – Begins with him singing Come on Hallelujah from “American Intro”. He’s out of the ruins and back in communion with God. Starts with piano and builds. Includes some distorted vocals.

Praise the Lord – This song, written by Sean McConnell, features an acoustic guitar and builds gently. He sings that as he gets to know the Lord more, he realizes that He’s not who he thought He was. Praise the Lord!

Great Rejoicing – This celebratory worship song infectiously repeats the lines “There’s gonna be, a great rejoicing”, and “There’s gonna be a great joy river”, as the troubles and tears of this world fade away. It features some excellent lead and backing vocals. It’s a wonderful song about that grand reunion.

American I/O – On this closer he repeats from American Intro and Outro the line Come on Hallelujah. He is out of the ruins and back to communion with God.

I Still Do – Eric Clapton
********

I Still Do is the 71 year-old Eric Clapton’s 23rd (and perhaps last) solo studio album. Clapton has said that he “kind of might be saying goodbye” here. Much of the excitement about this release was around Clapton reuniting with veteran producer Glyn Johns, who produced Clapton’s classic 1977 album Slowhand and 1978’s Backless. The album features mostly cover songs with some new material written by Clapton. The cover is a painting of Clapton by Sir Peter Blake, who previously provided artwork for Clapton’s 1991 live album 24 Nights, and is best known for co-creating the famous cover design for the Beatles Sgt. Pepper’s Lonely Hearts Club Band album. There has also been a lot of attention around a mysterious guest on “I Will Be There”. More about that later.
The band includes Clapton, Henry Spinetti, who has played with George Harrison and Paul McCartney among others, on drums and percussion, Dave Bronze on bass, Andy Fairweather Low on guitar, Paul Carrack on Hammond Organ, Chris Stainton on keyboards, Simon Climie on keyboards and guitar, Dirk Powell on accordion, Walt Richmond on keyboards and Angelo Mysterioso on acoustic guitar and vocals on “I Will Be There”.
Here are a few comments about each song on this fine album:
Alabama Woman Blues – an excellent slow blues version of Leroy Carr’s 1930 recording, featuring guitar, piano, organ and accordion.
Can’t Let You Do It – this is a J.J. Cale song that Cale’s wife Christine provided to Clapton on a CD of his unreleased songs after Cale’s funeral. It has a “Lay Down Sally” guitar sound. Features some good backing vocals, accordion and organ.
I Will Be There – this song features Angelo Mysterioso on acoustic guitar and vocals. Much has been made of this as the name is very close to L’Angelo Misterioso, a pseudonym used by George Harrison when he recorded anonymously, including with Clapton when he was in Cream on the song “Badge”. This led to speculation that the song would include vocals from Harrison, which Clapton has denied. However, could the vocals and guitar be from Harrison’s son Dhani? The lyrics could serve as a tribute to Clapton’s relationship with George.
Spiral – an original slow blues song, it features the line “You don’t know how much this means to have this music in me”.
Catch The Blues – an original song that has a light Latin feel with nice guitars and female vocals. He sings that he has been living in a world of pain. One of my least favorite track on the album however.
Cypress Grove – a cover of Delta Blues artist Skip James, who died in 1969. This slow blues song features some excellent accordion work by Powell.
Little Man, You’ve Had a Busy Day – This tender lullaby shows off Clapton’s tender voice and features acoustic guitar. The song was written by Mabel Wayne, Al Hoffman and Maurice Sigler and first recorded by Elsie Carlisle in 1934.
Stones In My Passway – a Delta Blues song that Robert Johnson recorded in 1937. Features some excellent guitar as well as Powell’s accordion.
I Dreamed I Saw St. Augustine – an excellent cover of Dylan’s song from his 1967 album John Wesley Harding album, again features Powell’s accordion, some tasty guitar and good backing vocals.
I’ll Be Alright – this is a version of the traditional hymn “We Shall Overcome”. Features excellent backing vocals and guitar.
Somebody’s Knockin’ – this is another slow blues J.J. Cale song that Cale’s wife provided to Clapton on that CD of his unreleased songs after Cale’s funeral. Clapton has used this song to open his concerts in recent years. Features some excellent guitar and piano and organ.
I’ll Be Seeing You – This beautiful rendition of a post-war standard popularized by Billie Holiday, takes on special meaning if this is indeed the last song on his last studio album. Features soft percussion, piano and acoustic guitar and Clapton’s tender vocal.

Spirit – Amos Lee
********

On his sixth studio album, and first since 2013’s excellent Mountains Of Sorrow, Rivers Of Song, Amos Lee serves as producer for the first time and transforms his sound from the previous album’s folk/country sound to a full-band gospel-soul-R&B sound. Lee builds on his concert experiences to make his new sound more dynamic, including an effective use of horns, organ, and background vocals. In addition to members of his road band, he brought in drummer Mark Colenburg and bassist Adam Blackstone to punch up his rhythm section. Lee’s voice has also never sounded better on this album recorded at a converted Nashville church. I liked this album and the energy in the music a lot, though lyrically many of the songs are about relationships that have gone bad.

This is one the top releases of 2016 thus far. Here are a few comments about each of the songs on the album:

New Love – Opens with piano and then shows off the new full-band sound, particularly the horns with Jeff Coffin on saxophone and Rashawn Ross on trumpet. The song is about the joy of new love, while at the same time showing off the band’s exciting new sound.
Running Out of Time – Since hearing of his “new found faith” on “Windows Rolled Down” on Mission Bell, I’ve been looking for signs of faith and spirituality from Lee. You find it here on this gospel song, featuring hand claps and a repeated refrain of “Lord have mercy” as he is running out of time. This song is about the brevity of life. Lee called it “A reminder and a recognizing of the impermanence we share here on earth”. The upbeat song includes a reference to a train, a common theme in Lee’s music. It also features some excellent horns and organ.
Spirit – Lee has stated that he wrote this song after being moved by a New Orleans street singer he encountered who had a deep connection with his music. He refers to the “pain that she gave to me”, one of several references to a painful breakup that Lee writes about on the album. The song features piano, organ and background vocals. Lee sings that he just wants to feel the spirit wash over him.
Lost Child – One reviewer compares this song to Stevie Wonder from his Innervisions period. I don’t disagree. Through the pain he can see the clouds drifting away for a celebration day. The music is upbeat and catchy, featuring a great vocal, horns, drums and background vocals.
Highways and Clouds – Lee has stated that for this song he didn’t want to just do the standard waltz feel that’s led by the acoustic guitar, but wanted to add dimensions to the arrangements and try to transform them, rhythmically and instrumentally, so that the album was cohesive. This song opens with acapella vocals, followed quickly by Lee’s and Luther Dickinson’s guitars, and then drums, keyboards and horns. This is another story song. The singer is from the Badlands. Highways and clouds meet in the middle. Features some effective backing vocals.
Lightly – This is another of Lee’s “story songs”. He is from “all over”, was born in the wind, and has learned to travel lightly, living alone, and if he moves fast enough the darkness can’t catch up to him. Features some good background vocals and guitar.   That comes through beautifully on a striking ballad called Lightly, which Lee builds around a surprisingly elegant banjo riffThat comes through beautifully on a striking ballad called Lightly, which Lee builds around a surprisingly elegant banjo riffThat comes through beautifully on a striking ballad called Lightly, which Lee builds around a surprisingly elegant banjo riff
One Lonely Light – This beautiful song starts as an acoustic number and gently builds. The singer states that there are times when he doesn’t feel like he is “a damn bit of good”. He sings of pain on this gospel flavored song, which features good backing vocals. He sings of storms in the night with waves raging and crashing and winds howling. What is the lonely light he sings of? Is it a woman? Is it God? Who is he singing to as he sings “Oh I’ll sing for you, what more can I do, Oh I’ll sing for you”.
Wait Up For Me – This songs features an acoustic guitar, piano, accordion, mandolin and gentle backing vocals. The singer encourages a woman to wait up for him so she doesn’t have to be alone. He is on the road, lost in the world, ragged and blue. But he’s coming home. Musically, this song would fit on Mountains Of Sorrow, Rivers Of Song.
Til You Come Back Through – Lee sings in falsetto here as he delivers an outstanding vocal performance. He sings to a woman he has been waiting his whole life for, but she is leaving forever. He has no choice but to say good-bye until she comes back through. Features acoustic guitar and keyboards, but the focus is on Lee’s emotional vocal.
Hurt Me – This song features punchy strings. It’s another song about a relationship that has gone bad. He’s feeling blown away and is at the breaking point. He doesn’t know how he will make it through the day. He doesn’t want mercy tonight and asks if she is strong enough to watch him die. He sings that he’s begging her to free the pain that locks me up inside.
Vaporize – The first single from the album, this is another song about a painful relationship that has gone bad. Programmed beats and piano open this song. In an emotional vocal, he sings that he’s going to vaporize everything that’s inside and get “high, high, high….”
Walls – Lee sings this song about a failed relationship in falsetto. It has a soft beat punctuated by keys. He sings that she’s writing on his walls that she’s not in love with him anymore and has found someone new. Features some good backing vocals.
With You – This song opens with acoustic guitar and features some amazing strings and vocal from Lee. He is singing to a woman that he doesn’t want to lose. He wants to see another summer and sunsets with her. He’s going to keep her with him wherever she goes.

Pure McCartney by Paul McCartney
****

I grew up as a huge Beatles fan and have followed the band members solo careers as well, by far the most commercially successful and prolific being Paul McCartney. That’s not to say that there haven’t been some pretty uneven albums along the way ( Pure McCartney think of 1971’s Wild Life by Wings, for example). Recently I saw McCartney on tour for the twelfth time. One of the things I always look forward to is what songs he will pull from his impressive Beatles, Wings and solo career to play on the tour. Several songs from his compilation show up on his new “One on One” tour set list. This compilation, his fourth, after 1978’s Wings Greatest, 1987’s All the Best and 2001 Wingspan, includes songs from his 1970 debut McCartney to his 2014 single “Hope for the Future” and his 2015 remix of “Say Say Say”, a hit with Michael Jackson.

The collection comes in multiple formats, with the deluxe edition including 67 (25 of which have been newly mastered), solo, Wings and Fireman songs, more than 40 of which were Top 40 hits. McCartney had more than 300 songs to choose from – from 17 solo, 7 Wings and 2 Fireman studio albums. McCartney and his team came up with the idea of putting together the collection “with nothing else in mind than having something fun to listen to”.

There will always be songs left off that you would like to see on an artist’s compilation project. I was surprised that no tracks from his fine 1989 Flowers in the Dirt album or 2001’s Driving Rain were included, for example. On the other hand, 8 songs were included from his 1997 Flaming Pie album and 5 from his latest, 2013’s New, were included. I would also have liked to see some more rarities, such as “Girl’s School” and “Spies Like Us”. One rarity does show up, the children’s song “We All Stand Together”, as well as several “deep cuts” from McCartney solo, Wings and Fireman albums, a particular favorite of mine is “Warm and Beautiful” from the mostly forgettable but best-selling 1976 Wings at the Speed of Sound, where McCartney let all band members take a turn at lead vocals.

Despite the above minor concerns, I enjoyed listening to these songs, all but “We All Stand Together” I once had, but many of which I didn’t have in a CD or digital format. Sit back and enjoy these songs covering McCartney’s amazing now 46-year post-Beatles career.

Note: Pure McCartney gave me the idea to make my own McCartney mixtape, using my favorite Beatles songs he sang lead on as well as my favorites from his solo career. Although I still am adding to the mixtape/playlist, it currently has 233 songs on it.

A good companion to this compilation for McCartney fans would be Philip Norman’s new biography Paul McCartney: The Life.
Stranger to Stranger by Paul Simon
****

Never one to rest on his impressive laurels, 74 year-old Paul Simon returns with Stranger to Stranger, his thirteenth solo album, five years in the making, and his first studio album since 2011’s excellent So Beautiful or So What. The album is produced by Andy Smith and 81 year-old Roy Halee, a longtime collaborator whose relationship with Simon goes back to the original Simon and Garfunkel days in 1964.

This risk-taking album takes many listens to fully appreciate. It includes two instrumentals and is in many ways experimental, pushing boundaries and featuring a wide variety of instruments, electronic beats, loops, samples, a gospel music quartet, horns and synthesizers. The album is heavy in percussion, with four of the album’s first six songs not even using a guitar. Simon was influenced by the works of Harry Partch, an American composer, music theorist, and creator of musical instruments. Partch experimented with microtonal tunings. In fact, Simon has said that there is not a lyrical theme to the album, but rather a sound theme, though like his last album, God and the afterlife are recurring themes here.

Here are a few brief comments on each of the songs on the standard edition of the album:

The Werewolf – The opening song is about a werewolf, an angel of death. She is looking for other victims to kill. It’s the end of the rainbow, midnight, and she really has the appetite. It is the first of three songs that Simon collaborates with the Italian electronic dance music artist Clap! Clap! A good beat plays behind Simon’s vocal.

Wristband – This also features Clap! Clap! It’s one of my favorite songs on the album, about a musician who goes out for a smoke, and then is unable to get back into the venue he is playing at because he doesn’t have the required wristband. The song then pivots about the homeless and lowly who can never get through the door. Again, an infectious beat behind Simon’s vocal along with some good horns.

The Clock – A short instrumental, the first of two instrumentals on the album that were originally written for John Patrick Shanley’s play Prodigal Son. Simon said that he decided to insert them in the album to give a little space after songs.

Street Angel – The third song that features Clap! Clap! The central character from this song also appears in “In a Parade”, the first time a Simon character appears on two songs of the same album. Simon samples 1939 gospel vocals from The Golden Gate Quartet, a favorite of his. An interesting verse that doesn’t seem to go along with the rest of the song is:

If God goes fishing
And we are the fishes
He baits his lines
With prayers and wishes
They sparkle in the shallows
They catch the falling light
We hide our hearts like holy hostages
We’re hungry for the love, and so we bite

Stranger to Stranger – Simon slows it down on what could be a song to musician wife Edie Brickell. He asks that if they met for the first time could they imagine falling in love again. He is jittery, it’s his way of dealing with his joy. Features some effective horns.

In a Parade – The singer may be in an ER, which tonight feels like every wounded soul, or in a parade and can’t talk now. Street Angel reappears, as does the line from the song “Street Angel”, “I write my verse for the universe”. Features an infectious percussion beat.

Proof of Love – This song was inspired by Simon’s visit to a spiritual healer in Brazil when he was suffering from reoccurring violent nightmares. He asks the Lord for proof of love, and hears a voice telling him not to be afraid that his days won’t end with night.

In the Garden of Edie – This song is about Simon’s wife Edie, and is the second instrumental included that was originally written for Prodigal Son.

The Riverbank – The mostly upbeat sound contrasts with the subject matter here. The song was inspired by a teacher that Simon knew who was killed in the Sandy Hook Elementary School shooting in December, 2012 and also depicts the funeral of a veteran who committed suicide.

Cool Papa Bell – A favorite, this song is partially about a center fielder in the Negro league baseball from 1922 to 1950. He is considered to have been one of the fastest players ever to play the game. Simon sings that most will get to Heaven someday, but not the person he is singing to. They will have to stay and explain the suffering and pain they caused. The song, which has a Graceland vibe to it, includes some adult language.

Insomniac’s Lullaby – This acoustic song features the use of instruments created by Harry Partch. It has a melancholy feel to it as he sings for the Lord not to keep him up all night with questions he can’t understand, such as how the builder of bridges will deliver us all to the faraway shore.

Where the Light Shines Through (Deluxe Edition) – Switchfoot
****

Switchfoot is one of my favorite bands, second only to U2. This is their first full-length album since their chart-topping 2014 album Fading West. An EP of songs from the Fading West sessions The Edge of the Earth, was also released in 2014. Lead singer/songwriter Jon Foreman also released four solo Wonderlands EPs in 2015.

This is the band’s 10^th album in their 20-year career. It is also the first time in ten years that the band has worked with producer John Fields, who worked with them on their 2003 breakthrough album The Beautiful Letdown, as well as 2005’s Nothing is Sound and 2006’s Oh! Gravity. Bassist Tim Foreman has said that the band went through a dark season and the record become a source of light in the middle of that dark season. He stated that the album rose organically out of the ashes of adversity.

This is an excellent new release from the band that always sounds fresh. Jon Foreman’s vocals are excellent and Chad Butler’s drums really stand out. I would have liked a few more rockers, but still love the album.

Below are a few comments on each of the songs on the deluxe edition, which debuted on iTunes Top Albums chart at #2:

Holy Water – a strong opener with grungy drums and guitars that reminded me of the band’s raw Oh! Gravity sound. Jon sings that he has fought the fire with fire and he wants to taste the Lord’s love again.

Float – features an infectious funky beat. I liked this song instantly. Jon sings “Turn it up so I can feel it. Loud enough so I can get near it.” He sings don’t let them tell you what to feel like, and that money’s going to leave you broken-hearted. It can’t finish what we started. A favorite.

Where the Light Shines Through – opens with guitar, then quickly goes into drums and the full band. Jon sings encouragingly that we can’t run away from ourselves. He sings that our scars shine like dark stars and that our wounds are where the light shines through, it’s where the light finds us. The band describes it as “a gospel song – an open palms altar call – bring your scars and abuse and bruises with you”.

I Won’t Let You Go – opens with acoustic guitar. Jon offers a vulnerable Bono-like vocal as the song builds. This song works on different levels, including being a song in which the Lord is speaking to us about trusting Him.

If you could only let go your doubts
If you could just believe in me now
I swear, that I won’t let you go

Another line that was powerful was “pain gives birth to the promise ahead”.

If The House Burns Down Tonight – begins with Jon singing over an acoustic guitar. He sings that the truth is what remains and what you save from the fire. The songs turns into a driving rocker, featuring excellent drums. It could be a song about his wife. He wants passion, the fire. If he loses everything (the house burns down tonight), he still has everything he needs with her by his side. The rest can burn. A powerful line is “ashes from the flames, the truth is what remains”.

The Day That I Found God – a lighter song musically, this one starts slow and builds. A key line is “I found out the day I lost myself was the day that I found God”. Another highlight.

I found strength but it wasn’t what I thought
I found peace in the places I forgot
I found riches ain’t the things that I had bought
I found out
The day I lost myself was the day that I found God

Shake This Feeling – opens with guitars. A mid-tempo rocker about a relationship that is falling apart. You can feel the pain. Words have been said that can’t be taken back. They are going to have to fight to fall back in love again.

Bull in a China Shop – a rocker that starts with a screeching guitar and great drums with good backing vocals. The chorus us “I wanna rock this block like a bull in a china shop”. Jon asks what we are waiting for as the future is here. It’s a bold songs, he sings that fear is all he’s got left to fear.

Live it Well – in this encouraging and uplifting song Jon sings that life is short, he wants to live it well. He wants to burn brighter than the dawn. He wants to take full advantage of what he has been given, and we should as well.

Looking for America – a powerful song featuring Lecrae, this song is about America. The song acknowledges that the Lord knows we need plenty of change in our country. Features a great beat molding Lecrae’s and Switchfoot’s sounds with challenging, bold lyrics. It reminds me thematically of Lecrae’s “Welcome to America” from his Anomaly album.

America, who are you?
Is God still on your side?

Healer of Souls – an out and out rocker with great guitars and drums. Jon acknowledges that we have problems. We are a nation torn by the clashes. We need to turn to the Lord, the healer of souls. This song will sound great in concert.

I want more than just a crutch to lean on
Yeah I’m looking for that freedom
So let’s go there
To the healer of souls

Hope is the Anthem – a slower song featuring synth, keyboards and light drums. Jon sings that sometimes what we need is what we fight. He sings that God’s love is what he was running from. The Lord’s hope is the anthem of his soul.

Light and Heavy – was first played live by Jon in 2009, when he dedicated it to a friend and fellow musician who had recently died of cancer. Starts with Jon singing with bass and drum and then builds. Jon sings that he is travelling light with a heavy heart. A personal song, perhaps to a friend, as he sings “I hope you find what you were looking for”.

Begin Forever – A light rocker. It appears to be about a relationship that has gone wrong. Jon sings that it’s never too late to try. It’s never too late to begin forever.

When was the Last Time – a light rocker with a good beat driven by the drums. A key line is “When was the last time you tried something for the first time?” Life is difficult but he would rather be happy than typical. Take chances. Step out. A good challenge to end the album with.

H A R D L O V E – NEEDTOBREATHE
***

NEEDTOBREATHE returns with their sixth studio album, following 2014’s excellent Rivers in the Wasteland, which was followed by their hit single “Brother” with Gavin DeGraw. Although the band was in a dark place when that album was recorded, lead singer Bear Rinehart has stated that the new album is mostly a story of redemption. Keyboardist Josh Lovelace has spoken about this album being more accessible lyrically and the band taking some chances sonically, using a lot of new sounds and synth throughout. The album was co-produced by the band and recorded in Charleston, South Carolina.

Below are a few comments about each song on the new album that debuted at #1 on iTunes Top Albums chart:

Mountain, Pt 1 – the album starts with this less than one minute song, with a new sound for the band featuring electronically distorted lyrics. This short song then quickly transitions into the title track.

Hard Love – this driving song features a strong vocal from Bear. It opens with a great line “Trading punches with the heart of darkness”, but we find that his strength is in the love he has found. It features a memorable and encouraging chorus that will sound great in concert:

Hold on tight a little longer
What don’t kill ya, makes ya stronger
Get back up, cuz it’s a hard love

Money & Fame – this song features some great horns. Bear sings with regret, perhaps to young musicians about the negative effects of money and fame. A great line is “I found the bottom from the top somehow.” Perhaps in speaking of personal compromise, he sings that everybody’s got a price, and it’s even lower than you think it is.

What do you kids wanna know about now?
I made enough to make a young gun proud
Money and fame bring a man to shame

No Excuses – this song opens with acoustic guitar, and then builds with bass, keys, hand clap and backing vocals. It’s a sad song. He is singing to a girl he has known since high school. There are no excuses for what she is doing, tightening the rope around his neck.

When I Sing – this song immediately grabs you (and holds you) with a good beat, featuring drums, keys, horns, hand clap and backing vocals. This one will sound great in concert as the crowd sings along.

When I sing
You’re the song that I’m singing
In my moment of weakness
When I sing
It’s just my way to tell you I need you

Happiness – this song opens with hand clap, backing vocals and keys. There is a light he sees, but it’s far in the distance. He is asking for forgiveness, which he states is “all for you in my pursuit of happiness”. He encourages the listener by singing that the song ain’t nothing if it can’t set you free. He sings:

These days are tough, these days are long
Sometimes it’s hard, you carry on
But I hear a voice singing and I know it’s true

Great Night – this song features Shovels and Rope, a duo from the band’s hometown of Charleston, composed of husband Michael Trent and wife Cary Ann Hearst. It features a driving beat from the beginning, driven by strong drums. This song is fun musically, and will sound great in concert, but is weak lyrically (about having a great night on the dance floor).

Be Here Long – this is a serious song that deals with grief and love lost. It’s a good reminder that our time on earth is short, as we don’t get to be here long. It features keys, light drums and effective backing vocals.

I gave you the best of me
Loved you more than anything
But we don’t get to be here long

Don’t Bring That Trouble – this song features a screeching guitar, keys and a driving beat. He has been through that fire. He wants us to hold on but not to hold him back. He’s going home and everyone is invited but don’t bring that trouble with you. Features some Creedence-like guitar.

Let’s Stay Home Tonight – this is a personal and romantic song that is simple musically, featuring some good keys and acoustic guitar. It’s a song to his wife about slowing down. He suggests that they just stay home, put some records on, put a fire on and dance till dawn. They don’t even need clothes on. It’s my least favorite song on the album.

Testify – this is a wonderful worship song which will find play on Christian radio and be sung in worship services. Come to the fountain and you can be satisfied. Let me hear you testify.

Clear – the closing ballad sounds like it could be a song to a woman or God, but I believe it’s the former as he refers to “Honey”. It features acoustic guitar and keys. It tends to drag on too long and is not one of my favorite songs on the album.

This is another strong album from the band. It features some great songs and a few I didn’t like too much. The pacing could have perhaps been better as my two least favorite songs come near the end.

Facing a Task Unfinished – Deluxe Digital Edition
****

This is the first album of mostly new material from the pre-eminent modern hymn writers Keith and Kristyn Getty since 2012’s Hymns for the Christian Life (though they have released a Christmas album, live album, an EP and a live Christmas album since that time). The studio album, recorded in Nashville’s historic Ocean Way Recording studio, champions mission and congregational singing, features the Getty’s excellent band, live congregational singing and a few special guest appearances (Chris Tomlin, Fernando Ortega, John Patitucci and Ladysmith Black Mambazo). The album is produced by Nathan Nockels.

The Deluxe digital edition features 17 songs. Here are a few brief comments about each of these wonderful songs, a true gift to the church:

Facing a Task Unfinished – This hymn was originally written in 1931 by China Inland Mission (now OMF International) worker Frank Houghton with music by Samuel Wesley. The Getty’s were asked by OMF to add a new chorus to the hymn, and they were joined by Ed Cash, and Fionan de Barra. An estimated one million believers in more than 5,000 churches in 100 countries joined together to sing this new hymn on February 21. The chorus below was added to the original hymn, and the recording features some excellent congregational singing:

We go to all the world
With kingdom hope unfurled
No other name has power to save
But Jesus Christ The Lord

May the Peoples Praise You – This is an upbeat hymn that features the Getty’s “green grass” band feel. Inspired by Psalm 67, this hymn is a call to worship and mission.

May the peoples praise You
Let the nations be glad
All Your blessing comes
That we may praise
May praise the Name of Jesus

Living Waters – The mid-tempo song was released as a single a few weeks before the album release. Christ is calling to those who are thirsty, empty, tired and broken, to come to Him, our living waters. This song is an invitation to come and be filled and healed, and to walk in life and freedom.

O Children Come – featuring the vocals of Ladysmith Black Mambazo. A live version was included on their 2015 album Joy – An Irish Christmas LIVE. Originally written as a Christmas carol, this invitation song challenges us both to follow Christ and to go with the good news of Christ in words and in deeds of mercy to a needy world. The songs features an infectious beat and also the children of some of the band members singing along.

My Worth Is Not in What I Own – This is a wonderful hymn that we often sing in our church that was first included on their 2014 EP The Greengrass Session. It features one of my favorite artists Fernando Ortega.

My worth is not in skill or name
In win or lose, in pride or shame
But in the blood of Christ that flowed
At the cross

For the Cause – This hymn was written with Stuart Townend on the call to missions and the cause of the Kingdom around the world. It is dedicated to Danny Akin and Southeastern Baptist Theological Seminary. The song showcases the excellent band and their greengrass sound, featuring some good percussion work.

For the cause of Christ we go
With joy to reap, with faith to sow
As many see
And many put their trust in the Son

Lift High the Name of Jesus – This is the third version of this wonderful upbeat hymn that has been released. It was first included on the album recorded live at the Gospel Coalition Conference and later on the The Greengrass Session EP. The band gets to show off on this version leading to the celebratory chorus:

Oh sing my soul,
And tell all He’s done,
Till the earth and heavens are filled with His glory!

The Lord Is My Salvation – This is a song of testimony, inspired in part by Psalm 27. The piano slowly builds.

Who is like the Lord our God?
Strong to save, faithful in love
My debt is paid and the vict’ry won
The Lord is my salvation

We Believe (Apostle’s Creed) – This song features an old melody of Keith’s that has been refreshed with a song based on the Apostle’s Creed. They collaborated on this song with their friend, John Patitucci, in a fusion of music influenced both by Jazz and the folk music of Scandinavia and Ireland. The band really shines on this song.

He Will Hold Me Fast – This song is written by Matt Merker, adapting some original lyrics by Ada Habershon. The Gettys felt it would be a comfort and encouragement to God’s people as we live out our faith in these difficult times, whether in suffering, persecution or death. The music is beautiful, with piano and strings supplemented by some effective congregational singing.

Psalm 24 (The King of Glory) – With this song, written with Chris Tomlin and Ed Cash, the Getty’s tried to capture a sense of Christ’s victorious rule of all the earth and the joy this brings to His people, as told in Psalm 24. The song has a bit of a different sound with some Eastern musical influences.

He reigns, He reigns
Jesus the Lord
He reigns, He reigns
Forevermore

O Church Arise (Arise Shine) – This song was originally included on their 2007 album In Christ Alone, and also included in their live Gospel Coalition album. It features Chris Tomlin on backing vocals.

Beyond These Shores – This is an instrumental track featuring John Patitucci.

Consider the Stars – This is a beautiful piano-based lullaby that John Patitucci wrote for the Getty’s three daughters to help them go to sleep at night.

Jesus Tender Shepherd Hear Me – The words of this hymn were written by Mary Duncan in 1839. It was a hymn that she composed for her children. Kristyn sings accompanied by only an acoustic guitar. Some new lyrics have been added to Duncan’s original hymn.

Let the Earth Resound – This is a 2004 song written by Keith and Stuart Townend, recorded for the first time by the Getty’s. It features some good congregational singing.

King immortal, Faithful God
Crowned with splendour, rich in love.
Let the heavens and the earth resound
With songs of praise to You.

Those who Wast Rich Beyond All Spendor – This 1934 hymn, is another one written by Frank Houghton. It begins with beautiful strings, and only a piano is added as we focus on the lyrics sung by Kristyn.

Lyrics to these songs (with the exception of “Jesus Tender Shepherd Hear Me”) can be found on the Getty’s site here.

Fallen Angels – Bob Dylan
****

Bob Dylan’s 37^th studio album is his second volume of songs that he has recorded that have been mostly sung by Frank Sinatra. In fact, of the twelve songs here that were personally picked by Dylan, only “Skylark” was not recorded by Sinatra.

The album was primarily recorded at the same time and with the same core band as 2015’s acclaimed Shadows in the Night, which reached the top ten in seventeen countries and debuted at number one in the U.K. So Shadows could have been a double album. Should we consider Fallen Angels an album of songs not good enough to be included on Shadows and only released because of the success of the initial release? Are these the leftovers? No, this album is a triumph, a masterpiece, from an artist that never fails to surprise. Dylan, who will turn 75 four days after this album is released, has done something like this before with two albums of folk covers, 1992’s Good As I Been to You and 1993’s World Gone Wrong.

The low-key arrangements of the songs, with Dylan being backed by his excellent touring band, with great work by Donny Herron on pedal steel guitar, acoustic guitar and light drum, puts Dylan’s weathered but effective voice up front and center. It was self-produced by Dylan using his Jack Frost pseudonym. As with Shadows, his voice sounds the best it has in years. If you enjoyed Shadows you’ll enjoy this excellent new album.

Here are a few thoughts about each of the twelve songs:

Young at Heart – Written by Johnny Richards and Carolyn Leigh, it was recorded by Sinatra in 1953. Features guitar, some light bass and a particularly expressive vocal by Dylan.

Maybe You’ll Be There – Written by Rube Bloom and Sammy Gallop in 1947 and recorded by Sinatra in 1957. The band is supplemented by strings and some light horns.

Polka Dots and Moonbeans – Written by Jimmy Van Heusen and Johnny Burke it was Sinatra’s first hit with the Tommy Dorsey band in 1940. The song begins with an extended acoustic guitar and pedal steel opening as it leads to a light breezy beat.

All the Way – Written by Jimmy Van Heusen and Sammy Cahn and recorded by Sinatra in 1957. This was the second single released from the album and features an excellent vocal from Dylan over the pedal steel guitar of Donny Herron and a relaxed beat.

Skylark – Written by Hoagy Carmichael and Johnny Mercer and recorded by a number of artists including Bing Crosby. This is the one song on the collection that was not recorded by Sinatra. It opens with an acoustic guitar and strings moving to a light breezy beat that really shows off the band.

Nevertheless – Written by Harry Ruby and Bert Kalmar and recorded by Sinatra in 1950. It features light percussion, pedal steel guitar, and a nice guitar solo near the end of the song.

All or Nothing at All – Written by Arthur Altman and Jack Lawrence, and recorded by Sinatra in 1939. Was included as part of Dylan’s set list during his recent Japan tour dates. A bit of a faster pace than most songs on the album, featuring a nice guitar solo near the end of the song.

On a Little Street in Singapore – Written by Peter DeRose and Billy Hill and recorded by Sinatra with Harry James and His Orchestra in 1944. It opens with a guitar solo and Dylan shows some vocal flexibility here.

It Had to Be You – Written by Isham Jones and Gus Kahn and recorded by Sinatra in 1980. Features a particularly good Dylan vocal here over a subdued backing, featuring some light, muted horns. A nice acoustic guitar solo comes in the middle of the song.

Melancholy Mood – Written by Walter Schumann and Vick R. Knight, Sr. and recorded by Sinatra in 1939. Was the first single from the album and was included in Dylan’s set list during his recent Japan tour dates. It opens and closes with a nice extended guitar solo over a light drum. Some of Dylan’s best vocal work on the album as he sounds very comfortable here.

That Old Black Magic – Written by Harold Arlen and Johnny Mercer and recorded by Sinatra in 1961. Was included as a part of Dylan’s set list during his recent Japan tour dates. A faster pace than most songs as the light percussion is more pronounced here as they drive the pace of the song. Definitely a standout. Dylan delivers a great vocal performance.

Come Rain or Come Shine – Also written by Harold Arlen and Johnny Mercer and recorded by Sinatra in 1961. Features a relaxed pace and some tasty guitar.

This Time Around – Tedashii
***

Tedashii follows his 2014 album Below Paradise with this 7-song EP. He describes the project as completely different from anything he’s ever done before, but still authentically who he is. It features the kind of optimism that comes from overcoming the tragedy of losing his one-year old son in 2013. The project shows his growth in all ways – the sound, lyrics and themes. It shows his growth as an individual and artist, his progression as an artist and being himself. Although he is still dealing with the tragedy, the new music exemplifies who he has become after everything he has gone through.

Tedashii worked with several producers on this effort, including GAWVI. Three songs were released prior to the EP release date, the first of which was “Be Me”, produced by GAWVI, in which he states “No matter what happens, I’m still unashamed”.

The second single released, my favorite on the EP, and favorite song thus far this year, is the celebratory “Jumped Out the Whip”, which he debuted at the 2015 Dove Awards. It is also produced by GAWVI. Watch the video here. The third single was “808”, a slow jam that is a love song for his wife. She makes his heart beat like an 808 drum machine.

You, you got my heart
You got my heart goin’ down in flames
And it’s beatin’
And it’s beatin’ like an 808
Like boom, boom, boom, boom, boom

The other new songs are:

This Time Around – opens with news clips from today’s headlines, with him singing that with all that is going on in the world these days, we can make it better this time around. He’s tired of all of the funerals taking place around him. He’s realistic, but optimistic as well about a better future. This is a slow jam that includes some backing female vocals.

I Get It – he really brings it on this track, which features some additional vocals. He gets it, and hopes we do too.

In My Life – a very different track from the others, this acapella number features a female lead vocal, with effective backing vocals. She sings that as long as you’re here with me, I can do anything. Though creative and different, it’s still my least favorite of the seven new songs, and perhaps the one misstep here.

I’m Good – Tedashii sings lead and backing vocals over a guitar backing. It’s an optimistic closer with a very catchy chorus that will leave you humming it throughout the day and will sound great live in concert. Behind “Jumped Out the Whip”, it’s my favorite of the new songs musically, and my favorite lyrically.

Selected Songs – Propaganda
****

Propaganda has been described as a poet, political activist, husband, father, academic, and emcee. In the song “Don’t Listen to Me”, included here, he also tells us that he is the son of a Black Panther with a Mexican spouse and Caucasian best friends. He is a college graduate with teaching credentials, and a rapper who brings a bold message through aggressive battle raps to smooth introspective rhythms. I first heard him via his contributions to some of Lecrae’s songs. The first of his albums I purchased was his excellent 2014 release Crimson Cord. Five songs from that album are included here in this compilation of eleven of the best songs from his work to date, which includes five studio albums.

Propaganda’s style of rap (poetic, spoken word, etc.) and his excellent use of percussion distinguish him from some of the other artists (Lecrae, Trip Lee, Andy Mineo, KB, Tedashii) that I listen to. He brings passion to his subject matter, as varied as public education (“Bored of Education”), or what it feels like to a black man when pastors quote the Puritans (“Precious Puritans”), the latter of which particularly got my attention. You see, I love the writings of the Puritans (Jonathan Edwards, John Owen, Matthew Henry, etc.), and use The Valley of Vision (which he mentions in the song) as part of my daily devotional reading. It was good for me – as a middle-age Caucasian male, to hear how pastors quoting some of these writers can impact African Americans (he raps of them being chaplains on slave ships, etc.), something I hadn’t thought of before.

Propaganda will challenge you with his bold messages. It may stretch your mind and heart. That’s good for me. I highly recommend his music, and this compilation is an excellent introduction if you are not currently familiar with him.

Worship and Believe (Deluxe Edition) – Steven Curtis Chapman
****

This is Steven Curtis Chapman’s 23^rd studio album and the first worship album in his wonderful career that to date has resulted in 10 million albums sold, 46 Christian radio number one songs, 5 Grammy Awards and an incredible 58 Dove Awards. The album is available in three different formats, the standard edition with eleven studio songs, and deluxe editions including either four or six of the songs recorded live. I think worship music sounds good in a live format, but you’ll have to decide if the live versions are worth the additional cost.

It was when Chapman was on The Story tour with Pastor Randy Frazee that he first heard about BELIEVE, a 30-week church curriculum that Frazee was working on as the follow-up to The Story. Chapman wrote these songs to accompany the BELIEVE curriculum to be used by thousands of churches, but the songs certainly stand on their own as a worthy addition to Chapman’s outstanding body of work.

Chapman collaborates with some of the best artists in the worship music genre – Chris Tomlin, Matt Redman and Matt Maher, as well as Rend Collective and the drummer for One Direction. Long-time fans will enjoy his signature sounds in these songs addressed to God that I’m sure are already starting to appear in congregational worship.

Below are a few brief comment on each of the new songs:

We Believe – starts with acoustic guitar as Chapman sings of creation praising the glory of God. It builds into a bold song that will sound great in congregational worship.

One True God – a highlight, this track features Chris Tomlin in a song that would comfortably fit on a Tomlin release, as the two artists trade verses in a wonderful song about Christ as the one true God.

Amen – the first single, this high energy song features Rend Collective. It builds with a chorus that concludes in worship with “And all that we can say is….Amen!” for all that the Lord has done for us.

Hallelujah, You are Good – another highlight, this one features vocals from Matt Maher, one of my favorite artists. It’s a straightforward song to God that starts slowly and builds about His goodness. The song has an effective use of strings.

More Than Conquerors – based on the wonderful truths of Romans 8, that there is no condemnation for those who are in Christ and that we are more than conquerors through Him who loved us. The chorus has the same celebratory sound that “Amen” features.

Sing for You – beginning with acoustic guitar, this song is about the church making a joyful noise to the sovereign Rock of our Salvation. It starts slow and builds to a joyful chorus about glories of His grace and wonders of His love. A choir effectively joins Chapman near the end of the song.

Who You Say We Are – starting with a piano, this is a song of thankfulness to the Father for the greatness of His love and to the Son for the sacrifice He made for us. All we can say in response is “Thank You”.

The Body – we are the body of Christ. This song asks the Lord to empower us to do great things for Him. He quotes part of the Lord’s Prayer and some lyrics directly from Chris Tomlin’s “God of this City”.

King of Love – starts slowly with just a piano, building with strings and drums, this is a song about believers serving for the Glory of our King Jesus.

We Are Listening – opens with miraculous works of God that take place at His powerful word (creation, healing). This is a prayer for us to hear the voice of our Trinitarian God. It’s a mid-tempo song that builds into a joyful chorus with some good backing vocals.

God of Forever – starts with acoustic guitars and builds to a joyful chorus with some good backing vocals. This is a song to our sovereign God ~ He is the first and last ~ He is forever and has saved us to be forever His. We will forever sing praises to Him.

Wow to the Deadness – Steve Taylor and the Perfect Foil
****

Steve Taylor has been one of my favorite artists since his 1983 EP I Want to Be a Clone. I was a new believer, and his witty, honest and creative way of expressing his beliefs and the hypocrisy he saw in the church really resonated with me, and still does. Since that time, I’ve purchased all of his music (solo, Chagall Guevara, Perfect Foil), and seen him in concert several times. Hey, I was even a member of his Clone Club!

In addition to being a singer and songwriter, he is also a film director (The Second Chance, Blue Like Jazz), songwriter (Newsboys), producer “Kiss Me” by Sixpence None the Richer, and record company owner (Squint). Taylor’s excellent 2014 album Goliath, with the Perfect Foil (consisting of Peter Furler, Jimmy Abegg and John Mark Painter), was his first since 1993’s Squint. So it is a joy that Wow to the Deadness comes just two years later.

To support Goliath, Taylor and the Perfect Foil toured with Danielson. I was not familiar with Danielson. Danielson’s Wikipedia article describes them as an American rock band that plays indie pop gospel music led by Daniel Smith.

The friendship resulted in this collaborative effort as they entered the Electrical Audio studio in June 2015 with engineer Steve Albini (Nirvana, Foo Fighters) using strictly analog gear. This EP, with cover art by Smith, is the result, which Albini described as being “really raucous and really great”. Smith states the recording rocks, but also moves around a bunch. He has stated “It can be delicate, but it’s rare. It mostly demands much, but it’s very inclusive and would really appreciate some singing and clapping along.”

The resulting product is something different from what Taylor’s fans may be accustomed to. But, we know that he has always been creative and pushed boundaries (who can forget the stir over the cover art on I Predict 1990 or the concern over his song “I Blew Up the Clinic Real Good”?

According to Taylor, their only rule was that if it sounded like something they’d already done, they would throw it out. He felt that they ended up with a recording that is not easily classifiable and hopefully doesn’t sound disposable.

Below are a few of my thoughts about each of the six songs after listening to each several times. Taylor handles most of the lead vocals with Smith handling some of them, plus backing vocals.

Wow to the Deadness – Begins with acoustic guitar before it takes off. Smith wrote most of the lyrics. Smith sings a response “We have a winner”, to Taylor’s lines. For example:

It was a battle to bring me around
We have a winner
Suddenly lilies appeared in the ground

Favorite lyric: Water seeps through these red flags right or wrong

Wait up Downstep – This one also begins with an acoustic guitar. Smith sings a recurring Wait and Step and Wait.

Favorite lyric:

Give me joyful liberty
Transcending up in awe of
How you go, oh can I know
Let us be known by our love

The Dust Patrol – Opens with a blistering guitar. The drums lead into Taylor’s lead vocal. The song slows down in the middle, with Smith taking over, before some great guitar work turns it back over to Taylor’s machine gun like delivery.

Favorite lyric: We’re gonna roll your thunder. (Could this be a nod to Dylan’s Rolling Thunder Revue?)

Nonchalant – Again opens with acoustic guitar. This is a mid-tempo rocker, slowing things down a bit after the previous song.

Favorite lyric: Turn the cheek that bruised, til’ the purple drains

A Muse – This is a scorching rocker with great drums, guitar and Taylor’s defiant vocals.

Favorite lyric:

It’s my party you’re lucky to be here
You’re no Dylan so don’t make me laugh

Drats – The song features more of Smith’s vocals than any on the EP as he and Taylor share lead vocals.

Favorite lyric:

Be still and speak
Day by day
My delight
My delight

And just like that, this unexpected collaboration is over. Here’s hoping it’s not the last we hear of Steve Taylor and the Danielson Foil. I’d love to hear these songs in concert.

You can pre-order the EP, to be released February 5, at Amazon here.

Here is the promo video for the EP. You can watch the video of Wow to the Deadness here. (Apologies for the bad word in the article).

Music Review **~ Hymns II: Shine on Us – Michael W. Smith
******

This is the follow-up to the multi-talented Michael W. Smith’s 2014 Hymns album recorded for the Cracker Barrel restaurants. This one could have been titled Hymns, Worship Songs and Patriotic Songs, as it includes some or all of these. As with all of Smith’s projects (and I’ve been a fan since his 1983 debut Project (a song from that album is included here), they are done with excellence. Here are a few thoughts about each song included on the project:

Down to the River to Pray – a fantastic version (musically and vocally with background choir), of a traditional song that was sung by Alison Krauss on the soundtrack of the 2000 film O Brother Where Art Thou? It starts off the album on a high note. It’s my favorite song on the album.

I Need Thee – the traditional hymn written by Annie Sherwood Hawks in 1872, with the chorus written by Robert Lowry and music composed by Robert Lowry. Begins with Smith on piano and vocal with light strings and then builds with a backing choir.

Jesus, Only Jesus – this is Matt Redman’s excellent song from his 2013 Your Grace Finds Me album. Starts with Smith on piano and vocals, and then builds powerfully with light drums and backing vocals.

Turn Your Eyes Upon Jesus – written by Helen H. Lemmel in 1922. Features backing vocals from Audrey Assad. Begins with Smith on the piano and vocal and some light strings.

I’ll Fly Away – An upbeat version with drums, fiddle, banjo, backing vocals and a bluegrass feel. Was written by Albert Edward Brumley in 1929.

I Don’t Know Why (Jesus Loves Me) – a wonderful Andre Crouch song. Smith brings a smooth black gospel feel with choir to it. Not the first time Smith has covered an Andre Crouch song, singing “Jesus is the Answer” on the 1996 Tribute: Songs of Andre Crouch album.

His Eye is On the Sparrow – the song was originally written in 1905 by lyricist Civilla D. Martin and composer Charles H. Gabriel. The song is most associated with actress-singer Ethel Waters who used the title for her autobiography. Smith uses a scaled back approach, singing with piano and some backing strings.

Shine on Us – really a prayer to the Lord written by Smith and wife Debbie that has been covered by Phillips, Craig & Dean. It’ a ballad with piano, strings, light drums and backing vocals that gently builds toward a powerful ending.

That we may be saved
That we may have life
To find our way In the darkest night
Let Your love come over us
Let Your light shine on us

Nearer My God to Thee – a beautiful rendition of a hymn written by Sarah Flower Adams in 1841. Opens with violin and then Smith’s voice and piano. Features a duet with Susan Ashton.

I’d Rather Have Jesus – based on a 1922 poem by Rhea F. Miller, this was one of George Beverly Shea’s signature songs. Smith gives us a beautiful tender vocal, with piano and strings that builds gently with backing vocals.

O Sacred Head Now Wounded – Paul Gerhardt provided a German translation of Bernard of Clairvaux’s text in 1656, and about 200 years later James Waddell Alexander translated Gerhardt’s German text into English. Smith gives us a beautiful tender version with piano and strings that builds gently with backing vocals.

Be Still My Soul – This hymn was originally written in German by Katharina Amalia Dorothea von Schlegel in 1753. Smith’s vocal is paired with his piano and light strings that builds with backing vocals.

Great is the Lord – an excellent new version of Smith classic song from his first album Project in 1983. Features excellent backing vocals and instrumentation.

Great are you Lord
And worthy of glory
Great are you Lord
And worthy of praise
Great are you Lord
I lift up my voice
I lift up my voice
Great are you Lord
Great are you Lord

A Mighty Fortress is Our God – Martin Luther’s great Reformation hymn is based on Psalm 46. It is a celebration of God’s sovereign power over all earthly and spiritual forces, and of the sure hope believers have in him because of Christ. Smith gives us a beautiful and powerful version of this triumphant hymn, slowing down the pace and featuring excellent backing vocals and church organ. Definitely a highlight.

America the Beautiful – this is the one misstep as far as song selection is concerned. Its inclusion reminded me of when Cracker Barrel stuck “Cinderella” at the end of Steven Curtis Chapman’s excellent 2013 hymns project Deep Roots. Both songs are good, they just don’t fit on a hymns project. Like many of the songs this one starts simply with vocal and piano and then builds to a powerful ending with strings and backing vocals, with a bit of “The Battle Hymn of the Republic” at the very end of the song. I can hear this song being played during 4^th of July fireworks celebrations this year.

Most of the arrangements and instrumentation is kept simple, except where noted, and for the most part Smith chooses to goes with a light, scaled back production, different from his normal releases. The scaled back production and instrumentation at times expose his voice, never strong, as vulnerable and at times thin. But overall, this is a highly satisfying and wonderful new release which will be loved by those who love the hymns and Smith’s music.

Church Clothes 3 – Lecrae
****

On January 14 Lecrae dropped a surprise third volume in his Church Clothes mixtape series, following 2012’s Church Clothes and 2013’s Church Clothes 2. He really brings it with these ten excellent tracks with strong vocals and infectious beats. S1 (Symbolyc One), a platinum-selling producer (Kanye West, Jay-Z), served as executive producer. He had previously produced Lecrae’s songs “Welcome to America” and “The Price of Life”. Guest artists on the album include KB, E-40, N’Dambi, Propaganda, John Givez, JGivens and Jackie Hill Perry.

Below are a few comments on each track:

Freedom ft. N’Dambi (Prod. by S1/ Co-Prod. by Epikh Pro & VohnBeatz) – a strong opener with a hook from N’Dambi indicating that “Freedom isn’t free”. Lecrae touches on child porn and Honest Abe as “another man murdered for trying to free the slaves”.

Gangland ft. Propaganda (Prod. by S1/Co-Prod. by Shindo) – effectively uses spoken parts by Lecrae as it addresses gang issues. He states that originally gangs were created to protect everyone in the community. Propaganda offers “There’s a high school in Alabama named after Robert E. Lee, and it’s 89% Black. You don’t see the irony?” He ends with:

Yeah, we are truly a descendant of a King
Only his reign is infinite

Deja Vu (Prod. by S1) – Lecrae tones it down a bit for this track, opening with comments about how the whole world’s gone crazy, citing current events (riots, abortion and people being shot by the police). The hook offers this encouragement:

And some days are a nightmare
And some dreams come true
But the Lord’s still right here
It’s just deja vu

Sidelines (Prod. by Mykalife and Ryan Righteous) – Lecrae addresses his critics who are on the sidelines while he is in the game, doing what he was born to do. He doesn’t plan to fumble the ball, the opportunity he has been given by God.

Cruising (Prod. by S1/ Co-Prod. by Epikh) – a feel-good track about cruising through his day – reading the Bible, having breakfast, playing basketball and having dinner.

It Is What It Is (Prod. by S1/ Co-Prod. by Epikh) – Lecrae constantly hears that he has sold out. But he’s getting wiser with age, and knows that some just hate. Some say he has it all now, but he knows the Bible says that pride comes before a fall. Adding humor he raps about his third tape (Church Clothes 3) and that he might drop it on a Thursday – which is exactly what he just did. Fun.

Can’t Do You ft. E-40 (Prod. by Black Knight) – Lecrae raps that he has a master plan from the Master, so he “can’t do you, cause I’m doing me”. Good vocals from Dimitri McDowell and E-40 on this one.

Forever (Prod. by S1) – Lecrae slows it down on this track, a song to his wife, his queen to whom he’s locked down until the cemetery. He raps that while any guy can try to satisfy a girl for one night, it takes a real man to take one woman and satisfy her for her entire life.

Misconceptions 3 ft. John Givez, JGivens, Jackie Hill Perry (Prod. by S1) – There’s so much here as the lyrics come fast on this powerful third “Misconception” track in the Church Clothes series. Featuring John Givens, JGivez, Jackie Hill Perry and Lecrae each taking a verse. Lecrae states that he was created to make a statement. He encourages listeners to get their education and to let the Spirit lead like He wants to.

I Wouldn’t Know ft. KB (Prod. by GAWVI) – Features Elhae on the hook and KB, rapping slower than usual on one of the verses. People are talking about Lecrae, saying he’s gonna fail, but he doesn’t hear it. He just prays that the Father keep him grounded.

Lecrae has released a long-form video with a storyline that loosely touches on the life of a teenage gang member who gets shot and his friend contemplates revenge. The video includes four songs from the mixtape – “It Is What It Is”, “Gangland”, Déjà vu”, and Misconceptions 3”. Watch it here.

This surprise release was quite a blessing. Lecrae is at the top of his game. May this mixtape be used for His glory!

Lecrae’s first book Unashamed will be published May 3.

Floodplain – Sara Groves
****

Sara Groves, a former school teacher, is a mom, wife, singer/songwriter and recording artist with a passion for justice and a heart of mercy. She has joined forces with International Justice Mission to advocate for victims of human trafficking for the past 8 years. Her latest album Floodplain, her eighth studio album overall, is another excellent release from her. Her honest, transparent and poetic lyrics (about life – depression, her husband Troy, children Kirby, Toby and Ruby, God, her faith, etc.), are bathed in piano and light percussion, guitars and strings. The focus is clearly on the lyrics and she delivers them well. She is backed by a strong supporting cast that includes Ellie Holcomb, Sarah Masen, Ben Shive, John Catchings and Matt Slocum. Groves produced the album in collaboration with others (Steve Brewster, Matt Pierson, Scott Dente, Daniel Phelps and Brown Bannister).

River is a theme that comes up in five of the thirteen songs. The album was inspired by a run along the Mississippi River in her hometown, and speaks of God’s provision. She talks in the liner notes of the beautiful boat, in the form of friends that came to get her in her season on the floodplain. Groves explains that the title song is first a metaphor for her journey with anxiety and depression and then in sympathy for people caught in cycles of generational poverty and violence (likely inspired by her work with International Justice Mission).

Hope, assurance, faith, family, questioning, doubt and grace are also themes I found in the lyrics of this excellent album. Don’t look for clichés that you might normally find in contemporary Christian music. These are mature lyrics from a mature artist.

This is a recording that you want to spend some time with. Put on the headphones and have the lyric sheet in front of you. She sings about “deliberate and slow” in “Expedition”. That’s how I would recommend you approach this new album, one of my tops of 2015.

Groves recently appeared on the Eric Metaxas Show to talk about Floodplain. You can listen to it here.

The Best of The Cutting Edge 1965 – 1966: The Bootleg Series Vol. 12 by Bob Dylan.
****

In 1991 Bob Dylan released the first three volumes of The Bootleg Series, most of which I have in my collection. The Cutting Edge is the twelfth volume in the well-done series. It includes alternate versions, outtakes and some studio banter from an incredible fourteen month creative stretch from January 1965 to March 1966, when Dylan moved from folk to electric and recorded three extraordinary albums Bringing it All Back Home, Highway 61 Revisited and the double album Blonde on Blonde with producers Tom Wilson and Bob Johnston.

There are three configurations of The Cutting Edge that have been released. The Best of The Cutting Edge is a two-disc, thirty-six track collection. There are also six and a massive eighteen disc versions available.

The production of these songs from fifty some years ago is amazingly clear. I loved hearing the organ coming through so clearly. We get an inside look into Dylan’s creative process during this period. Longtime Dylan fans will easily discern these versions from original album versions we have been familiar with all these years. Arrangements vary, such as up-tempo versions of “Visions of Johanna” and “It Takes a Lot to Laugh, It Takes a Train to Cry (Take 8, Alternate Take)” or a very different take of “Just Like a Woman”. At times the lyrics differ from the original album version such as the rocking “Tombstone Blues Take 1”. This doesn’t surprise, as those of us who have seen him in concert several times know he often changes up the lyrics to songs.

Many of the songs will be very familiar to Dylan fans – “Like a Rolling Stone”, “Hey Mr. Tambourine Man” (which ends abruptly with Dylan complaining about the drums), “Highway 61”, “Positively 4^th Street” and “I Want You”, while others will be less known – “She’s Your Lover Now” and “Can You Please Crawl Out of Your Window?”.

I can’t tell you how much I enjoyed this release, giving us glimpses into the genius of Dylan during arguably his most creative period. As a result, this is my favorite volume in The Bootleg Series. This version also comes with a 60-page booklet, with photos and liner notes. Highly recommended for all Dylan fans.

Behold the Lamb of God 10th Anniversary 2-Disc Set – Andrew Peterson
********

I have to admit that I’m late to appreciate the music of Andrew Peterson. However, since seeing him in concert a few months ago I’m trying to make up for lost time by picking up After All These Years, his latest The Burning Edge of Dawn and this, his Christmas album Behold the Lamb of God.

This 10^th Anniversary 2-disc set released in 2009, celebrates ten years that Peterson and friends have been performing the music on this album (recorded in 2004) live in annual Christmas concerts. This edition includes the original album remastered, plus the complete Behold the Lamb of God concert recorded live on the 2008 tour. See the dates for the 2015 tour on Peterson’s website.

Peterson has written that the album is a musical about the birth of Christ; an album that tells a story. The songs have the purpose of telling the true tale of the coming of God into the world. Justin Taylor of the Gospel Coalition, writes “Here are some YouTube videos for Andrew Peterson’s Behold the Lamb album and live performance–a sort of biblical theology set to song by a talented musician and songwriter.”

He states: “What makes this bunch of songs unique is that I wanted to remind (or teach) the audience that the story of Christmas doesn’t begin with the birth of Jesus. Many people tend to forget or have never even learned that the entire Bible is about Jesus, not just the New Testament.

So the musical begins with Moses and the symbolic story of the Passover (Passover Us) and works its way through the kings and the prophets with their many prophecies about the coming Messiah (So Long, Moses) to the awful four hundred years of silence before God told Mary she’d be having a baby (Deliver Us). After the song called Matthew’s Begats, which lists the genealogy of Jesus, the story picks up in more familiar territory with Mary and Joseph and the actual birth (It Came To Pass, Labor of Love). The final song is called Behold, the Lamb of God, which ties together the Passover and the beauty and scope of the story.”

You may recognize some of the singers and musicians who contribute to this album, including Andrew Osenga, Ben Shive, Sandra McCracken, Phil Madeira, Derek Webb, Steve Hindalong (of The Choir), Laura Story and Fernando Ortega. The quality of the music (including a few instrumentals) and singing is excellent.

This is not your typical Christmas album. I look forward to enjoying this album for many Christmas seasons to come.

Neon Porch Extravaganza (EP) – Crowder
****

This surprise new live recording available exclusively from iTunes from Crowder features six songs, five of them from his excellent 2014 release Neon Steeple (one of my favorites from last year), plus a video of one of them. The songs were recorded on the front porch of Crowder’s home church, Passion City Church in Atlanta, where Louis Giglio is the pastor. The songs came off so well Crowder decided to release them on iTunes. The album cover art features Kenny Rodgers, the Artic Fox, Crowder’s touring sidekick.

The album features excellent live high-energy versions of “My Beloved” (watch this video of the song being performed. Note: the video is not included on the EP), “I Am”, “Come As You Are”, and “Hands of Love” from Neon Steeple. It also features Crowder’s cover of Drake’s “Hold On We’re Going Home”. That’s right, Crowder covers a Drake song. Although Drake sings it to a girl, in his interpretation, Crowder sings to the Lord and to believers:

I got my eyes on you
You’re everything that I see
I want your high love and emotion endlessly
I can’t get over you
You left your mark on me
I want your high love and emotion endlessly

So just hold on we’re going home (going home)
Just hold on we’re going home (going home)
It’s hard to do these things alone (things alone)
Just hold on we’re going home (going home, going home)

Also included is a new version of “Lift Your Head Weary Sinner (Chains) featuring a powerful rap from Tedashii. A video of this performance is also included.

All in all, you get a lot of value (six songs, including the video) and 25 minutes of music for just $4.99 on iTunes. Can’t wait for the next studio release from Crowder.

**Concert Review: Stevie Wonder’s Songs in the Key of Life Performance Tour – Banker’s Life Fieldhouse in Indianapolis November 7**

Stevie Wonder, who rarely tours, appeared last Saturday at the Banker’s Life Fieldhouse in Indianapolis on his Songs in the Key of Life Performance Tour. This was the second time I had seen him in concert, the first being way back in high school, when Rufus featuring Chaka Kahn opened for him.

I remember the anticipation around the long-delayed Songs in the Key of Life album that was finally released in 1976. It is one of the greatest albums of all time, truly a masterpiece. The 21 song (originally a double album and four-song EP) included radio hits “Sir Duke”, “I Wish” and “Isn’t She Lovely”, and is #57 on Rolling Stone magazine’s “500 Greatest Albums of All Time” list.

stevie wonder

The 65 year-old Wonder began the marathon concert – beginning at about 8:10pm and ending at 11:55pm, including a 15-minute intermission – by addressing the nearly full Banker’s Life Fieldhouse crowd, equally consisting of black and white (Ebony and Ivory!) fans, some of whom were really decked out for the show, accompanied by vocalist Latrelle Simmons. He said he was dedicating the performance to Amos Brown, a local radio personality and journalist who died two days earlier of a suspected heart attack.

Wonder was backed by a large and talented ensemble as he performed his classic album in its entirety. By my count this included:

10-piece string ensemble, plus the animated conductor
5 background singers, including Simmons
Four drummers/percussionists
6-piece horn section
2 keyboardists
Three guitarists, including musical director Nathan Watts
Gospel choir that joined in a few songs

As Wonder played the album pretty much, but not entirely, in order, beginning with “Love’s in Need of Love Today” and finishing with “Another Star”, he showcased his own and his band’s extensive talents, playing extended versions of some songs and giving each of the backing vocalists the opportunity to show off their skills. Highlights included “Sir Duke”, “I Wish”, “Isn’t She Lovely”, and the closing “As” and “Another Star”. He led a great sing-along on “Knocks Me Off My Feet”, having the women in the crowd singing “I don’t want to bore you with it” and the men following with “But I love you, I love you, I love you”.

While playing the harpejji, an electric stringed instrument that aims to bridge the gap in sound and technique between the guitar and the piano, Wonder played his classic “My Cherie Amour” and the Impressions’ 1965 song “People Get Ready”.

During the instrumental “Easy Goin’ Evening (My Mama’s Call)”, Wonder displayed his harmonica skills, leading into “Lift Every Voice and Sing”, often referred to as the African-American national anthem, and finishing with a moving version “The Star-Spangled Banner”.

After Wonder completed “Another Star”, he exclaimed “We did it!” Playing the entire 21 song album in its entirety was quite an accomplishment. He then did another set in which he insisted he be known as DJ Tick Tick Boom, ending the evening with high energy versions of “Do I Do”, Ribbon in the Sky”, “Signed Sealed Delivered (I’m Yours)” and “Superstition”.

Wonder ends this tour with a November 24 show at New York’s Madison Square Garden, and has said he will only perform it again for President Obama (should he ask). We thoroughly enjoyed this unique performance.

Music Review: Joy: An Irish Christmas LIVE – Keith and Kristyn Getty
****

I’ve always heard great things about the Getty’s Christmas concerts, but as of yet we haven’t gotten to one. We’ve seen them twice in concert, and at an October, 2014 fall date of their “Hymns for the Christian Life” tour we did get to hear them perform “God Rest Ye Merry Gentlemen” giving us a small taste of what their Christmas concerts are like.

If you are not familiar with the Getty’s, they are writers of modern hymns for the church. Kristyn handles lead vocals, Keith plays piano and acoustic guitar, and they have a very talented band made up of musicians from America and Ireland.

The Getty’s released their first Christmas album Joy – An Irish Christmas in 2011. I have a concern that this new live recording may get lost as it has an almost identical title and even some similar artwork as the 2011 release.

Keith has reflected on why Christmas carols are more than just sentimental songs at the end of the year: “We would do well as worship leaders to remember that non-churchgoers are far more inclined to attend a church service during the Christmas season where songs are easy and enjoyable to sing rather than a church trying to put on the slickest possible show. The music of carols, written by some of the finest hymn writers of all time (such as Wesley, Watts and Rossetti) and arranged by equally outstanding composers (Handel, Holst and Mendelssohn) speaks for itself. We have wonderful songs to use! And Christmas gives us a wide open door to use those songs to impact culture like no other time of the year.”

For this concert, performed in front of an enthusiastic audience, and featured on Public Television, they are joined by Irish dancers and a multi-generational choir. In a live setting, they bring some fresh and extended arrangements to the songs on the studio album, add some additional Christmas songs as well as some other songs such as “A Mother’s Prayer”, “Come Ye Sinners” and one of our best modern hymns that we sing often in our church “In Christ Alone”.

Despite the similar album name, this is not just a live version of the 2011 studio album. In addition to the three songs listed above, the below are songs not included on the studio album:

O Come Redeemer of the Earth
Here We Come A-Wassailing
Sleigh Ride (with Christmas Eve Reel)
Deck the Halls
Wonder
O Children Come
Irish Christmas Blessing
Go Tell It on the Mountain

Also available on DVD, this live concert recording is aptly named. I felt joy listening to it and worshiping our Savior and his birth. As with all of the Getty’s recordings, these songs feature theologically rich lyrics and top-notch musicianship. Along with Chris Tomlin’s new Adore: Christmas Songs of Worship, this is an excellent new Christmas album to help us worship our Savior this season.

Adore: Christmas Songs of Worship by Chris Tomlin
********

This new live Christmas album was recorded at Ocean Way studios, a former church building, in Nashville, the same location that Tomlin recorded his first Christmas album Glory In The Highest: Christmas Songs Of Worship six years ago. Tomlin is one of my favorite artists, and consistently delivers quality worship songs. In fact, as this album releases he currently has the number Christian song in the country with “Good, Good Father”.

The album features several special guests, including Laura Daigle (who recently won the Dove Award for “New Artist of the Year”), Kristyn Getty, All Sons and Daughters and more. There are eleven songs included, a mixture of new, and traditional Christmas songs with Tomlin’s interpretation.

Below are a few brief thoughts about each song:

He Shall Reign Forevermore – This song was co-written with Matt Maher, who was unfortunately too ill to record it live with Tomlin, which is a shame. The song is still excellent and is the first single from the album. It has the sound and feeling of a traditional Tomlin worship song.

Adore – this worshipful song written by Graham Kendrick and Martin Chalk begins with a piano intro and builds into the chorus:

Adore, come let us adore
Adore, come let us adore Him!
The Lord, worship Christ the Lord
Let all that is within us
Adore

This would be a wonderful song for congregations to sing.

Midnight Clear (Love Song) – Tomlin takes the classic “It Came Upon a Midnight Clear” and makes it a song of love to Jesus. He sings that Jesus is the love song of God.

Noel – This song features Laura Daigle on lead vocals and is written by Tomlin, Ed Cash and Matt Redman. Tomlin is known for sharing the spotlight with others, such as including Audrey Assad’s “Winter Snow” on his first Christmas album. This time he give Daigle the lead vocal opportunity.

Hymn of Joy – With Ed Cash, Tomlin adapts “”Joyful, Joyful We Adore Thee” and “O Come O Come Emmanuel” into this acoustic Christmas hymn of joy.

Silent Night – This song features more of the congregation’s vocals than Tomlin’s. Kristyn Getty reads the famous Christmas passage from Isaiah 9 in the middle of the song.

What Child is This? This song features All Sons & Daughters on lead vocals and is primarily driven by acoustic guitar. I liked when they sang acapella toward the end.

It’s Christmas – This is probably my favorite song on the album. Written by Tomlin and Ed Cash, it’s a fun, jazzy medley with finger snaps that brings in “Away in a Manager” and “Go Tell It on The Mountain”. I loved the horns toward the end of the song.

It’s Christmas!
The angels are singing
And I know the reason,
The Savior is born

It’s Christmas!
The bells are ringing
And I feel like shouting
Joy to the world!

A King Like This – Written by Tomlin, Jonas Myrin and Matt Redman, this is an intimate ballad of worship that builds to include congregational singing.

He is Christ the Lord
He is Christ My Savior
I bow my heart before
No other name
I bow my heart before
No other king

Bethlehem – Written with Ed Cash, this ballad builds into the chorus:

Bethlehem
Bethlehem
Behold Your beautiful Savior!
Fall down, worship Him
The King born in Bethlehem

A Christmas Alleluia – This song features Laura Daigle and Leslie Jordan and is a fitting closer. Written with Jonas Myrin, the song builds powerfully into a worshipful song about the coming of our Savior, who has the highest name of all.

This album, like Tomlin, is a wonderful gift to the church. Highly recommended.

The Wonderlands: Dawn – Jon Foreman
****
This is the final of four Wonderlands EPs from Switchfoot lead singer, guitarist and primary songwriter Jon Foreman, and follows Sunlight released in late May, Shadows in July and Darkness in September. The four “hourly” EPs were to each feature six songs, or one song for each hour of the day – though Darkness actually featured seven songs. Foreman indicated that he wanted “to sneak 25 songs into 24 hours.”

Each song on the project, that has been 10 years and more than 1,000 hours in the making, is co-produced with someone different. So there are 25 songs and 25 producers, certainly a unique approach from the always creative Foreman. He has stated in an interview that his collaborators would send him back their musical response: bass, clarinet, background vocals, etc. His challenge was to put those things together and make it sound like a cohesive statement rather than 25 different projects. Every hour had to be distinct and yet still feel like a cohesive body of work. Foreman celebrated the complete release of The Wonderlands by performing 25 shows in 24 hours in his hometown of San Diego on October 24 (which was in progress as I was writing this review), with proceeds benefiting charities.

Foreman had stated that the Wonderlands EPs would explore themes of faith and doubt, love and frustration, and everything else. I noted that Dawn has more explicit Christian lyrics than the earlier EPs in the Wonderland series. Below are brief comments and favorite lyrics on each of the six new songs:

Inheritance – This song begins with acoustic guitar then builds with light drums, instrumentation and backing vocals. It is a lovely song about the story of his relationship with his wife Emily, whose heart he sings, is a work of art. In the beginning they didn’t have anything to offer each other except for the rest of their lives.

I wanna be rich in memories, not money
Our love is our inheritance, honey

Run Free – This joyful song starts out with Foreman singing a paraphrase of Luke 4:18. It features keyboards, light drums, light brass, strings and backing vocals. Foreman just can’t keep quiet as he invites the listeners to run free and dance like a prisoner released. He sings of the Lord taking our shame away.

Inseparable – This songs is based on Romans 8:35-39, where Paul responds to the question “What shall separate us from the love of Christ?” Foreman sings of the love of his Savior.

Nothing can keep us away
Nothing can separate

The song features acoustic guitar, light drums, strings and echoing vocals.

When We Collide – This is another song written to his wife Emily. He writes that when they met their world was black and white. He’s waiting for the day when they collide. It features an interesting almost chime sound, light drums and backing vocals.

We’ve got our disagreements
Our separate points of view
But the line that runs between us
Could be the thread that pulls us through

Mercy’s War – This wonderful song has Foreman singing of the wonderful blood of Jesus and how “Because they broke you I am whole”. He sings that he went looking for ways out, but Christ showed him the way in. He thought Christ was a stranger, but instead Christ called him out by name. The song features a slow strumming acoustic guitar, a very likeable clarinet, and choir-like backing vocals.

Before Our Time – The last of the 25 songs in The Wonderlands series is an upbeat song about time with Sara Watkins of Nickel Creek. The catchy musical backing on the song reminds me of the Getty’s “Greengrass” (Irish and Nashville) fusion. About the song, Foreman has said “And then the whole thing ends on another song about the clock called “Before Our Time”, talking about things before our time runs out. And so that’s the way it ends, kind of the way it began, focus on the clock.”

Time is illusion
Time is a curse
Time is all these things and worse
But our time is now
Our time is now
Let us sing before our time runs out

Dawn is a great way to end “the day” with Jon Foreman. It’s definitely my favorite of the four Wonderlands EPs. Highly recommended.

I’ve heard that a box set containing all 25 songs will be released. At this time, the physical editions of Darkness and Dawn and Sunlight and Shadows are available for purchase on Amazon.

Cass County (Deluxe Edition) by Don Henley
****

The first album in 15 years (and fifth overall) from the 68 year-old founding member, drummer and co-lead vocalist of the Eagles, recently debuted at #1 on Billboard magazine’s Country Charts, his first solo album to top the charts. The album is co-produced by Henley and Stan Lynch (former drummer with Tom Petty and the Heartbreakers), and features guest appearances from Mick Jagger, Merle Haggard, Martina McBride, Miranda Lambert, Dolly Parton, Trisha Yearwood, Alison Krauss, Vince Gill, Jamey Johnson, Lee Ann Womack, Ashley Monroe and others.

The album was recorded in Nashville and also in Dallas where Henley lives, and took several years to complete. While many are calling it Henley’s “country album”, he says much of it fits better into the Americana format. The album title refers to the underpopulated area of east Texas near the borders of Arkansas and Louisiana, where Henley was born in 1947 and grew up in the 1950’s. The deluxe edition includes 16 songs, eleven of which were written by Henley and Lynch with others, and is solid from the opening cover of alternative country artist Tift Merritt’s “Bramble Rose”, featuring Miranda Lambert and Mick Jagger (who actually does country quite well), to the closing rocker “Where I Am Now”. Henley’s ballads include themes of the passage of time, looking at the past and also to the future, regret, acceptance and love, present and in the past.

McBride joins Henley for a duet on “That Old Flame”, as well as singing on the closing “Where I Am Now”. “That Old Flame” is a song about long-lost friends who were once lovers. “Where I Am Now” is a confident song in which Henley reflects on his life, liking where he is now.

I been east, west, north and south
But I made it through somehow
And I like where I am now

“Take a Picture of This” portrays the end of a marriage. Dolly Parton joins him on the Louvin Brothers’ hit from sixty years ago “When I Stop Dreaming”.

“A Younger Man” is about a younger woman falling for an older man, but he sings:

If you believe in better days ahead
For this crazy human race
That we will somehow be delivered
By goodness and by grace
And if you’re lookin’ for believers
In faith and hope and charity
Then, you’re you’re lookin’ for a younger man – not me

“Train in the Distance” is the album’s most autobiographical song as Henley reflects back on his childhood when life was simple and now the responsibilities of an adult as he sings:

You better make friends with your angels and your demons
They will be riding with you wherever you go

“The Cost of Living” with Merle Haggard is about dealing with getting older, but not regretting a single day as they sing: It’s the cost of living and everyone pays.

“Waiting Tables” is the story of a young girl who grew up in a small town, married a reckless fool, and is now a single mother waiting tables. She sighs: Dear Lord above, there must be more than this.

“Praying for Rain” is about farmers dealing with drought conditions and praying for rain soon:

I’m praying for rain
I’m praying for rain
Lord, I ain’t never asked for much
And I don’t mean to complain
But I’m praying for rain

In singing about pride in “Too Much Pride”, which features some tasty piano from Mike Rojas, he sings:

Some people tell you it’s a good thing
Some people tell you it’s a sin
Just like a weed in the garden
You’re askin’ for trouble if you let it in

I’m a longtime Eagles fan who saw them in concert more than 35 years ago in their prime. I’ve listened to this album several times, and it sounds better with each succeeding listen. I’ve always loved Henley’s voice and it is still excellent here. The songwriting and instrumentation are strong and the album benefits from the guest artists and their contributions. I found it to be one of the top releases of the year.

The Burning Edge of Dawn by Andrew Peterson
****

Singer-songwriter and author Andrew Peterson returns with his eleventh studio album, produced by friend Gabe Scott. In comparison to his previous studio album Light for the Lost Boy, Peterson has stated that the album is more joyful. Friends Ellie Holcomb and Caleb Chapman of the band Colony House add backing vocals on a few of the songs.

The album features 10 new songs written by Peterson with Scott between February and May 2015. The process of making this record was a departure for Peterson, since most of the songs were written during the recording process. Having just completed writing The Warden and the Wolf King, the final book in the Wingfeather Saga series, Peterson went into the studio with very few songs completed. As a result he has stated that “It meant that I had no choice but to write about exactly what’s happening in my life right now, in real time. And what’s happening is that I’m seeing the first glimmers of sunrise after what feels like a long, painful night. These songs are about joy.”

Andrew has stated that “This album is the result of looking hard at a lot of painful stuff and arriving at the conclusion that when God the gardener tears open the earth, he’s doing it in order to bring about something beautiful. If you want the joy of the harvest, you first have to plant the seeds; and anyone who has planted seeds knows that the soil must be torn open. That’s how joy works. I know that now.”

Here are a few brief thoughts about each song:

The Dark Before The Dawn – This is a song of joy and hope and of looking forward. He is ready for a change. I liked the thought that the same wind that does damage is going to blow the storm away and that darkness is a small and passing thing.

I believe that that light is going to come
This is the dark before the dawn

Every Star Is A Burning Flame – This is a story song with references to Idaho, Tennessee and Louisville. He sings of being on the inside looking out, and seeing the sky as it’s going to be again one day. He can imagine the host of heaven singing out loud.

We Will Survive – Andrew has stated that “’We Will Survive’ is a song I wrote for Jamie about a tough season I went through last year. She has been a steady reminder of God’s good intentions during long months of uncertainty”.

Tell me the story I still need to hear
Tell me we’re to make it out alive again
I need to know there’s nothing left to fear
There’s nothing left to hide
So will you look me in the eye
And say we will survive?

My One Safe Place – This is another song written for his wife Jamie. It is written from one broken person to another. He sings that she is his oasis in the eye of the hurricane. I like the idea of “running away home to you”.

I believe in the love of the father
I believe in the power of grace
I believe in that He brought us together
You are my one safe place

The Rain Keeps Falling – Andrew has stated that “This one was partly inspired by a Luci Shaw poem called “Forecast.” The song features his good friend Ellie Holcomb, along with his daughter Skye singing harmony. It is a very honest song (as all of his are), featuring piano and some strings. He is tired, there is pain in his heart, as the rain keeps falling during “a season of night” in North Carolina, while his wife was praying for him back home. I liked the line about Dying to live, but learning to wait. A calming “Peace, be still” refrain adds hope to the song.

Rejoice – This song is a bit more complex musically. It is hopeful and joyful, and based on Paul’s letter to the Philippians 4:4: “Rejoice in the Lord always; again I will say, rejoice”.

I Want To Say I’m Sorry – Featuring an acoustic guitar, this is a song to a friend. He wants to say he is sorry, but he doesn’t know how. He has said words that he wished he hadn’t. He is sorry for his words that have hurt his friend. He drew the line and built a wall between them. He recognizes that the fault is his and he must trust in grace and give it time. He calls the song their communion hymn.

Be Kind To Yourself – This is a song to his daughter Skye who deals with self-condemnation. He performed this song when we saw him in concert on August 29 when he was accompanied on drums by his 15 year-old son Asher. He sings that he loves Skye just the way she is, and the way the Lord is shaping her heart.

How does it end when the war that you’re in
Is just you against you against you?

Gotta learn to love, learn to love
Learn to love your enemies too.

The Power Of A Great Affection – Andrew has said that “This is the closest thing I’ve written to a corporate worship song in a long time, and tells a little of the story of my life with Jesus. I read somewhere that about 100 years ago, when someone became a Christian they often said, “I’ve been seized by the power of a great affection.” That’s a beautiful sentence if ever there was one. That affection seized me and has never let go” Andrew wrote the lyrics and co-wrote the music with Gabe Scott. This is one of my favorite songs of the year.

This is now the theme of my song
And now I must forgive as I’m forgiven
And even when the shadows are long
“I will sing about the Son who’s risen.”
And his kingdom has no end
His kingdom has no end
So Father, I will give you thanks and praise
The Son has opened wide the gate of glory
He declared your mighty love and gave us grace
And I will tell his story, it is my story

The Sower’s Song – is a song about the leading of the Sower (God). Andrew sings “Abide in me Lord as I abide in You” It is a powerful and hopeful closing song that builds throughout, and is perhaps based on Isaiah 55:10-11:

For as the rain and the snow come down from heaven
and do not return there but water the earth,
making it bring forth and sprout,
giving seed to the sower and bread to the eater,
so shall my word be that goes out from my mouth;
it shall not return to me empty,
but it shall accomplish that which I purpose,
and shall succeed in the thing for which I sent it.

This is a very strong album. It is personal, serious and intimate about his what was going on in his life as he wrote these songs between February and May of this year. The songs fall into a soft rock, acoustic rock, and country genres. The music perfectly complements the lyrics. Highly recommended.

After All These Years by Andrew Peterson
****

Andrew Peterson is not only an excellent singer/songwriter, but also the author of the four-book fantasy series for young readers called the Wingfeather Saga. After completing the latest book he was creatively spent and decided it was a good time to put out a collection of his music spanning his recording career which began in 1996. The result was this 20-song release, comprised of four new songs, eight of his classics re-recorded and eight favorites, specifically chosen by his fans on his Rabbit Room website. I found it similar in nature to Matt Maher’s 2013 All the People Said Amen and Jars of Clay’s 2014 20.

The new songs are:

After All These Years – This song was released as a single and features a light, folk-pop melody. Peterson sings of God’s faithfulness:

‘Cause you never let go. You never let go.
You led me by the hand into a land of green and gold.
You never let go. You never let go.
Your love endures forever wherever I go
after all these years.

Everybody’s Got a Song – This is a loving tribute to Peterson’s hometown of Nashville.

To All the Poets – This song was written with Gloria Gaither. Peterson thanks God for all of the poets he has known for sharing their gifts with him.

Romans 11 (Doxology) – Peterson puts Paul’s words to music. I can hear this being sung in a worship service:

For from Him, through Him,
to Him, is everything
To God be the glory forever and ever.
To God be the glory forever, amen.

Peterson’s lyrics creatively paint pictures over his acoustic backing. All of the songs are excellent here, so it’s really hard to pick favorites. Mine would be “Dancing in the Minefields”, “The Silence of God” (which I actually thought had been written by Peterson’s friend Michael Card, as it was included in his 2006 album The Hidden Face of God), and “The Good Confession”. Peterson was born in Illinois and I enjoyed the multiple references to the state, having lived here my entire life.

If you are an Andrew Peterson fan, this is a nice collection. If you are not familiar with this music, this would be an excellent introduction.

Concert Review

Andrew Peterson at Calvary Baptist Church in Normal, Illinois (August 29, 2015)

Andrew Peterson appeared in concert at the Calvary Baptist Church for their “Back to School Weekend” event. He was accompanied on drums by his 15 year-old son Asher. Andrew immediately built a good rapport with the audience with his warm smile and the stories he told about his songs, many of which are about his family.

He opened with “All Things New” and followed that up with his “legalism recovery song” “Rest Easy” from his most recently studio album, 2012’s excellent Light for the Lost Boy:

You don’t have to work so hard
You can rest easy
You don’t have to prove yourself
You’re already mine
You don’t have to hide your heart
I already love you
I hold it in mine
So you can rest easy

Next was “God of My Fathers”, most of which was written by Ben Shive, with Peterson changing just a few words.

Peterson was born in nearby Monticello, Illinois, where his dad was a pastor and he lived his first seven years. He said that returning to the state and seeing corn fields and silos was for him like seeing the Grand Canyon.

He told a story about his Grandma Click who lived in Lakeport, Florida, and then sang “All the Way Home”. One of our favorite songs of the evening was about his uncle Steve (a dairy farmer), who had been diagnosed with cancer and had only a few months to live. He decided to drive with his wife Margie to Alaska to fish for salmon. Peterson said that he sang the song “Alaska or Bust” in front of his uncle’s casket at his funeral:

So get in, I’ll do the driving
And your bag’s already packed and in the truck
So Margie, get in, put down those dishes
Well, the town will see us go if we’re in luck
So come on, it’s Alaska or bust

He played “Lay Me Down” next, which was the first song that mentioned Illinois:

I suppose you could lay me down to die in Illinois
Bury me beneath the rows of corn
Or in-between the maple trees I climbed on as a boy
Where in the Land of Lincoln I was born

Peterson has been married to Jamie for 20 years and they have three children. After a big fight at year 15 he wrote “Dancing in the Minefields”, which was what he called a “get outta trouble song” and is one of my favorite of his songs:

We went dancing in the minefields
We went sailing in the storm
And it was harder than we dreamed
But I believe that’s what the promise is for

He then told of a song he wrote on a night when he couldn’t sleep. It had been his birthday and also a day when he released a new album. The only review on iTunes had ripped the album and given it a one-star rating. It bothered him all day and he wrote the song “Fool with a Fancy Guitar”.

Just before the break he played “Be Kind to Yourself”, his only song on the piano (all of the others were on the acoustic guitar) and the only song he played from the forthcoming album The Burning Edge of Dawn, which will be released October 9. The song, produced by Gabe Scott, was written for his daughter who deals with self-condemnation.

Peterson mentioned that he is 41 years old and on Father’s Day broke his leg hopping stones in a river in Asheville, North Carolina. This was his first show since having the boot removed.

The first of two songs about the Resurrection was “Day by Day”. Another “Illinois song” was “The Ballad of Jody Baxter”. This song was about the main character in the book, “The Yearling”. He also mentioned that Frederick Buechner is one of his favorite writers, and one of the things Buechner wrote about was listening to your life. In “The Ballad of Jody Baxter”, he looked at his childhood in Illinois as Eden and Florida as the Fall.

What was good, good, good
Is gone, gone, gone
And there’s a little boy
Who’s lost out in the woods
Always looking for the fawn

He then asked for requests and played a powerful version of “High Noon”, another song about the Resurrection.

He finished a wonderful concert with “Calling Out Your Name”, “The Reckoning” and “After the Last Tear Falls”, written with Normal native Andrew Osenga. It was my first time seeing Peterson in concert and Lord willing, it won’t be the last. I’m very much looking forward to the new album on October 2.

Music Review: Uncomfortable by Andy Mineo
****

27 year-old Andy Mineo follows up his 2014 Never Land EP with a very strong effort, one of my favorite albums of the year. It is an effort that has a variety of music styles with mature, transparent, serious, and at times, painfully honest lyrics. The album debuted at #4 on iTunes overall chart and #2 on the Hip-Hop/Rap chart. Mineo includes some special guests on the album, but surprisingly no Reach Records label mates (such as Lecrae, Trip Lee or KB). Ramon “Illmind” Ibanga serve as executive producer of the effort. Below are a few thoughts and key lyrics for each song:

Uncomfortable – Right off the bat, Andy sings that if you want live a comfortable life you should be sure not to love anyone, be selfish and never sacrifice. Key lyrics are:

My own people owned people, but they don’t own that
They say racism dead, man our president is black
Two terms in the White House, that don’t mean jack
If we still believe our present ain’t affected by our past

I apologize for Christians with pickets sayin’, “God hates fags”
I promise Jesus wouldn’t act like that

Uptown – I first listened to this Latin- flavored song while on vacation last week in New York City. It is a song about Mineo’s Washington Heights neighborhood located in uptown New York City. Key lyrics are:

Ain’t no other city make me feel this way
I been all around the world baby, but I’m here to stay

Now I Know – This song has a great beat, but it’s also about some serious things. Andy sings that the older he gets the more he realizes that almost everything he believed was a lie. This is the first of the less than positive references to his father. Although he feels jaded, he sings that he somehow still believes in God. Key lyrics are:

All that glitters ain’t made of gold
It’s the thing you’ve heard a million times before
It took a little time, now I realize
Now I know better, it’s better late than never
Now I know

Desperados – with guest Mali Music who handles the hook. Key lyrics are:

I’m sick and tired of songs that don’t dignify a lady

I gotta speak on my peace
Man, I can’t keep it a secret
The only way that you get acceptance is when you know you don’t need it, yeah

Hear My Heart – In this song Andy apologies to his sister Grace, who was born deaf, for never learning sign language. Key lyrics are:

My big sister Grace, I’m sorry I never learned to sign
And even though you were born deaf
I pray you forgive me for the years I lived blind

David’s Roof – This is a brief interlude sung in Spanish with soft horns. Translated it reads:

Prepare me for the war
Because comfort is the fall of kings
Is the fall of kings

The lyrics refer to King David on his roof looking at Bathsheba.

Rat Race – This song features Jon Bellion, known for his production on Eminem’s “The Monster”. Key lyrics are:

Tell ’em we don’t wanna play, yeah, yeah
We’re so okay with last place
We already won the game, yeah, yeah
No, we won’t run your rat race

And I ain’t tryna be another one of fame’s victims
Make a name for myself but never make a difference

Know That’s Right – Andy sings of knowing where he is going (Heaven). He also brings some of his humor here. Key lyrics are:

My Savior is Jewish, my lawyer is Jewish
My stomach is Buddhist
I’m trying to lose it, but I need to chill on Fig Newtons, I swear

There’s nothin’ left to say
I know where I’m goin’
We’re startin’ here today
And you know, you know that’s right

Vendetta – This song includes another reference to his father (and mother). It’s hard-hitting and features some of the best lyrics on the album. Andy includes part of the hook from 2 Pac’s song “Hail Mary”. Key lyrics are:

You wanna know the real problem in America?
Always has been and it always will be, me

Cause Pac did a lot more for me than Barack

I wanna snatch my generation out this apathy

Ghost – This song is about a close friendship that dissolved. You can feel Andy’s sadness as he tells us about it. Key lyrics include:

A thug changes and love changes
And them best friends become strangers (from “The Message” by Nas)

Love – Andy sings about what he’s learned about love, with references to his recent marriage. Key lyrics include:

Watch a man real close, what he choose to do with his money
That’ll tell you the truth about what he really (love)

Strange Motions – On this song, Andy states that that he taps into a psychedelic rock vibe trying some new stuff with Willow Stephens. Key lyrics include:

When these strange motions
They tell me don’t get lost in heaven

Make Me a Believer – This song features the incredible vocals of Third Day lead singer Mac Powell and addresses King David’s repentance after being confronted of his sin by the prophet Nathan. Key lyrics include:

Make me a believer
Cause all I’ve ever seen is pain
Make me a believer
Promise me I’m not the same
Make me a believer

I’ve listened to this album several times since its release. Each time I hear something new. Give this album multiple listens, it deserves it and you will hear something new and exciting with each succeeding listen as you experience Mineo’s growth as an artist.

The Wonderlands: Darkness by Jon Foreman
********

See my Amazon reviews of Sunlight here and Shadows here.

This is the third of four Wonderlands EPs from Switchfoot lead singer, guitarist and primary songwriter Jon Foreman, and follows Sunlight released in late May and Shadows in July. The four “hourly” EPs were to each feature six songs, or one song for each hour of the day – though this EP actually features seven songs. Foreman indicated that he wanted “to sneak 25 songs into 24 hours.”

Each song on the project, that has been 10 years and more than 1,000 hours in the making, is co-produced with someone different. So there will be 25 songs and 25 producers, certainly a unique approach from the always creative Foreman. He has stated in an interview that his collaborators would send him back their musical response: bass, clarinet, background vocals, etc. His challenge was how to put those things together and make it sound like a cohesive statement rather than 25 different projects. Every hour had to be distinct and yet still feel like a cohesive body of work.

Foreman has stated that the Wonderlands EPs would explore themes of faith and doubt, love and frustration, and everything else. Below are brief comments and favorite lyrics on each of the new songs:

Come Home – this is a song that encourages one to come home to where the heart is. I liked the use of orchestration. A key line is “And nothing hurts worse than hope that’s deferred”.

Looking for reasons to try
A reason to live or to die
Won’t you come home
Back to where your heart is
This is the meaning of life
You were born for the dance not the fight
Won’t you come home
Back to where your heart is

Beautiful, Pt. II – I liked the echo call and response that begins the song. It features acoustic guitar, strings, atmospheric background vocals, light drums and building orchestration. Taylor York and Jon Howard co-produced the song with Foreman. The song represents 11:30pm. A key line states that the makeup covers the pain she can never control.

Look like a funeral, but I see right through
You’re so beautiful, You’re so beautiful

You Alone – Cubbie from Foster The People co-produced the song with Foreman. This song has a quicker pace, and is the most upbeat musically song on this edition of the Wonderlands EPs. It features acoustic guitar and atmospheric background vocals.

You alone, you alone, can heal my soul

She Said – This song begins with piano, light drums and acoustic guitar and then builds musically with atmospheric background vocals as the song progresses. Looking for answers is a theme here.

I hear her talking to herself in bed
All my tears are falling on the floor, she says
I’ve never felt it rain like this before, she says
I’ll sing these black eyed blues into the storm instead
I’ll be waiting for the new eyes to arrive
One breath at a time

Larger than Life – I liked the use of backing vocals and the unique use of strings. It is a song of encouragement to one who is down.

Do you feel the weight again?
Are you feeling like you’re caving in?
You’re larger than life my friend
You’re bigger than what you’ve been
Are you running away again?
Are you feeling blown by the wind?
You’re larger than life

June and Johnny – This song, which references singing June Carter and Johnny Cash songs as they drive down the highway, is a simple love song featuring acoustic guitar. The song is a duet with Sara Watkins of Nickel Creek, who Foreman collaborates with in his side projects with the Fiction Family.

And I’ll hold you all my life
Like a memory at the back of my mind

Inner Peace – This is the second shortest track at just over three minutes. Lyrically it’s my favorite of the new songs. He is searching for reasons (for pain, rain when he is alone, and longing for justice). He is at war inside, fighting all his life. He has a lot on his mind, and he longs for the water that will make him clean.

Inner peace is hard to find.
Peace of heart and peace of mind

How can we be ourselves if we don’t know who we are?

Jon Foreman is one of our most creative and prolific artists today. These songs have a great deal of complexity and will reveal more and more after each repeated listen.

We now have 19 songs in the Wonderlands series. The final EP, The Wonderlands: Dawn is scheduled to be released October 23.

The Wonderlands: Shadows by Jon Foreman
********

This is the second of four Wonderlands EPs from Switchfoot (my second favorite band, just behind U2), frontman Jon Foreman, and follows Sunlight released in late May. See my Amazon review of Sunlight here.

The four “hourly” EPs will each feature six songs, in total one song for each hour of the day. Each song on the project that has been 10 years in the making will produced by someone different. So there will be 24 songs and 24 producers, certainly a unique approach from the always creative Foreman.

Shadows is darker, both musically and lyrically, than most of Foreman’s work. I’ve only listened to each song a few times. To get the full impact of these songs will take many listens. Below are my initial thoughts on each of the six songs:

Ghost Machine Produced by Jeremy Edwardson. Foreman sings of the ghost machine, referring to it as “she”. This song has a regretful feel. It is somber and features an acoustic guitar. What is the ghost machine he’s singing about? It’s sucking the life out of him. It’ a drug, in his blood and he can’t give her up.

My Coffin Produced by Ryan O’Neal of Sleeping At Last. Foreman wonders early in the song:

Is there someone buried
Beneath this skin?
And is he free when I am lost
In my coffin

The song finishes with:

Resurrection comes
But death comes first

And when I lose myself I’m safe
In my coffin

Fake Your Own Death Produced by Darren King. Features an interesting musical backdrop. With some strings, jazz instrumentation, and light drums I felt it had almost a Sgt. Pepper-like sound at times.

What would you live like if you had died
And been reborn with a second chance to live
Would you lose your fear of being dead?
And be afraid of something else instead?
Maybe you’d be more concerned with living it like you mean

Good For Me Produced by Andrew Wessen and Charlie Peacock (who has a long-time relationship with Foreman and Switchfoot).

This was the most musically interesting song on Shadows. Featuring guitar, drums, horns, it has a great beat to it. That doesn’t surprise me with the creative Peacock’s involvement.

Lyrically Foreman wonders if what he puts in his soul is taking a toll on him. Is it good for him? Does it keep him on his knees? Does it set him free?

Your Love is Enough Produced by Foreman and Seth Mosley. Foreman sings that only God can help him in times of doubt, longing, darkness. His love is enough. In a recent interview Foreman said “It’s a song that chronicles my lifelong battles with doubt and fear. Our roads in life can be painful at times – lonely, dark, and discouraging. But we are not alone.”

Siren’s Song Produced by Eric Owyoung from Future of Forestry.

This song features a nice orchestral arrangement. His love is at the edge of the ocean, wrapped in greens and blues.

Come to the sea
come and have me
my arms are open wide
come to the sea
come and cross me
we’ll reach the other side
come to the sea
come and take me
and have me for your bride
come to the sea
come and listen to the sailor’s lullaby

Again, give this release several listens to get to the full depth that Foreman intends. The final two EPs in the Wonderlands series are Darkness, due out September 4, and Dawn, set for release on October 23.

Concert Review: U2 iNNOCENCE + eXPERIENCE Tour at the United Center in Chicago – June 25, 2015

The first U2 album I bought was 1983’s War. I was a relatively new Christian at the time and had read about this mainstream band in Contemporary Christian Music (CCM) magazine in which some of the members were Christians. (Note: Bono mentioned in 2005’s Bono in Conversation with Michka Assayas that all were now believers, with bassist Adam Clayton being the last to come to faith). Among the songs on War was “40”, which contains the words of Psalm 40, and is a song that the band has closed their shows with often over the years. I’ve been a fan of U2 ever since, especially enjoying the spiritual aspects of their music.

Thursday’s concert at Chicago’s United Center was the second of five at the venue on their iNNOCENCE + eXPERIENCE Tour, featuring seven songs from their latest album Songs of Innocence, which Rolling Stone magazine named as the top album of 2014. The album, their first since 2009’s No Line on the Horizon, was also my top album of 2014, narrowly edging out Lecrae’s excellent Anomaly. This was the seventh time I’ve seen my favorite band in concert and the first in an arena setting since the 2005 Vertigo tour, with outdoor stadium shows at Chicago’s Soldier Field and St. Louis’ Busch Stadium since that time.

U2 often does unique things with their stage. This time, the stage had two large locations at each end of the arena, with a long walkway across the United Center floor connecting them, where just a few nights before the Chicago Blackhawks had won the Stanley Cup Championship. Our seats were supposed to be in the lower section at the end of the main stage. Due to a mix-up (either the wrong floor map was posted when we purchased tickets through the band’s fan club, or the stage was flipped) our seats were actually behind the stage. Those sitting around us were all very disappointed with this, but as it turned out there were some benefits to sitting only about 25 feet from drummer Larry Mullen. It was amazing to watch him working (behind the scenes) throughout the show. The close proximity to the band was a stark contrast to my last U2 concert, when we were more than three hundred feet away from the U2 360 stage placed in center field at Busch Stadium.

The two and a half hour concert started with Bono in his trademark black leather jacket and sunglasses appearing alone on the far end of the arena. As he walked toward the main stage he began singing “Oh, Oh, Oh…” from “The Miracle (Of Joey Ramone)” as the rest of the band (Edge, guitar and keyboards; Adam Clayton, bass; and Larry Mullen) took their places on stage. The concert did not include an opening act and had only a short intermission of Johnny Cash singing “The Wanderer” from Zooropa on the video screen; it featured twenty four songs, including three during the encore. Here is the complete setlist, which changes a bit each night as the band plays multiple dates in each city on the tour.

Although the concert featured seven songs from Songs of Innocence – which sounded even better in concert than on the too perfectly produced album – the band did a nice job of playing songs from throughout their thirty-five year career. Here are the albums that the songs originally appeared on:

Boy (1980) – Out of Control, I Will Follow

War (1983) – Sunday Bloody Sunday

Unforgettable Fire (1984) – Pride (In the Name of Love), Bad

The Joshua Tree (1987) – With or Without You, Bullet the Blue Sky, Where the Streets Have No Name

Rattle and Hum (1988) – Angel of Harlem

Achtung Baby (1991) – Even Better Than the Real Thing, One, Until the End of the World, Mysterious Ways

All That You Can’t Leave Behind (2000) – Beautiful Day

How to Dismantle an Atomic Bomb (2004) – Vertigo, City of Blinding Lights

No Line on the Horizon (2009) – Moment of Surrender (portions performed before and after “Bad”).

Invisible 2014 single (not available on an album)

Songs of Innocence (2014) – The Miracle (Of Joey Ramone); Iris (Hold Me Close), Cedarwood Road, Song for Someone, Raised by Wolves, Every Breaking Wave, Volcano

The band’s main stage was directly in front of us at one end of the United Center. A long catwalk/walkway with a huge see-through video screen above it, added much to the experience, but also created some challenges as only those on the sides of the arena could fully see the band when they were inside the screen. That’s right, the band would enter the screen and be part of the video experience. The screen would move up and down throughout the concert. However, when it was down, it made it difficult for people seated at the ends of the arena to see the band.

The band also set up at the far end of the arena for a few songs. By moving around and playing at a number of different places on their stage they added variety and gave everyone unique views of the band.

The show featured a few themes. The first half of the show featured many of the new songs from Songs of Innocence, so growing up was a theme – much as it was with Lecrae on his recent Anomaly tour – as Bono sang about his mother Iris (“Iris (Hold Me Close)” and his neighborhood growing up “Cedarwood Road”. “Sunday Bloody Sunday” with Larry playing a sobering snare drum effectively led into “Raised by Wolves”. Later, Bono would say that after grief comes anger as he led the band into “Volcano”. With songs like “Bullet the Blue Sky” and “Pride (In the Name of Love)” there were references to “I can’t breathe”, Ferguson, MO and Charleston SC. Later, the theme of surrender came up with parts of “Moment of Surrender” sung before and after “Bad”.

A few other thoughts:

The couple in front of us were from nearby (to Chicago) Grayslake, Illinois. This was her thirteenth U2 concert. When Bono introduced their second song “Out of Control” as their first single, she was completely overcome emotionally, with tears streaming down her face during the entire song. I’ll never forget how the song impacted her.
“Every Breaking Wave” is my favorite song on the new album. I actually prefer the alternate version released on the deluxe edition, so Bono performing it with only Edge on piano at the far end of the stage was a highlight.
Bono pulled a young woman from Costa Rica out of the crowd to help him film “Mysterious Ways” and “Angel of Harlem” around the world as Twitter comments from literally around the world were projected up on the large video screens above us.
My favorite song was “Pride (In the Name of Love)”, which was followed by “Beautiful Day”. The energy in the building during those two songs was incredible.

Though Bono seemed less energetic than past tours (could be due to his recent bike accident, or what the Chicago Tribune referred to as his bout with “nagging bronchitis”), it would not have been noticeable to those who hadn’t seen him on previous tours when he would sprint around the stage.

Thirty-five years after their first album U2 is still relevant and going strong. Incredibly there have been no band member changes during that time. I hope to see them on the next leg of the tour with songs from the rumored Songs of Experience album.

Unbroken Praise – Matt Redman
****

Matt Redman, with the possible exception of Chris Tomlin, is arguably the most influential worship songwriter that the modern church has been blessed with. He chose to record his latest album live in front of an audience of about 300 (who participate in the live worship by singing along), at the legendary Abbey Road studios in London. The album cover features the signatures from everyone who made the album possible (songwriters, musicians, producers, technicians, etc.). Redman stated “”Unbroken Praise reveals a heart not wanting to be beaten down by the things of life, but to actually increase worship in those moments.”

Below are brief comments on each of these wonderful new songs:

Louder – an upbeat song to start the worship, featuring the chorus:

We lift our voices, lift our voices

Make Your praise so glorious, glorious

It is Well with My Soul – features the chorus from Horatio G. Spafford’s 1873 hymn.

Flames – compares our praise offerings to the flame of a fire.

Let all our hallelujahs be Yours

All our hallelujahs be Yours

From the altar of our hearts, O God

Let ﬂames of worship rise

Unbroken Praise – a last minute addition to the recording.

We give our praise unbroken, praise unending to God forevermore

Abide With Me – co-written with Matt Maher. The song also appeared on Maher’s excellent Sinners and Saints album. This is probably my favorite new song of 2015 thus far.

King Of My Soul – an upbeat song that will be good for contemporary worship services. Redman’s desire is to let our lives be undivided in our worship of God.

Songs In The Night – a wonderful song that speaks of the sovereignty of God in the midst of storms. We will wait on the Lord praising Him, confident because He is our peace in the storm.

No One Like Our God – a song that speaks clearly about how there is no one like our God and Savior. His blessing and His love is great. A joyous song that will be wonderful for congregational singing.

The Awesome God You Are – a song that first appeared earlier this year on the Passion Even So Come album. Features the worshipful chorus:

God, let hope arise

And faith become

The fortress of my heart

I will lift my eyes

And see You as

The awesome God You are

Believe You as

The awesome God You are

No Longer I – Uses the refrain from Isaac Watt’s 1707 hymn “Alas! And Did My Savior Bleed” (sometimes known as “At the Cross”), changing the last line from “And now I’m happy all the day!” to “Now, no longer I but Christ in me”. The refrain was not actually written by Watts, but by Ralph E. Hudson in 1885.

Majesty Of The Most High – a mostly acoustic song. We bow before the majesty, holiness and amazing grace of the Most High God. Just one glimpse of God and we will be changed.

Redman has done it again. He is so very talented in giving the church the gift of songs that we can sing in worship of our God. I’m sure these wonderful songs will be sung in worship services around the world very soon.

Before This World – James Taylor
****

This is “JT’s” first album of new material in thirteen years since October Road, which was released in August, 2002. The 67 year old member of the Rock and Roll Hall of Fame hasn’t been idle during this time, regularly touring and releasing a Christmas album, two albums of covers, two live albums and a greatest hits compilation. The album was recorded primarily at the Barn, his recording studio just down the hill from his home in the woods in western Massachusetts, with his longtime touring band featuring Steve Gadd on drums and Jimmy Johnson on bass. The album is produced by Dave O’Donnell.

By pre-ordering the album, I’ve been able to listen to “Today, Today, Today”, “Angels of Fenway”, and “Montana” for several weeks now. Last week, the album was streamed in its entirety by The New York Times, so I’ve been able to listen to the entire album several times now. In addition, last June in his wonderful concert at the Ravinia Festival in the Chicago area, he debuted “Today, Today, Today”, “Stretch of the Highway”, “You and I Again”, and “Wild Mountain Thyme”, all included here.

So what can I tell you about the long-awaited album? Well, it will remind you of the best songs of Taylor’s early 1970’s catalog. JT’s signature storytelling skills are matched with his signature vocals surrounded by a mostly mellow mix of folk, light rock, and acoustic blues. It’s like hearing from an old friend who has been gone for a long time.

Before This World is an intimate, largely autobiographical album of nine new Taylor songs, plus the classic Scottish folk tune “Wild Mountain Thyme”. Close friends Sting and Yo-Yo Ma guest on the album. So, put on some coffee and take a listen. Here are a few brief thoughts on each song:

Today, Today, Today – was the first single released from the album. Taylor’s friend and collaborator Don Grolnick, a jazz and pop pianist who died in 1996, inadvertently helped inspire the song title years ago during a car trip out of Manhattan. Taylor states “One day, driving out of the city, he held up traffic at the Triborough Bridge toll booth, looking for quarters. Behind him, a cabby rolled down his window and yelled at him, ‘Today, TODAY!’ Grolnick would say that whenever he grew impatient: ‘TODAY!’”

You and I Again – is a beautiful tender piano ballad about his wife Kim that features some wonderful accompanying strings.

Angels of Fenway – is a tribute to his Boston Red Sox and his grandmother who was a big Red Sox fan as well. After 86 years of frustration, the Red Sox finally won the World Series in 2004. Unfortunately, it was against my St. Louis Cardinals, and I was at the clinching game in St. Louis as the Red Sox swept the Cardinals. It features harmony vocals from wife Kim and son Henry. Even though I’m not a Red Sox fan, I’m a baseball fan and I love this song, which is one of my favorites on the album.

Stretch of the Highway – this song features light horns, some effective backing vocals and has a bluesy feel to it. It is a road song. The song references Chicago, the President and GMC. Taylor describes the song as “a theme I keep coming back to, the pull of home and the pull of the highway, a big part of my life, the ‘Dad Loves His Work’ theme, the tug of war between your family and going out to work. It’s a split life in a way, something every touring musician, merchant seaman, soldier, traveling salesman and oil-rig worker experiences.”

Montana – is a beautiful song of contentment as Taylor sings of the slower life of being in his cabin high upon a mountain in Montana.

Who can imagine the scale of the forces
That pushed this old mountain range up in the sky?
Tectonic creation, erosion, mutation;
Somethin’ to pleasure God’s eye.

Watchin’ Over Me – is an upbeat tune which features a fiddle. JT sings of his thankfulness for those who have watched over him on his path to recovery from depression and addiction. He is grateful for a second chance. He realizes the damage he has done and the debt he owes. He has learned his lesson again and that there is only way one to surrender. Although dealing with difficult subject matter, this is a celebration and one of my favorite of the new songs.

SnowTime – has a tropic feel to it. Taylor describes the song as being about people who are economic exiles to Canada in the midst of a freezing Canadian winter who are trying to re-ignite this flame. A frozen Yankee comes across this and is transformed. Taylor states that ultimately the song is about the power of music. The guitars on the chorus reminded me of his classic “Mexico”.

Before This World/Jolly Springtime – Taylor describes this as a spiritual agnostic song. It features beautiful cello work from Yo-Yo Ma.

Before this world was as we know it now
Before the land and sea were formed at all
Before the stars were made to burn and shine
Little love of mine, darling one
Who can pretend to understand at all
No one can both inside and outside be
Who can suppose he knows the way this goes
Little lamb, never mind

Sadly, he sings that the world is old, will never last and that our share of joy is in this moment past.

Jolly Springtime – contrasting the music and pessimistic lyrics of “Before This World” is this upbeat and happy song, celebrating spring in the merry month of May with effective backing vocals.

Far Afghanistan – Taylor describes this song as an “out-of-my-experience fiction piece,” dealing with a soldier leaving for the war. This is the one song that doesn’t fit with the rest of the album, and is my least favorite of the collection.

Wild Mountain Thyme – a beautiful cover of a classic Scottish folk song. Wife Kim and son Henry contribute harmony vocals.

Although Taylor may not profess to be a Christian, he offers an album full of Christian themes as God and Jesus are mentioned and themes of love of family, thankfulness for those who have helped him, appreciation for creation, etc. resonate from these songs. I can’t tell you how good it is to finally have some excellent new music from JT. Welcome back JT. Can’t wait to hear some of these new songs in concert.

Live at Red Rocks – Amos Lee with the Colorado Symphony
****

I had never heard of Amos Lee until he appeared locally in 2007, opening for Bob Dylan and Elvis Costello. Between Costello’s and Dylan’s sets we ran into Lee in the foyer, where we visited briefly and he signed an autograph for us. A friend lent me Lee’s first two albums and I was hooked. I picked up Last Days at the Lodge when it came out in 2008, and I’ve picked up everything he’s released since that time.

Last August 1, Lee appeared with the Colorado Symphony Orchestra in a sold out concert at the Red Rocks Amphitheatre, about 15 miles from Denver. At that time, he had been on tour for almost a year in support of his fifth studio album Mountains of Sorrow, Rivers of Song. In the concert, he performed some of his most popular songs from his five studio albums, along with one new song, in a 14 song career spanning set, with five songs from his former #1 album Mission Bell and four from his debut Amos Lee. The album’s track list, and the original album they were included on is listed below:

Windows are Rolled Down – from his 2011 Mission Bell.

Jesus – Mission Bell

Keep it Loose, Keep it Tight – from his 2005 debut Amos Lee

El Camino – Mission Bell

Violin – Mission Bell

Colors – Amos Lee

Trickster, Hucksters, Scamps – from his 2013 Mountains of Sorrow, Rives of Song

Flower – Mission Bell

Won’t Let Me Go – from his 2008 Last Days at the Lodge

Sweet Pea – from his 2007 Supply and Demand

Street Corner Preacher – Last Days at the Lodge

Game of Thrones Theme – Not previously available on an Amos Lee album

Encores:

Black River – Amos Lee

Arms of a Woman – Amos Lee

While the addition of the Colorado Symphony makes this recording special, it’s Lee’s incredible and versatile voice that is the real highlight here (check out his vocals on “Sweet Pea” as an example). If you are not familiar with Amos Lee, this is an excellent introduction to his music. If you are familiar with him, sit back and enjoy these incredible versions of some of his best songs. I hope this recording propels Lee to the level of popularity that he deserves.

The Wonderlands: Sunlight – Jon Foreman
****

This is the first of four “hourly” EPs from Switchfoot frontman Jon Foreman, each featuring with six songs. Lyrically rich and musically diverse, the style will remind you of his four “seasonal” EPs (Spring, Summer, Fall and Winter) from 2007-2008 or his music with Family Fiction, more so than it will his Switchfoot output. The songs feature acoustic guitars, strings and layered vocals. There will be one song for each hour of the day and each song is produced by someone different. Foreman has stated that the album has been ten years in the making, as he worked on the songs between stops on tour and between tours. The songs didn’t fit on any of his other projects (Switchfoot, Family Fiction or solo). The project was inspired by a moment in which potential chaos inspired a beautiful moment. Foreman has stated that with a project that is specifically geared toward light and darkness, many of the songs are going to be quite dark.

Here are a few brief thoughts about each of the songs:

“Terminal” – The most musically complex songs on the set. It is produced by Tyler Strickland. Foreman sings that we are fatally flawed in the image of God.

“The Mountain” – Produced by Anton Patzner, the song features acoustic guitar and strings. Foreman sings “I believe you (God) could move this mountain of mine”.

“You Don’t Know How Beautiful You Are” – Produced by Neal Avron. Foreman sings that “We’re the kids who’ve seen the darkness, always looking for light”. Where they are headed is a world apart from where they started. This is a very lyrically rich song. Was originally included in the album for the film To Write Love On Her Arms earlier this year.

“Caroline” – The first single from the project, it’s my favorite song. The opening line is “Caroline, the middle finger queen of the never mind.” It features a harmonica and is produced by Keith Tutt. In the chorus Foreman wonders out loud where Caroline’s heart is today.

“Patron Saint of Rock and Roll” – Produced by Aaron Roche, this song exposes some common counterfeit gods and Foreman sings that Christ alone can save his soul.

“All of God’s Children” – This is a song that dates back to Switchfoot’s Vice Verses writing sessions. It is a simple song featuring acoustic guitar and strings, as Foreman sings about believing in a world that is beyond him, a world he hasn’t seen. It is produced by Dan Brigham, Jeremy Lutito and Jason Morant.

The Wonderlands: Sunlight has me looking forward to the next EP, which is The Wonderlands: Shadows, due to be released July 17.

Music Review

No Pier Pressure – Brian Wilson
***

Originally intended to be the Beach Boys’ follow-up to their 2012 under-appreciated That’s Why God Made the Radio (until Mike Love “fired” Brian Wilson, Al Jardine and David Marks at the end of their 50^th Anniversary Tour), No Pier Pressure ended up as the first solo album of all-new material from the 72 year-old legendary Brian Wilson since 2008’s That Lucky Old Sun. Those harmonies…..that’s what I loved about the Beach Boys, and that’s the best part of this new project, which can feel a bit disjointed and inconsistent. That makes sense, as four of the songs seem to have been for the Beach Boys album, a few are true Wilson solo songs, and the others feature guest artists, with mixed results.

Wilson joins the list of rock and roll veterans who have lately tried new approaches. Van Morrison and John Fogerty recently released duet projects. Paul McCartney has recently worked with Kanye West and Rihanna, and Bob Dylan released an album of songs that Frank Sinatra had recorded. None of these artists have anything left to prove and thus can experiment.

For Wilson’s eleventh solo studio album, he returned to Capitol Records, his longtime label with the Beach Boys. He also reunites with Joe Thomas, his frequent songwriting partner and co-producer.

The four songs which feature combinations of Beach Boys Al Jardine, David Marks and Blondie Chaplin – “Whatever Happened”, “The Right Time”, “Tell Me Why”, and “Sail Away”, feature stunning harmonies and are worth the price of the album (or you can just download those songs individually). Those songs will take you back to the best of the Beach Boys music. Jardine and Chaplin will be joining Wilson on tour this summer.

Wilson handles the vocals for the opening “This Beautiful Day”, “One Kind of Love”, and the closing “The Last Song” (a version of which was reportedly recorded with Lana Del Rey) himself.

“Runaway Dancer”, featuring Sebu Simonian of Capital Cities, has a dated 80’s disco feel to it and is my least favorite song on the record. Next least favorite is “On the Island” featuring She & Him. “Half Moon Bay” features beautiful harmonies and the trumpet of Mark Isham. “Our Special Love”, which was originally going to feature Frank Ocean, instead includes the vocals of Peter Hollens. “Guess You Had to Be There” is a catchy song featuring vocals from Kacey Musgraves. This would be my favorite of the songs featuring the non-Beach Boy guest artists. “Saturday Night” featuring Nate Ruess of fun., is likeable, but doesn’t feature enough of Wilson.

Throughout, Wilson’s voice is strong and the production is excellent. The genius of Wilson comes through on No Pier Pressure, but the album is uneven because of the varied styles and guests that are included.

CONCERT REVIEW

Lecrae, Andy Mineo and DJ Promote at the Fabulous Fox Theatre in St. Louis April 30, 2015

DJ Promote opened the recent joyful three hour show before a mixed crowd of 3,000 mostly young fans at the Fabulous Fox Theatre, one of the final stops of the Anomaly tour.

We were seated in the second row of the balcony. As the crowd started moving at the beginning of DJ Promote’s set, so did the balcony – a lot! We had never felt anything like that before. Think of going through some turbulence on a flight, except you are sitting in the balcony of a theatre. The person sitting next to Tammy said it always happens. Later, in discussing this with an usher, we were told that the building was built that way to withstand an earthquake. They said we should have been there for the Lady Gaga concert when it was really shaking!

After a short set from DJ Promote, Andy Mineo came on to play an excellent high energy set, featuring songs from his Neverland EP and full-length album Heroes for Sale. Featured were such songs as “Neverland”, “The Saints”, “Bitter”, “Wild Things”, “Uno Uno Seis” (Spanish for 116), “Paisano’s Wylin”, “Rewind”, and “You Can’t Stop Me”.

Lecrae’s set contained mostly songs from his latest and chart-topping Anomaly album, beginning with “Welcome to America”. He effectively used video and song to tell the story of his life, as he was accompanied by a background singer, DJ Promote and a drummer. Other songs performed from the new album included “Outsiders”, “Fear”, “Wish”, “Dirty Water”, “Nuthin”, “All I Need is You”, “Good, Bad, Ugly” and “Give In”. This was more than just a concert, as Lecrae didn’t avoid the hard issues, including driving his girlfriend to an abortion clinic. He also played “I’m Turnt” and “Tell the World”. Andy Mineo joined Lecrae for a rousing “Say I Won’t” closer.

Along the way we had a marriage proposal by Lecrae’s former road manager (she said “yes”)! DJ Promote then led the crowd through some celebratory music.

Throughout the concert Lecrae talked about how much he loved St. Louis and how he felt that the city had adopted him. He thanked those from the St. Louis rap community who had helped him (including Thi’sl, J.R. and Flame), and then called on Thi’sl to join him for a powerful great version of “Fakin” from Gravity.

Lecrae is the real-deal. There is no artist I like or respect more. This was the second time we had seen him in concert, the first being a much shorter set at an outdoor festival. He and his fellow Reach Records artists are making a difference in an otherwise mostly dark genre by consistently producing high quality music.

Tomorrow We Live – KB
****
Lecrae’s Reach Records continues its run of strong releases with KB’s (Kevin Burgess) second full-length album, and the follow-up to his 2014’s EP 100. The album was recorded in various location (Tampa, Atlanta, South Africa). It features strong production, powerful lyrics which ultimately offer a message of hope, and varied styles.

In interviews KB has said that he drew inspiration for the album from a trip to South Africa and that the album is a story that goes through the emotions of the day. Below are a few brief comments about each of the songs:

Rich Forever – features piano and acoustic guitar, this is a smooth jazzy/R&B song with an infectious beat. KB tells of growing up poor and that we will have riches in Heaven, which are better than riches in this world.

Sideways (featuring Lecrae) – this features a great beat as label owner Lecrae joins him on this excellent track, which looks at the way Christians are often seen by the world. My favorite track on the album.

They don’t know what to do with us
Degree in theology raps for a livin’
Black man in first class that is reading the scriptures
I put my tray table up
Smile why they lookin’ sideways?

And lately I’ve been hangin’ in the hood
Everybody lookin’ like what
You for the people, you pushin’ back evil
Not just in the steeple, you out in the woods
Where the lions and the wolves at?

I Believe (featuring Mattie of For Today) – features a chanting crowd screaming “I believe we will win.” KB addresses subjects from breast cancer and racism to the hope of Heaven. Features a joyful African chorus with drums.

9 AM – a short interlude with wife and baby and a reference to Lecrae’s “Dirty Water” from Anomaly.

Fall in Love with You – features a ukulele and some muted brass. The song is written to his son. It has a pop sound that demonstrates his versatility. It’s similar in theme to Trip Lee’s song about his children “Beautiful Life 2” from Rise.

Always & Forever – soul and funk with a 70’s/80’s sound. Upbeat and joyful, featuring female vocals. A love songs written to his wife. Could be a commercial success such as Lecrae’s “All I Need is You”.

I don’t know what tomorrow holds, but I know Who holds tomorrow.

Ima Just Do It (featuring Bubba Watson) – featuring two-time Masters golf tournament champion and one of my favorite golfers Bubba Watson. Has a great beat which will sound good live.

Bubba Wats on the mic now.
Can a golfer spit a rhyme?
Not a gangsta rapper, but my caddie got a knife.
KB need a verse,
Told him ain’t nothin’ to it.
Everybody ask me why, I just look ’em in the eye and say
I’m a just do it
Country boy from the panhandle
No golf lessons, just God’s blessin’s
Ain’t nothin’ He can’t handle,
Left-handed, funny swing,
Driver’s pink, ain’t nothin’ to me.
Got two Masters, a double major
But just one Master, our Savior.

Cruising – a short smooth track in which KB raps about Tampa, shrimp, garlic sauce, riding his bike and breaking bones in an accident.

Calling You – KB tells the heartbreaking story about an Iraq War veteran’s attempted suicide. Features some female vocals.

Save Me – short song that serves to bridge us from “Calling You” to “Drowning”.

Drowning – a laid-back beat with autobiographical content from KB.

Pull me up now before I drown
Save me before I drown.

Lights Go Out (featuring Bianca and Justin Ebach) – Could be another song about his wife. Features vocals from solo artist Bianca and composer/producer Justin Ebach. Has an excellent hook that sounds familiar.

When the lights go out it’s going to be me and you.

Crowns & Thorns (Oceans) – samples the popular worship song “Oceans (Where Feet May Fail)” by Hillsong United. The song mixes hip-hop beats with violins and keyboard, and verses of despair and upbeat chorus:

My idols are mimickin’ Jesus
I bury my sin in 3 days, its back up again

Spirit lead me where my trust is without borders
Let me walk upon the waters
Wherever you would call me
Take me deeper than my feet could ever wander
And my faith will be made stronger
In the presence of my Savior

Find Your Way – a bonus track. KB tells women to look at their value in Christ, not in their looks or in the eyes of men. Features some effective drums.

This is a very strong release in which KB shows his flexibility, not only as a hip-hop artists but also incorporating funk and pop influences.

Live from the Woods – NEEDTOBREATHE
****

This high energy live album, featuring seventeen songs, was recorded on the band’s Rivers in the Wasteland tour at the Woods at Fontanel Amphitheatre in Nashville on September 13, 2014. NEEDTOBREATHE has become one of my favorite bands over the past few years, and is a band that I really hope to see in concert soon as this recording demonstrates that they are an excellent live band, bringing new energy to their excellent studio recordings.

The album features the South Carolina band playing extended versions of some of their best songs from four of their five full-length studio albums (no songs from their 2006 debut Daylight are included), with the strong lead vocals of Bear Rinehart. Thirteen of the seventeen songs are from the band’s last two albums, 2014’s chart-topping Rivers in the Wasteland and 2011’s The Reckoning. The only exceptions are “Something Beautiful”, “Girl from Tennessee”, “Washed in the Water” and “The Outsiders”. Nine of the eleven songs from Rivers in the Wasteland are included here. Seven songs were released in advance for those who pre-ordered the set, so I’ve been enjoying those songs for the past few weeks.

Highly recommended for NEEDTOBREATHE fans, and a good introduction for those not familiar with the band.

Postcards from Paradise – Ringo Starr
***

From the time I was eight years old I’ve loved the Beatles’ music, both as a band, and as solo artists. Ringo was the Beatles drummer from 1962 to 1970. This is his eighteenth solo studio album, along with several live albums and compilations. Last year I finally got to see Ringo and His All Starr Band in concert. It was a great evening as Ringo and the band really seemed to enjoy each other and performing for their fans.

This album features eleven new songs, and arrives just a few months before Ringo turns 75 years old on July 7. Ringo will be inducted into the Rock and Roll Hall of Fame on April 18, appropriately by Paul McCartney, the only other surviving Beatle.

The album was produced by Ringo, engineered by longtime collaborator Bruce Sugar, and recorded at his home studio in Los Angeles. As on his previous albums, he is joined by a number of guest stars, such as Joe Walsh, Benmont Tench, Dave Stewart, Richard Marx, Peter Frampton, Nathan East and Glen Ballard. The album features the first song that Ringo has written and recorded with the members of his All Starr Band “Islands in the Sun” – Steve Lukather, Todd Rundgren, Gregg Rolie, Richard Page, Warren Ham and Gregg Bissonette, who plays percussion, trumpet and steel drums on the song.

Below are a few comments about each song:

“Rory and the Hurricanes” – another of Ringo’s songs about the past, which I particularly enjoy. Those songs actually date way back to “Early 1970”, the b-side of an early single. This song, co-written with Dave Stewart, pays tribute to the band Ringo was in prior to joining the Beatles in 1962 when he replaced Pete Best on drums. It is a rocker featuring a pounding piano and doo-wop girl-group backing vocals. The song begins in Liverpool and takes in an early visit to Soho’s Denmark Street with the band he refers to as “you know who”.

We were sleeping on the floor living on bread and jam
Because we thought we’d hit the big time
We didn’t give a d***
We were Rory and the Hurricanes

“You Bring the Party Down” – co-written with Toto’s Steve Lukather. In this song, which includes a sitar, Ringo goes back and forth between a reggae-like feel and a driving rock beat. This has an uncharacteristically dark streak to it. It makes you wonder who he is singing about.

Still living off your memories of when you were in the band
When you’re around you bring the party down

“Bridges” – features brother-in-law Joe Walsh on a guitar solo.
Down every road we come to bridges.
Crossing bridges is the best way to grow.

“Postcards from Paradise” – co-written with Todd Rundgren, this song creatively uses Beatle and solo song titles in the song lyrics with a George Harrison sound-alike guitar solo thrown in for good measure. Ringo also plays keyboards on this song. Here’s an example, with the song title in italics:

It’s all too much my little child.
If you would be my honey pie
Eight days a week you will be mine
And getting better all the time

“Right Side of the Road” – is a positive, upbeat, feel-good song. Features guitar work from Ringo and Peter Frampton. Ringo encourages the listener to choose another direction and “try it on the right side on the right side of the road. “

“Not Looking Back” – a loving tribute to Barbara, his wife of nearly 34 years. Features violin work from Ann Marie Simpson.

“Bamboula” – co-written with Van Dyke Parks. Ringo has said that they were trying to create the impression of a marching band, so he played every drum that he had in the studio, including three huge, hundred-year-old drums that Joe Walsh sent him from Africa. The title comes from the bamboula, a drum that Africans were playing 200 years ago. Ringo plays a syncopated New Orleans–inspired snare/tom rhythm, and the song includes some horns and background vocals.

“Island in the Sun” – the first song written by the entire All-Starr Band. Features some good sax work and background vocals with a Caribbean groove.

Don’t worry about the future
Don’t forget about the past
Don’t really matter where I’ve been or what I’ve done
I keep searching for the island in the sun

“Touch and Go” – the closest to an early Beatles sound on the album. Ringo wrote the song with his longtime collaborator Gary Burr. The song is an upbeat song with an effective guitar solo, in which Ringo sings about new love:

I knew from the moment we said hello
It had to be more than touch and go.

“Confirmation” – features guitar work by Steve Dudas, who has been contributing to Ringo’s albums for several years. It’s a positive song that features a laid-back Motown groove, with an effective use of horns and background vocals. This could be another song about wife Barbara.

If I knew then what I know now
I do it all again with you anyhow

“Let Love Lead” – features Frampton and Gary Nicolson on guitars. Was reportedly considered as the title song for album. A strong closing song with the simple positive message of “let love lead”.

Ringo’s effective drumming is mixed prominently throughout this release and his vocals sound as good as ever. Several of these songs will sound good live. I thoroughly enjoyed this album.

Duets: Reworking the Catalogue – Van Morrison
****

I was first attracted to the now 69 year-old Van Morrison’s music when I heard his song “Whenever God Shines His Light” with Cliff Richard on Christian radio in 1989. That song, as well as “When Will I Learn to Live in God”? were included on Morrison’s excellent album Avalon Sunset. Although his later albums haven’t had the same spiritual flavor, I’ve enjoyed each of his albums since, and have seen him perform in one of his rare U.S. concerts.

In general, I’m not a fan of duet albums, live albums or “Greatest Hits” albums, instead preferring all new music from the artists I like. As a result, I wasn’t overly excited when I first heard about this new album. But it is a very good album which reminds me of John Fogerty’s 2013 I Wrote a Song for Everyone in concept, though Fogerty tended to focus on his most popular songs, while Morrison’s album focuses on some of his lesser known songs.

The 16 song album got its start when Morrison, the late Bobby Womack (whose appearance on “Some Peace of Mind” is one of his final studio recordings), Mavis Staples and Natalie Cole played the BluesFest at the Royal Albert Hall in London in 2013. Morrison recorded songs with each of them, and completed songs with the other guests over the next year. The album is produced by Morrison, Don Was and Bob Rock. In some cases Morrison had songs in mind for the guest artists and in other cases, such as Michael Buble with “Real, Real Gone”, the album’s first single, the artist had a particular song they wanted to record from the 360 songs in his catalog.

The songs date from 1970’s “If I Ever Needed Someone” with Mavis Staples to 2012’s Born to Sing” with Chris Farlowe. Most of the songs come from Morrison’s 1980’s and 1990’s albums. He has said that the project was about both the fun of singing with artists he admires and also going back to songs that aren’t so well known.

Other artists who joined Morrison for the project include Stevie Winwood, Mark Knopfler, Georgie Fame, Morrison’s daughter Shana Morrison, Simply Red’s Mick Hucknall, Taj Mahal, Clare Teal, PJ Proby (who joins Morrison for “Whatever Happened to PJ Proby”), Gregory Porter, George Benson (who Morrison recorded “Higher Than the World” live with Bensons’ band) and Joss Stone. Some of the artists I was very familiar with and a few I had not heard of before this album.

The album features the superb vocals of Morrison and his hand-picked guests, is well produced and the musicianship stellar. Since this album has come out I’ve been going back to listen to a lot of Morrison’s earlier music. I hope the new album results in others doing the same.

Saints and Sinners – Matt Maher (Deluxe Edition)
****
I was only vaguely familiar with Maher before seeing him open for Toby Mac last December. It was at that concert that I first heard “Because He Lives (Amen)”, which has been one of my favorite songs since that time. The original studio version of the song, as well as an unplugged version, appear on this new album.

It was years after I first enjoyed Chris Tomlin’s versions of “Your Grace is Enough” and “Lord, I Need You” that I found out that they had been written by Maher, who is a Roman Catholic, a rarity in contemporary Christian music. I much enjoyed last year’s All the People Said Amen, a live album of some of his most popular songs live with a few new ones mixed in.

The album title comes from an Oscar Wilde quote: “Every saint has a past, and every sinner has a future”. This is somewhat of a concept album. I picked up the phrase “saints and sinners” in the lyrics of a few of the songs. Many of the songs were inspired by saints and sinners such as Dr. Martin Luther King Jr., Archbishop Oscar Romero, St. Therese of Lisieux, Bill Gaither, Mother Theresa, Maher’s grandmother and St. Francis. The album was produced by Paul Moak.

The deluxe edition of this new album includes nineteen songs. Here are a few comments or lyrics about each of them:

“The Field of Stars” – a less than a minute opener which features the album’s title in the lyrics.

“Future Not My Own” – features a heavy drum and bass sound. It was inspired by martyr Archbishop Oscar Romero.

This is a great unknown
Love is a long and narrow road
Come chase this heart of stone
I need a future not my own

“Deliverer” – co-written with Bo and Bear Rinehart of NEEDTOBREATHE. An upbeat song with interesting vocal inflections from Maher.

My God, from the flood and from the fire
You brought me out, I am alive
With a faith, just like a child
I’m not afraid, I’m running wild
For everything that will be done
I am yours and you are my
Deliverer

“Glory Bound” – an upbeat modern country hand-clapper that is sure to be a favorite in concert.

Well I don’t know which way you’re going
And I don’t know if you’re lost or found
All that I know is you’ve been forgiven
I tell you this train is glory bound

So come on make some room in your heart for mercy
Come on make some room for a little grace
Come on make some room for the sinners and the saints

“Land of My Father” – upbeat and joyous. Another one that will be a good one to sing along with in concert, especially the chorus:

Holy, Holy, Lord God Almighty
We sing Holy, Holy, my eyes have seen the glory
Of the great God Almighty

“Everything is Grace” – drums are dominant on this song. Maher pours out his grateful heart to the Lord on this song which features the words of St. Therese of Lisieux.

Whatever comes my way
I will walk through the flames
You’re turning my fear to faith
My doubt to praise
And everything is grace

“The Invocation” – a short prayer featuring piano and strings. Mentions “sons and daughters”, which is the title of the next song.

“Sons and Daughters” – portions of speeches from Dr. Martin Luther King Jr. are featured on this song which Maher wrote with Jason Ingram and Ike Ndolo, the latter of which lived in Missouri during the Civil Rights movement.

All my brothers help each other
All my sisters walk together
No one is a stranger
We’re all sons and daughters

“Firelight” – this has a bit of a bluegrass feel, featuring excellent drums. It was inspired by words from Mother Teresa to be lights in the darkness.

If anyone remembers my name
If I’m ever known for anything
Let it be I ran into the night
Running with a firelight, firelight

“Instrument” – co-written with Jon Foreman of Switchfoot. I enjoyed the piano and strings. It begins as an intimate song; the drum beat kicks and leads to a powerful prayerful chorus and then back to an intimate ending.

To the Father and the Son
And the Holy Spirit, three in One
I offer you myself, though I’m broken and spent
Let me be Your instrument
Let me be Your instrument

“Abide with Me” – one of our pastors is leading a study on abiding, so this song is timely for me especially as we prepare to celebrate the resurrection of our Lord. It’s a beautiful piano driven prayerful song.

Abide with me, abide with me
Don’t let me fall, and don’t let go
Walk with me and never leave
Ever close, God abide with me

“The Waiting” – a short piano driven meditation. Maher again mentions sinners and the saints in the lyrics.

Because He Lives (Amen) – the first single. One of my favorite songs of the past few months, it is inspired by Bill Gaither’s classic song “Because He Lives”.

Amen, Amen
I’m alive, I’m alive
Because He lives
Amen, Amen
Let my song join the one that never ends
Because He lives

“Rest” – an acoustic guitar driven song. It features background vocals from the Vespers and is based on Psalm 23. It was written during a time when Maher’s grandmother’s health was failing.

You restore my soul and You give me rest

“Borrowed Time” – an upbeat song featuring piano and drums about the urgency to start living because we are living on borrowed time. Another that will sound good in concert.

“Because of You” – a prayer to the Lord saying that everything we have is because of the Lord. Excellent drums and bass on this song.

If I shine it’s because of You
If I love it’s because of You
If I’m strong it’s because of You
It’s all because of You

“Garden” – recorded live. Starts with just an acoustic guitar and then builds; it showcases Maher’s piano playing.

And You walk with me
You never leave
You’re making my heart a garden

Because He Lives (Amen) – an unplugged version of a wonderful song featuring his excellent piano playing.

This is an excellent album, with excellent lyrics and diverse and creative musical arrangements. It will be one of my top albums for 2015.

Even So Come – Passion (Deluxe Edition)
****
Each spring I look forward to the release of the latest Passion Conference album. This year’s album Even So Come, featuring twelve songs, was recorded live at three separate Passion gatherings in front of more than 30,000 college students (Passion’s focus is students ages 18-25), at Phillips Arena in Atlanta and the Toyota Center in Houston. The album features the usual Passion gang – Chris Tomlin, Matt Redman, Crowder, Kristian Stanfill, Brett Younker and new entry Melodie Malone. Tomlin and Stanfill each get four songs and Crowder three. The music tends to be a combination of worship ballads and high energy worship songs which are easy to get stuck in your brain after just a few listens. There are a number of excellent songs and performances on this year’s album.
I purchased the Deluxe Edition of the album which includes four songs recorded at a late night acoustic session. It features three well known worship songs: Tomlin’s “We Fall Down”, Redman’s “The Heart of Worship” and Crowder’s “How He Loves”, along with Stanfill’s cover of the hymn “It is Well”. The Deluxe edition also includes videos of the Redman and Crowder songs. Unlike past Passion albums, this year’s does not feature one of Louie Giglio’s sermons, which was fine with me.

Here are a few thoughts on the twelve songs on the standard edition:
“Even So Come” – Chris Tomlin. One of my favorite songs on the album. This reminded me of Tomlin’s excellent “At the Cross (Love Ran Red)” from last year’s Passion album Take it All. The song went a bit long, but an upcoming studio version may tighten it up a bit.

Like a bride,
Waiting for her groom,
We’ll be a church,
Ready for You,
Every heart longing for our King,
We sing…
Even so come,
Lord Jesus come

“Shout Hosanna” – Kristian Stanfill. This song has a big sing-along chorus and pounding drums.

The same power that rolled the stone away
The same power alive in us today
King Jesus we call upon your name
No other name

“Forever” – Melodie Malone. Passion newcomer covers the Kari Jobe song. Malone’s powerful vocals on this songs makes it one of the highlights of the album.

“Lift Your Head Weary Sinner” – Crowder. A live version of a song from his excellent Neon Steeple album.

“Draw Near” – Kristian Stanfill. This is one of those worship songs in which lines are sung over and over (and over and over). At eight minutes in length it’s probably my least favorite song on the album.

“The Saving One” – Chris Tomlin. Another wonderful song from Tomlin that will be great to sing in worship services.

Your love is amazing
Grace never fails me
You are the saving one
You reach from the heavens
Hope of the nations
You are the saving one

“The Awesome God You Are” – Matt Redman. I can’t get enough of Matt Redman’s music. The only disappointment is that this is the only new song of his that is included on the album.

God, let hope arise and faith
Become the fortress of my heart
I will lift my eyes and see You as
The awesome God You are

“My Anchor” – Christy Nockels. The only song on the album from Nockels. This song will be included on Let it Be Jesus, her upcoming live album recorded at the Passion City Church in Atlanta.

“Wonder” – Crowder. I love Crowder’s music and enjoyed this new song, the chorus of which is a reworking of my favorite hymn. This is another of my favorite songs on the album.

Oh Lord my God
When in awesome wonder
Sing my soul
Your song again
Oh Lord my God
When I’m lost in wonder
Sing my soul
How Great Thou Art

“The Way” – Brett Younker. He follows up “Burning in My Soul” from the Passion: Let the Future Begin album with this high energy song.

“You Found Me” – Kristian Stanfill. This song was written by Matt Maher, Jason Ingram, Brett Younker and Stanfill. It’s another high energy sing-along song.

“The Cross of Christ” – Chris Tomlin. The album closes with the most upbeat of Tomlin’s three new songs. It’s a wonderful song that is probably already being sung at contemporary worship services.

It is the cross my only plea
The blood He shed delivers me
Our Savior’s arms are open wide
A love so great
The cross of Christ

Lead Us Back: Songs of Worship – Third Day
****

This is Third Day’s fourth Offerings album, comprised of three worship music albums and Christmas Offerings, released in 2006. While the previous Offerings albums were a mixture of live tracks, new songs and covers, the standard release contains all new worship music written specifically for this album (the Deluxe edition contains at least one cover).

One of my favorite songs of the year – “Soul on Fire” featuring All Sons and Daughters – is the first single. Third Day is an excellent live band that we have seen in concert a few times. I purchased the Deluxe edition of Lead Us Back, which features three additional new songs and eight songs, including “Soul on Fire” recorded in concert, for a total of 22 songs, well worth the extra few dollars.

Any discussion of a Third Day album starts with the powerful voice of lead singer Mac Powell, and his voice is in top shape on this release. The album also features excellent backing vocals from guest artists including not only All Sons and Daughters, but also Michael Tait (formerly of DC Talk and now the lead singer of the Newsboys), Michael W. Smith, Natalie Grant, David Crowder, Sarah MacIntosh, Daniel Bashta and others.

Here are a few comments about and lyrics from each of the new songs:
Spirit – a song that could be used as a call to worship in church, with Powell and background singers pleading for the leading of the Holy Spirit.

Oh, Lord, fill us with Your Spirit
Guide us by Your presence
How we need You, God

Soul on Fire – the first single, co-written with Matt Maher, is an upbeat catchy song that you’ll have stuck in your mind, featuring the vocals of All Sons and Daughters. The song had its origins with South African worship leader/songwriter Brenton Brown who allowed the band to change the arrangement and add a verse. The band performed a great version of the song live on Fox and Friends on March 7.

God, I’m running for Your heart
I’m running for Your heart
Till I am a soul on fire
Lord, I’m longing for Your ways
I’m waiting for the day
When I am a soul on fire
Till I am a soul on fire

Your Words – a song about God’s Word that features female worship artist Harvest Parker and begins with a hammered dulcimer.

Let me hear Your words
Above all other voices
Above all the distractions in this world

Your words give us life that’s never ending
Your words bring us love that never fails
Everything else will fade away
But what will remain
Are Your words

Our Deliverer – one of the songs that was released early if you pre-ordered the album. The song looks forward to the second coming of Christ.

Our Deliverer is coming
With salvation in His wings
Our Deliverer is coming
Here to set His people free
Our Deliverer is coming
Coming back for you and me
Our Deliverer is coming

He is Alive – this would be an excellent song for churches to sing this Easter:

He is alive
Death is defeated
Sin has retreated
From the power of the Son
And He is alive
The enemy is faded
The battle still rages
But the war has been won

In Jesus’ Name – features vocals from Michael W. Smith, Natalie Grant and Michael Tait.

Name above all names
Savior and our Lord
Every knee will bow
And every tongue confess
No other name is given
By which we can be saved
Let us find our life and love
In Jesus name

Lead Us Back – a short song that contains the following lyrics:

Lead us back where we belong
Call us as Your very own
Lead us back
Safe into to Your arms

Maker – an easy-going acoustic song about the creator of all things.

Maker, there is none like You
Savior, no one else will do
Lord, there is no other God
Lord, there is no other God
Maker, there is none like You

Victorious – another of the songs that was released early if you pre-ordered the album. A piano driven song that will sound great in worship services.

Victorious, You reign victorious
Over sin, over death, over all, over us
Victorious, You reign victorious
In Your mighty name we trust
Let all proclaim You reign victorious
You reign victorious

I Know You Can – a song about trusting completing in our sovereign God that has a modern country sound to it.

Give me the words to say
Bring me the strength to stand
Take all the doubt away
Jesus, I know You can
For if I’m to follow You
It’s only by Your hand
Help me to make it through
Jesus, I know You can

Father of Lights – this song has very much a Crowder feel to it.

Father of truth, Father of grace
Be with us now fill this place

The One I Love – available only on the Deluxe edition. An acoustic guitar driven song.

Oh, you of little faith
Oh, how quickly and how often you have forgotten
Oh, you of little faith
Aren’t you tired of all the wars and battles you have fought in
And when all your world is gone
And you cannot sing your song
I will help you carry on
The one I love

Praise the Invisible – a cover of the Daniel Bashta song available only on the Deluxe edition.

Praise the Invisible, praise the Immortal One
Praise God Incarnate, praise Father, Spirit, Son
For He is God, for He is holy
For He holds the keys to the grave
And forever He will reign

Arise – the closing song is available only on the Deluxe edition.

Arise O God, lift up Your hand
Bring freedom and forgiveness
Arise O God, Help us to stand
For mercy and for justice

I’m a long-time Third Day fan. I look forward to hearing these songs on the radio and hopefully in concert.

Glory to the Holy One: Sacred Music for the People of God – Jeff Lippencott and R.C. Sproul
****

This is an exciting new sacred hymns project for the church from theologian R.C. Sproul and award-winning composer Jeff Lippencott (to find out more about Jeff to go to http://www.scphilharmonic.org/aboutjeff.html).

The music was premiered at Saint Andrews Chapel in Sanford, Florida, where Dr. Sproul serves as Co-Pastor, the night before the 2015 Ligonier National Conference. In addition, four songs were performed in a mini-concert on Friday evening at the conference.

For the most part, Dr. Sproul wrote the lyrics to the hymns and Jeff Lippencott wrote the music. Lippencott also arranged, orchestrated and conducted the music, as well as producing the album (and did not take any compensation for his work; when hearing him speak about it, it was clear that it was a labor of love). Dr. Sproul writes in the liner notes: “I have poured a lifetime of biblical study and reflection into this theologically rich music in order to encourage and equip the church”. The project was recorded during 2014 in Washington, Arizona, Saint Andrews Chapel, Canterbury, U.K. and the famous Abbey Road Studios in London. Below are a few comments about the project:

1517 is a spoken word piece by Dr. Sproul about Martin Luther and the Protestant Reformation. He ends with:

“In every generation the gospel must be published anew with the same boldness, and the same clarity, and the same urgency that came forth in the 16^th century Reformation. The church has always done this in both the spoken word and in song – producing hymns that tell us of the great salvation that has been wrought by God alone through Christ alone. These hymns that you hear today are sacred music for the church giving glory to the Holy One”.

Glory to the Holy One
“Holy, Holy, Holy”
Cried the seraph throng
Glory to the Holy One
Join in heaven’s song

Heavy is Our Savior’s Cross is a somber hymn about the beating and crucifixion of Christ.
Heavy is our Savior’s cross
Weighed down by human sin
His blood so pure, no earthly dross
Is borne by only Him

Highland Hymn. In one of the Ligonier National Conference “Question and Answer” sessions, R.C. Sproul Jr. became emotional about this song, saying as he listened to it he envisioned being united with his wife and daughter in Heaven. This song features musicians on Uilleann Pipes and Hammered Dulcimer that played on the scores for The Hobbit and The Lord of the Rings films.
Above the mists of Highland hills
E’en far above the clear blue skies
The end of pain and earthly ills
When we shall see His eyes
Lutes will sing
Pipers play
When we see Him face to face
On that day

Watch this behind-the-scenes glimpse into the making of “Highland Hymn”.

Viam Dei is an instrumental by Jeff Lippencott. Here’s how he explains the song:
“Viam Dei – a Latin title meaning “Way of God” – is a work that tries to express musically the struggles, the push and pull, the pain and peace that the Christian encounters on the road on which God has placed each of his beloved – the path toward sanctification”.

No More the Grave. This is a wonderful hymn that we sang at the conference and I’d like to sing at my church:
No more the grave can yield its sting
No more is death our foe
Our souls can now with gladness sing
Now gone all curse and woe He once was dead but now He lives
A groom now fit to wed
The Alpha and Omega reigns
Beginning to the end

Clothed in Righteousness. This is a hymn that we have sung at the past few National Conferences and at Saint Andrews Chapel:
Clothe us in Your righteousness
Hide filthy rags of sin
Dress us in Your Perfect garb
Both outside and within
No work of ours is good enough
For evil to atone
Your merit, Lord, is all we have
It saves, and it alone

These Great Things
What shall we say to these great things?
Of mystery sublime
That if He is for us we can sing
Now and for all time

Worthy is the Lamb – taken from the book of Revelation:
Ten thousand times, ten thousand more
The host of heaven cried
All blessing, honor, glory, and pow’r
To Christ, the Lamb that died

At the end of the album is a bonus conversation with Dr. Sproul and Jeff Lippencott talking about the project. Also included is a hymn Jeff wrote, “This Hymn, My Simple Gift”, which was inspired by the project.

The album is available on iTunes, Amazon.com and Ligonier.org. Read more about the new project here http://www.ligonier.org/blog/glory-holy-one-announcing-rc-sprouls-new-sacred-hymns-project/

Shadows in the Night – Bob Dylan
****

Shadows in the Night is the 73 year-old Bob Dylan’s follow-up to 2012’s excellent Tempest. Dylan produced the album under the Jack Frost pseudonym. The album consists of 10 songs that were recorded by Frank Sinatra in the 40’s, 50’s and 60’s. Most of the songs are slow romantic/sentimental standards. They are tales of love, loss and sorrow. The album’s title is most likely a play on Sinatra’s song “Strangers in the Night.”

Dylan first let on about his intentions about this album when he released “Blue Moon and Empty Arms” on his website last May. He used “Stay with Me” as the encore on his recent tour. That song was released a few weeks ago, in advance of the full album release.

Dylan has done cover albums in the past. The much maligned Self Portrait (1970) Good as I Been to You (1992) and World Gone Wrong (1993). Listening to the album may remind you of Willie Nelson’s classic Stardust.

Although it may seem shocking that Dylan would cover these songs, in reality they are not much different than some of his more recent songs such as “Spirit on the Water” or “Beyond the Horizon” from Modern Times. In addition, Dylan’s Theme Time Radio Hour radio show demonstrated his affection for the music of the 30’s and 40’s. You can listen to some of those programs here: www.themetimeradio.com

Dylan did only one interview for the new record and that was with the AARP Magazine (insert jokes here). In that interview he stated: “I don’t see myself as covering these songs in any way. They’ve been covered enough. Buried, as a matter of fact. What me and my band are basically doing is uncovering them. Lifting them out of the grave and bringing them into the light of day”.

You can read the entire interview here: http://www.aarp.org/entertainment/style-trends/info-2015/bob-dylan-aarp-magazine.html

The album was recorded in Capitol Records Studio B in Los Angeles where Sinatra did his classic work for that label. Instead of the orchestra/strings that usually accompany these songs, Dylan used his excellent five piece touring band to give the songs a 1950’s small combo feel. The band is comprised of:

Tony Garnier – Acoustic/bowed bass

Stu Kimball – rhythm guitar

Charlie Sexton – lead guitar

Donny Herron – pedal steel and lap steel guitar (Nashville and Hawaii)

George Receli – Drums, percussion

The songs were recorded live (and appear on the record in the order they were recorded), with no overdubs (with the exception of some light horns on a few of the songs), no vocal booth or headphones for Dylan. Most of the songs were completed in one or two takes. The album is best listened to when you can really focus on the singing and music. I enjoy it most (as does my wife) when I listen to it with headphones.

It is a very intimate record, with sparse arrangements and the focus on Dylan’s voice, which David Bowie once described as “sand and glue”. On this recording Dylan’s voice is delicate, tender and precise, and sounds better than it has in many years.

Rolling Stone critic David Fricke writes: “The great shock here, then, is Dylan’s singing. Dylan’s focus and his diction, after years of drowning in sandpaper, evoke his late-Sixties poise and clarity on John Wesley Harding and Nashville Skyline – also records of deceptive restraint and retrospect – with an eccentric rhythmic patience in the way he holds words and notes across the faint suggestions of tempo.”

Below are comments about a few of the songs:

“Stay with Me” – Was a 1964 single and written for a 1963 film, The Cardinal, about a young priest who ascends to a post in the Vatican. Dylan’s version sounds like a heartfelt prayer.
“I’m a Fool to Want You” – a rare co-write for Sinatra
“Some Enchanted Evening” is from Broadway musical South Pacific
“Autumn Leaves” is a French song from 1945
“What’ll I Do” – was recorded twice by Sinatra
“That Lucky Old Sun” was occasionally on Dylan’s set lists of the early 1990’s, and was a hit for Louis Armstrong. It’s the closer and my favorite song on the album.

Dylan is unpredictable and never ceases to surprise. This album is a stunning triumph, but certainly won’t appeal to everyone, though as I write this three days after its release, the album is number one on Amazon’s pop and rock charts.

The Basement Tapes Raw: The Bootleg Series Vol. 11 – Bob Dylan and the Band
****

I’m pretty sure that the first Bob Dylan album I bought new was his classic 1975 release Blood on the Tracks. I remember having the album poster on my wall in the basement bedroom my Dad built for me at home while I was attending college. I probably started listening to Dylan’s music because I regularly read Rolling Stone magazine during those days. I’ve purchased every new album he’s released since then (including preordering his upcoming February 3 release Shadows in the Night), as well as many of the numerous compilations that have been released through the years.

Shortly after I began listening to Dylan, The Basement Tapes, a 24 song album that included 16 Dylan songs and eight new songs by the Band was released in 1975. The songs were from sessions that Dylan, and his touring band the Hawks, the group that would later become the Band, had in the basement of “Big Pink” in upstate New York in the summer of 1967 as Dylan was recovering from a serious motorcycle accident in which he suffered several broken vertebrae. Those sessions yielded rough recordings of well over 100 original songs and covers, several of which would later become hits for the Band, the Byrds, Manfred Mann and Peter, Paul and Mary.

The Dylan songs on the 1975 release included overdubs, much to the chagrin of Dylan purists. On the new Basement Tapes collection (available as a massive six disc, 138 song Complete box set (presented in chronological order of when they were recorded), or the two disc, 38 song Raw version which I chose), the performances are presented as close as possible to the way they were originally recorded and sounded back in the summer of 1967. Garth Hudson, a member of The Band, worked with music archivist and producer Jan Haust to restore the deteriorating tapes and release many of these songs digitally for the first time.

This release is Volume 11 in Dylan’s Bootleg Series. The Raw album contains a number of the same songs that were included on the 1975 release, but those are restored to their stripped down roots. Some of my favorites on the collection include “Sign on the Cross”, “Open the Door Homer”, “Odds and Ends”, Million Dollar Bash”, “Tears of Rage”, “Quinn the Eskimo”, “Please Mrs. Henry”, “I Shall Be Released”, “You Ain’t Going Nowhere”, “Lo and Behold”, “Apple Suckling Tree”, “This Wheel’s on Fire”, a fun version of Johnny Cash’s “Folsom Prison Blues” and a bluesy version of “Blowing in the Wind”. I thoroughly enjoyed this new Basement Tapes collection. It is one that all Dylan fans will enjoy.

The Art of McCartney – Various Artists
** ½

I’m not usually a fan of tribute albums or those that feature multiple artists. I have generally found such albums to be inconsistent – some good songs, some not so good. And even though Paul McCartney is probably my favorite solo artist, and I’ve seen him and his excellent backing bands in concert eleven times since 1989, I wasn’t really all that excited when I heard about this album.

The project (34 songs on the standard edition and 42 in the Deluxe), was eleven years in the making and was blessed by Sir Paul himself. The album is produced by Ralph Sall, a longtime fan of McCartney. He worked with McCartney’s own touring band – Guitarists Brian Ray and Rusty Anderson, keyboardist Paul Wickens and drummer Abe Laboriel Jr. – to record backing tracks for most of the songs based on McCartney’s live arrangements at the Abbey Road studios. So far, so good. But, what we end up with is that many of the artists seem to try to create a note for note replication of McCartney’s original, though there are some notable exceptions.

The subtitle of the album sets high expectations – The Songs of Paul McCartney Sung by the World’s Greatest Artists. I’ll admit that the album includes an impressive list of artists – Bob Dylan, Brian Wilson (Beach Boys), Roger Daltry (the Who), Billy Joel, Willie Nelson, Yusef (Cat Stevens), Heart, Steve Miller, the Cure, Kiss, Def Leppard, Jeff Lynn (Electric Light Orchestra), Barry Gibb (Bee Gees), Robin Zander and Rick Nielson (Cheap Trick), Dion and B.B. King among them. There are also some artists included that I wasn’t familiar with. If you try to figure out who is singing the song without looking at the liner notes you will probably struggle on most songs, as many are unrecognizable.

Billy Joel, Heart and Steve Miller each get two songs on this collection. My favorite tracks, influenced by the song and the artist involved, are:

“Things We Said Today” – Bob Dylan
“Wanderlust” – Brian Wilson
“Yesterday” – Willie Nelson
“Junk” – Jeff Lynne
“Junior’s Farm” – Steve Miller
“Let Me Roll It” – Paul Rodgers
“Drive My Car” – Dion

This won’t be an album that I’ll go back and listen to often. It was a nice tribute to McCartney’s fifty years of music, but it’s nothing that is particularly memorable.

All the People Said Amen – Matt Maher
****
I wasn’t very familiar with Matt Maher until seeing him in concert recently with Toby Mac. I’d heard a few of his songs on the radio (and they are included on this collection), but I got a new appreciation of him and his music when we saw him in concert.
Maher is one of very few Roman Catholics in the Contemporary Christian music industry that I’m aware of. The only other Catholic CCM artist that I’m aware of – Audrey Assad – actually appears on this record, singing backup on “Lord, I Need You”, a song she co-wrote with Maher.
This album, includes 13 songs, four new songs and nine of Maher’s most popular songs such as “Hold Us Together,” “Your Grace Is Enough,” “Christ Is Risen” and “Turn Around,” performed live during tour stops in 2012 at the University of Notre Dame campus and in Detroit, St. Louis, Indianapolis and Baltimore.
The album is produced by Paul Moak (Third Day, Mat Kearney) and Maher. “Burning In My Soul,” one of the new songs, made its debut at the Passion 2013 conference and on the live album Passion: Let the Future Begin, sung by Brett Younker. As a devoted Catholic, Maher’s music continues to cross theological boundaries, and “Burning In My Soul” focuses on the power found in laying aside denominational differences for the greater kingdom work of the Gospel.
Another of the new songs is “Lord, I Need You,” which Chris Tomlin covered on the 2011 Passion: Here for You album. I really love the lyrics of this song:

Lord, I come, I confess
Bowing here I find my rest
Without You I fall apart
You’re the One that guides my heart

Lord, I need You, oh, I need You
Every hour I need You
My one defense, my righteousness
Oh God, how I need You

Where sin runs deep, Your grace is more
Where grace is found, is where You are
And where You are, Lord, I am free
Holiness is Christ in me

Teach my song to rise to You
When temptation comes my way
And when I cannot stand I’ll fall on You
Jesus, you’re my hope and stay

I was also first introduced to Maher’s “Your Grace is Enough” through Tomlin’s cover of it on his breakout 2004 album Arriving. Maher also co-wrote Tomlin’s hit “I Will Rise”.

The title track has a country flavor with an infectious hook and singalong chorus. The other new song is “Mighty Fortress”. With Maher accompanied by just an acoustic guitar and strings, the song gives us a quiet and solemn reminder of God’s strength and might.

You are the rock of salvation
The only foundation
Lord of all
You are a hope never failing
A mighty fortress
Is our God

This was an excellent introduction to Maher for me – his best songs recorded live, along with a few new songs. His next album will be released in March. It is preceded by the excellent single “Because He Lives”.

Oh For Joy – David Crowder Band
****

I have to admit that I got on the David Crowder Band train late in the game. In fact, it was after the band had broken up that I picked up All This For A King: The Essential Collection their 2013 “best of” release. I had heard some of their songs on the Passion Conference albums, and Crowder’s Neon Steeple is one of my top albums for 2014. So I recently decided to go back and check out their 2011 eight song Christmas EP Oh For Joy. I’m glad that I did.

Much of this album was recorded at Passion 2011. The rest was recorded in arena locker rooms across the country. The David Crowder Band brings their unique sound to these well-known Christmas songs. Here are brief comments about each song.

“Joy to the World” – a relatively traditional take on this popular Christmas hymn. Crowder adds some new lyrics at the end of the song:

Oh for joy lift up your voice
For Сhrist has come the Сhrist has come
Let the whole world see the Lord
Christ has come the Сhrist has come
Christ has come

“The First Noel” – Crowder adds new lyrics at the end of this song:

And the angels sing it was heavenly
And the angels sing it was heavenly
And the angels sing oh it was heavenly
And the angels sing oh it was heavenly oh

Glory glory
Glory in the highest
Glory glory
Glory in the highest

“Go Tell It On The Mountain” – slower than the usual version. Crowder adds “It’s Christmas Day”.

“Angels We Have Heard on High” – this song has the bluegrass feel to it that you get on Neon Steeple. It features banjo, fiddle and a crowd hollering together. Crowder adds a few additional lyrics:

Glory on high
Glory on high
Sing glory on high

“O Come, O Come Emmanuel” – a relatively traditional version of this song and the last non-live track on the album.

“O Holy Night” – live version with the crowd singing along. I enjoyed the increasingly urgent drum beat as the song built to its conclusion. Crowder tacks on the chorus of Leonard Cohen’s “Hallelujah” at the end of the song. This is my favorite Christmas song, and it’s a good version of it.

“Silent Night” – live version with crowd singing. Guitar and very light percussion. Late in the song a banjo is added and the tempo picks up returning the bluegrass sound of “Angels We Have Heard on High”. Crowder adds a few new lyrics:

It started so quiet, so quiet
It started so quiet, so quiet
And what a night, oh, what a night
It started so quiet, so quiet
And then a light, oh and then a light

“Carol of the Bells” – After Crowder gives a short comment on the twelve days of Christmas, the band launches into a cover of the classic instrumental made popular by the Tran Siberian Orchestra.

I very much enjoyed this album and recommend it to you.

Concert Review: Toby Mac, Matt Maher and Ryan Stevenson at Braden Auditorium – December 11

Although I had seen Toby Mac in concert with DC Talk many times several years ago (the first time they were the opening act for either Michael W. Smith or Degarmo and Key, and Tammy immediately said that she liked them better than the headliner), I had never seen Toby in a solo concert. After a highly successful thirteen year run with DC Talk ended in 2000, (the guys are still friends and are not against a reunion someday), Toby has had five successful solo albums (not including remix or live albums), including his latest Eye on It, one of only four Christian albums that have debuted #1 on Billboard’s Top 200 Album chart.

Toby brought his Worship, Stories and Songs tour with Matt Maher and special guest Ryan Stevenson to the Braden Auditorium on the campus of Illinois State University on December 11. There is not a better place to see a concert than Braden, with its intimate setting (3,457 seats) and great acoustics. I’ve seen some great artists in Braden since it opened in 1973, including James Taylor and Bob Dylan. There was a good crowd on a Thursday night, filling almost all of the orchestra and mezzanine sections.

Ryan Stevenson co-wrote Toby’s “Speak Life” off of Eye on It. He opened the show promptly at 7:00 pm. I wasn’t familiar with Stevenson or any of his songs but he offered a pleasing set on acoustic guitar, before turning the stage over to Matt Maher. I was familiar with some of his songs, and particularly enjoyed the opening “Your Grace is Enough”, “Lord, I Need You” and “All The People Say Amen” and the new “Because He Lives”, with an interesting story about Bill Gaither. I also really enjoyed Maher’s piano playing and the stories about the songs, thinking they added to the experience. Maher’s new album Saints and Sinners will be released March 17.

After 50 minutes of music and stories, the evening then slowed down, first for a passionate, but overly long 15-minute ministry appeal, and then a 15-minute intermission before Toby took the stage at 8:20 pm – a stage he would not give up for another hour and 45 minutes. Stevenson and Maher would pop on and off the stage to join Toby several times throughout the set.

This tour is not your usual Toby Mac arena concert experience. The tour is playing more intimate settings allowing the artists to tell the stories behind the songs. Toby had his full band with him, including his turntable DJ, but with a smaller drum kit, scaled down lighting and stage sets and a simpler approach.

Toby and the talented seven piece Diverse City band offered a spirited set with several stories mixed in, which at times slightly impacted the pacing of the set. He offered all of his popular songs such as “Steal My Show”, “Forgiveness”, “Funky Jesus Music”, “Diverse City”, “Hold On”, “Thankful for You”, “City on Our Knees”, “Lose My Soul”, “Catchafire” (Whoopsie Daisy)”, “Speak Life” and many, many more. Toby indicated that he has been working for the past eight months on his new album, which will be released in May, 2015. We got to hear two new songs form the album – “Beyond Me” and “Undeniable”. I most enjoyed the loud and upbeat pop/rap songs with the choreographed dance moves.

All of the artists looked like they were having a great time, and it’s no doubt that the enthusiastic crowd (which were on their feet for Toby’s entire set, except when he told them to sit down and take a break) had a wonderful time. The night ended a little after 10:00 pm with a spirited “Winter Wonderland”, with each of the vocalists taking verses.

It was a great night of music, worship and stories in a great setting at a fair price (our first row mezzanine seats gave us a great view for just $48. As my sister-in-law said, it was one of the best concerts she had been to in a long time. Amen!

Peter Furler Christmas Featuring David Ian
*** ½

2014 has been a very busy year for Peter Furler, the former leader of the Newsboys. He released his second solo album Sun and Shield as the Peter Furler Band, Goliath as part of Steve Taylor and the Perfect Foil, and now his first Christmas album Peter Furler Christmas Featuring David Ian. The new album features eight well-known Christmas songs with traditional arrangements. The songs included are:
God Rest Ye Merry Gentlemen
It Came Upon a Midnight Clear
We Three Kings
O Come, O Come Emmanuel
What Child is This?
O Come All Ye Faithful
The Little Drummer Boy
Silent Night

Furler describes the album as follows: “We had in mind for this music to be played while listeners engage in their favorite Christmas traditions, enjoying a warm fire, a quiet dinner party, watching the snow gently fall outside.”

The album also contains two spoken word tracks – “Spoken Word Ancient Writings” and “Spoken Word Christmas Story”. For the first, Furler reads different Scriptures prophesying the coming King Jesus. The second reading recounts the Christmas story from Luke 2.

The style here is definitely something different for Furler. The instrumentation is very simple and the album has a light jazz sound to it. It is mellow music that will be good to have on in the background this Christmas season. Furler and Ian, who produced and co-arranged the album, use singers and musicians from around the world, including America, Armenia, Lebanon, Russia and South Africa. They also incorporate some exotic instruments such as the Duduk, an Armenian wind instrument. My only complaint with this fine release is that there are only eight songs included.

The Spirit of Christmas – Michael W. Smith & Friends
*** ½

2014 has been a busy year for Christian music veteran Michael W. Smith. After not having released an album since 2011’s instrumental release Glory, he released three this year – Hymns in April, Sovereign in May and now The Spirit of Christmas, his fourth Christmas album, in September. The idea for the new album came after singing “Christmas Day” with Jennifer Nettles (from Sugarland), at 2013’s CMA Country Christmas, a Nashville concert that aired as a television special. The producer of that program, Robert Deaton, approached Smith with the idea of making a concept album.

The album is designed to have three acts based on the progression of emotions and focus that one feels during the Christmas season. The album begins the excitement of the Christmas season and the instrumental “The Miracle of Christmas”, and then two songs from my favorite Christmas album (The Andy Williams Christmas Album from 1963, which my Mom loved) “It’s the Most Wonderful Time of the Year” and “Happy Holiday/Holiday Season”. That is followed by the Peanuts song “Christmastime is Here” featuring Vince Gill and “White Christmas” with Lady Antebellum, with the trio and Smith trading vocals beautifully.

Act two is about beginning to turn the listener’s attention to the reason for the season. It begins with Smith singing with his seven year old granddaughter Audrey on the Home Along song “Somewhere in My Memory”. The transition continues with the instrumental medley “The Spirit of Christmas”. The tracks were recorded in London with the London Sessions Orchestra at the AIR Studios, where Glory was recorded. Little Big Town joins Smith for “Silent Night’ and Martina McBride for “What Child is This”. Then comes one of the highlights of the album, “Almost There” featuring Amy Grant, a new song Smith wrote with Grant and Wes King that ponders Mary’s thoughts as she approaches Bethlehem. This song could become a classic in the way that Grant’s “Breath of Heaven (Mary’s Song)” has become.

The last act celebrates the birth of the Christ child in its fullness. It features another highlight, “All is Well” featuring the powerful vocals of Carrie Underwood. Jennifer Nettles joins Smith for “Christmas Day”. Then Bono from U2 offers the spoken word piece “The Darkest Midnight”. What is the connection between Bono and Smith? At least one connection is that Smith played organ on “North Star” a song from U2’s How To Dismantle an Atomic Bomb sessions some years back. The song which has not yet been released, is described by Smith as a tribute to Johnny Cash. The album closes with Michael McDonald joining Smith on a great song from McDonald’s first Christmas album “Peace”.

The album covers some songs that have been included on previous Smith Christmas albums, but with the special guests it’s a completely different listening experience. I liked the idea of the concept album which takes you from the nostalgia of the season to the true meaning of Christmas. Overall, this would be an excellent new addition to your Christmas music library.

Goliath – Steve Taylor and the Perfect Foil
****
When I became a believer in the early to mid-1980’s Contemporary Christian Music (CCM) was just taking off. My favorite artist was the creative Steve Taylor. He didn’t really fit the CCM genre (thankfully), and I saw him in concert several times. He was the one saying things to the church that nobody else was saying. Taylor’s last solo album was the excellent Squint in 1994. Yes, 20 years ago! Since then he released a live album Liver, had a one-album stint as a part of Chagall Guevara, produced others (including Sixpence None the Richer’s hits “Kiss Me” and “There She Goes”), owned his own label, directed two feature films – The Second Chance and Blue Like Jazz, worked with the Newsboys (writing, producing) and he has continued that relationship with former Newboys lead singer Peter Furler, who is the drummer in his new band The Perfect Foil. John Mark Painter (best known for his role, with his wife, Fleming McWilliams in the duo Fleming and John) is on bass and Jimmy Abegg (who played in the Ragamuffin Band with Rich Mullins and I first encountered as a part of the Charlie Peacock Trio) is on guitar.
This album started with a Kickstarter campaign in 2013. It was announced that twenty years after Steve Taylor’s last studio album, he was taking a sabbatical from filmmaking to record all new music with a new band. The goal was to raise $40,000. Instead they raised $121,197.
In discussing the new album Taylor stated: “It really is a band effort. We make the music together, and then I’ll go off and write the lyrics. I like to think it’s a really good combination of everybody working at what they do best. We typically start with one of Peter’s melodies–I think he’s the best melody writer I know–and then it’s just a matter of let’s see how far we can push this melody around and it still holds up. So the songs are pretty indie rock. I wouldn’t say we’ve mellowed with age.”
In advance of the November 18 release, five songs “Only a Ride”, “Standing in Line”, “Goliath”, “Double Negative” and “Moonshot” were released to those who had pre-ordered the album. Taylor also released this hilarious video “The Future of the Music Industry” from Steve Taylor & The Perfect Foil: https://www.youtube.com/watch?v=kp1E6eHoeG4&feature=youtu.be
Jimmy Abegg in an interview prior to the release of the album stated: “It’ll be interesting because the record will be quite polarizing. There’s really not easily definable Christian music on it. It’s certainly created by men of faith but, on the other hand, it doesn’t take aim on any specific topic and make a yay or a nay for it. I guess it’s just a fun combination of words and music played by people that are having so much fun it’s embarrassing.”
The album debuted at #136 on the iTunes charts when released last week. Below are brief comments from Steve Taylor that were originally published on the New Release Tuesday website, plus a few lyrics from each song, which like his previous work are in the alternative rock genre:

Only a Ride
“This was the first song we wrote together as a band. Our guiding light was the old saying — slightly amended — ‘Something old, something new, something borrowed, something blues.’ Which, come to think of it, describes most of my favorite rock tracks. Regarding the lyrics: It’s the American way to assume our citizenship somehow entitles us to invincibility, as if bad things aren’t supposed to happen to our kind. So we’re shocked when they do. Remember James Brolin in Westworld? It’s an amusement park full of gun-slinging robots shooting blanks, and he suddenly grabs his chest and says to his partner, ‘I’m shot!'”

Thought I saw the devil you know
Waiting for something to fall
I got nothin’ and no one to call
But I’m stuck in first, y’all

Double Negative
“I remember when Jimmy started playing this riff, we were all hypnotized by the sound, although the 7/4 time signature keeps it from being too hypnotic. The lyric, like most of them, isn’t necessarily autobiographical, but I think I understand a character who doubles down on negative emotions like misery, which tend to be more controllable and, therefore, repeatable than happiness or joy. My favorite line is ‘Bells are ringing/Is it Easter or the start of an earthquake?’ This guy can’t even accept the sound of church bells at face value — is something being reborn, or is their peal earthquake-induced, and things are about to go very badly?”

Been a nice trip
Is this our stop?
I’d leave the stage
But the curtain won’t drop
The chemicals took my nerve
I’ve given up what the saints preserve

Don’t you come near me now
Don’t you come through the wall
I can’t let go of the scene
I can’t stop hollering unclean

Bells are ringing
In the town of the terminal heartache
Bells are ringing
Is it Easter
Or the start of an earthquake?

Goliath
“I think at least half the band served time in high school marching band, and as we were writing this one, it kept wanting to be something that could be played at halftime. So John laid down the horn section and the lyric naturally followed — it seemed like something perennial losers would sing to get themselves amped up for the possibility they could actually win one. The title came after the song was finished. I was reading Malcolm Gladwell’s “David and Goliath: Underdogs, Misfits, and the Art of Battling Giants,” and as we were mixing the song, I heard the lyrics again and thought that if we titled this ‘Goliath,’ it might add an interesting subtext. There wasn’t any specific intent to naming the album “Goliath” beyond the fact that we get a perverse enjoyment taking on projects where the odds aren’t in our favor.

Keep your nose up
Attitude’s king
When you get hit
You won’t feel a thing

You’ve been on a roll
Pushing us around
Here’s your high five
Now you’re going down

The bigger they come
The harder they fall

Moonshot
“Are we in a place in music history where Prince-ian is as allowable as Beatlesque? (Because evidently we can’t rip off Marvin Gaye anymore.) If so, this track has two godfathers: Prince and the Pixies. Lyrically, so many experiences I’ve had are a mix of wild ambition tempered with complete delusion. Then when a few delusions actually go your way, you become more delusional, thinking that’s how it’s always going to go. Those of us working in the arts, whether its music or movie-making, attach a lot of importance, and, usually, self-importance, to the work we’re doing, as if the hopes of a nation ride on the outcome — I think it’s because if we didn’t, we’d never finish anything. I have a great friend and filmmaking mentor who often reminds me, ‘There’s no such thing as an entertainment emergency.'”

I’m building a rocket
It’s bigger than me
It’s my gift to your future
My mega legacy

Ready, aim
The stars are aligning
Ready, aim
I’ve been sweating a lot
Be I persevere
The hopes of a nation ride
Everybody gets one moonshot

My motives are pure
I’ve untangled the knots
I’m ready for sure, Lord
Now give me all you got

I’m building a rocket
It’s not about me
You’ll be thanking me after
I’ve saved humanity

Rubberneck
“The idea that a soul could live online — a virtual soul — seemed interesting. The first verse deals with voyeurism, which quickly shape-shifts into a whole new world of hurt. That “Instagram” line came after the song was done — I didn’t want to reference anything as ephemeral as a social media app, but I couldn’t give up coupling Instagram-Aww with Grandma.”
Go on, catch it if you can
Son of Man knows better
We can reconnect
Body and Soul
We can resurrect

We’ve got the goal
A virtual soul

Now zoom out
Move in tight
You got a right
To your rubberneck

The Sympathy Vote
“We were almost wrapped with the album when we decided we needed an eleventh song. The music came quickly, with John’s bass playing doing much of the heavy lifting, but it needed a lyric, and since we’d almost called the band The Sympathy Vote, and since our rejected band names had proven to be a wellspring of lyrics, the words came quickly. ‘There’s only three things in life of any certainly: Number one is death, number two is taxes, number three is professional jealousy.’ A lot of life’s screw-ups, including the ones that force this character to pile apologies on apologies, are based on the greatest unacknowledged source of misery in the world — professional jealousy.”

I went and stole a quote
To get the sympathy vote
It was all she wrote
To get the sympathy vote

I think I’m running low
On excuse me’s
I need some better excuses
Please?

I’m back in the boat
To win the sympathy vote
The words catch in my throat
I think it’s working

Standing in Line
“It seems like any relationship goes through peaks and valleys and I’ve found that in my relationship with my wife our commitment to stay together supersedes all of those valleys. That was the basic idea, that sometimes when those are happening, you feel like you’re in a waiting room, but you’re determined not to leave.”
“I don’t think I’ve ever written a wholly biographical song. Part of the thrill of writing comes in mixing fact and fiction in varying combinations. But those of us who have enjoyed long and mostly happy marriages — all four of us are still married to our original wives — know that any relationship lasting decades goes through ebbs and flows. This was written during one of the ebbs.”

I write songs for a jealous God
Two spoiled kids and a velvet rod

And I’d pursue you through any hell
I’d swim upstream till I find the source
Dam the Mississippi and change its course
If it was up to me
If it was mine to turn

I’ve been standing in line so long
I’ve been wondering what went wrong
I’ve been trying to understand
And I’m not gonna leave

In Layers
“Jimmy came up with the riff, Peter started pounding the drums, and poof — a song is born. The paranoia expressed in the lyric seems apt for the age we live in — when it comes to corporate or political structures, cynicism is so richly rewarded. Hopefully the song retains some idealistic sense that this may be how the world works, but we don’t have to live that way.”
One critic felt that this song would fit on David Bowie’s latest album.
Lies
We’ve all been compromised
Lies
Now, are you so surprised?

We’re all hoarders here
Caught in layers of sin
It’s been stratified
Beneath our onion skin

Throw up your hands
And hell keeps yawning
Open your eyes
There’s a new world dawning
Sun burns fog
Burns all naysayers
Love, like a child
Comes wrapped in layers

Happy Go Lazy
“Can’t you hear a country singer doing this song? I would have loved to hear George Jones sing it. We batted this track around for months in the studio, as we weren’t sure it fit on the album, but when I proposed the title, the band seemed keen on it. The character in this song has achieved a blissfully ambitionless state, and we wanted to give him the courage of his convictions. My favorite line is, “No, I’m not listening — your friends are correct. I’ve got zero ambition and I want your respect.”
Features some background vocals from Fleming McWilliams.
Happy go lazy
That’s the way I am
You’ll go crazy
If you think you can
Change a man

No, I’m not listening
Your friends are correct
I’ve got zero ambition
And I want your respect

Baby I’ll grow you a garden
If you give me the space
We’re just wildflowers
We don’t belong in a vase

A Life Preserved
“This first appeared as the end titles track on the Blue Like Jazz movie. Our band and that movie have a tangled past — the band was initially started because I’d spent three years trying to raise money to fund Blue Like Jazz and was getting nowhere. So I called Peter up and suggested we do something together musically to help soothe my utter frustration as a filmmaker. We got the album well underway, then the movie was miraculously funded by a wildly successful Kickstarter campaign started by fans of the project, which forced a two year band hiatus so I could make and promote the movie. The song is a straight up gospel song born from the sense of gratitude I felt at finally being able to make the movie into which I’d invested so many years. But it’s also a song of deliverance from the delusion of attaching ultimate importance to anything temporal.”
A faster and better version than was included on the Blue Like Jazz soundtrack. The most overtly song of faith, which would actually fit in, dare I say, on Christian radio playlists.
Bobbing for air, been up and down
The once renown, angling for another act
Another tactical advance to who knows where
You found me, I heard you there

Calling me out of the shallows of my world
Called to something graceful, something true
Gratitude’s too cheap a word for all you’ve reassembled
From a spirit broken and unnerved
A life preserved

Bobbing for air, I’ve been atoned
Creation groaned to lift me as I drowned
And set my feet up on the mound of rock you crushed for me
A place to stand, whisper a command

Comedian
“I started this song twenty years ago and have been working on the lyric ever since — I doubt a week ever passed when it wasn’t rolling around in my head. The form seemed so rich with possibilities, like an intricate puzzle, and I just didn’t want to screw it up. When I brought it to the band, it was very sparse, but we turned it into a pretty epic track in the studio, which inspired the more ambitious lyrical dialectic with God. This one was a bit like making a movie: long gestation, multiple false starts, fiercely trying to protect the essential idea, and praying something tolerable comes out the other end. There are so many ways these things can go wrong, so when they go right it feels like a miracle.”
The song portrays God as the great Comedian and humans “storming the stage”. Features some background vocals from Fleming McWilliams.
The King of one liners
He us thrilled
Then came the punchline
Now we want Him killed

Man makes plans, God laughs

And didn’t I thank you from the dais?
And didn’t I do you good?
And didn’t I take up all your crosses
That were made of balsa wood?

We stormed the stage
And occupied
To wipe that all-forgiving smile
Off your face

I can’t tell you how excited I am about this album. The music really kicks it – Abegg’s guitar work and Furler’s drumming really stand out. This is a very strong album and one of my top releases of the year. Welcome back Steve!

The Christmas Project – John Schlitt
****
I first heard the powerful and distinctive vocals of John Schlitt in 1975 as the lead singer of Head East on their “Never Been any Reason” and “Love Me Tonight” from their debut album Flat as a Pancake. The album was recorded in nearby Pekin, Illinois on a private label and later released on A&M in 1975. Schlitt, who was born in Lincoln, Illinois, was attending the University of Illinois at the time. He stayed with the band until being kicked out in 1980 due to drug and alcohol abuse. After his conversion, Schlitt was asked by Petra leader Bob Hartman to become their lead singer replacing Greg X. Volz, starting with the Back to the Street in 1986. I was really excited when I heard that, as Petra was one of my favorite bands and I remembered Schlitt from his Head East days. I would see the Schlitt-led Petra in concert several times and Schlitt solo in concert once. The relationship with Hartman continues today in various Petra reunion efforts.
This is Schlitt’s first Christmas album, and features nine Christmas standards and one new song. He used the popular crowd funding platform Kickstarter to raise financial support for the album. After more than forty years in the music business and at 64 years old, Schlitt’s voice is still a powerful instrument and he sounds as good as ever.
Below are a few brief comments about each song:
Hallelujah Chorus – The album starts off with a bang as this songs features Schlitt’s strong voice, hitting some very high notes, and some blazing electric guitar.
Do You Hear What I Hear? – After opening with animal sounds and a brief reading from a child, this song is driven by some funky guitar work as it alternates between a driving rock beat and a gentler one.
Little Drummer Boy – Features some creative rhythms as Schlitt takes full advantage of his powerful voice as the song builds.
O Holy Night – This is my favorite Christmas song and Schlitt’s version features some backing vocals and strings. He slows the pace down here and holds back, restraining his voice, when he could have actually knocked it out the park on this one. While still a good version, it could have been great with his voice.
God Rest Ye Merry Gentlemen – Lets his voice go a little more and includes some refreshing unique touches.
Good Christian Men Rejoice – Very catchy pop arrangement that will bring a smile to your face.
That Spirit of Christmas – Schlitt changes things up with some blue eyed soul on a lesser known Christmas song that some will remember being recorded by Ray Charles. This was probably my least favorite song on the album but I’ll give him credit for trying something a little different.
We Three Kings – An easy going and fairly traditional take on this one which features restrained lead vocals and some good backing vocals and strings.
What Christmas Needs to Be – The one original song on the album is a likeable easy going pop song about the true meaning of Christmas.
Its Christmas now
The gift of Heaven given
Love can be found
In every heart that hears it
A baby crowned
The hope of our salvation
He is what Christmas needs to be

What Child is This? – A beautiful slow version that features a piano, some restrained lead vocals effective backing vocals.
The production by Schlitt’s son in law Dan Needham is clear and simple with Schlitt’s voice prominently featured in in the mix. This album features a good mix of traditional and new arrangements and one of my favorite vocalists.

MUSIC NEWS:

Hilarious Video from Steve Taylor. Steve Taylor and the Perfect Foil’s (featuring Peter Furler on drums) new album Goliath will be released on November 18. This week I’ve been enjoying some of Steve’s music from the 80’s and 90’s, which still sound great. Enjoy “The Future of the Music Industry” video from Steve Taylor & The Perfect Foil.

Real Music about Real Change. Petra front man John Schlitt and up-and-coming hip-hop artist KB come from different eras, but both experienced Christ’s deliverance from a life of darkness and found themselves in the spotlight of the Christian music industry.

Rend Collective to appear in Clinton, IL. Rend will be in concert at First Christian Church in Clinton on February 7.

New TobyMac album. TobyMac has been in the studio working on new songs for his sixth full album, with a planned release in May 2015.

Get to Know Trip Lee. Check out this brief overview of Trip from Trevin Wax.

D.C. rapper Trip Lee withstands disease, while pastoring at church, releasing album. Good article about Trip in the Washington Times.

New Worship Album from Third Day. Third Day will release their third worship album, and first in more than a decade, Lead Us Back, on March 3.

U2 to Play The Tonight Show for an Entire Week. My favorite band will play on The Tonight Show each night the week of November 17. Can’t wait!

MUSIC REVIEWS:

Ride Out – Bob Seger
*** ½

This is 69 year old Rock and Roll Hall of Famer Bob Seger’s seventeenth album and first since 2006’s Face the Promise (and only his second since 1995), and it’s a very good one at that. Christians will be excited about “Gates of Eden” his song about coming to faith. He also shares his strong feelings about political issues and the environment.

We saw Seger at the Silver Bullet Band in their prime in the early 1980’s at the Poplar Creek Music Theatre (which was torn down in 1994) in Hoffman Estates. For those not familiar with his body of work I would recommend Ultimate Hits: Rock and Roll Never Forgets.

Below are brief comments and/or lyrics from each song on the new album which I really enjoyed. It was great to hear some new Seger music. His voice is in great shape and he’s hinted that this could be his final studio album. One critical comment – the standard version of the album is just too short at 10 songs and 34 minutes. The Deluxe version, contains three additional songs.

The album starts out strong with four upbeat songs before the pace settles down. Spacing the rockers out may have helped give the album better pacing.

Detroit Made – This is a great version of one of my favorite John Hiatt songs, which sounds like it was written for Seger (though it wasn’t).
She’s a Detroit made
Deuce and a quarter, babe

Hey Gypsy – A Chicago blues song written by Seger and one of the best songs on the album featuring a blistering guitar solo from Kenny Greenberg (who is married to Ashley Cleveland). It is a flat-out Stevie Ray Vaughan shuffle. Seger states “I was such a huge fan of his. I called the players in Nashville, and I said, ‘I want you to play as close to Stevie Ray as you can.’ The guitarist Kenny Greenberg, whom I was working with at the time, he brought a special amp in that made him sound exactly like Stevie Ray! We even got Stevie Ray’s old organ player, Reese Wynans. That’s the first time I used him, and he’s on everything (on the album) now.”

Hey Gypsy, where we gonna be
The hard love livin’
It’s getting too much for me

Seger recently performed “Hey Gypsy” on the Ellen show. Check it out here: http://www.ellentv.com/videos/0-v21sxmz1/

The Devil’s Right Hand – Seger covers the gun-violence parable written by Steve Earle. It’s a song Seger has liked ever since he first heard it in the 1988 film “Betrayed,” featuring Debra Winger and Tom Berenger.

The devil’s right hand, the devil’s right hand
Momma said the pistol was the devil’s right hand

Ride Out – A rocker about getting away from things and enjoying God’s creation:
Ride out to a bold new horizon
Where the sun me be shinin’
On a place you’ve never seen

Ride out lift your soul and your spirit
Take a chance and get near it
Everybody needs a dream

Ride out where the hills meet the valleys
Far from campaigns and rallies
And the things we do for oil

Adam and Eve – This song was written by Kasey Chamber and features a duet with Laura Creamer, who has been singing backup for him since “Ramblin’ Gamblin’ Man” in the ’60s, and features a fiddle, Seger on banjo and mandolin. It’s a slower folk/acoustic that is an interpretation of the sin of Adam and Eve, though I have concern with this line where Adam sings that he was misled:
I can remember, I do recall
There were no weeds here, no thorns at all
I was misguided, I was misled
I asked for good, but got evil instead
I also take exception to this line about God being on their trail:
Come on, we’re leaving, no time to waste
Garden of Eden’s no longer safe
Throw down that apple, that ship has sailed
We’re on the run with God on our trail

The pace of the song and the simple lyrics reminded me of Dylan’s “God Gave Names to All the Animals” from Slow Train Running (which isn’t necessarily a good thing).

California Stars – This is Seger’s take on Woody Guthrie lyrics put to song by Jeff Tweedy and Jay Bennett and recorded by Wilco. The song builds and features some horns and effective background vocals.
I’d like to dream my troubles all away
On our bed of California stars
Jump up from my star bed make another day
Underneath my California stars

It’s Your World – This rocker finds a defiant Seger calling out the things he is concerned about – environmentally, financially, etc. It’s interesting musically and features some good background vocals.
Let’s talk about mining in Wisconsin
Let’s talk about breathing in Beijing
Let’s talk about chemicals in rivers
Let’s talk about cash as king

All of the Roads – This mid-tempo song with a fiddle and effective femaile background vocals finds the rocker in reflective mood.
I’ve done it all before
And I have gone through every door
And I’ve been right down on the floor and more

All of the roads I’ve run
All of the years have fallen away
Light from a distant star
Crossing the void and arriving one day
Oceans of space defending the great unknown
Sooner or later all of us head for home

You Take Me In – A somber acoustic ballad which could be written to a woman or God.
I search for the meaning and keep on believing
Because in the end you take me in
Through all of these reasons that change like the seasons
I’ve got a friend, you take me in

Gates of Eden – This song starts slowly and builds appropriately as Seger sings about his conversion. I’ve included the complete lyrics to the song below:
I was in the tender mercies of the breaking down
I was somehow in a place that made me want to go along
I remember thinking all of this must have a reason
I remember thinking maybe I should look beyond

The night came on like thunder lightning split the purple skies
My whole day had been a journey sorting through the truth and lies
I remember searching longing for a deeper meaning
And it hit me like a diamond bullet right between the eyes

And I believed everything You said
Every paragraph and every work I read
Calling into question everything that I believe in
Huddled with the masses
Stranded at the gates of Eden
I was huddled with the masses
Stranded at the gates of Eden

Seger will bring his tour to the United Center in Chicago on December 11 and the Scottrade Center in St. Louis on December 13. Check out his official site at www.bobseger.com

Hallelujah for the Cross – Newsboys
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This has been an incredible year for the Newsboys. The release of the film God’s Not Dead, which they appeared in, propelled their album of the same name back to the top of the Christian charts. Then, their single “We Believe” from their latest album Restart became a big Christian radio hit. I was a little surprised that they were releasing new music at this time, but still excited that for the first time in the band’s history, the Newsboys have recorded a collection of classic hymns (they have released three previous albums of worship songs). The new album features the group’s take on nine classic hymns and one new selection, the title song and first single, written by Ross King and Todd Wright.

Doing your version of classic hymns is a risky proposition as these songs are dear to many. There is a fine line between being faithful to the traditional rendering and showing creativity as an artist. The best I saw at creativity was Jars of Clay’s excellent Redemption Songs. The Newsboys play it pretty safe with Hallelujah to the Cross, making a few tweaks to the songs and using a sound similar to their current radio hit “We Believe”.

Lead singer Michael Tait stated “Hymns are important to me. We picked through songs that went way, way, way back into my past and my dad’s Baptist church. I love modern worship but I just love that old stuff because they were written in such desperate and perilous times, and out of great pain comes great resolve, I think. When I sing them, they go deeper in ways to me than a lot of things I reach out for when I’m in that spiritual drought.”

The album is produced by Seth Mosley, who also produced the Newsboys’ past two albums, God’s Not Dead and Restart. Below are a few brief comments about each of the songs:
All Creatures of our God and King – The end of the song includes a new modern worship chorus.Where You Belong/Turn Your Eyes Upon Jesus (Medley) – This is an updated (more upbeat) version of the medley that appeared on the band’s 1995 Not Ashamed album.

His Eye Is On The Sparrow – This song rocks harder than the traditional hymn.

Hallelujah For The Cross – This is the first single released from the project and the only newly written song on the album.

It Is Well – This version rocks harder is has a faster pace than the traditional hymn.

Jesus Paid It All – This song was released on last year’s Jesus Firm Foundation: Hymns of Worship. The end of the song includes a new modern worship chorus.

I Surrender All – The band keeps the pace about the same as the traditional hymn.

What A Friend We Have In Jesus – Michael Tait’s vocal here is less full-throated than usual. Some additional features that add to the song.

Holy Holy Holy – The band slows down the pace for one of my favorite hymns. They add some additional lyrics to the chorus: “You are holy, holy, holy”.

All Hail The Power Of Jesus Name – The band ends the album with a beautiful a Capella version of the song showcasing the voices of the entire band, not just Tait. This is perhaps my favorite song on the album.

This is a solid effort from the Newsboys, which will hopefully introduce these classic hymns to a new generation.

Rise – Trip Lee
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This highly anticipated album is Trip’s first since 2012’s The Good Life and one of the best of 2014. Later in 2012 he announced he was leaving music and pursuing ministry and released his first book The Good Life. The 26-year old Lee has attended Boyce College, interned at Capitol Hill Baptist Church in Washington D.C. with Mark Dever, and is a frequent speaker at churches at conferences. He became a pastor in 2013.

This album debuted at #3 on the overall iTunes charts and #1 on the hip-hop/rap charts. Four of the fourteen songs were released early to those who pre-ordered the album – “Shweet”, “Beautiful Life 2 (Mine)”, “Manola” (featuring Lecrae) and “Sweet Victory”. Then the album was streamed in its entirety the weekend before its release. Instead of collaborating with multiple producers as in the past, this time Trip worked solely with producer Gawvi http://www.gawvi.com/ for the entire album at his Atlanta studio. Gawvi also worked with Lecrae on his excellent Anomaly album and has produced several other Reach Records projects. Throughout, the music is diverse and Gawvi’s production is outstanding.

Writing about the album, Trip writes: “Rise has a lot of different meanings,” he explains. “It’s a call-to-action to rise from the dead and actually live. We’re born spiritually dead, and I’m calling for everyone to become spiritually alive. Secondly, don’t wait until later to live the way you were created. God created you to honor Him, find joy, and serve others. Don’t sleep on that. Lastly, rise above the low expectations people have.”

Below are a few comments and/or lyrics on each song:

Rise – Trip makes it clear he’s back:
Hold up, I’m back to boast in these tracks like
I’m mad that I might back slap mics
Never mind the fact that I never left I’m hype
Listen up, right, you ain’t got to ask my twice
I’m here, I’m here

How am I’m gonna retire when we need a crier that tells us to rise up and stand?

We all die, John 5:28-29
The judge returns
And all rise

Lights On – Talks about how we are all walking in total darkness until the lights come on from Jesus.
I’m praying that we’ll flip that switch and shine, you’re so blind
We know You got it, Lord, we know You got it
Only You could take us higher, You’re the Pilot
Lights, please!

Shweet – Here is Trip’s excellent video for this song.
I got a lot of problems, but I’m straight (that’s shweet)
I know my God will toss em in the lake (that’s shweet)
How many times I gotta tell ya He’s the boss
Under Him anything’s a piece of cake

Manola (featuring Lecrae) – I have to admit that when this track was released I didn’t get it. It sounded great with Lecrae joining Trip, but I didn’t understand the lyrics at all. Trip clears it up: “In Spanish, ‘Manolo’ means ‘God is with us’. There’s some gun terminology, but the weapon we’re talking about is truth. We fight lies with the word of God.” The song also features a hook from Gawvi.
I flip that page on em, my trigger finger stay workin
I got plenty ammo, got old and new, they both testify, my Lord

Red letters like a red dot on your door

His Word is my weapon

You Don’t Know – This song features some excellent drum work. It opens with a sample of Christon Gray’s 2011 song “Even with Evil Within Me” and is a beautiful song about the joy of being in Christ and making his election sure.

All Rise Up Interlude – A spoken word track about Trip’s ten year history with Reach Records artists.

All Rise Up – In this song Trip looks at his career thus far.
Plus there’s more haters
Saying we just do it for dough

If we all rise up
That’s be my dream
That we should all rise up
And give a standing “o” for the King
Cuz He’s good

I ain’t retired but I thought about it
I feel called to be a pastor. I’m all about it
See His glory in His Word and I gotta shout it
So I’m just trying to figure out how I can shout the loudest
Plus, I saw it’s hard to be a pastor

I read John’s vision and it’s plain
Christ reigns so I’m sticking in my lane
Rap don’t need me
Reach don’t need me
Christ don’t need me
I’m limping cuz I’m lame

Beautiful Life 2 (Mine) – This is a song from Trip to his young son and baby daughter, who you can hear in the song. It is a sequel to the pro-life “Beautiful Life” on The Good Life.
And I’ll be sure to tell you everyday
You made in His image baby, you ain’t gotta wait
To hear no affirmation from them dudes in the streets
You already know you’re beautiful to me

What a great gift from a great God
You belong to Him, but He gave you to me

Insomniac (featuring Andy Mineo) – Mineo is my favorite hip-hop/rap artist behind Lecrae and Lee. I can’t wait for his next full-length album. This song is about going strong for the Lord while we can.
My life could end today, yeah, my heart stop
If I go out tonight, I’m going out on top
I give it all, this life ain’t all I got

Something New – A one verse track about Trip’s addiction to sneakers.
My addition isn’t to women or to booze.
Sneakersheads anonymous
I’m itching for some shoes

Lazarus (featuring Thi’sl) – This is a song about how as dead men we are raised to life by Christ.
From now on you can call me Lazarus
From a dead man walking to the risen ones

I mean the Captain, the Almighty Lord
Setting captives free, all aboard (all aboard)
Can’t stop Him when He got His mind made up
He don’t like that grave, sayonara, see you later
He make the blind see and got the lame up
So it’s no surprise He can raise us

All My Love (featuring Natalie Lauren) – about a married man battling his online pornography addiction.
Now it hits the depths of the heart, He calls
The way he grieve our Lord as he hang on the dirty cross
The way he hurt his wife and flaunts his perverted flaws
He might mess around and lose his family, so he pause
He takes his laptop, her pictures on the backdrop
He smashes it with a hammer and takes the trash out
He calls his wife and he’s repenting in tears
And says he wants to be committed for years, and God hears

I’m Gone – This song includes an upbeat piano and some serious words about Satan’s schemes against us.
I hear what you’re saying
But I don’t believe you
Cuz you’re just be lying
And I don’t need you
I got a new Lord
I know I don’t see you
But I see right through you
So I gotta leave you
I’m gone

Sweet Victory (featuring Dimitri McDowell & Leah Smith) – Trip shares the pain from his seven year-long battle chronic fatigue syndrome and how hard it has been on him and his wife.
So when I say “It’s been a few hard years” they think I’m playing
But you don’t know my life boy
You don’t know what it’s been like on my wife
Don’t know my fight boy

He then shares that as believers our victory is now based in what we do and how our life is going but in Christ’s finished work on the cross.
The victor ain’t the one that’s winning in the 7th inning
Trophies don’t go to ones that got a good beginning
When I say I win I don’t mean the state I’m in
I mean that day when the grace got fade out then
I’m winning cause I ran with him.

On January 27 Trip will release his second book Rise: Get Up and Live in God’s Great Story.

Love Ran Red Deluxe Edition – Chris Tomlin
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Chris Tomlin is a worship leader at the Passion City Church in Atlanta (where Louie Giglio is lead pastor), and a prolific writer of worship songs for the church. Each year he writes several new songs to be sung at the Passion conferences and included on the conference live album, in addition to his own solo albums. Some of the songs included on the Passion albums end up on his solo albums as in this case with “At the Cross (Love Ran Red)” and “Almighty”, and “Let it Be Jesus” (sung by Christy Nockels), which were included in this year’s Passion: Take It All album.

Prior to the release of Love Ran Red Tomlin released three songs, the singles “Waterfall” and “Jesus Loves Me” as well as “Greater”. The Deluxe edition includes alternate versions of “Waterfall” and acoustic versions of “At the Cross (Love Ran Red)” and “Let it Be Jesus”.

The album debuted at #6 on the overall iTunes charts and #1 on the Christian charts. One reviewer wrote that this album felt like a “Greatest Hits” package, as each song is “so power packed with potential that it’s a challenge to decipher which would be the next single”. I have to agree. Tomlin is at the top of his game with this release. He knew as much when we saw him in concert at the US Cellular Coliseum on July. He mentioned at that time that he knew he had a special set of songs and couldn’t wait to get them out to everyone.

Jesus is the subject of each song on this wonderful new album, which will definitely be among my top releases of the year, along with those by U2 and Lecrae. Below are brief comments/and or lyrics on each of the song on the album:

Greater – A worship anthem and one of the songs you received when you pre-ordered the album.

Greater is the One who lives in me
Greater is the love of Jesus
Greater than my sin
Greater than the grave
Above all other thrones
Above all other names
Greater

Waterfall – The first single released from the album. Tomlin performed this song at his concert Bloomington in July.

Your love is like a waterfall, waterfall,
Running wild and free
You hear my heart when I call, when I call
Deep calls to deep
Your love is like a waterfall raining down on me

At the Cross (Love Ran Red) – Since I first heard this song on the Passion: Take It All album, it has been my favorite song this year. Tomlin, as he has in the past, uses elements of an old hymn – this time “At the Cross” by Isaac Watts. I put this song in the category of Matt Redman’s “Bless the Lord (10,000 Reasons)” and believe it will soon be sung in worship services around the world.

At the cross, at the cross
I surrender my life
I’m in awe of You, I’m in awe of You
Where Your love ran red, and my sin washed white
I owe all to You, I owe all to You
Jesus

Jesus Loves Me – The second single released from the album.

I couldn’t run, couldn’t run from His presence
Couldn’t run from His arms

Jesus, He loves me, He loves me
He is for me
Jesus how can it be, He loves me
He is for me

Boundary Lines – One of the more upbeat songs on the album, this one would be a good concert song.

My heart is a cup
Your love is an ocean
God, You fill me up
Like rivers overflowing

Almighty – A piano driven worship anthem that first appeared on the Passion: Take It All album earlier this year.

Almighty, we’re standing in the presence of Your majesty
You’re Holy, You alone the sovereign crown of royalty
You’re the king of kings
Almighty

The Roar – This is another upbeat song that would sound good in a concert setting.

I heard the roar of the Lion of Judah
I heard the voice that calms the raging sea
He came to me, came to me
When I needed the Lord
I heard the roar of the Lion of Judah

Fear Not – Tomlin sings about God being our mighty warrior.

God He is faithful, faithful to us
Through every storm
Through troubled waters
He won’t abandon
Fear not, the Lord God is with us

The Table – This song has a Black Gospel feel and ends with a choir. It is a refreshingly different sound for Tomlin. It is a song about community, fellowship and the invitation of the gospel.

Come all you weary, come and find
His yoke is easy, His burden is light
He is able, He will restore
At the table of the Lord

Psalm 100 – This is another upbeat song which would be great for churches with a more contemporary worship service.

For the Lord is good
And His love endures, His love endures
For the Lord is good, and His love endures, His love endures
Forevermore His faithfulness it has no end
For the Lord is good, His Love endures, His love endures

I Will Boast – This is a beautiful piano driven song with a nice piano refrain that makes use of the title song’s melody.

I will boast only in the cross
Where my Savior died for me
Nothing else no other love
Goes so far and runs so deep

Only One took the nails
Only One tore the veil
Only One spotless lamb
I will boast only in the cross

Jesus, This is You – This is another great song for corporate worship.

Jesus, You are greater than the grave
Jesus, You have broken every chain
Forever You will reign
Forever we will sing
Jesus, this is You

In the End – This song starts with just a piano and then piano and then builds to a powerful ending.

In the end love will fill the earth
Raise the dead to life
In the end, we will see the Kingdom come
In the end all the darkness will be bursting into life
We will live here forever in the end

Deluxe Edition Songs:
Waterfall (Tritonal mix) – I didn’t find that this new mix added much to the original version.

At the Cross (Love Ran Red) – (Acoustic) – The is the third version of this excellent song released this year, with the live version on the Passion: Take it All album and the original studio version released on the standard version of this album. This is a beautiful acoustic guitar version of the song.

Let it Be Jesus (Acoustic) – A beautiful version of a song that was sung by Christy Nockels on the Passion: Take it All album.

Joy: An Irish Christmas by Keith & Kristyn Getty
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Keith and Kristyn Getty performed “God Rest Ye Merry Gentleman” in their wonderful October 17 concert at Grace Presbyterian Church in Peoria. They will bring their Joy: An Irish Christmas tour to College Church on the campus of Wheaton College on December 1.

Keith reflects on why Christmas carols are more than just sentimental songs at the end of the year:
“We would do well as worship leaders to remember that non-churchgoers are far more inclined to attend a church service during the Christmas season where songs are easy and enjoyable to sing rather than a church trying to put on the slickest possible show. The music of carols, written by some of the finest hymn writers of all time (such as Wesley, Watts and Rossetti) and arranged by equally outstanding composers (Handel, Holst and Mendelssohn) speaks for itself. We have wonderful songs to use! And Christmas gives us a wide open door to use those songs to impact culture like no other time of the year.”

The Getty’s 2011 debut Christmas recording, Joy: An Irish Christmas, was produced by Grammy Award-winner Phil Naish, with orchestral arrangements by renowned composer J.A.C. Redford (Avatar, The Help). The project features the Irish Film Orchestra and Anuna, Ireland’s National Choir, among numerous acclaimed musicians, and showcases a range of international influences, including Eastern European, Basque and American bluegrass.

The album starts with a few well-known Christmas hymns – “God Rest Ye Merry Gentleman”, “Hark! The Herald Angels Sing” and “What Child is This?” Next up is Magnificat,” a beautiful Getty/Stuart Townend collaboration that provides fresh inspiration to Mary’s Advent prayer. Then comes “How Suddenly a Baby Cries” (with Narnian Reel), which starts slowly and then prominently features the Irish Film Orchestra. The “Joy Has Dawned/Angels We Have Heard on High” medley follows. “Joy has Dawned” is a reworked song, one of several co-written with regular co-writer Stuart Townend, and includes lyrics such as:

Hands that set each star in place, shaped the Earth in darkness
Cling now to a mother’s breast, vulnerable and helpless.

“Jesus, Joy of The Highest Heaven” (A Children’s Carol) follows with a soft vocal from Kristyn as if she is singing to their first child Eliza Joy, whose name sparked the album’s title. Kristyn is joined by a children’s choir on this song.

“Carol of the Bells” follows (with young Tom Ennis jig). The hymn “O Savior of Our Fallen Race” starts with the orchestra and also includes a choir. “Fullness of Grace” is a beautiful string filled hymn and then comes an upbeat “Joy to the World” (with Miss Eliza’s Reel). The album closes with Kristyn accompanied by piano and strings on another beautiful song “An Irish Christmas Blessing”.

The album feels more like a Christmas worship service than a mere collection of songs. As characterized all of the Getty’s music, this album features theologically rich lyrics and top-notch musicianship. Highly recommended!

Concert Review ~ Keith and Kristyn Getty at Grace Presbyterian Church in Peoria

Keith and Kristyn Getty brought their “Hymns for the Christian Life” tour to the beautiful Grace Presbyterian Church sanctuary last Friday evening. Actually, it would have been better titled the “Greengrass Sessions” tour, as they played each of the seven songs off the new EP, one of my favorites of the year. Check out our review of the EP here: http://coramdeotheblog.com/albumandconcert-reviews/
Keith stated that they are writers of modern hymns for the church. Kristyn was on vocals, Keith on piano and acoustic guitar, along with a very talented 8 piece band made up of musicians from America and Ireland who were backed by a 50 voice Grace Presbyterian Choir. WBNH Radio sponsored the concert and under the leadership of Station Manager Jim Huber, the 1,400 plus available tickets sold out two weeks in advance; Keith stating that it was the fastest selling show on the fall tour.
It was a wonderful night of worship as we sang many songs that we sing in our own churches with the people who wrote them, including “By Faith”, “Holy Spirit, Living Breath of God”, “The Power of the Cross” and the modern classic “In Christ Alone”. The talent of the band added much to the evening as well. The full set list is below:
All Hail the Power of Jesus’ Name
By Faith
Creation Sings
A Mother’s Prayer
Lift High the Name of Jesus
My Worth is Not in What I Own
Come Ye Sinners
O Church Arise
God Rest Ye Merry Gentlemen
O Shout for Joy
O, For a Closer Walk with God
Good Shepherd of My Soul (dedicated to Joni Eareckson Tada and sung to her on her 65th birthday)
Gethsemane (the lights were dimmed as the violinist played a woeful solo)
The Power of the Cross
Christ is Risen, He is Risen Indeed
Holy Spirit, Living Breath of God
In Christ Alone
Don’t Let Me Lose My Wonder, a song rarely performed
Nothing But the Blood of Jesus
After the concert some of the musicians continued the show with a “Lobby Jam” in the church lobby, playing several songs.
The Getty’s will bring their Irish Christmas tour to College Church in Wheaton on December 1. Get more information on that show and other aspects of their ministry here: https://www.gettymusic.com/

Songs of Innocence Deluxe Edition – U2
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The original eleven song edition of Songs of Innocence was released exclusively and free on iTunes to their 500 million subscribers worldwide on September 9. It was available exclusively on iTunes until last week, when the physical editions of the album were released. A Deluxe edition includes two additional songs – the more raw-sounding “Lucifer’s Hands” and “The Crystal Ballroom”, plus alternate versions of all songs from the original Songs of Innocence album with the exception of “Iris (Hold Me Close)” and “Volcano”. The alternate and stripped down versions are different enough that U2 fans will find it essential to own them. They allow Bono’s voice to take center stage and the listener to more clearly hear his passionate vocals and better make out the lyrics. In particular, his vocal on “Every Breaking Wave” is stunning. I also enjoyed the inclusion of horns on “California (There is No End to Love)”. In fact, the alternate version of “Every Breaking Wave” may be my favorite of the 21 tracks on the deluxe edition of the album.

The two new songs were certainly worthy of inclusion on the original album. The lyrics to both new songs, written by U2, are included below.

“Lucifer’s Hands”

Punk rock party in a suburban home
Everybody’s famous here but nobody’s known
We got no music ‘cause the speaker’s blown
Apart

The spill is moving through the seaside town
I’m born again to the latest sound
New wave air wave swirling around my heart

You no longer got a hold on me
I’m outta Lucifer’s hands
You no longer got a hold on me
You no longer in control of me
I am

The enemies beg from an inky page
St. John the Divine is gonna take the stage
Like a talent show where your talent is your rage
I’m in

Prayers are fire on ruined dark night
You’re meant to see visions beyond sound and sight
With Elvis beginning to see the light
Amen

You no longer got a hold on me
I’m outta Lucifer’s hands
You no longer got a hold on me
You no longer in control of me
I am

Yes, I can change the world
Yes, I can change the world
The poor breaking bread
It’s made out of stone
The rich man won’t eat
He’s eating alone
That’s easy
But I can change the world in me

You no longer got a hold on me
I’m outta Lucifer’s hands
You no longer got a hold on me
You no longer in control of me
I am

“The Crystal Ballroom”

In describing the song, which has a beat that may remind you of “Miss You” by the Rolling Stones, Bono recently stated:

“I need to tell you something really weird about this song,” he says. “It’s called “The Crystal Ballroom”, which used to be the name of McGonagles on South Anne Street [now knocked down]. A whole generation of Dubliners would go to the Crystal Ballroom for dances, and many couples first met there. My mother and father used to dance together in the Crystal Ballroom, so that song I just sang you, which hasn’t been released yet, is me imagining I’m on the stage of McGonagles with this new band I’m in called U2 – and we did play a lot of our important early gigs there. And I look out into the audience and I see my mother and father dancing romantically together to U2 on the stage.”

Life begins with the first glance
The first kiss at the first dance
All of us are wondering why we’re here
In the crystal ballroom underneath the chandelier

Wet the glass until the glasses sing
We punish our hearts till the heart bells ring
Cos where we come from we’re not always kind
The human soul is what love leaves behind

We’re the ghosts of love and we haunt this place
We’re the ghosts of love in every face
In the ballroom of the crystal light
Everyone is here with me tonight
Everyone but you

Our first chance, is their last dance
Our life is shaped by another’s hands
Buttoning unbuttoning a coco dress
Stopping and unstopping every cold caress

Born for bliss, born for this
Every human life begins with a kiss
Kissed by every kind of possibility
And everyone is here tonight with me

We’re the ghosts of love and we haunt this place
We’re the ghosts of love in every face
In the ballroom of the crystal lights
Everyone is here with me tonight

Everyone but you
Everyone but you

The Greengrass Session by Keith and Kristyn Getty
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Scotty Smith mentioned in one of my classes at Covenant Seminary that Keith and Kristyn Getty open up their home in Nashville for musicians to come and play, which at times included a member of the band Mumford and Sons. The Getty’s tell us that:
“In Ireland there is a long-standing tradition of the Session, an informal gathering of musicians making music together wherever they happen to be. It’s not so much a performance, but rather a shared experience where everyone plays or sings along. We have regular sessions in our home – a Greengrass session, so named for the combination of Irish and bluegrass songs and musicians who come around. This recording attempts to capture some of what we enjoy in those get-togethers.”
This wonderful limited edition EP is only available from the Getty’s website or at their concerts. It includes:
• My Worth Is Not in What I Own – a beautiful new hymn written by Keith and Kristyn and Graham Kendrick. Check out the lyrics below:

My worth is not in what I own
Not in the strength of flesh and bone
But in the costly wounds of love
At the cross

My worth is not in skill or name
In win or lose, in pride or shame
But in the blood of Christ that flowed
At the cross

Refrain:
I rejoice in my Redeemer
Greatest Treasure,
Wellspring of my soul
I will trust in Him, no other.
My soul is satisfied in Him alone.

As summer flowers we fade and die
Fame, youth and beauty hurry by
But life eternal calls to us
At the cross

I will not boast in wealth or might
Or human wisdom’s fleeting light
But I will boast in knowing Christ
At the cross

Refrain

Two wonders here that I confess
My worth and my unworthiness
My value fixed – my ransom paid
At the cross

Refrain

• Good Shepherd of My Soul – a warm and moving a’capella rendition of one of Keith and Kristyn’s newer songs
• Come Ye Sinners – a musical journey from Ireland to Appalachia envelopes the traditional hymn
• Lift High the Name of Jesus and All Hail the Power of Jesus’ Name – live versions of which were included on their 2013 live album from the Gospel Coalition Conference
• O For a Closer Walk – an adaptation of William Cowper’s hymn, with new words by Keith Getty and Stuart Townsend
• Lobby Jam – a toe-tappin’, foot-stompin’, hand-clappin’ instrumental featuring the Getty’s band of Irish and bluegrass virtuosos

The Getty’s will be in concert at Grace Presbyterian Church on Friday, October 17. The concert is already sold out.

The Edge of the Earth: Unreleased Songs from the film “Fading West” – Switchfoot
****

Seemingly out of nowhere (I heard about the release on Tim Challies’ blog), comes a new release from Switchfoot, one of my favorite bands. They cap a very strong year that started with their film Fading West, their chart-topping “soundtrack” album (check out our reviews in the movie and music sections of the blog), from the film, and now seven songs from the film that didn’t make the original Fading West album. And rather than throwaway songs that you might normally get on such a project, other than “Fading West”, which would have made a great opener or closer on the original album, and the closing title cut, these songs tend to be a bit darker in nature – musically or lyrically, or both – than the songs that were included in the original album, one of my top releases for 2014.

The EP begins with “Fading West”, and it’s my favorite song on the new collection, again fitting in best with the original album.

Heading back to the west coast
Where I’m from
I’m heading back to the left coast
Where I belong.
California’s calling me back home
Fading West with you

“Against the Voices” follows, featuring atmospheric guitars and featuring the lyric:

If they ain’t singing
They’re just talking
Let them keep talking to themselves
‘Cause everybody knows
That the hardest war to fight
Is the fight to be yourself
When the voices try to turn you into someone else

“Skin and Bones” follows with fuzzed up guitars and Jon Foreman singing:

I’m not afraid to die, I’m afraid to be free
I’m not afraid to doubt, I’m afraid to believe
Don’t believe the lies, of what you see
Elevate your mind above these animal dreams

“What it Costs” is something new for the band as it features Tim Foreman on lead vocals for the first time in the band’s seventeen year history. This excellent song is featured at a key and emotional point in the film when Jon had to return home to be with his daughter Daisy who was ill.

Hold on to me, carry me through
Our story is the pain that we outgrew
Yeah, you can’t call it love until you’ve lost
If you love someone this is what it costs

“Slow Down My Heartbeat” is a song that would not have fit on the original album, either lyrically or musically, but I’m glad it was included here.

It’s alright, It’s alright
Euphoria’s gone
It’s time to move on
I have to believe we can change

“Liberty” is a triumph song in which Jon sings:

Show me the freedom from these chains
Show me a battlefield that’s safe
That world is still a world away
But you are my liberty

The closing acoustic cut features a ukulele and excellent background vocals that would have fit on the original album. They sing:

Of the distant oceans, the fallen mountains
The great wide open of the desert sky
And where I’ll be is where you found me
Meet me here at the edge of the earth

What a great surprise to get seven new Switchfoot songs! I highly recommend you watch the film (you can rent it or watch the television premier on Palladia on October 4). It will give you a better context for these songs from a great band.

Anomaly by Lecrae

Anomaly, Lecrae’s seventh album, was one of my most anticipated albums of the year. Those that pre-ordered the 15 song album, received four tracks – “Nuthin”, “Fear”, “All I Need is You” and “Say I Won’t (with Andy Mineo) in advance. I listened to those songs alot in the weeks leading up to the release. Then, the week before its release, Anomaly streamed free on iTunes Radio. The album debuted at #2 on the iTunes album charts and #1 on the Hip-Hop/Rap charts. It also debuted at #1 on the Billboard Top 200 Album chart.
Lecrae, who has become one of my favorite artists in the past few years, is at the top of his game with Anomaly. One of the major themes of the album is of Lecrae (and Christians) being outsiders, strange, different, other underdogs, etc. That message comes through specifically in “Outsiders”, “Anomaly”, and “Say I Won’t”. The production, music and vocals are all strong. Special guests include Andy Mineo, Crystal Nicole, Kari Jobe and For King and Country.
Below is my brief take on each song and/or some lyrics that I found of interest:
Outsiders – This song opens with strings and a slow tempo. Lecrae suggests that it is better to be seen as an outsider than on the wrong view of righteousness.
I won’t stay here another night
If I gotta sacrifice
Who I am on the inside
I’d rather be an outsider
And you can stay if you’d like
I’ll see you on the other side
I wanna live the free life
I’d rather be an outsider

I’d say there’s plenty of people like me
All outsiders like me
And all unashamed and all unafraid to live out what they’re supposed to be
Outsiders!

Welcome to America – Lecrae looks at America from different perspectives – as a drug dealer, a soldier and lastly as an immigrant wanting to come to America.
I’m trying to find me a ticket
Where the sky is the limit, catch a plane to America

But I’m packing my suit
Farewell to my mother land
Say’n bye to my loved ones
Fate, here I come, I’m gone to another land
I done made it to America
I’m amazed at America
But I couldn’t get approval to stay, so they sent me away from America

Say I Won’t – Featuring Andy Mineo, this song dares Christians to be different from the status quo.
See, I been a rebel since back in the day
I don’t follow the people, I follow the leader
Through the valleys and shadows of death and I fearing no evil

Nuthin’- Lecrae sings that other rappers are not saying anything of interest – they’re not saying nuth’n.
I can’t hear cause you
Ain’t talking ‘bout nuthin’

I think we were made for more
Than just, ya know, the simple things that we aspire toward
We were made for more than just telling stories about
How much money we can get by selling poison to people
It’s time to talk about who we are and who we can be
And we need to build each other up and not put each other down
I feel like we not talking about nothing right now

Fear –
I honestly grow insecure as I get older
Cuz’ even when you hot there comes a day when you get colder

My nightmares are having nightmares
I’m quite scared of what’s right and wrong
How I fear an eternity
Will I hear well done when He turn to me?
Will I hear you care too much about
All this stuff that really don’t matter?

Anomaly – I like the use of horns on this track.
Trying to get a throne on my own so I can put my feet up
Thank God my kingdom was overthrown by the Soul Redeemer

We are the odd
The outcast
The peculiar
The strangers
And they say you don’t fit in
But I say God created us to be anomalies
The system didn’t plan for this

Timepiece –
They say He’ll be coming in no time
Pray I pay attention cause I’m giving Him no time

Did we tick Him off by wasting all these ticks on this clock?
Or is He graciously giving me time to give Him my heart?
I’m sure it’s the latter, sure that it matters
And I believe I’ve been given all this time so I could try to redeem it

Dirty Water –
Most segregated time of day is Sunday service
Now what you think that says about the God you worship?

Wish – Is a song about wanting to atone for past mistakes.
Wish I had another chance
Maybe I’ll do better
Every time I think about all of my mistakes
I just wanna turn it around

Runners – This song is about discouraging men from being players.
Uh, I pledge girls, then it’s on to the next girl
My next girl eventually be my ex-girl
But it’s funny how it all unfolds
I done finally found a woman I ain’t never letter go

Born a sinner just like any man standing
Couldn’t keep standing so God sent a stand-in

All I Need is You – This song could be directed to Lecrae’s wife or to God, though it’s most likely the former. I could see this becoming a hit on mainstream radio.
Cause you plus nothin’ is everything
You my everything

By my side, thick and thin
Highs and lows, don’t let go
We gonna ride, we gonna win
All I need is you

Give In – This song features guest vocalist Crystal Nicole.
They laugh at me and say I’m going too far
But it’s satisfying my soul to give you my all

Tell me who I’m gonna call on
Whose solid ground can I fall on

It’s time to cut the cord
Sever the ties form the life before
From here on out I’m yours
I can’t run no more
Cause you’re pulling me in
Like a tornado wind
And I can’t pretend
I try leaving
But your love so strong
And it won’t let go
You’re holding on to me

Good, Bad, Ugly – This song has Lecrae opening up about difficult circumstances from his past – being molested by a babysitter, and also the abortion of his child with a girlfriend after he became a Christian.
Heard a heartbeat that wasn’t hers or mine
The miracle of life had started inside
Ignored the warning signs

But I was too selfish with my time
Scared my dreams were not gonna serve
So I dropped her off at that clinic
That day a part of us died

I was barely in the first grade

Folks working late, I had a babysitter

Did a few things that’s hard to say
Told me to keep that secret safe
How a young boy supposed to deal
I’m trying to act like it ain’t real

But I’ve been forgiven, my Savior risen
I’m out of the prison, I know that
I got the power to say no to all my struggles
God will control that
Every time we slip and we fall
Gotta get back up and fight on
We are not defined by our past
The future look bright, I see the light on

Broken – This is a duet with Contemporary Christian worship singer Kari Jobe.
All the pieces on the ground
I shattered all the dreams
I thought I found
And you put me back together
I need your grace for my flaws
God I’m broken in this mess I’ve made
I need you to restore me

We are outsiders, outliers, out-criers, loud and meek

Messengers – features For King & Country, who debuted their new album at #2 on iTunes on September 16. It’s a call to share the gospel.
How will the people know if we don’t tell em’?
If we fail em’
They’re stumbling in the dark
But the lighters that we carrying
Don’t have to wonder your purpose
Or what you’re here for
Reflect His image
And show the world what He cares for

As a thank you to his fans after Anomaly hit number one on Billboard Lecrae released “Non-Fiction” on Soundcloud. Listen to it here: http://www.billboard.com/articles/columns/the-juice/6258747/lecrae-thanks-fans-for-no-1-album-with-new-song-non-fiction

Just like U2 on Songs of Innocence, Lecrae is at the top of his game with Anomaly. He is making a difference in the often dark world of hip-hop/rap. I pray that he continues to shine Christ’s light in that place.

Songs of Innocence – U2
****

OK, let’s get this out of the way. U2 is my favorite band. There, I’ve said it.

Their last album was 2009’s No Line on the Horizon. There have been many rumors of a new album since then, all of which proved to be false.

The band did release two new songs within the last year – “Ordinary Love” from the film Mandela – Long Walk to Freedom, and “Invisible”, which led to strong speculation of a new album and corresponding tour. But those hopes were quickly dashed when the word came out that both were being delayed until 2015.

Last week at Apple’s event to introduce the new iPhone 6, U2 and iTunes stunned everyone by releasing the new U2 album Songs of Innocence. The album, their 13th studio album, was downloaded free to 500 million iTunes accounts worldwide, and will be available exclusively on iTunes until the expanded physical and digital versions are released on October 14.

I was stunned with the news of both the long awaited album and the fact that it was already downloaded to my iTunes account. The unexpected joy that I felt was the same I felt when I first saw the Beatles Sgt. Pepper’s Lonely Hearts Club Band and The Beatles (“White Album”) at K-Mart so many years ago. I couldn’t wait to listen to it. I had been anxiously waiting for Lecrae’s Anomaly to be released on the same date, but had to put that aside to listen to Songs of Innocence. And let’s just say that I wasn’t disappointed. The album received a rare 5-star rating from Rolling Stone magazine. Read that here: http://www.rollingstone.com/music/albumreviews/u2-songs-of-innocence-20140911
The album is not a complete concept album, but the theme of looking back is pervasive. In an interview, Bono stated:

“We wanted to make a very personal album. Let’s try to figure out why we wanted to be in a band, the relationships around the band, our friendships, our lovers, our family. The whole album is first journeys – geographically, spiritually and sexually.”

As they began work on the album the band went back to its roots listening to the music they loved in the 1970’s, from punk rock to David Bowie, glam rock, early electronica and Joy Division.

Over the past few years the band has worked with multiple producers, and scrapped an album that was to be called Songs of Ascent. Several producers receive credit for the new album.

The album gets its title after William Blake’s 1789 collection of poems about man’s perpetually great age of discovery – childhood. Here is my brief take on each song on the album, including lyrics that I found of interest:

1. The Miracle (of Joey Ramone) – This song is about the first time Bono heard the Ramones.

I woke up at the moment when the miracle occurred
Heard a song that made some sense out of the world
Everything I ever lost, now has been returned
In the most beautiful sound I’d ever heard

We got language so we can’t communicate
Religion so I can love and hate
Music so I can exaggerate my pain, and give it a name

2. Every Breaking Wave – A classic U2 ballad with an opening reminiscent of “With or Without You” and keyboards that reminded me a lot of Danny Federici from Springsteen’s E-Street Band.

Every breaking wave on the shore
Tells the next one there’ll be one more
And every gambler knows that to lose
Is what you’re really there for

Every sailor knows that the sea
Is a friend made enemy
And every shipwrecked soul, knows what it is
To live without intimacy
I thought I heard I heard the captain’s voice
It’s hard to listen while you preach
Like every broken wave on the shore
This is as far as I could reach

3. California (There is No End to Love) – This song is about U2’s first trip to California in the early 1980’s. It opens with a tip of the cap to the Beach Boys.

4. Song for Someone – This song is about a first love, probably Bono’s wife Ali. The couple first met when Bono was 14.

If there is a light you can’t always see
And there is a world we can’t always be
If there is a dark we shouldn’t doubt
And there is a light, don’t let it go out

And I’m a long, long way from your Hill of Calvary
And I’m a long way from where I was and where I need to be

5. Iris (Hold Me Close) – This touching song is about Bono’s mother who died after collapsing at her father’s funeral when Bono was 14.

The ache
In my heart
Is so much a part of who I am

Hold me close, hold me close and don’t let me go
Hold me close like I’m someone that you might know
Hold me close the darkness just lets us see
Who we are
I’ve got your life inside of me

6. Volcano – This is a driving, bass-heavy rocker.

7. Raised by Wolves – This song is about 1974 car-bombings in Dublin and Monaghan, killing 33. Bono states that “On any other Friday I would have been at this record shop, but I cycled to school that day. The bomb tore apart the street. I escaped but one of my mates was around the corner with his father and it was a very hard thing for him to witness and I’m not sure he really got over it.”

Face down on a broken street
There’s a man in the corner in a pool of misery
I’m in a white van as a red sea covers the ground
Metal crash I can’t tell what it is
But I take a look and now I’m sorry I did
5:30 on a Friday night 33 good people cut down

Boy sees his father crushed under the weight
Of a cross in a passion where the passion is hate
Blue mink Ford, I’m gonna detonate and you’re dead
Blood in the house
Blood on the street
The worst things in the world are justified by belief

8. Cedarwood Road – Bono grew up at 10 Cedarwood Road in Dublin, alongside friends Guggi Rowan and Gavin Friday. The song is dedicated to Rowan.

I was running down the road
The fear was all I knew
I was looking for a soul that’s real
Then I ran into you
And that cherry blossom tree
Was a gateway to the sun
And friendship once it’s won
It’s won….it’s one

All the green and all the gold
The hurt you hide, the joy you hold
The foolish pride that sends you back for more

If the door is open it isn’t theft
You can’t return to where you’ve never left
Blossoms falling from a tree they cover you and cover me
Symbols clashing, bibles smashing
Paint the world you need to see
Sometimes fear is the only place we can call home

9. Sleep Like a Baby Tonight – Bono sings in a falsetto about child abuse (a pedophile priest) within the church.

You dress in the colours of forgiveness
Your eyes as red as Christmas
Purple robes are folded on the kitchen chair

You’re gonna sleep like a baby tonight
In your dreams, everything is alright
Tomorrow dawns like someone else’s suicide
But you’re gonna sleep like a baby tonight
Like a bird, your dreams take flight
Like St. Francis covered in light
You’re gonna sleep like a baby tonight

Hope is where the door is
When the church is where the war is
Where no one can feel no one else’s pain

10. This is Where You Can Reach Me – The song is dedicated to Joe Strummer of the Clash, and is inspired by a Clash concert that U2 attended in 1977.

11. The Troubles – This song features Swedish pop singer Lykke Li, who repeats the refrain:

Somebody stepped inside your soul
Little by little they robbed and stole
Till someone else was in control

Bono sings:

You think it’s easier
To put your finger on the trouble
When the trouble is you
And you think it’s easier
To know your own tricks
Well, it’s the hardest thing you’ll ever do

God knows it’s not easy
Taking on the shape of someone else’s pain
God now you can see me
I’m naked and I’m not afraid
My body’s sacred and I’m not ashamed

Very complete liner notes (lyrics, credits and a looking back essay from Bono) is included.

Throughout the album the energy is high, the production clear, and Bono’s voice and the band sound great. With a band that has the catalog of U2, it’s hard to compare where a new album falls within its best work. For me, Songs of Innocence is my favorite U2 album since 2000’s All That You Can’t Leave Behind, and that’s pretty good.

Here’s a short behind-the-scenes ‘Innocence’ video that U2 released on Twitter a few days after the album release: http://www.usatoday.com/story/life/music/2014/09/11/u2-twitter-songs-of-innocence/15440715/
And it looks like there is more to come. Bono states:
“We’re collaborating with Apple on some cool stuff over the next couple of years, innovations that will transform the way music is listened to and viewed. We’ll keep you posted. If you like Songs of Innocence, stay with us for Songs of Experience. It should be ready soon enough… although I know I’ve said that”.

Now, about that tour…..

Next week we’ll look at new releases by Lecrae and Switchfoot.

20 – Jars of Clay
********

Jars of Clay is one of my favorite bands. I first saw them in concert at the Agape Festival – hosted by Greenville College where the band members met – several years ago, and have seen them in concert many times over the past twenty years. Their albums such as Good Monsters, The Shelter and Inland, have been some of my favorites.

The band celebrates their twentieth anniversary with a gift for their fans. This new album features two songs from each of their studio albums (with the exception of the collaborative effort Jars of Clay Presents The Shelter and their Christmas record Christmas Songs). The songs were chosen by their fans, and are not necessarily the band’s greatest hits (you won’t see “Flood” or “Two Hands” here, for example), but instead the songs that have meant the most to their fans, some of which haven’t been played by the band on stage for more than ten years. The songs are re-recorded, with a stripped-back acoustic approach, cleanly produced so that you can enjoy the band’s distinctive harmonies, plus the acoustic guitars and string. A few special friends join on background vocals – Ashley Cleveland on “Jealous Kind” and Marcy Pendergrass on “Worlds Apart”. The concept for the album reminds me of Steven Curtis Chapman’s 2011 album Re:creation, in which he re-recorded many of his most popular songs in a stripped-back manner.

The album also features two new songs – “Ghost in the Moon”, which had previously been available on Nashville Indie Spotlight 2014, and “If You Love Her”, inspired by the band’s work with Blood:Water, the organization they founded in 2004 that has raised more than $22 million to help with the water crisis in Africa. Here is a link to the organization’s site: http://www.bloodwater.org/ Here is a video of the band performing the song live: http://vimeo.com/40400416
Below is the track list for the album:
Disc 1:
Fade To Grey
Worlds Apart
Tea and Sympathy
Silence
No One Loves Me Like You
Collide
Jealous Kind
God Will Lift Up Your Head
Ghost In The Moon
If You Love Her

Disc 2:
Trouble Is
Something Beautiful
I Need Thee
Boys
Dead Man
Oh My God
Safe To Land
Inland
Love In Hard Times
Love Song for a Savior

Highly recommended for Jars of Clay fans, this is also a great way for new fans to be introduced to the band.

Sovereign – Michael W. Smith
*** ½

Michael W. Smith is a multi-talented performer, with multiple Christmas, worship and instrumental albums, along with his pop albums since beginning his career in 1983. He has also starred in a film, Steve Taylor’s The Second Chance. He has sold more than 15 million albums, had 28 number 1 hits, earned three GRAMMY® Awards and more than 40 Dove Awards.

His new album Sovereign debuted at number 10 on the Billboard Top Albums chart and number 1 on iTunes and Amazon Christian and Gospel charts in the US and Canada. Sovereign is also available as a Deluxe Edition which includes a special DVD concert filmed at Smith’s barn in Franklin, Tennessee, and features guest appearances from Kari Jobe and Leeland Mooring. The DVD also includes special behind the scenes footage and content with Smith discussing the inspiration behind Sovereign.

This has been a particularly active year for the 56 year-old “Smitty”, with the release of first the traditional Hymns project in March, and now the modern worship studio album Sovereign. It is also his first album on Sparrow Records, after being with Reunion his entire career. He chooses to include five cover songs on the twelve-song album, not unusual for his worship projects. About the new album, Smith says:

‘…sometimes you’ve just got to shake things up…I feel like it’s a good season. I’m pretty passionate. I have lots of energy and I’m probably enjoying making music more than I ever have in my entire life. I’m having fun and I’m excited about this record and this next chapter…’

The first single released from the album is “You Won’t Let Go”, which will be immediately recognizable as a Michael W. Smith song. Michael covers two of Dustin Smith’s tracks on this album, “You’re The Fire,” and my favorite song on the album, “The One That Really Matters”, a duet with Kari Jobe.

All Sons and Daughter’s song, “Christ Be All Around” gets its own Smitty treatment, another of my favorite tracks. Smith’s version is more up-tempo than the original, and includes some background vocals.

Smith includes seven new original songs which fit in nicely with the covers. My other favorites are “Sky Spills Over”, “All Arise”, “Sovereign Over Us”, “The Same Power” and “I Lay Me Down”. I was pleasantly surprised with the new album. Smith’s voice, never strong, sounds great, the production is crystal clear and many of the songs feature a current sounding heavy bass beat. The album includes several songs which could be Christian radio hits and also sung by congregations, and “The One That Really Matters” is one of my top songs for the year.

Terms of My Surrender by John Hiatt
****

This is the 22^nd studio release for John Hiatt, a critically acclaimed songwriter, who is 40 years into his recording career. It is produced by Doug Lancio, the lead guitarist from the Combo, Hiatt’s excellent band. Hiatt continues to be prolific, this being the ninth album he has released over the past fifteen years (and fourth studio album in five years). This one has a mostly acoustic blues feel to it. Though Hiatt initially picked up an electric guitar on day one of recording – he had in mind playing some rough-edged electric guitar for the core sound – Lancio thought acoustic would be a better fit for the songs. Hiatt also plays harmonica on the album, which he hasn’t done recently. They recorded most of the album in a live setting in one basic take, which was fitting since the band in the studio was Hiatt’s exceptional touring band (Lancio, Nathan Gehri, Kenneth Blevins, and Brandon Young).

I first became aware of Hiatt via an article written by Bryan Quincy Newcomb in the Harvest Rock Syndicate publication after the 1987 release of Hiatt’s Bring the Family album, most likely his best. Hiatt talked openly about his past alcohol and drug addiction in the article. I’ve followed Hiatt ever since, enjoying his fourteen studio albums (plus live and compilations) and have seen him in concert at the Ravinia Festival twice.

Hiatt is a talented lyricist and satirical storyteller, and weaves hidden plot twists into fictional tales ranging in topics including redemption, relationships, growing older and surrendering on his terms. The new record features Hiatt’s soulful, gritty voice, which mirrors the gravity of his reflective lyrics. Hiatt sings in a lower register, indicating that at 61, he doesn’t have the top range any longer. Brandon Young adds the higher ranger background vocals. Terms of My Surrender will remind some of his excellent Grammy nominated Crossing Muddy Waters record.

Hiatt indicates that the tales included here aren’t autobiographical, but they are still, in many regards, his. “It’s more stories, storytelling, from different perspectives,” he says. But he allows, “I guess from a point of view. I guess it’s mine, if you want to put it that way, at a given time. It changes.”

In the song “Face of God,” the narrator asks how long he must suffer before seeing God’s face. It includes a line drawing on a Kenneth Patchen poem: “They say God is the Devil until you look him in the eye.”

“At the end he’s saying to his woman, ‘I’ve done enough, show me what you’ve got,’” Hiatt says. “That’s not the way I feel about things. This guy’s genuinely in some kind of struggle to lift himself out of whatever he’s struggling with. He’s got issues — issues with people who have big cars and show their wealth, while he’s coming in through the kitchen door. That’s definitely not me. I come in the kitchen door.”

Ditto for the guy on the prowl in “Baby’s Gonna Kick” — with the kicker line being that she’s “gonna kick me out” and the killer couplet of “listening to John Lee Hooker/Got my mind on a slow meat cooker.”

“Don’t know where that came from,” he says. “Kinda sexual. Kind of a frisky song — playful. I love the groove on that. That and a couple of other songs showcase Kenneth. Been playing with him since 1987 and he just gets better and better.”

A rarity these days, the iTunes version of the album includes liner notes and a lyric sheet, always a treat for a John Hiatt album. Some of my favorite lyrics from the record are:

Friend of mine said a long time comin’, I’m just a long time gone

Now the thought police are coming Right up to your door They say you have no liberty If you’re who they’re looking for

I’m ridin’ downtown dialed to John Lee Hooker Got my mind set on a slow meat cooker My baby is gonna kick me out someday

Somebody said wolf’s howlin’ at my door I ain’t seen the wolf since I was 24 My baby is gonna kick me out someday

I play some poker on Friday night But I’m always holdin’ my cards too tight I got a tell, it’s my twitchy eye They take my money and it makes me cry

Scared I’ll get what I deserve Or maybe scared I won’t

I’m sittin’ in my garage Starin’ at my motorcycle My heart is so heavy, like a stack of bibles

Sometimes love can be so wrong Like a fat man in a thong It walks shamelessly away

Old people are pushy They don’t have much time They’ll shove you at the coffee shop Cut ahead in the buffet line

This is an album that I’ve listened to a lot since it was released a few weeks ago. While it seemed simple at first listen, I find more complexity coming out in each additional listen. This is a worthy entry into the already impressive Hiatt canon. My favorite songs are “Long Time Comin’”, “Face of God”, Baby’s Gonna Kick”, “Marlene”, “Nobody Knew His Name”, and the Dylan-like “Terms of My Surrender”. I hope he comes around someplace close (he has played in Bloomington a few times in the past few years) so that I can hear some of these songs live.

Concert Review ~ Chris Tomlin and Brandon Heath at the US Cellular Coliseum July 19

Brandon Heath opened the show with a pleasing set (photo from previous night in Missouri)

Chris Tomlin led the crowd through an hour and a half of worship and fun (Photo from previous night in Missouri)

The evening began with a pleasing set by Brandon Heath before a decent, but not full house at the US Cellular Coliseum for a night of worship and some fun. Heath started the evening with a 45 minute set playing acoustic guitar accompanied by the keyboardist from Chris Tomlin’s band. Heath did a nice job connecting with the crowd, who sang along with his popular radio hits.

If you’ve never been to a Chris Tomlin concert, it is more of a worship experience than it is a concert. Lyrics are projected on a large screen so the audience can sing along, which they did from the beginning “How Great is Our God” to the closing cover of friend and frequent co-writer Matt Redman’s “10,000 Reasons (Bless the Lord)”. It has been estimated 40 million people sing Tomlin’s songs each week in church and some of them were at the US Cellular Coliseum Saturday night, singing along with Tomlin on every word.

Tomlin played a 90 minute set in his first ever concert in Bloomington/Normal. Below is the set list:

Main Set
How Great is Our God
God’s Great Dance Floor – a high energy fun song with got a great reaction from the crowd.
I Will Follow You
Waterfall – Tomlin’s new single.
Jesus Messiah
White Flag
At the Cross (Love Ran Red) – the title song of Tomlin’s forthcoming fall album and my favorite song of 2014 thus far. Looks for this one to be sung in churches around the world soon.
Amazing Grace (My Chains Are Gone)
Whom Shall I Fear (God of Angel Armies) – was dedicated to a five year old boy Tomlin met before the show who has endured multiple surgeries for brain cancer.
Our God
God’s Great Dance Floor Reprise – several large beach balls were sent throughout the arena as the crowd had a great time.

Encore
The Heart of Worship – a Matt Redman song.
10,000 Reasons (Bless the Lord) – another Matt Redman song, with Brandon Heath.

This is the third time I’ve seen Tomlin in concert. His music has meant a lot to me over the past several years and it’s a regular part of getting ready for Sunday morning worship each week. I can’t wait for the next album and hearing him do some of those songs in concert.

John: A Misunderstood Messiah by Michael Card
****
This is the last in Michael Card’s series of four Biblical Imagination Series records, this one based on the Gospel of John. Michael told me it is probably the last 10-song album of his career, because the music industry has changed so much.

The album includes new versions of previous favorites “Scribbling in the Sand” and “Stranger by the Seashore”, which was one of the first songs he ever wrote and has been released in two previous versions (on First Light and again on A Fragile Stone).

When Michael was in town in April to do a Biblical Imagination Conference on the Gospel of Matthew and perform a concert, the album was being worked on back home in Nashville. Michael was getting updates throughout the weekend on the background vocal work by a gospel choir that was being done for the record, which shows up on “How Can These Things Be?” During the concert sound check he played us the beautiful “All I’ve Ever Done”, sung by Ginny Owens from the perspective of the woman at the well, certainly a highlight of the record.

Here are Michael’s comments about the new songs:

“John is interested in longer stories of individual people like Nicodemus, the woman at the well, and the woman taken in adultery. I’ve written songs on each of those extended stories.

“The Bread, The Light, The Life”. There are no parables in John’s Gospel. Instead he tells the story of Jesus’ life as a parable. (John 6:35; 8:12; 11:25)

“Come and See”. One of the ﬁrst words from Jesus’ lips in John is “Come and See.” (John 1:39)

“The One Who Was Sent”. If you ask Jesus who He is in the Gospel, He invariably responds that He is the “Sent One.” (John 5:24; 30, 36-38, 6:39f, 44, 57, 7:16, 29, 33, 8:16, 18, 26, 42, 9:4, 11:42, 12:44f, 13:16, 20, 14:24, 15:21, 16:5, 17:3, 8, 18, 21, 23, 25, 20:21).

“How Can These Things Be?” The story of Jesus speaking with Nicodemus is unique to John. What made the Pharisees blind was their insistence that they could see.

“All I’ve Ever Done”. A special appearance by Ginny Owens, who wrote the music. I thought it would be cool to have a female voice sing the woman at the well’s story, especially a wonderful voice like Ginny.

“Come to Me and Drink”. The 7th chapter of John contains my favorite story from the Gospels. I have been waiting 30 years to write a song about Jesus bravely standing up in the middle of the vast Sukkot crowd and shouting, “If anyone is thirsty, let them come to me and drink.”

“Scribbling in the Sand”. This was recorded once before for a live video. I thought its message was important enough to record one ﬁnal time.

“Jesus Wept”. I have never heard a song about the ﬁrst occurrence of Jesus weeping on the way to Lazarus’ tomb. The second time we see Him weeping in the Gospels, the reason why is clear. But the text does not answer the question why He cried this ﬁrst time in John. I love the ambiguity.

“One Long Final Walk”. Chapters 15 to 17 contain the longest discourse of Jesus which occurred on their ﬁnal walk to Gethsemane.

“Stranger on the Shore”. One of the ﬁrst songs I wrote under Bill Lane came from one of his sermons on John 21, the second catch of ﬁsh. I have previously recorded this song twice but felt the need to do one ﬁnal version for this collection on John.”

The album is beautifully and simply produced by Keith Compton. The music credits are below:

Michael Card – Vocals/Guitar/Piano Banjo/Bouzouki
Scott Roley – Vocals
Kate Card Wharton – Bodhran
Bill Verdier – Fiddle
Danny Olannerty – Bass
Matt Pierson – Bass
Ken Lewis – Drums
John Reddick – Vocals
Dave Cleveland – Guitars
Paul Eckberg – Percussion
Ginny Owens – Vocals/Piano
Scott Brasher – Strings
Wayne Bucknor – Piano
John Catchings – Cello
Choir – Janice Gaines, Dorena Willamson, Harmonie Reddick and Jon Reddick

These songs are classic Michael Card. What attracted me initially to Michael, and why I have followed his ministry for almost 30 years since purchasing his Known by the Scars record in 1985, is how he creatively brings the Bible to music. The instrumentation, while excellent, is always secondary to Michael’s lyrics. I enjoyed the piano work, particularly on “Scribbling in the Sand” and “Stranger on the Shore”. The choruses of those two songs and the beautiful “Jesus Wept” are powerful:

“Scribbling in the Sand”
It was silence. It was music
It was art. It was absurd
He stooped and shouted volumes
Without saying a single word
The same finger of the strong hand
That had written ten commands
For now was simply scribbling in the sand

“Stranger on the Shore”
You need to be confronted by the stranger on the shore
You need to have him search your soul; you need to hear the call
You need to learn exactly what it means for you to follow
You need to realize that he’s asking for it all

“Jesus Wept”
Did Jesus weep
For their disbelief
Or did He cry
Because his friend had died
Took on himself
All of their pain and fear
Explain their mystery of
His silent tears

I really enjoyed Michael’s collaboration with good friend Scott Roley on “The One Who Was Sent” as their voices blend perfectly on the chorus:
He is the One who was sent by the Father
He is the One who acted out of love
He is the One who was led by the Spirit
He is the One who was sent from above

I recommend that you pick up the companion book John: The Gospel of Wisdom. Better yet, pick up the entire Biblical Imagination Series of books and records. Check them out from the store on Michael’s website here:

Albums – http://store.michaelcard.com/albums.aspx
Books – http://store.michaelcard.com/books.aspx

Michael will be offering Biblical Imagination Conferences on the Gospel of John in 2015. Watch his website for a location near you: http://www.michaelcard.com/#/biblical-imagination/conference-dates

Concert Review ~ Paul McCartney at the United Center July 9

(Photo courtesy of the Chicago Tribune)

Last Wednesday Paul McCartney stopped in Chicago for his Out There tour. It was the eleventh time I have seen the recently turned 72 year-old former Beatle in concert since the first time at the Rosemont Horizon (now Allstate Arena) with my brother-in-law Al in December, 1989. I have seen him in Chicago six times (Rosemont Horizon, Soldier Field, Wrigley Field and three times at the United Center), Indianapolis (at the old Market Square Arena and twice at Conseco Fieldhouse, now known as Banker’s Life Fieldhouse), Milwaukee (the old Country Stadium) and St. Louis (the old Busch Memorial Stadium).

For me, McCartney concerts always stir emotions as no other concerts can, as the songs are really the soundtrack of my life. For example…..I can remember my Aunt Linda screaming at the television in her parents’ (my grandparents) living room as the Beatles appeared on the Ed Sullivan Show. Later in that same home, my brother Mike and I first saw the Rubber Soul album in our Aunt Cindy’s room. My first single was the late 1963 released Beatles’ two-sided hit “I Want to Hold Your Hand”/”I Saw Her Standing There”, with its black & white cover sleeve with the boys in their “Beatles suits” and McCartney holding a cigarette (see below):

Jump ahead, I remember seeing Sgt. Pepper’s Lonely Hearts Club Band and the “White Album” for the first time at K-Mart. I had to wait for Christmas to get the latter album, which was released November 22. I can remember singing “Hello Goodbye” with teammates on the bus traveling to a 6th grade basketball game, “Get Back” with classmates in junior high school, and talking about the sudden ending to “I Want You (She’s So Heavy)” on the school bus in 1969. I listened to the “bootleg” recordings from the Get Back sessions (later released as Let it Be) with a friend; went to see the Let it Be movie with my Dad followed by Tobin’s Pizza downtown Bloomington location afterwards; and seeing the Yellow Submarine movie with my brother. I remember listening in my room to Larry Lujack debut “Lady Madonna” on WLS “The Big 89” radio in 1968. And I could go on (and on).
Sir Paul resumed his Out There tour on July 5 after being forced to take nearly two months off due to a virus that left him hospitalized. He called off the Japan leg of the tour and a South Korea show after falling ill on May 16, and later postponed a number of US dates. He spent six days in a Tokyo hospital being treated for the viral infection.
My brother and I had seen McCartney on an earlier leg of the Out There tour last July in Indianapolis, just prior to the release of his excellent New album. In this show, he included four songs from that album – “New”, “Save Us”, “Queenie Eye” and “Everybody Out There”, the latter of which seems to have been written for a concert setting. Here is the entire set list from the show: http://www.setlist.fm/setlist/paul-mccartney/2014/united-center-chicago-il-7bc1eae0.html
Observing the crowd at a McCartney concert is always fun as you see a variety of ages, and a surprising number of young people. The prices are always interesting too ($35 for “preferred” parking – meaning you would be able to get out, without being blocked in), $40 t-shirts and $30 programs).
The concert was a celebration, with McCartney and his long-time band launching into “Eight Days a Week”, the first of an incredible 39 songs over two hours and forty-five minutes. You can enjoy the review of the concert from the Chicago Tribune here: http://www.chicagotribune.com/entertainment/music/chi-paul-mccartney-concert-review-20140709,0,7206684.column

Concert Review ~ James Taylor and his All-Star Band at the Ravinia Festival June 27

I love attending concerts with Tammy at the Ravinia Festival in Highland Park. It’s unlike any other outdoor concert venue I’ve ever been to. We enjoyed a concert at Ravinia for the fourth time last Friday seeing James Taylor and his All-Star Band, in the second of two sold-out shows for him at Ravinia, the oldest outdoor music festival in the United States, with the property dating back to 1904 when it was an amusement park. It has been the summer home of the Chicago Symphony Orchestra since 1936, and annually draws about 600,000 to 120-150 events.

Ravinia has a 3,400 seat Pavilion and 36 acres parkland and lawn which can accommodate about 15,000 more. The laws allows for open seating and picnicking, where concert attendees sit, and with a speakers throughout the grounds, can hear (but not see the artist). Most of those who enjoy lawn tickets (which are priced well below the Pavilion tickets) bring complete supplies for elaborate picnics to the shows, including lawn chairs, coolers full of food, blankets, candles, etc. (as you can see as patrons arrive below). If you’ve never been to Ravinia in Highland Park, check out their website – www.ravinia.com

On a beautiful evening, his eleven piece backing band, including four back-up singers, gave him flexibility with his songs that he hasn’t had with smaller ensembles. This was the second time we had seen “JT” at Ravinia and the fourth time overall we had seen him in concert, dating over a 30-plus year period.

Taylor and the band played twenty-three songs, including three new ones that have not yet been released. After playing the opener “Something in the Way She Moves”, he recalled playing the song in an audition for Paul McCartney and George Harrison. That resulted in Taylor getting signed to the Beatles Apple label and the recording of his first album James Taylor, which was produced by McCartney and featured “Something in the Way She Moves” and “Carolina in My Mind”. Taylor also talked about getting to sit in some of the sessions of the Beatles classic “White Album” in 1968, sharing the studio with them as he recorded his album.

Just before playing “You’ve Got a Friend”, while telling the audience that there would be an intermission, (“I really don’t know why we have an intermission. We just go stand behind the curtain and watch the clock for twenty minutes”), he was looking at the set list for the second set and said that it was “chock full of hits”. He wasn’t joking. Overall, he played a lot of his most well-loved songs, including fifteen songs from The Essential James Taylor and “Up on the Roof” (surprisingly not included in that collection), plus two lesser known songs from his prior albums (“One More Go Around” from New Moon Shine and “Hour That Morning Comes” from Dad Loves His Work. Take a look at the full set list below:

http://www.setlist.fm/setlist/james-taylor/2014/ravinia-music-festival-highland-park-il-73c1b2fd.html

It was a wonderful evening at Ravinia. I can’t wait for JT’s new album, which will be his first album of all new material since 2002 and the next time we see him at Ravinia.

iTunes Session – Crowder
********

This project, released in November 2012, was David Crowder’s first solo effort after the David Crowder Band played their final concert in January, 2012 at the Passion Conference. It was recorded at the famous Capitol Records Studio in Hollywood, and is a stripped down acoustic effort, which includes some of the David Crowder Band’s best songs, along with a few classic hymns. It was the first hint of what we would eventually hear on his excellent first solo album Neon Steeple, released in May, 2014.

The project includes nine songs. Three are from Illuminate (“O Praise Him”, “Open Skies” and “No One Like You”), three are from the band’s final album Give Us Rest (“Let Me Feel You Shine”, “Because He Lives” and “After All (Holy)”), and one each from Church Music (“How He Loves”) and Collision (Hank Williams’ “I Saw the Light”). Below is the complete set list:

How He Loves
After All
I Saw the Light
Because He Lives
O Praise Him
The Old Rugged Cross
Open Skies
Let Me Feel You Shine
No One Like You

I wasn’t very familiar with the David Crowder Band’s music, with the exception of their songs on the Passion albums, until they had already broken up. I enjoyed their “Best Of” compilation All This For A King: The Essential Collection released in May, 2013. I would recommend this release for those who enjoyed the David Crowder Band and also for those who like Crowder’s new Neon Steeple album. Crowder will be performing at the House of Blues in Chicago on October 1.

Below Paradise by Tedashii
*** ½

The latest album from Lecrae’s Reach Records family debuted at #1 on the Hip-Hop/Rap chart and #7 on the Top Albums chart. The album is an audio journal of what happened to Tedashii, a Texas native (he and his family attend Matt Chandler’s Village Church in Denton) since losing his young son in March 2013. Below is T-Dot’s description of the album from his website (www.tedashii.com):

“In March of 2013 I had the worst day of my life. The loss of my son changed me forever. I experienced grief and sorrow to the depth of my soul. The veil was lifted, the smoke cleared and all I had was pain. Instantly phrases like, “It’s all good” or “It’ll be okay” were cliché and, at best, empty promises. The comfort of life with no pain was gone and I saw the world in an entirely new way. I felt forsaken, alone, and in a place of darkness that has been kept masked by a focus on only the good side of this life. The reality of being a Christian and suffering so harsh a thing was hard for me to grasp. This album is my “journal” shared publicly with all of you during this difficult journey as I worked to understand all I felt, experienced, and believed. I am human, I am hurt, I am His. By His grace I am what I am. I pray this will be an album all can feel, even if you can’t relate, and be moved to true emotions about the reality of life in a harsh world with a loving God, Below Paradise.”

When I first started listening to this album I noted much less gospel than on other Christian rap/hip-hop artist albums. I also noticed that the songs were more melodic, rather than the anthems Tedashii was known for, and more serious in nature. I didn’t know at the time that the album was Tedashii’s audio journal of what he has been going through since losing his young son in an auto accident in March, 2013. Once I realized that, it changed the way I looked at the record.

This is his fourth album and first since 2011’s Blacklist. It features a strong list of guests – some expected – Lecrae, Trip Lee, Andy Mineo, KB, Derek Minor and some not – Crowder and Britt Nicole. The first single is “Nothing I Can’t Do”, featuring Lecrae and Trip Lee. It has been charting on iTunes top rap/hip-hop songs chart since it was released.

The more hard-hitting tracks are “Nothing I Can’t Do”, “My God”, and the bonus tracks on the deluxe edition “Earthquake” and “On Ten”. (The Deluxe edition contains three songs, and they are worth the additional cost). Two of the songs on the record are about his marriage – “Be with You” and “Love Never Leaves”. “Chase” is a simple ballad featuring Tim Halperin. It is a touching song to Tedashii’s son. Much of the album has a soulful R&B sound with Tedashii rapping the verses and one of the many guests handling the chorus.

Some have written that the album is thematically similar to Steven Curtis Chapman’s Beauty Will Rise, and I agree with that. It is a transparent look into Tedashii’s life, as well as a view of life as we live below paradise.

Neon Steeple by Crowder
****

This is the highly anticipated first solo album from 42 year old David Crowder, former leader of the David Crowder Band, a modern worship band that disbanded in 2012, playing their final concert at the Passion Conference at the Georgia Dome. David Crowder decided to pursue a solo career under the name Crowder, and the rest of the band, except for Mike Hogan, forming The Digital Age. Neon Steeple is a very strong debut.

This is a bit of a different sound for David Crowder Band fans, but over the past few years we’ve gotten a hint of his new direction. “All This Glory” was included by the David Crowder Band on the Passion 2012 album White Flag. “This I Know” was included in All This for a King: The Essential Collection, a David Crowder Band “best of” collection released in 2013. “Here’s My Heart” and “My Beloved” were included in the 2013 Passion album Let the Future Begin. “I Am” and “Come as You Are” were included in the 2014 Passion album Take it All. “I Am” was a single released in November, 2013 (and is already being sung in churches), and along with “My Beloved” were downloads you received when you pre-ordered Neon Steeple. The new sound has elements of bluegrass, folk and electronica thrown into the mix. I’ll let Crowder himself describe it:

“Neon Steeple is a collection of songs and sounds looking forward to the past and counting the present as sacred. It is a longing for belonging, a search for a home. It is a collection of choruses that believe that this is not all there is. It is the sound of the Appalachians and Ibiza. Folk music and EDM. The music of the People. Folktronica. Digital and Analog. The Ones and Zeros and the Handshake. The Banjo and the 808.”

Crowder states that the album is the most personal collection of music he has offered to date. He goes on to state:

“Neon Steeple is both a critique and a hope. A narrative of innocence lost, of displacement, of misplaced affections and misplaced people and the search for belonging and home and forgiveness and reconciliation, the tension of death and life leaning toward resolution, the promised land of what it means to come to life. The story is not about making bad people good, it is about making dead people alive. This is Promised Land. This is Redemption. This is Reorientation. This is Resolution.”

The album features a few special guests. Emmylou Harris sings on “My Sweet Lord” (not the George Harrison song), and Bill Gaither sings with Crowder on “Because He Lives”. In addition, Crowder covers Hank Williams’ “Jesus is Calling”.

Crowder mixes styles – country, dance, folk, bluegrass, modern worship, bluegrass – sometimes in the same song. For example he combines a fast strumming banjo with electronic dance – and it works! Neon is an inert noble gas that is obtained from the distillation of liquid air, what we breathe in and out to stay alive, just thicker. You can drown in it. This is metaphor. Neon, a thing stereotypically used to sell some product or market a way of life that distracts a human from the thickness, the weight, the heaviness, the tension of the here and now. Neon Steeple is both a critique and a hope. A narrative of innocence lost, of displacement, of misplaced affections and misplaced people and the search for belonging and home and forgiveness and reconciliation, the tension of death and life leaning toward resolution, the promised land of what it means to come to life. The story is not about making bad people good, it is about making dead people alive. This is Promised Land. This is Redemption. This is Reorientation. This is Resolution. Neon is an inert noble gas that is obtained from the distillation of liquid air, what we breathe in and out to stay alive, just thicker. You can drown in it. This is metaphor. Neon, a thing stereotypically used to sell some product or market a way of life that distracts a human from the thickness, the weight, the heaviness, the tension of the here and now. Neon Steeple is both a critique and a hope. A narrative of innocence lost, of displacement, of misplaced affections and misplaced people and the search for belonging and home and forgiveness and reconciliation, the tension of death and life leaning toward resolution, the promised land of what it means to come to life. The story is not about making bad people good, it is about making dead people alive. This is Promised Land. This is Redemption. This is Reorientation. This is Resolution.

We have already seen a few outstanding music releases in 2014. Neon Steeple joins Fading West by Switchfoot and Rivers in the Wasteland by NEEDTOBREATHE as my top releases for 2014. I was really looking forward to its release and it doesn’t disappoint. The album debuted at #8 on iTunes charts upon its release this week. this is the most personal collection of material I have offered to date.this is the most personal collection of material I have offered to date.

Obsessed by Jim Gaffigan
*** ½

We saw Jim Gaffigan for the first time recently on the Tonight Show with Jimmy Fallon and thought he was really funny. When this album went on sale on Amazon.com, we bought it and listened to it on the way down to graduation in St. Louis this past weekend. Gaffigan is funny, and clean, which is very refreshing. He is married and the father of five.

This also comes in a DVD format, with the companion comedy special debuting on Comedy Central April 27. Included are 70 minutes of humor, much of it about food. The titles are self-explanatory – Can’t Stop Eating, Fruits & Vegetables, Donuts, Southern Food, Fried Bread, Seafood, etc. He also talks about Mount Rushmore and a trip to Victoria’s Secret. Very enjoyable!

The Essential James Taylor
****

The 66 year old “JT” released his debut album 46 years ago on the Beatles Apple label. Two songs recorded on that album are included on this remastered set, not the original Apple versions, but the 1975 versions recorded for Taylor’s 1976 Greatest Hits album. I bought Taylor’s second album, Sweet Baby James in 1970, and have been enjoying his music ever since. We have seen him three times in concert, and will see him again later this summer at Ravinia in Highland Park.

Taylor’s last album of new songs was 2002’s October Road. Since then, including this release, there have been two “Best Of” compilations, two live albums, two albums of covers and a Christmas album. He took off most of 2013 from touring to work on new material. Here’s hoping for that new album soon.

The first disc here covers the years 1970 – 1977 and the second the years 1979 – 2007. The second disc includes a few live songs from his Live and One Man Band albums. There’s always some controversy about choosing songs for a compilation. The most glaring omission here is “Up on the Roof”, which was included on previous compilations, and perhaps the most surprising additons were Stephen Foster’s “Hard Times Come Again No More”, performed with Yo-Yo Ma, Edgar Meyer and Mark O’Connor and “Honey Don’t Leave L.A.”. It would have been nice to have “Mockingbird”, a hit with then wife Carly Simon, included as well. But overall, it’s hard to argue with the 30 gems that are included.

Passion: Take It All (Deluxe Edition)
****

The Passion movement was birthed out of a vision to reach young adults and college students in 1997. This year, conferences held in in Atlanta and Houston served host to over 35,000 students representing 46 countries and more than 1,200 universities. The students donated over $670,000 that will provide printing and distribution of over 65,000 Bibles to the people of Iran.

I look forward to the Passion conference album of worship music each year. As in past years, I purchased the Deluxe edition, which features two extra songs (from Matt Redman and Kristian Stanfill) and two videos (from Christy Nockels and Crowder), along with a message from Louie Giglio. Including the videos, Stanfill has four songs and Chris Tomlin, Redman, Crowder, and Nockels each have three songs on the Deluxe edition.

The highlight for me were Tomlin’s “Almighty” and especially “At the Cross [Love Ran Red],” which includes the lyrics:
At the cross, at the cross

Where I surrender my life

I’m in awe of you, I’m in awe of you

Where your love ran red

You my sin washed white

I owe all to You, I owe all to You, Jesus

I most enjoyed the songs by Tomlin, Redman and Crowder, including his current radio hit “I Am”. A bit of a disappointment was that of the three Matt Redman songs, only “Worthy” was new, with the other two from his latest album.

This album will be enjoyed most by those who have enjoyed the past Passion releases and who appreciate the music by the artists featured. The lyrics can tend towards being relatively simple and repetitive, which may be due in part to the genre. But overall this was a welcome release from the Passion gang. Chris Tomlin will be in concert in Bloomington at the US Cellular Coliseum on July 19.

Crimson Cord by Propaganda
****

I first heard of Propaganda as one of the many guest artists on Lecrae’s Church Clothes albums. More recently, I read about him on the Desiring God blog – you can read that here: http://www.desiringgod.org/blog/posts/propaganda-about-gods-purpose-in-our-past

His new album Crimson Cord is outstanding, certainly one of the best I’ve heard this year. The song “Daywalkers”, featuring Lecrae, is one of my top songs for the year. It’s a fun song and ‘Crae sings that today he can be found in the steeple teaching and that he’s a product of Descartes, Tim Keller and Outkast.

Propaganda’s music is different from other Christian rap/hip-hop artists such as Lecrae, Trip Lee, Andy Mineo and KB. His music can be intense, and includes spoken word tracks. Propaganda also includes some “boom bap”, an effective use of drums on this record. That’s one of the best aspects of “Daywalkers”. Andy Mineo and JGivens guest on “How Did We Get Here”, which along with “Daywalkers” are the two most up tempo tracks here.

The album opens with “You Mock Me”, a spoken word track about how Satan mocks him. He describes what he means by crimson cord, which is a theme that comes up throughout the album, in the title song:
The pain that guides us

The strings that tie us

The coincidence that proves to us God’s existence

Joy we misplace

Beautiful mistakes

The scarlet thread

The crimson cord

Bored of Education” is a scathing critique of the public school system, in which he sings: Dear Board of Education…so are we.

In “I Ain’t Gave Up on You Yet”, he sings that he is upset with a lot of things (including America), but he hasn’t given up on them yet.

“Framed Stretch Marks” uses stretch marks as a metaphor for God’s love and also as a song to his wife for her strength.

“Three Cord Bond” explores the issue of racism told from three different perspectives. He emphasizes that we all need grace as we are all broken. He sings:

But now we understand we suffer the same stain

Gained from a shared ancestor, we all descend from Adam’s sin

Riddles every inch of us but now we see clearly

That crimson cord is one row made from many strands

And each its own color but now what clearly stands

Dyed the color red from our Savior’s bloodshed

The album closes with “Tell Me Yours”, another spoken word song in which he thanks those that have helped him through the years, ending with:
These deserve your thanks

If you see them say I sent you

I didn’t know then, but I know now, and I can’t ignore

These are my crimson cord

You tell me yours

Whereas I complained about repetitive and unimaginative lyrics on the new Passion album, in part due to the worship music genre, I can’t make the same complaint here. Propaganda will challenge you on this album, and each successive listen you’ll pick up more. Highly recommended.

Rivers in the Wasteland – NEEDTOBREATHE
****

The Charleston, South Caroline trio is back with their first album since 2011’s excellent The Reckoning. I’ve been listening to and becoming familiar with these songs for weeks now. I received three songs – “The Heart”, “Difference Maker” and “The State I’m In” with the pre-order. Then they added “Wasteland”. Later, they began releasing a new song on their website every few days – “Feet Don’t Fail Me Now”, “Oh Carolina”, “Rise Again”, “Where the Money Is”, “Multiplied”, “Brother”, “More Heart, Less Attack”.

There are a few things you notice right away when you hear the new music. One is a bare-bones approach to the music and the second is that their faith comes out in the lyrics much stronger than it did in The Reckoning. Bo Rinehart, said in a press release:

“There was so much over-the-top production on the last album and on our tour. We wanted to blow it all up and start over. The idea for the record was to get as much of the production elements out of the way and then force ourselves to not rely on extra stuff and studio tricks and technology. We wanted to force limitations and see how far we could take the songs with just us. Probably 90% of the record is all live takes. It’s very much an honest record.”

“More Heart, Less Attack” was written as a response to the pressure of doing something for the wrong reasons. “Rise Again”, an acoustic ballad, is about the necessity of adversity in order to move forward and “Difference Maker” contemplates the qualities the band hopes to embody in their lives.

There are many songs on the album that I’m excited about. However, when I first heart “Multiply”, I knew that song would be special for believers. Bo writes:

“The first line from my favorite hymn sings these words:

The love of God is greater far than tongue or pen can ever tell.

If we spend the rest of our life singing Hallelujahs, it still wouldn’t amount to what God truly deserves. I need God, even in worship, to help make what little I have to offer worthy of Him. This song is a prayer.

May this offering stretch across the skies and these Hallelujahs be multiplied.

Also, God cannot be contained. He has no limits. Then, couldn’t God use us to spark His exponential ripple effect into motion that could change the entire world?”

“Multiplied”
Your love is like radiant diamonds
Bursting inside us we cannot contain
Your love will surely come find us
Like blazing wildfires singing your name

God of mercy, sweet love of mine
I have surrendered to your design
May this this offering stretch across the sky
This hallelujah be multiplied

Your love is like radiant diamonds
Bursting inside us we cannot contain
Your love will surely come find us
Like blazing wildfires singing your name

God of mercy, sweet love of mine
I have surrendered to your design
May this this offering stretch across the sky
This hallelujah be multiplied

(Multiplied, Multiplied, Oh Multiplied)

God of mercy, sweet love of mine
I have surrendered to your design
May this this offering stretch across the sky
This hallelujah be multiplied
This hallelujah be multiplied

Your love is like radiant diamonds
Bursting inside us we cannot contain
Your love will surely come find us
Like blazing wildfires singing your name

The band is much more open about their faith in these songs than they were on The Reckoning. Below are a few examples:

“Difference Maker”:
Yeah, isn’t it amazing how a man can find himself alone
Call into the darkness for an answer that’s he’s never known
Yeah, isn’t it amazing how a God can take a broken man
Yeah, let him find a fortune, let him ruin it with his own two hands

“Wasteland”:
In this wasteland where I’m livin’
There is a crack in the door filled with light
And it’s all that I need to get by
In this wasteland where I’m livin’
There is a crack in the door filled with light
And it’s all that I need to shine

Oh if God is on my side
Oh if God is on my side
Yeah if God is on my side
Then who can be against me

One of my favorite current songs is “The Heart”:
Ain’t no gift like the present tense
Gotta make hay when the sun is shinin’
Can’t waste time when it comes time to dance

Slammin’ this door with a heavy hand
Signin’ this line like a deed to land
Keeping in touch with the windows down
Dreading this night since the rain hit the ground

Long live the heart
Long live the soul
That knows what it wants
That piece you can find
That part is the whole
It never lets go

Always tryin to be the one outlaw
Goes where he wants never does get caught
Pushing this line like the Lord ain’t comin’
Building this house like he’s scared of something else

Gotta make hay when the sun is shinin’
Can’t waste time when it comes time to dance
Keeping in touch with the windows down
Dreading this night since the rain hit the ground

Speaking about “Brother”, which has a chorus of “Brother let me be your shelter”, Bo stated:

“This song represents a completely different way of looking at each other in this band. Somehow along the way we had talked ourselves into believing that being competitive with each other was a good thing. It really was every man for himself. The band had to go through a pretty tough time to realize how much we needed each other, but we came out the other side with an appreciation that only brothers can have. We want our first instinct from now on to be to stick up for each other.”

The album will not be released until April 15. You can listen to it now here: http://www.needtobreathe.com/riversinthewasteland

Hymns by Michael W. Smith

****

Michael W. Smith’s newest album Hymns was released March 24 exclusively at all Cracker Barrel Old Country Store® locations and online at crackerbarrel.com. The digital album is also available for purchase at select digital retailers, including iTunes and Amazon. It is the first time Smith has recorded an album of traditional hymns, including many that he sang in church when he was young. The album contains 15 songs and is available for $11.99 at Cracker Barrel, $9.99 at iTunes and $8.99 at Amazon.

Hymns was produced by Kyle Lee and Jim Daneker, with the last song on the album produced by Smith. The album’s executive producers are Greg Ham and Chaz Corzine. The album is simply and beautifully recorded, with the focus on the lyrics. It often has a Southern Gospel, bluegrass or even country feel to it, not unlike the Alan Jackson gospel music albums. If you enjoy the classic hymns of the faith and/or Michael W. Smith’s music, you’ll love this new recording.

The songs on Hymns are as follows:

1) “The Old Rugged Cross” (written by George Bennard)

2) “My Jesus, I Love Thee” (written by William R. Featherston)

3) “Were You There” (written by C. Winfred Douglas)

4) “Victory in Jesus” (written by E.M. Bartlett)

5) “How Great Thou Art” (written by Stuart K. Hine)

6) “Just As I Am” (written by Charlotte Elliott)

7) “Near the Cross” (written by Fanny Crosby)

8) “It is Well” (written by Horatio Spafford)

9) “Softly and Tenderly” (written by Will L. Thompson)

10) “When I Survey the Wondrous Cross” (written by Isaac Watts)

11) “What a Friend We Have in Jesus” (written by Joseph M Scriven)

12) “Wonderful, Merciful Savior” (written by Dawn Rodgers and Eric Wyse)

13) “Great is Thy Faithfulness” (written by Thomas O.Chisholm and William M. Runyan)

14) “God of Our Fathers” (written by Daniel C. Roberts)

15) “The Lord Bless You and Keep You” (written by Peter C. Lutkin)

Sun and Shield – Peter Furler Band
*** ½

Peter Furler was the main creative force behind the Newsboys for 22 years, which resulted in 27 #1 radio singles for the band. Since leaving the band in 2009 he has recorded one solo album, the fine 2011 release On Fire. He now returns with an independent release from the new Peter Furler Band, featuring Dave Ghazarian (formerly of Superchick and Audio Adrenaline) on bass and Jeff Irizarry on drums, leading to a much more band driven sound, which will remind many of Furler’s best music with the Newsboys. I know I’ve been listening to some of the best Furler led Newsboys albums of the past this past week. Another exciting feature of this new release is Furler’s reunion with Steve Taylor, my all-time favorite CCM artist. Furler, who plays drums on Taylor’s upcoming release, teams with Taylor for the first time since the Newboy’s Adoration worship album.

With the pre-order of the album I was able to listen to the driving title song, “Dare I Say” – a song directed to the devil, and “Shame” written by Taylor:

This is the last ditch I want to crawl out of
but we all need somewhere to stay
If you could see things from down here
you’d know why it’s better to just look away
shame
after everyone’s long gone
shame
you stay
oh shame
you’re still holding my hand
but shame
you stain
I’ve kept my friends close but you’re still the closer
you took all my faith
took my name
This is my last ditch attempt to escape you ’cause I’ve dug up nothing but…
shame
after everyone’s long gone
shame
you stay
oh shame
you’re still holding my hand
but shame
you stain
time after time after cycles and spirals and finding the floor
just to crash through it once more
you’d think we’d be over but maybe we’re soul mates
or maybe I just hate to leave you for someone better
shame
after everyone’s long gone
shame
you stay
oh shame
you’re still holding my hand
but shame
you stain

Those songs certainly got me excited for the full release. There are many highlights on this record, but the one that many will be talking about, and hearing on Christian radio, is the worship song “Yeshua”, featuring CCM veteran and Furler’s father in law Mylon LeFevre on vocals.

Furler has always been known to write a great hook, and there are plenty of them here on a diverse collection of songs and styles that may best be described as fitting in somewhere between the Newsboys classic Going Public and Take Me to Your Leader albums. And although not credited as a part of the band, Newsboys fans will want to know that Furler’s former band members Phil Joel and Jeff Frankenstein contribute to the new record. Highly recommended!

Inlandia: The Remix Collection – Jars of Clay
****
Jars of Clay has been one of my favorite bands for a long time. Inland, their 2013 release was one of my top albums of last year. I was excited to hear about this remix project, even though I’m somewhat skeptical about remix projects in general.
Inlandia includes seven songs from the original twelve from Inland. It is available at digital outlets only, and costs just $5.99. Each of the seven songs are remixed by someone different. I tend to like the least experimental remixes the best. As a result, the remixes of “Inland” and “After the Fight” are probably my least favorite of the five here and the remix of “Reckless Forgiver”, one of my top songs of 2013, being my favorite. This is definitely a project that fans of Jars of Clay will enjoy.

100 – KB (ep)
****
This has certainly been an exciting time for Christian hip-hop/rap. First, in late 2013, Lecrae comes with Church Clothes 2, which was my top album of the year. Then, fellow Reach Records (the label is owned by Lecrae), artist Andy Mineo releases the iTunes chart-topping EP Never Land and now another Reach Records artist KB releases his own EP, 100, which debuted very high on the iTunes charts and sits at #3 on iTunes’ hip-hop/rap chart. Christian hip-hop/rap has had the ability to impact the mainstream charts in a way that Christian rock/pop has not, as Lecrae’s 2012 release Gravity also debuted at #1 on the iTunes charts.
Producers on the EP include in house producers Gawvi and Joseph Prielozny along with Dirty Rice, Tyshane (son of Papa San and only 17-years old), Ace and GRoc. A theme of keeping things 100 and going all out is a theme throughout this release. KB writes:
“You don’t have to love what you do, to do it with love. Brother Lawrence author of practicing the presence of God said, “God regards not the greatness of our work, but the love it is done with.” So what is there to love? If what we do provides for people it is never an insignificant thing. The means by which God provides for His world is through the labor of His people. To do everything unto him is to work like our lives are not ours but His. He see’s what we do and cares how we do it therefore we give our best. It’s when we give “100” God is honored and this world impacted.”
Every song here is excellent, but the highlight of this six song EP is the title song, featuring Andy Mineo. Here are the lyrics to that song, which once you hear it you won’t be able to get it out of your mind:
100
Andy Mineo:
Yeah all I really know is 100 nothin’ less
100 till nothin’ left
All I really know is 100 nothin’ less
100 till nothin’ left

KB:
I be feeling like Jackie Robinson
Rocking the 42 in my Dodger fit
Gripping the arm that was just took by a pitch
Crowd the opposite saying that I should quit but I done threw all of it
You can hate but you can’t hurt me
You can hate but you can’t hurt me
And my worth is safe I can leave this earth today
Gassed up on grace how they gon’ circle K
I don’t want no new Bugatti
Put me in Nimba County
Liberia I’m serious
Mosquito net and my bible
Concrete bed I’m still smiling
Ain’t eating much but I’m smiling
I’d rather be in the jungle and in the will of God
Then anywhere else outside it
Boy, I’m Bout It
I’m in this life
But my hope ain’t in this life
A good career book for years, I book them peers
A good look just won’t suffice
But homie my life is hidden in Christ
My life is hidden in Christ
Gimme 99 problems plus one Godhead
The result is

KB:
OK, our God’s never failing
Ain’t nothing you can tell Him
Yes He’s the generous type
But you face Him you will take that L in
No our God won’t fail us
We know from where our help comes
So I put my life at stake
Though it might be blood I want that well done (100)
If we flipping burgers if we flipping houses
Man our bank accounts don’t mean nothing
And if we paid a lot or if we paid a bit
We gon’ be going in case He’s coming
We try’na be the best that we can be
And rest so that the world can see that He’s done it
No matter who cuts the checks or where we working at
Man we work for Him and we love it

KB:
I just wanna hear that
Well done my faithful servant
A life full of push back
At that moment will all be worth it
Cause my work is worship
And when He comes back for His church all over the earth
We’ll be given no less then what He gave us first
100
If you are interested in Christian hip-hop/rap, check out any of these new releases by Lecrae, Andy Mineo or KB.

iTunes Session – Third Day
****
Third Day is one of my favorite bands, and I’ve seen them in concert several times, the most recent being in Bloomington in May, 2013. The band recently took the opportunity to revisit some of their most popular songs for this iTunes exclusive release. Recorded live in one day at the historic Capitol Studios in Hollywood, California, the release not only features seven of their most popular songs, but also a cover of Genesis’ “Land Of Confusion”. The production is clear, instrumentation relatively sparse, but effective, and Mac Powell’s distinctive vocals are very strong.

The songs that are covered are:
Tunnel
I Got a Feeling
Land of Confusion
Your Love is Like a River
Cry Out to Jesus
Born Again
Trust in Jesus
I Need a Miracle

Third Day fans will enjoy this release and would also be a good way to introduce new fans to the band.

Never Land – Andy Mineo
****

This seven song EP is the follow-up to Andy Mineo’s excellent full-length 2013 debut Heroes for Sale. The new release hit #1 on iTunes Hip-Hop/Rap charts and the single “You Can’t Stop Me” is at #27 on the Hip-Hop/Rap singles charts as I write this.

The EP starts out with the title track. It’ a reminder of the emptiness of wealth and fame, even though that is something we desire. It features Marz and opens with:

In the night, I’m alone, without you
I’m drifting off, when you take my hand
I’m so high up I’ll never land

It also includes the lines:

The rich and famous kill themselves to stay rich and famous
The very thing that they built their name with that they be enslaved with

The next track is Paisano’s Wylin”, a mostly fun song. Paisano is an Italian term for homeboy. Mineo and guest Marty of Social Club rap about being crazy Italians who put red wine on everything.

The standout track on the collection “You Can’t Stop Me!” follows. It opens with Marty screaming “You Can’t Stop Me!” The song deals with the fact that because God is on his side no one can stop him, including himself. We are to fear God and live for Him only. The next two songs slow things down a little. “Rewind” is autobiographical as Mineo takes the listener through his life’s journey, specifically his relationship with God. Kam Parker brings an R&B flavor to the song. “All We Got” is the most musically complex song on the EP, with acoustic guitars and bass, percussion and a Latin jazz feel. It features Dimitri McDowell on the chorus. Mineo sings about how life is different when you know you’ve been forgiven, and addresses topics such as insecurity, relationships and pride. It includes the lines:

Trying to go from selfish to selfless
Not just trying to think about my needs but someone else’s
Do I worship God or what other people think of me?

“Paganini” features vocals with KB and Canon. Niccolo Paganini was a violinist in the late 19^th century who was so good that some thought he was possessed. A violin is included as a tip of the cap to the song’s namesake.

“Death of Me” is the last song. It has a bit of a mournful feel to it on an overall upbeat record. It addresses the difficulties of life in the music industry. It includes the following lines:

My career been growing, but tell me where I’m going if my time with God is depleted (nowhere), and
My priorities wrong if I talk more about you than I talk with you

Mineo has produced an excellent collection of songs on this EP. If you want to try some hip-hop/rap from a Christian perspective, check out this fine new release.

Fernando Ortega at First Baptist Church in Pekin
Billed as a mini-concert in celebration of WBNH’s 25th anniversary, one of our all-time favorites played a wonderful 75 minute set on January 25. Fernando talked to the appreciative crowd about the feast of the Epiphany, light, his daughter Ruby and the cold weather in Illinois. As usual, he included humorous stories between each of his songs.
It had been quite a week for Fernando. He performed at the Mormon Tabernacle with Ravi Zacharias the previous Saturday (watch Ravi’s messages here: http://www.rzim.org/rzim-news/ravi-zacharias-at-byu-and-the-mormon-tabernacle/), and had spent three days with Tim Keller in Dallas later in the week.
Here are the songs that Fernando performed (he did one song that we were not familiar with, which sounded like a hymn):

In the Bleak Midwinter
Immortal, Invisible
Joy to the World
The Traveler
Storm
Just as I Am
Mildred Madalyn Johnson
Lord of Eternity
Jesus, King of Angels

Encore ~
This Good Day
Give Me Jesus

The sound in the sanctuary was perfect on a wonderful night of worship. We have seen Fernando in concert several times and can’t wait to catch him the next time he’s in the area.

Fading West by Switchfoot
****
Fading West is the ninth studio album in the eighteen year history of Switchfoot, one of my favorite bands. The album debuted at #1 on iTunes “Top Albums” chart on January 14. Congratulations guys!
Prior to the release of the album on January 14, an EP featuring three songs from the album, the first two singles “Who We Are” and “Love Alone is Worth the Fight”, along with “Ba55” were released in September. The week before the January 14 release the album was streamed free on iTunes Radio. As a result, I’ve had the opportunity to listen to it several times, and it doesn’t disappoint.
An accompanying film/documentary, Fading West, premiered on September 20 during the first concert of the Fading West Tour, and was released digitally on December 10, 2013 The film features a behind-the-scenes look at the band, following the members to their surfing destinations. The point of the film was to give audiences a behind-the-scenes look at the band’s adventures.
A year ago, while touring in support of their 2011 album Vice Verses, the long-time surfers set out in search of inspiration by visiting several of their favorite surf breaks around the world. “The idea was to surf, write songs, play music, and see what ideas came,” says Tim Foreman. The band traveled to Jeffreys Bay and Crayfish Factory in South Africa, Bronte Beach in Australia, Raglan in New Zealand, and Uluwatu in Bali, and chronicled their physical and emotional journey, as well as their brotherly bond, in Fading West – a documentary film that features stunning locales, interviews, live footage, and glimpses of Switchfoot at home and in their studio in San Diego. Perhaps inspired by U2’s film Rattle and Hum, the movie is part travelogue, part surf film, and part behind-the-scenes look at the making of the band’s new album.

The album, which finds Switchfoot returning to the melodic pop of their early years, was inspired by the sea, which lead singer/songwriter Jon Foreman describes as a perfect metaphor for simultaneously experiencing comfort and danger. “You’re comfortable out there, but it’s the unknown,” he says. “You can paddle out in South Africa and it’s exactly like home and nothing like home all at once. That’s what I’m hoping our record feels like — trying to find peace in dangerous places.”

The secret to Switchfoot’s success over the years is found in the heart of its lead singer and songwriter Jon Foreman, who has also been successful with solo and side (Fiction Family) projects. His lyrics of faith and doubt resonate with the band’s loyal fans. Fading West shows off a new Switchfoot — with vocal experiments, synth treatments and several sing-along tracks. The new record is a world-music surfing soundtrack that makes most sense as an album in context with the film, though not billed as a soundtrack to the film. Many of the songs refer to the water, ocean, shore, wind, etc.
Below are some brief comments about each song on the album and some key lyrics:

Love Alone Is Worth The Fight – this sounds like classic Switchfoot to me. It’s one of the strongest songs on the album and was included on the EP released in September.
And it’s all an illusion
A 21st century institution
So I’m headed down the open road unknown

And we find what we’re made of
Through the open door
Is it fear you’re afraid of?
What are you waiting for?
Love alone is worth the fight
Love alone is worth the fight
We’re only here for a season
I’m looking for the rhyme and reason
Why you’re born, why you’re leaving
What you fear and what you believe in
This is a song about a searching for something more – a reason, a purpose, a home.

Who We Are – was performed on The Tonight Show with Jay Leno, on December 10 and was included on the EP released in September. It features a memorable chorus featuring choir-like backing vocals from the band members’ children. The lyrics look back at the band’s history:
They said it’s complicated
They said we’d never make it this far
But we are

They said the fight would break us
But the struggle helped to make
Who we are

This song will be excellent in concert with the crowd singing along.

When We Come Alive – this is a mid-tempo song that features excellent background vocals.
We are our souls on fire
We are reaching higher
We are our souls on fire
When we come alive
When we come alive

Say It Like You Mean It – this a song that sticks out as it is the hardest rocking song on the album. There are some distorted vocals and it ends with some Sgt. Pepper like sound effects.
Give me the songs of the nation
Cause it feels like law lacks motivation
See, I’m still looking for a correlation
Between what you say and how you roll
Say it like you mean it, but I still don’t believe it.

The World You Want – opens with sounds from a beach party before going into a ballad that would feel at home on a Foreman solo project.
What you say is your religion
How you say it’s your religion
Who you love is your religion
How you love is your religion
All your science, your religion
All your hatred, your religion
All your wars are your religion
Every breath is your religion yea

Is this the world you want?
Is this the world you want?
You’re making it
Every day you’re alive
Is this the world you want?
Is this the world you want?
You’re making it
Every day you’re alive

Slipping Away – has a Beach Boys like background vocals.
Our hope is just a metaphor
A simple matter for all of our dreams tonight
And fear is just a shadow of
The things that matter the most
and I fear that I’m losing hope tonight

Ba55 – features distorted vocals, reminding me of U2 during their Zooropa period. It was included on the EP released in September. I’ve grown to like this song the more I listen to it.
I believe you’re the fire that could burn me clean.

Let it Out – this is an instantly likeable, danceable upbeat song.
From the day we’re born
We are scarred and torn
We’ve been scared to sing out loud
We don’t care no more
Because life is short and we don’t care who hears us now
Breathe it in and let it out

All or Nothing at All – this is an upbeat pop song, and one of my favorite songs on the album. It includes some of Jon Foreman’s strongest vocals.
You feel your heart beat loudest when it’s breaking
You and I both know our fatal flaws
We both know that love is what you make it
I want you
Or I’m nothing at all
Or I’m nothing at all
Saltwater Heart – Some favorite lyrics include:
Maybe I could wash clean
maybe I could wash clean
all my land locked dreams
maybe I could believe
When I’m on your shore again
I can feel the ocean
I can feel your open arms
like pure emotion

Back to the Beginning Again – The closing song is a nice bookend to the opening “Love Alone is Worth the Fight”:
And it all just sounds like poison on my ears
The background noise makes your voice so hard to hear
So I grit my teeth and straighten up my spine
I’m stuck in traffic on the dotted yellow line
And my heart is yours
And what a broken place it’s in
But you’re running far
And I want to feel the wind at my back again

This is a very strong effort from the band. As a whole, it’s much less of a rock record than Vice Verses was. It includes great lyrics, melodies, lead and backing vocals and I found it to be instantly likeable. I haven’t seen the film that goes along with the record, but I plan to and hope to catch a show on their tour supporting the record and film. Switchfoot will be in concert at the House of Blues in Chicago on April 2.

High Hopes by Bruce Springsteen
*** ½
High Hopes is 64 year old Bruce Springsteen’s 18th studio album. The record is unlike his usual studio albums, being comprised of cover songs, original songs never recorded in the studio and a few older songs updated that cover a period of almost 20 years. Springsteen is backed up by the E Street Band, including performances by the late Clarence Clemons (who died in 2011) and Danny Federici (who died in 2008), and Tom Morello (Rage Against the Machine) who makes a big impact on the album, playing on eight of the twelve tracks. Morello filled in for Miami Steve Van Zandt on a recent tour and the majority of the sessions for this record as Van Zandt was working on the TV series Lilyhammer.
The album streamed free online at cbs.com the week before it’s January 14 official release, so I was able to listen to it in its entirety several times.
High Hopes was produced by Ron Aniello, with additional production credits going to former producer Brendan O’Brien on four of the tracks.
Below is a recap of each song on the album, with thanks to Billboard magazine:
1. “High Hopes” – was first recorded by Springsteen in 1995 and featured as part of the 1996 Blood Brothers DVD chronicling the E Street Band’s studio reunion. It is a cover of a song by The Havalinas. The 2014 version, the first single from the album, features horns and backing singers, along with piano work from Roy Bittan, Springsteen’s acoustic and Morello’s lead guitar.
2. “Harry’s Place – was originally recorded in 2002 with the E Street Band during The Rising (one of my favorite albums) sessions. This song features sax by the “Big Man”, Clarence Clemons. It also includes some good guitar work from Morello.
3. “American Skin (41 Shots) – was written in 2000 in response to the Amadou Diallo shooting in New York City. It has been re-recorded as a tribute to Trayvon Martin. Morello adds a guitar solo to the first studio recording of this song.
4. “Just Like Fire Would” – is a cover of a song by The Saints” an Australian punk band favorite of Springsteen’s.
5. “Down in the Hole” is another outtake from The Rising sessions in 2002. It includes an organ solo from the late Danny Federici.
6. “Heaven’s Wall” – was possibly one of the songs Springsteen had planned for a gospel album that he was working on. Two of the songs targeted for that album “Rocky Ground” and “Shackled and Drawn” were released on 2012’s Wrecking Ball.
7. “Frankie Fell in Love” is a country flavored, pop song that will be a good addition to Springsteen’s concert setlist.
8. “This is Your Sword” is a ballad with strong vocals and powerful instrumentation. It includes banjo and bagpipes, and is the only track on which Max Weinberg does not play drums.
9. “Hunter of Invisible Game” – is a ballad that may be an outtake from 2009’s Working on a Dream album.
10. “The Ghost of Tom Joad” – was the title track on Springsteen’s 1995 acoustic album. Morello’s Rage Against the Machine covered this song and this new version brings a lot of energy to song, with Morello singing a verse of the song. This is one of my favorite songs on the album.
11. “The Wall” – was debuted live in 2003, this songs is a tribute to Walter Chicon, one of Springsteen’s Jersey bar band mentors, who died in Vietnam. It was inspired by Springsteen’s visit to the Vietnam Veterans Memorial. This track features an organ solo from Federici and one profanity.
12. “Dream Baby Dream” is a cover of a song by New York City punk band Suicide. It was first played on tour in 2005.
Despite the fact that this could be considered an album of “leftovers”, they are Springsteen leftovers, meaning that there is a lot of quality music here. Granted, it’s not Born to Run, Born in the USA, The River or The Rising, but it’s still pretty good.

Duck the Halls A Robertson Family Christmas
***
From the family behind the hit reality television series Duck Dynasty, the Robertsons, who sing often in their church, bring us a mix of traditional standard Christmas songs, some new songs and a few novelties, while being joined by some of country music’s biggest stars. If you are a fan of Duck Dynasty, you’ll love this album. It’s all about faith, family, beards and fun.
Novelties are Uncle Si singing “You’re a Mean One, Mr. Grinch” and narrating a new version of “The Night Before Christmas”. The women of Duck Dynasty show off their voices on “I’ll Be Home For Christmas” (Missy), “Away in a Manger” (Sadie with Alison Krauss), “Baby it’s Cold Outside” (Missy with Jase), “Rudolph the Red-Nosed Reindeer” (Sadie) and “Why I Love Christmas” (Missy with Josh Turner).
My favorites are the catchy “Ragin’ Cajun Christmas” sung by Willie, “Duck the Halls”, which features Jase on duck calls, “Christmas Cookies” sung by George Strait and Phil, and “Hairy Christmas”, sung by Willie and Luke Bryan, which features the line:
Wishin’ you a hairy Christmas
And a happy, happy, happy New Year

Missy and Jase’s eldest son Reed turns in one of the collection’s most powerful songs. Honoring those in uniform who can’t be with their families through the holidays on “Camouflage and Christmas Lights,” Reed sings, A paper star on a plastic tree/Cotton snow in a manger scene, before adding, He’ll do the best he can to make it feel like home, with a gentle touch.

Like the television program, the album ends with a prayer by Phil and closing comments by Willie. The album debuted #1 on Billboard’s Top Country Albums, chart, and as I write this five weeks after its release, it is charting at #2 on Amazon’s top albums chart.

Mountains of Sorrow, Rivers of Song – Deluxe Edition by Amos Lee
****
Amos Lee returns with his fifth studio album, the follow-up to his chart-topping 2011 release Mission Bell. This time the Philadelphia songwriter takes his touring band to Nashville to record with Jay Joyce, one of Nashville’s top producers, and some excellent guests.
Ahead of the album release, Lee released two singles, the upbeat full-band funky “The Man Who Wants You”, and “Chill in the Air”, about a failed relationship, with guest vocalist Alison Krauss and Jerry Douglas on dobro. Patty Griffin joins Lee on the title track, inspired by Lee’s trip to play the late Levon Helm’s Midnight Ramble. Mickey Raphael, long-time member of Willie Nelson’s band adds harmonica on the opening “Johnson Blvd”, which talks about times being hard in Laredo, and is one of a few songs on the album that mentions a train, a favorite subject of Lee. A mother’s faith (prayers, going to church) is referenced in the song as well.
“Stranger”, speaks of trains as well, and being a stranger everywhere he goes. “Tricksters, Hucksters and Scamps” has a Dylan feel to it, is upbeat musically, talks about shady politicians who steal elections. “Dresser Drawer”, an acoustic guitar driven song, is a sad song about a failed relationship, with pictures in a dusty dresser drawer. “Indonesia”, has the singer waking up in a box, just like every other day. The chorus is “When will I be free?” “High Water”, with Lee’s voice distorted, reminds me of Dylan’s “High Water”, both musically and lyrically. “Loretta” is one of three songs with women’s names starting with “L”. (also Lolita and Lula). Lee sings that Loretta is a true friend. “Plain View” has an old country or bluegrass feel. “Burden” closes the standard edition. Lee sings that he never meant to be a burden, singing “Please forgive me if I weigh on you”.
“Scared Money”, a slow bluesy tune, begins the Deluxe Edition. Lee includes some profanity on “Charles St.” Lee’s lover “Lolita the cheater”, breaks his heart to have a little fun It’s a song about Lee’s lover cheating on him and he’s angry, but admits that “deep inside I’m going to take the blame”. He sings that it’s more about the lies than what she did. The set concludes with the bluesy “Lowdown Life” about Lula from Missoula, featuring an outstanding guitar solo.
Lee sings his story-telling songs of nostalgia, longing and love over a variety of acoustic musical styles country, folk, funk, jazz, blues. I was introduced to Lee when he opened for Bob Dylan at the US Cellular Coliseum in 2007. He’s since become one of my favorite artists, many times reminding me of a young Dylan.

The Glorious Unfolding by Steven Curtis Chapman
****
The latest release from Contemporary Christian music veteran Steven Curtis Chapman is one of his best. It’s his first studio album of all original material in seven years (2009’s Beauty Will Rise wasn’t recorded in a studio, but in buses, hotel rooms, dressings rooms, etc. while on tour after the death of his daughter Maria), and one of his most personal as well. Hope and joy are themes found on this album. Most of the songs are inspired by events that have taken place since Maria’s death in 2008.

Chapman has been prolific of late, releasing three albums – Joy (Christmas album), Deep Roots (bluegrass hymns album) and now The Glorious Unfolding – in the past year. Musically, the album sounds like the best of SCC’s earlier music. The first half of the album has more upbeat songs and the second half slows down considerably with more ballads.

“The Glorious Unfolding” opens the album and it is an appropriately grand and glorious song. In some ways, it is “The Great Adventure, Part Two”, as he sings:

We’ve got to believe this story is so far from over
So hold on to every promise God has made to us
And watch this glorious unfolding

“Love Take Me Over” is the upbeat first single, and will remind listeners of earlier SCC songs, as will a few of the other new songs here.

“Take Another Step” speaks of trusting God and just taking another step when the road ahead is hard and you don’t know where to go.

“Something Beautiful” speaks of God turning the broken pieces our lives into something beautiful like only He can.

“Finish What He Started” has a bit of a different sound, featuring some effective backing vocals and drums. Chapman sings that God will finish what He started. Every plan and purpose that He has will be accomplished.

“Only One and Only You” is dedicated to Chapman’s 13-year old daughter Shaoey, and will remind listeners of 1999’s “Fingerprints of God”, dedicated to then 13-year old Emily.

“SEE You in a Little While” is written to Chapman’s grandmother who died last October.

“A Little More Time to Love” has Chapman looking in the mirror and seeing the lines on his face, contemplating what he can do with the time he has remaining. He quotes Micah 6:8, and longs to minister to orphans and those hungry, both physically and spiritually, in the time he has left.

“Sound of Your Voice” has Chapman listening for the sound of God’s voice through people and nature until he can hear God’s actual voice answering the questions that everyone is asking.

“Together” was written for Chapman’s wife of 29 years, Mary Beth. The song attests to God’s mercy, grace and faithfulness leading them through the many storms and wars they have been through together.

“Michael and Maria” was written for the memorial service of a family friend’s 15-year old son who died as a result of a skateboarding accident.

“At the Feet of Jesus” is a beautiful hymn that closes this strong release. It is stripped down with a fiddle, guitar and pennywhistle backing Chapman’s vocal.

At the feet of my Savior
At the feet of my King
I will bow down and worship
I will lift my voice and sing
Hallelujah, Hallelujah to the One who sets me free
You will find me at the feet of Jesus

Your Grace Finds Me by Matt Redman – Deluxe Edition
****
This is veteran worship leader Matt Redman’s follow-up to 2011’s 10,000 Reasons. The title song from that release was certified RIAA gold and spent 19 weeks at number 1 on Billboard Magazine’s Christian music chart, and was named “Top Christian Song” at the Billboard Music Awards.

The new album was recorded live at LIFT: A Worship Leader Collective at Passion City Church in Atlanta. The Deluxe edition features four videos in addition to the twelve new songs. Redman includes mostly upbeat songs, but also includes a good balance of slower/quieter/more reflective ones, with a fresh sound, uplifting lyrics and well thought out arrangements that will lead you to worship the Lord. Redman and this new collection of worship songs, are true gifts to the church.

“Sing and Shout”, an upbeat song, starts with energy.

Your grace, Your grace, I heart it call my name
I’m waking up to sing
Your cross, Your cross, it draws me to Your heart
We will sing and shout, sing and shout,
Open up our hearts and pour our praises out

What could be better than Your grace that washes all our shame away?
What could be better than Your grace that washes all our sin away?

The title song and first single, follows. It is a celebration of God’s endless grace. It’s a slower song that builds, like “10,000 Reasons (Bless the Lord)”.
Redman sings of God’s great grace that is always there – on a wedding day, by the graveside, in the breath we breathe.

From creation to the cross
From the cross to eternity
Your grace finds me

“Mercy” follows. It is a simple and wonderful piano-led song about God’s mercy. This would be excellent in a worship service.

Mercy, mercy, as enless as the sea
I’ll sing Your hallelujah for all eternity

May I never lose the wonder, oh the wonder of Your mercy
May I sing Your hallelujah, hallelujah amen

“I Need You Now”, a piano, accoustic guitar and drum based song of prayer that builds, not unlike some slower U2 songs.

Oh Living Water
Oh God my Healer
If I ever needed You, I need You now

“This Beating Heart”, upbeat, hand clapping, banjo.

This beating heart, like a drum it will beat for You
This heart, like a drum it will beat
My soul, my soul, sings for You
This beating heart, I was made for You
My God ever more, my soul sings for You

“One Name Alone” – more upbeat, accoustice guitar driven. A great sing along song.

One name alone I am living for
One name my heart and my soul adore
Be the the first and the last, the song I sing
Jesus be my everything

“Jesus, Only Jesus” was introduced on the most recent Passion: Let the Future Begin album. I’m glad he included it on this album so more can hear it. It’s a wonderfu worship song to our Lord.

Holy, King Almighty, Lord
Saints and angels all adore
I’ll join with them and bow before Jesus, only Jesus

I love the line: You stand alone, I stand amazed

“Wide as the Sky”, a passionate song, which I can envision singing in my church:

Hands up, hearts open
Wide as we cry
God we lift Your name high

All the other names fade away
Until there’s only You
Jesus take your place

“Good Forever”, a song which starts slow and builds:

You are good forever and your love endures
Jesus always, Your love remains
You are good, You are good

“Let My People God” is a high energy song, guitar and drum driven.

Let My people go, let My people go
Light a fire in the dark, fire in the dark
Let My people go, let My people go

“Come and See”, features the chorus:

Come and see
Come and see what God has done
Come and see
Come and see what Love has won
In this place, hearts and lives waking up
To the light of the world, You’re the light of the world

The album finishes with the beautiful and prayerful “Benediction”:

May the Lord bless you (us) and keep you (us)
May the Lord smile on you (us)
And shine his light upon you (us)
May he Lord lift you (us)
Turn his face towards you (us)
Give you (us) His peace, give you (us) His peace

Go now in peace to love and serve your God
Go now in peace, in the blessings of our God

The Deluxe Edition of this excellent album features videos of “Your Grace Finds Me”, “Sing and Shout”, “Mercy” and “Jesus, Only Jesus”

Redman was written short devotionals for each song. They are available on his website at http://www.mattredman.com/writings.

Live at the Gospel Coalition – Keith and Kristyn Getty
****
In April of 2013, the Gospel Coalition Conference was held in Orlando. More than 5,000 attended, from more than 40 countries. The teaching and discussions were led by such respected leaders as Tim Keller, Alistair Begg, John Piper, Matt Chandler, Bryan Chapell, and many others. The corporate response in music was led by Keith and Kristyn Getty and recorded for this album. Traditional and modern hymns and several of the Getty’s songs were included.
The songs included on the album are:
Christ is Risen, He is Risen Indeed
Come People of the Risen King
By Faith
All Hail the Power of Jesus’ Name
Speak O Lord
Oh How Good It Is
Lift High the Name of Jesus
The Power of the Cross (with When I Survey)
In Christ Alone
Across the Lands
Compassion Hymn
Kyrie Eleison
O Church Arise
Hear the Call of the Kingdom
Holy Spirit, Living Breath of God (with Gabriel’s Oboe)
Holy, Holy, Holy, Lord God Almighty Tim Keller said this about the conference:
“The 2013 Gospel Coalition National Conference blended the spoken Word and the sung Word in an unforgettable way. Substantive expositions of the Biblical text were interwoven with the Getty’s theologically rich worship hymns. Together, they truly did ‘tune our hearts to sing His grace.’“

This is a wonderful album of live worship. It includes 13 of the Getty’s previously released songs, two classic hymns and the excellent new song “Life High the Name of Jesus”. The Getty’s theologically rich modern hymns are sung in many worship services, including the church I attend. The new song will fit perfectly within the context of a worship service. You can also listen to the messages from the Gospel Coalition National Conference at http://thegospelcoalition.org/2013/

Restart –Newsboys (Deluxe Edition)
*** ½
The latest album, and third with lead singer Michael Tait, from CCM veterans the Newsboys (16 albums over more than 25 years), sounds like none of their previous albums. Tait has said that the band pushed the music and took it further than they’ve ever taken it before. Much of the record has a dance-pop sound, similar to today’s secular radio dance tracks. Some of the songs reminded me of fellow former DC Talker TobyMac’s most recent album Eye on It. Gone are the days of Peter Furler’s lead vocals and the quirky and humorous lyrics from Steve Taylor, both of which I enjoyed and appreciated. The lyrics here are mostly positive and encouraging. And the album is meant to be played LOUD!

The album starts with heavy bass lines and drums on “That’s How You Change the World”. “Restart” features a dance/disco sound over the story of how one came to repentance after hearing a pastor’s message. There are only a few ballads included in this upbeat collection. “One Word” starts slow but builds by the time the chorus starts. “That Home” is a piano ballad looking at childhood, with a mother keeping her children safe. “Man on Fire” is included on the Deluxe edition and features Tait’s former band mate Kevin Max on the chorus. “God is Movin’ features a heavy dance beat. A surprise is the cover of Mike and the Mechanics 1980’s hit “The Living Years”. Hillsong’s “Stronger” is a slow tempo worship anthem with a souring chorus. The first single is “Live with Abandon” could be sung in churches with upbeat worship services.

This is an enjoyable album and the Deluxe edition features sixteen new songs. I’ve enjoyed the Newsboys since 2006’s Not Ashamed album. The band has changed over the years, but they are still good. Check it out.

Live in Concert: God’s Not Dead – Newsboys
*** ½
This live recording was recorded at two stops of the Newsboys 2012 tour, supporting their God’s Not Dead album. During their 25 year career, the Newsboys have sold over 7 million albums, earned five Gold albums and had 26 #1 radio hits. With former DC Talk member Michael Tait on vocals, the “new” Newsboys continue to be one of Christian music s most popular bands, and are known for their energetic live shows.

This live album, which has exceptional sound quality, features songs from the two Michael Tait Newsboys studio albums (Born Again and God’s Not Dead), along with a few older Newsboys classics (“Something Beautiful” and “He Reigns”). The album features fourteen songs and a short message around the theme of “God’s not dead”. It does a good job of capturing the energy and excitement of the bands live shows.

Reckless – Jeremy Camp
** ½

The latest release from Jeremy Camp is his first of all new original material in almost five years. It features strong production with heavy bass, good hooks, and Camp’s usual powerful vocals. When asked by Worship Leader magazine what he hoped to communicate with Restless, Camp stated:

“My hope is that the album encourages people to step into the fullness of what God has called them to do, and take action. The album is meant to encourage all of us to go out, not just me. If we can all work together and be in the same place spiritually, the body of Christ working together can fuel a passion that is truly great. There is power in number!”

The title song was the first single released was the title track. My favorite song on the album is “My God”, the current single.

This is a solid release from Camp, and as my wife Tammy would say “Not a thing wrong with it”, but there isn’t anything particularly innovative here either. I’m sure that there will be many Christian radio hits from this collection. On the other hand, the songs have similar themes to other songs in the Christian music genre and past songs from Camp himself. It would be nice to see Camp stretch himself in future releases.

The Struggle – Tenth Avenue North
*** ½
The album cover features Rembrandt’s 1633 painting The Storm on the Sea of Galilee. The painting is an excellent depiction of how Tenth Avenue North’s songwriter and lead vocalist Mike Donehey describes the theme of the album:

“In a world that’s still trembling in the wake of the fall, our hearts are desperate for hope. They’re hungry for freedom, they’re longing for redemption. And here’s the good news – in Christ we have all three”.

This was the first of Tenth Avenue North’s three albums that I had heard. I did hear and enjoy their excellent collaboration “Higher” with Lecrae on the deluxe edition of his 2012 Gravity album. The five-man band has won two Dove awards.

As I listened to the album I immediately recognized two songs – “Worn” and “Losing” from Christian radio. “Worn” is a cry to the Lord to restore the broken and worn out. “Losing” is about forgiving those who have offended us. The title song lets the listener know what the album is about – Christians struggling about many things in this world, but knowing that they have hope of freedom and redemption in Christ. “Grace” is perhaps my favorite song on the album, and the theme of grace comes up often on this album.

This is a strong collection of well performed songs.

Jesus, Firm Foundation: Hymns of Worship
***
This collaborative album features new recordings of 12 hymns by some of the contemporary Christian music industry’s most popular artists. Jesus, Firm Foundation: Hymns of Worship offers the listener an opportunity to hear some of their favorite hymns reinvented by top artists such as the Newsboys, Matthew West, Brandon Heath, Kari Jobe and more.

The title track features a strong lineup with vocals from Mark Hall (Casting Crowns), Mike Donehey (Tenth Avenue North), Steven Curtis Chapman and Mandisa. Some of my favorites included “All Hail the Power of Jesus’ Name,” by Michael W. Smith, “Jesus Paid it All” by the Newsboys and the closing “It is Well (Oh My Soul)” by Braden Heath.

The songs are reinvented in the way that Chris Tomlin has done with “Amazing Grace”, “Crown Him (Majesty)” and “The Wonderful Cross”. You will recognize the hymn, but each artist puts their own unique stamp on them, including new lyrics.

The complete song listing for the album is below:

1. Jesus, Firm Foundation – Mark Hall (Casting Crowns), Mike Donehey (Tenth Avenue North), Steven Curtis Chapman, Mandisa
2. Turn Your Eyes Upon Jesus (Look Up) – Nichole Nordeman
3. All Hail The Power Of Jesus’ Name (Crown Him) – Michael W. Smith
4. I Surrender All (All To Jesus) – Casting Crowns
5. Holy, Holy, Holy (God With Us) – Matt Maher
6. Be Still My Soul (In You I Rest) – Kari Jobe
7. My Jesus, I Love Thee (Your Holy Name) – Building 429
8. Jesus Paid It All – Newsboys
9. Blessed Assurance (My King Is Coming) – Matthew West
10. Nothing But The Blood – Andy Cherry
11. Cornerstone – Hillsong
12. It Is Well (Oh My Soul) – Brandon Heath

All This for a King: The Essential Collection – the David Crowder Band
****
The excellent collection from the David Crowder Band (DCB) includes some of the best songs from the Texas Christian rock and modern worship band, which broke up last year after more than sixteen years together. During that time the band, whose songs have been sung in many churches around the world, sold over 1.9 million copies and won 8 Dove Awards. Leader David Crowder is moving on with his new band Crowder, while the rest of the band, except for Mike Hogan, formed the band The Digital Age.

The album includes the songs that the band is best known for, including “O Praise Him (All This For A King)”, “Everything Glorious”, and “How He Loves Us”, originally composed by John Mark McMillan and recorded by the DCB on their 2009 album Church Music.

I didn’t think that I was that familiar with the DCB, having just a few of their songs in my library, primarily on some of the more recent Passion conference albums. However, when I started listening to this collection I realized that I was familiar with many of the songs from Christian radio – I just didn’t know that they were DCB songs. The band played their final show at the Passion 2012 Conference on January 3, 2012 at the Georgia Dome.

The album includes one new song – “This I Know” from Crowder. Crowder’s all new record is due to be released later this year.

One complaint would be that three of the songs are featured not as they were originally released, but as dance remixes by Family Force 5, Capital Kings and The Digital Age. Despite that, this is a fine collection of songs for a band that went out on top, with their final release Give Us Rest or (a requiem mass in C [the happiest of all keys] debuting at #2 on Billboard magazine’s Top 200 Album Charts in January, 2012.

The complete track listing for All This for a King is:

1. O Praise Him (All This For A King)
2. Our Love Is Loud
3. Open Skies
4. Here Is Our King
5. Wholly Yours
6. How He Loves (Radio Version)
7. You Alone (Live)
8. Everything Glorious
9. The Glory of It All
10. SMS {Shine} (Radio Version)
11. Shadows (Family Force 5 Phenomenon Remix)
12. After All (Holy) (Capital Kings Remix)
13. No One Like You (The Digital Age Remix)
14. This I Know (New David Crowder Track)

Paul McCartney in Indianapolis
****

The closest location for a concert on Paul McCartney’s new “Out There” tour was Indianapolis. Indy is on Eastern time, and I miscalculated our travel plans, leaving too early. We got there so early, we thought we might even be able to see Sir Paul come in to Banker’s Life Fieldhouse (formerly known as Conseco Fieldhouse), as a lot of fans in Beatle and McCartney t-shirts (and one lady dressed up in Paul’s blue Sgt. Pepper’s uniform), were waiting at the entrance where the performers arrive on the warm afternoon.

But we were told he was already in the building. We were allowed to come into the lobby of the fieldhouse however, and to my pleasure, we were able to hear the sound check with other McCartney fans who applauded after each song, including “Midnight Special” and “Lady Madonna”.

This was my tenth McCartney concert since he began touring in 1989, and my brother’s fifth. New songs that he performed on this tour for the first time on a solo tour were:

Lovely Rita
Being for the Benefit of Mr. Kite
All Together Now
Your Mother Should Know
Eight Days a Week
Listen to What the Man Said

In all, McCartney played an incredible 38 songs, 26 of them Beatle songs and the rest solo and Wings hits. The newest song played was 2012’s “My Valentine”. The next newest was 30 years older, 1982’s “Here Today”. You can find the entire setlist at:
http://www.setlist.fm/setlist/paul-mccartney/2013/bankers-life-fieldhouse-indianapolis-in-33d9442d.html

My brother’s favorite song was without a doubt “Live and Let Die”, with a fantastic pyrotechnics display. We knew what was coming, but it was still amazed us. My favorite? How can you pick, from an artist whose music I can look back at my life and connect so many memories to. I think of the summer night in June 1967 when I excitedly told my Mom that the Beatles had a new album (Sgt. Pepper’s Lonely Hearts Club Band) as we picked her up from IAA and she jokingly said “Yes, I was afraid you would find out about that”. Ironically the Indianapolis concert took place on the seventeenth anniversary of our Mom’s death in 1996 at age 60.

I can remember my Aunt Linda screaming at the TV in her parents and my grandparents living room when the Beatles performed on the Ed Sullivan Show in the early 1960’s and my brother and I playing the Beatles Rubber Soul album for the first time in our Aunt Cindy’s bedroom in the mid-1960’s. I can remember being on a school bus in 1968 singing “Hello Goodbye” the Beatles new single at the time, or fast forward a year later when the talk on the bus was the sudden ending to “I Want You (She’s so Heavy)” at the end of side one of the Abbey Road album, or hearing a fellow student singing about Jo Jo and Loretta (from “Get Back”) at Chiddix Junior High in 1969. Or going to see the Beatles film Yellow Submarine on Christmas Day 1968 with my brother or their Let it Be film with my Dad and then having a Tobin’s Pizza when they had their downtown Bloomington location. I remember…

• trying to record “Lady Madonna” on my reel-to-reel tape recorder in the initial days of release when it was played on WLS radio by Larry Lujack on the top three countdown of the day. Interestingly, Lujack initially thought the lead vocal was done by Ringo Starr
• seeing the “White Album” at K-Mart when it was released in 1968 with its bootleg-like all white cover, knowing that I wouldn’t get it until Christmas
• listening to the bootleg of the Get Back sessions (later changed to Let it Be) at a friend’s home (who my Mom referred to as “Ratso” because he reminded her of the character in the film “Midnight Cowboy”)
• recently hearing my Aunt Linda and Cindy, while visiting my Dad in the hospital, telling me about seeing the Beatles at Comiskey Park in Chicago and on a hunch going to Midway Airport, rather than O’Hare and getting to see the Beatles as they landed in Chicago. So many memories!

There were tributes to former band mates who have passed away. McCartney performed his “Here Today” for John Lennon and George Harrison’s “Something” on a ukulele that Harrison had given him.

He talked about Jimi Hendrix learning to play “Sgt. Pepper” just two nights after its release in June, 1967, with McCartney and Eric Clapton in the audience. He spoke about “Blackbird” being a song inspired by the American Civil Rights movement in the late 1960’s and then sang it on a platform that raised him high above the audience.

Sir Paul gave his audiences everything he had in a two hour and forty-five minute performance with no break. You can watch videos of the concert at:
http://www.youtube.com/results?search_query=paul+mccartney+in+Indianapolis&oq=paul+mccartney+in+Indianapolis&gs_l=youtube.3…10266.21016.0.21359.30.19.0.10.10.0.172.2080.8j11.19.0…0.0…1ac.1.11.youtube.t7LzFp67HrY

He brings incredible joy to his fans. At 71 I don’t know how many more years he can continue, but he didn’t appear to have missed a beat, as this was one of the top shows of his I have seen. I look forward to concert number eleven!

AmericanaRama Tour – Peoria Civic Center July 11

This concert was originally scheduled to be held outside at Dozer Stadium, home of the Peoria Chiefs, but was moved into the nearby Peoria Civic Center due to “staging issues”. That was the first negative related to this show for my brother-in-law Al and I, but unfortunately it wouldn’t be the last, for a show that drew 5,300, many of them young fans, who were probably there to see My Morning Jacket and Wilco.

The event retained its general admission ticketing policy with the move to the Civic Center, with the doors opening at 4:30pm and performances beginning at 5:30pm. We arrived at 7:30pm missing the Richard Thompson Electric Trio and My Morning Jacket, but in time for the start of Wilco’s set.

I was not familiar with Wilco’s music, which makes it hard for me to review their performance. Overall, however, we both enjoyed their set which featured a good variety of songs that they had recorded between 1995 and 2011. You can find their entire set list here:
http://www.setlist.fm/setlist/wilco/2013/civic-center-peoria-il-6bd95ade.html

My first Bob Dylan concert was at the old Chicago Stadium in 1978. Tammy and I were dating at the time. We had tickets behind the stage in the upper balcony. For that tour, as he is known to do, he completely changed the arrangements of his songs. So, 45 years and several Dylan concerts later, you would have thought I wouldn’t be surprised. But I (we) were.

In 1978 Dylan – never a good singer – still had a powerful voice. When Al and I had last seen him in concert in 2007, though Dylan is admittedly an acquired taste, we had still enjoyed his performance. Six years later, his voice is now often gravelly, sounding hoarse. On top of that, other than the three songs he played from his latest album Tempest, the arrangements of his songs were completely changed. Most were unrecognizable at first, and some stayed that way, at least until a familiar lyric could be deciphered, which wasn’t easy.

Dylan certainly didn’t phone in his performance. He played more harmonica during this show than I can remember in any of the many shows I have seen before and he has a kicking band, as he always seems to have. But the new arrangements combined with the weak voice, not to mention the dim stage lighting, had me sadly ready to head to the exits by his third song (though I did stick it out until the bitter end). His complete set list can be found here:
http://www.setlist.fm/setlist/bob-dylan/2013/civic-center-peoria-il-63d95adf.html

So unfortunately, while my first Dylan concert was in 1978, my last was in 2013. I’ll still buy the records, which have been superb in his late career resurgence that began with 1997’s Time Out of Mind, but I won’t be going to any more of his concerts.

Coram Deo ~

Looking at contemporary culture from a Christian worldview

MUSIC AND CONCERT REVIEWS

My Review of U2’s The Joshua Tree Tour and Album

American Prodigal (Deluxe Edition) – Crowder
********

I Still Do – Eric Clapton
********

Spirit – Amos Lee
********

Music Review **~ Hymns II: Shine on Us – Michael W. Smith
******

Behold the Lamb of God 10th Anniversary 2-Disc Set – Andrew Peterson
********

**Concert Review: Stevie Wonder’s Songs in the Key of Life Performance Tour – Banker’s Life Fieldhouse in Indianapolis November 7**

Music Review: Joy: An Irish Christmas LIVE – Keith and Kristyn Getty
****

Adore: Christmas Songs of Worship by Chris Tomlin
********

The Burning Edge of Dawn by Andrew Peterson
****

Concert Review

The Wonderlands: Darkness by Jon Foreman
********

The Wonderlands: Shadows by Jon Foreman
********

Concert Review: U2 iNNOCENCE + eXPERIENCE Tour at the United Center in Chicago – June 25, 2015

Music Review

CONCERT REVIEW

MUSIC NEWS:

MUSIC REVIEWS:

Ride Out – Bob Seger
*** ½

Hallelujah for the Cross – Newsboys
***

Rise – Trip Lee
********

Joy: An Irish Christmas by Keith & Kristyn Getty
********

Concert Review ~ Keith and Kristyn Getty at Grace Presbyterian Church in Peoria

Songs of Innocence Deluxe Edition – U2
********

The Greengrass Session by Keith and Kristyn Getty
****

The Edge of the Earth: Unreleased Songs from the film “Fading West” – Switchfoot
****

Anomaly by Lecrae

Songs of Innocence – U2
****

20 – Jars of Clay
********

Sovereign – Michael W. Smith
*** ½

Concert Review ~ Chris Tomlin and Brandon Heath at the US Cellular Coliseum July 19

Concert Review ~ Paul McCartney at the United Center July 9

Concert Review ~ James Taylor and his All-Star Band at the Ravinia Festival June 27

iTunes Session – Crowder
********

Below Paradise by Tedashii
*** ½

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My Review of U2’s The Joshua Tree Tour and Album

American Prodigal (Deluxe Edition) – Crowder ****

I Still Do – Eric Clapton ****

Spirit – Amos Lee ****

Music Review ~ Hymns II: Shine on Us – Michael W. Smith ****

Behold the Lamb of God 10th Anniversary 2-Disc Set – Andrew Peterson ****

Concert Review: Stevie Wonder’s Songs in the Key of Life Performance Tour – Banker’s Life Fieldhouse in Indianapolis November 7

Music Review: Joy: An Irish Christmas LIVE – Keith and Kristyn Getty ****

Adore: Christmas Songs of Worship by Chris Tomlin ****

The Burning Edge of Dawn by Andrew Peterson ****

Concert Review

The Wonderlands: Darkness by Jon Foreman ****

The Wonderlands: Shadows by Jon Foreman ****

Concert Review: U2 iNNOCENCE + eXPERIENCE Tour at the United Center in Chicago – June 25, 2015

Music Review

CONCERT REVIEW

MUSIC NEWS:

MUSIC REVIEWS:

Ride Out – Bob Seger *** ½

Hallelujah for the Cross – Newsboys ***

Rise – Trip Lee ****

Joy: An Irish Christmas by Keith & Kristyn Getty ****

Concert Review ~ Keith and Kristyn Getty at Grace Presbyterian Church in Peoria

Songs of Innocence Deluxe Edition – U2 ****

The Greengrass Session by Keith and Kristyn Getty ****

The Edge of the Earth: Unreleased Songs from the film “Fading West” – Switchfoot ****

Anomaly by Lecrae

Songs of Innocence – U2 ****

20 – Jars of Clay ****

Sovereign – Michael W. Smith *** ½

Concert Review ~ Chris Tomlin and Brandon Heath at the US Cellular Coliseum July 19

Concert Review ~ Paul McCartney at the United Center July 9

Concert Review ~ James Taylor and his All-Star Band at the Ravinia Festival June 27

iTunes Session – Crowder ****

Below Paradise by Tedashii *** ½

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American Prodigal (Deluxe Edition) – Crowder
********

I Still Do – Eric Clapton
********

Spirit – Amos Lee
********

Music Review **~ Hymns II: Shine on Us – Michael W. Smith
******

Behold the Lamb of God 10th Anniversary 2-Disc Set – Andrew Peterson
********

**Concert Review: Stevie Wonder’s Songs in the Key of Life Performance Tour – Banker’s Life Fieldhouse in Indianapolis November 7**

Music Review: Joy: An Irish Christmas LIVE – Keith and Kristyn Getty
****

Adore: Christmas Songs of Worship by Chris Tomlin
********

The Burning Edge of Dawn by Andrew Peterson
****

The Wonderlands: Darkness by Jon Foreman
********

The Wonderlands: Shadows by Jon Foreman
********

Ride Out – Bob Seger
*** ½

Hallelujah for the Cross – Newsboys
***

Rise – Trip Lee
********

Joy: An Irish Christmas by Keith & Kristyn Getty
********

Songs of Innocence Deluxe Edition – U2
********

The Greengrass Session by Keith and Kristyn Getty
****

The Edge of the Earth: Unreleased Songs from the film “Fading West” – Switchfoot
****

Songs of Innocence – U2
****

20 – Jars of Clay
********

Sovereign – Michael W. Smith
*** ½

iTunes Session – Crowder
********

Below Paradise by Tedashii
*** ½