Coram Deo ~

Looking at contemporary culture from a Christian worldview


His Mercy is More: The Hymns of Matt Boswell and Matt Papa

This is the first time hymnwriters Matt Boswell and Matt Papa have recorded an album together. Recorded live with a full band and the voices of the audience worshipping with them, His Mercy is More: The Hymns of Matt Boswell and Matt Papa is a gift to the church. The album includes some well-known hymns that are sung in churches such as “His Mercy is More”, “Christ the Sure and Steady Anchor” and “Come Behold the Wondrous Mystery”, as well as some hymns that have not been previously recorded. The two have been writing together for the past 10-12 years. This album will be on my list of top albums for the year.
Below are a few comments about each song:
His Mercy is More – This song was written by Matt Boswell and Matt Papa and inspired from one of John Newton’s letters.
Key lyric:
Praise the Lord!
His mercy is more.
Stronger than darkness; new every morn;
Our sins, they are many, His mercy is more.

Magnificent, Marvelous, Matchless Love – This song about God’s love was written by Keith Getty, Kristyn Getty, Matt Papa, Aaron Keyes and Luke Brown. It was first recorded by Keith and Kristyn Getty on their 2018 EP The North Coast Sessions and was also included on the 2018 Sing! Psalms: Ancient + Modern (Live At The Getty Music Worship Conference) album. The song has an infectious joyful chorus, is driven by a good drum beat and features some nice guitar.
Key lyric:
How great, how sure; His love endures forevermore.
Magnificent, marvelous, matchless love. 

Come Behold the Wondrous Mystery – This song was written by Matt Boswell, Michael Bleecker and Matt Papa and features Kristyn Getty on vocals.
Key lyric:
See the price of our redemption
See the Father’s plan unfold
Bringing many sons to glory
Grace unmeasured, love untold

Sing We the Song of Emmanuel – This song was written by Matt Boswell, Matt Papa and Stuart Townend. The joyful song took about three years to complete. It features some excellent guitar work and choral singing of “Gloria” to end the song.
Key lyric:
Glory shining for all to see
Hope alive, let the gospel ring
God has made a way, He will have the praise
Tell the world His name is Jesus

My Savior’s Love (What Tongue Could Tell) – This song was written by Matt Boswell, Matt Papa and Keith Getty. The song features keys, drums and guitar.
Key lyric:
My Savior’s love
What could compare
What tongue could tell my Savior’s love

Lord from Sorrows Deep I Call (Psalm 42) – This song was written by Matt Boswell and Matt Papa and was included on the 2018 Sing! Psalms: Ancient + Modern (Live At The Getty Music Worship Conference) album. The song features piano and strings.
Key lyric:
And, oh, my soul, put your hope in God
My help, my Rock, I will praise Him
Sing, oh, sing through the raging storm
You’re still my God, my salvation

Let the Nations Be Glad – This song was written by Matt Boswell, Aaron Boswell and Matt Papa. The song features drums and guitar.
Key lyric:
Let the nations be glad
Let the people rejoice
For salvation belongs to our God
Let the whole earth be filled
With the praises of the Lord
For salvation belongs to our God
Let the nations be glad 

Christ the Sure and Steady Anchor – This song was written by Matt Boswell and Matt Papa. The song features keys, drums and steel guitar.
Key lyric:
We will hold fast to the anchor
It will never be removed

Lord Have Mercy (For What We Have Done) – This song was written by Matt Boswell, Matt Papa, Aaron Keys, and James Tealy. The song features, keys, guitar, organ, and light drums.
Key lyric:
In thought word and deed, we’ve failed You our King
How deeply we need a Savior

The King in All His Beauty – This song was written by Matt Boswell and Matt Papa. The song features keys and drums. The song builds toward a powerful third verse.
Key lyric:
Bring praise and honor to His courts
Bring wisdom, power, blessing
For endless ages we’ll adore
The King in all His beauty

How Rich a Treasure We Possess – This joyful song was written by Matt Boswell and Matt Papa. The song features guitar and drums.
Key lyric:
The penalty was paid in full
The spotless Lamb was slain
Salvation what a priceless gift
Received by grace through faith

Christ is All – This song was written by Matt Boswell and Matt Papa. The song features guitar, keys, drums and a guitar solo mid-song.
Key lyrics:  
Christ is all Christ is all
And my song will ever be

Come Adore the Humble King – This beautiful song was written by Matt Boswell and Matt Papa. The song features, organ, piano, light percussion and strings.
Key lyric:
Fall oh fall before the one
Who in mercy left His throne
Christ the Lord God’s only Son
His glories now we sing
O praise the humble King

Watch this short video in which Boswell and Papa discuss their writing process and some of the songs on the album.

The Search – NF

The Search is the fourth, and perhaps the best, studio album by NF. It is the follow-up to 2017’s Perception. The album debuted at number one on the Billboard Top Albums chart, as did Perception. The twenty-song album was written by and produced by NF and Tommee Profitt, unless otherwise noted below. The album features NF’s hard-hitting music and transparent and vulnerable lyrics. Below are a few comments about each song:
The Search – This hard-hitting track was the second single released from the album. He’s been dealing with some things. He admits that he had breakdown last year and saw a therapist. He’s been searching, leaving his burdens, but admits that he brought some with him. He’s been looking for the map to hope. As the song ends, he’s back, the search is beginning, so enjoy the trip.   
Leave Me Alone – This song was written and produced by NF, Tommee Profitt and Saint X. Profitt adds backing vocals on the song. The song has Nate wanting his fame to leave him alone. He addresses his OCD and doesn’t need advice from his doubts right now.
– This song features backing vocals from Debi Selby, Nicki Conley, Jason Eskridge, Moiba Mustapha and Travis Cottrell. The song opens with brief backing vocals, and then goes into a driving beat. He’s addicted to pain and has mood swings. He doesn’t like new things. He’s looking for change but never wants to commit. Saying we need change is easy, but change is hard to do. He felt suicidal last year. This year, he might do something different like talking to God more.
My Stress – The song opens with Nate singing that some days he just wants relief from his stress and negativity. Then he begins to rap about pressures he is facing and his insecurities. He’s a hostage to his own pride. He wonders what he would do if he only had a short time to live. Would he call his Dad and tell him he loves him?   
– This song has Nate passionately talking to his younger self, preparing him for what is coming. He got the idea for the song when he spent four days in therapy from depression, disconnected from the world after the first leg of the Perception tour. He tells his younger self that life is hard. If you have questions or need advice, talk to God because he’s the only one who listens. He references incidents from his childhood and parents, and tells his younger self that making millions won’t make him happy.
Time (Extended)
– This song opens with strings by Jeremy Larson. Nate then sings over keys that even if she says she hates him and they go to bed angry, he’s sure everything will be alright. He promises he is changing. He then raps that he just needs more time to show her he is worth it. He says that he is the definition of “wreck” if you look into his soul, which comes out the most when he feels he’s in a vulnerable place.
Returns – This song was written and produced by NF, Tommee Profitt and Saint X. Nate seems to be directing anger at a fellow rapper. The song is hard-hitting and confident, with Nate displaying some fast rapping skills.
When I Grow Up – This was the third single released from the album. Nate talks about his dream growing up of being a rapper, rather than going to college and getting a job.
Only – This song was written by NF, Tommee Profitt, King Henry and Sasha Sloan with Sloan also contributing vocals.  He doesn’t need a lot. He just wants to find his peace. He wishes that he would pray more often and put more time into his faith. He loves his job, but hates the fame that comes with it. He can’t be the only one who is lonely tonight, needing company and comforting.
Let Me Go – This song was written and produced by NF, Tommee Profitt and Saint X. Jeremy Larson adds the opening strings. Nate talks about his dark side. His vocals grow more intense as the song progresses. He prays to God to ask if hope is real. Is he Hell-bound, or will he find Heaven?
Interlude – This is a brief track in which Nate talks about how he was spiraling during the successful Perception album and tour.
Hate Myself
– This song features keys and some excellent percussion. Nate questions his calling by asking if this is really what he was born to be. Late nights are the worst, when he has had suicidal thoughts. He’s not a spokesman, but a broken record. He prays to God with arms open. If this is it, then he feels hopeless.
I Miss the Days – Backing vocals on this song are provided by Debi Selby, Nicki Conley, Jason Eskridge, Brooke Griffith, Moiba Mustapha and Travis Cottrell. Nate looks back on his childhood, when he had a smile on his face, wasn’t so caught up in the small things, and didn’t overthink his life. He wonders what happened to him. When did he start to believe that he wasn’t worth it? He feels he’s blessed, but cursed as well. The song builds powerfully toward the end.  
No Excuses
– This song was written and produced by NF, Tommee Profitt and Saint X. It’s a high energy song in which Nate says he was self-taught. He has no excuses. He displays some fast rapping skills on the song.
Like This – This song was written and produced by NF, David Garcia and Saint X.
This song features some excellent percussion. He wastes too much time on things he can’t fix. He holds things inside that he can’t forget and that he thought he could let go. He feels more together when he’s a mess. He’s feeling too much like his old self, backsliding.
Options – This song was written and produced by NF, David Garcia and b | r z.
This hard-hitting song, which is a reminder that he still spits, has Nate saying that these are the options. And even if the record doesn’t sell a copy, he’s going to do it as a hobby. He’s not quitting unless the Lord tells him to.
Why – This song was the first single released from the album. It was written and produced by NF, Tommee Profitt and Saint X. The song features some excellent percussion. He wants to be great, but he gets in the way of himself and thinks about everything he could never be. He holds his issues up for all to see. A lot of people know him, but they don’t know him well.
Thinking – The song was written and produced by NF and Saint X. This song features some excellent percussion. The first verse could be to his wife. He is vulnerable and the person he’s singing to has the keys to open all his secrets. They have always been there when he’s low, to help pick up the pieces.
Key lyric:
To most, negative thinking makes you a pessimist, but
To me, negative thinking means I’m just realistic

– This haunting and ballad features piano and strings from Jeremy Larson. This could be a song addressed to God or his wife. He is helpless and needs them with him. He needs their hand as he’s drowning. Traumas surround him. He yearns for peace and to be found.
Time – This was the fourth single released from the album. See “Time Extended” above.

Wilder Woods – Wilder Woods
** ½

This is the first solo album from Bear Rinehart, a founding member and lead singer of NEEDTOBREATHE, one of my favorite bands. The album and band are both named after his two sons Wilder and Woods. Rinehart has said that there are two distinct sides to the album. The Wilder side, which comprises most of the album, is all about love, flirtation and desire, while the Woods side is more serious and reflective. The song “Religion” falls onto the Woods side, and will surely get much discussion as to its meaning.
Musically, the album is a blend of soul, R&B and pop and features his excellent vocals. The album was recorded in East Nashville with producer Gabe Simon.
Below are a few comments about each song.

Light Shine In – The opening song was written by Rinehart, Simon and Austin Jenkins. It starts quietly with acoustic guitar, before keys are added. It then quickly builds powerfully with guitar and backing vocals. For twenty years (the length of time he was in NEEDTOBREATHE), he was completely blind to all of his fears. Sometimes he wishes he was lost, as there’s nothing worse than being found. His plea is for the children of broken men to let their light shine in. The song ends with the acoustic guitar that opened it.
Sure Ain’t – This song was produced by Simon and Josh Bruce Williams, and written by Rinehart, Williams and Andy Albert. It is a love song directed to his wife Mary. The song features electric guitar and drums. If she thinks she might kiss him, it sure wouldn’t break his heart.
Someday Soon – This song was written by Rinehart. It features acoustic guitar, keys, strings, and backing vocals. Rinehart uses a higher range vocal, similar to Amos Lee, for part of the song. Someday soon these worries will roll on. He could use a reminder of what forgiveness is for. He encourages the person the song is directed to not to give up on the Kingdom, they’ll still be let in.
Key lyric:
Don’t think the battle’s over just ’cause you say “Amen”
Supply & Demand – This easy-going R&B flavored love song was written by Rinehart. It opens with keys and features drums, backing vocals and a memorable hook.
Electric Woman – This love song was written by Rinehart. It features light percussion and light guitar at the beginning, picking up the beat on the chorus with a catchy drum beat, some higher range vocals and backing vocals. The electric woman is sending shocks through his body. He wants to be her electric man. He’s never been good at letting her go.
Mary, You’re Wrong – This R&B flavored love song to Rinehart’s wife was written by Rinehart and Simon. The song features keys, light percussion, guitar, organ, strings, and light backing vocals. She’s wrong if she’s thinking he would ever want to leave.
Feel – This mid-tempo love song was written by Rinehart, Simon and Kevin Griffin. The song features keys, bass, backing vocals, drums, backing vocals and a guitar solo mid-song. He wants to know if he is bound for rejection or all of her affection. He’s not going to cut and run. He wants to know if she feels the way he feels.
Hillside House – This mid-tempo love song was written by Rinehart and David Leonard. It features a good bass line, light guitar, drums, and backing vocals. It’s hard to think of their hillside house without her around. So, while they’re still young, and while they still can, he’s gonna wrap her up in his arms again.
What Gives You The Right – This love song was written by Rinehart, Simon and Trent Dabbs.  This song brings back some energy after a few slower songs, featuring guitar, drums, backing vocals and organ. What gives her the right to come and rescue him knowing that he would trust her, even if it meant his life.
Key lyric:
I never planned for surrender
But I’m a fool for your splendor

Religion – This song was written by Rinehart and Simon. It features acoustic guitar and backing vocals. The song could be taken as Rinehart’s departure from the faith. We don’t know who he might be directing these lines to:
You’re a temptress, you’re to blame
For the guilt I can’t displace
Though there’s winters and summers
And so much has changed
You’re the fortress for my shame

Rinehart grew up as a pastor’s son. He sings:
I was born in the shadows of preachers and saints
I was raised in a house of God
But the blood on my lips and the dirt on my face
Is all the religion I’ve got

She’s a needy harlequin
Built by greed and selfish men
Though it’s easy to love her for all you discover
She’s bound to fall again

“Religion” is a confusing song that will surely lead to much discussion about its meaning. It might refer to a dead faith, a rejection of religion, frustration with today’s churches, venting about money and institutions and what they do to the Gospel, venting about the church’s role in creating shame, etc.

Live at Woodstock – Creedence Clearwater Revival

On Sunday, August 17, 1969, Creedence Clearwater Revival (CCR), arguably the hottest band on the planet at the time (their album Green River had just been released and their single “Bad Moon Rising” was on the radio), played the Woodstock Festival. The band had appeared on the Andy Williams television program in Los Angeles the night before. They then took a flight to Boston, a private jet to upstate New York, a helicopter ride to a nearby Holiday Inn and another one to the rainy and muddy festival site. They were scheduled to play in front of the crowd of 500,000 at 10:00pm that evening. But the Grateful Dead set went long, and they didn’t get on until about 1:00pm, when most of the crowd was asleep.  The band chose not to be included in the film or the soundtrack recording (rumors were that John Fogerty wasn’t happy with the set), but on the 50th anniversary of the Woodstock Festival, the entire eleven song set is finally being released for the first time.
After a less than enthusiastic introduction by the emcee, the band kicks into “Born on the Bayou”. The set includes CCR classics such as “Green River”, “Bad Moon Rising”, “Proud Mary” and “Suzie Q”, as well as some covers, and other CCR songs. The remastered version of the concert sounds excellent and shows off the band’s high energy and musical expertise, including Fogerty’s vocals and guitar solos. The entire set is excellent. Highlights include the cover of Screamin’ Jay Hawkins 1956 hit “I Put a Spell on You” and the closing three songs, Ray Charles’ 1958 “Night Time is the Right Time”, “Keep on Chooglin” and the encore “Suzie Q”, the latter two each stretching to more than ten minutes.
While it is a shame that it took 50 years for this recording to come out, it is an essential recording for CCR and Fogerty fans.

Acoustic Live, Vol. 1 – NEEDTOBREATHE

In the fall of 2017, NEEDTOBREATHE did something they had not done before – a fully acoustic tour.  Acoustic Live, Vol. 1 features twelve songs from that tour. It is their second live album in just three years. Live From The Woods was released in April, 2015, and the band has released just one full-length album 2016’s Hard Love, and two EPs 2017’s HARD CUTS: Songs from the H A R D L O V E Sessions and 2018’s Forever On Your Side Niles City Sound Sessions EP since then. Five of the twelve songs included on the new live project were also included on Live From The Woods.
The twelve songs are pulled from five of the band’s albums, plus an EP, and one, “Stand By Me”, has not previously been recorded by the band, so there is good representation from the band’s career. The album, like Live From The Woods, shows just how good a live band NEEDTOBREATHE is. The album also includes some of the band’s comments from the stage.

Below are brief comments about each of the songs:
Let’s Stay Home Tonight – This song was written by Bo Rinehart, Bear Rinehart and Luke Laird. It first appeared on Hard Love.  The song opens with synth and then builds with acoustic guitar, drums and piano. The backing vocals and piano solos are a highlight on this song.
Drive All Night – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on The Reckoning, and was also included on Live from the Woods. Bear delivers a strong vocal over acoustic guitar, drums, backing vocals and some incredible banjo. This was the song that got me hooked on the band.
Key lyric:
I need somewhere I can drive all night
Out into the darkness
Follow the headlights down
I need to know if they can take me
I gotta to know if they can save me

No Excuses – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on Hard Love.  The song opens with acoustic guitar, and backing vocals, and features an excellent organ solo. Mid-song the band includes part of “The House of the Rising Sun”, made popular by the Animals in 1964, featuring some acapella vocals.
State I’m In – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on Rivers in the Wasteland and was also included on Live From The Woods. The upbeat song opens with acoustic guitar and then builds with backing vocals, drums and piano. The song features a nice piano solo.
Washed By The Water – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on The Heat, and was also included on Live From The Woods. The band plays a snippet of “I’m Free” a gospel song before starting this song. Bear offers a strong vocal over piano backing. He won’t fall as long as the Lord is around him.
Key lyric:
Even when the rain falls
Even when the flood starts rising
‘Cause even when the storm comes
I am washing by the water   
Testify – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on Hard Love. This worship song opens with acoustic guitar, then builds with backing vocals, light percussion and piano. The song features a nice piano solo and some nice “Beach Boys” type vocals near the end.
Key lyrics:
There is a peace, there is a love
You can get lost inside
Come to the fountain and let me hear you testify

Oh, Carolina – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on Rivers in the Wasteland and was also included on Live From The Woods. The song opens with acoustic guitar and then builds with drums, backing vocals, guitar and piano. The song features a nice harmonica solo. As the band plays an extended version of the song, they play a snippet from the Who’s “Squeeze Box”.
Stand By Me – This song was written by Ben King, Jerry Leiber and Mike Stoller. It was a hit by Ben E. King in 1961. This is the first time it has appeared on an NEEDTOBREATHE album. The song opens with acoustic guitar, and builds with backing vocals, a brief lead vocal from Seth Bolt, and drums. It features a nice guitar solo and a powerful ending.
Stones Under Rushing Water – This song was written by Bo Rinehart and Bear Rinehart and features Drew and Ellie Holcomb. It first appeared on The Outsiders.
The song opens with acoustic guitar and builds with drums. The song features a nice harmonica solo and acapella vocals.
Key lyrics:
Yeah, the years go by
Like stones under rushing water
We only know
We only know when it’s gone

White Fences – This song was written by Bo Rinehart and Bear Rinehart.  It first appeared on The Reckoning. The song begins with acoustic guitar, then drums and backing vocals are added. The keys stood out for me on this track.
Key lyric:
You leave me in the dark
Recounting all my sins
You put words in my mouth
But who is gonna mend
These white fences

Cages – This song was written by Bo Rinehart and Bear Rinehart. It first appeared on HARD CUTS: Songs from the H A R D L O V E Sessions. The song opens with piano, acoustic guitar, and different band members alternate on lead vocals. The song features a nice guitar solo.
Key lyrics:
I went looking for attention
In all the wrong places
I was needing a redemption
And all I got was just cages

Brother – This song was written by Bo Rinehart, Bear Rinehart and Gavin DeGraw. It first appeared on Rivers in the Wasteland and was also included on Live From The Woods. This song begins with acoustic guitar and light percussion. It builds with some excellent vocals, and eventually an audience singalong.
Key lyric:
Brother, let me be your shelter
Never leave you all alone
I can be the one you call
When you’re low
Brother, let me be your fortress
When the night winds are driving on
Be the one to light the way
Bring you home.   

Back Again – Mac Powell and the Family Reunion

Mac Powell was the lead singer for the Christian band Third Day for 25 plus years. During that time, the band sold 10 million albums, earned 4 Grammy Awards and 24 Dove Awards. Powell formed his new band in 2018 after Third Day played its final show. The Family Reunion is a band that has developed over the past several years from musicians that have been recording and playing live with Powell in support of his two solo albums, his self-titled 2012 debut and 2014’s Southpaw.
Back Again is southern roots and American rock music, propelled by Powell’s powerful voice, that pays tribute to the early musical inspirations from his childhood. This is not a Christian music album, but there is Christian content in “Heaven” and “What I Came Here For” and there are no objectionable lyrics on the album. It was recorded in Atlanta and produced by Jason Hoard.

Below are a few comments about each of the fifteen songs:
Back Again – This is an excellent opener. It’s an upbeat southern rock song with driving guitars and drums, with Powell’s strong vocal. He was raised to ramble and born to run. He’s always been a traveler and made to move. The only thing that will make him settle down is to come on back to her.
Flood Waters – This is a toe-tapping guitar-driven song. A storm is coming. There will be earthquakes, lightening and flood waters rising. You (God? A woman?) will be the only one he’ll be looking for. There are some nice backing vocals and a guitar solo mid-song.
Whoo! – This song features guitar and drums. It’s a fun song about celebrating the weekend, after a long week of work. The song features country artist Craig Morgan on vocals and a guitar solo mid-song.
Watermelon Rind – This song features guitar and drums, with some organ and a brief guitar solo. The joyful song is about remembering when he was a little boy down at the river swimming with his cousins and sister. When they got hungry his mama got them a watermelon and they ate it down to the rind.
Red On A Rose – This love song has a slower pace. It features acoustic guitar, keys, light drums and backing vocals. Sometimes life doesn’t work out as planned, but she can count on him. He’ll be her shelter, hold her close and never let her go.
I’m Beginning To Wonder – This song features a driving guitar sound and backing vocals. She’s been pulling him down and treating him so bad for so long. He’s beginning to wonder if she ever did love him.
Going To California – This easy-going love song is driven by pedal steel guitar. He’s going to California, find a diamond and buy it for a song. When she wakes up in the morning, he’ll be gone, but he’ll come back home to her in Georgia. The song features a guitar solo mid-song.
I Could Get Used To This – This is a slower paced love song that builds. It features light guitar and drums. He’s never been the type to stick around for too long. But she’s the only one whose made him want to stay. He could get used to staying with her rather than running around.
Tiptoein’ – This is an upbeat fun swamp rock song featuring banjo, guitar, drums and backing vocals. From the time he was five, he was tiptoeing. Now he has kids and he can hear the kids upstairs tiptoeing.
Heaven – This is a slower paced song featuring light guitars and backing vocals that gradually builds. The world’s going crazy and sometimes it seems nothing is left here for him. But all that he wants and needs is right there where he longs to be (in Heaven). The song features an excellent guitar solo near the end of the song.
What I Came Here For – This song has an acoustic, unplugged sound, featuring banjo that builds toward the end. He’s been running. He doesn’t know what he is chasing but he knows there is something more. One of these days, he prays, he’s going to open up the door and find what he came here for. He’s looking for a light to guide his way. Thematically, it reminded me of U2’s “I Still Haven’t Found What I’m Looking For”. A highlight.
Mess of Me – This song begins with acoustic guitar, and is a toe-tapper, instantly likeable. First time he saw her he fell in love. But he’s running out of time to get her to love him. The temperature is rising and it’s hard for him to breath. He’s dizzy, and it’s hard for him to see. It features a guitar solo mid-song. A highlight.
Settlin’ Down – This song features driving guitar and drums and a sound not unlike a Springsteen solo record. He wants to settle down, get a little place, go out dancing on a Saturday night, talk to dawn and have a couple of kids.
Sittin’ Here Talkin’ With You – This love song has a slower pace with accordion, acoustic guitar and light drum. There is nothing he would rather do than to hold her hand on the front porch swing. It’s his favorite thing sitting there talking with her. The song features a guitar solo mid-song.
Mississippi – This foot-stomping song is driven by guitar and drums. She treats him bad and he’s going to leave. By the time she gets to “10 Mississippi” he’ll be long gone.

Western Stars – Bruce Springsteen

Bruce Springsteen returns with his 19th studio album, and first of all new, original material since his 2012’s Wrecking Ball. The 69-year-old Springsteen wrote all of the songs and co-produced the album with Ron Aniello, who produced 2014’s High Hopes and Wrecking Ball. The album, which draws inspiration from the Southern California pop music of the late ’60s and early ’70s, features guest appearances by more than 20 players, including multi-instrumentalist and composer Jon Brion, violinist and singer Soozie Tyrell and former E Street Band member David Sancious. Springsteen has said that the album is a return to his solo recordings, and features character-driven songs and sweeping, cinematic orchestral arrangements.
This album grew on me, sounding better with each repeated listening. The music is laid back and the lyrics are relatively simple. Here are a few brief comments about each song:

Hitch Hikin’ – This song opens with banjo and acoustic guitar and then builds with synth and piano. He’s hitch-hiking all day long with what he can carry and his song. We hear about a few people who stop and give him a ride.
The Wayfarer – This song opens with guitar and synth, and builds with percussion, synth, piano, strings, horns, organ and backing vocals. He’s a wayfarer who drifts from town to town. While others are inspired be living comfortably at home, when he goes to sleep, he can’t count sheep for the white lines of the highway in his head.
Tucson Train – The song opens and closes with train sounds. The song has a very Springsteen sounding synth sound, drums, guitar and memorable chorus. He was down and out in San Francisco, so he headed for the sunshine in Tucson where he got his operator’s license and spends his day running a crane. He thought he had left his love behind but now his baby is coming on the 5:15 Tucson train.
Western Stars – This song begins with guitar and builds with bass, slide guitar, drums and synth. He was an actor who once did a scene with John Wayne. That one scene has bought him a thousand drinks. These days he does commercials for Viagra and credit cards companies.
Sleepy Joe’s Café – This upbeat song begins with drums and acoustic guitar and then builds with synth, piano and accordion. Joe came home from the war in 1945 and bought a place out on the highway across the San Bernardino line where the truckers and the bikers gather every night at the same time. The band comes on at seven and the locals dance the night away. He comes on the weekend and Monday morning feels a million miles away.
Drive Fast (The Stuntman) – This song opens with acoustic guitar and builds with guitar, piano, synth and percussion. At 19 he was king of the dirt down at the Remington draw. He liked the pedal and didn’t mind the wall. Now he has two pins in his ankle, a busted collarbone, and a steel rod in his leg, but it walks him home.
Chasin’ Wild Horses – This song begins with acoustic guitar and synth, and builds beautifully with slide guitar and banjo. He does work with the Bureau of Land Management in Montana chasing wild horses.  It’s the only thing he’s found to get her off his mind.
Sundown – This song begins with piano, guitar, synth, and drums. He’s in Sundown, 2,500 miles away from his girl. He drifts from bar to bar in the lonely town, wishing she were there with him in Sundown, where the cafés are filled with lovers passing time. The voice in his head tells him that when summer’s over, she’ll come around. That’s all he has to keep him from sinking down.
Somewhere North of Nashville – This song begins with acoustic guitar and then builds with slide guitar and piano. He came into Nashville with his songs. He made the rounds but didn’t last long. Now he’s out on the highway somewhere north of Nashville. He’s got a long list of things he didn’t do right, with putting his music ahead of her at the top of the list.
Stones – The song features synths, drums, acoustic guitar, piano, strings and backing vocals. He woke up in the morning with stones in his mouth. The stones were only the lies she told him.
There Goes My Miracle – This song begins with synth and drums and builds, and features a memorable chorus. As the song begins, he’s searching for his love. But there goes his miracle, walking away from him.
Hello Sunshine – This song was the first single released from the album. It begins with a nice soft drum that drives the beat and bass. The song then builds with synth, piano, and slide guitar. He’s had enough of heartbreak and pain and would like the sunshine to stay. He’s always loved a lonely town, but if you fall in love with lonely, you end up that way. He’s also always liked that empty road. He has no place to be and miles to go.
Moonlight Motel – The closing song features acoustic guitar, synth, bass and piano. He is looking back at an affair he had with a lover at the now boarded up desert Moonlight Motel. She had told him that it’s better to have loved. Years later, he pulls a bottle of Jack Daniels out of a paper bag, and pours one for him and one for her.

I Know a Ghost – Crowder

This is Crowder’s third solo album, and his follow-up to 2016’s American Prodigal. The sixteen songs include a diverse blend of musical styles – modern bluegrass, hip-hop, swamp rock, pop and EDM (electric dance music). Crowder worked with a number of producers and songwriters on the album. A recurring theme on the album is the Holy Ghost, also known as the Holy Spirit. It is a strong album, though it is short on songs that will translate well to worship services.
Below are a few comments about each song on the album:

I Know A Ghost – The opening song was written by Crowder and he produced it with Tommee Profitt (NF). This song begins with guitar and then builds with drums, synth and a foot stomping beat. He knows the Holy Spirit, but he still feels darkness and heaviness.  But he knows that God paid the debt for him.
Wildfire – This song was written by Crowder, Lauren Olds and Solomon Olds. It was produced by Tommee Profitt. The song was released as a two-sided single ahead of the album and features a swamp rock sound, complete with sounds of crickets and frogs, drum machine and banjo. He sings of the joy of experiencing the Holy Ghost in revival. 
Golgotha Hill (King Of Love)
– This song was written by Crowder, Ed Cash and Tommee Profitt, with Cash and Profitt producing. The powerful song tells the story of Jesus’ death on the cross on Golgotha Hill and his rising on resurrection Sunday. The song features guitar, drum machine, strings, backing vocals, and foot-stomping beats.
Key lyric: There ain’t no stopping love 
Crushing Snakes – This song was written by Crowder, Ed Cash, Martin Cash and Cole Dye. It was produced by Ed Cash and features vocals from Taya Gaukrodger. The song opens with piano and quickly moves to drum machine and foot-stomping beat. We’re not afraid. A promise of God can never be torn away. The song ends powerfully with a vision of the resurrected Christ from Revelation.
Key lyric:
We’re taking back our freedom
Our battle has been won
We have been liberated
Back from the dead we’ve come 

Red Letters – This song was written by Crowder and Ed Cash, and produced by Cash and Tommee Profitt. The song was released as a two-sided single ahead of the album and has the sound of a great Crowder radio song. The joyful song tells of him reading Jesus words in the Bible (“red letters”), and being awakened by the Holy Ghost. The song begins with piano, light guitar and then builds, with drums and backing vocals. A highlight.
Key lyric:
When I read the red letters
And the ground began to shake
The prison walls started falling
And I became a free man that day

Let It Rain (Is There Anybody)
– This song was written by Crowder and Ed Cash and produced by Cash. It features vocals from Mandisa. It was the third and final song released ahead of the album. The song begins with piano, drums, and then goes into a foot tapping beat that is a prayer to the Lord. He is able.
Key lyric:
So let it rain, let it pour
Lord, I need You more and more
Let it rain, rain down on me
Every day, whatever You want
Not my will but Yours, Lord
Let it rain, rain down on me

Everyday I’m Blessed – This song was written by Crowder and Solomon Olds and produced by Olds. This song has an instantly likeable swamp rock sound, featuring banjo and backing vocals. A highlight.
Key lyric:
My God is able, my God is good
My God is able, He’ll pull me through
My God is able, my God is good
He’ll pull me through, yeah, that’s what He do

I’m Leaning On You
– This song was written by Brenton Brown, Chris McClarney, Hank Bentley and Crowder. It was produced by Tommee Profitt and features vocals from Riley Clemmons. This R&B flavored song begins with piano and then light drum machine. It is a prayer to the Lord about leaning on Him. Nothing can separate us from God’s love (Romans 8: 38-39).
No Rival – This song was written by Chad Mattson, Hank Bentley, Jonathan Lowry and JR Collins. It was produced by Tommee Profitt. It features a rap, and call and response vocals from JR Collins. It also features drum machine and is about the all sufficiency of Jesus. There is a no one like Jesus. He has no equal.
Key lyric:
He is gentle
But you can’t tame Him
Child Of God
– This song was written by Crowder, Ed Cash and Solomon Olds and produced by Olds. It is an upbeat foot-stomping joyful song featuring fiddle, drums and banjo about being a child of God.
Happy Day – This was written by Crowder, Ed Cash and Solomon Olds and produced by Cash. This is a foot-stomping song, featuring banjo, fiddle and backing vocals about the joy of being saved, having our sins washed away by the sacrifice of Christ.
Night Like This
– This song was written by Crowder and produced by Solomon Olds. The song has a joyful foot-stomping country sound with hand claps and background crowd noises. There ain’t nothing better than a night like this with his friends.
Key lyric:
And it’s only gonna get better than this
I can only imagine what comes next

La Luz
– This song was written by written by Crowder, Ed Cash, B-Coe, Fern and Marty. It was produced by Ed Cash and B-Coe and features the Social Club Misfits.
“La Luz” is Spanish for “The Light”. This “Holy Ghost party song” opens with banjo, drum machine, harmonica and a foot-stomping beat. The song includes some hip-hop and Latin beats.
Key lyric:
Break the bread, pour the wine
The Father’s arms are open wide
Break the bread, pour the wine
Ain’t nobody gonna sleep tonight, come on

The Sinner’s Cure – This song was written by Crowder and produced by Tommee Profitt. It opens with keys and drum machine.  The song asks probing questions. The answer, the sinner’s cure, is the blood and sacrifice of Christ.
Hundred Miles – This was the only song on the album not written, or co-written, by Crowder. The song was written by Brian MacDonald, Judah Akers and Nathan Zuercher and produced by Hank Bentley. The first line of this worship song is from Psalm 103.  The song opens with acoustic guitar, then builds with full band (drums, guitar, piano, banjo and backing vocals).
Key lyric:
Bless the Lord, oh my soul
Sing praise to Him and Him alone
Bless the Lord, oh my soul
Sing praise with me, you heavenly hosts
Ghost – This song was first released on the 2018 Passion album Whole Heart. The song was written by Crowder and Ed Cash and produced by Cash. The song opens with some EDM and then builds to a powerful chorus. We’re ready like a waiting bride.
Key lyric:
Get ready, there’s an empty tomb
Get ready, there’s a Ghost in the room
Get ready, even mountains move
Get ready, all the stories are true
Get ready, there’s an empty tomb

Into the Night – Social Club Misfits

Into the Night is the long-awaited and strong follow-up to Social Club Misfits 2017 major label debut The Misadventures of Fern and Marty and is their tenth overall project. Marty and Fern have stated that the album is about being a light no matter where you are in life. The diverse, confident and Christ-centered album is well written, performed and produced, as they work with multiple producers and guest artists.
Below are a few comments about each song:

Nightmare – This song was produced by Daniel Steel and Wit. It is written by Fern and Marty. The album starts out by Marty indicating that SCM are the Devil’s worst nightmare. This album is the moment we’ve been waiting for. They are back in town and they are going into the night to reach Misfits that nobody believes in, fighting for what is right.
Dive – This was the first single released from the album. It is produced by Young Sidechain and Beam and features Beam. It is written by Young Sidechain, Jordan Douglas, Beam, Marty and Fern. Key lyric: I go fishing for the hope
War Cry – This was the fourth single released in advance of the album’s release. It is produced by Tauren Wells and Tommee Profitt.  It is written by Wells, Profitt, JT Roach, David Frank, Fern and Marty. The song features Wells, and is powerful song about now being the time to rise up and share the Gospel that will sound great on radio.
Into The Night – This song is produced by Wit and Daniel Steele and features Chris Batson. It is written by Batson, Fern and Marty. Baston handles the chorus with Fern and Marty taking the verses. They were doubted, but every year is their year. They are taking it to the max.
Tuyo – This was the fifth and final song released in advance of the album’s release. The song features Jordin Sparks and Danny Gokey and is written by Sparks, Gokey, Fern and Marty. It has a Latin vibe to it, with much of it sung in Spanish.  Key lyric: Every race, every color, every nation, Come together, there’s no more separation. It’s time to rise up and make a statement
Happy Accident – This song is produced by Alex Medina and written by              Fern and Marty. The song features a good drum beat throughout. For them, it’s not about making it up to the top, but about making a difference. Key lyric: Why do you think that I’m here. I came for the Man who’s in charge.
Lucky – This song is produced by John Smythe, Wit and Daniel Steele. It is written by Smythe, Wit, Steel, Fern and Marty. Additional vocals are provided by Ian Everson. The song is not about being lucky, but about working hard. Key lyric: Maybe we got lucky or maybe we chosen.
Say Goodbye – This song was the second single released from the album. It is produced by Wit and 42 North. It is written by Joel McNeil, John McNeil, B. Reith, Fern and Marty. This song has a slower vibe to it. Key lyric: This is the part where you leave without saying goodbye.
Number One (A Song For You) – This song is produced by Rugah Rahi. It is written by Rahi, Fern and Marty. Rahi opens the song. This song is about making the Lord number one and that’s why they are on top. It features a good drum beat throughout. Key lyric: Game over, yes, over the breaks, over, witness the takeover, and God gets the praise for it.
Sinatra / Ca$h – This song is produced by Al Cres and written by Ben Lopez, Cres, Fern and Marty. This intense song has a good drum beat throughout. Things slow down after the bridge. Ten projects in and they are just starting.
Key lyric: The feeling that I bring through a verse such detail and doctrine, but I tell you myself you need a church and a pastor.
Clear – This song is produced by produced by Young Sidechain, and features Foggieraw, who takes verse three. It is written by Young Sidechain, Foggieraw, Fern and Marty. The song is driven by a good beat throughout. There’s no pride, just honesty. No hate, just truth.  Key lyric: I was chosen it’s not random.
The One Of A Kind One – This song is produced by Daniel Steel and Wit. It is written by John Smythe, Steele, Wit, Fern and Marty. It features some excellent horns throughout. SCM tells their story about being courted by labels and going from underground to sold out crowds. They were told it wouldn’t last with this God thing. As far as other rappers, they aren’t looking at them, they are looking past them. Key lyric: I feel like I’m in my zone, bringing the best vibes that’s Christ alone.
Solo – This song is produced by Israel Steven Mercedes. It features Evan Craft and is written by Rey King, Mercedes, Craft, Fern and Marty. Like “Tuyo”, the song has a Latin beat and sung in both Spanish and English.
Key lyric:
You never left me alone, I could always feel Your heart
Your plan has always been perfect, I just had to play my part
You always wanted to use me, I just had to let You start

Untitled Hymn: A Collection of Hymns – Chris Rice

Chris Rice returned to the music scene in January after twelve years with Songs We Wrote On Tuesdays, a collaborative duo side project he completed with Andrew Ripp. Untitled Hymn: A Collection of Hymns is Rice’s long-awaited follow-up to his 2006 best-seller Peace Like a River: The Hymns Project. That record has been streamed an incredible 72 million times to date. Similar to that album, Untitled Hymn is very simple musically, with Rice’s voice usually accompanied by piano, acoustic guitar and light backing vocals. The album, which was produced by Ken Lewis, features a new recording of his classic “Untitled Hymn (Come to Jesus)”, eleven other hymns and one new song “Too Much I Love”. I absolutely love this new recording.
Here are a few comments about each song:

What A Friend We Have In Jesus – This hymn was written by Joseph Scriven (words) and Charles Crozat Converse (music) in 1855. The song features acoustic guitar and some backing vocals.
Amazing Grace – This hymn was written by John Newton. In 1779, together with the poet William Cowper, Newton published 280 of his hymns in the popular Olney Hymns. “Amazing Grace” was part of the collection. The song features piano, light organ and cello.
Untitled Hymn (Come To Jesus) – This song was written by Chris Rice, and originally appeared on Rice’s 2003 album Run the Earth, Watch the Sky. It features piano, light strings, acoustic guitar and backing vocals.
O For A Thousand Tongues – This hymn was written by Charles Wesley (words) and Carl Gottholf Glaser (music). Wesley wrote the words in 1740. Rice includes a new refrain “And I had a thousand tongues, still I could never sing enough”. The song features acoustic guitar, backing vocals and strings. A highlight.
When I Survey The Wondrous Cross – This hymn was written by Isaac Watts and published in Hymns and Spiritual Songs in 1707. The song features piano and strings, and new timing in the chorus.
This Is My Father’s World – This hymn was written by Maltbie Davenport Babcock. Soon after his death in 1901, his wife released a collection of Babcock’s poems entitled Thoughts for Every-Day Living that contained the poem “My Father’s World.” The music is from Franklin Shepherd, who adopted an English folk song. The song features acoustic guitar, piano, light strings and backing vocals.
There Is A Fountain – This hymn was written by William Cowper, most likely in 1771. The song features piano and a backing choir. A highlight.
Leaning On The Everlasting Arms – This hymn was written in 1887 by Anthony J. Showalter and Elisha Hoffman (words) and Showalter (music). The song features acoustic guitar, a bluegrass fiddle, and backing vocals.
Hallelujah, What A Savior – This hymn was written by Philip P. Bliss in 1875.  The song features acoustic guitar, piano, backing vocals, and ends with a children’s choir.
Were You There – This hymn is an African American spiritual that was first published in William Barton’s 1899 Old Plantation Hymns. The song features piano, light organ and backing choir.  
Fairest Lord Jesus – This writer and the history of this hymn is debated. The song features acoustic guitar and backing vocals.
Too Much I Love – This beautiful new song was written by Rice. The song started as one of the poems in his book Widen: A Collection of Poems.   It features piano and light organ. The song is about his love for God’s wonderful creation, “Too much I love this world You made”, but it points to more “she echoes better places.”

Mood – Social Club Misfits

Social Club Misfits (Marty and Fern) follow up their excellent 2018 album Into the Night with Mood, a new five-song EP, which will whet your appetite for Social Club Misfits music until the next full-length album is released. Below are a few comments about each of the songs on the EP:

Everytime – This song was written by Young Sidechain, Marty and Fern and produced by Young Sidechain. It was the lead single for the EP. The song addresses the loss of a few friends, their childhood, and living out their dreams doing what they love.
Que lo Que – This song was written by Daniel Young Kim, Dirty Rice, Fern and Marty, and produced by Dirty Rice. GAWVI provides additional vocals. The song begins with an acoustic guitar and quickly transitions into a likeable Latin beat, with the vocals alternating between Spanish and English.
Key lyric:
All I know is that God is sovereign
He’s in control
I’m letting go, I went from pit to palace. 
Up – This song was written by Cardec, Marty and Fern and produced by Cardec. They came from the bottom and things are going well now. They are rapping for applause and their numbers are going up.
Chinatown Freestyle – This song was written by Ben Lopez, Marty and Fern and produced by Lopez. The intro is from Chris Durso “Why would we concern ourselves with words from men when we got ourselves a word from God. We’re misfits”. Themes in the song include touring, childhood and a death threat.
Key lyric:
If you hate on Social Club then you’re dead inside. 
So Our God Came to Us – This song was written by Dirty Rice, Jung Youth, Fern and Marty and produced by Dirty Rice. Jung Youth sings the chorus. We were all alone, but our God came to us. Marty and Fern rap hard on their verses. They achieved their goals and wrote more, but God had His own plan. Without His guidance theirs has no purpose. Joy comes in serving Him.

Deeper Roots: Where The Bluegrass Grows – Steven Curtis Chapman

In 2013, five-time Grammy winner Steven Curtis Chapman released Deep Roots, an album which featured 12 songs, 5 of which are available on the new Deeper Roots: Where The Bluegrass Grows, released on Chapman’s own New Day distributed-SCSee label. Both albums represent a return to bluegrass, Chapman’s musical roots.
In addition to the 5 songs from Deep Roots, the new album contains eight other songs. The album is comprised of a mixture of well-loved hymns, new versions of Chapman favorites and two new songs. Chapman is joined by Ricky Skaggs, Rascal Flatt’s Gary LeVox and family members on the album, which was produced by Chapman and Brent Milligan.
Below are a few comments about each of the songs:

Where the Bluegrass Grows – This upbeat new song features banjo, fiddle, acoustic guitar and backing vocals. He comes from a place where the bluegrass grows. He can’t believe all the places he and his guitar have been – from the Grand Old Opry stage to Carnegie Hall. He comes right back home when he hears a banjo.
Dive – This Chapman classic is revitalized with the help of Ricky Skaggs. Skaggs had also joined Chapman on “What a Friend We Have in Jesus” on Deep Roots. The song features some excellent banjo and backing vocals.
‘Til The Blue – This is a new song written by Chapman, Lori McKenna and Barry Dean. It features Gary LeVox of Rascal Flatts on vocals. This is a beautiful song, featuring acoustic guitar. It’s a song about helping someone going through a difficult time. There are no words to say or answers to give to the questions they are asking. But the friend is there to help carry them through the difficult time.
Key lyric:
‘Til the blue returns to your sky
‘Til the laughter returns to your eyes
I’ll be right here to cry with you
And right here to give you a song
To help you go on
Until you’re strong 
Cinderella – This Chapman classic was previously available on Deep Roots.
Victory in Jesus – This hymn features Chapman’s father, Herb Chapman Sr., and brother, Herb Chapman Jr.
Great is Thy Faithfulness – This hymn features Chapman’s father, Herb Chapman Sr., and brother Herb Chapman Jr.
My Redeemer is Faithful and True – This Chapman classic was previously available on Deep Roots.
How Great Thou Art – This hymn, featuring Chapman’s daughter-in-law Jillian Edwards Chapman, was previously available on Deep Roots.
Life is Like a Mountain Railroad – This classic hymn, featuring Chapman’s father, Herb Chapman Sr., and brother, Herb Chapman Jr., was previously available on Deep Roots.
I’ll Fly Away – This classic hymn features good backing vocals, banjo and fiddle.
Without Him – This classic hymn features Chapman’s father, Herb Chapman Sr., and brother Herb Chapman Jr.
Be Still and Know – This Chapman classic, featuring Chapman’s son Caleb Chapman, was previously available on Deep Roots.
I’d Rather Have Jesus – This classic hymn features Chapman’s father, Herb Chapman Sr.

The Eclipse Sessions – John Hiatt

The Eclipse Sessions is 66-year-old John Hiatt’s first album since 2014’s excellent Terms of My Surrender, and 23rd studio album overall. The album, one of the best of the year, was recorded at Kevin McKendree’s home studio at his farm outside of Nashville over four days in the summer of 2017 that included the August 21st solar eclipse. Hiatt recorded the album as part of a trio comprised of guitar, Patrick O’Hearn on bass and long-time drummer Kenneth Blevins. McKendree, who produced the album, added occasional organ, while his 16-year-old son, Yates McKendree, played additional guitar and engineered the album. Hiatt has said that Yates was their secret ingredient. His guitar playing is a definite highlight on the album. Hiatt has said that The Eclipse Sessions feels like the final part of a trilogy that includes 1987’s Bring the Family and 2000’s Crossing Muddy Waters.
Below are a few comments about each of the songs on the album:

Cry to Me – The opener begins with acoustic guitar and features piano, organ and has an excellent guitar solo. She can cry to him, though he’s probably going to let her down.  He promises not to keep her down.
All the Way to the River – The song speaks of cowardice and courage needed to leave town. How is she going to get through this night? Dirty Nashville is her home. The song features acoustic guitar, drums, organ and a nice guitar solo.
Aces Up Your Sleeve – On this sad song, Hiatt is accompanied on acoustic guitar, bass, drum and organ. The song is about a former lover who is now with someone else.  It features a nice guitar solo mid song. Key lyric: “The queen of hearts has shown her face, she wants you to believe you were never meant to have aces up your sleeve”.
Poor Imitation of God – This rocker features some excellent guitar, including a mid-song solo.  He can do the devil in his sleep but he’s a poor imitation of God.
Nothing in My Heart – This song features acoustic guitar, drums and a nice organ solo mid-song. Hiatt offers a gruff vocal as he sings about a former lover who wanted the better man. There’s nothing in his heart, there’s just enough of him and the darkest part of his heart to hide his love away. He has no feelings bad or good. No pain and no despair, there’s nothing there.
Over the Hill – This song starts with acoustic guitar, and builds with organ, drums and some excellent guitar from Yates McKendree. He sings about the aging process, indicating “I’m long in the tooth, and what can I say, I’ve taken huge bites of life and I ate the bones”. She mourns for the way that things might have been. She can have him, but he’s over the hill.
Outrunning My Soul – This song is driven by a guitar and electric piano beat, and features a nice electric piano solo mid-song. She’s outrunning his soul. What’s it gonna take to slow her down. It’s like he’s taking a stroll. He’s got no control. He can’t fake the man he’s supposed to be.
Hide Your Tears – This song features guitar, bass and light drums. He doesn’t spend too many days thinking about his reckless ways, how to outrun death or the broken hearts, trouble and pain he’s caused. He tells her to hide her tears out in plain sight, hide them to catch the light, show them to her friends. Then go and hide your tears again.
The Odds of Loving You – This slow acoustic blues song features some excellent guitar from Yates McKendree, including a solo mid-song. He rode in on his high horse, taking notes and naming names, but ran out like a dog in shame. He likes the gravy but she wants to save him from himself. He’s stubborn and stupid. Seven nights of heaven and eleven nights of who shot who. He likes those odds of loving her.
One Stiff Breeze – This is a Goners-like rocker featuring a distorted guitar sound. He can’t find her anywhere, though he would have thought she would stand out in a crowd with her flashlight eyes. The song suddenly changes toward the end of the song with him singing “I love you” and some organ added.
Robber’s Highway – This was the first song Hiatt wrote for the record. He has stated “I was just thinking in terms of somebody who’s out there hammering away with his music, wondering what it’s all coming to.” The song is sung over acoustic guitar, bass and light drums.  He’s aging and has regrets about his life on the road. He’s wondering what it was he did so well. Now he doesn’t have feeling in the fingers of one of his hands. The night before felt like a three-night stand. He didn’t plan to wake up this day. He sings “Come and get me Jesus, I don’t know.  Come and get me ‘cause I can’t go.”

In the Blue Light – Paul Simon

I first read about 76 year old Paul Simon’s plans to make a “revisit” album with new interpretations of some of his previously recorded songs in Robert Hillburn’s excellent 2018 biography Paul Simon: The Life.  In the Blue Light, Simon’s 14th solo album, features ten recordings of old works, newly considered that were originally released from 1973 to 2011. In the liner notes, Simon says he chose “songs that I thought were almost right, or were odd enough as to be overlooked the first time around”. The album was produced by Simon and Roy Halee.
The album features excellent contributions from jazz trumpeter Wynton Marsalis, guitarist Bill Frissell, Chamber ensemble yMusic, saxophonist Joe Lovano, drummer Jack DeJohnette, bassist John Patitucci and The National’s Bryce Dessner.
In some instances, Simon even makes small tweaks to some of his lyrics. Simon includes four songs from his 2000 album You’re the One, none of his hits and no songs from his classic album Graceland.
Below are a few brief comments about each song on the album:

One Man’s Ceiling Is Another Man’s Floor – This song was originally included on 1973’s There Goes Rhymin’ Simon. This version, which is more bluesy than the original, features some excellent piano, horns and a passionate vocal from Simon.
Love – This song was originally included on the 2000 album You’re the One. This version features some excellent Spanish guitar.
Can’t Run But – This song was originally included on 1990’s The Rhythm of the Saints. This version moves from Brazilian world music to more of a modern classical music feel/acoustic chamber music from yMusic with a new arrangement from The National’s Bryce Dessner. A lyrical change has the blues band by the riverbank that appeared in the original version being replaced by the DJ.
How the Heart Approaches What It Yearns – This song was originally included on the 1980 album One-Trick Pony. Marsalis’ trumpet and some good piano bring a jazz feel to this version of the song and the atmosphere of the now downtown (formerly local) bar and grill.  His trumpet replaces the acoustic guitar on the original version.
Pigs, Sheep and Wolves – This song was originally included on the 2000 album You’re the One. The song, which Simon has described as an urban song about racial profiling, is jazzier than the original. This version with Marsalis’ trumpet and the percussion is a Mardis Gras march, a New Orleans-styled party.
Rene and Georgette Magritte with Their Dog After the War – This song was originally included on the 1983 album Hearts and Bones. This version features YMusic’s strings arrangement and light horns.
The Teacher – This song was originally included on the 2000 album You’re the One. This version is more unplugged than the original. It features some tasty Spanish guitar from Odair Assad and Sergio Assad and some good saxophone.
Darling Lorraine – This story song about a troubled relationship was originally included on the 2000 album You’re the One. This version includes acoustic guitar, some from the late Vincent Nguini, who played with Simon until his death in 2017. The song also features some light backing vocals and a good vocal from Simon.
Some Folks’ Lives Roll Easy – This song was originally included on the 1975 album Still Crazy After All These Years. This version, which features piano, bass, and saxophone, is jazzier than the original, and has Sullivan Fortner’s piano replacing the electric piano on the original version.
Questions for Angels – This song was originally included on the 2011 album So Beautiful or So What. This version is driven by some beautiful acoustic guitar.
Key lyric:
Questions for the angels
Who believes in angels?
Fools do
Fools and pilgrims all over the world

Never Fold by Tedashii

Never Fold is the fifth studio album from Tedashii. The 17-song, 54-minute album is his follow-up to his excellent 2016 EP This Time Around and is his first full-length album since 2014’s Below Paradise. He did release a few songs in 2017 and 2018 that are not included here (“Way Up”, “Messenger” and “Splash”, though a revised version of the latter song is included), and two that are, “Gotta Live” (featuring Jordan Feliz) and “Smile”. It’s been way too long since we got a new full-length album from Tedashii, but the wait has definitely been worth it. The album features a number of special guests, among them Lecrae, Trip Lee and Crowder, and he uses multiple songwriters and producers. Never fold and the pain of losing his son Chase are themes that show up throughout the album.
My favorite songs are “God Flex”, “Get Out My Way” and “Gotta Live”. Here are a few comments about each song on the album:

There’s a Heaven – This song is written by Justin Lay, Sean Hamilton, Jimi Cravity and Tedashii, and produced by Hamilton and Cravity. This short opener features distorted vocals over keys.

God Flex – This song was produced by Daramola and Cardec and written by Daramola, Cardec, Jacob “Biz” Morris, WHATUPRG, Ace Harris, Trip Lee and Tedashii. It features Lee and Daramola on vocals and Swoope on orchestra. This is a hard-hitting song that will pull you in right away. The song was based on a real moment in Tedashii’s life when God showed up less than a year after his son Chase died. He had to let go of pride and humble himself to see God as good. Trust God, he is going to show up in your moment.
Key lyric:
But he gonna swing low in the chariot and carry me home

Get Out My Way – This song is written by Cardec, Wes Writer, Lecrae and Tedashii, and produced by Cardec. This song features a great collaboration with Lecrae. It’s a hard-hitting song. Every day is a struggle. People are throwing stones and trying to make them stumble. They’ve taken a lot of hits but they are getting through it.

Son of Sam – This song is written by Zach Paradis, GAWVI, Chad Gardner, Daniel Steel, Derek Minor, Andy Mineo and Tedashii, and produced by Minor. The song features a brief intro from Mineo. On this song Tedashii shares his struggles after losing his son Chase. He’s trying to figure out who he is. He’s all alone and struggling, but encouraged by friends. He feels like he’s dying from grief, suffering panic attacks. His heart is getting harder to heal.

Home – This song is written by Alex “Juice” Hitchens, Mashell, Zach Paradis, Ace Harris, Tedashii and Crowder. The song is produced by Paradis, Mashell and Harris, and features Crowder on the chorus. In a passionate vocal, Tedashii sings of hurt and grief. He did his best, but confesses that he needs God’s help, who gave him love that he didn’t deserve. He refuses to waste a day. The electronic drums shine on this track.
Key lyric:
Looking for the shade where the trees are dead
Trying to find my way to the peace inside

Splash II – This song is written by Zach Paradis, Mashell, Ace Harris, Iggy Music, Wes Writer, Parris Chariz, Jarry Manna and 1K Phew. It is produced by Paradis, Harris, Iggy Music and Mashell. The song uses the same chorus as “Splash” featuring 1K Phew that was released in early 2018. Other vocals are provided by Jarry Manna and Parris Chariz. This upbeat song is about making a splash for God.

Water – This song is written by Zach Paradis, Tumeh Gailor, Royce Munroe, Lloyd Musa, Ace Harris, Jeremiah “Sick Pen” Bethea and Tedashii. The song is produced by Paradis and Harris. He sings of being cleaned by the water and how Houston made it through the flooding from Hurricane Harvey in 2017.

Diamonds – This song is written by Steve Tirogene, Sean Minor, Jamal Wesley James, Dustin “DAB” Bowie, Desmond Jamal Rasberry and Tedashii. It is produced by Tirogene, Minor, and Desmond South. The sound features a good beat driven by the percussion. He’s got a lot of pain in his heart, trouble in his soul and feels like he has the whole world on his shoulders. He has a lot of pressure on his body but diamonds are made just like that. Life will test him each day but he’ll never fold, he’ll get through.
Key lyric:
I got blessings on the way
I can see a better day

Step into Love – This song is written by Jordan Sapp, Sarah Reeves and Tedashii. It is produced by Sapp and features Reeves on the chorus. Life has been hard and he almost gave up. People may change but God is always the same, so why should he quit. We need to step into love like you’ve never been hurt before. The song features keys and a good beat driven by electric drums.

My Lifestyle – On this song Tedashii sings of battling depression and grief. The devil put him through hell, but the Lord helped him through it and gave him a reason for living.  He’s still unashamed and with the people he came with.

Gotta Live – This song was written by Chris Howland, Zach Paradis, Jordan Feliz and Tedashii, and produced by Ace Harris. The song, which features a memorable chorus, features Feliz on vocals, and reached number one on Billboard’s Christian Hot AC/CHR chart. Tedashii has said that this song is about perseverance and encouragement.  Life is meant to be lived as the gift from God that it is and we should see that as a reason to keep going and never fold.
Key lyric:
Everybody has their doubts but you can’t stop now

Hold Me Down – On this song Tedashii expresses appreciation for those who stick by his side. He sings of doing what he does for his family and a cousin in prison. He tries to love his enemies and use their energy. The song ends with a young rapper on the last verse.

Smile – This song was written by SAK PASE, Philip Green, Marquis Rachad, Ace Harris and Tedashii and produced by SAK PASE. It was first released in early 2018. Tedashii has said that the song, with its easy going and uplifting rhythms and singing, fits the mood of what he wanted to create to help people smile and have joy. DJ Blak offers additional vocals.
Key lyric:
Life is hard, but it’s getting better
We all harmed, but the scars, they not here forever

All In Love – This song is written by Kelvin Wooten, Kameron Glasper, Chris Owens and Tedashii. It is produced by Chris King and features Kam Parker on the chorus. This is a song to Tedashii’s wife who has been with him through it all. With her he been blessed, feeling like he hit the lottery.

Full Effect – This song was written by Wesley E. Smith Jr., SAK PASE, Ace Harris and Tedashii and produced by SAK PASE. Tedashii brings a confident vocal on this song. He’s in his element, at his best. He sings that life is curtains, drawn back, but God came to open the blinds and let the sun in.

Won’t Bring Me Down – This song was written by Tyron, Boosen, Joshua Toala, Cardec, Evan Ford and Tedashii. It was produced by Tee-Wyla, Cardec and Ford. The song features a female vocalist on the chorus. God never told him that it would be easy, just that He would be with him through the nightmares and broken dreams. His help comes from the Lord (Psalm 121.2)

It is Well – The closing song is a short version of Horatio G. Spafford’s 1873 hymn “It is Well With My Soul”. The song is sung in another language by a female vocalist. It is a beautiful, piano driven song.

AWAKEN: The Surrounded Experience – Michael W. Smith

Over the course of his 35-year career, the multi-talented Michael W. Smith has provided the church with excellent music in a number of different genres – pop, Christmas, instrumental and worship. At age 61, he is going stronger than ever, having released three albums in 2018, a live worship album Surrounded, a studio album A Million Lights, and a children’s album Lullaby. In addition, he honored Billy Graham and George H. W. Bush by singing at their funerals. He is back to start 2019 off with the new live worship album Awaken: The Surrounded Experience. The album was recorded at the Bridgestone Arena in Nashville, on August 30, 2018 at the free Surrounded: A Night to Pray, Worship and Be Awakened concert. The event was a multi-racial, multi-denominational and multi-generational gathering of 14,000 people, which was later broadcast on the Trinity Broadcasting Network (TBN) to 175 countries worldwide as the special Surrounded: A Night of Worship, Prayer, and Awakening. The evening began with a time of prayer for the city of Nashville, surrounding communities, and the nation, led by area pastors.
The new album includes 13 songs from that concert, 6 of which were included on the Surrounded album. Also included are Will Reagan’s “Set a Fire”, the opening song, Jennie Lee Riddle’s “Revelation Song” and three songs included on previous Smith albums – “Let it Rain”, “Healing Rain” and “Agnus Dei”. Smith turns over lead vocals on Todd Dulaney’s “King of Glory” to CeCe Winans, and on Sinach’s “Waymaker”, the album’s initial single, to Vanessa Campagna and Madelyn Berry.
The production quality of the recording is excellent, which is especially noteworthy for a live album. Although the album captures the worship experience well, and I enjoyed it, with nearly half of the album being comprised of songs that appeared on the live album Surrounded just a year earlier, some buyers may feel like they have to choose between Surrounded and AWAKEN: The Surrounded Experience.

Holy Roar: Live from Church – Chris Tomlin

I’ve enjoyed Chris Tomlin’s music for several years. For years, I would look forward to the new songs he introduced each January at the Passion conference in Atlanta (and following live album), and also his own solo albums. His 2016 studio album Never Lose Sight was my favorite album of that year. His latest studio album, Holy Roar, was released last October. The album was good, but not great, and I found that it was one that I didn’t go back to listen to a lot after its initial release.  It was also his first album since 2004’s Arriving to not hit the top of the Christian charts, topping out at #3 and only #103 on Billboard’s Top 200 Album chart (2013’s Burning Lights hit #1 on both).
So, I found it surprising that Tomlin would release a live album comprised of seven songs from Holy Roar, plus one from Pat Barrett (who is signed to Tomlin’s label, and who is also with Tomlin on the current Holy Roar tour), recorded in front of 200 worship leaders at a small church in east Nashville. Tomlin’s music is best heard live in a worship setting (concert or church) and that’s probably why he wanted these songs to be heard in that context. The album is also a nice tie-in with the tour, which kicked off a week before the album was released.
For the most part however, the performances here are not different enough from the studio versions for most listeners to purchase this new live album. The exceptions would be Tomlin’s live version of Andrew Peterson and Ben Shive’s “Is He Worthy?”, which was released as part of a three song EP ahead of the full album and his “Goodness, Love and Mercy”, which brings more energy than the studio version.

Sing! Psalms: Ancient + Modern (Live At The Getty Music Worship Conference) – Keith and Kristyn Getty

This album was recorded live at the second annual Getty Music Worship Sing!  Conference at the Nashville Music City Center and historic Ryman Auditorium, September 10-12, 2018. I attended this conference, and can attest that the singing of the 7,500 attendees, along with a 300-person choir, was a foretaste of Heaven. Keith Getty and his incredible songwriting partners had written several new songs on the Psalms for the conference, many of which were included on the Getty’s EP The North Coast Sessions, which was released just prior to the conference. Five songs from The North Coast Sessions are included on the new live album. This recording features Keith and Kristyn Getty, their amazing band and several special guests.
Among the many musical highlights from the conference that are included here is Matt Redman leading the attendees in his “10,000 Reasons (Bless the Lord)”, Andrew Peterson singing his incredible “Is He Worthy?” backed by the 300-person Sing! choir, Matt Boswell and Matt Papa singing “His Mercy is More”, and Shane and Shane joining Kristyn Getty on vocals for “The Lord is My Salvation”.  The great Phil Keaggy adds acoustic guitar to “My Dwelling Place (Psalm 91).” Other special guests included on the album are Cindy Morgan and Stuart Townend, a frequent writing partner with Keith Getty, and co-writer of the classic “In Christ Alone”.
The production quality is excellent, especially impressive for a live album.

To The Kindness of God – Michael Card

It’s hard for me to put into words what the ministry of Michael Card has meant to my spiritual growth. For 35 years, his music, books, and Biblical Imagination Conferences have had a profound impact on me. The first album of his that I bought was 1984’s Known by the Scars when I was a relatively new believer. Many of his books have also had an accompanying album, as is the case here. The new album is about the wonderful concept of hesed, which Card refers to as an “untranslatable, three-letter, two-syllable Hebrew word”.  He does help us with a working definition of hesed – “when the person from whom I have a right to expect nothing gives me everything”. The album is a companion to his excellent book Inexpressible: Hesed and the Mystery of God’s Lovingkindness (see my review here), and may be his final full-length album. Let’s hope that we continue to be blessed by the biblically based music of Michael Card, in whatever format, for many years to come.
Cards has described the album as a “very acoustic, classical-sounding record” with no drums. There are six new songs, a new live version of a previously released Card song, and three covers. Below are a few comments about each song on the album:   
Come as You Are – This beautiful opener is driven by piano, with backing vocals and light percussion added at the chorus, which is from Psalm 100:5:
For the Lord is good and his love is everlasting.
Oh, the Lord is good and his mercy never ending
Won’t you come 
A female vocalist joins in at the second verse.
Hymn to the Kindness of God – On this song, Card sings of many attributes of God (beauty, kindness, gentleness, tenderness, endless, graciousness, patience, etc.) over piano and an impressive string arrangement.
The Shelter of the Shadow – This song features strings, and a female vocalist backed by a classical choir. The song is about Exodus 34 and Moses’ encounter with God, which Card has described as the defining moment of hesed in the Hebrew Bible. Moses has asked to see God’s glory. The Lord has responded by revealing the true nature of that glory: compassion, mercy, truth, kindness, hesed. He references Exodus 34:6:
 “And he passed in front of Moses, proclaiming, “The Lord, the Lord, the compassionate and gracious God, slow to anger, abounding in love and faithfulness.”
That Kind of Love – This is a cover of Pierce Pettis’ song, a song I wasn’t previously aware of. It’s a beautiful piano driven song with a nice string arrangement. The lyrics fit nicely with the hesed theme. That kind of love can’t be bought, sold or faked. It always gives itself away. May we be remembered by that kind of love.
When Dinah Held My Hand/Jesus on the Mainline – This song refers to a story that Card tells in the book about a time when Dinah demonstrated hesed to him when he visited an African American church. The song is driven by banjo and other string instruments. The song then merges into a Black gospel version of the traditional song “Jesus on the Mainline” driven by piano and female vocals.
Gomer’s Song – This is a new live version of “The Song of Gomer”, originally recorded on Card’s 1992 album The Word: Capturing the Imagination.  It is about the adulteress wife of the prophet Hosea. The song features a nice acoustic guitar solo. Hosea showed hesed to Gomer, who had no right to expect anything.
Simply more than I can see
How he keeps on forgiving me
The wife of adultery
Gomer is my name

This is My Father’s World – This song was written by C. Barny Robertson and Maltbie Babcock. It features acoustic guitar and beautiful strings by Alan Moore, who came out of retirement to do the arrangement. This is a beautiful recording, but I didn’t see the connection to the subject of hesed that the other songs on the album have.
I Will Be Kind – This beautiful song, featuring piano, strings and backing vocals, is about one of the fundamental facets of hesed, reciprocity. In his book, Cards tells us that once a relationship or covenant of hesed is established, there is an unspoken mutuality. The one who was initially shown hesed naturally demonstrates hesed in return. He tells us that reciprocity is an indication that you have internalized the truth of hesed. In light of all He has done for us, what should we do? We will become His hands and feet, forgiving, loving as we have been forgiven, being gracious and kind.   
Why Not Change the World – This song aligns with Card’s final challenge to the reader of the book – to take the understanding we have in our heads of hesed and allow the Spirit to move it into our hearts. In the book, he tells us that we must enter into the world of the word hesed and then take that world into our world, back to our families, to our churches and towns—to our enemies.  The upbeat song is driven by piano and light percussion and features a Korean choir singing in their native tongue.
Why not change the world,
why not set it free?
Why not let the change begin with you and me?
We will never make a difference
Till we see a change of heart
Why not change the world, why not make a start? 

Versatile – Van Morrison

The 72-year old Morrison follows his excellent September, 2017 blues album Roll with the Punches with the self-produced Versatile, his 38th studio album. The appropriately titled Versatile focuses on his interpretation of nine of the 20th century’s greatest vocal jazz standards, as well as 3 new jazz-influenced originals, three new versions of songs he’s previously recorded, “I Forgot That Love Existed,” “Only A Dream” and “Start All Over Again”, and an arrangement of the Scottish traditional “Skye Boat Song.” I thoroughly enjoyed this album, especially the more upbeat arrangements. It’s hard to go wrong with Morrison’s singing, excellent musicians and some great songs.
Below are a few brief comments about each of the songs:

Broken Record – This is a new song written by Morrison. The instantly likeable tune features piano and horns, including a couple of solos. Yes, his repeating of “broken record” may make you think that the record is stuck. The song is better musically than lyrically.
A Foggy Day – This song was written by George and Ira Gershwin and was introduced by Fred Astaire in the 1937 film A Damsel in Distress. It has been covered by artists such as Frank Sinatra and Ella Fitzgerald. Morrison’s version features horns and a nice piano solo.
Let’s Get Lost – This song was written by Frank Loesser and Jimmy McHugh and appeared in the 1943 film Happy Go Lucky. It has been recorded by Chet Baker and others. Morrison’s version features horns, piano, organ and a nice sax solo.
Bye-Bye Blackbird – This song was written by Ray Henderson and Mort Dixon in 1926. Morrison’s version features piano and horn, flute and piano solos, as well as a good vocal performance.
Skye Boat Song – This Scottish folk song was arranged by Morrison. The instrumental features several solos (horn, sax, piano).
Take It Easy Baby – This is a new song written by Morrison. It has an extended instrumental introduction with horns, piano and a sax solo and includes a good vocal by Morrison. It fits in well with the standards he’s recorded on the album.
Makin’ Whoopee – This song was written by Walter Donaldson and Gus Kahn, and was sung by Eddie Cantor in the 1928 musical Whoopee! Van gives the song a laid-back arrangement featuring horns and piano, with sax and guitar solos.
I Get a Kick Out of You – This song was written by Cole Porter and first appeared in the 1934 Broadway musical Anything Goes. Van gives the song a breezy arrangement featuring horns, light percussion and piano.
I Forgot That Love Existed (Live) – This song was written by Van Morrison and originally appeared on his 1987 album Poetic Champions Compose. The song features horns, piano and a sax solo. Key lyric: I forgot that love existed, then I saw the light, everyone around me make everything alright.
Unchained Melody – This song was written in 1955 by Alex North and Hy Zaret, and was a hit for the Righteous Brothers. You would not recognize Morrison’s slow version as “Unchained Melody”. Perhaps the one misstep on the album.
Start All Over Again – This song was written by Van Morrison. This upbeat song previously appeared on Morrison’s 1990 album Enlightenment. The song features horns and piano and is a highlight.
Only A Dream (Live) – This song was written by Van Morrison and originally appeared on his 2002 album Down the Road.  It features horns, piano, drums and a spirited vocal. There is a nice instrumental break midway through the song and sax solo towards the end. A highlight.
Affirmation – This is a new song written by Morrison and features Sir James Galway on flute.  It is primarily a contemplative instrumental, with Morrison proving some scatting.
The Party’s Over – This song was written by Betty Comden, Adolph Green and Jule Styne. It was introduced by Judy Holliday in the 1956 musical comedy Bells Are Ringing. This bouncy song features some excellent organ, horns and vocal from Morrison.
I Left My Heart in San Francisco – This song was written by George Cory and Douglass Cross in 1953 and is the signature song for Tony Bennett. Morrison delivers a slow version that gradually builds. The song features good sax, organ and guitar solos.
They Can’t Take That Away from Me – This song was written by George and Ira Gershwin and was introduced by Fred Astaire in the 1937 film Shall We Dance. Morrison’s version swings with an extended instrumental break in the middle, and a spirited vocal, giving the album a strong finish.

You’re Driving Me Crazy – Van Morrison and Joey DeFrancesco

This excellent new studio collaboration between Van Morrison and legendary Hammond organ/trumpet virtuoso Joey DeFrancesco is the 72-year-old Morrison’s 39th studio project and third in the past seven months. The album features new versions of jazz and blues standards as well as eight of Morrison’s previously released songs from 1968 to 2015. The album was recorded live with the musicians all located in the same room. The playing was spontaneous and the musicians improvised throughout with some incredible solos. The album was recorded all in one take over two days and it appears that the musicians had a great time making the album. DeFrancesco and his band – guitarist Dan Wilson, drummer Michael Ode and tenor saxophone player Troy Roberts – wonderfully accompany Morrison’s excellent vocals. I hope this is the first of multiple collaborations between DeFrancesco and Morrison.
Below are a few comments about each song from this excellent project:
Miss Otis Regrets – This song was written by Cole Porter in 1934. The song has a slow groove, featuring some nice saxophone, and Van doing some singing at a lower register. It also includes an excellent horn solo.
Hold It Right There – This song was written by Clark Terry, Grey and Eddie “Cleanhead” Vinson. This song has a great beat from the beginning.  It features excellent organ and saxophone solos and some nice female backing vocals from Van’s daughter Shana.
All Saints Day – This song was written by Morrison and was first included on his 1991 album Hymns to the Silence. The song has an excellent beat driven by saxophone and organ. It features a wonderful organ solo.
The Way Young Lovers Do – This song was written by Morrison and was first included on Astral Weeks, his second album, released in 1968. The song is driven by horns and an extended organ solo.
The Things I Used to Do – This song was recorded by Eddie Jones in 1954. This upbeat song driven by some nice drums features a great vocal by Van and excellent organ, saxophone, guitar and harmonica solos.
Travelin’ Light – This song was written by Johnny Mercer, James Mundy and James Young in 1942.  It has a slower groove and is driven by horns and an expressive vocal by Van.  It features an excellent saxophone and organ solos.
Close Enough for Jazz – This song was written by Morrison and was first included on his 1993 album Too Long in Exile. The song features organ, including a great solo, and sax with a strong vocal from Van.
Goldfish Bowl – This song was written by Morrison and was first included on his 2003 album What’s Wrong with This Picture? This song has a slower groove driven by horns and organ and a great vocal from Van.  It includes excellent organ, guitar and saxophone solos.
Evening Shadows – This song was written by Morrison and Acker Bilk and was first included on his 2002 album Down the Road.  It has a punchy beat driven by saxophone, organ and drums. It features an excellent organ solo.
Magic Time – This song was written by Morrison and was first included on his 2005 album Magic Time. This song has a slow groove, driven by saxophone and organ, with a beautiful vocal from Van. It features an excellent saxophone solo.
You’re Driving Me Crazy – This song was written by Walter Donaldson in 1930 and opens with horns and features horn, guitar solos and an incredible organ solo.
Every Day I Have the Blues – This blues song was written by Peter Chatman. It features horns and a great organ, sax and guitar solos.
Have I Told You Lately – This is one of my favorite songs from Morrison, which was first included on his 1989 album Avalon Sunset. It features a much more upbeat groove than the original driven by organ and female backing vocals from Van’s daughter Shana. It features saxophone and organ solos.
Sticks and Stones – This song was written by Titus Turner. This song has a great beat from the very beginning. It features saxophone, keyboards, backing vocals and a great vocal from Van. It also includes keyboard and saxophone solos.
Celtic Swing – The closing instrumental was written by Morrison and was first included on his 1983 album Inarticulate Speech of the Heart. It features an easy-going groove that showcases the excellent band.

The North Coast Sessions – Keith and Kristyn Getty

This EP of new hymns and songs, inspired by the book of Psalms and created with the Sing! 2018 conference in mind, was recorded by Keith and Kristyn Getty with their band in the little harbor of Portbradden along the North Antrim coast near the Getty’s home in Northern Ireland. I enjoyed hearing many of these songs at the Sing! 2018 conference.

Below are a few comments about each song:

I Will Wait for You (Psalm 130) – This song is written by Jordan Kauflin, Matt Merker, Keith Getty and Stuart Townend. The song features Kristyn Getty singing over piano and Irish instruments (perhaps Uilleann pipes, the traditional bagpipe of Ireland). The beautiful song slowly builds powerfully with backing vocals.
Key lyric:
I will wait for You
Surely wait for you
Till my soul is satisfied 
Magnificent, Marvelous, Matchless Love – This song, which we sang three times at the Sing! 2018 conference, was written by Keith Getty, Kristyn Getty, Matt Papa, Aaron Keyes and Luke Brown. This wonderful song could very well be the next Getty song to be sung in churches around the world. It’s one of my favorite songs of the year. The upbeat worship song really shows off the band as it opens with guitar, drums and pipes.  Kristyn’s vocal leads to the memorable chorus with backing vocals.
Key lyric:
How great, how sure; His Love endures forevermore
Magnificent, marvelous, matchless love
The Lord Is My Shepherd (Psalm 23) – This song is written by Keith Getty, Kristy Getty and Tom Douglas. This worshipful song begins with Kristyn singing accompanied by some excellent acoustic guitar. The band then joins in with piano, drums, bass and some wonderful backing vocals for Dana Masters, who has sung with Van Morrison.
My Dwelling Place (Psalm 91) – This song is written by Keith Getty, Kristyn Getty, Kelly Minter, Stuart Townend and Chris Eaton. This song has Kristyn singing over piano accompaniment. The song features a nice violin work.
Key lyric:
Wonderful, powerful
My hope and my defender
Mighty God, Emmanuel
My dwelling place forever
I Lift My Eyes (Psalm 121) – I couldn’t find writing credits for this song. The song opens quietly with Kristyn singing over pipes and a stringed instrument, and then the band really kicks in with a driving drum, along with some backing vocals.
Key lyric:
He will not slumber
He will not sleep
But all my days He keeps
You Have Searched Me (Psalm 139) – I couldn’t find writing credits for this song. The song begins with a child’s vocal accompanied by acoustic guitar on the first verse. Kristyn picks up the vocal on the second verse. The song features an acoustic guitar solo and backing vocals.
Key lyric:
Search me know my heart
Lord, test my anxious thoughts
Save me from where I have strayed
To walk in your everlasting ways
Psalm 150 – This is an instrumental song that shows off the incredible Getty band.
Inishowen – Again, I couldn’t find writing credits for this song. The song is about Inishowen, the largest peninsula on the island of Ireland. The song opens with acoustic guitar and pipes, with light drums and backing vocals added.
Key lyric:
In my heart I am living in Inishowen
Hearing Your voice in the wind
As breath comes from breath as life comes from life
Following the ancient song
It leads me to you

The Beatles (White Album) – The Beatles 

I can still remember as a 12-year-old seeing the Beatles double “White Album” (officially The Beatles), at our local K-Mart when it was released on November 22, 1968. But Christmas was coming, and I would have to wait a month to get the album. Later, during the time of the “Paul is Dead” rumors, I would play “Revolution 9” backwards and yes, hear very clearly “Turn me on dead man”. Fast forward many years, I was able to hear many of these songs performed in concert – by Paul McCartney, who I will see in concert for the thirteenth time in 2019, George Harrison on his only U.S. tour in 1974, and Ringo Starr in 2014.
On the 50th anniversary of the release of the album, comes a wonderful remastered project, available in different editions. There is the Deluxe edition, which includes the original 30 song double album remastered by Giles Martin (who handled 2006’s Love and 2017’s remastered Sgt. Pepper’s Lonely Hearts Club Band project), son of the Beatles late producer George Martin, as well as the Esher demos. The Esher demos were 27 solo acoustic songs taped on a four-track machine at George Harrison’s home. These are “unplugged” recordings of Lennon, McCartney and Harrison demoing for each other the songs they had written in India.
The Super Deluxe includes “The Sessions”, 50 early takes, working versions, outtakes, including a nearly 13-minute slow blues version of “Helter Skelter”, an excellent alternate take of Ringo’s “Good Night”, with the strings replaced by backing vocals, some songs that made later Beatles albums (“Hey Jude”, “Lady Madonna”, a very different sounding “Let it Be”, substituting “Brother Malcom for “Mother Mary”, “The Inner Light” and “Across the Universe”), one that didn’t show up until later, “What’s the New Mary Jane”, or ended up on Beatles’ solo albums (Harrison’s “Circles” and “Not Guilty”, the latter of which went through 107 takes and still didn’t make the “White Album”, McCartney’s “Junk”, and Lennon’s “Child of Nature”, an early version of what would become his “Jealous Guy”). There are also takes of songs like “Blue Moon”, “St. Louis Blues” and “You’re So Square (Baby I Don’t Care)”. You’ll also hear George ordering a sandwich immediately before launching into a take of his classic “While My Guitar Gently Weeps”.
The “White Album” was remastered in 2009 and I thought it sounded great at the time, bringing out new sounds not heard on previous versions. Martin’s remastering here takes it even a step further. For example, on “Dear Prudence”, a song that was never one of my favorites, the mix is very clear, letting the listener fully experience and appreciate what is going on here (backing vocals, Starr’s drums, Harrison’s guitar, keys, etc.).
In summary, the Deluxe edition with the new Giles Martin mix of the original double album and the Esher demos is essential for Beatles fans. If your budget allows, go with the Super Deluxe edition. You won’t be disappointed.

Native Tongue – Switchfoot

Native Tongue is San Diego based Switchfoot’s eleventh studio album and first since 2016’s Where The Light Shines Through. The ambitious fourteen songs (out of nearly a hundred written for the album), is diverse, featuring a variety of music styles as the band takes some chances. They wanted to pursue joy and let it happen after taking some time off. The album was produced primarily by the band, along with OneRepublic bassist and multi-instrumentalist Brent Kutzle. Jon Foreman has said that the album was an attempt to be a loving embrace of all the human souls who have been weighed down by the times, and that hatred is not our language, love is our native tongue.
Below are a few comments about each of the songs on the album:

Let It Happen – This song was written by Jon Foreman and produced by Tim Foreman, Jon Foreman and Tyler Chester. The song features crashing guitars and driving drums, over Jon’s lead vocal. Backing vocals join him for the chorus and there is a nice guitar solo mid-song. This life seems hollow, he doesn’t know the meaning and his body is aching. He doesn’t know what is going to happen tomorrow but he trusts God with his future.
Native Tongue – This song was written and produced by Tim Foreman, Jon Foreman and Brent Kutzle. The song has a great beat. It starts with Jon singing over hand claps and light drums before a driving drum comes in. The song includes some backing vocals.  I really appreciated the Chad Butler’s drums on this song. Love is the language, our native tongue. He wonders where we went wrong, we forgot our song. He wants the world to sing in her native tongue and use our lungs for love.
All I Need – This song was written by Tim Foreman and Jon Foreman. The love song begins with acoustic guitar and finger snaps and then builds. The chorus is memorable as he sings that all he needs is the air he breathes, the time they share and the ground beneath his feet.  He wants to know if she believes in him.
Voices This song was written by Brent Kutzle, Jon Foreman, Ryan Tedder, Tim Foreman and Tyler Spry. It was produced by Kutzle, Jon Foreman, Tim Foreman and Tyler Spry. The song, which was inspired by a homeless man at the beach, begins with keys and then Butler’s drums drive an excellent beat. In the catchy chorus, Jon sings of having an army of voices in his head. Each moment is crowded with choices, which speak to him and drown out the voices. There are also some good backing vocals on the song.
Dig New Streams – This song, which shows the band taking chances, was written by Tim Foreman and Jon Foreman. The song opens slowly with Jon singing over acoustic guitar and backing vocals. Mid-way through the chorus the band kicks in with guitar, drums and horns as Jon sings “I’ve got thirty voices in my head, they’ve been telling me to quit while I’m ahead.”  Midway through verse two the song changes again as Jon sings “If you’ve been hurt by the church of black and white, come unto me, find rest my burden’s light “
Joy Invincible – This song was written by Tim Foreman and Jon Foreman. It begins with guitar and a nice drum driven beat. An illness has led to shattered dreams and the need to be brave in the midst of suffering. Jon sings “Hallelujah nevertheless, was the song the pain couldn’t destroy, hallelujah nevertheless, You’re my joy invincible.”
Prodigal Soul – This song was written and produced by Tim Foreman and Jon Foreman. The song is a prayer. It begins with acoustic guitar, before the band joins in at the chorus. He has been wandering and wants to come home, reminiscent of the parable of the prodigal son (Luke 15: 11-32). A highlight.
The Hardest Art – This song was written by Tim and Jon Foreman and produced by Tyler Chester, Tyler Spry, Brent Kutzle, Tim Foreman and Jon Foreman. The song features Kaela Sinclair of the French electronic band M83. Jon handles the first verse and Sinclair the second. Love is surrender and is the hardest art to earn. The song has a dance beat, with Switchfoot again taking chances with a new sound.
Wonderful Feeling – This song was written by Tim Foreman and Jon Foreman and they produced it with Tyler Chester. The mid-tempo song begins with piano and then builds, with a good drum beat, guitar solo and backing vocals. Jon sings how it’s funny how you fight what you need the most. Though he has spent a lot of time chasing his shadow, he has a wonderful feeling and hopes set high. His prayer is to let God’s light be his.
Take My Fire – This song was written and produced by Tim Foreman and Jon Foreman. The song begins with drum machine and then a distorted guitar.  Satan is never going to take his fire, his love for God. This is about as hard as Switchfoot has rocked. A highlight.
The Strength to Let Go – This song was written and produced by Tim Foreman and Jon Foreman.  The song begins with acoustic guitar and synth and builds at the chorus. Like “The Prodigal Soul”, it’s a prayer asking God to show him the way to come home.  He chooses mercy instead of control. He needs the faith to surrender.
Oxygen – This song was written and produced by Tim Foreman and Jon Foreman.
The song begins with piano and drums and then settles into an easy going beat with backing vocals and a guitar solo. The song is about a relationship that has gone bad with one partner leaving. It’s probably my least favorite song on the album.
We’re Gonna Be Alright – This song is written by Tim Foreman and Jon Foreman, and they produced it with Tyler Chester. The catchy easy-going song begins with acoustic guitar, and includes a good beat and backing vocals. It’s OK to doubt, fear, grieve, etc. The joyful and memorable chorus tells us that we’re gonna be alright, just take a look at the sky.
You’re The One I Want – This song was written by Jon Foreman and written by Tim Foreman and Jon Foreman. This is a love song, featuring Jon singing over piano and cello. The song would fit well on one of his solo albums.

The Gift: A Christmas Compilation – 116

The Gift is the third overall studio album from 116, and their first Christmas collection. Noticeably missing from the Reach Records group is Andy Mineo and KB, but there are some surprise guests including Derek Minor on the album. Adam Grason did the cover art, which merges the look and feel of vintage Christmas with traditional hip-hop elements. The album debuted at #1 on iTunes Hip-Hop and Rap chart.

I really enjoyed this album and getting exposed to some artists I was not familiar with, as well as hearing some of my favorites such as Lecrae, Trip Lee and Tedashii.
Below are a few brief comments about each song:

O’ Come – The song is written by Dustin “DAB” Bowie, John McNeil, Joel McNeil, Crystal Nicole, Ace Harris, CASS, Tedashii and nobigdyl. It is produced by Weathrman and Ace Harris, and features CASS, nobigdyl and Tedashii. The chorus includes a bit of the Christmas hymn “O Come All Ye Faithful” written by John Francis Wade. The song opens with CASS, with Tedashii taking the first verse, CASS the second, nobigdyl the third, and Tedashii closing things out. The joyful song has a great beat and some hand claps.
Key lyric:
He changed the world, that’s a landslide
God meant for all mankind

This Christmas – The song was written by Ace Harris, Epikh Pro, Evan Ford, Abe Parker, Jon Keith and Jaylon Ashaun. It was produced by Ace Harris and Epikh Pro and features Jon Keith, Jaylon Ashaun and Evan and Eris. Evan and Eric handle the chorus, with Jaylon Ashaun on the first verse and Jon Keith on the second on this light-hearted and joyful song with a great beat.
Key lyric:
It’s gonna be the best time of the year
Got my hands in the sky ’cause I know that I’m living my best life when you’re near

Joy – The song was written by Ace Harris, Epikh Pro, Alex Hitchens, Abe Parker, Trip Lee and Lecrae. It was produced by Ace Harris and Epikh Pro, and features Lecrae, Trip Lee and Abe Parker.  Lee and Lecrae each take a verse, and Parker handles the chorus, which includes a bit of the Christmas hymn “Joy to the World” written by Isaac Watts. The song addresses pain, injustice and life’s difficulty, along with God’s faithfulness and spreading the good news. A highlight.
Key lyric:
Why wait for tomorrow?
Joy came and He called us

What A Time – The song was written by Cardec, Ace Harris, Zach Paradis, Jimi Cravity, Dave James, SVRCINA and WHATUPRG. It was produced by Ace Harris, Dave James, Zach Paradis and Cardec, and features WHATUPRG and SVRCINA. The chorus includes a bit of the Christmas hymn “O Holy Night” written by Adolphe Adam. There are also some references to the song “What Child Is This?” written by William Chatterton Dix. The drums really stand out on this track. WHATUPRG’s and SVRCINA voices blend well as they sing together near the end of the song.
Key lyric:
What Child is this?
Whose crown is this?
On the ground I live
Falling on my knees
Giving everything to the King of kings

Silent Night – The song is written by John Smythe, Joel McNeil, John McNeil and Chrystal Nicole. The song is produced by Weathrman and features Chrystal Nicole on vocals. Nicole has worked with Lecrae, Andy Mineo and Tedashii in the past. The chorus includes a bit of lyrics from the Christmas hymn “Silent Night” written by Joseph Mohr. Nicole delivers a powerful vocal over guitar and excellent backing vocals as the song builds.

All Is Bright – The song is written by Derek Johnson, Crystal Johnson, John McNeil, Joel McNeil, Wande and 1K Phew. It was produced by Weathrman and features 1K Phew, Derek Minor & Wande. The chorus includes a bit of the Christmas hymn “Silent Night” written by Joseph Mohr. The vocals from Wande, 1K Phew and Derek Minor are strong. Minor sings in verse three of being saved out of the slums, with dealers, users, scammers and hustlers.
Key lyric:
You got a way of, making me stay
You pull me closer when I push You away

Noel – The song is written by and features Trip Lee and Dave James, and is produced by James. The song includes a bit of the Christmas hymn “The First Noel”. This song is about Jesus. Lee handles the verses. I loved the line “Baby clothes couldn’t cloak His divinity”. Includes some nice guitar at the end of the song. A highlight.
Key lyric:
Who would’ve known that this babe was the King on the throne?

Angels – This song was written by Abe Parker, Crystal Johnson, Rhomar Jessy, Joel McNeil and GAWVI. The song was produced by Weathrman and features GAWVI, who delivers his usual strong vocal over a punchy percussion driven beat. The chorus includes backing singers infectiously singing a bit of the Christmas hymn “Angels We Have Heard on High” written by James Chadwick.
Key lyric:
I wonder where would I be, I be if You never found me when I needed You

We Three Kings – The song is written by Zach Paradis, Alex Hitchens, Wande Isola, Ace Harris, Epikh Pro, Paul Russell, Lecrae and Abe Parker. It is produced by Zach Paradis, Ace Harris, Epikh Pro and Abe Parker, and features Lecrae, Abe Parker and Paul Russell. The song is based on the Christmas hymn “We Three Kings” written by John Henry Hopkins Jr., and begins “We three kings with the diamond rings, bringing gifts, coming from afar”. The song is upbeat, starting with guitar before it dives into a great percussion driven beat, featuring a memorable chorus. The song also includes a lyric “Long lay the world in sin and error pining” and from the Christmas hymn “O Holy Night” written by Adolphe Adam.
Key lyric:
Was the lowest of the low, born in a manger
Came to Earth out of love so You could save us

A Worship Initiative Christmas, Vol. 2 – Shane and Shane

Shane and Shane (Shane Barnard and Shane Everett) follow 2014’s A Worship Christmas Initiative with this second full-length album of Christmas songs. Last Christmas, they released an EP of five songs titled A Worship Initiative Christmas, Vol. 2. This year, we get an entire ten song album.
This is my second album from Shane and Shane after seeing them perform at the Sing! Conference early this year. I really enjoyed Hymns Vol. 1 and this new album of worshipful Christmas songs as well.
Below are a few comments about each song on this excellent album:

Come Thou Long Expected Jesus – The lyrics of this hymn were written by Charles Wesley. The song opens with beautiful vocals over piano and strings. It then builds gently with guitar, bass and percussion.
Key lyric:
By Thine own eternal Spirit
Rule in our hearts alone;
By Thine all sufficient merit
Raise us to Thy glorious throne

Joy to the World (Joyful, Joyful) – The lyrics of this hymn were written by Isaac Watts. This version includes a verse from Henry Van Dyke’s hymn “Joyful, Joyful, We Adore Thee”. The song features Phil Wickham, who Shane and Shane are on the road with on a short Christmas tour. The song begins quietly with piano, chimes, strings and then builds joyfully with drums, bass and guitar as it goes into a new refrain “We will sing, sing, sing, Joy to the World”, which might remind you a bit of Chris Tomlin.

Hark the Herald Angels Sing – The lyrics of this hymn were written by Charles Wesley. The song begins with acoustic guitar and piano and then builds gently with guitar, bass, strings and drums. The song adds a refrain “Glory to the newborn king”.
Key lyric:
Born that man no more may die
Born to raise the sons of earth
Born to give them second birth

O Little Town of Bethlehem – The lyrics of this hymn were written by Phillip Brooks. This beautiful rendition begins with acoustic guitar and bass and gently builds with light percussion, backing vocals and some excellent piano.
Key lyric:
Where meek souls will receive Him still
The dear Christ enters in

Breath of Heaven – This song was written by Amy Grant and Chris Eaton. This rendition of the song, made popular by Grant, features Bethany Bernard (formerly known as Bethany Dillon), wife of Shane Barnard. The song opens with piano, then adds light bass, strings and light percussion. The strings and piano stood out on this song, along with an excellent vocal.

Face of God – This song was written by Shane and Shane, and features Phil Wickham. It’s the one song on the album that I was not familiar with. The song opens with acoustic guitar and strings, and then builds joyfully at the chorus with full band.
Key lyric:
Gloria, I hear the angels singing
Gloria, all the heavens are ringing
Gloria, the Savior of the world is in her arms
She’s staring at the face of God
The face of God

What Child is This? – This hymn was written by William Chatterton Dix. This song begins with acoustic guitar, and then builds with bass, drum, strings, piano and backing vocals. The song includes a nice newly added refrain.
Key lyric:
Come, let us adore You
Our hearts with enthrone You

Away in a Manger – This music to this hymn was composed by William J. Kirkpatrick. The author of the lyrics is unknown. The song begins with acoustic guitar and piano. It then builds with bass, percussion and backing vocals.

Winter Snow – This song was written by Audrey Assad and features Dinah Wright. I first heard this beautiful song with Assad singing it on Chris Tomlin’s first Christmas album, 2009’s Glory in The Highest: Christmas Songs of Worship. This version opens with piano and acoustic guitar, and then builds with bass, percussion, strings and backing vocals.

It Came Upon a Midnight Clear – This hymn was written by Edmund Sears. The song opens with synth, piano and bass and builds after the first verse with backing vocals, drums, acoustic guitar and keys. A refrain is added at the end of the song.
Key lyric:
Glory to God
Glory in our heart

Season of Peace: The Christmas Collection – Michael McDonald

I love Michael McDonald’s Christmas music. Three years ago, we saw a wonderful show on his This Christmas: An Evening of Holiday and Hits tour at the Fox Theatre in St. Louis.
This is his fourth Christmas album. His 2001 In the Spirit-A Christmas Album is one of my all-time favorite Christmas albums. He followed that up in 2005 with an album made for Hallmark, Through the Many Winters: A Christmas Album. After In the Spirit, Through the Many Winters was somewhat of a disappointment, with more sparse instrumentation and laid-back arrangements. I just recently found out that McDonald was forced to complete the entire album in two weeks, including mixing and mastering. In 2009 he released This Christmas, a compilation of twelve songs from the first two albums along with four new songs. Season of Peace: The Christmas Collection is another compilation of fifteen songs, with one new one, a short (less than two minute) instrumental recording of “Winter Wonderland”, featuring ukulele virtuoso Jake Shimabukuro.  The album cover art was painted by McDonald.

Below is the track listing for Season of Peace:

      1. That’s What Christmas Means to Me (from This Christmas)
      2. White Christmas/Winter Wonderland, featuring Jonny Lang (from In the Spirit)
      3. Children Go Where I Send Thee, featuring Twinkie Clark (from In the Spirit)
      4. God Rest Ye Merry Gentlemen (from Through the Many Winters)
      5. Wexford Carol, featuring Amy Holland (from Through the Many Winters)
      6. Christmas on the Bayou (from Through the Many Winters)
      7. To Make a Miracle (from In the Spirit)
      8. Peace (from In the Spirit)
      9. Through the Many Winters (from Through the Many Winters)
      10. Every Time Christmas Comes Around (from In the Spirit)
      11. On Christmas Morning (from In the Spirit)
      12. World Out of a Dream (from In the Spirit)
      13. Oh, Holy Night (from Through the Many Winters)
      14. Winter Wonderland, featuring Jake Shimabukuro (new recording)
      15. Have Yourself a Merry Little Christmas (from This Christmas)

Season of Hope: The Christmas Collection does a nice job of pulling some of the best songs from McDonald’s previous Christmas albums. However, if you have his previous albums, you can pass on this one.

Holy Roar by Chris Tomlin

This is Chris Tomlin’s first album since 2016’s excellent Never Lose Sight, which was my top album of that year. Holy Roar is another gift to the church from Tomlin, containing songs that will be sung in churches around the world.
Below are a few comments about each of the songs:

Holy Roar – This song is written by Jason Ingram and Tomlin, and produced by Bryan Fowler. The song begins with keys and guitar and then builds with full band and backing vocals. This is a worship song to lift God up, to sing Him a song of love, to give God worship, which He is worthy of, a holy roar reaching for Heaven.

Nobody Loves Me Like You – This was the second single released ahead of the album. It was written by Scott Cash and Ed Cash. It begins quietly with soft guitar and then builds with piano, drums, backing vocals and a joyous chorus about the love of Jesus.
Key lyric:
Nobody loves me like You love me, Jesus
I stand in awe of Your amazing ways
I worship You as long as I am breathing
God, You are faithful and true
Nobody loves me like You

Resurrection Power – The first single from the album released way back in January was written by Ed Cash, Ryan Ellis and Tony Brown. This joyful song opens with Tomlin singing over keys, and it then builds with drums, bass, guitars and backing vocals.
Key lyric:
Jesus, You have given us freedom
I’m no longer bound by sin and darkness
Living in the light of Your goodness
You have given us freedom

Goodness, Love and Mercy – This song is written by Ed Cash, NEEDTOBREATHE’s Bo Rinehart and Bear Rinehart and Tomlin. The mid-tempo song opens with acoustic guitar and gently builds, featuring some good piano, guitar and backing vocals. It is a worship song based on Psalm 23.
Key lyric:
Surely goodness, love and mercy
Will follow wherever I go

Satisfied – This song is written by Jason Ingram, Ross Copperman and Tomlin. Driven by an excellent drum beat, and hand claps, this upbeat and joyful song will sound great on the radio and in concert. Tomlin sings that as he counts his blessings he couldn’t ask for more. In God he is satisfied. Nothing and no one else will ever satisfy.
Key lyric:
I count my blessings one by one
Your goodness in my life
How could I ask for more
In You, I’m satisfied

Impact – This song is written by Mitch Wong, Tommy Sjostrom and Tomlin. The worship song begins with piano and strings. It gently builds, as Tomlin sings of waiting, surrender and laying down his defenses, to a powerful bridge in which he sings of love like a mighty river and rushing wind.
Key lyric:
As I worship in surrender
I feel heaven drawing closer
As I lay down my defenses
Your love invades
And I brace for the impact

Praise Him Forever – This song has a driving beat from the beginning. It is a joyful worship song that sounds like the best of Tomlin’s worship songs. Let everything that breathes, let all the earth proclaim great is the Lord our God. The song ends with another reference to the album’s title, Hear the holy roar, praise Him forever. A highlight.

Is He Worthy? – This wonderful song based on Revelation 5 was written by Andrew Peterson and Ben Shive, and was originally recorded by Peterson for his Resurrection Letters, Vol 1 album.  The song opens with Tomlin singing over piano and light guitar and it gradually builds to a powerful ending. It features excellent choir vocals.
Key lyric:
Is He worthy? Is He worthy?
Of all blessing and honor and glory
Is He worthy of this?
He is

Forever Young – This is not a cover of the Bob Dylan song with the same title. The song begins with keys and guitar and gently builds. He is born again, saved by loved. In God’s presence he is forever young. With his final presence he’ll praise the Lord.

I Stand In Awe – This beautiful worship song features Nicole Serrano on lead vocals, with Tomlin offering some light backing vocals. When we consider all that God has done, we can do nothing but stand in awe. The song begins with Serrano singing over piano and the song builds gently. All glory, all honor, all worship and all praise, all blessing and all power is His.

Praise Is The Highway – This mid-tempo worship song is written by Tomlin, Hillsong’s Ben Fielding, Bethel’s Brian Johnson and Sean Feucht. The song begins with guitar and drums and builds gently. He is our God, He will be praised. Revival will come and the church will awake. He forever reigns. Sing like thunder His praises loud.
Key lyric:
Praise is the highway to the throne of God
Praise is the highway to the heart of God
Praise is the highway to the move of God

How Sweet It Is – The closing song is written by Tomlin, Pat Barrett, Hank Bentley and Jessie Early. This is a slower praise song, which features vocals from Pat Barrett, who co-wrote “Good Good Father”, which Tomlin recorded for his previous album. The song begins with acoustic guitar and keys. Nothing else in history compares with what God has done for us. How sweet it is to be loved by Jesus.

The Elements by Toby Mac

The Elements is Toby Mac’s seventh solo album and first since 2015’s excellent This is Not a Test. The album was preceded by the release of four songs, including the chart-topping “I Just Need U”.
This is a mature work dealing with many themes, including family, God being our only hope, seeing God in everything, race relations, new opportunities, new mercies, the church and encouragement. Most of the songs are upbeat musically, containing a good groove. It’s one of the best releases of 2018.
Below are a few brief comments on each song:

The Elements – This song was written and produced by Tommee Profitt (NF) and Toby. This was the fourth song released prior to release of the album.
The song begins with Toby singing over keys. This world is trying to steal his heart and rip his family apart. Vocally and musically the song hits it hard in the chorus and he sings that he will be doing down swinging, if he goes down at all.  The bridge is a prayer to God. He’s willing to fight the elements.
Key lyric: I might bend but I won’t break

I just need U – This song was written by Bryan Fowler, Blake NeeSmith and Toby and produced by Fowler and Toby. It was the first single released from the album and topped the Christian music charts for an incredible 12 weeks. The song starts with keys, bass and light backing vocals. The song really takes off with the chorus and the memorable beat will stay in your head long after the song is over. The song includes a few lines from Psalm 23.
Key lyric: ‘Cause all I know, all I know is You’re my only hope
Scars – This song was written by and produced by Bryan Fowler, Cole Walowac and Toby and was produced by Fowler and Walowac. It was the third song released in advance of the album. Toby wrote the song for his 20-year-old son Truett about what life was throwing at him. The song is a bit more laid back though it builds powerfully towards the end. This is a touching song from a father to a son, encouraging him. He tells him that when life cuts so deep try and remember that you’re not alone. We’ve all been there and scars come with living. Lift your head to where your help comes from. The song features some light backing vocals.
Key lyric: It doesn’t matter who you are, this world gonna leave some battle scars

Everything – This was the second single released from the album. It was written produced by David Garcia and Toby. The song has an instantly likeable groove that will stick in your head.
Key lyric: I see You in everything, all day, and every beat of my heart keeps reminding me

Starts With Me – This song was written by Dave Lubben, Cole Walowac, Aaron Cole and Toby. It was produced by Lubben and Walowac and features 19-year-old Christian hip-hop artist Aaron Cole on vocals. The song addresses race relations from both perspectives. They sing about the homes they were raised in and what was passed down to them from generation to generation. The song has a good beat and includes some samples from a Martin Luther King Jr. speech.
Key lyric: With a history that’s filled with hate, have we ever been united states?

Edge Of My Seat – This is an upbeat song both musically and lyrically. It has a great dance beat, driven by drum, and features some backing vocals. The Lord is opening up his eyes to new opportunities. The song quotes Isaiah 43:19, Behold, I am doing a new thing in the land.
Key lyric: Ain’t no one ever gonna steal the mystery You put right in front of me
It’s You – This song slows down the pace a bit. The song is about the Lord. Life doesn’t make sense without Him. The song features some backing vocals, keys and percussion.
Key lyric: It’s You, then everything else just falls in line

Horizon (A New Day) – This is an upbeat song about the body of Christ, the church. He references 1 Corinthians 12, that the church, the body, the family has different parts but is one and the same. The song opens with keys and has a good driving beat. A new day is on the horizon and nothing is going to stand in the way of the church.

Hello Future – On this song, Toby sings of nothing sweeter than welcoming new mercies every morning (Lamentations 3:22-23). Over a good beat, he sings of going through a difficult time but now the troubles have washed away and he’s home again. The future is going to be OK.

Overflow – This joyful song, features a good beat and some horns. When he’s running empty, the Lord fills up his cup till it overflows.
Key lyric: You are the sweetest love, sweetest love that I’ve ever known

See The Light – In this song Toby is encouraging to those who are going through a hard season of life. Life is hard, there are doubts, uphill climbs and battles. But just hang on a little longer, burdens will fade. He points us to Psalm 121, where we see that our help comes from the LORD. The song has a good beat, and will be a particularly encouraging song in concert, with many hands held high.
Key lyric: You got more than you on your side

Happy Xmas by Eric Clapton

The 73-year-old legendary guitarist Eric Clapton is the only three-time inductee in the Rock and Roll Hall of Fame – as a member of the Yardbirds, Cream, and as a solo artist. Happy Xmas is Clapton’s first Christmas album, and he did the artwork for the album cover. The fourteen songs are a mix of standards, lesser known holiday songs and one new Clapton-written song “For Love on Christmas Day.” This is Clapton’s 24th studio album, and first since 2016’s I Still Do, which some speculated might be his final album. Clapton completed the album over a four-year period, and produced the album with Simon Climie. About the album, he said “I had in my head that these holiday songs could be done with a slight blues tinge, and I started to figure out how to play the blues lines in between the vocals. I got it down and one of the most identifiable songs on the album, the one that became the foundational style, is ‘Have Yourself a Merry Little Christmas’.”
I really enjoyed this album, which has only one major misstep, the electronic dance music (EDM) “Jingle Bells”, which is a tribute to the late DJ and producer Avicii, and doesn’t fit with the rest of the album.

Below are a few comments about each song on the album:
White Christmas – Clapton opens this Christmas standard from Irving Berlin with some blues guitar and then settles back in, accompanied by backing vocals, strings and a great guitar solo. A strong start to the album.

Away In A Manger (Once In Royal David’s City) – Clapton slows the pace down and delivers a good vocal on this traditional Christmas carol dating back to the late 19th century. It features some nice backing vocals, organ and acoustic guitar. 

For Love On Christmas Day – This is a new song written by Clapton. It’s a sad song about wishing for a lost love to return. It features keys, acoustic guitar and strings. He’s living in a dream world and dying a little more each day. There is snow on the sidewalk but it’s cold inside his heart.

Everyday Will Be Like A Holiday – This 1967 song was written by William Bell and Booker T. Jones. The song features blues guitar, keys, organ and backing vocals.

Christmas Tears
– This song was written by Robert Wilson and Sonny Thompson and recorded by Freddie King in 1961. Clapton delivers a blues vocal with some excellent guitar, including a solo, backed by drum, bass, piano and female vocals. A highlight.

Home For The Holidays – This song was written by Anthony Hamilton. He’ll be home for the holidays, was thinking he’d stay away but can’t wait to see her smiling face. The song has an easy going pace, featuring acoustic and light electric guitar, piano, organ and backing vocals.

Jingle Bells
– This is the album’s one major misstep. It is a six-minute electronic dance music mostly instrumental almost unrecognizable cover of James Pierpont’s Christmas classic. The song is dedicated to Avicii, who died of a suicide earlier in the year. Clapton’s guitar joins with the electronic music in a song that doesn’t fit with the rest of the album. Skip this song.

Christmas In My Hometown – This song was written by Sonny James and John Skye. The song has a laid-back country feel, featuring piano, guitar, soft percussion and female backing vocals. He’d love to spend this Christmas with the folks in his hometown.

It’s Christmas – This song was written by Anthony Hamilton. The song is upbeat, featuring guitar, keys, drums and backing vocals. It feels just like Christmas, love is in the air and everybody’s heading home.

Sentimental Moments – This song was written by Frederick Hollander and was featured in the 1955 film We’re No Angels. It has a slower pace, and features piano, and some nice acoustic guitar, though it’s not really a Christmas song.

Lonesome Christmas – This song was written by Lloyd Glenn. The song has a great blues beat, led by guitar, piano and drums. The song is highlighted by a guitar solo. A highlight.

Silent Night – This Christmas classic was written by Joseph Mohr. This version has a good pace as Clapton sings over drums, organ, light guitar and backing vocals.

Merry Christmas Baby – This song was written by Lou Baxter and John Dudley Moore. This song is a slow blues, with piano, bass and some excellent blues guitar. A highlight.

Have Yourself A Merry Little Christmas – This song was written by Hugh Martin and Ralph Blane. This is a slow jazz version, with a Clapton’s vocal over piano, strings, acoustic guitar and percussion.

Hymns Vol. 1 – Shane and Shane

Shane and Shane are a contemporary worship duo comprised of Shane Barnard and Shane Everett. I recently got to enjoy their music at the Sing 2018 conference in Nashville. Prior to that, what I knew about the duo was primarily through the ministry of Desiring God.

Hymns Vol. 1 is a new album featuring new arrangements of ten modern and traditional hymns, totaling in excess of 57 minutes of music.  This is an album that I thoroughly enjoyed. At first listen, it can appear like a simple and basic covering of these wonderful hymns. However, each repeated listening brings out something new about these extended arrangements, which are connected, with no breaks between the songs. The lead and harmony vocals are excellent throughout, as is the musical accompaniment, which never gets in the way of the words of these wonderful hymns. I can’t wait for Vol. 2.

Below are a few brief comments about each song:

Tis So Sweet – The lyrics to this hymn were written by Louisa M.R. Stead in 1882, and the music by William J. Kirkpatrick. This version, which clocks in just under seven minutes, features guitar, light percussion, and violin, and builds powerfully.

How Great Thou Art – This hymn, which is my favorite, was based on a poem written by Carl Boberg in 1885. It was translated into English by the missionary Stuart K. Hine, who also added two additional verses. The hymn was set to a Russian melody. The song features guitar, piano, drums and builds powerfully.

Give Me Jesus – This hymn is an African American spiritual. I first became aware of this song through Fernando Ortega’s wonderful version. This beautiful version features acoustic guitar, piano, and some effective drum work.

Come Thou Found (Above All Else) – “Come Thou Fount of Every Blessing” was written in 1757 by pastor and hymn writer Robert Robinson at age 22. This version features acoustic guitar, piano and violin. It also includes a brief worship chorus “Above All Else”.

The Lord is My Salvation – This modern hymn was written by Keith Getty, Kristyn Getty, Nathan Nockels and Jonas Myrin. This excellent version features some good drum work, guitar and piano.
Key lyric:
Who is like the Lord our God?
Strong to save, faithful in love
My debt is paid and the vict’ry won
The Lord is my salvation

Holy, Holy, Holy (We Bow Before Thee) – “Holy, Holy, Holy” was written by Reginald Heber in 1826. This hymn opens with acoustic guitar and light percussion. It builds with violin and includes the worship chorus “We Bow Before Thee”.

He Will Hold Me Fast – This hymn was written by Ada Habershonnew and Matt Merker. It’s one of my favorite “new” hymns. It features acoustic guitar, piano, light percussion and keys.
Key lyric:
For my life He bled and died
Christ will hold me fast
Justice has been satisfied
He will hold me fast
Raised with Him to endless life
He will hold me fast
Till our faith is turned to sight
When he comes at last

My Worth is Not in What I Own – This modern hymn was written by Keith Getty, Kristyn Getty and Graham Kendrick. This is another of my favorite new hymns. It features keys, guitar, violin and light drums.
Key lyric:
I rejoice in my Redeemer
Greatest Treasure,
Wellspring of my soul
I will trust in Him, no other.
My soul is satisfied in Him alone.

In Christ Alone – This modern hymn was written by Keith Getty and Stuart Townend. It’s one of our church’s favorites to sing in our worship service. This version features piano, acoustic guitar, drums, and violin, as it builds powerfully.
Key lyric:
No guilt in life, no fear in death
This is the pow’r of Christ in me
From life’s first cry to final breath,
Jesus commands my destiny.
No pow’r of hell, no scheme of man,
Can ever pluck me from His hand
‘Til He returns or calls me home
Here in the pow’r of Christ I’ll stand

There is a Fountain (Full of Love) – This hymn was written by William Cowper in 1772. This version features guitar, light percussion and violin. It also includes the worship chorus “Full of Love”.

Egypt Station – Paul McCartney

Egypt Station is the 76-year-old former Beatle’s 17th solo album and his first new album since 2013’s New. It is very good, at times brilliant, with only one major misstep. The album was produced by Greg Kurstin, with the exception of the album’s one misstep “Fuh You” which was produced by Ryan Tedder. McCartney stated that the album “Starts off at the station on the first song and then each song is like a different station. So, it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.”
Egypt Station was McCartney’s first U.S. number one album since 1982’s Tug of War, his eighth overall and his first to debut at number one.
Throughout, McCartney’s voice sounds great, the production is excellent and McCartney’s excellent long-term touring band joins him on several songs.  All songs were written by McCartney, with the exception of “Fuh You” which was co-written with Ryan Tedder. Themes range from politics, lust, bullying, contentment in marriage, etc.

Below are a few comments about each of the sixteen songs on the album:

Opening Station – This is an instrumental track that includes some background noise that reminds me of Sgt. Pepper and some choral vocals.

I Don’t Know – One song of the two-sided single released in June ahead of the album. The piano-driven song opens with piano and acoustic guitar and then adds bass, light drums and backing vocals. He asks What am I doing wrong, Now what’s the matter with me? I don’t know, I don’t know.

Come on to Me – This is the second song of the two-sided single released in advance of the album. The lyrics are almost embarrassing – Did you come on to me, will I come on to you? If you come on to me, will I come on to you? – but the music is catchy and this one will sound good on McCartney’s upcoming Freshen Up Tour.

Happy with You – In contrast to “Come on to Me” and “Fuh You”, this acoustic song finds him happy, and could be a song to his wife Nancy. The song is driven by acoustic guitar. He writes that he used to sit around and get stoned, now he’s happy and enjoying nature. The song includes some light backing vocals, strings and light percussion.

Who Cares – This guitar driven rocker about bullying could easily fit on 1974’s classic Band on the Run. It has a “Helen Wheels” or “Juniors Farm” feel, and features an excellent rock vocal from McCartney.
Key lyric:
Who cares what the idiots say
Who cares what the idiots do
Who cares about the pain in your heart?
Who cares about you?
I do

Fuh You – This song was the third song released prior to the album. It’s the one major misstep on the album. It was written by McCartney and Ryan Tedder and produced by Tedder and Zach Skelton. The song sounds great musically, but is embarrassing lyrically, as McCartney, who previously wrote “Why Don’t We Do It in the Road” and “Hi, Hi, Hi”, leaves nothing to the imagination as to what he wants to do to the girl in this song.  This song gets immediately skipped for me.  Confidante – This is an acoustic guitar driven song. He sings to one who used to be his confidante, a true friend, who stood beside him as he fought, but he fell out of love with them and brought their romance to an end.

People Want Peace – Over the years, McCartney has revisited the subject of peace several times (“Pipes of Peace”, “Peace in the Neighborhood”, etc.). He opens this song by saying that he has something important to say and he’s not going to let anything get in his way. It’s a simple message that he knows we’ve heard before – that people want peace, a simple release from their suffering. The song features some good percussion, keys, hand-claps, backing vocals and a passionate vocal from McCartney.

Hand in Hand – This piano-driven song revisits his happiness in a relationship that he addressed in “Happy with You”. “We can make each other happy if we get it right”. The song features two cellists, a mid-song solo from a woodwind instrument, and light backing vocals. He wrote the song on his father’s old piano. As he wrote it he was imagining he and wife Nancy about to go through life hand in hand. It was written in the early stage of their relationship.
Key lyric:
Hand in hand
Walking through life
And making our plans

Dominoes – This song begins with acoustic guitar and builds with light drums, bass, electric guitar, backing vocals and some Sgt. Pepper-like sound effects.  McCartney has described the song as being a people song about how things are really all right, but they don’t always seem to be alright. He brings in the idea of dominoes in that one little action can have such a big effect on this huge line of dominoes. He states that even though the subject of the song goes through all this stuff, and all these dominoes fall over and life goes on and in fact in the end it’s okay. 

Back in Brazil – McCartney wrote this song in his hotel room in Brazil while on tour. It is ambitious musically with Latin rhythms, and a number of instruments, including keys, percussion, strings, clarinets, flute, etc. The song tells the imaginary story of two young Brazilian people.

Do It Now – “Do it Now” is an expression McCartney’s father used to say. McCartney has said that the song is an imaginary journey suggested by the fact that his father would have said, “Go on that journey now, don’t leave it till it’s too late”. The song begins with McCartney singing over keys. It builds, with bass, backing vocals, drums and strings.
Key lyric:
Do it now, do it now
While the vision is clear
Do it now
While the feeling is here
If you leave it too late
It could all disappear

Caesar Rock – McCartney has said that this slightly oddball track came when he and his engineer Steve Orchard were making stuff up in the studio. The song is a fun musical jam, with drum machine, piano, backing vocals, guitar, but is basically a throwaway track lyrically.

Despite Repeated Warnings – McCartney, who supported Hillary Clinton in the 2016 U.S. presidential election, has stated that this song is about President Donald Trump and other politicians who believe that climate change is a hoax. He has said that the song is similar to “Band on The Run” or “Live and Let Die” in that it is kind of episodic and of an epic production. His intent is to try to remind people that climate change is not a hoax, and that we should avoid having a mad captain (Trump) steering us towards the icebergs. It is one of the more interesting songs musically on the album.

Station II – Similar to “Opening Station”, this is a brief instrumental track.

Hunt You Down/Naked/C-Link – This is a closing suite, not unlike the famous one that closes out side two of the Beatles’ Abbey Road. “Hunt You Down” opens with some great guitar, horns, drums, a rock vocal and backing vocals. “Naked” slows things down. He sings that he’s been naked since he was born and broken in so many places.
Key lyric:
Save my soul and set it free
Free to fly home
There’s a place I’m meant to be
Back, back home

“C-Link” is a closing instrumental rock track featuring a good guitar solo.

Forever On Your Side (Niles City Sound Sessions) – NEEDTOBREATHE
*** ½

This EP contains four songs that the band recorded over a few weeks while they were in Fort Worth, Texas with the producer trio Niles City Sound. The EP gives us a good idea where the constantly evolving band is now. Below are a few comments about each of the new songs:
Bridges Burn – This was the first song released from the EP. It opens with piano and hand-clap. Bear Rinehart sings that it’s time for moving on as there are some things you can’t forget. He wants to watch all his bridges burn and dance in the light of a lesson learned. He wants to leave everything that hurts and never go back to the way they were. The mid-tempo song builds gradually over a passionate vocal.
Key lyric:  I need to find somewhere I can believe. I need to know there’s a chance we can be.

Darling – This beautiful song has Bear singing over acoustic guitar. He is singing to his wife, wanting to talk to her on the phone while he’s on the road and she’s at home. He just wants to be home with her, the only thing that carries him through. He acknowledges that it’s hard for her to be at home, taking care of the house on her own. As the song builds, light instrumentation, including some horns and backing vocals supplement Bear’s vocals. Key lyric: I don’t wanna do this alone.

Bullets – This song opens with guitar, and then moves into a rock beat, with drum, organ, horns, keys and backing vocals. The song is about how you can’t put the bullets back into a gun, can’t undo what we have done or said, which is a tough lesson we have to learn.  Musically, it’s the most interesting song on the collection.
Key lyric: Don’t let your heart be stone, don’t be the bitter one.

Forever On Your Side – The closing song was the only song that hadn’t been released prior to the full EP being released, and it’s my favorite song on the EP. It features husband and wife duo Johnnyswim (Amanda Sudano and Abner Ramirez) on backing vocals. The band has indicated that this song was written for their fans who have been with them since the very beginning. The song begins with guitar and then builds with drums and banjo. The lyrics are uplifting and encouraging. We don’t know what’s around the bend but love knows no end and he’ll be forever on her side. Like Jesus, he will carry her every time because he’s forever on her side. With Johnnyswim joining the band on tour, this song will sound amazing live.
Key lyric:  Take my hand when you can’t see the light, ‘cause I’m forever on your side.

Nobody Loves Me Like You – Chris Tomlin

Holy Roar, Chris Tomlin’s first full-length album since 2016’s Never Lose Sight, which was my top album for that year, will be released October 26. In advance of the album comes this surprise EP, with four songs from the album, plus a bonus track. The songs are produced by Ed Cash and Bryan Fowler.
The album’s companion book “Holy Roar: 7 Words That Will Change the Way You Worship” by Tomlin and his pastor Darren Whitehead of Nashville’s Church of the City, will be re-released October 23.
Here are a few brief comments on each of the songs on the new EP:
Nobody Loves Me Like You – Tomlin’s next single, this song is written by Scott Cash and Ed Cash. It begins quietly with soft guitar and then builds with piano, drums, backing vocals and a joyous chorus about the love of Jesus. Key lyric:
Nobody loves me like You love me, Jesus
I stand in awe of Your amazing ways
I worship You as long as I am breathing
God, You are faithful and true
Nobody loves me like You

Satisfied – This song is written by Jason Ingram, Ross Copperman and Tomlin. Driven by an excellent drum beat, and hand claps, this upbeat and joyful song will sound great on the radio and in concert. Tomlin sings that as he counts his blessings he couldn’t ask for more. In God he is satisfied. Nothing and no one else will ever satisfy. Key lyric:
I count my blessings one by one
Your goodness in my life
How could I ask for more
In You, I’m satisfied

Goodness, Love and Mercy – This song is written by Ed Cash, NEEDTOBREATHE’s Bo Rinehart and Bear Rinehart and Tomlin. The mid-tempo song opens with acoustic guitar and gently builds, featuring some good piano, guitar and backing vocals. It is a worship song based on Psalm 23. Key lyric:
Surely goodness, love and mercy
Will follow wherever I go

Impact – This song is written by Mitch Wong, Tommy Sjostrom and Tomlin. The worship song begins with piano and strings. It gently builds, as Tomlin sings of waiting, surrender and laying down his defenses, to a powerful bridge in which he sings of love like a mighty river and rushing wind. Key lyric:
As I worship in surrender
I feel heaven drawing closer
As I lay down my defenses
Your love invades
And I brace for the impact

Our God – This song, perhaps my all-time favorite from Tomlin, from 2010 is written by Matt Redman, Jonas Myrin, Jesse Reeves and Tomlin. This is a great song, but I’m not sure why it is included on the EP.

My New Moon by Amos Lee
*** ½

My New Moon is Amos Lee’s seventh studio album, and his first since 2016’s excellent Spirit. The album contains ten new songs produced by Tony Berg. The songs have been described as the product of a period of intense connection and loss, making this Lee’s most personal album as well as his most politically outspoken one as well. The album features contributions from multi-instrumentalists Ethan Gruska and Blake Mills, keyboardists Benmont Tench and Patrick Warren, pedal steel guitarist Greg Leisz and strings by Rob Moose. Many of the songs deal with pain and loss. Lee is one of our great vocalists, and he proves it again on this new collection.
Below are a few comments about each of the songs:
No More Darkness, No More Light – The first single from the album, this was a song that Lee had recorded a few times, with different lyrics and a different title. After the Valentine’s Day shooting at Stoneman Douglas High School in Parkland, Florida, in which 17 people were killed, he completely re-wrote the song. The song has a graceful African-influenced groove and melody, being driven by drums, guitar and light backing vocals. Key lyric:
Some days it feels so hopeless
Nothing’s makin’ any sense
Flags we raise in praise of ruthless
Supposes innocence

Louisville – This is a song that would not feel out of place on a Springsteen solo record. Musically the band really shines on this song (drums, organ, guitar, piano) along with backing vocals. He’s heading back to Louisville, but that may not be a good thing. Key lyric:
Sweet sacrifice coming for the kill
Now I’m heading back to Louisville

Little Light – This inspirational song is about is Maya (or “Mighty Maya”), who Lee met two years ago in Seattle. At the time, she was 7 years old and had recently been diagnosed with kidney cancer. Amos sent Maya songs to cheer her up on some of the toughest days and to serve as lullabies on sleepless nights. The song features a great R&B beat, with excellent soulful backing vocals, handclaps, guitar and drum. Key lyric:
Let your little light shine
For the world to see

All You Got Is A Song – Lee delivers a great soulful vocal on this song about pain, as she slips away. The drums and keys stand out, as well as the backing vocals. Key lyric:
I’m gonna sing away the pain
Till the morning light will break on through

I Get Weak – This is a more of a laid-back song, which builds near the end. He’s looking for his love who is nowhere to be found. The song features soft percussion, a bass beat and guitar. Key lyric:
Looking for you my love
Always disappear
Like a phantom in my soul
That always feels so near

Crooked – This song finds Lee getting political as he is most likely writing about President Trump, though he writes that he is crooked too. We are all crooked, for “All have sinned and fall short of the glory of God”. (Romans 3:23). The song is about propaganda, misinformation and lies.  It opens with what sounded to me like prison shackles and chains, or perhaps soldiers marching. It has a memorable hook, with the emphasis on the biting words. There are some nice strings and piano in the middle of the song. Key lyric:
I read a crooked headline on a crooked page
There’s a crooked leader on a crooked stage
But he seems to think he’s standin’ tall
Turns out it’s all crooked, y’all

Hang On, Hang On – Lee has written that this was the hardest song for him to sing on the album. He wrote the song after losing his grandmother. The song is based on their last evening together. It’s a gentle and touching song, featuring acoustic guitar, piano and backing vocals. Key lyric:
We never left you
Even though you fell far away
Couldn’t hold you
But you didn’t wanna be here anyway

Don’t Give A Damn Anymore – This is an angry song. It’s ambitious musically, with a strong drum beat, and backing vocals. He’s been wrong so many times before, he don’t give a damn anymore. Key lyric:
Devil been a-knocking at my door
Said the angel been calling, but he can offer more.

Whiskey on Ice – Lee offers a tender vocal for this piano-based song about a couple’s struggle as they cope with the death of their son.  The song features light percussion and backing vocals and builds toward the end. Key lyric:
Looking for the light
Finally found your shape
While the sun, it falls
Tumbling down my face
Moonlight crashing in
Like waves on the shore
You are at the gate
Waiting till you find
All the fortune that you lost
That night

Don’t Fade Away – The closing song is about someone fading away, perhaps through dementia, a slow goodbye, and then dying. The song is laid back and somber, with piano, soft percussion, light guitar, bass and backing vocals. Key lyric:
Don’t fade away, don’t fade away
Cause I need you here

Favorite songs: Crooked, Louisville, Little Light

The Narrative – Sho Baraka

Three years in the making, Sho Baraka returns with his fourth album. The fourteen songs address themes of race, faith and love. Each title has an accompanying year that symbolizes something important. It is an important album that is musically diverse and creative, and lyrically relevant. Below are a few comments on each song:
Foreward, 1619 – The opening track was written by the Beatbreaker (who also produced it), Adam Bean and Baraka. It features C Lacy and Bean. 1619 was the start of American slavery, which is addressed in Adam Bean’s verse. From 1619 and beyond, here he stands. He is a man. Baraka asks whether he should he pray or riot. He states that we are all desperate and broken.
Don’t close the book, I got more to write
You can change the story, that is my advice
I read in color, they see black and white
You just saw the cover, but there’s more to life

Soul, 1971 – This track was written by Baraka and produced by Jamie Portee, who also contributes vocals. It features some excellent James Brown-like horns. He’s picking up the pieces in a world that’s fallen. He addresses being poor, bad schools, bad food, and bad predatory lenders.
Kanye, 2009 –  This song was produced by Jamie Portee and Swoope. It features Jackie Hill-Perry, who co-wrote the song with Baraka. The song briefly opens with piano and a gospel choir. This is his Kanye rant. He has something to say and a lot on his mind. The track features some good sax work.
Love, 1959 – This song is produced by the Beatbreaker and Jamie Portee and written by Baraka. He references Jimmy Bee’s “If It Wasn’t For Love” in the opening. Features some good horns and piano.  And if it wasn’t for love, where would he be? It’s unconditional love that he needs.
Here, 2016 –  This song is produced by the Beatbreaker and Swoope and features Lecrae, who co-wrote the song with Baraka. First of all, the song sounds great – live horns, drums and keys. It has jazz and soul elements. The song also has powerful lyrics, about justice, equality, holding politicians accountable, love over hate, faith, etc. The song ends with a spoken word piece about the strength of Black women.
30 & Up, 1986 –  This song is produced by J.R. and features Courtney Orlando, who co-writes the song with Baraka. Baraka has said that this is a song that celebrates those people who are living life 30 and up in the sense of love and relationships. A key lyric: You know we got to work to stay in love.
Profhet, 1968 –  This song is produced by and features Jamie Portee, who co-writes it with Baraka. Baraka has said that the song is about the commodification of him as an individual, his body, his likeness, his tonality, also his religion, his faith, and how sometimes we allow ourselves to be pimped out and sold. And also, the idea that activism needs prophets, not profit. You can offer him money but you can’t have his soul. A key lyric: I’m undervalued but I can be a prophet.  
Maybe Both, 1865 – This song is produced by, and features Jamie Portee, who also co-wrote the song with Baraka. This song is loosely based on Malcolm X’s “Ballot in a Bullet” speech. He critiques both political parties, and looks at how we can use Jesus to promote our own agendas, but understands that Christ is pretty complicated. A key lyric: Are they killing with a pistol or a vote? 
Excellent, 2017 – This song is produced and features Courtney Orlando, who also co-wrote the song with Baraka. Creative musically, he mentions several people in this song. A key lyric: I know Black lives matter, and they should matter in the womb.  
Road to Humble, 1979 – This autobiographical song is produced by Jamie Portee, who also co-wrote the song with Baraka. He raps about pride, salvation, being a part of 116 Clique, Reach and Humble Beast. A key lyric I’m deeply loved, I’m forgiven, I have vision. He has changed my condition on the day he was risen.
Myhood, U.S.A., 1937 – This song is produced by theBeatbreaker and features Venessa Hill, who also co-wrote the song with Baraka, theBeatbreaker and Lataurus Johnson. Baraka tells us a love story, though not your typical love story. He gives us a history lesson for Black Americans from the 1930s onward using a fictional ‘Myhood USA’. A key lyric:  This is a love song, I like to call it justice. 
Words, 2006 – This song is produced by theBeatbreaker and Jamie Portee and written by Baraka. It is about being a father of a child with special needs and his father with cancer. It opens with a baby crying over a piano, then builds with drums. Key lyric: Maybe we don’t need words to communicate our love.
Fathers, 2004 – This song is produced by Jamie Portee and written by Baraka.  Musically, it’s more laid back, with piano, light drums and horns. He gives advice and encouragement to first his son, and then daughter, and finally to other fathers. Key lyric: How do you spell Dad? It goes L-O-V-E.
Piano Break, 33 A.D. –  The final song is produced by Jamie Portee and written by Baraka. He sings about being made in the image of God and celebrating that.

Contains some language that got the album banned from a major Christian bookstore chain. Features piano over a drum beat. Includes samples from a preacher, who shouts “Hallelujah” throughout the song.  Key lyrics: If my words bring conviction, let’s call in context, I’m realizin’ life is pretty complex and I’m a servant, but I have a room in the palace.  

The Narrative Vol. 2: Pianos & Politics – Sho Baraka

Baraka followed up his groundbreaking 2016 release The Narrative with a surprise EP. The Narrative Volume 2, featuring four new songs and two remixes from The Narrative. Here are a few brief comments about each song:
Pedantic – This song is written by Amisho Baraka Lewis, Thomas Joseph Terry and Bryan L. Winchester. It includes soundbites from an interview with Denzel Washington and is produced by Braille. The song features a good drum beat throughout and an excellent guitar solo. Information is a theme throughout. Key lyric: I had information but did I have wisdom?  
Pianos in Jericho – This song features Sean C. Johnson. It is written by Amisho Baraka Lewis, Thomas Joseph Terry and Bryan L. Winchester and produced by Braille.  The song features a driving drum beat, piano and some backing vocals. The wall is a theme throughout. Key lyric:
Man, I think I’ve let my problems become my savior
I’ve taken focus off the Lord and focused on my anger
I think I’ve let my opposition define who’s my neighbor

Piano Bars – This song is written by Amisho Baraka Lewis, Thomas Joseph Terry, Bryan L. Winchester, Ron Sararana and Jamie Portee. It features record scratches by DJ Efectho and is produced by Braille. Sho raps over a great beat, driven by piano. Includes some humor and a reference to his music being removed by Baptist owned bookstores for mentioning a male body part. Key lyric:
He’s moving between thugs and seminary professors
He writes with intelligence and honors his heritage
The bottom line is he is changing the narrative 

Pluralism – This song is written by Amisho Baraka Lewis, Thomas Joseph Terry and Bryan L. Winchester. It features background vocals from Lauren Michael and is produced by Braille. The song features piano and drums.  Key lyric:
But be careful how you share your views
Cause they’ll protest you 

Maybe Both – This song, which was included on The Narrative, features James Portier. DSTL does the remix, which features a great beat and percussion. It is written by Amisho Baraka Lewis, Thomas Joseph Terry, Bryan L. Winchester, Daniel Steele and Jamie Portee. The song is loosely based on Malcolm X’s “Ballot in a Bullet” speech. He critiques both political parties, and looks at how we can use Jesus to promote our own agendas, but understands that Christ is pretty complicated.  A key lyric: Are they killing with a pistol or a vote?  Or maybe it is both.    
Here – This song, which was included on The Narrative, features Lecrae. Coutland Urbano does the remix. It is written by Amisho Baraka Lewis, Thomas Joseph Terry, Bryan L. Winchester, Lecrae and Courtland Urbano. This is a stripped-down version of the version on The Narrative, which featured piano and horns, and has excellent percussion. The song has powerful lyrics, about justice, equality, holding politicians accountable, love over hate, faith, etc. Key lyric: I promise there’s healing for your hurt now.  

Today We Rebel by KB

This is KB’s follow-up to 2015’s Tomorrow We Live. Much has happened in our county since that album was recorded. The album cover was illustrated by Alex Castro and directed by Alex Medina. It can be confusing at first, as the artist appears to be on the throne with a halo over his head. He has stated that the halo represents spiritual devotion and he is sitting on steps, not a throne. There are a number of symbols of people and objects that have impacted KB’s life.
This is an excellent album, and has KB collaborating with a number of producers and special guests including Lecrae and Andy Mineo. Below are a few comments about each of the songs on the album:

DNOU – This song is produced by Mykalife and written by Natalie Lauren and KB. DNOU stands for “Don’t Nobody Own Us”. About the song, KB has stated that if it honors God and your conscious is clear, do what you want. We should not let anyone rule over our decisions with their own fears and insecurities. This song has a good beat over keys. Key lyric: Does it honor God and conscience? You owe nothin’ but your love man. 

Tempo –  This song was produced by Dirty Rice, Juicy Bangers and Joseph Prielozny. It is written by KB and was released as a single in July, 2016. KB has stated that the song is about focus and freedom. Key lyric: I’m gonna do what I’ve been called to do, not what’s expected
– This song is produced by Halo Hitz and Cardec Drums. It is written by Wes Writer, Hitz, Drums, KB and new Reach Records artist Aha Gazelle. Writer and Gazelle, who was featured on Lecrae’s “Watchu Mean” on his new All Things Work Together album, add vocals. The song features some of KB’s fast rap style.
Key lyric: If it hadn’t been for Jesus I’d be still runnin’ around like I’m a gangster.
Primetime –  This song is produced by COBRA and was written by Dirty Rice, Joseph Prielozny, Ty Brasel and KB. The song has a good beat and features some strong vocals from Brasel.  KB has stated that the song is about failure not being final and we can rise in anything. Key lyric: I see L’s like new lessons.
Get Through
–  This song is produced by COBRA and features vocals from Reach Records label owner Lecrae, Andreas Moss and Bowie. The song is written by Dirty Rice, Joseph Prielozny, Andreas Moss, David Brown, Dustin “DAB” Bowie, Lecrae and KB. The song is about hearing God’s voice as we go through struggles and the purpose in our pain. Lecrae’s and KB’s opening verses are hard-hitting. The song slows down at the bridge with vocals from Moss and KB. Key lyric: You see the voice whispers on the mountain tops and screams from the valleys. Listen, because when the voice gets strong. When the voice gets through, it can change the situation, but it also changes you. 
Art of Drifting
– This song is produced by Blair Andre Atkinson and Cardec. It is written by KB. This is a sobering song about a dream he had, in which he drifted away from God and his Word and into sin. Part two of the story is in the following “Art of Hope”. Key lyric: God is not God no more. He is just a job homeboy, oh boy. 
Art of Hope –  This song is produced by Hillsong UNITED, Joel Houston, Joseph Prielozny and Cardec. It is written by KB. The song samples “With Everything” by Hillsong Worship. KB sings with emotion in this follow-on to the previous song “Art of Drifting”. The song is about the process of returning to God. The song ends with a part of the much-loved hymn “Be Thou My Vision”, with a female vocal, strings and piano. 
Not Today Satan
– This song is produced by Cardec Drums, Dirty Rice and Joseph Prielozny. It is by written by KB and Andy Mineo, and features Mineo on vocals.  It’s a bold song featuring backing vocals, and some nice trumpet by Byron Juane. Key lyric: He bring up your past. Boy, bring up his future. 
I Am Not the One –  The song is produced by COBRA and Cardec. It is written by Cardec, Dirty Rice, Joseph Prielozny and KB. This song reflects the boldness of his faith. Key lyric: Calling me the Christian rapper. All I know I just wanna be more Christian than rapper
New Portrait
–  This song is produced by Dirty Rice and written by Rice, Doctor Jarvis Williams, Lisa Sharon Harper, Emanuel Lambert and KB. This is a slower song, focusing on powerful lyrics over keys and strings. There are many different Christs portrayed. We need to focus on the true Christ. The song ends with a short spoken word excerpt from Lisa Sharon Harper and Doctor Jarvis Williams. Key lyric: Which Christ do you believe? You gotta know before you leave.  
Bring You War
–  This song is produced by Scootie, and written by Joseph Priezlozny, Benjamin Backus, Luke Smallbone, Joel Smallbone, Michael Anderson and KB. It features vocals from Scootie as well as For KING & COUNTRY, who joined Lecrae on the song “Messengers” from Anomaly. The bold and confident song features strong vocals over catchy percussion driven beat.  Key lyric: I don’t know if you are wrong or if I’m right but If you want a war, I’ll give a war. 
Sing to You
–  This song is produced by COBRA and is written by Dirty Rice, Joseph Prielozny, Leeland Mooring, Natalie Lauren, Casey J and K.  It is about continuing to lift up worship and praise in song to the Lord in the midst of suffering and loss. The song includes organ, horn, a good beat, backing vocals, hand clap and vocals from Casey J. Key lyric: When sorrows falling down like rain, when I can hardly take the pain, all I know is, I will sing to You.
Rebel Intro –  This song is produced by Cardec and COBRA and written by Natalie Lauren, Dirty Rice, Cardec, Joseph Priezlozny and KB. It features vocals from Sarah Reeves, sampling Lecrae’s “Battle Song” from Rehab: The Overdose.
Rebel Rebel 88 – This song is produced by Cardec and written by Cardec and KB. KB is saying that his God is neither Democrat nor Republican. Christians need to be able to love people who disagree with them.  The song features a good percussion driven beat. His allegiance is to, and his primary identity is in, Christ. Key lyric:  I am American, Black is my heritage, but, before that, I am a child of the Kingdom.  

Wide Open – Michael McDonald

Wide Open is 65-year old Michael McDonald’s (Doobie Brothers, Steely Dan), first new studio album in more than nine years, and first album of original material in seventeen years, following Blue Obsession in 2000. It follows three R&B/Soul cover albums for Motown, the most recent being Soul Speak, released in 2008. He has also released a few Christmas albums during this time.
The 71-minute album of keyboard-heavy soul and blues ballads was written over several years and recorded at McDonald’s Nashville studio, along with drummer Shannon Forrest (Toto), and session players from Nashville. The album features collaborations with guitarist-singer Warren Haynes, guitarist Robben Ford, bassist Marcus Miller and saxophonist Branford Marsalis.
McDonald has said that most of the songs on the album have to do with sobriety, the journey in his life of getting sober, which he has been since 1986. It is a kind of wide open conversation of many different subjects, both musically and lyrically.
McDonald’s signature voice still sounds great. If I had any criticism of the album, it would just be that a few of the songs go too long, with only one song coming in at under four minutes.

Below are a few brief comments about each of the songs:
Hail Mary – Clocking in at nearly seven minutes, the opening song features McDonald’s wife Amy Holland on backing vocals. It’s driven by a bass beat and keyboards. Key lyric: Does the sound of my voice still carry any kind of message still important to you?
Just Strong Enough – This is a slow blues number featuring guitar, piano, horns and strings.
Find It In Your Heart – This was the first single released from the album. It will most remind you of McDonald’s 70’s funk groove, led by Marcus Miller’s bass. It has an old soul sound and wah-wah guitar. Key lyric: Love’s the truth that sets us free. A highlight.
Half Truth –  This song is written by McDonald’s son Dylan. It opens with a harmonica and is driven by drums and some excellent guitar work. It’s a sad song, slower in pace. Key lyric: It’s just one of those times, when a half truth, becomes a whole lie.  
Ain’t No Good – This song is about a relationship gone wrong and is driven by strong drumming and some excellent guitar. Key lyric: I ain’t looking for the key to heaven, just open the gates to hell enough to let me out.
Honest Emotion – McDonald has said that this is the most personal song for him on the album. It is about the kind of autopilot we go through life operating on, avoiding any real feelings that you might be feeling, and trying to just deal with the ones that are comfortable. It features acoustic guitar and strings. Key lyric: Would honest emotion even know me if I walk through this door?  
Blessing in Disguise – This song is driven by some strong drumming and excellent saxophone from Branford Marsalis. Key lyric: The highs and lows can only point to in between, but time will show a blessing in disguise.
Dark Side – This ballad starts slowly with acoustic guitar, and then builds with a good drum beat, horns, piano and strings. Key lyric:  We all know love is blind, we only see what we want, you’re bound to learn somehow love has a dark side.
If You Wanted to Hurt Me – this upbeat song is driven by drums, keyboards, guitar, piano and horns. She’s leaving him and running to another. McDonald lets loose on this song, which will sound great in concert.
Beautiful Child – This ballad starts slowly with drums and acoustic guitar and then builds. Key lyric: You can search this world over, and still be a prisoner in a cage.
Too Short – This song features the stories of three characters. Musically it has an upbeat breezy drum-driven pop beat with guitar, horn and backing vocals. Key lyric: This life, it was too short to give up.
Free a Man – This upbeat song is written by Richard Stekol. It has political lyrics, and musically is driven by drums, guitar, horns and a keyboard solo. This is another one I would like to see McDonald perform in concert. Key lyrics: Free a man and love will follow and Religion has not failed man, no, it’s the other way around.      

I: The Arrow (EP) – Andy Mineo

This is the first chapter in a series of EP’s that Mineo plans to release. He has stated that he has been going through a period of doubt of himself and of his faith, as he has experienced a season of anxiety and depression.  This is a transparent and honest release from Mineo as he works through anxiety and confusion.  It is unlike any of his releases to date. It’s the follow-up to 2017’s Andy Mineo and Wordsplayed Present Magic & Bird with Wordsplayed and is his first solo album since his excellent 2015 release Uncomfortable.
Give these songs several listens.  They require and deserve that. I look forward to the next EP.
Below are a few brief comments about each of the six songs:

I’ve Been…. – This song was written by Wit, Joel McNeill, John McNeill, BEAM and Mineo. It was produced by Weathrman and BEAM. Additional vocals are provided by Willow Stephens. The opener is a slower song and introduces the theme of the record. He’s been lost for some time.
Key lyric: I hope I get the benefit of the doubt
I need a minute just to figure this out

Clarity – This song was written and produced by Daniel Steele, Chad Gardner, GAWVI and Mineo. Additional vocals are provided by Gardner. The song opens with Mineo speaking over keyboards by Daniel Steele. He raps hard in verse two.  The song includes spoken word interludes from a female. He wants clarity because all of his heroes are frauds, just like he is. Watch the video for “Clarity” here.
Key lyric: The opposite of faith ain’t doubt
Family Photo – This heart-breaking song about Mineo’s father Joe was written by Wit, Joel McNeill, John McNeill and Mineo. It was produced by Weathrman and Mineo. He tells about how his father didn’t show up for his wedding. The song starts slow and builds in intensity as his rage about his father builds. The song ends with him reciting Reinhold Niebuhr’s “Serenity Prayer”. Key lyric: ‘Cause when you bury emotions, you bury them alive
They only come back stronger, somewhere later in your life

Anxiety – This song was written by Wit, Joel McNeill, John McNeill and Mineo. The song was produced by, and features, Weathrman. The song was recorded in November, 2016 after Mineo had his first anxiety attack. The song describes what he felt as he was going through the anxiety attack. The song has a slower beat and ends with an outro spoken piece that may have been recorded in concert that leads into “I Ain’t Done”.
I Ain’t Done – This song was written and produced by Mineo and recorded on the bus while on tour in 2017. This bold song pounds from the very beginning, as he made up the lyrics on the spot. Key lyric: Man, my problems big, but I know God way bigger.
…Lost – The final track of the EP continues where “I’ve Been…” left off. It is written by David Ham, Joel McNeill, John McNeill, Wit, BEAM and Mineo. It was produced by Weathrman, BEAM and Mineo, and features Willow Stephens on vocals. The song starts slow and builds to a gospel vibe with a nice tip of the cap to his song “Never Land”. It ends with a spoken word piece explaining where he got the cover art for the EP and then some brief keys. It has a more hopeful spirit than the other songs. Key lyric: When I get above those clouds, yeah, I know that the sun’s out, I’ma be alright

Live on Soundstage: Michael McDonald

Michael McDonald has had quite a career, spanning 45 years, from Steely Dan, the Doobie Brothers to a successful solo career, which has included a number of Christmas albums and a few albums of Motown covers.  This live project (DVD/CD) was filmed and recorded at Soundstage’s Grainger Studios in Chicago on May 25, 2017. It includes some of the five-time Grammy Award winner’s biggest hits, as well as three songs from his excellent 2017 comeback album Wide Open, his first album of new material in seventeen years.
The album showcases McDonald’s distinctive voice, which is still a wonderful instrument at age 65. He is backed by a strong ensemble, including horns and background singers.
I thoroughly enjoyed this recording. Below are the songs included on the album, and a comment on when they were originally recorded by McDonald. Note, some of the songs downloaded in a different order than they are listed on the album.

It Keeps You Running – This song was recorded by the Doobie Brothers, was the third single released from their 1976 album Takin’ It To the Streets, reaching number 37 in the U.S.
Sweet Freedom – This song reached #7 on the U.S. charts for McDonald in 1986, and was featured in the film Running Scared.
I Keep Forgetting – This song was from McDonald’s 1982 solo debut If That’s What It Takes, reaching #4 on the U.S. charts.  
Find It In Your Heart – This song was the first single released from McDonald’s 2017 album Wide Open.
If You Wanted to Hurt Me – This song was included on McDonald’s 2017 album Wide Open.
I Can’t Let Go Now – This song was included on McDonald’s 1982 album If That’s What It Takes.
Beautiful Child – This song was included on McDonald’s 2017 album Wide Open.
Minute by Minute – This song was released on the Doobie Brothers’ 1978 album Minute by Minute. The single was released in 1979 and reached number 13 in the U.S.
What a Fool Believes – This song was released on the Doobie Brothers’ 1978 album Minute by Minute and reached number one in the U.S. The song won the Grammy 1980 for both Song of the Year and Record of the Year.
Takin’ It To the Streets – This song was included on the Doobie Brothers’ 1976 album Takin’ It To the Streets and reached number 13 in the U.S. This was the band’s first single with McDonald singing lead.

The three encores were:
You Belong To Me – This song was written by McDonald and Carly Simon and originally recorded by the Doobie Brothers for their 1977 album Livin’ on the Fault Line. The song was made popular by Simon on her 1978 album Boys in the Trees. Her single reached number 6 in the U.S.
What’s Going On – This classic Marvin Gaye song was included on McDonald’s 2004 album Motown II.
I Heard It Through the Grapevine – This classic song has been recorded by many, but probably the definitive version was Marvin Gaye’s 1967 recording. It was included on McDonald’ 2003 album Motown.

25 in 24

The film 25 in 24 documents a crazy dream. It was the dream of Christian band Switchfoot’s Jon Foreman. His dream was to play 25 concerts in 24 hours in his hometown of San Diego. The film is directed by Melody League and is beautifully filmed with many scenes of the San Diego area.
Foreman loves to play music. He is able to connect with people through his music. After Switchfoot concerts, he will meet fans outside the venue to play solo impromptu acoustic concerts.
As he released four Wonderlands EPs – Sunlight, Shadows, Darkness and Dawn a few years ago, he came up with a crazy dream. He would play 25, 3-song concerts in his hometown of San Diego in 24-hour period.  There was much to coordinate, and many variables (musicians, transportation, traffic, weather, etc.). Could he remember all of the lyrics to 75 songs playing for 24 consecutive hours? Could he pull off this ambitious project? He tells us that a beautiful dream is worth chasing, even if you fail.
At 10:00 am on October 24, Foreman started out in his van beginning the realization of his dream, an entire day of song. This film follows Foreman as he fulfills his dream, embracing community one song at a time.
I enjoyed watching Foreman and his fellow musicians (only the cellist played all 25 shows) playing in a variety of locations in San Diego – Spreckels Organ Pavilion in Balboa Park (with Foreman’s mother Jan), Fidel’s Mexican Restaurant with a Mariachi Band, at Rady’s Children’s Hospital with a high school orchestra, singing “Your Love is Enough” at a wedding reception for the first dance for the bride and groom, on the roof of Ironsmith Coffee Shop, a blistering “Resurrect Me” in show 24, etc. Highlights for me were the concert on Mount Soledad, where they watched the sunrise afterwards, the show at Rady’s Children’s Hospital, and the final show on Swami’s beach, where Foreman went into the Pacific Ocean to surf immediately afterwards.
As the evening went on, people began following them from show to show. When it got late into the evening, the crowds became smaller and the shows more intimate. In the midst of it all, Foreman’s van breaks down.
As Foreman and the musicians finished show 25, it was a celebration of family, friendship and community. This was an event that made people come alive.
Foreman tells us that many times it’s the chase that we are looking for. He was chasing after wonder, looking for his Maker, one song at a time. He stated that journey is where life happens. Not in control but in the chaos.
The film is available online where movies are sold (Amazon Prime, iTunes, etc.). Music fans – Switchfoot and Jon Foreman fans in particular – will appreciate this film.

Abide with Me – Sara Groves

Sara Groves follows her acclaimed 2015 album Floodplain with her thirteenth studio album. She has stated that her previous album found her on the floodplain reflecting on the kind provision that comes when she finds herself in a place where she cannot rescue herself. Abide with Me is a collection of hymns and songs that were with her on the floodplain. The album was recorded in a 105-year old church (the construction of which is shown on the album cover photo), that the Groves purchased in 2011 and converted into Art House North, a creative community for the common good, in the West End of Saint Paul, Minnesota. Groves has stated that it was appropriate that the album was recorded in a space built for congregational singing. The album was recorded with her long-time bandmates, Aaron Fabbrini (bass, pedal steel) and Zach Miller (drums), produced by John Mark Nelson and mixed by Ben Gowell. The album includes songs carefully selected from Groves’ personal list of hymns. Each song has provided a source of healing and comfort to her throughout the years. Groves’ husband first came up with the idea of a hymns album about fifteen years ago and has been compiling possible songs for inclusion since then.

The album is recorded simply and sparsely and may underwhelm on initial listen. However, I encourage you to give these hymns additional listens and the project will grow on you with each listen. I would also recommend you have the lyrics to these hymns in front of you as you listen to this beautiful recording.

Below are a few comments about each of the eleven songs:

For the Beauty of the Earth – This Eucharistic hymn was written in 1864 by Folliott S. Pierpoint. It begins beautifully with woodwinds, then Groves’ vocal and then piano is added. Many will be familiar with the chorus:
Lord of all, to Thee we raise
This our hymn of grateful praise

Fairest Lord Jesus – This hymn, also known as “Beautiful Savior”, has a long and unconfirmed history. The lyrics we are familiar with are most likely from an 1873 translation by Joseph A. Seiss. The song begins with acoustic guitar. Groves’ vocal is then joined with light drums, pedal steel guitar and backing vocals. Key lyric:
Jesus shines brighter, Jesus shines purer
Than all the angels heaven can boast

Praise to the Lord – The lyrics to this hymn were written in German by Joachim Neander in 1680. Catherine Winkworth translated them into English in 1863. This was my favorite hymn growing up. This version features a choir providing backing vocals.

Abide with Me – This hymn was written by Scottish Anglican Henry Francis Lyte in 1847 as he was dying from tuberculosis. He would die just three weeks after its completion. It is most often sung to English composer William Henry Monk’s tune “Eventide”. This version features piano, banjo, pedal steel guitar and backing vocals. Key lyric: In life and death, Lord, abide with me 

The Love of God – This hymn was written by Frederick M. Lehman in 1917, based on a Jewish poem titled Haddamut. This song starts with Groves accompanied by acoustic guitar and light backing vocals. As the song moves to verse two, she is joined by piano, bass and then a choir. Key lyric:
O love of God, how rich and pure
How measureless and strong

The Song of Blessing – Groves sings this short song with a choir, backed by acoustic guitar, piano and banjo.

What a Friend – This song has Groves singing to her redeemer about what a friend he is over piano, acoustic guitar and light backing vocals. Key lyric:
Nearer, draw nearer
Till my soul is lost in You

To the Dawn – This beautiful song is based on Henry Burton’s 19th century poem “There’s a Light Upon the Mountains” with a refrain based on Isaiah 9:2. “All who walk in the dark have seen a great light”. The song begins with piano and strings. then guitar, percussion, pedal steel guitar and backing vocals are added.

Tis So Sweet – The lyrics to the hymn “Tis So Sweet to Trust in Jesus” were written by Louisa M.R. Stead in 1882. The music was written by William J. Kirkpatrick. This version begins with some likeable percussion, and then adds acoustic guitar, backing harmonies and a good mandolin solo. A highlight.

Lead on O King Eternal – This hymn was written Ernest Shurtleff upon request of his classmates for their graduation ceremony at Andover Seminary in 1887. The song begins with piano, with backing vocals and light drums added.

He’s Always Been Faithful – This song originally appeared on Groves’ 2001 debut album Conversations. The song incorporates the hymn “Great Is Your Faithfulness”, the lyrics of which were written by Thomas Chisholm in 1923, and the music composed by William Runyan that same year. The song features piano, upright bass and woodwinds. Groves estimates that she has played the song in concert well over a thousand times. A highlight.

Resurrection Letters, Volume 1 – Andrew Peterson

Ten years ago, Andrew Peterson, one of our most respected singer/songwriters, was working on an album that he says was more or less on the resurrection of Jesus. As he started working on the songs, he realized that they actually were more about the way Jesus’ resurrection plays out in our lives rather than the resurrection itself. So, the album was creatively titled Resurrection Letters, Vol. 2.
This year, Peterson finally began work on Vol. 1 with producer Ben Shive, who also produced Vol. 2, ten years ago. But Peterson felt it would be odd to write about Jesus’s victory over death without spending time writing about his death itself. That led to an EP, Resurrection Letters: Prologue. See my review here.
Now it is time for Resurrection Letters, Vol. 1. And it has been worth the wait. A Deluxe Edition version includes Resurrection Letters: Prologue. Below are a few brief comments about each song on this wonderful collection from one of our best songwriters.

His Heart Beats –  This joyful song is about our Lord waking up, coming back to life in the grave. It begins with a drum beat that sounds like a heartbeat. It includes piano, drum, acoustic guitar and backing vocals. The Lamb of God slain for us is a lion ready to roar. His work is already done, he has defeated death, the final enemy, and the grave. Death no long has dominion over him. He took one breath and put death to death. The song includes the chorus of the much-loved Matthew Bridges 1851 hymn “Crown Him with Many Crowns”.
Key lyric: The blood that brought us peace with God is racing through his veins.
Risen Indeed – This is a song that Peterson wrote in 2009 on the Resurrection Letters Volume 2 tour and was saving to record for Resurrection Letters Vol. 1. The song begins with piano and builds with base and drum. He sings of Peter racing to the tomb and then of Jesus speaking Mary’s name. Abraham could not have dreamed of how all of those promises would be fulfilled in Jesus.
Key lyric: He is not dead; he is risen, risen indeed.
Remember Me –  This song was written by Ben Shive to help himself and his church remember Jesus one Good Friday. There are references to familiar scripture passages throughout. The chorus is based on words spoken by the thief on the cross who came to faith in Christ. “Lord remember me when you come into your kingdom.” The uses a creative drum beat throughout, as well as piano and backing vocals.
I’ve Seen Too Much – This song is from the perspective of Peter. He knows it sounds crazy, but he knows what he saw. He saw Jesus die and be laid in the tomb.  He’s seen too much to deny Jesus. Though the faithful have been scattered and he is tired and doubt has crept in, he can’t deny what he knows to be true. The song echoes Peter in John 6:68 when he said to Jesus “Lord, to whom shall we go? You have the words of eternal life”. The song opens with piano, percussion, acoustic guitar and then builds.
Remember and Proclaim – This upbeat song about celebrating the Lord’s Supper features some nice guitar work, light percussion and backing vocals. As we gather around the table, break the bread and drink the wine, we remember and proclaim his death until he comes again. Christ has died, Christ has risen, Christ will come again.
Maybe Next Year – This song was inspired by Peterson’s recent trip to the Western Wall, or Wailing Wall, in Jerusalem. It begins and ends with voices based on what we might hear at the Wailing Wall, and features piano, light percussion, accordion, keys, backing vocals and a guitar solo. Jesus never felt so real to him. He never felt so close to him. We’ll meet in the New Jerusalem someday, maybe next year.
Rise Up –  This encouraging song is written by Ben Shive. It begins with piano and light percussion and then builds, featuring strings. Await, await the day of His return. Every stone that makes you stumble, every sad seduction and every clever lie will be crushed by the King of Love one day.
Key lyric:
‘Cause He will rise up in the end.
He will rise up in the end.
I know you need a savior,
And He is patient in his anger,
But He will rise up in the end.

Is He Worthy? – It is rare when that song comes along and from the first listen you know that it is special. That’s was the case with this song, the first song released from the album. Peterson has written that “the chorus is taken from that staggering moment in Revelation 5 when the prophet asks, “Is anyone worthy to break the seal and open the scroll?” He looks around, along with all the hosts of heaven, and when no one is found who is worthy to do so, he weeps bitterly. But then one of the elders says, “Do not weep! Behold, the Lion of Judah, the Root of David, has triumphed. He is able.” And then the Lamb, looking as if it has been slain, appears at the center of the throne, takes the scroll and breaks the seal, and at once all the heavenly hosts sing his praises: “He is worthy!””
I think this song, is destined to be a song that will be sung for years in churches around the world. The song starts with Andrew’s vocals and piano. It builds powerfully and triumphantly with strings and a choir.
Key lyric:
Is He worthy? Is He worthy?
Of all blessing and honor and glory
Is He worthy of this?
He is   

All Things Together –  The album ends with this worship song about Jesus. He sings about the attributes of Jesus from Scripture. He holds all things together. The song begins with piano and light percussion and then builds with strings and backing vocals.
Key lyric: He made peace by the blood of His cross.

A Million Lights – Michael W. Smith

A Million Lights is one of two new albums the 60-year-old Contemporary Christian Music legend Michael W. Smith released in February. And the two albums could not be any more different. While Surrounded is a live worship album of originals and covers similar to his other three live worship albums, A Million Lights is an album of all new pop songs. The first nine songs reflect a new sound, leaning on synthesizers and electronic dance beats, giving the album a fresh, modern toe-tapping sound. Think of Michael W. Smith meets Toby Mac. Smith used multi-platinum producer and songwriter Bryan Todd and songwriter Kyle Lee to help flesh out his vision for the new songs. Three of the final four songs will sound more familiar to Smith fans. I would have preferred that he continue with the new sound all the way through the album, but I give him a lot of credit for experimenting and taking chances with a more current sound for most of the album. While at first, the new sound was hard to adjust to (as I heard Surrounded first), the songs on A Million Lights grew on me with each repeated listen. So, if the album’s new sound puts you off at first, give it a chance. The theme of the album is on unity and reconciliation in our divided society, so the uplifting lyrics are filled with hope.

Below are a few comments about each song:
A Million Lights – This song is written by Kyle Lee and Smith and was the album’s first single. The song is musically interesting, opening with piano and building with backing vocals and synths. It is a celebration of God’s creation, as all of the stars are singing for Him.

Conversation – This song is written by Bryan Todd, Jason Walker and Smith.  The song has an infectious beat and is about bringing reconciliation and unity to the division in our culture. It features a dance beat and hand clap. He wants to talk, and to hear what others are saying. Key lyric:
One by one we’re separated
What I thought was love just looked like hatred
I’ve been losing myself trying to prove You wrong
And right now all I know is I can’t go on
So I’m stepping across all the lines I’ve drawn

Something in My Heart – This song is written by Bryan Todd, Jason Walker and Smith. It is likeable musically, featuring upbeat dance music, but it is a little light and repetitive lyrically. If not for God, he would never move. God wakes something in his heart.

Footsteps – This song is written by Chris Davenport, Jason Walker and Smith. It is immediately likeable with a dance beat and finger snaps. The song is about complete dependence in following God’s guidance in life. Key lyric: But as long as I can see Your footsteps, I’m alright.

Your Love – This song is written by Kyle Lee and Smith. Style wise this song starts with a more Smith sound and then quickly builds with electronic dance beats. The song is about God’s wonderful endless love. Key lyric:
With trembling hands and an empty breath
You saw the struggle and You cast the nets
You knew me better than I ever knew myself
And now the only thing that’s left is Your Love

Love Always Wins – This song is written by Thad Cockrell and Smith. The song opens with synthesized sounds and then builds with electronic drums, hand claps and gang vocal chorus. He sings of a distance between those who disagree and say that the space between them is two wide, but God’s love always wins.

Crashing Waves –  This song is written by Jonathan Jackson and Smith. This song opens with distorted vocals. He is broken, that’s how God found him. It is creative musically with a passionate vocal. The song ends with hope.  Key lyric:
Somebody stole the pain, a thief in the night came.
I’ll never be the same, You rolled this stone away

Louder – This song is written by Bryan Todd, Jason Walker and Smith. The song begins with piano and distorted vocals. It is upbeat musically and lyrically encouraging, continuing the overall theme of the album to have open and honest conversation in these divided times.

Revolution – Musically, the pace slows down a bit on this song, with some use of acoustic guitar. The song is about building bridges in a world of hate and fear. There is a good use of high-range backing vocals.

Hey Love – This song is written by Wayne Kirkpatrick and Smith. Musically and lyrically, this song doesn’t fit with the previous nine songs. It is a piano driven love song, featuring the vocals of Jordan Sparks. Their voices blend well, but after the upbeat electronic dance beats, this song sticks out. My least favorite song on the album.

You Make Me Feel This Way – This song is written by Bryan Todd, Jason Walker and Smith. This song opens with acoustic guitar and features some good keyboard work. He sings in a lower register than normal. It is upbeat and joyous with good backing vocals. The lyrics are vague enough that he could be singing to God or to his wife.

Forgive –  This song is written by Wes King and Smith. This song has more of a traditional Smith sound, a ballad that builds with piano, strings and backing vocals. The song is about someone who left him when he was young, breaking his heart. He is writing to say that he forgives them.

Who You Are – This song has a slower pace that gradually builds. It features piano, light drums and guitar. The theme is hope and healing of the pain. Key lyric:
Give me time
I’ll heal the pain you feel
Give me time
I’ll show you love that’s real  

I Knew You When – Bob Seger (Deluxe Edition)

This is 72-year old Rock and Roll Hall of Fame member Bob Seger’s eighteenth studio album. It was self-produced and recorded in Detroit and Nashville and dedicated to longtime friend Glenn Frey, who died in 2016. The album cover features a mid-60’s photo of Seger. Some of the songs were written and originally recorded several years ago.
I saw Seger in concert with the Silver Bullet Band back at the now defunct Poplar Creek Music Theatre near Chicago in the summer of 1980 and have enjoyed his music ever since. Here are a few brief comments about each of the songs:
Gracile –  The album opens strong with this rocker, featuring excellent guitar, including a nice solo, bass, drums and backing vocals. This song is a about a woman. She’s a winner, her body is gracile (slender, thin, graceful), and she’s in control.  
Busload Of Faith
–  This song was written by Lou Reed and appeared on his 1989 album New York. It was the first single released from the new album.  Seger changed some of the lyrics, substituting “You can’t depend on the President” for Reed’s “You can’t depend on the churches”. It’s an upbeat song with horns, a guitar solo and gospel-like backing vocals.
The Highway – This rocker is driven by guitar and a drum beat. It features a strong vocal by Seger, backing vocals, some of which sounds like an uncredited Bruce Springsteen, and a guitar solo. In a world of phony prophets, he’s packing up his gear, getting out of here and heading for the highway.   
I Knew You When
– This song has the feel of some of Seger’s biggest hits. It is a mid-tempo song featuring piano and backing vocals. The song dates back to 1997 and was considered for his Face the Promise album. It has Seger looking back to memories of a “glorious long ago”. He’s singing to someone who was always a friend. 
I’ll Remember You
– This is a powerful guitar driven ballad, that also features piano. Seger delivers a passionate vocal, and is backed by strong backing vocals.  He has some regrets and wishes he had the words to take it all away. The song was originally considered for his 2014 album Ride Out.
The Sea Inside – Seger has described this song as being “very Led Zeppelin”.  It features heavy guitars, including a few solos and strong drums. The song is about moving away from earthly things, being free at last, leaving the past behind, charting a new course and sailing the sea inside you. I’m not sure what that means exactly, perhaps some type of meditation technique. The song was originally considered for his 2014 album Ride Out.
Marie – This ballad features piano, drums, acoustic guitar and backing vocals. I had a hard time figuring out this song, directed to a Marie, who he encourages to stay free. He is going to follow her down for a while. He sings that not much has changed in 5,000 years.
Runaway Train – This is an up-tempo rocker, first recorded in 1993 for his album It’s a Mystery.  It has a driving beat, strong vocal, excellent guitar and sax solos and good backing vocals. He doesn’t know what he’s doing, or where he’s going. He’s like a runaway train.  Is there a reason he’s on this road or is it random?
Something More
–  This song dates back to 2001. It’s a power ballad with guitar, strong drum beat, sax and guitar solos and backing vocals. He asks the important question “Is that all you want or is there something more?” 
–  This song was written by Leonard Cohen and included on his 1992 album The Future. It features military style drumming, guitar, synth and backing vocals. Democracy is coming to the USA. Key lyric: I love the country but I can’t stand the scene. And I’m neither left or right, I’m just staying home tonight, getting lost in that hopeless little screen.
Forward Into The Past – This rocker dates back to 1999. The song is driven by guitar, including a solo, and heavy drum beat, with piano and backing vocals. Rural towns are drying up as everyone is heading to the city, taking jobs with big corporations, too tired to make a stand. There are references to bailouts and Wall Street. Hometowns are nearly empty, as are schools and churches, as everyone has left to go to the city. That whole way of life is fading fast.
Blue Ridge
– This up-tempo rocker is an ode to the history and beauty of the Appalachian Mountains. This song dates back to 1997 and was a candidate for his Face the Promise album. The song is drum-driven and features keys, a guitar solo and backing vocals.
Glenn Song – This beautiful acoustic ballad is about Seger’s 50-year friendship with the Eagles’ Glenn Frey. Seger originally posted the song on his website on January 16, the one-year anniversary of Frey’s death.

Key lyric:
You were strong
You were sharp
But you had the deepest heart
You showed the whole world what we knew
There was no one quite like you

Surrounded by Michael W. Smith

Michael W. Smith has been a leader in the Contemporary Christian Music industry since his debut album in 1983, about the entire length of my Christian life. In addition to his pop albums, the talented artist has released several live worship and Christmas albums, along with a few instrumental albums, two albums of hymns, and even wrote music for Steve Taylor’s The Second Chance, a film he starred in. His 2001 album Worship has sold in excess of 2 million copies and the 2002 Worship Again has sold in excess of 1 million copies. He has won three Grammy Awards and an incredible 45 Dove Awards. Now 60 years old, Smith shows he is not slowing down.  Surrounded, his second album to be released this month, and twenty-fifth overall, is a live worship album recorded during an in-the-round performance November 2, 2017 at the Factory in Franklin, Tennessee.
Smith has said that the idea of doing another live worship project has been something he has been thinking about for a while. He feels God calling His Church together, every nation, every tribe, tongue, social class and denomination.
Like his other worship albums, the songs here are a mix of originals and covers. My only critique would have been for Smith to include more originals. If you have enjoyed Smith’s previous worship albums, you’ll enjoy this one as well.

Here are a few thoughts about each song on this excellent album.
Your House – This song is written by Smith. It is an upbeat and joyful song that reminds me of a Chris Tomlin like sound – drums, guitar, piano, backing vocals. It’s an excellent start to the worship experience. Key lyric: We come into Your house with thanksgiving and praise all for Your name.
Light to You – This song is written by Smith. The song starts slowly, picking up triumphantly in the bridge. To the farthest horizon, God is there, He’ll find me. Key lyric: Even the darkness is light to You.
King of My Heart – This song is written by John Mark McMillan and Sarah McMillan, and has been covered by a number of artists such as Bethel Music and Kutless. The song builds powerfully. God is good and He will never let us down.
Reckless Love – This song is written by Cory Asbury, Caleb Culver and Ran Jackson and has been covered by several artists. The song, about the overwhelming, never-ending, reckless love of God, begins with piano and then slowly builds, running nearly nine minutes in length.
Here I Bow – This song is written by Jason Ingram, Matt Redman, Jonas Myrin, Brian Johnson and Jenn Johnson. It begins with light guitar and then builds with piano and backing vocals. Key lyric: So here I bow, to lift You high, Jesus, be glorified in all things, for all my life. I am Yours, forever Yours.
Miracles – This song is a cover of a Jesus Culture song, written by Stuart Garrard, Dustin Smith, Joshua Silverberg and Chris Quilala. The song starts slowly and then powerfully builds, running nearly nine minutes in length.  It includes some lyrics sung in Spanish. Key lyric: I believe in You, You’re the God of miracles.     
Do It Again – This is a cover of an Elevation Music song, written by Steven Furtick, Matt Redman, Mack Brown and Chris Brown. The song starts slowly and then builds powerfully in the bridge. God has never failed us. Key lyric: I’ve seen You move, You move the mountains, and I believe, I’ll see You do it again.
Surrounded (Fight My Battles) – This song is written by Elyssa Smith. It is simple lyrically, pretty much repeating the lines “This is how I fight my battles” and “It may look like I’m surrounded but I’m surrounded by You”. It is triumphant song, with the music and backing vocals building powerfully.
Build My Life – This song is written by Pat Barrett, Matt Redman, Brett Younker, Kirby Kaple and Karl Martin and has been recorded by Christy Nockels. It begins with some effective percussion, and includes piano and backing vocals. Jesus is worthy and we live for Him.  Key lyric: I will build my life upon Your love, it is a firm foundation.
Washed Away – This song is written by Smith. This song begins with piano and builds powerfully with backing vocals about the joy that the believer has knowing that their sins washed away by the blood of Jesus. The song incorporates the classic hymn “Nothing But the Blood of Jesus”.
Great Are You Lord – This song was written by Jason Ingram, David Leonard and Leslie Jordan and has been recorded by All Songs and Daughters and others. The song starts with piano and slowly builds. Key lyric: It’s Your breath in our lungs
So we pour out our praise.

Light to You (Reprise) – The album closes with a reprise of the earlier “Light to You”. Key lyric: Even the darkness is light to you.

Resurrection Letters: Prologue

Ten years ago, Andrew Peterson, one of our most respected singer/songwriters, was working on an album that he says was more or less on the resurrection of Jesus. As he started working on the songs, he realized that they actually were more about the way Jesus’s resurrection plays out in our lives rather than the resurrection itself. So, the album was creatively titled Resurrection Letters, Vol. 2.
This year, Peterson finally began work on Vol. 1 with producer Ben Shive, who also produced Vol. 2, ten years ago. But Peterson felt it would be odd to write about Jesus’s victory over death without writing about his death itself. That led to this recording, which he humorously has called the prequel to the prequel. Got all that?
Volume 1 will be out soon. For this release, Peterson has written ““The five songs on Prologue are meant to be a sort of fast, opening with the last words of Jesus on the cross and ending with his interment in the tomb. May they’ll be a good reminder of the hard road Jesus walked in order to make the world new.”

Let’s look at the excellent EP, Resurrection Letters: Prologue, which is superbly written and performed:
Last Words (Tenebrae) – This beautiful song driven by piano, light percussion and backing vocals, focuses on Jesus’s last words on the cross, beginning with, “Father forgive them, they know not what they do”. The vocals are layered and build powerfully throughout the song. Ending with “Father into your hands I commit my spirit”.
Well Done, Good and Faithful – This song features piano and light percussion. It takes the listener through the suffering and death of Jesus on the cross, through his cries and groans when his Father turned away from him. The chorus is based on Hebrews 12:2 which reads in part “who for the joy that was set before him endured the cross, despising the shame, and is seated at the right hand of the throne of God.” Jesus finished his work, well, good and faithful, reminding us of the servant in Matthew 25:23.
The Ninth Hour – This is a beautiful instrumental featuring strings and piano. Mark 15:33 states “And when the sixth hour had come, there was darkness over the whole land until the ninth hour.”
Always Good – This intimate song to Jesus is driven by acoustic guitar and backing vocals. Jesus, who laid down his life and suffered for us, knows what we are feeling. Somehow His sorrow is shaping our hearts like it should, as we try to believe what is not meant to be understood. It’s hard to know what He is doing. Help us to trust that His intentions for us are still good. Maybe the answer surrounds us, but we don’t have the eyes to see that He’s always good.
God Rested – The EP ends with this song about Jesus’s body being taken down from the cross and being buried in the tomb of a rich man. Pilate had no peace during this time. Peterson creatively connects God’s work in creation with Jesus’s work. “Six days shall you labor, the seventh is the Lord’s. In six He made the earth and all the heavens, but He rested on the seventh.” He worked till it was finished (Matthew 19:30). God blessed the seventh day. The song is driven by piano, drums, synth and backing vocals.

Peterson has stated that his hope is that the listener would use these five songs during Lent and Holy Week to dwell on the terrible road Jesus had to walk in order to conquer not just sin, but the grave.
Meditate on these songs as you prepare your heart to celebrate the Lord’s resurrection.
Andrew will be one of the speakers at the Sing! 2018 Conference September 10-12 in Nashville.

One More Song by Ashley Cleveland

The first time I saw three-time Grammy winner Ashley Cleveland was outdoors at the Cornerstone Musical Festival years ago. I was blown away by this guitar playing artist with a powerful bluesy voice who reminded me of Bonnie Raitt. I would see her several more times over the years, including a few times playing her heart out for a small group of people at the Jesus House, a local inner-city mission in the community I live in.  I’m convinced that she is one of rock music’s most under-appreciated talents.
This is her tenth album, and it is produced by husband and guitarist Kenny Greenberg. The album cover was painted by Jimmy Abegg. Cleveland wrote 6 of the 11 songs on the album. She has stated that all of the songs are very autobiographical. The songs travel along themes of addiction recovery and loss, loving – or attempting to love – those who are different from her, her children becoming adults and leaving home, aging and the joy and solace of her faith and the struggle to live it out in a broken world.  Cleveland is working on a documentary titled Who’s the Girl, which will feature some of these songs. Below are a few comments on each song, all of which feature Cleveland’s powerful vocals and Greenberg’s excellent guitar work:

Way Out of No Way – This song was written by Cleveland. It’s a strong opener featuring powerful vocals and excellent guitar work from Greenberg. It’s an autobiographical song about her start in music, drinking and her need for a Savior.
Down by the Riverside – This arrangement from Cleveland features acoustic and electric guitars, including an excellent solo, organ, drums and backing vocals. Key lyric: I’m gonna lay down my sword and shield, down by the riverside, I’m gonna study, study, war no more
Crooked Heart – This is a slower, reflective acoustic song written by Cleveland, Rachel Yellen and Jameson Fuller. It begins with acoustic guitar and includes some light electric guitar. Key lyric: I love my crooked neighbor with my crooked heart. 
Lily Grown Wild – This song is written by Cleveland about her youngest child leaving home. This guitar driven song has a Rolling Stones vibe to it (Ashley has previously covered the band’s song “Gimme Shelter”).  The song is about children becoming adults and the struggle of learning to let go. A definite highlight.
Take Me to the Water/Cool Down by the Banks of Jordan – This arrangement from Cleveland includes her powerful vocals, acoustic guitar and organ.  It starts slowly and as it transitions to “Cool Down by the Banks of Jordan”, where Jesus is going to meet us there. Driven by Greenberg’s guitar, you’ll not be able keep still. Features an excellent guitar solo.
Halfway Down – This song is written by Jim Lauderdale and was made popular by country artist Patty Loveless in 1995. It includes keys, bass, guitar, including a couple of solos, and organ. Key lyric: Halfway down, just a getting started, Yes, I’m beginning on my journey now. 
To Be Good – This is a slower, reflective acoustic song written by Cleveland and Winston Yellen. It begins with acoustic guitar and includes some light drums and electric guitar, with a mid-song solo. It is a reflection of the end of one’s life. Key lyric: All I ever wanted was to be good.
Ezekiel 2 – This song was written by Cleveland and Phil Keaggy. “Ezekiel” appeared on Phil Keaggy’s excellent 2016 album All at Once. On that bluesy rocker, Ashley sang a duet with Phil, their voices blending well. Both that song and “Ezekiel 2” are about the valley of dry bones from chapter 37 of the book of Ezekiel. “Ezekiel 2” is faster, with Ashley’s powerful vocal and Greenberg providing some excellent guitar work, including a nice solo.
One More Song – This song, written by Cleveland is based on a story that Cleveland’s mother told her on a trip to the Smokey Mountains to see their old cabin for the last time. It’s about a memory that her mother shared from her own childhood with older sister Betsy. It’s an acoustic based song with a good guitar solo.
Walk in Jerusalem – This song originally appeared on Cleveland’s excellent 2012 album Beauty in the Curve. You won’t be able to keep still when listening to this song, which features some excellent guitar work, including a mid-song solo, from Greenberg, and a joyous vocal from Cleveland.
Born to Preach the Gospel – This song also originally appeared on Cleveland’s album Beauty in the Curve. The song starts slow in a slow groove with Greenberg’s guitar, and then powerfully builds up steam. The song features a mid-song guitar solo and organ. Key lyric: I was born to preach the Gospel, and I sure do love my job.

Overall, this is another strong effort from a very under-appreciated artist.
Check out Ashley’s recent interview with Andrew Osenga on the podcast The Pivot.

The Greatest Showman (Original Motion Picture Soundtrack)

The Greatest Showman is a very entertaining and well-made musical inspired by the life of P.T. Barnum, featuring excellent new songs by the Oscar winning lyricists from La La Land. The film includes eleven new songs written by Oscar (La La Land) and Tony (Dear Evan Hansen) Award winners Benj Pasek and Justin Paul.

Below are a few comments on each song:

The Greatest Show – The film opens with the title song performed in a big song and dance production number. Jackman, with his Broadway experience, is excellent in his portrayal of Barnum. He is joined on this song by Zac Efron, Zendaya and Keala Settle.

A Million Dreams – This song is initially sung by Ziv Zaifman as a young Barnum and then shifts to the adult Barnum with Jackman and Michelle Williams singing.  In the film, the song is sung as we see a flashback in which Barnum, a young and impoverished tailor’s son, played by Ellis Rubin, first meets the privileged but sweet Charity, played by Skylar Dunn. We see them fall in love, but Charity’s father tells P.T. to stay away from his daughter, who is then sent away to a boarding school. But we see them stay in touch through letters. The film moves forward a dozen or so years, with Jackman portraying Barnum and Michelle Williams portraying his now wife Charity.

A Million Dreams (Reprise) – This short song is sung by Barnum’s daughters Caroline (Austyn Johnson) and Helen (Caroline Barnum) and Jackman.

Come Alive – This upbeat song is sung by Jackman, Keala Settle, Zendaya, Daniel Everidge.

The Other Side – In this song Jackman as Barnum convinces the socialite playwright Phillip Carlyle, played by Zac Efron to become his business partner.

Never Enough – This powerful song is performed in the film by Jenny Lind “The Swedish Nightingale”, the best singer in the world.  While Lind is played in the film by Rebecca Ferguson, her singing is actually performed by Loren Allred.

This is Me – This powerful song has received an Oscar nomination. It is performed by Tony nominee Keala Settle, who plays the bearded lady in the film.

Rewrite the Stars – This song is performed by Zac Efron and Zendaya. If you’ve seen the film, you’ll remember their powerful scene in the circus ring about their love that has so many obstacles.

Tightrope – This beautiful song is sung by Michelle Williams as Barnum’s wife as she sings that she risks it all to be with Barnum and the life they’ve chosen.

Never Enough (Reprise) – This is a short reprise of Loren Allred’s powerful rendition of “Never Enough”

From Now On – This song starts slowly with Jackman’s vocal over piano and builds powerfully as the celebratory closing song of the film.

I’m not usually a fan of movie musicals, but I really enjoyed The Greatest Showman. It is a film that the entire family can enjoy. If you’ve seen the film, you’re most likely going to want to check out the movie soundtrack.

Echoes (Deluxe Edition) – Matt Maher

After seeing eight-time Grammy nominee Matt Maher open for Toby Mac a few years ago he quickly become one of my favorite artists and songwriters. His previous album Saints and Sinners was my top album of 2015.
This is Maher’s sixth studio album, and perhaps his most personal one to date. After writing most of the songs for the album, Maher lost his father. He has stated that for him this album is a declaration responding to the dilemma of suffering. The album answers the question of how we echo our faith, and whether it is possible to have hope and joy that is not governed by fear. He stated that many of these songs, in particular the worship songs, were inspired by hymns written in or around some personal experience or bout with suffering – suffering of all different kinds: personal, physical, mental, and spiritual.
Below are a few comments on each of the songs on this excellent album:

Echoes One – In this short opener, he sings of hearing the sound of a voice, or echoes, inside that keeps him awake in the middle of the night. The voice/echoes are telling him to make the wrong things right.
Clean Heart – This song was written by Audrey Assad and Maher. In a world where everyone is yelling, in all this division, may we be known by our love. May we follow Christ’s direction to love our enemies. This mid-tempo rocker has themes of forgiveness, mercy and compassion. Let it start with us with a clean heart. Key lyric: When everybody’s looking for another fight, when troubles on the rise, no end in sight. Oh Savior, won’t You come and make the wrong things right.
What a Friend – This song was inspired by the hymn “What a Friend We Have in Jesus” by Joseph M. Scriven, who wrote it in 1855 to comfort his mother in Iceland while he was living in Canada. The song speaks to God’s faithfulness even in the midst of personal sorrow and devastation. The songs is driven by a good drum beat, hand clap and backing vocals. We all have fears and worries, but we can lay our burdens down.  Key lyric: What a friend we have in Jesus, east to west my sins are gone, I see grace on every horizon, and forever and ever His heart is my home. 
–  This song is written by Chris Tomlin, Hank Bentley, Jason Ingram, Mike Donehey and Maher. It is a song of worship to God that begins with keys, and builds in the chorus with drums and backing vocals. Key lyric: Holy, You are holy. There is none beside Thee.
Your Love Defends Me
–  This was the first single released a few months before the album was released. The song was written by Hannah Kerr and Maher, the song originally appearing on her 2016 album Overflow.  The song features excellent backing vocals. Key lyric: Surely my God is the strength of my soul, your love defends me, your love defends me.  
Just as I Am –  This song samples the well-known hymn written by Charlotte Elliot in 1835. We come to Jesus in our guilt and shame. He welcomes us and takes us in His loving arms through his amazing grace and shed blood. We’ll never be the same again.  
Awake My Soul (A Thousand Tongues)
– This song is written by Jonas Myrin, Laura Story, Matt Redman and Maher. It is inspired by Charles Wesley’s 1739 hymn “Oh, for a Thousand Tongues to Sing”. This worship song is piano driven and features some excellent backing vocals. Key lyric: Awake my soul to sing, the glories of my God and King, arise and praise the One, worthy of the songs of a thousand tongues. 
Faithfulness – This song is written by Jacob Sooter, Stephen McWhirter and Maher, originally appearing on the 2017 album God That Saves by Iron Bell Music. The song features vocals from Steffany Gretzinger, who serves as a worship leader at Bethel Church in California. This worshipful song begins with piano and builds slowly. Great is the faithfulness of our God, always and forever.
Echoes Two – This short song is driven by acoustic guitar. He asks the Lord to bind us together as one, to find the greater good and search for the common ground.
Picket Sign
– Using language from today’s news “protest, stand, march, walk, justice”, this song begins with piano and builds powerfully with a memorable chorus. Key lyric: The cross leapt in like a picket sign, You carried the weight for all mankind, You gave Your life just to give me mine. 
Won’t Let Me Down – This song is written by Bryan Fowler, Jason Ingram and Maher. This song speaks to the faithfulness of God. He is not surprised by our suffering. There is no fear in His eyes. In the midst of suffering, through the night His love won’t let us down. He will hold us up. Starting with piano, the song features a good drum beat and backing vocals. Key lyric: Your love won’t let me down. You always find a way somehow.
The Least of These
– This beautiful song is written by John Tibbs and Maher. It is simple musically, opening piano and includes strings. The song includes the recurring theme of echoes. He sings of the refugee, using Jesus’ words in Matthew 25:35 “For I was hungry and you gave me food, I was thirsty and you gave me drink, I was a stranger and you welcomed me”.  Key lyric: When love became a refugee, He became my refuge
The Cross Forever Speaks – This song is written by Jason Ingram, Paul Mabury and Maher. It features a good drum beat. This song addresses questions about suffering. Even if everything is taken from him, he knows he is not forsaken. He will still lift his hands up in praise. Key lyric: You may silence me, but the cross forever speaks.
Into Your Hands
– This song is written by Jason Ingram, Paul Mabury, Trevor Morgan and Maher. This song samples the 1896 hymn “I Surrender All” by Judson W. Van DeVenter. It features some excellent piano playing, as well as guitar and organ. Key lyric: You have all my heart, all that is broken. I surrender all, My life into Your hands.
As Good as It Gets – This song is written by David Garcia, Francesca Battistelli and Maher. This beautiful song is driven by acoustic guitar. It is about God being real in our struggle. Key lyric: You take my eyes off of the future. You lead my heart out of the past. You are the promise here in the moment, where I find my rest.
Your Love Defends Me (Solo Piano Version)
– The Deluxe Edition ends with a beautiful stripped-down version of this excellent song. Day and night, God is with him in the fight. He is not alone.

Glory Song – Matt Redman

Two-time Grammy Award winner and writer of many wonderful worship songs for the church including “10,000 Reasons (Bless the Lord)”, Matt Redman follows his excellent 2016 Christmas album These Christmas Lights, with this album recorded at the famed Capitol Studios in Los Angeles. Prior to the Christmas release, his three prior albums had been recorded live. The album was co-produced by Jeremy Edwardson and Jeremy SH Griffith. He intentionally tried to bring more of a gospel sound to the album, including Tasha Cobbs Leonard, Kierra Sheard and a gospel choir. I can’t tell you how much I was blessed and encouraged by this album – it’s one of my favorites.

Below are a few comments on each song on the album:
All Glory – This song was written by Jonus Myrin and Redman, and features vocals from Kierra Sheard (who also appears on Lecrae’s new album), and a gospel choir. The chorus is an adaptation of the Gloria Patri.  Key lyric: All glory to the Father, all glory to the Son, all glory to the Spirit.
The Spirit of our God. As it was in the beginning, and will be in the end. All glory to Your everlasting name
Gospel Song – This song blends familiar Redman elements with an excellent beat and even some rap from Guvna B. It starts slowly with piano, then builds with catchy beat, gospel choir, guitar and organ about the joy of singing the gospel song. You’ll hear bits of John 3:16 in here too. I liked him stepping out of his norm.
Greatest Hallelujah – This song is written by Jonas Myrin and Matt Redman. It will remind you of some of Redman’s most-loved worship songs. It features a choir and some shouts. A highlight. Key lyric:  From this breath to my last, then forever and a day, I’ll pour out my heart, I’ll pour out my soul
My greatest hallelujah.  

Gracefully Broken – This song was written by Tasha Cobbs Leonard and Redman and was the first single released ahead of the album. It features a gospel choir and strong vocals from Leonard, who also includes a version of the song on her album Heart. Passion. Pursuit. The song starts slow and builds to the worshipful chorus. It will be a wonderful song for congregational singing. Key lyric: Here I am, God                 Arms wide open, pouring out my life, gracefully broken
One Day (When We All Get to Heaven) –  This song, which incorporates the hymn “When We All Get to Heaven”, is written by Eliza E. Hewitt, Beth Redman, Leonard Jarman and Redman. It features a strong Redman vocal with a piano and later organ backing. Again, this is different from the usual Redman song, and I really liked it.
Redemption Ground – This song is written by Nick Herbert, Sam Bailey and Redman. It starts slowly with guitar and then builds with drums and backing vocals from female vocalist Madison Cunningham. On this redemption ground he’ll stand with all the saints. It features a nice guitar solo.
Key lyric: Who can count the souls of all who have been found here on redemption ground.  

It Is Finished – This song is written by Jonas Myrin, Ed Cash and Redman about the words Jesus spoke on the cross and what those words mean. It is a triumphant song which features choir. He (and we) stands in awe and amazed.  There is no more condemnation. Hallelujah, God be praised. This will be a wonderful song to sing in worship services. Key lyric: It is finished, it is finished, O, what else is there to say, Shame is silenced, death defeated, Hallelujah, God be praised.
Questions (You Are Faithful) –  This song is written by Jonas Myrin and Redman. It speaks to how God holds us even when we have questions, fear and doubt. One thing that will never change is that He is faithful to the end. The song features backing vocals from a choir that culminates in Redman’s prayer near the end of the song. Key lyric: Lord, I believe, but help my unbelief (Mark 9:24)
Still I Will Sing – This upbeat song (drums, guitar, piano, organ) is written by Jonas Myrin and Redman. It has an infectious beat from the beginning. It’s about singing to the Lord no matter what the circumstances. Sometimes it’s a song of joy or sacrifice. We sing in the battle, in the blessings and the shadows.  Key lyric: Sing it like you mean it, sing and believe it, for the glory of God.
Place Of Praise –  This song is written by Bernie Herms, Aaron Lindsey and Redman. It opens slowly with primarily piano and then builds with powerfully with Kim Walker-Smith and a choir. Key lyric: If the highest praise is a sacrifice and the greatest song is to give my life then I will not bring that which costs me nothing.   
Hope Is Marching On –  This song of encouragement is written by Jonas Myrin and Redman. It opens with Redman’s singing with a piano backing. He is later joined by a gospel choir, still accompanied by just a piano. It is about relying on God during times of tears and trouble, through the darkness of the night. Key lyric: And Your love, it keeps on lifting me, and Your hope is marching on, and Your mercy surely carries me, and Your hope is marching on.
Simple Pursuit / Glory Song – The song is written by Sam Bailey, Nick Herbert, Ben Cantelon and Redman. It is about going back to the basics of the faith. A simple pursuit of God, a church that is known of His presence.  This song of worship starts slowly with acoustic guitar, piano and female vocal. It builds gently and includes a prayerful ending. Key lyric: Nothing and no one comes close to You. Your Ways – This song is written by Nick Herbet, Sam Bailey and Redman.
This song of thanksgiving has a slow worshipful pace with acoustic guitar, organ, piano and choir. Key lyric: Your ways of loving us. So deep and wide and never will they change. How we love your ways.  

Give More Love – Ringo Starr

The 77-year old former Beatle follows his 2015 album Postcards from Paradise with his nineteenth studio album, which was recorded in his home studio in Los Angeles. The album was originally planned to be a country album recorded in Nashville with Dave Stewart. They recorded one song – “So Wrong for So Long” – before the album took a different shape. In addition to ten new songs, there are four bonus tracks, which are new versions of old songs.  Starr self-produced the album, assisted by engineer Bruce Sugar. The album features a number of guests, including former band-mate Paul McCartney, brother-in law, guitarist Joe Walsh, and fellow Eagles singer-bassist Timothy B. Schmit, Heartbreakers keyboardist Benmont Tench, saxophonist Edgar Winter, guitarist-producer Jeff Lynne, guitarist Dave Stewart, bassists Nathan East and Don Was, Toto guitarist Steve Lukather and multi-instrumentalist Greg Leisz.

Below are a few comments on each song:

We’re on the Road Again – The album starts off on a high note with this energetic rocker written by Toto’s Steve Lukather and Starr. It features backing vocals from Richard Marx, Edgar Winter, Georgia Middleman, Gary Burr, Gary Nicholson, Joe Walsh, Paul McCartney (who also plays bass and add screams), Lukather and Starr.  It’s a song about the joys of being on the road and playing live.  A highlight.
Laughable –  Starr shows he can address social and political issues in this song with Peter Frampton. It addresses the turbulent events of the world as he sings “It would be laughable if it wasn’t sad.”
Show Me the Way
–  This is a tribute to Barbara Bach, Starr’s wife of 36 years. It is written with Lukather and features bass from McCartney. Backing vocals are provided by Amy Keys, Richard Page and Timothy B. Schmidt. He sings “After all this time we’ve had to share/The better life I’ve had ’cause your still there/I need to show you just how much I care/There were times It wasn’t always easy, but we got through”.
Speed of Sound
–  This song is written by Richard Marx and Starr and features some nice Talkbox guitar work from Peter Frampton. Backing vocals are provided by Amy Keys, Windy Wagner and Marx.
Standing Still –  This song is written by Gary Burr and Starr. Greg Leisz’s dobro gives it a country feel. Backing vocals are provided by Georgia Middleman and Burr. Like “Laughable”, this song makes reference to the difficult conditions in today’s world and the importance of being optimistic. Starr has said that the upbeat song is about even when you’re at the bottom of the hill, you’ve got to get up and take that first step.
King of the Kingdom –  This reggae-flavored song was written with Van Dyke Parks. It features saxophone from Edgar Winter and backing vocals from Amy Keys and Windy Wagner. The song mentions Haile Selassie and Bob Marley.
Electricity – This song was written by Glen Ballard and Starr. It takes us back to Liverpool and Starr’s time with Rory and the Hurricanes. Backing vocals are provided by Amy Keys, Windy Wagner and Ballard. Joe Walsh plays guitar and Don Was bass.
So Wrong for So Long – This catchy, laid-back country song was written by Dave Stewart and Starr for what was planned to be a country album. Backing vocals are provided by Georgia Middleman and Gary Burr. Starr has previously recorded a country album, 1970’s Beaucoups of Blues his second solo album.
Shake It Up –  This rockabilly toe-tapper is written by Gary Nicholson and Starr. Backing vocals are provided by Amy Keys and Windy Wagner. Edgar Winter adds some excellent piano and Steve Dudas guitar. The song has an early-Beatles, “Honey Don’t” sound. One of my favorites.
Give More Love –  This song is written by Gary Nicholson and Ringo. Backing vocals are provided by Amy Keys, Richard Page and Timothy B. Schmidt. Ringo sings that we need to give more love, it’s what we know we need more of.

The remaining four songs are bonus cuts for the CD and digital versions of the album:

Back Off Boogaloo –  This is a re-recording of Starr’s hit that he wrote and George originally produced. Jeff Lynn and Joe Walsh add new guitars over Starr’s original demo recently found in a box of tapes.  
Don’t Pass Me By
– This song, included on the Beatles 1968 “White Album”, was the first Starr written song recorded by the Beatles. Starr gives the song a country-folk remake with American band Vandaveer.  
You Can’t Fight Lightning
– This song was included on Starr’s 1981 Stop and Smell the Roses album is and is remade with the Swedish band Alberta Cross.
Photograph – This is a re-recording of Starr’s hit song that he wrote with George Harrison. Starr gives the song a country-folk update with American band Vandaveer.

Songs of Experience – U2 (Deluxe Edition)

U2 has always been more than just a band. With Songs of Experience, they show their maturity, while still taking chances. The band’s 14th studio album – incredibly with no band member changes – is their follow-up to 2014’s companion Songs of Innocence. Thematically, the album is a collection of letters written by Bono to people and places closest to his heart. The album is influenced by Bono’s “recent brush with death”, and inspired by the Irish poet Brendan Kennelly’s advice to him to “write as if you’re dead”. The band worked with nine different producers and 15 engineers on the album. There is much to digest here, and it will best be appreciated after multiple listenings.

The album was ready to be released in late 2016, but after the shift of global politics in a conservative direction, the band decided to delay it and reassess the tone of the album. The album included nine different producers and 15 engineers, so there is a lot of variety included. The album cover features a photo of Bono’s son Eli and the Edge’s daughter Sian holding hands, taken by the band’s long-time photographer Anton Corbijn.

Here are a few brief comments about each song:

Love Is All We Have LeftThis song was produced by Andy Barlow. It’s a slow, quiet song, with Bono singing with synth backing. Bono uses some falsetto, as he duets with his own electronically modified voice. A rather underwhelming track to start the album, which repeats the song title often.

Lights Of HomeThis song was produced by Brent Kutzle, Ryan Tedder, Jacknife Lee and Jolyon Thomas, and co-written by the Haim sisters from the alternative pop-rock band HAIM, who sing back-up vocals. This song references Bono’s brush with death “Shouldn’t be here ’cause I should be dead”, and has him looking toward Heaven (the lights of home). The song features a nice guitar solo from the Edge.

You’re The Best Thing About MeThis song was produced by Ryan Tedder, Steve Lillywhite and Jacknife Lee. It was the first single released from the album. It opens with some excellent guitar from the Edge and continues with a driving beat led by drummer Larry Mullen. The song could very well be about Bono’s wife Ali. It includes some humor “Shooting off my mouth, that’s another great thing about me”.

Get Out Of Your Own WayThis song is produced by Jolyon Thomas, Ryan Tedder, Jacknife Lee, Brent Kutzle and Steve Lillywhite. Verse contains these interesting lyrics:

The face of liberty’s starting to crack
She had a plan up until she got smacked in the mouth
And it all went south
Like freedom
The slaves are lookin’ for someone to lead them
The master’s lookin’ for someone to need him
The promised land is there for those who need it most
The song ending features Kendrick Lamar, who previously collaborated with U2 on his song “XXX.” From DAMN. track e ending It features Kendrick Lamar who delivers a brief monologue – a twisted version of Jesus’ Beatitudes (Matthew 5:3-11) – over the Edge’s guitar.

American SoulThis song is produced by Jacknife Lee, and written by Kendrick Lamar and U2. It begins with Kendrick Lamar offering more “Beatitudes” in a spoken word opening. The song includes an alternate take on the “XXX” chorus.
The song is strong musically, driven by the Edge on guitar. America is not a place but a thought that offers grace to refugees.  The song is both about American music and politics. Key lyric:
Let it be unity, let it be community
For refugees like you and me
A country to receive us
Will you be our sanctuary

Summer of LoveThis song is produced by Brent Kutzle and Ryan Tedder and features additional vocals from Tedder and Lady Gaga. The song is driven by Edge’s acoustic guitar. This song could be about the Syrian city of Aleppo.

I’ve been thinking about the West Coast
Not the one that everyone knows
In the rubble of Aleppo

Key lyric: Oh, and when all is lost, when all is lost we find out what remains.

Red Flag DayThis song is produced by Ryan Tedder, Brent Kutlzle, Andy Barlow and Steve Lillywhite. The song features additional vocals from Tedder and Julian Lennon and is driven by the Edge’s guitar and Larry Mullen Jr’s drums. The song references the many migrants drowning in the Mediterranean Sea. Key lyric: Paradise is a place you can see when it’s yours.

The Showman (Little More Better)This song is produced by Ryan Tedder, Steve Lillywhite and Jacknife Lee, and features additional vocals from Tedder. This song has Bono (the Showman) singing about himself.  It features an instantly memorable 60’s sounding chorus. Key lyric:
It is what it is but it’s not what it seems
This screwed up stuff is the stuff of dreams
I got just enough low self-esteem
To get me where I want to go

The Little Things That Give You AwayThis song was produced by Andy Barlow and Joylon Thomas. The band debuted the song on their summer 2017 Joshua Tree 30th anniversary tour. The song opens slowly with Larry’s drums and keys. The song builds powerfully toward the end with Bono’s “Sometimes” reflections over the Edge’s guitars. Key lyric:
I can’t believe my existence
See myself from a distance
I can’t get back inside

Landlady –  This song was produced by Ryan Tedder, Jacknife Lee and Andy Barlow. This song is love letter to Bono’s wife Ali. It’s a slower, quieter song with Bono singing over Larry’s drums and the Edge’s guitars. Key lyric:  

And I’ll never know, never know what starving poets meant
Cause when I was broke, it was you that always paid the rent

The Blackout
  This song is produced by Ryan Tedder, Brent Kutzle and Jacknife Lee. The opening guitar reminded me of sounds from Achtung Baby. The song has a driving beat driven by Adam Clayton’s bass. Reference is made to current events in the U.S. “Statues fall, democracy is flat on its back, Jack”. Key lyric: When the lights go out, don’t you ever doubt, the light that we can really be. 

Love Is Bigger Than Anything In Its WayThis song is produced by Jacknife Lee, who also contributes vocals. This anthem with Bono singing about love over guitar, keys and drums, will be popular as a sing along in concert.

Key lyric:
If you listen you can hear the silence say
When you think you’re done
You’ve just begun

13 (There Is A Light) –  This song is produced by Paul Epworth and Ryan Tedder.  Light is a theme on the album. It’s a slower song that begins with Bono singing over synths. The chorus samples the band’s “Song for Someone” from Songs of Innocence.

Key lyric:
If there is a light
We can’t always see
And there is a world
We can’t always be
If there is a dark
Now we shouldn’t doubt
And there is a light
Don’t let it go out

The below songs are included on the Deluxe Edition of the album:
Ordinary Love (Extraordinary Mix) This song is a new mix of the band’s Oscar nominated song from the 2013 film Mandela: Long Walk to Freedom.  It’s the first time the song has been included on a U2 album.
Book Of Your Heart –  This song was produced by Andy Barlow. It appears to be another song addressed to Bono’s wife Ali. It begins with Bono singing over synths and slowly builds, driven by the Edge’s guitar and Larry’s drums.
Lights Of Home (St Peter’s String Version) –  This song is produced by Brent Kutzle, Ryan Tedder, Jolyon Thomas and Jacknife Lee, and is written by the band with Danielle Haim, Alana Haim, Este Haim and Ariel Rechtshaid. This version of the song features violin by Avery Bright and Amy Helman and viola by Betsy Lamb.
You’re the Best Thing About Me (U2 Vs. Kygo)This is a remix of the first single from the album.

Roll with the Punches – Van Morrison

Anytime you have the great Van Morrison covering strong material with excellent musicians you know you’re in for a treat. Morrison follows up 2016’s strong release Keep Me Singing with his 37th studio album, which he self-produced. The album contains ten covers of old blues and soul classics along with five songs written by Morrison.  Van’s voice is still an incredible instrument, and he brings passion to these blues songs, whether cover or original. Morrison has stated that from a very early age he connected with the blues. A strong group of collaborators join him on the album including Chris Farlowe, Georgie Fame, Jeff Beck (who contributes to seven of the songs), Paul Jones and Jason Rebello.

I thoroughly enjoyed this album. Below are a few comments about each song:

Roll with the Punches – This song was written by Morrison and Don Black. While an original, this sounds like a classic blues song.  It features some excellent piano, guitar, keyboard. It’s an excellent opener.
Transformation – This ballad was written by Morrison. It features organ, an excellent guitar solo by Jeff Beck and backing vocals by Chris Farlowe. Key lyric: Get used to righteousness ’cause it makes you feel whole, gonna be a transformation right down in your soul
I Can Tell – This song was written by Bo Diddley and Samuel Bernard Smith in 1962. It has an instantly infectious beat, featuring keys, backing vocals, guitar solo and harmonica solo from Morrison.
Stormy Monday/Lonely Avenue – These songs were written by T-Bone Walker (in 1947), and Doc Pomus, the latter of which was a hit for Ray Charles in 1956. The songs previously had appeared on Morrison’s 1994 live album A Night in San Francisco. The song features vocals from Chris Farlowe, a guitar and harmonica solo from Morrison along with backing vocals.
Goin’ To Chicago – This song was written by Count Basie and Jimmy Rushing in 1941. It’s a slow blues number featuring a duet with Georgie Fame, harmonica by Morrison, and Chris Hill on double bass.
Fame – This song was written by Morrison. It had originally been included on Morrison’s 2002 What’s Wrong with this Picture? album. This version features backing vocals, a great blues beat, guitar and harmonica from Morrison. Key lyric: Oh no don’t believe all that old Andy Warhol guff. It takes a lot more than 10 or 15 minutes.  
Too Much Trouble – This song was written by Morrison.  The band really shines on this breezy blues song featuring guitar, horns, piano and Morrison on sax. He wants the trouble in his life stopped.
Bring It on Home to Me – This song was written by Sam Cooke in 1962. It appeared earlier on Morrison’s live album “…It’s Too Late to Stop Now…” Volume 1.  The new version features a strong vocal from Morrison, organ, piano, backing vocals and a great guitar solo by Jeff Beck.
Ordinary People – This song was written by Morrison and originally appeared on his 1998 album Philosopher’s Stone. It features some excellent guitar by Jeff Beck, piano, keys, and backing vocals. Key lyric: Ordinary people, they just don’t seem to comprehend.   
How Far From God – This song was written by Sister Rosetta Tharpe in 1946. The toe-tapping arrangement is led by some excellent piano, along with organ, guitar and a passionate vocal from Morrison. A highlight.
Teardrops From My Eyes – This song was written by Rudy Toombs in 1950. This breezy arrangement features piano, guitar, keys, backing vocals, and a great sax solo from Morrison.
Automobile Blues – This song was written by Lightnin’ Hopkins in 1949. Morrison’s sax playing is the highlight of this song, which also features piano and guitar.
Benediction –  This song was written by Mose Allison in 1971. It was originally included on Morrison’s 1996 collaborative album Tell Me Something: The Songs of Mose Allison. It features piano, backing vocals, organ and sax from Morrison. Key lyric: Wherever you wander, whatever your breed, there’s just one thing baby, that comes from above. When push comes to shove, thank God for self-love.   
Mean Old World – This song was written by Little Walter in 1951. It’s a slow blues number featuring, some excellent piano, a guitar solo, and harmonica solo by Morrison.
Ride On Josephine – This song was written by Bo Diddley in 1960. This upbeat track features Morrison on harmonica, along with good backing vocals and guitar. It would be a great song for Morrison and band to tackle in concert. A highlight.

Perception – NF

Perception is the third studio album by NF. It’s the follow-up to 2016’s Therapy Session, and it doesn’t disappoint. The album debuted at #1 on both iTunes Top Albums and Hip-Hop/Rap charts. The sixteen-song album is written by NF and produced by Tommee Profitt, unless noted otherwise. The album cover shows NF in a cage, holding six keys—an image that was first displayed in the “Outro” music video.

Below are a few brief comments about each song:

Intro III –  This song starts slowly with the vocal over keys and then builds in intensity with percussion and some voices, before ending quietly with keys. He talks about his old fears, stemming back to when his mother’s boyfriend was physically abusing him his sister.  Key lyric:  Hey, I’m NF. Is it me or the fear talking?
Outcast – This song opens and closes with the sound of keys in a cell door. It begins with synth and then builds in intensity with a strong beat and backing voices. He doesn’t want to fit the mold or blend in with other rappers.
10 Feet Down
– This song is written by Kyd the Band, Maggie Eckford (Ruelle) and NF, and features vocals from Ruelle. The intro and outro of the song are played backwards. The song talks about forgetting the important things as he climbs to the top and gets there. It features a good steady beat, less intense than first two songs.  Key lyric: Yeah, seems like we’re all trying to climb a ladder. It’s crazy what we’ll do to climb it faster. It’s like we throw away the things in life that really matter, just so that we can make it to the top and wonder what we’re even climbing after.
Green Lights
– This song was produced by David Garcia, Tommee Profitt and NF. It was the second single released in advance of the album’s release. The song features a good beat throughout. He has a positive outlook. All he sees for his life is green lights. He’s not going to let anyone distract him.  Key lyric: Who’d have known I’d write something that could change lives? 
Dreams – This song features a slower beat. He reflects on sad days, regret, relationships from Michigan and doing himself, following his dreams.
Let You Down –  This song is written by Tommee Profitt and NF and produced by David Garcia and Profitt. It has a slower beat, and is about his relationship with his father. He’s sorry that he’s let him down. He doesn’t want to be a disappointment to him.
Destiny – This song is produced by BLRZ and Tommee Profitt. It is an intense song, as he raps about fulfilling his destiny. Key lyric: Forget the mansion, I’m in the attic.
My Life –  This song is produced by David Garcia. The song is addressed to his sister, who is probably wasted by 10:00am. They don’t have a lot in common, but both miss their mother. He states that we all make mistakes, that’s just life. Key lyric: Life’s about taking chances, making moves, not about what you did, it’s what you do.
You’re Special
–  This song appears to be about a current girlfriend.  It has a slower pace, with a good beat. He needs a woman he knows he can trust and he has one.
If You Want Love – This song has a slower pace. It opens and closes with guitar. If you want love you’re going to have go through pain and learn how to change. Key lyric: I‘ve always tried to control things, in the end that’s what controls me
Remember This
– This song picks back up the intensity with a good beat. He encourages us to surround ourselves with people that challenge how we think, not people that nod their heads and act like they agree. His biggest failures in life are knowing that he hasn’t tried. Key lyric: I’ve always had a problem with relationships, but that’s what happens when you see the world through a broken lens. 
Know – On this song, he brings intensity, wanting us to know that he’s back with a vengeance trying to be the best rapper that’s ever walked the earth. He’s going to outwork all the others. He wants to know what’s it’s like to be happy and have friends that understand him.
– Anger comes through on this song addressed to a former girlfriend. She lies,   telling friends one thing, and him another. 
3 A.M.
–  This song is produced by David Garcia. He sings about a past relationship that went bad. Key lyric: Everyone’s your friend when the music start buzzing
I’m closer to the people that were there when I was nothing

One Hundred
–   This song is produced by David Garcia. He’s confident in what he’s achieved as he tells other rappers that he’s here to coach them.
– The closing song is produced by David Garcia and Tommee Profitt. It is written by Garcia, Profitt and NF. It was the first single released from the album.  Over a synth back, he sings with confidence about his new music he’s about to release.

All Things Work Together – Lecrae

This highly anticipated major label debut from Lecrae is his first album since January 2016’s mixtape Church Clothes 3, and it doesn’t disappoint. Beginning in October, 2016, six songs were released in advance of the album’s release, building excitement. The album title is taken from Romans 8:28: And we know that for those who love God all things work together for good, for those who are called according to His purpose. Lecrae has stated that the idea of the album is that the dark times have worked together for him to become the person he is today.
This hard-hitting and honest album is strong from start to finish and features Lecrae collaborating with many different artists. It is a mature work, Lecrae’s best album, and my top album of the year thus far.
Here are a few brief comments about each song on this strong release:

Always Knew – This song was produced by Ramon “REO” Owen and written by Owen and Lecrae. He dedicates it to those, especially the Lord, who have helped him through the highs and lows. Key lyric: Listen, I know God did it, can’t take the credit, paid off all of my debts, but I still feel so indebted.   
– This song was produced by Dem Jointz and written by Jointz and Lecrae. In hard-hitting lyrics, he states that he’s been waiting for the right time to tell us how he feels. He loves God and Jesus, who died for the world, not just the USA. Key lyric: I ain’t really changed, it’s the same rebel.  
– This song was produced by Boi-1da and T-Minus, written by Perfekt, Nikhil “Kromatik” Seetharam, Boi-1da, T-Minus and Lecrae and features Perfekt. The song looks at how money may have made him richer, but the struggle got him richer than he’s ever been. Key lyric: Being broke made me rich
– This song is produced by Pluss and features Ty Dolla $ign. It was written by Pluss, Verse Simmonds, Swoope, Ty Dolla $ign and Lecrae. The song is about gratefulness and appreciating the little things in life. It features a slow beat that sounds better every time you hear it. Key lyric: If you woke up this morning it’s a blessing.  
Watchu Mean
– This song is produced by the Go Grizzly. It features Reach Records newest signee Aha Gazelle, and is written by Gazelle and Lecrae. This song has a great vibe as Lecrae and Gazelle go back and forth lots of sports and musical references.
Hammer Time – This song is produced by Metro Boomin and features 1k Phew. It is written by Boomin, 1k Phew and Lecrae. The song samples MC Hammer’s 1990 song “U Can’t Touch This”.  The song has an infectious beat. Key lyric: I ain’t perfect, I’m just purchased.  
Come and Get Me –  This song is produced by DJ Dahl and Dernst “D’Mile” Emile II and they write it with Lecrae. It features a great beat throughout. He knows the devil is trying to stop him. He states confidently he’s not scared of the haters, he only fears the IRS and God. What he’s saying is nothing new. Key lyric: Look, I’ve been trying to tell them since 04’-05’ (that’s Real Talk). Still, you know these people doubt me every time.  
Lucked Up –  This song is produced by Tariq Beats and DJ Khalil and they write it with Nija Aisha-Alayia Charles, John Groover, Michael R. Cook Jr. and Lecrae. This is a love song for his wife, and features vocals from Nija Aisha-Alayia Charles.
Wish You the Best
–  This song is produced by Tane Runo and written with Joseph Hill, Natalie Lauren, Tane Runo, Verse Simmons and Lecrae. It features vocals by Verse Simmons. The song is about a former girlfriend and his sincere regrets. Key lyric: I wish you all the love you could imagine, and I wish you everything that never happened.  
Can’t Stop Me Now (Destination) – This song was produced by Wordsplayed and Alex Medina.  It features vocals by Childish Major, and was written by Wordsplayed, Medina, Major, Sufjan Stevens, Markus Randle and Lecrae. It was released in October, 2016, almost a year before the album was released. The song, which features horns and a slow beat, details Lecrae’s personal struggles with depression and a crisis of faith as a result of a number of losses and the reaction of others toward his response. Key lyric: I’m glad that Jesus ain’t American, and that’s why I care again.  
I’ll Find You
– This song is produced by Danny Maiic and DJ Frank E and features an excellent collaboration with Tori Kelly. It is written by Johnny Yukon, DJ Frank E, Maiic, Sasha Sloan, Natalie Lauren, Kelly and Lecrae. Lecrae has stated that the song is about hope in the midst of that pain, and is intended to encourage people to hold on and tell them we are here waiting, hoping, praying, and fighting with them. It was the fourth song released ahead of the new album.  The song speaks to both human support and a faith in God to help during life’s most difficult times.  Key lyric: They say fear haunts, and pain hates. I say pain strengthens, and fear drives faith.  
–  This encouraging title song is produced by Ayo the Producer and Keyzbaby. They write it with Lewis Sky and Lecrae. Sky provides additional vocals. It’s going to work out. We don’t have to worry about tomorrow. Key lyric: The Master Artist makes your mess a masterpiece regardless.  
Cry For You
–  This song is produced by Taylor Hill and Swoope. They write it with Lecrae. It features strong vocals from Hill. It is a slower song, focusing on transparent, honest lyrics. Like Paul in 2 Corinthians 12, he prays for the thorn/pain to be taken away.  Key lyric: But crooked sticks draw straight lines, just look at me.  
Worth It
–  The final song is produced by Swoope, who writes it with Natalie Lauren, Jawan Harris and Lecrae. It features vocals from Harris and Kierra Sheard.  It is about grace and optimism. Don’t worry. God is here. The song features a short sermon clip from Tony Evans. Key lyric: It’s just hard to believe it all but for grace.    

Hard Cuts: Songs from the H A R D L O V E Sessions (EP) – NEEDTOBREATHE

NEEDTOBREATHE has stated that one of the hardest parts about finishing their chart-topping 2016 album H A R D L O V E was determining which songs had to be cut to get down to the twelve songs for the album. This new EP contains six songs, two of them alternate versions of “Hard Love”, along with four songs that were cut from the original album.
The EP contains two new versions of “Hard Love”, one featuring Serena Ryder and one featuring Andra Day. Along with the version featuring Lauren Daigle from The Shack: Music From and Inspired By, this makes three versions of the song released since the album was released last year, which seems to be a bit of an overkill.
Below are brief comments on the other four songs:
Waiting – This song was produced by Dave Tozer and NEEDTOBREATHE, and written by Bear and Bo Rinehart. It is a keyboard driven song with a strong drum beat, backing vocals and a good guitar solo. He is haunted by a woman, who keeps him waiting, shaking, trembling, and chasing mistakes that he made. It’s my least favorite of the new songs.
Count on Me – This song was produced by Dave Tozer and NEEDTOBREATHE, and written by Tozer, Bear and Bo Rinehart. This song features a strong drum beat, keys and some backing vocals. Thematically it is similar to “Brother” from their excellent Rivers in the Wasteland album. It features encouraging lyrics.
Everybody needs a pick me up
You can count on me
Walking on Water – The last two songs of the four new ones were my favorites, starting with “Walking on Water”. This song will appeal to the band’s Christian fan base as it will remind them of Peter walking on the water to Jesus in Matthew 14. It starts slowly and then builds powerfully and joyfully on the chorus with a with a strong drum beat and backing vocals. There’s no turning back.
Can’t see nothing at all
But Your outstretched arms
Help me believe it
Though I falter
You got me walking on water

Cages – This song was produced by Ed Cash and NEEDTOBREATHE and written by Bear and Bo Rinehart. It’s another song that the band’s Christian fan base will resonate with. It starts as a piano-driven song, with light drums. He was looking for attention, was needing redemption but all he got was cages. It then builds powerfully with drums and guitar. They reference their 2009 album The Outsiders, stating that they’re a band of outsiders.
I’m in a prison for a man gone wrong
But I’ve found a future, this is not my home     

Saints of Zion – Jeff Lippencott & R.C. Sproul

This new collection of sacred music for the church from Emmy-nominated composer Jeff Lippencott and respected theologian R.C. Sproul, is their follow-up to their excellent 2015 release Glory to the Holy One. Similar to that release, these songs feature beautiful choral and orchestral arrangements suitable for congregational singing as well as private devotion. Sproul writes “Worship is the highest goal for believers. The Lord saves us so that we will worship Him, and we realize our greatest purpose as we worship God in truth, beauty, and holiness.” The goal of this second collection of hymns and sacred music is to help the church offer worship that is true, good, and beautiful.
The lyrics looks at various aspects of biblical truth – as an example: Saints of Zion (Hebrews 11), Create, O God, a Pure, Clean Heart (Psalm 51), Grace of God (Ephesians 2), Psalm of the Shepherd (Psalm 23), Veni Domine (Luke 2), Magnificat (Luke 1), The Word Made Flesh (lyrics from the Ligonier Statement on Christology), Ways of the Righteous (Psalm 1), Hear Me, Lord (Psalm 30), He Works His Will (Ephesians 1), Where He Is Now (John 14) and The New Jerusalem (Revelation 21). For the most part, the music is written by Lippencott and the lyrics are written by Sproul.
The music is arranged, orchestrated, and conducted by Lippencott. The Kansas City Chorale is conducted by Charles Bruffy and the Ligonier Festival Orchestra Concert Master is Joni Hanze. The recording is produced by Dirk Sobotka. The recording took place at Sproul’s home church of Saint Andrew’s Chapel in Sanford, Florida and The Cathedral of St. Peter in Kansas City, Missouri.
I recently listened to this new recording several times while on long walks, taking in God’s beautiful creation. The lyrics can be a bit difficult to make out, so a suggestion would be that as time allows to get a copy of the lyrics in front of you and follow along with these songs that bring glory to our Creator. I look forward to singing some of these songs at future Ligonier conferences.

Andy Mineo and Wordsplayed Present Magic & Bird

Andy Mineo returns with his first new album (mixtape) since 2015’s excellent Uncomfortable. The album debuted at #2 on iTunes Albums chart and #1 on their Hip-Hop/Rap chart. On this release, he teams up with good friend Wordsplayed (as Magic and Bird), the son of Nigerian immigrants who came to the United States in the early 1980’s and met Mineo in 2008. This playful and basketball themed release is a perfect summer listen, and builds on their 2015 single “Lay Up”, which is included here as a bonus track. Along with BEAM, the release includes production from GAWVI and !llmind, who also produced Uncomfortable.

Below are a few brief comments on each song: 
Hi-Five –  A short introductory track, mostly speaking.
KIDZ –  The song was produced by Tyshane and Daniel Jordan. It was written by Tyshane, Jordan, Wordsplayed and Mineo.  This was the first release from the new album. The bridge contains a brief piece reminiscent of the Doxology.
Key lyric:
I’m in the pocket like Brady,
Magic and Bird like the 80’s
Kobe, I might put up eighty
Look only Jesus can save me

Dunk Contest –  This song was produced by Young Sidechain and Beam, and was written by Wordsplayed and Mineo. It was the second single to be released from the album. The two trade lines about basketball, cities, single moms, etc.
Key lyric:
Yeah, so shout out all the single mothers
2 jobs, 3 kids, I call that a triple double

Say Less –  This song was produced by GAWVI and written by Wordsplayed and Mineo. It was the last track recorded for the project.
Key lyric:  When you start talking and prayin’ less?
Disqus (Skit) –  This short vocal interlude by Mineo was inspired by Wordsplayed’s high school track career in which he threw the discus.
R.U.T.S. – This song was produced by Alex Medina and written by Medina, Wordsplayed and Mineo. “R.U.T.S.” is an abbreviation for “Run Up The Score”. The song uses the first verse from Mineo’s 2016 songs “The Upside Down”.
Key lyric: I got one jog, make the flow silly, Serve one God, it’s my sole mission
Judo – This song was produced by GAWVI. It features Judo, and was written by GAWVI, Judo, Wordsplayed and Mineo. This was the third single to be released from the album. Opens with vocals by Judo before going into a rap by Mineo. GAWVI created the sample from scratch.
Key lyric:
Oh, you holier than thou?
Alright, tell Jesus on me

Break Bread –  This song was produced by Alex Medina and features Beam. The song was written by Medina, Beam, Wordsplayed and Mineo. This song is about the hard work it’s taken to get them where they are today.
Key lyric: Brick after brick I was building this building (yeah), I never waited around for permission (no), I used that God given strength to go get it
Metro (Skit) – This short vocal interlude is about a woman who has lost her Metro Card.
Dance (You See It) – This song is produced by 42 North and written by Wordsplayed and Mineo. They start the song by saying that a lot of rappers are overrated. Wordsplayed and Mineo have some goals to reach.
Key lyric: ‘Crae told me new level, new devil in this, It’s a battle outside and you better be equipped.
Team – This song is produced by Daniel Steele and features Beam. The song is written by Beam, Wordsplayed and Mineo. They drop a lot of NBA references throughout the song.
Key lyric: Nobody can do it themselves, it don’t work
Legend –  This song is produced by !llmind and written by Wordsplayed by Mineo.  It contains a lot of autobiographical references from both Wordsplayed and Mineo.
Key lyric: No time to rest when you tryna be a legend
Lay Up (Bonus Track –  This basketball themed song was written by Alex Medina, Tyshane, Wordsplayed and Mineo, and produced by Tyshane and Medina. It was released as a single released in May, 2015.
Key lyric:
Coach told me no lollygagin’
Still dunk with my pants saggin’
One sixteen, yeah, it’s tatted   

The Crucifixion of Jesus – Fernando Ortega

Fernando Ortega, one of our most beloved Christian artists, returns with his first album since 2011’s Come Down O Love Divine. The Crucifixion of Jesus, which features eleven contemplative songs and six readings (which were selected and edited by his pastor), is a wonderful project about Holy Week, that will allow you to meditate on Jesus’ arrest and death and sacrifice. Ortega co-produced the album with Bernard Chadwick, and it was engineered and mixed by Brandon Bell.

Below are a few brief comments on each song:

Blessed Be Our God – This is a beautiful song that features Ortega’s vocal over piano and cello and light backing vocals.

Prepare The Way, O Zion – This song was written by Frans Mikael Franzen. It features light drums, piano and cello. It is about Jesus’ triumphal entry into Jerusalem where he will be crucified.

House of Prayer – This short song is about Jesus cleansing the temple (John 11:15-18). His house shall be called a prayer for all nations, but you have made it a den of thieves.

In My Father’s Kingdom – This song is about the institution of the Lord’s Supper (Mark 12-24). It features piano and cello.

Stay with Me Here – The song is about Jesus’ prayer in the Garden of Gethsemane (Mark 26: 26-42). Jesus’ soul is overwhelmed with sorrow to the point of death. He pleads for his disciples to stay with him and keep watch with him. Features piano and cello.

Your Will Be Done – This short song is a prayer to the Father that His will be done. It features a light guitar.

O Great Love, O Love Beyond Measure – He sings about a great love beyond measure that Jesus would lay down his life for a faithless sinner. He didn’t turn away from those who struck his face. It features piano and guitar.

Ah, Holy Jesus, How Have You Offended? – The was written by Johann Heermann in 1630 about the doctrine of Christ’s atonement. We denied Christ. We crucified him. The song features piano, cello, and backing vocals from Audrey Assad, Jonathan Noel and Amanda Noel.

My Song is Love Unknown – This song was previously recorded by Fernando on his 2002 album Night of Your Return.  It features a guitar solo, as well as backing vocals from Audrey Assad. The lyrics were written by Samuel Crossman and John Ireland.

This is my friend, my friend indeed, 
Who at my need, His life did spend. 

Psalm 22 – This short song is taken from Psalm 22:1 which Jesus quoted from cross “My God why have you forsaken me?”

Stricken, Smitten and Afflicted – This song previously recorded by Fernando on his 2002 album Night of Your Return. It features piano, cello and light backing vocals.

Here we have a firm foundation
Here the refuge of the lost
Christ the Rock of our Salvation
Is the name on which we boast 

Revival – Third Day (Deluxe Edition)

As Third Day looked to celebrate their 25th anniversary as a band, they fulfilled a long-time plan to record a project at Fame Studios in Muscle Shoals, Alabama. The band (lead vocalist Mac Powell, guitarist Mark Lee and drummer David Carr), recorded with members of their touring band (keyboardist Scotty Wilbanks, mandolin/banjo/guitarist Trevor Morgan and bassist Tim Gibson). For this “back to their roots” album, the band reunited with producer Monroe Jones, who had worked with Third Day on six previous albums. Jones invited percussionist Ken Lewis to join the sessions and recruited Vance Powell to engineer the album.
The album has an almost “live” feel to it. The songs are simple lyrically, with about half of the songs being written before the band went into the studio and the other half just ideas that principal songwriter Mac Powell had.
On this album, Third Day brings it all together. Mac Powell has one of the best voices in music. Here the musical backing is worthy of his strong baritone, with strong guitars, drums, Hammond organ, horns, backing vocals, and crystal-clear production. Throw in some harmonica, tambourine, finger snaps and hand claps and this is truly a gem. It’s a multi-genre album – combining rock, southern rock, blues, soul, worship and gospel. I loved it from start to finish, and it’s my top album of the year thus far.
Here are a few brief comments on each song:

Revival – This was the first single released from the album and it is instantly likeable. It features a great vocal from Powell, plus piano, horns and backing vocals. It’s just a great overall song. Key lyric: God is gonna move and there ain’t no doubt.   

Gonna Be There With Me – This joyful song finds Powell singing over piano, guitar, backing vocals, steel guitar and horns. It features brief piano and guitar solos.  Key lyric: Lord, it’s always good to know that You’re gonna be there with me. 

Leave This World Behind – This song opens with a Creedence-like guitar. It features some tasty piano, U2-like backing vocals and some excellent guitar work.  Key lyric: All my tears and all my pain, Will be gone in Jesus name

Let There Be Light   This song is destined for heavy rotation on Christian radio. It speaks to God’s creation and man’s fall. Let there be light to bring us back home. The song features some organ, piano and U2-like singalong backing vocals that will be good to sing along with in concert.

Key lyric:
There is one light
There is one savior of the world
There is one hope
His name is Jesus, Jesus

Faithful and True – This ballad opens slowly with acoustic guitar, and then builds powerfully with organ, Lynyrd Skynyrd-like electric guitar and backing vocals. Key lyric: Everything that I ever been or ever hoped to be, It’s all because of You,
Your love is faithful   

Gather Round Now –  This song opens with a swamp guitar and some excellent drums. It is simple lyrically, and builds into a celebration about the Lord, the King of all creation, of every tribe and nation and what He has done for us. Features some excellent backing vocals and horns. Key lyric: One day He’ll return to take us home

In Your Hands – This is another song that could end up in strong rotation on Christian radio. It’s a power ballad that features keys, guitar and backing vocals.
Key lyric: In Your hands, I found where I belong  

Loves Me Like a Rock –  Paul Simon recorded this song with the Dixie Hummingbirds in 1973, and it reached #2 on Billboard’s Hot 100. This excellent version features the Oak Ridge Boys on backing vocals (who were originally to do the vocals with Simon), although their vocals are buried a bit in the mix. Features some good organ and horns and a fun acapella ending. I would have liked the Oaks’ vocals to be featured more on this track.

New Creation –  This joyful song features handclap, guitar, horn and backing vocals. Key lyric: Hallelujah, I’m a new creation, the old has gone and the new has come

Nobody Loves Me Like Jesus –  This song features guitar, drums, horn and backing vocals. Key lyric: Nobody in this whole wide world gonna give what I’m looking for 

Anything is Possible –  This encouraging song opens with acoustic guitar and quickly builds featuring percussion, strong backing vocals and horns. Key lyric: Let the Spirit lead and just believe that anything is possible 

Great God Almighty –  This instantly likeable song features harmonica, early Beatles guitar, backing vocals and a great sing along chorus.
Key lyric:
Great God Almighty
Won’t You save Your children
Lord in heaven won’t You lend a hand?
Ain’t no way we gonna do this without You

Devotion –  The closing song on the standard edition is a worship song directed to the Lord. It features guitar, drums, horns, organ and backing vocals. Will be a powerful song in concert. Key lyric: Lord make my life a devotion to You 

You Redeemed Me –  This song features swamp guitar, drums and horns. It’s about what the Lord does in a sinner’s life. Key lyric: You turned my fears and failure to a story of Your grace

The Return – This song about the return of Jesus features drums, guitar organ and horns. Key lyric: Are you ready for the return? 

The Deluxe Edition also includes the radio mix of “Revival”, the original cut of “Let There Be Light” and the first take of “Faithful and True”.

Watch this two-minute video of the band making Revival.

Crooked – Propaganda

Propaganda’s first album since 2014’s Crimson Cord is hard-hitting and challenging, with excellent vocal (spoken word and hip hop) delivery, musical backing and production. Much has happened in America since Crimson Cord and some of the lyrics are right out of the news.

Below are a few thoughts about each of the songs:

Crooked Way featuring Terence F. Clark – This is a powerful opening track, produced by Braille and written with Terence F. Clark. There is much to take in here, which will require multiple listenings. He covers a history of racism from Native Americans and the Confederate flag. Interjects humor about skinny jeans and Dickies. Says he is not a leader, just a hippie with daddy issues, crooked with halos balanced on the tip of his horns.

It’s Complicated – He has zipped up his emotions into a dusty duffel bag that he’s named poetry. He speaks of transgender issues, that we are a laundry list of identity issues and that sometimes our plumbing doesn’t match our urges. It’s complicated.

Bear With Me featuring Marz Gerrer – Produced by Ohmega Watts. This track is about the ups and downs of being in love. Love is not love if it’s never been tested.

Cynical featuring Aaron Marsh & Sho Baraka – This powerful track is produced by Beautiful Eulogy. It hits on several items out of the news – Trump rallies, refugees, immigration – but he’s concerned that Christians are arguing about bathrooms. He addresses being lied to, intolerance and fear.

Slow Cook – This track is produced by Courtney Orlando and Steele, and it’s about his musical influences. “That’s the hip hop I fell in love with”.

Do Know Wrong featuring Macho – Produced by Wert and co-written with Macho. His love letter to California (Cali), with numerous references (earthquake, smog, Poly High, palm trees, traffic, lack of water, ocean, Fatburger, King Taco).

Gentrify – Produced by DJ Efechto. This upbeat sounding track with Odd Thomas on keyboards, addresses a serious subject, gentrification. “And when you see them billboards yelling “cash for homes” Gentrify.”

I Hate Cats – This is a very creative spoken word piece on racism and stereotyping, substituting cats and dogs for Blacks and Whites. Funny and serious.

Darkie featuring Micah Bournes and Kackie Hill-Perry – Produced by Daniel Steele, this song addresses racism within the Black community (hating on they own kind). Features additional vocals from Izzy Ray.

It’s Not Working (The Truth) featuring Courtney Orlando. Produced by Courtney Orlando, who also co-wrote the song. A sad and powerful telling of the history of Blacks in America. He wants the truth and to focus on God. Features a guitar solo from Isaiah Cox.

You say I’m King of Kings, but son, I don’t get it how,
You could trust me for eternity, but can’t trust me for now

Andrew Mandela featuring Topknot Feather – The song title brings together the names of Nelson Mandela and Andrew Jackson, who are addressed in the first two verses. Produced by Courtney Orlando and co-written with Topknot Feather.

Ooh, I take shots at your sacred cows
Dance with skeletons in closets
I point at elephants in the room
And make a mockery of heroes 

Olympian featuring Xavier Omär – Produced by Courtney Orlando, this song was written during a very difficult week (death, miscarriage, HIV positive), for some of Propaganda’s friends. Odd Thomas provides additional vocals.

Don’t you stop now, baby
Show your fight now, baby
You’re an olympian, baby
You can’t quit now

Made Straight featuring Audrey Assad –  Produced by Courtland Urbano. Co-written with Audrey Assad, who contributes excellent vocals. He looks forward with joy and anticipation for the day in which God (the time keeper) comes and makes the crooked way straight.

ICPTSD –  Produced by Derek Minor and written by Propaganda. This bonus track ICPTSD is an acronym for Inner City Present Traumatic Stress Disorder. It is about the trauma of living in the inner city. It features a good guitar solo at the end.

This is an album that requires serious listening. All aspects were well done. It was challenging for me as a white man, and it is my top album of the year thus far.

Best of Fernando Ortega: Live in St. Paul

I was introduced to Fernando Ortega years ago when he opened for Michael Card. He has since become one of my favorite artists. This concert recording was originally available only as a DVD, but is now fortunately also available as an audio recording.  Including 19 songs, this concert was recorded in 2004 at Northwestern College’s Maranatha Hall as Fernando was on tour supporting his 2004 album Fernando Ortega.  He plays 7 of that album’s 12 songs here, including the touching and humorous “Mildred Madalyn Johnson”. The recording features Ortega and band, including an accordion, but the focus is on Ortega’s gentle vocals over his piano.
If you’ve seen Ortega in concert you know that one of the best things is often times humorous introductions to his songs, which are not included here, the focus being solely on the music. In addition to the songs from Fernando Ortega, he includes many of his most-loved songs, such as “Creation Song”, “Lord of Eternity”, “Children of the Living God”, “This Good Day”, “Sing to Jesus” and “Our Great God”. This is Ortega’s only live album and it’s a gem.

Flowers in the Dirt (Special Edition) – Paul McCartney
This 2-CD “Special Edition” (the release comes in a number of different configurations), of McCartney’s excellent 1989 album Flowers in the Dirt features a remastered version of the original 13-song album (plus Où Est Le Soleil?, which wasn’t on the original album), on one disc, and nine previously unreleased demos McCartney recorded with Elvis Costello on the second disc. The demos are what really got my attention on this release, the 10th installment of McCartney’s Archive Collection, all of which have been personally supervised by McCartney. This album has special significance for me as well. It was the album McCartney toured on for his 1989-90 World Tour, on which I saw three of the shows, the first of now twelve concerts I’ve seen of the former Beatle.
Listeners will be pleased with the remastered version of the original album. It features such strong songs as “My Brave Face” (his last Billboard solo Top 40 hit), “This One”, “Put it There” and the 89-90 World Tour opener “Figure of Eight”. The original demos with Costello are:

  • The Lovers That Never Were – song was not included on the original album
  • Tommy’s Coming Home – song was not included on the original album
  • Twenty Fine Fingers – song was not included on the original album
  • So Like Candy – song was not included on the original album
  • You Want Her Too – song was included on the original album
  • That Day Is Done – song was included on the original album
  • Don’t Be Careless Love – song was included on the original album
  • My Brave Face – song was included on the original album
  • Playboy To A Man – song was not included on the original album

The demos are just what you would think a demo would be – sparse, raw, stripped down, and in my opinion, worth the price of this excellent reissue. All in all this is a reissue that McCartney fans will be pleased with.

Cinco: The Album – Jim Gaffigan

Jim Gaffigan is my favorite comedian. Sometimes called “the clean comedian”, he gives us his common guy take on everyday topics such as his children, belts and morning people. I’ve seen him in concert in the past few years and will be catching him on his new tour later this year. This is the audio version of his fifth television special.
I found this material to be very funny, classic Gaffigan. My favorite bits were on seasons, leaves (my favorite), being fat (of course), binge watching, travel, eating fish, and a hilarious bonus clip about his Dad from 2001.
Included is a bonus disc is Gaffigan and wife Jeannie talking about each of the comedy bits on the special. Although not overly funny, I did find it to be interesting.

Therapy Session by NF

I came late to the NF game. It was only after hearing a few of these tracks – “I Just Wanna Know” and “Oh Lord” – on the radio that I decided to pick up the album, and I’m glad I did. Therapy Session is the sequel to the debut album Mansion by 25 year-old rapper NF (Nate Feuerstein). NF has had a difficult life thus far and he writes about that in these fourteen songs. The themes here are dark, and include pain, addiction, loss, depression and his critics. All songs are written by NF and Tommee Profitt, with the exception of Grindin’, on which Marty of the Social Club Misfits contributes.  Most of the songs were produced by Tommee Profitt unless otherwise noted.

Below are a few thoughts on each of the songs:   

Intro 2 – This is a sequel to “Intro”, which was included on Mansion. It is an intense, emotional and real introduction to the album.  He sings “If you’re looking for music with watered down lyrics, I promise that you need to go somewhere else.”

Therapy Session – NF has called this a very aggressive and blunt song, one in which he wasn’t holding anything back. He sings about fans that talk to him about how much his music has helped them and others who have criticized him as he deals with depression and the pressure. The song is intense. It is produced by Tommee Profitt and David Garcia.

I don’t expect everyone to respect it
I don’t expect you to get my perspective
But, what’d you expect from a therapy session? 

I Just Wanna Know – This song is about relationships that have gone bad in his life. He asks “When did you get so cold?”, “What happened to your soul?” “I thought we were close”.

How Could You Leave Us – This song addresses NF’s mother’s addiction to pills, which ultimately led to an overdose and her death in 2009. He calls it the most vulnerable song he has written. He was in tears as he recorded this song. It’s a song of intense pain and hard to listen to. The song opens with keys before it goes into an angry rap.

Breathe – This song features vocals from Brooke Griffith. It is about how he has matured the past year and a half, but also the realization that more is needed. Following the intense opening songs, this is a more a laid-back rap about regrets in a past relationship. A couple of good lines are “Apologies don’t mean a thing if you don’t ever fix it” and “I seem to be the only person that I play pretend with”.

Real – This song is written in response to his critics. He states that it’s “his time”. People want to know where his heart is. He sings that he stands out because he wears his garbage. The song opens with keys before going into a fast rap that gets increasingly intense. The song is produced by David Garcia.

Oh Lord – This song starts slow and melodic, and then builds in intensity. He’s asking if God sees what is happening on earth:

Sometimes I look up to the sky
And wonder do you see us down here    

He states that we don’t call on God when things are going well for us. The song is produced by David Garcia.

I Can Feel It – Even as NF’s life is changing with increasing fame, he looks back to how his life was. This song opens with keys and a slow rap and builds in intensity.

Got You On My Mind – This slow rap is a love song. He’s on the road and misses her. The song is produced by David Garcia.

Grindin’ – This song features Marty of the Social Club Misfits. They are committed to their music, and no other rappers work harder than them

Wish You Wouldn’t – This song is about relationship problems. It starts slowly with keys. He sings that things aren’t working, he’s gotta do something different. She’s angry. They argue. He’s got too many things he’s dealing with. The only thing they have in common is that they have nothing in common. He sings:
I wish you didn’t say things, I wish you didn’t say things
That you don’t mean, that you don’t mean 

The song is produced by The720.

Statement – This is an intense, angry rap directed to other rappers.  It is produced by David Garcia and The720.

All I Do – His identity is a rapper, that’s all he does. And he’s competitive:
I do not look at these rappers out here like
I wanna be ‘em
I look at these rappers out here like
I wanna beat ‘em 

The songs is produced by David Garcia.

Lost In The Moment – This song features Jonathan Thulin. Like the album cover, NF is having a therapy session with himself on this song as he refers to himself in the third person as he deals with his depression, anxiety and music.

My Review of U2’s The Joshua Tree Tour and Album

Sgt. Pepper’s Lonely Hearts Club Band – Beatles (Deluxe Edition) 

Has it really been 50 years ago that we first heard Paul McCartney sing that opening line “It was 20 years ago today, Sgt. Pepper taught the band to play?” Yes, believe it or not, the Beatles classic album Sgt. Pepper’s Lonely Hearts Club Band, which many (including me), consider the greatest rock album of all time, was released in the U.S. 50 years ago on June 2, 1967 (having been released the previous day in England).
Back then there was no Internet, Twitter or iTunes. I bought my albums at the local K-Mart, where mono albums sold for $3.44 and stereo for $3.77. I remember looking at the albums on this particular night and only realizing that this strange looking album, with the band sporting facial hair for the first time and colorful uniforms, was a Beatles album, by seeing “BEATLES” spelled out along the bottom in funeral flowers.
My Mom worked evenings at the IAA building at that time. As we picked her up from work, from the back seat I excitedly said to her, “Mom, there’s a new Beatles album out!” I can remember her response like it was yesterday. She replied “I was afraid you’d find out about it”.
Much has changed in those 50 years. Mom is gone, K-Mart is gone, and so are two of the Beatles, John Lennon and George Harrison. And I’ve since heard most of these songs performed live in concert by Paul McCartney and Ringo Starr. And the soon to be 75-year old McCartney was only 25 years old when he released “When I’m 64”.
For the 50th anniversary celebration, the remaining Beatles and their representatives turned to Giles Martin, the son of their long-time producer George, who died in 2016. Giles had assisted his father, then 80, on the excellent 2006 Beatles’ release Love. Giles worked with Abbey Road audio engineer Sam Okell on the new project.
Interestingly, in the liner notes, Martin states that the original Sgt. Pepper was primarily mixed as a mono album.  Care and attention was applied to the mono album with the Beatles present for the mixes. He writes that almost as an afterthought the stereo album was mixed very quickly with the Beatles present at the sessions. Yet, Martin writes, it is the stereo album that most people listen to today.
The new Sgt. Pepper comes in various packages (single and double CDs, a deluxe box of four CDs and two DVDs, etc.). I purchased the 2 CD deluxe edition, containing 31 tracks, the remastered original album and 18 other versions of the original songs (including “Strawberry Fields Forever” and “Penny Lane”, recorded for the album but released in February, 1967, as a two-sided single, and not included on the album), in various states of development. Beatles fans will enjoy hearing these early versions of the songs. And with Sgt. Pepper already considered by many as the greatest rock album ever, how much better would it have been if “Strawberry Fields Forever” and “Penny Lane” had been included on the original album?
Of course it wasn’t just the facial hair and the fact that they weren’t performing as the Beatles that we knew, but instead as the fictional Sgt. Pepper’s Lonely Hearts Club Band. No, in the studio, the Beatles had the opportunity to experiment in sound. So they not only “looked” different, but Sgt. Pepper was ground-breaking in that it “sounded” different, with horns, sound effects, Indian instruments, etc. There were also the many references to drugs on the album – Ringo sings that he gets high with a little help from his “friends”, John Lennon’s “Lucy in the Sky with Diamonds”, was shorthand for LSD, which he was supposedly consuming like M&Ms during the recording sessions, and Lennon tells us in “A Day in the Life”, that he’d love to “turn us on”.
So what is the result of Martin’s and Okell’s work? The album was originally recorded on Abbey Road’s four-track board. The 2017 version is nothing short of stunning. You can clearly hear the instruments and background vocals better than before. For example, Ringo Starr’s drums on “Good Morning, Good Morning” come through as much more powerful than on the original version. Listen to the three beats before John Lennon sings “Lucy in the Sky with Diamonds”. George Harrison’s “Within You Without You”, always my least favorite song on the album, sounds fresh as you hear Harrison’s Indian instruments interact with George Martin’s 11-piece string section. And listen to George Harrison’s guitar work on “Fixing a Hole” and “Good Morning, Good Morning”.
So, check out the 2017 version of Sgt. Pepper in one of the packages available, and see what all the fuss has been about for 50 years.

The Real Royal Albert Hall 1966 Concert – Bob Dylan

The album’s rather strange title is based on the fact that for decades a famous Bob Dylan bootleg known as The Royal Albert Hall Concert was incorrectly labelled, having actually been a performance at the Manchester Free Trade Hall on May 17, 1966.  That performance was officially released in 1998 as The Bootleg Series, Vol. 4: Bob Dylan Live, 1966: The “Royal Albert Hall Concert”. This is actually the recording of the Royal Albert Hall concert, recorded May 26, 1966, and originally recorded by Dylan’s CBS label for a live album. This is the 2-CD version, which is also included in the massive 36-CD 1966 Live Recordings box set.
From a historical context, Dylan was fresh off of the release of his classic Blonde on Blonde double album just ten days prior to the concert. His set included material from his incredible trio of albums from that period Bringing It All Back Back Home, Highway 61 Revisited and Blonde on Blonde.
The first CD is the acoustic set and contains seven songs, including an epic version of “Desolation Row”. Dylan’s voice sounds great, and he is backed only by his acoustic guitar and harmonica. The sound quality is excellent, and you hear the crowd’s appreciative but somewhat restrained applause.
The second CD is the electric set and has Dylan backed by the Hawks, who would become better known as The Band. The sound quality is not as a good as the acoustic set for some reason. The set begins with Dylan and the Hawks ripping into “Tell Me Momma”, a song he would never release a studio version of, and would play only 15 times on the 1966 tour, the final time being the concert after this one at the Royal Albert Hall. The music is raw and intense, led by Robbie Robertson’s guitar, and Dylan’s expressive vocals, spitting out the lyrics, quite a difference from the acoustic set. The crowd is energized and you hear Dylan interacting with them, stating before the start of a blistering “Leopard-Skin Pill-Box Hat”, “Are you talking to me?  Come on up here and say that”. The blistering eight-song electric set ends with “Ballad of a Thin Man” and “Like a Rolling Stone”.
Recommended for Dylan fans and music fans who might not already have heard the earlier The Bootleg Series, Vol. 4: Bob Dylan Live, 1966: The “Royal Albert Hall Concert”.

Triplicate – Bob Dylan

You can never put Bob Dylan in a box. He will always surprise you. After 2015’s Shadows in the Night, he followed up with 2016’s Fallen Angels, a similar album of his unique interpretation of standards that had been recorded by Frank Sinatra. His last album of newly written material was 2012’s Tempest. So after winning the 2016 Nobel Prize for Literature, what does the 75-year old legend follow Fallen Angels up with, just over 10 months following that album? One might expect a stunning new album of songs about the state of our nation (racial tension, election of Trump, etc.). But Dylan rarely does what we expect him to do.  Instead he returns with the excellent Triplicate, his 38th studio album, a 30-song, three-album (his first triple album), project of newly recorded covers of mostly pre-World War II/rock and roll music songs known as the Great American Songbook.
Dylan, his touring band – guitarists Charlie Sexton and Dean Parks, bassist Tony Garnier, drummer George Recile and steel guitarist Donnie Herron – and arranger James Harper, went to Hollywood’s Capitol studios to record live (vocals recorded with instrumentation) hand-chosen songs from American songwriters such as Charles Strouse and Lee Adams, Harold Arlen and Ted Koehler, Harold Hupfield, and Cy Coleman and Carolyn Leigh. The project is thematically-arranged in three 10-song albums titled “’Til the Sun Goes Down,” “Devil Dolls” and “Comin’ Home Late”, each 32 minutes in length, which Dylan has said is the number of completion, a lucky number, and symbolic of light.  Dylan has stated that the albums came out at the same time because thematically they are interconnected, one being the sequel to the other and each one resolving the previous one.
Interestingly, Sinatra released Trilogy in 1980, a three-album which too had a different theme for each album, “The Past,” “The Present” and “The Future.” The new project was produced by Dylan, under his usual pseudonym Jack Frost.
The 30 songs on Triplicate include classics such as “Stardust”, “As Time Goes By,” “September of My Years,” “Stormy Weather” and “Sentimental Journey” as well as less well-known songs such as Alec Wilder and Edwin Finckel’s “Where Is the One” and Jack Lawrence’s “It’s Funny to Everyone But Me.”
While many of the songs are slow ballads, often solemn and about loss, there are also a handful of more upbeat songs here as well. Dylan’s now road-weary voice, always an incredible instrument in itself, and which sounded really rough on Tempest, seems perfectly fitted for these songs and arrangements. He delivers vocal performances on these last three standards albums that I never thought I would hear from him again. Listen to his vocal and phrasing on “My One and Only Love”, for example. His touring band never gets in the way of Dylan’s heart-felt vocals within Harper’s intimate arrangements. Herron’s steel guitar is a highlight throughout. Horns are used sparingly, but effectively on songs such as “The Best is Yet to Come”, “Sentimental Journey”, and “My One and Only Love”.
I preferred the more upbeat songs on the album, with some of my favorites being “The Best is Yet to Come”, “Stardust”, “Day in and Day Out”, “It’s Funny to Everyone But Me”, “I Guess I’ll Have to Change My Plans” and “That Old Feeling”. Dylan ends the album with “Why Was I Born?” written by Kern and Hammerstein in 1929. It includes the introspective lyrics “Why was I born? Why am I living? What do I get? What am I giving?”
While I would prefer new music from Dylan, I enjoyed and appreciated Triplicate, songs that Dylan says are meant for “the man on the street, the common man, the everyday person”. Will you enjoy it? My assessment is that if you enjoyed Shadows in the Night and Fallen Angels, you’ll enjoy Triplicate. If you didn’t, you’ll probably want to pass on this one, though I would encourage you give it a listen before immediately dismissing it.

The Misadventures of Fern and Marty

The Misadventures of Fern & Marty is the first Social Club full-album release on Capitol Records after being independent artists, and their fourth studio album overall. The fifteen songs include themes of marriage, family, the grace and love of God and plenty of fun. There are a number of special guests such as Andy Mineo. Unless otherwise noted, the songs were produced by 42 North and Wit.

I really enjoyed this album. Below are a few comments about each of the songs:

Vibes Vibes Vibes – This song is written by 42 North, Wit, and the Social Club Misfits. It features a good beat right out of the box, with Fern and Aha Gazelle trading verses on this autobiographical track.  It includes reference to their being signed to Capitol Records:

Now they say that we great
I just say that you late

Independent so long when the labels would call we thought it was fake

The song closes with a spoken word piece by about what it mean to be a misfit.

Pop Out Revenge – This song is produced by Amarl, and was the first single released from the album. It was written by Amarl and the Social Club Misfits and features some good beats. Amarl, Marty and Fern all take a turn at the lead vocals. Includes another reference to them being signed by Capitol.

Love 4 Real– This was the second radio single released. It was written by Wit, 42 North, Daramola and the Social Club Misfits. It’s a love song about dating, marriage and family. It has more of an easy-going vibe. Fern, Marty and Daramola share the lead vocals.

Who Else
– This is a fun song that features Andy Mineo and includes lines like “Bout to make chubby fellas cool again” and “Come to your door like I’m Newman”. It was originally made for their Friends and Family Tour.  It’s has a good beat throughout, and is my favorite track on the album, reminding me of the excellent collaboration Marty had with Mineo on “Paisano’s Wylin” from the latter’s Neverland EP. The track is produced by 42 North and written by Mineo and the Social Club Misfits.

Different People ft. Tree Giants
– This is a more serious song about relationships, the cost of love, and what it looks like to maintain a healthy relationship, appreciating what you have. It is written by 42 North, Wit and the Social Club Misfits.  It features Tree Giants, who share lead vocals with Marty and Fern. It’s a slower song with a heavy beat.

– This song features Chris Baston, who shares lead vocals with Marty and Fern. It was written by 42 North, Wit, Chris Baston and the Social Club Misfits. This song features a slower groove and some autobiographical lyrics:

Wish that I could go and just reverse time
And right wrongs in the worst times
But it’s over now, just verse rhymes
Just pour out what I went through
In the hopes that y’all won’t get caught up
In the same things I got into

How Good – This songs was produced by Ruslan and written by the Social Club Misfits. This is a song about sharing the love of God with others because they have struggles as well.  The song has a great beat, and a hook that you won’t be able to get out of your head.

A Song For Cami – This song was written by 42 North, Wit and the Social Club Misfits. It encourages hard work and was written for Fern’s five-year old daughter. Fern handles the vocals. I liked the quick drum beat and keys. Fern sings that whenever he’s not around they don’t have to worry about him.

One With The New Yorkers
– This song features Amari and Wordsplayed. It was written by Wordsplayed, Amari and the Social Club Misfits. Wordsplayed, Amari and Marty, all of whom have lived in New York City at one time, share the vocals. The idea behind the song is that people lie. We put our best foot forward. On social media we make people think that we are better than we are, but it’s a lie. “I think they live for the ‘likes’”. It opens with piano, and has a slow groove with a heavy beat.

Usual Suspects
– This song features Willow Stephens, who shares the lead vocals with Fern and Marty. It is written by Willow Stephens and the Social Club Misfits. It open with Stephen’s sweet, haunting vocals before going into a rap by Fern. Fern and Marty have said that this can be a life song that gets you pumped up or it can be for a movie trailer.

Time 4 That
– This song is written by the Social Club Misfits and is about their love stories. It opens with piano before going into an easy going vibe with Marty and Fern trading vocals.

Social SZN
– This song is produced by Black Knight and written by Black Knight and the Social Club Misfits. Marty and Vern trade vocals on this energetic track. “I’m about to level up”. The song features a good beat and synths that sound like horns.

Wayyyyy Back
– This song is produced by Ray Rock. It opens with an organ sound, and features a relaxed beat that looks back on their lives when it was much simpler.

I remember days when we used to play back when
Everything was simple, I just wanna go back and
I know the times have changed, but I wish that they all would just stay the same

Misfit Anthem
– This song features Riley Clemmons, who shares vocals with Fern and Marty. The song is written by Clemmons and the Social Club Misfits. The hook samples the hymn “Amazing Grace” by John Newton, and the song is about the grace of God in the lives of the Social Club Misfits.

Extra Wavy – This bonus track is written and produced by the Social Club Misfits.  It opens with Marty stating “This song is loud and offensive”. It’s a fun song with a catchy hook:

They ask us how we do it
Ask us how we do it, woo!
Misfit gang gang

rolling-stones-blue-lonesomeBlue and Lonesome – Rolling Stones

In their first studio album in eleven years, the Rolling Stones return with an album of twelve mostly Chicago blues covers, the type of music that they cut their teeth on when they started out. Having been largely introduced to the blues by my brother-in-law, I really enjoyed this album; it was one of my favorites for 2016. To read more about the blues music from a Christian perspective check out Stephen Nichols book Getting the Blues: What Blues Music Teaches Us about Suffering and Salvation.    

This wasn’t the album that the band intended to record. While in the studio to record new material, they would play a few old blues songs to warm up. They had so much fun playing them they recorded this album with co-producer Don Was last December over just three days. As an added bonus, Eric Clapton, who was recording in the studio next door, came over and played guitar on two of the songs. Overall, the album feels like a labor of love for the Stones, who are joined by bassist Darryl Jones, who has been playing with the band since 1993, and pianist Chuck Leavell.

Below are a few comments on each of the songs on the album:

Just Your Fool – This song was written by and recorded by Buddy Johnson in 1953 and a Chicago blues version recorded in 1960 by Little Walter. This is the first of four songs on the album credited to Walter, a large influence on Jagger’s harmonica playing style. It’s Jagger’s harmonica that is the first sound you hear on the album. Richards’ and Woods’ guitars and Watts’ drums propel the song along. A great start to the album.
Commit a Crime – This song was recorded in 1966 by Howlin’ Wolf. It later showed up (titled “What a Woman!”), on 1971’s London Howlin’ Wolf Sessions, which included Stones Charlie Watt and Bill Wyman. The song features some great guitar work as Jagger spits out that a woman poured poison in his coffee. He’s gonna leave her before he commits a crime. Jagger adds some excellent harmonica work here.
Blue and Lonesome – This slower sad song was recorded in 1959 by Little Walter. It again features Jagger on harmonica, who Richards once referred to as probably the best blues-harp player that he had ever heard, up there with Little Walter.  The song also features some excellent guitar work.
All of Your Love – This song was Magic Sam’s debut single in 1957 as “All Your Love”. He updated and retitled the song “All of Your Love” in 1957, just before his death from a heart attack at age 32. The slow blues song opens with some excellent guitar work and beat provided by Watts and Jones, which sets the pace for the song. Leavell adds some tasty piano work in the middle of the song and Jagger adds a brief harmonica solo before the song ends with a guitar solo.
I Gotta Go – This song was recorded in 1955 by Little Walter with the Jukes. The song opens with Jagger on harmonica and gets going right away, propelled by Watts’ drumming. It’s a real toe-tapper, and it’s impossible to stay still listening to it. He’s got the blues and he can’t stay here no more. A great take on the song. One of my favorites on the album.
Everybody Knows About My Good Thing – The newest cover on the album, this slow blues song was recorded in 1971 by former Mighty Clouds of Joy member Little Johnny Taylor. The song opens with great slide guitar work from Eric Clapton, which makes this song another highlight for me. While the focus in on the guitar work, I also enjoyed Leavell’s piano.
Ride ‘Em on Down – This song was a 30’s era original by Delta blues legend Bukka White, then titled “Shake ‘Em On Down”. It was recorded with this title in 1955 by Eddie Taylor. It starts with some great guitar work, and a driving beat from Watts, which sets the pace for the song. The song features a blistering guitar solo mid-song and a harmonica solo from Jagger near the end.
Hate to See You Go – This song was recorded in 1955 by Little Walter. He got his start in Muddy Waters band before going solo in 1952. He would die at age 37 and is the only artist inducted into the Rock and Roll Hall of Fame specifically as a harmonica player. The song immediately grabs your attention with a driving beat propelled by harmonica, guitar and drum.
Hoo Doo Blues – This song was recorded in 1958 by Lightnin’ Slim, a good example of his stripped down, swampy style. The song opens and features Jagger on harmonica, and the slower beat is driven by Watts’ drumming and Jones’ bass.
Little Rain – This song was recorded in 1957 by Jimmy Reed. The Stones have long admired Reed, having covered his “Honest I Do” on their first album. This is a slow blues song featuring some excellent guitar work before the bass and drum kick in behind Jagger, who adds a lengthy and restrained harmonica solo.
Just Like I Treat You – This song was recorded in 1961 by Howlin’ Wolf as the B-side to his single “I Ain’t Superstitious”.  It starts out with a great beat right from the start, and amazingly sounds like it could fit nicely on a mid-1960’s Stones album (reminding me of 1964’s “It’s All Over Now”). It features some nice guitar work, tasty piano from Leavell along with some harmonica work from Jagger. One of my favorites on the album.
I Can’t Quit You Baby – This song was written by Willie Dixon for Otis Rush, who recorded it with him in Rush’s first sessions in 1956. You may recognize it as a heavy blues cover from Led Zeppelin’s debut album, which they built off Rush’s 1966 version. This slow blues song begins with a guitar and the bass drives the slow beat. He can’t quit her but he’s gonna have to put her down for a while. The song features some excellent guitar work from Clapton, and Jagger offers some of his most expressive singing on the album.

phil-keaggy-all-at-onceAll at Once – Phil Keaggy

Phil Keaggy is one of our greatest guitarists. He has released more than 50 albums, has won seven Dove Awards for Instrumental Album of the Year and is a two-time Grammy Award nominee. Although his instrumental albums are a frequent companion of mine, I hadn’t heard one of his vocal albums for some time. So this fan-funded album of thirteen vocals and one instrumental was a pleasant surprise. And though he is now 65, his sweet McCartney sounding vocals haven’t aged at all. Keaggy wrote or co-wrote all songs with the exception of the title song (written by Gordon Kennedy and Ben Cooper) and the closing hymn “I Must Tell Jesus”.

Below are a few comments about each song on this excellent album which features Keaggy’s superb guitar playing and contributions from strong backing players. In addition, the production is top-notch, giving the songs a live feel.

Mercy – The album starts out with a bang with this blues rocker. It features some great guitar, organ, drum and some backing vocals. There is no one like the Lord. Everybody wants and needs mercy all around the world.  A great opener.
Undertow – This rocker features some excellent guitar work and a driving drum beat. Tell me about where you’ve been and what you know, your dreams. Grab ahold and don’t let go you’re not alone here in the struggle. Keep fighting in the undertow. An encouraging song that features some good backing vocals.
Call the Doctor – Keaggy slows it down a bit on this song that features some excellent blues guitar, backing vocals, organ and drums. Somebody call the doctor, the Great Physician, because this old world is a troubled soul. Ring that number straight to the heavenly throne. There is so much pain and hurt.
All At Once – Keaggy keeps it slow on this title track that starts with him singing a McCartney-like vocal over piano. It builds with drum, bass and guitar. How do you deal with the pain? All at once. It breaks the heart, but puts it back together stronger than it was.
I Love the Way You Love Me – This easy-going, joyful catchy love song starts with piano, drums and keys. He can’t wear a frown whenever she’s around. He loves the way she loves him. Features some good backing vocals and guitar work.
La La La Love You – This is another joyful love song. He could never write a song to say everything that she means to him, so he just says “La, La, La Love You”. Includes a nice guitar solo.
My Guitar’s In Love – This is a blues rocker that features some great guitar playing. She (his guitar) won’t do what she’s told. He’s lost control. They had been so close like a hand in glove. It includes tongue-in-cheek lyrics such as “don’t string me along”.
Stay Home Baby – This toe-tapper opens with drums, blues guitar and organ. He’s satisfied with everything he’s got and just wants to stay home with his baby and be by her side. Reminds me of Robert Johnson’s “Sweet Home Chicago”. Features some great blues guitar playing, organ work by the legendary Al Cooper, and backing vocals.
Fearless Love – This rocker opens with piano, guitar, and driving drum beat. I believe there is a way. We have to make a few adjustments to keep the ship on course. We need to show fearless love across the great divide. A love that is compassionate and slow to judge. What unites us is greater than what divides us. Features some great piano and guitar. Also features some good backing vocals.
Not Be Moved – This song features a Dylan-like “Gotta Serve Somebody” sound. We’re living in a world of trouble. It can get the best of us. Bad news and darkness. Trials and temptations that try to bring us down. He knows that there’s an answer that helps him stand his ground. But we stand on solid ground and we shall not be moved. Features an excellent guitar solo and some good organ work.
Ezekiel – This blues rocker features the exemplary vocals of Ashley Cleveland, which blend well with Keaggy’s. They sing about the valley of dry bones from chapter 37 of the book of Ezekiel. This is the Lord, this is the God who saves. The song features some excellent guitar, drums and organ.
I Prayed For You – This slow blues number is about him praying for someone not to give in. He pleaded with the Father until the answer came. Don’t give in to darkness before the battle is won. He prayed for them when they needed strength and were losing the fight. Features some good blues guitar.
Breathe – This is the one instrumental track on the album. Those familiar with Keaggy’s instrumental albums such as his classic The Master and the Musician will enjoy this.
I Must Tell Jesus – Keaggy closes out the album with a version of this 1893 hymn written by Elisha Albright Hoffman. The focus is on the vocal, but it also features some nice guitar playing and backing vocals.

hits-deep-liveHits Deep Live – Toby Mac

Eight years after his Grammy winning live album Alive and Transported, Toby Mac returns with another high energy live album Hits Deep Live recorded at the CenturyLink Center in Bossier City, Louisiana. The 16 songs (64 minutes of music), are pulled primarily from his last two albums 2015’s This is Not a Test (9 songs), and 2012’s Eye on It (4 songs). There are also 2 songs from 2010’s Tonight and one song from 2007’s Portable Sounds.

Having seen Toby play many of these songs live, I’m convinced that his music is best experienced live in concert, and the sound quality here is excellent. He is backed by his Diverse City band and joined by several special guests – Colton Dixon, Britt Nicole and Hollyn. For “Love Feels Like”, former D.C. Talk bandmates Michael Tait and Kevin Max are not present, but their voices from the recording of the song are included, giving the feel of a live reunion.

With Hits Deep Live you get excellent songs performed well in a live setting, which adds to the energy. It’s hard to pick a favorite, but I always thought that “Feel It” would sound great live and it doesn’t disappoint here.

This will be appreciated by Toby Mac fans and would also serve as a good introduction to the artist for those wanting to check out his music.

trip-leeThe Waiting Room – Trip Lee

This 10-song mixtape is the multi-gifted (musician, author, pastor) Trip Lee’s follow-up to 2014’s excellent Rise, and it gives us some new music until his next full-length studio album, which he has said will be coming soon. The mixtape features excellent writing and musicianship, weighty topics, and some familiar friends (GAWVI, Tedashii, Alex Medina, etc.).

As far as the title, Lee has said that he wanted to give us music, a soundtrack that feels like the world we live in. One of the themes that kept coming up for him was how much waiting we have to do in this life. Themes of waiting, longing for God to heal him, what’s it’s like to be a Black man at this time in our country, and longing for Heaven come through in these ten excellent songs.

Below are a few comments about each of the new songs:

Clouds – This song is written by Dirty Rice, GAWVI and Lee and produced by !llmind, Dirty Rice and GAWVI. It has a great beat that grabs you from the very beginning. It takes you through his ups and downs of dreams and aspirations – from being ready to conquer all the monsters in his way and walking in his calling, to saying he needs a new dream because this one has become a nightmare, and then back again.

Too Cold – This song was written by Natalie Lauren, J.Monty, GAWVI and Lee and produced by GAWVI. It was the first single released. Musically, the beat is very satisfying. He’s not going to let the world mould or pressure him. He’s not going to make decisions about who he is, and what he does based on just what people want him to do and just how people respond to it.

Lord Have Mercy – This song is written by Lee and GAWVI and produced by GAWVI. He slows down the pace a bit as he sings that life this side of glory can be a mess. He first focuses on himself and his sin and then moves out to the world and the problems black men like himself are experiencing. In both cases he needs the Lord’s mercy. He’s waiting for Heaven and until then he’ll be be praising God in the waiting room.

IDK – This song (“I Don’t Know”) is produced by Keyzbaby. The beat is more laid-back. The song is a modern day psalm of lament (think of Psalm 13), as Lee painfully and honestly expresses that life is difficult, and his frustration that God is silent to him and others when they reach out to him for his help.

Ready – This song is written by Joseph Prielozny, Dirty Rice, Dimitri McDowell, John McNeill, Joel McNeill and Lee, and is produced by 42 North and Dirty Rice. The song features McDowell. The laid back tune finds Lee wrestling with his father’s death, the dying process, how he misses him and how he wishes that his father could know his two children. Lee is ready for death himself. Death has already been defeated. He’s ready. He’ll be ready when it’s his time.

Still Unashamed – This song is written by Dirty Rice, Alias (USA), Swoope, Tedashii, Alex Medina and Lee. It is produced by Dirty Rice, Alias (USA), Swoope and Alex Medina. It features Tedashii and samples Andre Crouch’s “We Are Not Ashamed”. The song is bold and has an infectious beat. Lee wants us to know that though the world is a mess, and people have said they have changed, he and Clique ten years later are still unashamed of the Gospel (Romans 1:16). A great song, and my favorite on the album.

Money Up – This song is written by Alex Medina and Lee, and produced by Medina, with additional production by Joseph Prielozny. This song features a good beat and lyrically is a bit different, with Lee role playing from a typical rapper’s perspective. He thinks that once he gets paid, once he makes good money, all of his problems will disappear. But he finds that with more money comes more problems.

Out My Way – This song is written by Alex Medina and Lee and produced by GAWVI. This defiant song is addressed to Satan, a hater, who wants his hope in the Lord destroyed. He owes him no favors, and is going to throw him overboard. But he also admits his own sin, and that not all of his problems are outside of him. The song features an infectious beat and hook.

Longer – This song is written by Natalie Lauren, India Shawn, Dirty Rice, Joseph Prielozny and Lee. It is produced by COBRA and features India Shawn. The laid-back track has similar themes as “Lord Have Mercy” and “IDK”, with him asking again “How long?” as he lets others (label, publisher, etc.) down. The focus here is on the soon to be 29 year-old Lee’s physical ailment (chronic fatigue). The theme of waiting comes up here again as Shawn sings the hook from God’s perspective, asking him to wait a little longer.

Billion Years – The closing song is written by Alias (USA), Natalie Lauren, Tyshane, Taylor Hill and Lee. It is produced by Alias (USA) and Tyshane and features Hill. Over a good beat, Lee longs for Heaven, he’s on his way home and not looking back.

Ain’t no joy that I want that I can’t get
Life as we know it will change
I’m in there with my gang
To be with the Lamb who was slain

Keep Me Singing - Van MorrisonKeep Me Singing – Van Morrison

This is the 71-year old Morrison’s 36th studio album and his first for Caroline Records. He produces the album, his first of new material since 2012’s Born to Sing: No Plan B, which I really enjoyed. The album includes 12 new original songs, as well as a cover of the blues song “Share Your Love with Me”. Many of the songs show him in a reflective mood, looking back at his life. The musicianship is excellent and Van’s one of a kind voice sounds great here.  I really enjoyed this album and you can tell that Van loves making music. Below are a few comments on each of the songs on the album, one of my favorites of the year:

Let it Rhyme – The opening song has an easygoing tempo. It features some light horns, drums, piano, organ, backing vocals and excellent harmonica.  He sings that in time, you’ll be mine.

Every Time I See a River – This song has Morrison collaborating with lyricist Don Black. Every time he sees a river, hears a train or a sad song, it reminds him of a past love and he feels like he is back in love again. There are good horns and nice guitar and organ solos here. Van delivers a great vocal.

Keep Me Singing – This song is about his joy in singing. He references a few Sam Cooke songs. He wants to be singing when the day is done. He’s doing just what he knows what to do. The song features a nice harmonica solo.

Out in the Cold Again – This song features piano, strings, light percussion, and a nice guitar solo. He was “Mr. Nice Guy” for too long, playing the losing role. Now he’s standing all alone, out in a cold black night in this “dog eat dog world”. The focus is on Van’s expressive vocal.

Memory Lane – This song features strings, light guitar and percussion as Van is looking back at his past. He’s stuck here back again on memory lane, where it’s getting dark. He’s back with questions and answers standing in the pouring rain.

The Pen is Mightier Than the Sword – This blues songs is driven by guitar (including a nice solo), organ, light drums, some good backing vocals and Van’s strong lead vocal. Van’s vocal reminded me somewhat of Dylan from his Slow Training Coming album. He can’t tell you what you’re supposed to do, but he’s gotta live by his pen because it’s mightier than the sword.

Holy Guardian Angel – This song features strings, light drums, good backing vocals, and nice piano and guitar solos. He was born in the midnight hour.  He quotes the spiritual “Nobody Knows the Trouble I’ve Seen” – nobody knows the trouble he’s seen. Nobody knows his sorrow, nobody but him. He prays to his holy guardian angel in the witching hour (midnight to 2:00 am), long before the break of day. Van gives a strong vocal in this song that has a gospel sound.

Share Your Love with Me – This is a cover, and a tribute to Bobby Bland, who did the original recording of the song. The song was made popular by Aretha Franklin in 1970. It features a nice organ solo, light horns and drums. It features a great vocal from Van as he stretches his voice here more than on most of the songs on the album. It’s a shame if you don’t wanna share your love with me.

In Tiburon – The fog is lifting and he’s in Tiburon, a town across the bay, just north of San Francisco. Over piano, he sings about memories of places and people he likes there, including a place that Chet Baker used to play his horn. He wants to go back to Frisco. They need each other more than ever to lean on.  Features a nice sax solo.

Look Behind the Hill – This song has a great beat, opening with piano and horns, featuring an upbeat and optimistic vocal from Van. When your troubles are a burden let your mind be still. The sky is clearer just above the ridge. When facing troubles you need to look beyond the hill.

Going Down to Bangor – A blues song that opens with a harmonica solo over guitar and drums. A strong blues vocal by Van, sounding years younger than he is.  There is a guitar solo in the middle, and it ends with another harmonic solo. A highlight.

Too Late – The first single, this upbeat and instantly likeable song features excellent organ, horns, a sax solo by Van, drums, backing vocals behind a strong lead vocal from Van, which turns gruff on the final chorus. As he lets go of old hurts, he sings that it’s too late for a sorrow, and tomorrow just can’t wait.

Caledonia Swing – This upbeat instrumental features Morrison on sax and some great horns, piano and organ over a good drum beat. Caledonia was the name that the Romans gave to the area now known as Scotland/Northern England. Van formed the Caledonia Soul Orchestra in 1973. It would be fun to see Van and his band play this song in a live setting.
acoustic-christmasAcoustic Christmas –Neil Diamond

I’ve loved Neil Diamond’s Christmas music since his The Christmas Album in 1992. But I have to admit that when I saw the title of this album I wasn’t excited. I generally don’t like stripped down releases. However, I’m happy to admit that I really loved this mostly folk-styled new release!

First of all, the 75 year-old Diamond’s voice sounds great on this Don Was and Jacknife Lee produced record. The pair produced Diamond’s 2014 album Melody Road. It was during those sessions that the idea for this project took shape. Diamond recorded the record with a handful of musicians sitting around a circle of microphones and Christmas lights.

The album features traditional well-known Christmas songs, two new songs and some lesser known songs. For the most part, the songs features piano, acoustic guitar and no backing vocals. The album starts out with “O Holy Night” (my favorite Christmas song), “Do You Hear What I Hear?” and the new Diamond penned “Christmas Prayers”. The latter is a bittersweet song about remembering those close to him who are no longer here to celebrate Christmas with him.

The album continues with “Hark the Herald Angels Sing”, “Mary’s Boy Child” and “Silent Night”, before going into a higher gear with my two favorite songs on the album “Go Tell It On the Mountain” and “Children Go Where I Tell Thee”, which both feature backing vocals from The Blind Boys of Alabama.

The upbeat Irish-inflected “Christmas in Killarney”, best known for Bing Crosby’s version, follows. The album closes with a the joyful three-song “Christmas Medley”, including the upbeat “Almost Day” (written by Pete Seeger and others), the Diamond-penned “Make a Happy Song” and concluding with “We Wish You a Merry Christmas”.

If I had one critique it would be that the standard ten-song edition goes too quickly. Perhaps a few more songs could have been included. Otherwise, I loved this new Neil Diamond Christmas album.

chapter-and-verseChapter and Verse – Bruce Springsteen

This album is the musical companion to Springsteen’s massive new autobiography Born to Run, which I’m currently reading. Springsteen personally chose the 18 songs to reflect the themes and sections of the book; songs recorded over a 46-year period from 1966 to 2012, and are included here in chronological order. Of most interest to Springsteen fans will be the first five songs included, which have not previously been available and “Growin’ Up” from 1972, previously available only on the 1998 Tracks box set. The five previously unreleased songs are:

Baby I – This rather crude recording was made with his high school band the Castiles in 1966. Written by Bruce and Castiles’ guitarist George Theiss, this rocker features some good guitars and backing vocals.
You Can’t Judge a Book by the Cover – This song was recorded by the Castiles in 1967, just four months after “Baby I”. It is a cover of a 1962 Willie Dixon song that was made popular by Bo Diddley. Again, this is a rather crude recording. It features some good organ work.
He’s Guilty (The Judge Song) – This song was recorded by his pre-E Street Band group Steel Mill in 1970. It features some excellent guitar that kicks off the song, as well as a solo later in the song, as well as the late Danny Frederici’s organ. We can also begin to more clearly hear Springsteen’s lead vocal here, as well as some good backing vocals.
Ballad of Jesse James – This song was recorded by the short-lived Bruce Springsteen Band in 1972. It features some excellent guitar work and features some good backing vocals. Springsteen was 22 at the time of the recording. He sings “Don’t you want to be an outlaw”? It was recorded 40 years before Springsteen wrote “Outlaw Pete”. The band featured future E Street players Steve Van Zandt, Garry Tallent, Vini Lopez and David Sancious.
Henry Boy – Musically, this is an early version of Springsteen’s classic “Rosalita”, recorded in 1972, though the song has its own story to tell. This solo demo as well as “Growing Up”, was recorded shortly before he began recording his debut album Greetings from Ashbury Park, N.J.  It features Springsteen solo on vocals and acoustic guitar.

The remainder of the album features some of Springsteen’s most popular songs such as “Born to Run”, and focuses largely on his more personal work. Many Springsteen fans will already have most or all of these songs already. While any Springsteen music is worthy of our library, the real attraction of this new collection will be the five previously unreleased songs as well as the connection to the new autobiography.
Never Lose Sight - Chris TomlinNever Lose Sight – Chris Tomlin (Deluxe Edition)

Chris Tomlin is one of my favorite artists. We get the benefit of his music on the annual Passion releases as well as his solo albums. His worship songs are sung by an estimated 30 million people in churches around the world each week, leading some to refer to him as America’s worship Leader. This highly anticipated release is his eleventh studio album and first album of all new non-Christmas songs since 2014’s excellent Love Ran Red.  Tomlin has stated that joy is at the heart of the album because of what Jesus has done for us.

Every well-crafted and performed song on this album is excellent, resulting in what most artists would be proud to have as a “Greatest Hits” collection. It will most likely (short of an unexpected release), be my favorite album of the year.

Below are a few comments on each of the songs on the Deluxe Edition of the album:

Good Good Father – This song was written by Pat Barrett and Tony Brown, and has been recorded by a number of artists, including Housefires. It is probably the most popular song that Tomlin has ever recorded, winning the 2016 Dove Award for song of the year. The single was released a year ago and is still near the top of the Christian charts. The song was also the inspiration for the children’s picture book of the same name co-written with Pat Barrett. 
– Written with Ed Cash, this was the second single released from the album. This is a straight forward worship song about our Savior:
Who walks on the waters
Who speaks to the sea
Who stands in the fire beside me
He roars like a lion
He bled as the lamb
He carries my healing in his hands

Impossible Things – Danny Gokey, a third place finalist on the eighth season of American Idol, joins Tomlin on this song. He recently won the Dove Award for Christmas album of the year for his album Christmas is Here. The songs starts an infectious beat with Tomlin singing over acoustic guitar and drum. Gokey joins him on verse 2 which is from Psalm 23. Our God is with us, we will fear no evil because He does impossible things. This joyful song will be wonderful to sing in a worship service.
Home – Written with Ed Cash and Scott Cash, this song is about longing for Heaven, our ultimate home and where we belong. This is an upbeat, joyful song that opens with hand claps and is instantly likeable. It is based on Revelation 21 and will sound great in concert or a worship service.  
God Of Calvary
– Written by Tomlin, Jonas Myrin and Matt Redman, this is Tomlin’s favorite song on the album. The song takes us from the cross to the resurrection. It begins with what takes place on the cross at Calvary and then moves into a triumphant chorus. We are set free by His wounds and redeemed by His blood. Christ crossed the great divide for us. Redman provided the bridge, from which Tomlin takes the title of the album. He will never lose sight of the cross and Christ. The song then moves to Christ’s resurrection from the dead.
He Lives – This power ballad starts slowly with piano and synth and gradually builds. Christ rose from the grave to life. He lives reigning in power. He lives name above all names. He lives in me. 
Glory Be
– This is an upbeat praise song version of the Gloria Patri. It’s a song from his lips from the time he rises about the Trinity.
Glory be to God, the Father
Glory be to God the Son
Glory be to God the Spirit
All Glory to the One  
Come Thou Fount (I Will Sing) – Like he did with “Amazing Grace (My Chains are Gone)” Tomlin merges a classic hymn “Come Thou Fount of Every Blessing”, written by Robert Robinson in 1758, with some new lyrics. He starts with the hymn over acoustic guitar. The new section is about how God’s mercy yet pursues us, His mercy never fails. Till the day we die we will sing of Him. Features some good backing vocals.    
Yes And Amen
– This song is also featured on Housefires III, and was written by Nate Moore, Chris McClarney and Tony Brown, the latter of which co-wrote “Good Good Father” with Pat Barrett.  He is faithful and all of His promises are yes and amen. Features some good backing vocals. This is one of many songs that will sound good in corporate worship.
All Yours
– This is a worship song about the God of creation. God reigns over all of creation, it’s all His, the earth, sky, the day, the night and every breath we take.  All creation praises him – the mountains, oceans, everything is His. Features a good drum beat as the song builds to a worshipful chorus.  
First Love
– This is a duet with Kim Walker-Smith of Jesus Culture.  It starts with piano and acoustic guitar and slowly builds. Jesus is still our first love and all we are is His. He is our anchor and guiding light and greatest joy. Musically, this is a bit of a departure for Tomlin.

Deluxe Edition Only:
The God I Know – This praise song opens with guitar and drums and builds with a good beat. He sings of God’s goodness and mercy. God will make a way, whatever comes, whatever we face. He is strong to save. He is the Lord and conquered the grave. He works all things for our good (Romans 8:28).      
God And God Alone
– This song was also included in the Passion album Salvation’s Tide is Rising released earlier this year. It is written by Jason Ingram, Jonas Myrin and Tomlin. It opens with an acoustic guitar. It is sung to the Lord that He is forever God and God alone, and forever seated on His throne. Nothing can separate us from the amazing love of the God in Christ Jesus our Lord. (Romans 8:39). Every knee will eventually bow down to the Lord.
Kyrie Eleison
– This wonderful song features the vocals of Matt Maher, Matt Redman and Jason Ingram. Their voices merge well on this song that begins with piano and synths. Lord have mercy and Christ have mercy, hear our cry. Let God’s kindness lead us to repentance (Romans 2:4). Who is this God who pardons all our sins, so ready to forgive? He delights to show His mercy.

these-christmas-lightsThese Christmas Lights – Matt Redman

This is singer, songwriter and worship leader Matt Redman’s first Christmas album.  He is perhaps best known for his song “10,000 Reasons (Bless the Lord)”. To help with the songwriting for the record, Redman went on a retreat to Israel. He walked through the old roads that Jesus would have walked, and went to some of the key places where key events of the gospel happened when Jesus walked this Earth. During this time he thought a lot about Jesus coming as a little newborn baby. His intent is not just to tell the story of Christ’s birth, but to make sure we put ourselves in the story as well.

As always, Redman provides us with biblically based worship music that we can enjoy and also sing in corporate worship this Christmas season.  Below are a few comments on each of the songs:

These Christmas Lights – In the title song, he sings of the lights shining bright as the cry of the angels sing for the glory of the King (Luke 2). We need to sing that sacred song again. This is really a prayer that our eyes be opened and our hearts believe that the wonder of that Christmas night be born in us, and that our Christmas lights will shine for Him alone.   
His Name Shall Be – Written with Jonas Myrin. His name shall be Jesus, it’s the name that came to save us. The joyful chorus for this song comes from the angel’s song in Isaiah 9:6 that we can sing now:
His name shall be called Wonderful,
Mighty God,
Everlasting Father
Prince of Peace for all eternity oh,
His name shall be
O Little Town (The Glory Of Christmas) – This is a new version of the traditional Christmas hymn “O Little Town of Bethlehem”. It opens with Redman singing with piano, and it gently builds with the help of a backing choir. The glory of Christmas is the glory of Christ and the story of his love.
Angels (Singing Gloria) – This song features vocals from Redman’s long-time friend and occasional collaborator Chris Tomlin. It features keyboard, acoustic guitar, horns and choir. It is based on Luke 2:14 – Glory to God in the highest, and on earth peace among those with whom he is pleased!”
Help From Heaven – This song features strong vocals from British singer and songwriter Natasha Bedingfield who shares lead vocals with Redman. It begins with piano and builds gently with strings, and then powerfully with the help of a choir. Every heart needs a rescue, every soul needs a breakthrough. We all need help from Heaven. The song is a bit of a departure for Redman.
Hearts Waiting (Joy To The World) – This song opens with a hand-clap and a sample of the Christmas hymn “Joy to the World”. The chorus joyfully proclaims joy to the World, the Lord has come to us. It closes with a sample from Handel’s “Hallelujah Chorus”, “And He shall reign for ever and ever”.
Glory To You In The Highest (O Come Let Us Adore) – This song features the vocals of urban contemporary gospel singer Tasha Cobbs. It is a song of adoration to Christ, based on Luke 2:14. Christ came to bridge the great divide. To us Christ has been born and to us He has been given. He is the hope of all the earth and the highest name in Heaven. The song builds including a choir and includes a sample of the hymn “O Come All Ye Faithful”.
How Far – This beautiful song has Redman singing with just piano and strings. There is a theme of “how far”? He asks how far is it to Bethlehem where hope was born and sin conquered, and the great divide bridged with perfect grace and sacrifice. How far love has come to bring us home. How far Mary and Joseph went to Bethlehem and how far Christ went for Calvary. No greater grace was ever known. No great love was ever seen.  From Bethlehem to Calvary, our hearts will always follow Him. This simple, but powerful song is my favorite on the album.
Glory Hallelujah – This song begins with a heavy beat, piano, guitar and adds good backing vocals. It is simple lyrically, has a live sound, and would be excellent for corporate worship as we raise our voices high to join the angel’s choir singing the praises of our God.
The Name Of Emmanuel – This song looks at God coming as a man. It opens with keyboards as he asks can it be that the voice that said “Let there be light” is now in the newborn cry of the Christ child. He is God with us (Emmanuel). The holy One is one of us.  Can it be that the almighty God who never rests is lying here in perfect peace? It’s the amazing miracle of Christ’s incarnation, Son of Man and Son of God. The song builds powerfully and features good backing vocals that can lead to nothing other than praise.
Holy Night – This song is about the sacred holy night in the fields of Bethlehem that includes a heavenly symphony from the angels. God has come. God’s glory is shining bright on this holy night. It builds with keys, drums and choir. Let Your Glory shine on us just like on that holy night.

American Prodigal CrowderAmerican Prodigal (Deluxe Edition) – Crowder

After a successful sixteen-year run leading the David Crowder Band that ended in 2012, David Crowder, now known simply as Crowder, released Neon Steeple in 2014, one of my favorite albums of that year. He returns now with American Prodigal, and what he calls “swamp pop”. The album features recurring themes of sin and forgiveness, chains, freedom, being a prodigal and Heaven.  Below are a few thoughts about each of the songs on the Deluxe edition of the album:

American Intro – This brief minute and a half opener features Crowder with a simple piano backing. He wants Heaven to be opened and all of the angels of Heaven to sing along Come on Hallelujah!

Keep Me – This is a prayer to the Lord to keep him walking as the devil keeps calling him back. But the Lord keeps calling him home. It features a foot-stomping, hand-clapping, heavy beat, banjo, fiddle, good backing vocals and even some rapping from Crowder.  The chorus reminded me a bit of Toby Mac’s “Move (Keep Walkin’).

Run Devil Run – The first single, this is a rousing toe-tapping rocker. He sings that he has something that’s going to make the devil run. He has three (the Father, Son and Holy Spirit) and the devil has none. We have revival. A song that will really be fun in concert.

My Victory – Was included on the Passion album Salvation’s Tide is Rising. This is a great song that will be sung in churches around the world. It features more of a Passion band sound than Crowder’s usual “folktronica” sound. It starts slow and then builds to a powerful chorus and the line “A cross meant to kill is my victory”. Amen! One of my favorite songs of the year.

Prove It – This song features Christian rapper KB. It has a foot-stomping, driving beat. It’s about freedom. He sings that if you’re free, prove it. If not, loose the chains on your soul.    

All Your Burdens – This song opens with banjo and then goes into a driving rocker with excellent guitar and drums. He sings that all his burdens weigh him down, but the chains will be broken and we shall overcome and have victory.

Back to the Garden – This song is from the perspective of Adam. He sings that he was born to be royal and made for glory, but was torn from the garden when the devil lied to him.  It starts slow and builds powerfully. He longs to go back to the garden when he walked in the presence of God. The song features a blazing guitar solo.

Forgiven – A powerful worship song that begins with guitar and piano, then builds with banjo and drums. He sings that he was the one who held the nail, hid in the garden and denied Jesus with his lips. Despite this, we can receive God’s unconditional love and find freedom by falling to our knees and receive forgiveness from our sins.

Promised Land (Glory, Hallelujah) – This is a triumphant worship song featuring Crowder’s swamp sound. Who has the power (to save, heal, raise the dead, make me whole, etc.)? It’s his sweet Lord. He’s longing for the Promised Land. It features a rap from Christian rapper Tedashii, who will be touring with Crowder.

All My Hope – This song has the feel of an old-time gospel song. It opens with piano, and builds slowly with light drums and finishes with a great backing choir. He’s been held by the Savior. All his hope is in Jesus. All of his sins are forgiven. He’s been washed by the blood. The chains are removed, he’s freed and forgiven.  One of my favorites on the album.

Shouting Grounds – This song features the swamp pop sound. He should be dead but he’s alive. He’s a prodigal, who was lost but now is found. He wants to be taken to shouting grounds, where it’s going to get loud. No grave is going to hold him down. This is a triumphant, victory song.  Features some Native American chanting toward the end of the song.

Shepherd – The worship song is an adaptation of the 23rd Psalm. It features banjo, light drums and backing vocals. When his heart is prone to wandering, Jesus shepherds him.

All We Sinners – Was also included on the Passion album Salvation’s Tide is Rising. The song begins and ends with acoustic guitar. It’s a triumphant song that starts slow and then builds. The keys to the grave have been stolen and the gates of heaven are open.

American Outro – Begins with him singing Come on Hallelujah from “American Intro”. He’s out of the ruins and back in communion with God. Starts with piano and builds. Includes some distorted vocals.

Praise the Lord – This song, written by Sean McConnell, features an acoustic guitar and builds gently. He sings that as he gets to know the Lord more, he realizes that He’s not who he thought He was. Praise the Lord!

Great Rejoicing – This celebratory worship song infectiously repeats the lines “There’s gonna be, a great rejoicing”, and “There’s gonna be a great joy river”, as the troubles and tears of this world fade away.  It features some excellent lead and backing vocals. It’s a wonderful song about that grand reunion.

American I/O – On this closer he repeats from American Intro and Outro the line Come on Hallelujah. He is out of the ruins and back to communion with God.

i-still-doI Still Do – Eric Clapton

I Still Do is the 71 year-old Eric Clapton’s 23rd (and perhaps last) solo studio album. Clapton has said that he “kind of might be saying goodbye” here. Much of the excitement about this release was around Clapton reuniting with veteran producer Glyn Johns, who produced Clapton’s classic 1977 album Slowhand and 1978’s Backless. The album features mostly cover songs with some new material written by Clapton. The cover is a painting of Clapton by Sir Peter Blake, who previously provided artwork for Clapton’s 1991 live album 24 Nights, and is best known for co-creating the famous cover design for the Beatles Sgt. Pepper’s Lonely Hearts Club Band album. There has also been a lot of attention around a mysterious guest on “I Will Be There”. More about that later.
The band includes Clapton, Henry Spinetti, who has played with George Harrison and Paul McCartney among others, on drums and percussion, Dave Bronze on bass, Andy Fairweather Low on guitar, Paul Carrack on Hammond Organ, Chris Stainton on keyboards, Simon Climie on keyboards and guitar, Dirk Powell on accordion, Walt Richmond on keyboards and Angelo Mysterioso on acoustic guitar and vocals on “I Will Be There”.
Here are a few comments about each song on this fine album:
Alabama Woman Blues – an excellent slow blues version of Leroy Carr’s 1930 recording, featuring guitar, piano, organ and accordion.
Can’t Let You Do It – this is a J.J. Cale song that Cale’s wife Christine provided to Clapton on a CD of his unreleased songs after Cale’s funeral. It has a “Lay Down Sally” guitar sound. Features some good backing vocals, accordion and organ.
I Will Be There – this song features Angelo Mysterioso on acoustic guitar and vocals. Much has been made of this as the name is very close to L’Angelo Misterioso, a pseudonym used by George Harrison when he recorded anonymously, including with Clapton when he was in Cream on the song “Badge”. This led to speculation that the song would include vocals from Harrison, which Clapton has denied. However, could the vocals and guitar be from Harrison’s son Dhani? The lyrics could serve as a tribute to Clapton’s relationship with George.
Spiral – an original slow blues song, it features the line “You don’t know how much this means to have this music in me”.
Catch The Blues – an original song that has a light Latin feel with nice guitars and female vocals. He sings that he has been living in a world of pain. One of my least favorite track on the album however.
Cypress Grove – a cover of Delta Blues artist Skip James, who died in 1969. This slow blues song features some excellent accordion work by Powell.
Little Man, You’ve Had a Busy Day – This tender lullaby shows off Clapton’s tender voice and features acoustic guitar. The song was written by Mabel Wayne, Al Hoffman and Maurice Sigler and first recorded by Elsie Carlisle in 1934.
Stones In My Passway – a Delta Blues song that Robert Johnson recorded in 1937. Features some excellent guitar as well as Powell’s accordion.
I Dreamed I Saw St. Augustine – an excellent cover of Dylan’s song from his 1967 album John Wesley Harding album, again features Powell’s accordion, some tasty guitar and good backing vocals.
I’ll Be Alright – this is a version of the traditional hymn “We Shall Overcome”. Features excellent backing vocals and guitar.
Somebody’s Knockin’ – this is another slow blues J.J. Cale song that Cale’s wife provided to Clapton on that CD of his unreleased songs after Cale’s funeral. Clapton has used this song to open his concerts in recent years. Features some excellent guitar and piano and organ.
I’ll Be Seeing You – This beautiful rendition of a post-war standard popularized by Billie Holiday, takes on special meaning if this is indeed the last song on his last studio album. Features soft percussion, piano and acoustic guitar and Clapton’s tender vocal.

Spirit - Amos Lee

Spirit – Amos Lee

On his sixth studio album, and first since 2013’s excellent Mountains Of Sorrow, Rivers Of Song, Amos Lee serves as producer for the first time and transforms his sound from the previous album’s folk/country sound to a full-band gospel-soul-R&B sound. Lee builds on his concert experiences to make his new sound more dynamic, including an effective use of horns, organ, and background vocals. In addition to members of his road band, he brought in drummer Mark Colenburg and bassist Adam Blackstone to punch up his rhythm section. Lee’s voice has also never sounded better on this album recorded at a converted Nashville church.  I liked this album and the energy in the music a lot, though lyrically many of the songs are about relationships that have gone bad.

This is one the top releases of 2016 thus far. Here are a few comments about each of the songs on the album:

New Love – Opens with piano and then shows off the new full-band sound, particularly the horns with Jeff Coffin on saxophone and Rashawn Ross on trumpet. The song is about the joy of new love, while at the same time showing off the band’s exciting new sound.
Running Out of Time – Since hearing of his “new found faith” on “Windows Rolled Down” on Mission Bell, I’ve been looking for signs of faith and spirituality from Lee.  You find it here on this gospel song, featuring hand claps and a repeated refrain of “Lord have mercy” as he is running out of time. This song is about the brevity of life. Lee called it “A reminder and a recognizing of the impermanence we share here on earth”. The upbeat song includes a reference to a train, a common theme in Lee’s music. It also features some excellent horns and organ. 
– Lee has stated that he wrote this song after being moved by a New Orleans street singer he encountered who had a deep connection with his music. He refers to the “pain that she gave to me”, one of several references to a painful breakup that Lee writes about on the album. The song features piano, organ and background vocals. Lee sings that he just wants to feel the spirit wash over him.   
Lost Child
– One reviewer compares this song to Stevie Wonder from his Innervisions period. I don’t disagree. Through the pain he can see the clouds drifting away for a celebration day. The music is upbeat and catchy, featuring a great vocal, horns, drums and background vocals. 
Highways and Clouds
– Lee has stated that for this song he didn’t want to just do the standard waltz feel that’s led by the acoustic guitar, but wanted to add dimensions to the arrangements and try to transform them, rhythmically and instrumentally, so that the album was cohesive.  This song opens with acapella vocals, followed quickly by Lee’s and Luther Dickinson’s guitars, and then drums, keyboards and horns. This is another story song. The singer is from the Badlands. Highways and clouds meet in the middle. Features some effective backing vocals.
Lightly – This is another of Lee’s “story songs”. He is from “all over”, was born in the wind, and has learned to travel lightly, living alone, and if he moves fast enough the darkness can’t catch up to him. Features some good background vocals and guitar.    That comes through beautifully on a striking ballad called Lightly, which Lee builds around a surprisingly elegant banjo riffThat comes through beautifully on a striking ballad called Lightly, which Lee builds around a surprisingly elegant banjo riffThat comes through beautifully on a striking ballad called Lightly, which Lee builds around a surprisingly elegant banjo riff
One Lonely Light – This beautiful song starts as an acoustic number and gently builds. The singer states that there are times when he doesn’t feel like he is “a damn bit of good”. He sings of pain on this gospel flavored song, which features good backing vocals. He sings of storms in the night with waves raging and crashing and winds howling. What is the lonely light he sings of? Is it a woman? Is it God? Who is he singing to as he sings “Oh I’ll sing for you, what more can I do, Oh I’ll sing for you”.   
Wait Up For Me
– This songs features an acoustic guitar, piano, accordion, mandolin and gentle backing vocals. The singer encourages a woman to wait up for him so she doesn’t have to be alone. He is on the road, lost in the world, ragged and blue. But he’s coming home. Musically, this song would fit on Mountains Of Sorrow, Rivers Of Song.  
Til You Come Back Through
– Lee sings in falsetto here as he delivers an outstanding vocal performance.  He sings to a woman he has been waiting his whole life for, but she is leaving forever. He has no choice but to say good-bye until she comes back through. Features acoustic guitar and keyboards, but the focus is on Lee’s emotional vocal.     
Hurt Me
– This song features punchy strings. It’s another song about a relationship that has gone bad. He’s feeling blown away and is at the breaking point. He doesn’t know how he will make it through the day. He doesn’t want mercy tonight and asks if she is strong enough to watch him die. He sings that he’s begging her to free the pain that locks me up inside.  
– The first single from the album, this is another song about a painful relationship that has gone bad. Programmed beats and piano open this song. In an emotional vocal, he sings that he’s going to vaporize everything that’s inside and get “high, high, high….”    
– Lee sings this song about a failed relationship in falsetto. It has a soft beat punctuated by keys. He sings that she’s writing on his walls that she’s not in love with him anymore and has found someone new. Features some good backing vocals.   
With You
– This song opens with acoustic guitar and features some amazing strings and vocal from Lee. He is singing to a woman that he doesn’t want to lose. He wants to see another summer and sunsets with her.  He’s going to keep her with him wherever she goes.

Pure McCartney by Paul McCartney

I grew up as a huge Beatles fan and have followed the band members solo careers as well, by far the most commercially successful and prolific being Paul McCartney.  That’s not to say that there haven’t been some pretty uneven albums along the way (Pure McCartneythink of 1971’s Wild Life by Wings, for example).  Recently I saw McCartney on tour for the twelfth time. One of the things I always look forward to is what songs he will pull from his impressive Beatles, Wings and solo career to play on the tour. Several songs from his compilation show up on his new “One on One” tour set list. This compilation, his fourth, after 1978’s Wings Greatest, 1987’s All the Best and 2001 Wingspan, includes songs from his 1970 debut McCartney to his 2014 single “Hope for the Future” and his 2015 remix of “Say Say Say”, a hit with Michael Jackson.

The collection comes in multiple formats, with the deluxe edition including 67 (25 of which have been newly mastered), solo, Wings and Fireman songs, more than 40 of which were Top 40 hits. McCartney had more than 300 songs to choose from – from 17 solo, 7 Wings and 2 Fireman studio albums.   McCartney and his team came up with the idea of putting together the collection “with nothing else in mind than having something fun to listen to”.

There will always be songs left off that you would like to see on an artist’s compilation project. I was surprised that no tracks from his fine 1989 Flowers in the Dirt album or 2001’s Driving Rain were included, for example.  On the other hand, 8 songs were included from his 1997 Flaming Pie album and 5 from his latest, 2013’s New, were included. I would also have liked to see some more rarities, such as “Girl’s School” and “Spies Like Us”.  One rarity does show up, the children’s song “We All Stand Together”, as well as several “deep cuts” from McCartney solo, Wings and Fireman albums, a particular favorite of mine is “Warm and Beautiful” from the mostly forgettable but best-selling 1976 Wings at the Speed of Sound, where McCartney let all band members take a turn at lead vocals.

Despite the above minor concerns, I enjoyed listening to these songs, all but “We All Stand Together” I once had, but many of which I didn’t have in a CD or digital format. Sit back and enjoy these songs covering McCartney’s amazing now 46-year post-Beatles career.

Note: Pure McCartney gave me the idea to make my own McCartney mixtape, using my favorite Beatles songs he sang lead on as well as my favorites from his solo career. Although I still am adding to the mixtape/playlist, it currently has 233 songs on it.

A good companion to this compilation for McCartney fans would be Philip Norman’s new biography Paul McCartney: The Life.
Stranger to Stranger by Paul SimonStranger to Stranger by Paul Simon

Never one to rest on his impressive laurels, 74 year-old Paul Simon returns with Stranger to Stranger, his thirteenth solo album, five years in the making, and his first studio album since 2011’s excellent So Beautiful or So What. The album is produced by Andy Smith and 81 year-old Roy Halee, a longtime collaborator whose relationship with Simon goes back to the original Simon and Garfunkel days in 1964.

This risk-taking album takes many listens to fully appreciate. It includes two instrumentals and is in many ways experimental, pushing boundaries and featuring a wide variety of instruments, electronic beats, loops, samples, a gospel music quartet, horns and synthesizers.  The album is heavy in percussion, with four of the album’s first six songs not even using a guitar. Simon was influenced by the works of Harry Partch, an American composer, music theorist, and creator of musical instruments. Partch experimented with microtonal tunings. In fact, Simon has said that there is not a lyrical theme to the album, but rather a sound theme, though like his last album, God and the afterlife are recurring themes here.

Here are a few brief comments on each of the songs on the standard edition of the album:

The Werewolf The opening song is about a werewolf, an angel of death. She is looking for other victims to kill. It’s the end of the rainbow, midnight, and she really has the appetite. It is the first of three songs that Simon collaborates with the Italian electronic dance music artist Clap! Clap! A good beat plays behind Simon’s vocal.

Wristband This also features Clap! Clap! It’s one of my favorite songs on the album, about a musician who goes out for a smoke, and then is unable to get back into the venue he is playing at because he doesn’t have the required wristband.  The song then pivots about the homeless and lowly who can never get through the door. Again, an infectious beat behind Simon’s vocal along with some good horns.

The Clock A short instrumental, the first of two instrumentals on the album that were originally written for John Patrick Shanley’s play Prodigal Son. Simon said that he decided to insert them in the album to give a little space after songs.

Street Angel The third song that features Clap! Clap! The central character from this song also appears in “In a Parade”, the first time a Simon character appears on two songs of the same album.  Simon samples 1939 gospel vocals from The Golden Gate Quartet, a favorite of his.  An interesting verse that doesn’t seem to go along with the rest of the song is:

If God goes fishing
And we are the fishes
He baits his lines
With prayers and wishes
They sparkle in the shallows
They catch the falling light
We hide our hearts like holy hostages
We’re hungry for the love, and so we bite

 Stranger to Stranger Simon slows it down on what could be a song to musician wife Edie Brickell. He asks that if they met for the first time could they imagine falling in love again. He is jittery, it’s his way of dealing with his joy. Features some effective horns.

In a Parade The singer may be in an ER, which tonight feels like every wounded soul, or in a parade and can’t talk now. Street Angel reappears, as does the line from the song “Street Angel”, “I write my verse for the universe”.  Features an infectious percussion beat.

Proof of Love This song was inspired by Simon’s visit to a spiritual healer in Brazil when he was suffering from reoccurring violent nightmares. He asks the Lord for proof of love, and hears a voice telling him not to be afraid that his days won’t end with night.

In the Garden of Edie This song is about Simon’s wife Edie, and is the second instrumental included that was originally written for Prodigal Son.

The Riverbank The mostly upbeat sound contrasts with the subject matter here. The song was inspired by a teacher that Simon knew who was killed in the Sandy Hook Elementary School shooting in December, 2012 and also depicts the funeral of a veteran who committed suicide.

Cool Papa Bell A favorite, this song is partially about a center fielder in the Negro league baseball from 1922 to 1950. He is considered to have been one of the fastest players ever to play the game. Simon sings that most will get to Heaven someday, but not the person he is singing to. They will have to stay and explain the suffering and pain they caused. The song, which has a Graceland vibe to it, includes some adult language.

Insomniac’s Lullaby This acoustic song features the use of instruments created by Harry Partch. It has a melancholy feel to it as he sings for the Lord not to keep him up all night with questions he can’t understand, such as how the builder of bridges will deliver us all to the faraway shore.

Where The Light Shines ThroughWhere the Light Shines Through (Deluxe Edition) – Switchfoot

Switchfoot is one of my favorite bands, second only to U2. This is their first full-length album since their chart-topping 2014 album Fading West. An EP of songs from the Fading West sessions The Edge of the Earth, was also released in 2014.  Lead singer/songwriter Jon Foreman also released four solo Wonderlands EPs in 2015.

This is the band’s 10th album in their 20-year career. It is also the first time in ten years that the band has worked with producer John Fields, who worked with them on their 2003 breakthrough album The Beautiful Letdown, as well as 2005’s Nothing is Sound and 2006’s Oh! Gravity. Bassist Tim Foreman has said that the band went through a dark season and the record become a source of light in the middle of that dark season. He stated that the album rose organically out of the ashes of adversity.

This is an excellent new release from the band that always sounds fresh. Jon Foreman’s vocals are excellent and Chad Butler’s drums really stand out. I would have liked a few more rockers, but still love the album.

Below are a few comments on each of the songs on the deluxe edition, which debuted on iTunes Top Albums chart at #2:

Holy Water – a strong opener with grungy drums and guitars that reminded me of the band’s raw Oh! Gravity sound. Jon sings that he has fought the fire with fire and he wants to taste the Lord’s love again.

Float – features an infectious funky beat. I liked this song instantly. Jon sings “Turn it up so I can feel it. Loud enough so I can get near it.” He sings don’t let them tell you what to feel like, and that money’s going to leave you broken-hearted. It can’t finish what we started.  A favorite.

Where the Light Shines Through – opens with guitar, then quickly goes into drums and the full band. Jon sings encouragingly that we can’t run away from ourselves. He sings that our scars shine like dark stars and that our wounds are where the light shines through, it’s where the light finds us.  The band describes it as “a gospel song – an open palms altar call – bring your scars and abuse and bruises with you”.

I Won’t Let You Go – opens with acoustic guitar. Jon offers a vulnerable Bono-like vocal as the song builds. This song works on different levels, including being a song in which the Lord is speaking to us about trusting Him.

If you could only let go your doubts
If you could just believe in me now
I swear, that I won’t let you go

Another line that was powerful was “pain gives birth to the promise ahead”.

If The House Burns Down Tonight – begins with Jon singing over an acoustic guitar. He sings that the truth is what remains and what you save from the fire. The songs turns into a driving rocker, featuring excellent drums. It could be a song about his wife. He wants passion, the fire. If he loses everything (the house burns down tonight), he still has everything he needs with her by his side. The rest can burn.  A powerful line is “ashes from the flames, the truth is what remains”.

The Day That I Found God – a lighter song musically, this one starts slow and builds. A key line is “I found out the day I lost myself was the day that I found God”.  Another highlight.

I found strength but it wasn’t what I thought
I found peace in the places I forgot
I found riches ain’t the things that I had bought
I found out
The day I lost myself was the day that I found God

Shake This Feeling – opens with guitars. A mid-tempo rocker about a relationship that is falling apart. You can feel the pain. Words have been said that can’t be taken back. They are going to have to fight to fall back in love again.

Bull in a China Shop – a rocker that starts with a screeching guitar and great drums with good backing vocals. The chorus us “I wanna rock this block like a bull in a china shop”. Jon asks what we are waiting for as the future is here. It’s a bold songs, he sings that fear is all he’s got left to fear.

Live it Well – in this encouraging and uplifting song Jon sings that life is short, he wants to live it well. He wants to burn brighter than the dawn. He wants to take full advantage of what he has been given, and we should as well.

Looking for America – a powerful song featuring Lecrae, this song is about America. The song acknowledges that the Lord knows we need plenty of change in our country. Features a great beat molding Lecrae’s and Switchfoot’s sounds with challenging, bold lyrics. It reminds me thematically of Lecrae’s “Welcome to America” from his Anomaly album.

America, who are you?
Is God still on your side?

Healer of Souls – an out and out rocker with great guitars and drums. Jon acknowledges that we have problems. We are a nation torn by the clashes. We need to turn to the Lord, the healer of souls. This song will sound great in concert.

I want more than just a crutch to lean on
Yeah I’m looking for that freedom
So let’s go there
To the healer of souls

Hope is the Anthem – a slower song featuring synth, keyboards and light drums.  Jon sings that sometimes what we need is what we fight. He sings that God’s love is what he was running from. The Lord’s hope is the anthem of his soul.

Light and Heavy – was first played live by Jon in 2009, when he dedicated it to a friend and fellow musician who had recently died of cancer. Starts with Jon singing with bass and drum and then builds. Jon sings that he is travelling light with a heavy heart. A personal song, perhaps to a friend, as he sings “I hope you find what you were looking for”.

Begin Forever – A light rocker. It appears to be about a relationship that has gone wrong. Jon sings that it’s never too late to try. It’s never too late to begin forever.

When was the Last Time – a light rocker with a good beat driven by the drums. A key line is “When was the last time you tried something for the first time?” Life is difficult but he would rather be happy than typical. Take chances. Step out. A good challenge to end the album with.


NEEDTOBREATHE returns with their sixth studio album, following 2014’s excellent Rivers in the Wasteland, which was followed by their hit single “Brother” with Gavin DeGraw.  Although the band was in a dark place when that album was recorded, lead singer Bear Rinehart has stated that the new album is mostly a story of redemption.  Keyboardist Josh Lovelace has spoken about this album being more accessible lyrically and the band taking some chances sonically, using a lot of new sounds and synth throughout.  The album was co-produced by the band and recorded in Charleston, South Carolina.

Below are a few comments about each song on the new album that debuted at #1 on iTunes Top Albums chart:

Mountain, Pt 1 – the album starts with this less than one minute song, with a new sound for the band featuring electronically distorted lyrics. This short song then quickly transitions into the title track.

Hard Love – this driving song features a strong vocal from Bear. It opens with a great line “Trading punches with the heart of darkness”, but we find that his strength is in the love he has found. It features a memorable and encouraging chorus that will sound great in concert:

Hold on tight a little longer
What don’t kill ya, makes ya stronger
Get back up, cuz it’s a hard love

Money & Fame – this song features some great horns. Bear sings with regret, perhaps to young musicians about the negative effects of money and fame. A great line is “I found the bottom from the top somehow.” Perhaps in speaking of personal compromise, he sings that everybody’s got a price, and it’s even lower than you think it is.

What do you kids wanna know about now?
I made enough to make a young gun proud
Money and fame bring a man to shame

No Excuses – this song opens with acoustic guitar, and then builds with bass, keys, hand clap and backing vocals. It’s a sad song. He is singing to a girl he has known since high school. There are no excuses for what she is doing, tightening the rope around his neck.

When I Sing – this song immediately grabs you (and holds you) with a good beat, featuring drums, keys, horns, hand clap and backing vocals.  This one will sound great in concert as the crowd sings along.

When I sing
You’re the song that I’m singing
In my moment of weakness
When I sing
It’s just my way to tell you I need you

Happiness – this song opens with hand clap, backing vocals and keys. There is a light he sees, but it’s far in the distance. He is asking for forgiveness, which he states is “all for you in my pursuit of happiness”.  He encourages the listener by singing that the song ain’t nothing if it can’t set you free. He sings:

These days are tough, these days are long
Sometimes it’s hard, you carry on
But I hear a voice singing and I know it’s true

Great Night – this song features Shovels and Rope, a duo from the band’s hometown of Charleston, composed of husband Michael Trent and wife Cary Ann Hearst. It features a driving beat from the beginning, driven by strong drums. This song is fun musically, and will sound great in concert, but is weak lyrically (about having a great night on the dance floor).

Be Here Long – this is a serious song that deals with grief and love lost. It’s a good reminder that our time on earth is short, as we don’t get to be here long. It features keys, light drums and effective backing vocals.

I gave you the best of me
Loved you more than anything
But we don’t get to be here long  

Don’t Bring That Trouble – this song features a screeching guitar, keys and a driving beat. He has been through that fire. He wants us to hold on but not to hold him back. He’s going home and everyone is invited but don’t bring that trouble with you. Features some Creedence-like guitar.

Let’s Stay Home Tonight – this is a personal and romantic song that is simple musically, featuring some good keys and acoustic guitar. It’s a song to his wife about slowing down. He suggests that they just stay home, put some records on, put a fire on and dance till dawn. They don’t even need clothes on.  It’s my least favorite song on the album.

Testify – this is a wonderful worship song which will find play on Christian radio and be sung in worship services. Come to the fountain and you can be satisfied. Let me hear you testify.

Clear – the closing ballad sounds like it could be a song to a woman or God, but I believe it’s the former as he refers to “Honey”. It features acoustic guitar and keys. It tends to drag on too long and is not one of my favorite songs on the album.

This is another strong album from the band. It features some great songs and a few I didn’t like too much. The pacing could have perhaps been better as my two least favorite songs come near the end.

Keith and Kristyn GettyFacing a Task Unfinished – Deluxe Digital Edition

This is the first album of mostly new material from the pre-eminent modern hymn writers Keith and Kristyn Getty since 2012’s Hymns for the Christian Life (though they have released a Christmas album, live album, an EP and a live Christmas album since that time). The studio album, recorded in Nashville’s historic Ocean Way Recording studio, champions mission and congregational singing, features the Getty’s excellent band, live congregational singing and a few special guest appearances (Chris Tomlin, Fernando Ortega, John Patitucci and Ladysmith Black Mambazo). The album is produced by Nathan Nockels.

The Deluxe digital edition features 17 songs. Here are a few brief comments about each of these wonderful songs, a true gift to the church:

Facing a Task Unfinished – This hymn was originally written in 1931 by China Inland Mission (now OMF International) worker Frank Houghton with music by Samuel Wesley. The Getty’s were asked by OMF to add a new chorus to the hymn, and they were joined by Ed Cash, and Fionan de Barra. An estimated one million believers in more than 5,000 churches in 100 countries joined together to sing this new hymn on February 21. The chorus below was added to the original hymn, and the recording features some excellent congregational singing:

We go to all the world
With kingdom hope unfurled
No other name has power to save
But Jesus Christ The Lord

May the Peoples Praise You – This is an upbeat hymn that features the Getty’s “green grass” band feel.  Inspired by Psalm 67, this hymn is a call to worship and mission.

May the peoples praise You
Let the nations be glad
All Your blessing comes
That we may praise
May praise the Name of Jesus

Living Waters – The mid-tempo song was released as a single a few weeks before the album release.  Christ is calling to those who are thirsty, empty, tired and broken, to come to Him, our living waters.  This song is an invitation to come and be filled and healed, and to walk in life and freedom.

O Children Come – featuring the vocals of Ladysmith Black Mambazo. A live version was included on their 2015 album Joy – An Irish Christmas LIVE. Originally written as a Christmas carol, this invitation song challenges us both to follow Christ and to go with the good news of Christ in words and in deeds of mercy to a needy world. The songs features an infectious beat and also the children of some of the band members singing along.

My Worth Is Not in What I Own – This is a wonderful hymn that we often sing in our church that was first included on their 2014 EP The Greengrass Session. It features one of my favorite artists Fernando Ortega.

My worth is not in skill or name
In win or lose, in pride or shame
But in the blood of Christ that flowed
At the cross

For the Cause – This hymn was written with Stuart Townend on the call to missions and the cause of the Kingdom around the world. It is dedicated to Danny Akin and Southeastern Baptist Theological Seminary. The song showcases the excellent band and their greengrass sound, featuring some good percussion work.

For the cause of Christ we go
With joy to reap, with faith to sow
As many see
And many put their trust in the Son

Lift High the Name of Jesus – This is the third version of this wonderful upbeat hymn that has been released. It was first included on the album recorded live at the Gospel Coalition Conference and later on the The Greengrass Session EP. The band gets to show off on this version leading to the celebratory chorus:

Oh sing my soul,
And tell all He’s done,
Till the earth and heavens are filled with His glory!

The Lord Is My Salvation – This is a song of testimony, inspired in part by Psalm 27. The piano slowly builds.

Who is like the Lord our God?
Strong to save, faithful in love
My debt is paid and the vict’ry won
The Lord is my salvation

We Believe (Apostle’s Creed) – This song features an old melody of Keith’s that has been refreshed with a song based on the Apostle’s Creed. They collaborated on this song with their friend, John Patitucci, in a fusion of music influenced both by Jazz and the folk music of Scandinavia and Ireland. The band really shines on this song.

He Will Hold Me Fast – This song is written by Matt Merker, adapting some original lyrics by Ada Habershon. The Gettys felt it would be a comfort and encouragement to God’s people as we live out our faith in these difficult times, whether in suffering, persecution or death. The music is beautiful, with piano and strings supplemented by some effective congregational singing.

Psalm 24 (The King of Glory) – With this song, written with Chris Tomlin and Ed Cash, the Getty’s tried to capture a sense of Christ’s victorious rule of all the earth and the joy this brings to His people, as told in Psalm 24. The song has a bit of a different sound with some Eastern musical influences.

He reigns, He reigns
Jesus the Lord
He reigns, He reigns

O Church Arise (Arise Shine) – This song was originally included on their 2007 album In Christ Alone, and also included in their live Gospel Coalition album.  It features Chris Tomlin on backing vocals.

Beyond These Shores – This is an instrumental track featuring John Patitucci.

Consider the Stars – This is a beautiful piano-based lullaby that John Patitucci wrote for the Getty’s three daughters to help them go to sleep at night.

Jesus Tender Shepherd Hear Me – The words of this hymn were written by Mary Duncan in 1839. It was a hymn that she composed for her children.  Kristyn sings accompanied by only an acoustic guitar. Some new lyrics have been added to Duncan’s original hymn.

Let the Earth Resound – This is a 2004 song written by Keith and Stuart Townend, recorded for the first time by the Getty’s. It features some good congregational singing.

King immortal, Faithful God
Crowned with splendour, rich in love.
Let the heavens and the earth resound
With songs of praise to You.

Those who Wast Rich Beyond All Spendor – This 1934 hymn, is another one written by Frank Houghton. It begins with beautiful strings, and only a piano is added as we focus on the lyrics sung by Kristyn.

Lyrics to these songs (with the exception of “Jesus Tender Shepherd Hear Me”) can be found on the Getty’s site here.

Dylan -Fallen AngelsFallen Angels – Bob Dylan

Bob Dylan’s 37th studio album is his second volume of songs that he has recorded that have been mostly sung by Frank Sinatra. In fact, of the twelve songs here that were personally picked by Dylan, only “Skylark” was not recorded by Sinatra.

The album was primarily recorded at the same time and with the same core band as 2015’s acclaimed Shadows in the Night, which reached the top ten in seventeen countries and debuted at number one in the U.K. So Shadows could have been a double album. Should we consider Fallen Angels an album of songs not good enough to be included on Shadows and only released because of the success of the initial release? Are these the leftovers? No, this album is a triumph, a masterpiece, from an artist that never fails to surprise.  Dylan, who will turn 75 four days after this album is released, has done something like this before with two albums of folk covers, 1992’s Good As I Been to You and 1993’s World Gone Wrong.

The low-key arrangements of the songs, with Dylan being backed by his excellent touring band, with great work by Donny Herron on pedal steel guitar, acoustic guitar and light drum, puts Dylan’s weathered but effective voice up front and center. It was self-produced by Dylan using his Jack Frost pseudonym. As with Shadows, his voice sounds the best it has in years.  If you enjoyed Shadows you’ll enjoy this excellent new album.

Here are a few thoughts about each of the twelve songs:

Young at Heart – Written by Johnny Richards and Carolyn Leigh, it was recorded by Sinatra in 1953.  Features guitar, some light bass and a particularly expressive vocal by Dylan.

Maybe You’ll Be There – Written by Rube Bloom and Sammy Gallop in 1947 and recorded by Sinatra in 1957. The band is supplemented by strings and some light horns.

Polka Dots and Moonbeans – Written by Jimmy Van Heusen and Johnny Burke it was Sinatra’s first hit with the Tommy Dorsey band in 1940. The song begins with an extended acoustic guitar and pedal steel opening as it leads to a light breezy beat.

All the Way – Written by Jimmy Van Heusen and Sammy Cahn and recorded by Sinatra in 1957. This was the second single released from the album and features an excellent vocal from Dylan over the pedal steel guitar of Donny Herron and a relaxed beat.

Skylark – Written by Hoagy Carmichael and Johnny Mercer and recorded by a number of artists including Bing Crosby.  This is the one song on the collection that was not recorded by Sinatra. It opens with an acoustic guitar and strings moving to a light breezy beat that really shows off the band.

Nevertheless – Written by Harry Ruby and Bert Kalmar and recorded by Sinatra in 1950. It features light percussion, pedal steel guitar, and a nice guitar solo near the end of the song.

All or Nothing at All – Written by Arthur Altman and Jack Lawrence, and recorded by Sinatra in 1939. Was included as part of Dylan’s set list during his recent Japan tour dates.  A bit of a faster pace than most songs on the album, featuring a nice guitar solo near the end of the song.

On a Little Street in Singapore – Written by Peter DeRose and Billy Hill and recorded by Sinatra with Harry James and His Orchestra in 1944.  It opens with a guitar solo and Dylan shows some vocal flexibility here.

It Had to Be You – Written by Isham Jones and Gus Kahn and recorded by Sinatra in 1980. Features a particularly good Dylan vocal here over a subdued backing, featuring some light, muted horns. A nice acoustic guitar solo comes in the middle of the song.

Melancholy Mood – Written by Walter Schumann and Vick R. Knight, Sr. and recorded by Sinatra in 1939. Was the first single from the album and was included in Dylan’s set list during his recent Japan tour dates.  It opens and closes with a nice extended guitar solo over a light drum.  Some of Dylan’s best vocal work on the album as he sounds very comfortable here.

That Old Black Magic – Written by Harold Arlen and Johnny Mercer and recorded by Sinatra in 1961. Was included as a part of Dylan’s set list during his recent Japan tour dates.  A faster pace than most songs as the light percussion is more pronounced here as they drive the pace of the song. Definitely a standout. Dylan delivers a great vocal performance.

Come Rain or Come Shine – Also written by Harold Arlen and Johnny Mercer and recorded by Sinatra in 1961. Features a relaxed pace and some tasty guitar.

TedashiiThis Time Around – Tedashii

Tedashii follows his 2014 album Below Paradise with this 7-song EP.  He describes the project as completely different from anything he’s ever done before, but still authentically who he is. It features the kind of optimism that comes from overcoming the tragedy of losing his one-year old son in 2013. The project shows his growth in all ways – the sound, lyrics and themes. It shows his growth as an individual and artist, his progression as an artist and being himself.  Although he is still dealing with the tragedy, the new music exemplifies who he has become after everything he has gone through.

Tedashii worked with several producers on this effort, including GAWVI.  Three songs were released prior to the EP release date, the first of which was “Be Me”, produced by GAWVI, in which he states “No matter what happens, I’m still unashamed”.

The second single released, my favorite on the EP, and favorite song thus far this year, is the celebratory “Jumped Out the Whip”, which he debuted at the 2015 Dove Awards. It is also produced by GAWVI.   Watch the video here. The third single was “808”, a slow jam that is a love song for his wife. She makes his heart beat like an 808 drum machine.

You, you got my heart
You got my heart goin’ down in flames
And it’s beatin’
And it’s beatin’ like an 808
Like boom, boom, boom, boom, boom  

The other new songs are:

This Time Around – opens with news clips from today’s headlines, with him singing that with all that is going on in the world these days, we can make it better this time around. He’s tired of all of the funerals taking place around him. He’s realistic, but optimistic as well about a better future.  This is a slow jam that includes some backing female vocals.

I Get It – he really brings it on this track, which features some additional vocals. He gets it, and hopes we do too.

In My Life – a very different track from the others, this acapella number features a female lead vocal, with effective backing vocals. She sings that as long as you’re here with me, I can do anything. Though creative and different, it’s still my least favorite of the seven new songs, and perhaps the one misstep here.

I’m Good – Tedashii sings lead and backing vocals over a guitar backing. It’s an optimistic closer with a very catchy chorus that will leave you humming it throughout the day and will sound great live in concert. Behind “Jumped Out the Whip”, it’s my favorite of the new songs musically, and my favorite lyrically.

Selected Songs – Propaganda Selected Songs Propaganda

Propaganda has been described as a poet, political activist, husband, father, academic, and emcee.  In the song “Don’t Listen to Me”, included here, he also tells us that he is the son of a Black Panther with a Mexican spouse and Caucasian best friends. He is a college graduate with teaching credentials, and a rapper who brings a bold message through aggressive battle raps to smooth introspective rhythms. I first heard him via his contributions to some of Lecrae’s songs.   The first of his albums I purchased was his excellent 2014 release Crimson Cord. Five songs from that album are included here in this compilation of eleven of the best songs from his work to date, which includes five studio albums.

Propaganda’s style of rap (poetic, spoken word, etc.) and his excellent use of percussion distinguish him from some of the other artists (Lecrae, Trip Lee, Andy Mineo, KB, Tedashii) that I listen to.  He brings passion to his subject matter, as varied as public education (“Bored of Education”), or what it feels like to a black man when pastors quote the Puritans (“Precious Puritans”), the latter of which particularly got my attention. You see, I love the writings of the Puritans (Jonathan Edwards, John Owen, Matthew Henry, etc.), and use The Valley of Vision (which he mentions in the song) as part of my daily devotional reading. It was good for me – as a middle-age Caucasian male, to hear how pastors quoting some of these writers can impact African Americans (he raps of them being chaplains on slave ships, etc.), something I hadn’t thought of before.

Propaganda will challenge you with his bold messages. It may stretch your mind and heart.  That’s good for me. I highly recommend his music, and this compilation is an excellent introduction if you are not currently familiar with him.

 Worship and BelieveWorship and Believe (Deluxe Edition) – Steven Curtis Chapman  

This is Steven Curtis Chapman’s 23rd studio album and the first worship album in his wonderful career that to date has resulted in 10 million albums sold, 46 Christian radio number one songs, 5 Grammy Awards and an incredible 58 Dove Awards. The album is available in three different formats, the standard edition with eleven studio songs, and deluxe editions including either four or six of the songs recorded live.  I think worship music sounds good in a live format, but you’ll have to decide if the live versions are worth the additional cost.

It was when Chapman was on The Story tour with Pastor Randy Frazee that he first heard about BELIEVE, a 30-week church curriculum that Frazee was working on as the follow-up to The Story. Chapman wrote these songs to accompany the BELIEVE curriculum to be used by thousands of churches, but the songs certainly stand on their own as a worthy addition to Chapman’s outstanding body of work.

Chapman collaborates with some of the best artists in the worship music genre – Chris Tomlin, Matt Redman and Matt Maher, as well as Rend Collective and the drummer for One Direction. Long-time fans will enjoy his signature sounds in these songs addressed to God that I’m sure are already starting to appear in congregational worship.

Below are a few brief comment on each of the new songs:

We Believe – starts with acoustic guitar as Chapman sings of creation praising the glory of God. It builds into a bold song that will sound great in congregational worship.

One True God – a highlight, this track features Chris Tomlin in a song that would comfortably fit on a Tomlin release, as the two artists trade verses in a wonderful song about Christ as the one true God.

Amen – the first single, this high energy song features Rend Collective. It builds with a chorus that concludes in worship with “And all that we can say is….Amen!” for all that the Lord has done for us.

Hallelujah, You are Good – another highlight, this one features vocals from Matt Maher, one of my favorite artists. It’s a straightforward song to God that starts slowly and builds about His goodness. The song has an effective use of strings.

More Than Conquerors – based on the wonderful truths of Romans 8, that there is no condemnation for those who are in Christ and that we are more than conquerors through Him who loved us. The chorus has the same celebratory sound that “Amen” features.

Sing for You – beginning with acoustic guitar, this song is about the church making a joyful noise to the sovereign Rock of our Salvation. It starts slow and builds to a joyful chorus about glories of His grace and wonders of His love. A choir effectively joins Chapman near the end of the song.

Who You Say We Are – starting with a piano, this is a song of thankfulness to the Father for the greatness of His love and to the Son for the sacrifice He made for us. All we can say in response is “Thank You”.

The Body – we are the body of Christ. This song asks the Lord to empower us to do great things for Him.  He quotes part of the Lord’s Prayer and some lyrics directly from Chris Tomlin’s “God of this City”.

King of Love – starts slowly with just a piano, building with strings and drums, this is a song about believers serving for the Glory of our King Jesus.

We Are Listening – opens with miraculous works of God that take place at His powerful word (creation, healing). This is a prayer for us to hear the voice of our Trinitarian God. It’s a mid-tempo song that builds into a joyful chorus with some good backing vocals.

God of Forever – starts with acoustic guitars and builds to a joyful chorus with some good backing vocals. This is a song to our sovereign God ~ He is the first and last ~ He is forever and has saved us to be forever His. We will forever sing praises to Him.

steve taylorWow to the Deadness – Steve Taylor and the Perfect Foil

Steve Taylor has been one of my favorite artists since his 1983 EP I Want to Be a Clone. I was a new believer, and his witty, honest and creative way of expressing his beliefs and the hypocrisy he saw in the church really resonated with me, and still does. Since that time, I’ve purchased all of his music (solo, Chagall Guevara, Perfect Foil), and seen him in concert several times. Hey, I was even a member of his Clone Club!

In addition to being a singer and songwriter, he is also a film director (The Second Chance, Blue Like Jazz), songwriter (Newsboys), producer “Kiss Me” by Sixpence None the Richer, and record company owner (Squint). Taylor’s excellent 2014 album Goliath, with the Perfect Foil (consisting of Peter Furler, Jimmy Abegg and John Mark Painter), was his first since 1993’s Squint. So it is a joy that Wow to the Deadness comes just two years later.

To support Goliath, Taylor and the Perfect Foil toured with Danielson. I was not familiar with Danielson. Danielson’s Wikipedia article describes them as an American rock band that plays indie pop gospel music led by Daniel Smith.

The friendship resulted in this collaborative effort as they entered the Electrical Audio studio in June 2015 with engineer Steve Albini (Nirvana, Foo Fighters) using strictly analog gear. This EP, with cover art by Smith, is the result, which Albini described as being “really raucous and really great”. Smith states the recording rocks, but also moves around a bunch. He has stated “It can be delicate, but it’s rare. It mostly demands much, but it’s very inclusive and would really appreciate some singing and clapping along.”

The resulting product is something different from what Taylor’s fans may be accustomed to. But, we know that he has always been creative and pushed boundaries (who can forget the stir over the cover art on I Predict 1990 or the concern over his song “I Blew Up the Clinic Real Good”?

According to Taylor, their only rule was that if it sounded like something they’d already done, they would throw it out. He felt that they ended up with a recording that is not easily classifiable and hopefully doesn’t sound disposable.

Below are a few of my thoughts about each of the six songs after listening to each several times. Taylor handles most of the lead vocals with Smith handling some of them, plus backing vocals.

Wow to the Deadness – Begins with acoustic guitar before it takes off. Smith wrote most of the lyrics. Smith sings a response “We have a winner”, to Taylor’s lines. For example:

It was a battle to bring me around
We have a winner
Suddenly lilies appeared in the ground

Favorite lyric: Water seeps through these red flags right or wrong

Wait up Downstep – This one also begins with an acoustic guitar. Smith sings a recurring Wait and Step and Wait.

Favorite lyric:

Give me joyful liberty
Transcending up in awe of
How you go, oh can I know
Let us be known by our love

The Dust Patrol – Opens with a blistering guitar. The drums lead into Taylor’s lead vocal. The song slows down in the middle, with Smith taking over, before some great guitar work turns it back over to Taylor’s machine gun like delivery.

Favorite lyric: We’re gonna roll your thunder. (Could this be a nod to Dylan’s Rolling Thunder Revue?)

Nonchalant – Again opens with acoustic guitar. This is a mid-tempo rocker, slowing things down a bit after the previous song.

Favorite lyric: Turn the cheek that bruised, til’ the purple drains

A Muse – This is a scorching rocker with great drums, guitar and Taylor’s defiant vocals.

Favorite lyric:

It’s my party you’re lucky to be here
You’re no Dylan so don’t make me laugh

Drats – The song features more of Smith’s vocals than any on the EP as he and Taylor share lead vocals.

Favorite lyric:

Be still and speak
Day by day
My delight
My delight

And just like that, this unexpected collaboration is over. Here’s hoping it’s not the last we hear of Steve Taylor and the Danielson Foil. I’d love to hear these songs in concert.

You can pre-order the EP, to be released February 5, at Amazon here.

Here is the promo video for the EP. You can watch the video of Wow to the Deadness here. (Apologies for the bad word in the article).

Hymns IIMusic Review ~ Hymns II: Shine on Us – Michael W. Smith

This is the follow-up to the multi-talented Michael W. Smith’s 2014 Hymns album recorded for the Cracker Barrel restaurants. This one could have been titled Hymns, Worship Songs and Patriotic Songs, as it includes some or all of these. As with all of Smith’s projects (and I’ve been a fan since his 1983 debut Project (a song from that album is included here), they are done with excellence. Here are a few thoughts about each song included on the project:

Down to the River to Pray – a fantastic version (musically and vocally with background choir), of a traditional song that was sung by Alison Krauss on the soundtrack of the 2000 film O Brother Where Art Thou? It starts off the album on a high note. It’s my favorite song on the album.

I Need Thee – the traditional hymn written by Annie Sherwood Hawks in 1872, with the chorus written by Robert Lowry and music composed by Robert Lowry. Begins with Smith on piano and vocal with light strings and then builds with a backing choir.

Jesus, Only Jesus – this is Matt Redman’s excellent song from his 2013 Your Grace Finds Me album. Starts with Smith on piano and vocals, and then builds powerfully with light drums and backing vocals.

Turn Your Eyes Upon Jesus – written by Helen H. Lemmel in 1922. Features backing vocals from Audrey Assad. Begins with Smith on the piano and vocal and some light strings.

I’ll Fly Away – An upbeat version with drums, fiddle, banjo, backing vocals and a bluegrass feel. Was written by Albert Edward Brumley in 1929.

I Don’t Know Why (Jesus Loves Me) – a wonderful Andre Crouch song. Smith brings a smooth black gospel feel with choir to it. Not the first time Smith has covered an Andre Crouch song, singing “Jesus is the Answer” on the 1996 Tribute: Songs of Andre Crouch album.

His Eye is On the Sparrow – the song was originally written in 1905 by lyricist Civilla D. Martin and composer Charles H. Gabriel. The song is most associated with actress-singer Ethel Waters who used the title for her autobiography. Smith uses a scaled back approach, singing with piano and some backing strings.

Shine on Us – really a prayer to the Lord written by Smith and wife Debbie that has been covered by Phillips, Craig & Dean. It’ a ballad with piano, strings, light drums and backing vocals that gently builds toward a powerful ending.

That we may be saved
That we may have life
To find our way In the darkest night
Let Your love come over us
Let Your light shine on us

Nearer My God to Thee – a beautiful rendition of a hymn written by Sarah Flower Adams in 1841. Opens with violin and then Smith’s voice and piano. Features a duet with Susan Ashton.

I’d Rather Have Jesus – based on a 1922 poem by Rhea F. Miller, this was one of George Beverly Shea’s signature songs. Smith gives us a beautiful tender vocal, with piano and strings that builds gently with backing vocals.

O Sacred Head Now Wounded – Paul Gerhardt provided a German translation of Bernard of Clairvaux’s text in 1656, and about 200 years later James Waddell Alexander translated Gerhardt’s German text into English. Smith gives us a beautiful tender version with piano and strings that builds gently with backing vocals.

Be Still My Soul – This hymn was originally written in German by Katharina Amalia Dorothea von Schlegel in 1753. Smith’s vocal is paired with his piano and light strings that builds with backing vocals.

Great is the Lord – an excellent new version of Smith classic song from his first album Project in 1983. Features excellent backing vocals and instrumentation.

Great are you Lord
And worthy of glory
Great are you Lord
And worthy of praise
Great are you Lord
I lift up my voice
I lift up my voice
Great are you Lord
Great are you Lord

A Mighty Fortress is Our God – Martin Luther’s great Reformation hymn is based on Psalm 46. It is a celebration of God’s sovereign power over all earthly and spiritual forces, and of the sure hope believers have in him because of Christ. Smith gives us a beautiful and powerful version of this triumphant hymn, slowing down the pace and featuring excellent backing vocals and church organ. Definitely a highlight.

America the Beautiful – this is the one misstep as far as song selection is concerned. Its inclusion reminded me of when Cracker Barrel stuck “Cinderella” at the end of Steven Curtis Chapman’s excellent 2013 hymns project Deep Roots. Both songs are good, they just don’t fit on a hymns project. Like many of the songs this one starts simply with vocal and piano and then builds to a powerful ending with strings and backing vocals, with a bit of “The Battle Hymn of the Republic” at the very end of the song. I can hear this song being played during 4th of July fireworks celebrations this year.

Most of the arrangements and instrumentation is kept simple, except where noted, and for the most part Smith chooses to goes with a light, scaled back production, different from his normal releases. The scaled back production and instrumentation at times expose his voice, never strong, as vulnerable and at times thin. But overall, this is a highly satisfying and wonderful new release which will be loved by those who love the hymns and Smith’s music.

Church Clothes 3Church Clothes 3 – Lecrae

On January 14 Lecrae dropped a surprise third volume in his Church Clothes mixtape series, following 2012’s Church Clothes and 2013’s Church Clothes 2. He really brings it with these ten excellent tracks with strong vocals and infectious beats. S1 (Symbolyc One), a platinum-selling producer (Kanye West, Jay-Z), served as executive producer. He had previously produced Lecrae’s songs “Welcome to America” and “The Price of Life”. Guest artists on the album include KB, E-40, N’Dambi, Propaganda, John Givez, JGivens and Jackie Hill Perry.

Below are a few comments on each track:

Freedom ft. N’Dambi (Prod. by S1/ Co-Prod. by Epikh Pro & VohnBeatz) – a strong opener with a hook from N’Dambi indicating that “Freedom isn’t free”. Lecrae touches on child porn and Honest Abe as “another man murdered for trying to free the slaves”.

Gangland ft. Propaganda (Prod. by S1/Co-Prod. by Shindo) – effectively uses spoken parts by Lecrae as it addresses gang issues. He states that originally gangs were created to protect everyone in the community. Propaganda offers “There’s a high school in Alabama named after Robert E. Lee, and it’s 89% Black. You don’t see the irony?” He ends with:

Yeah, we are truly a descendant of a King
Only his reign is infinite

Deja Vu (Prod. by S1) – Lecrae tones it down a bit for this track, opening with comments about how the whole world’s gone crazy, citing current events (riots, abortion and people being shot by the police). The hook offers this encouragement:

And some days are a nightmare
And some dreams come true
But the Lord’s still right here
It’s just deja vu

Sidelines (Prod. by Mykalife and Ryan Righteous) – Lecrae addresses his critics who are on the sidelines while he is in the game, doing what he was born to do. He doesn’t plan to fumble the ball, the opportunity he has been given by God.

Cruising (Prod. by S1/ Co-Prod. by Epikh) – a feel-good track about cruising through his day – reading the Bible, having breakfast, playing basketball and having dinner.

It Is What It Is (Prod. by S1/ Co-Prod. by Epikh) – Lecrae constantly hears that he has sold out. But he’s getting wiser with age, and knows that some just hate. Some say he has it all now, but he knows the Bible says that pride comes before a fall. Adding humor he raps about his third tape (Church Clothes 3) and that he might drop it on a Thursday – which is exactly what he just did. Fun.

Can’t Do You ft. E-40 (Prod. by Black Knight) – Lecrae raps that he has a master plan from the Master, so he “can’t do you, cause I’m doing me”. Good vocals from Dimitri McDowell and E-40 on this one.

Forever (Prod. by S1) – Lecrae slows it down on this track, a song to his wife, his queen to whom he’s locked down until the cemetery. He raps that while any guy can try to satisfy a girl for one night, it takes a real man to take one woman and satisfy her for her entire life.

Misconceptions 3 ft. John Givez, JGivens, Jackie Hill Perry (Prod. by S1) – There’s so much here as the lyrics come fast on this powerful third “Misconception” track in the Church Clothes series. Featuring John Givens, JGivez, Jackie Hill Perry and Lecrae each taking a verse. Lecrae states that he was created to make a statement. He encourages listeners to get their education and to let the Spirit lead like He wants to.

I Wouldn’t Know ft. KB (Prod. by GAWVI) – Features Elhae on the hook and KB, rapping slower than usual on one of the verses. People are talking about Lecrae, saying he’s gonna fail, but he doesn’t hear it. He just prays that the Father keep him grounded.

Lecrae has released a long-form video with a storyline that loosely touches on the life of a teenage gang member who gets shot and his friend contemplates revenge. The video includes four songs from the mixtape – “It Is What It Is”, “Gangland”, Déjà vu”, and Misconceptions 3”. Watch it here.

This surprise release was quite a blessing. Lecrae is at the top of his game. May this mixtape be used for His glory!

Lecrae’s first book Unashamed will be published May 3.

Floodplains by Sara GrovesFloodplain – Sara Groves

Sara Groves, a former school teacher, is a mom, wife, singer/songwriter and recording artist with a passion for justice and a heart of mercy. She has joined forces with International Justice Mission to advocate for victims of human trafficking for the past 8 years. Her latest album Floodplain, her eighth studio album overall, is another excellent release from her. Her honest, transparent and poetic lyrics (about life – depression, her husband Troy, children Kirby, Toby and Ruby, God, her faith, etc.), are bathed in piano and light percussion, guitars and strings. The focus is clearly on the lyrics and she delivers them well. She is backed by a strong supporting cast that includes Ellie Holcomb, Sarah Masen, Ben Shive, John Catchings and Matt Slocum. Groves produced the album in collaboration with others (Steve Brewster, Matt Pierson, Scott Dente, Daniel Phelps and Brown Bannister).

River is a theme that comes up in five of the thirteen songs. The album was inspired by a run along the Mississippi River in her hometown, and speaks of God’s provision. She talks in the liner notes of the beautiful boat, in the form of friends that came to get her in her season on the floodplain. Groves explains that the title song is first a metaphor for her journey with anxiety and depression and then in sympathy for people caught in cycles of generational poverty and violence (likely inspired by her work with International Justice Mission).

Hope, assurance, faith, family, questioning, doubt and grace are also themes I found in the lyrics of this excellent album. Don’t look for clichés that you might normally find in contemporary Christian music. These are mature lyrics from a mature artist.

This is a recording that you want to spend some time with. Put on the headphones and have the lyric sheet in front of you. She sings about “deliberate and slow” in “Expedition”. That’s how I would recommend you approach this new album, one of my tops of 2015.

Groves recently appeared on the Eric Metaxas Show to talk about Floodplain. You can listen to it here.

Dylan The Best of the Cutting EdgeThe Best of The Cutting Edge 1965 – 1966: The Bootleg Series Vol. 12 by Bob Dylan.

In 1991 Bob Dylan released the first three volumes of The Bootleg Series, most of which I have in my collection. The Cutting Edge is the twelfth volume in the well-done series. It includes alternate versions, outtakes and some studio banter from an incredible fourteen month creative stretch from January 1965 to March 1966, when Dylan moved from folk to electric and recorded three extraordinary albums Bringing it All Back Home, Highway 61 Revisited and the double album Blonde on Blonde with producers Tom Wilson and Bob Johnston.

There are three configurations of The Cutting Edge that have been released. The Best of The Cutting Edge is a two-disc, thirty-six track collection. There are also six and a massive eighteen disc versions available.

The production of these songs from fifty some years ago is amazingly clear. I loved hearing the organ coming through so clearly. We get an inside look into Dylan’s creative process during this period. Longtime Dylan fans will easily discern these versions from original album versions we have been familiar with all these years. Arrangements vary, such as up-tempo versions of “Visions of Johanna” and “It Takes a Lot to Laugh, It Takes a Train to Cry (Take 8, Alternate Take)” or a very different take of “Just Like a Woman”. At times the lyrics differ from the original album version such as the rocking “Tombstone Blues Take 1”. This doesn’t surprise, as those of us who have seen him in concert several times know he often changes up the lyrics to songs.

Many of the songs will be very familiar to Dylan fans – “Like a Rolling Stone”, “Hey Mr. Tambourine Man” (which ends abruptly with Dylan complaining about the drums), “Highway 61”, “Positively 4th Street” and “I Want You”, while others will be less known – “She’s Your Lover Now” and “Can You Please Crawl Out of Your Window?”.

I can’t tell you how much I enjoyed this release, giving us glimpses into the genius of Dylan during arguably his most creative period. As a result, this is my favorite volume in The Bootleg Series. This version also comes with a 60-page booklet, with photos and liner notes. Highly recommended for all Dylan fans.

Behold the Lamb of GodBehold the Lamb of God 10th Anniversary 2-Disc Set – Andrew Peterson

I have to admit that I’m late to appreciate the music of Andrew Peterson. However, since seeing him in concert a few months ago I’m trying to make up for lost time by picking up After All These Years, his latest The Burning Edge of Dawn and this, his Christmas album Behold the Lamb of God.

This 10th Anniversary 2-disc set released in 2009, celebrates ten years that Peterson and friends have been performing the music on this album (recorded in 2004) live in annual Christmas concerts. This edition includes the original album remastered, plus the complete Behold the Lamb of God concert recorded live on the 2008 tour. See the dates for the 2015 tour on Peterson’s website.

Peterson has written that the album is a musical about the birth of Christ; an album that tells a story. The songs have the purpose of telling the true tale of the coming of God into the world. Justin Taylor of the Gospel Coalition, writes “Here are some YouTube videos for Andrew Peterson’s Behold the Lamb album and live performance–a sort of biblical theology set to song by a talented musician and songwriter.”

He states: “What makes this bunch of songs unique is that I wanted to remind (or teach) the audience that the story of Christmas doesn’t begin with the birth of Jesus. Many people tend to forget or have never even learned that the entire Bible is about Jesus, not just the New Testament.

So the musical begins with Moses and the symbolic story of the Passover (Passover Us) and works its way through the kings and the prophets with their many prophecies about the coming Messiah (So Long, Moses) to the awful four hundred years of silence before God told Mary she’d be having a baby (Deliver Us). After the song called Matthew’s Begats, which lists the genealogy of Jesus, the story picks up in more familiar territory with Mary and Joseph and the actual birth (It Came To Pass, Labor of Love). The final song is called Behold, the Lamb of God, which ties together the Passover and the beauty and scope of the story.”

You may recognize some of the singers and musicians who contribute to this album, including Andrew Osenga, Ben Shive, Sandra McCracken, Phil Madeira, Derek Webb, Steve Hindalong (of The Choir), Laura Story and Fernando Ortega. The quality of the music (including a few instrumentals) and singing is excellent.

This is not your typical Christmas album. I look forward to enjoying this album for many Christmas seasons to come.

Neon Porch Extravaganza - CrowderNeon Porch Extravaganza (EP) – Crowder

This surprise new live recording available exclusively from iTunes from Crowder features six songs, five of them from his excellent 2014 release Neon Steeple (one of my favorites from last year), plus a video of one of them. The songs were recorded on the front porch of Crowder’s home church, Passion City Church in Atlanta, where Louis Giglio is the pastor. The songs came off so well Crowder decided to release them on iTunes. The album cover art features Kenny Rodgers, the Artic Fox, Crowder’s touring sidekick.

The album features excellent live high-energy versions of “My Beloved” (watch this video of the song being performed. Note: the video is not included on the EP), “I Am”, “Come As You Are”, and “Hands of Love” from Neon Steeple. It also features Crowder’s cover of Drake’s “Hold On We’re Going Home”. That’s right, Crowder covers a Drake song. Although Drake sings it to a girl, in his interpretation, Crowder sings to the Lord and to believers:

I got my eyes on you
You’re everything that I see
I want your high love and emotion endlessly
I can’t get over you
You left your mark on me
I want your high love and emotion endlessly

So just hold on we’re going home (going home)
Just hold on we’re going home (going home)
It’s hard to do these things alone (things alone)
Just hold on we’re going home (going home, going home)

Also included is a new version of “Lift Your Head Weary Sinner (Chains) featuring a powerful rap from Tedashii. A video of this performance is also included.

All in all, you get a lot of value (six songs, including the video) and 25 minutes of music for just $4.99 on iTunes. Can’t wait for the next studio release from Crowder.

Stevie Wonder ConcertConcert Review: Stevie Wonder’s Songs in the Key of Life Performance Tour – Banker’s Life Fieldhouse in Indianapolis November 7

Stevie Wonder, who rarely tours, appeared last Saturday at the Banker’s Life Fieldhouse in Indianapolis on his Songs in the Key of Life Performance Tour. This was the second time I had seen him in concert, the first being way back in high school, when Rufus featuring Chaka Kahn opened for him.

I remember the anticipation around the long-delayed Songs in the Key of Life album that was finally released in 1976. It is one of the greatest albums of all time, truly a masterpiece. The 21 song (originally a double album and four-song EP) included radio hits “Sir Duke”, “I Wish” and “Isn’t She Lovely”, and is #57 on Rolling Stone magazine’s “500 Greatest Albums of All Time” list.

stevie wonder

The 65 year-old Wonder began the marathon concert – beginning at about 8:10pm and ending at 11:55pm, including a 15-minute intermission – by addressing the nearly full Banker’s Life Fieldhouse crowd, equally consisting of black and white (Ebony and Ivory!) fans, some of whom were really decked out for the show, accompanied by vocalist Latrelle Simmons. He said he was dedicating the performance to Amos Brown, a local radio personality and journalist who died two days earlier of a suspected heart attack.

Wonder was backed by a large and talented ensemble as he performed his classic album in its entirety. By my count this included:

  • 10-piece string ensemble, plus the animated conductor
  • 5 background singers, including Simmons
  • Four drummers/percussionists
  • 6-piece horn section
  • 2 keyboardists
  • Three guitarists, including musical director Nathan Watts
  • Gospel choir that joined in a few songs

As Wonder played the album pretty much, but not entirely, in order, beginning with “Love’s in Need of Love Today” and finishing with “Another Star”, he showcased his own and his band’s extensive talents, playing extended versions of some songs and giving each of the backing vocalists the opportunity to show off their skills. Highlights included “Sir Duke”, “I Wish”, “Isn’t She Lovely”, and the closing “As” and “Another Star”. He led a great sing-along on “Knocks Me Off My Feet”, having the women in the crowd singing “I don’t want to bore you with it” and the men following with “But I love you, I love you, I love you”.

While playing the harpejji, an electric stringed instrument that aims to bridge the gap in sound and technique between the guitar and the piano, Wonder played his classic “My Cherie Amour” and the Impressions’ 1965 song “People Get Ready”.

During the instrumental “Easy Goin’ Evening (My Mama’s Call)”, Wonder displayed his harmonica skills, leading into “Lift Every Voice and Sing”, often referred to as the African-American national anthem, and finishing with a moving version “The Star-Spangled Banner”.

After Wonder completed “Another Star”, he exclaimed “We did it!” Playing the entire 21 song album in its entirety was quite an accomplishment. He then did another set in which he insisted he be known as DJ Tick Tick Boom, ending the evening with high energy versions of “Do I Do”, Ribbon in the Sky”, “Signed Sealed Delivered (I’m Yours)” and “Superstition”.

Wonder ends this tour with a November 24 show at New York’s Madison Square Garden, and has said he will only perform it again for President Obama (should he ask). We thoroughly enjoyed this unique performance.

Getty's Christmas AlbumMusic Review: Joy: An Irish Christmas LIVE – Keith and Kristyn Getty

I’ve always heard great things about the Getty’s Christmas concerts, but as of yet we haven’t gotten to one. We’ve seen them twice in concert, and at an October, 2014 fall date of their “Hymns for the Christian Life” tour we did get to hear them perform “God Rest Ye Merry Gentlemen” giving us a small taste of what their Christmas concerts are like.

If you are not familiar with the Getty’s, they are writers of modern hymns for the church. Kristyn handles lead vocals, Keith plays piano and acoustic guitar, and they have a very talented band made up of musicians from America and Ireland.

The Getty’s released their first Christmas album Joy – An Irish Christmas in 2011. I have a concern that this new live recording may get lost as it has an almost identical title and even some similar artwork as the 2011 release.

Keith has reflected on why Christmas carols are more than just sentimental songs at the end of the year: “We would do well as worship leaders to remember that non-churchgoers are far more inclined to attend a church service during the Christmas season where songs are easy and enjoyable to sing rather than a church trying to put on the slickest possible show. The music of carols, written by some of the finest hymn writers of all time (such as Wesley, Watts and Rossetti) and arranged by equally outstanding composers (Handel, Holst and Mendelssohn) speaks for itself. We have wonderful songs to use! And Christmas gives us a wide open door to use those songs to impact culture like no other time of the year.”

For this concert, performed in front of an enthusiastic audience, and featured on Public Television, they are joined by Irish dancers and a multi-generational choir. In a live setting, they bring some fresh and extended arrangements to the songs on the studio album, add some additional Christmas songs as well as some other songs such as “A Mother’s Prayer”, “Come Ye Sinners” and one of our best modern hymns that we sing often in our church “In Christ Alone”.

Despite the similar album name, this is not just a live version of the 2011 studio album. In addition to the three songs listed above, the below are songs not included on the studio album:

O Come Redeemer of the Earth
Here We Come A-Wassailing
Sleigh Ride (with Christmas Eve Reel)
Deck the Halls
O Children Come
Irish Christmas Blessing
Go Tell It on the Mountain

Also available on DVD, this live concert recording is aptly named. I felt joy listening to it and worshiping our Savior and his birth. As with all of the Getty’s recordings, these songs feature theologically rich lyrics and top-notch musicianship. Along with Chris Tomlin’s new Adore: Christmas Songs of Worship, this is an excellent new Christmas album to help us worship our Savior this season.

Adore by Chris TomlinAdore: Christmas Songs of Worship by Chris Tomlin

This new live Christmas album was recorded at Ocean Way studios, a former church building, in Nashville, the same location that Tomlin recorded his first Christmas album Glory In The Highest: Christmas Songs Of Worship six years ago. Tomlin is one of my favorite artists, and consistently delivers quality worship songs. In fact, as this album releases he currently has the number Christian song in the country with “Good, Good Father”.

The album features several special guests, including Laura Daigle (who recently won the Dove Award for “New Artist of the Year”), Kristyn Getty, All Sons and Daughters and more. There are eleven songs included, a mixture of new, and traditional Christmas songs with Tomlin’s interpretation.

Below are a few brief thoughts about each song:

He Shall Reign Forevermore – This song was co-written with Matt Maher, who was unfortunately too ill to record it live with Tomlin, which is a shame. The song is still excellent and is the first single from the album. It has the sound and feeling of a traditional Tomlin worship song.

Adore – this worshipful song written by Graham Kendrick and Martin Chalk begins with a piano intro and builds into the chorus:

Adore, come let us adore
Adore, come let us adore Him!
The Lord, worship Christ the Lord
Let all that is within us

This would be a wonderful song for congregations to sing.

Midnight Clear (Love Song) – Tomlin takes the classic “It Came Upon a Midnight Clear” and makes it a song of love to Jesus. He sings that Jesus is the love song of God.

Noel – This song features Laura Daigle on lead vocals and is written by Tomlin, Ed Cash and Matt Redman. Tomlin is known for sharing the spotlight with others, such as including Audrey Assad’s “Winter Snow” on his first Christmas album. This time he give Daigle the lead vocal opportunity.

Hymn of Joy – With Ed Cash, Tomlin adapts “”Joyful, Joyful We Adore Thee” and “O Come O Come Emmanuel” into this acoustic Christmas hymn of joy.

Silent Night – This song features more of the congregation’s vocals than Tomlin’s. Kristyn Getty reads the famous Christmas passage from Isaiah 9 in the middle of the song.

What Child is This? This song features All Sons & Daughters on lead vocals and is primarily driven by acoustic guitar. I liked when they sang acapella toward the end.

It’s Christmas – This is probably my favorite song on the album. Written by Tomlin and Ed Cash, it’s a fun, jazzy medley with finger snaps that brings in “Away in a Manager” and “Go Tell It on The Mountain”. I loved the horns toward the end of the song.

It’s Christmas!
The angels are singing
And I know the reason,
The Savior is born

It’s Christmas!
The bells are ringing
And I feel like shouting
Joy to the world!

A King Like This – Written by Tomlin, Jonas Myrin and Matt Redman, this is an intimate ballad of worship that builds to include congregational singing.

He is Christ the Lord
He is Christ My Savior
I bow my heart before
No other name
I bow my heart before
No other king

Bethlehem – Written with Ed Cash, this ballad builds into the chorus:

Behold Your beautiful Savior!
Fall down, worship Him
The King born in Bethlehem

A Christmas Alleluia – This song features Laura Daigle and Leslie Jordan and is a fitting closer. Written with Jonas Myrin, the song builds powerfully into a worshipful song about the coming of our Savior, who has the highest name of all.

This album, like Tomlin, is a wonderful gift to the church. Highly recommended.

Jon Foreman Dawn

The Wonderlands: Dawn – Jon Foreman
This is the final of four Wonderlands EPs from Switchfoot lead singer, guitarist and primary songwriter Jon Foreman, and follows Sunlight released in late May, Shadows in July and Darkness in September. The four “hourly” EPs were to each feature six songs, or one song for each hour of the day – though Darkness actually featured seven songs. Foreman indicated that he wanted “to sneak 25 songs into 24 hours.”

Each song on the project, that has been 10 years and more than 1,000 hours in the making, is co-produced with someone different. So there are 25 songs and 25 producers, certainly a unique approach from the always creative Foreman. He has stated in an interview that his collaborators would send him back their musical response: bass, clarinet, background vocals, etc. His challenge was to put those things together and make it sound like a cohesive statement rather than 25 different projects. Every hour had to be distinct and yet still feel like a cohesive body of work. Foreman celebrated the complete release of The Wonderlands by performing 25 shows in 24 hours in his hometown of San Diego on October 24 (which was in progress as I was writing this review), with proceeds benefiting charities.

Foreman had stated that the Wonderlands EPs would explore themes of faith and doubt, love and frustration, and everything else. I noted that Dawn has more explicit Christian lyrics than the earlier EPs in the Wonderland series. Below are brief comments and favorite lyrics on each of the six new songs:

Inheritance – This song begins with acoustic guitar then builds with light drums, instrumentation and backing vocals. It is a lovely song about the story of his relationship with his wife Emily, whose heart he sings, is a work of art. In the beginning they didn’t have anything to offer each other except for the rest of their lives.

I wanna be rich in memories, not money
Our love is our inheritance, honey

Run Free – This joyful song starts out with Foreman singing a paraphrase of Luke 4:18. It features keyboards, light drums, light brass, strings and backing vocals. Foreman just can’t keep quiet as he invites the listeners to run free and dance like a prisoner released. He sings of the Lord taking our shame away.

Inseparable – This songs is based on Romans 8:35-39, where Paul responds to the question “What shall separate us from the love of Christ?” Foreman sings of the love of his Savior.

Nothing can keep us away
Nothing can separate

The song features acoustic guitar, light drums, strings and echoing vocals.

When We Collide – This is another song written to his wife Emily. He writes that when they met their world was black and white. He’s waiting for the day when they collide. It features an interesting almost chime sound, light drums and backing vocals.

We’ve got our disagreements
Our separate points of view
But the line that runs between us
Could be the thread that pulls us through

Mercy’s War – This wonderful song has Foreman singing of the wonderful blood of Jesus and how “Because they broke you I am whole”. He sings that he went looking for ways out, but Christ showed him the way in. He thought Christ was a stranger, but instead Christ called him out by name. The song features a slow strumming acoustic guitar, a very likeable clarinet, and choir-like backing vocals.

Before Our Time – The last of the 25 songs in The Wonderlands series is an upbeat song about time with Sara Watkins of Nickel Creek. The catchy musical backing on the song reminds me of the Getty’s “Greengrass” (Irish and Nashville) fusion. About the song, Foreman has said “And then the whole thing ends on another song about the clock called “Before Our Time”, talking about things before our time runs out. And so that’s the way it ends, kind of the way it began, focus on the clock.”

Time is illusion
Time is a curse
Time is all these things and worse
But our time is now
Our time is now

Let us sing before our time runs out

Dawn is a great way to end “the day” with Jon Foreman. It’s definitely my favorite of the four Wonderlands EPs. Highly recommended.

I’ve heard that a box set containing all 25 songs will be released. At this time, the physical editions of Darkness and Dawn and Sunlight and Shadows are available for purchase on Amazon.

Don HenleyCass County (Deluxe Edition) by Don Henley

The first album in 15 years (and fifth overall) from the 68 year-old founding member, drummer and co-lead vocalist of the Eagles, recently debuted at #1 on Billboard magazine’s Country Charts, his first solo album to top the charts. The album is co-produced by Henley and Stan Lynch (former drummer with Tom Petty and the Heartbreakers), and features guest appearances from Mick Jagger, Merle Haggard, Martina McBride, Miranda Lambert, Dolly Parton, Trisha Yearwood, Alison Krauss, Vince Gill, Jamey Johnson, Lee Ann Womack, Ashley Monroe and others.

The album was recorded in Nashville and also in Dallas where Henley lives, and took several years to complete. While many are calling it Henley’s “country album”, he says much of it fits better into the Americana format. The album title refers to the underpopulated area of east Texas near the borders of Arkansas and Louisiana, where Henley was born in 1947 and grew up in the 1950’s. The deluxe edition includes 16 songs, eleven of which were written by Henley and Lynch with others, and is solid from the opening cover of alternative country artist Tift Merritt’s “Bramble Rose”, featuring Miranda Lambert and Mick Jagger (who actually does country quite well), to the closing rocker “Where I Am Now”. Henley’s ballads include themes of the passage of time, looking at the past and also to the future, regret, acceptance and love, present and in the past.

McBride joins Henley for a duet on “That Old Flame”, as well as singing on the closing “Where I Am Now”. “That Old Flame” is a song about long-lost friends who were once lovers. “Where I Am Now” is a confident song in which Henley reflects on his life, liking where he is now.

I been east, west, north and south
But I made it through somehow
And I like where I am now

“Take a Picture of This” portrays the end of a marriage. Dolly Parton joins him on the Louvin Brothers’ hit from sixty years ago “When I Stop Dreaming”.

“A Younger Man” is about a younger woman falling for an older man, but he sings:

If you believe in better days ahead
For this crazy human race
That we will somehow be delivered
By goodness and by grace
And if you’re lookin’ for believers
In faith and hope and charity
Then, you’re you’re lookin’ for a younger man – not me

“Train in the Distance” is the album’s most autobiographical song as Henley reflects back on his childhood when life was simple and now the responsibilities of an adult as he sings:

You better make friends with your angels and your demons
They will be riding with you wherever you go

“The Cost of Living” with Merle Haggard is about dealing with getting older, but not regretting a single day as they sing: It’s the cost of living and everyone pays.

“Waiting Tables” is the story of a young girl who grew up in a small town, married a reckless fool, and is now a single mother waiting tables. She sighs: Dear Lord above, there must be more than this.

“Praying for Rain” is about farmers dealing with drought conditions and praying for rain soon:

I’m praying for rain
I’m praying for rain
Lord, I ain’t never asked for much
And I don’t mean to complain
But I’m praying for rain

In singing about pride in “Too Much Pride”, which features some tasty piano from Mike Rojas, he sings:

Some people tell you it’s a good thing
Some people tell you it’s a sin
Just like a weed in the garden
You’re askin’ for trouble if you let it in

I’m a longtime Eagles fan who saw them in concert more than 35 years ago in their prime. I’ve listened to this album several times, and it sounds better with each succeeding listen. I’ve always loved Henley’s voice and it is still excellent here. The songwriting and instrumentation are strong and the album benefits from the guest artists and their contributions. I found it to be one of the top releases of the year.

The Burning Edge of DawnThe Burning Edge of Dawn by Andrew Peterson

Singer-songwriter and author Andrew Peterson returns with his eleventh studio album, produced by friend Gabe Scott. In comparison to his previous studio album Light for the Lost Boy, Peterson has stated that the album is more joyful. Friends Ellie Holcomb and Caleb Chapman of the band Colony House add backing vocals on a few of the songs.

The album features 10 new songs written by Peterson with Scott between February and May 2015. The process of making this record was a departure for Peterson, since most of the songs were written during the recording process. Having just completed writing The Warden and the Wolf King, the final book in the Wingfeather Saga series, Peterson went into the studio with very few songs completed. As a result he has stated that “It meant that I had no choice but to write about exactly what’s happening in my life right now, in real time. And what’s happening is that I’m seeing the first glimmers of sunrise after what feels like a long, painful night. These songs are about joy.”

Andrew has stated that “This album is the result of looking hard at a lot of painful stuff and arriving at the conclusion that when God the gardener tears open the earth, he’s doing it in order to bring about something beautiful. If you want the joy of the harvest, you first have to plant the seeds; and anyone who has planted seeds knows that the soil must be torn open. That’s how joy works. I know that now.”

Here are a few brief thoughts about each song:

The Dark Before The Dawn – This is a song of joy and hope and of looking forward. He is ready for a change. I liked the thought that the same wind that does damage is going to blow the storm away and that darkness is a small and passing thing.

I believe that that light is going to come
This is the dark before the dawn

Every Star Is A Burning Flame – This is a story song with references to Idaho, Tennessee and Louisville. He sings of being on the inside looking out, and seeing the sky as it’s going to be again one day. He can imagine the host of heaven singing out loud.

We Will Survive – Andrew has stated that “’We Will Survive’ is a song I wrote for Jamie about a tough season I went through last year. She has been a steady reminder of God’s good intentions during long months of uncertainty”.

Tell me the story I still need to hear
Tell me we’re to make it out alive again
I need to know there’s nothing left to fear
There’s nothing left to hide
So will you look me in the eye
And say we will survive?

My One Safe Place – This is another song written for his wife Jamie. It is written from one broken person to another. He sings that she is his oasis in the eye of the hurricane. I like the idea of “running away home to you”.

I believe in the love of the father
I believe in the power of grace
I believe in that He brought us together
You are my one safe place

The Rain Keeps Falling – Andrew has stated that “This one was partly inspired by a Luci Shaw poem called “Forecast.” The song features his good friend Ellie Holcomb, along with his daughter Skye singing harmony. It is a very honest song (as all of his are), featuring piano and some strings. He is tired, there is pain in his heart, as the rain keeps falling during “a season of night” in North Carolina, while his wife was praying for him back home. I liked the line about Dying to live, but learning to wait. A calming “Peace, be still” refrain adds hope to the song.

Rejoice – This song is a bit more complex musically. It is hopeful and joyful, and based on Paul’s letter to the Philippians 4:4: “Rejoice in the Lord always; again I will say, rejoice”.

I Want To Say I’m Sorry – Featuring an acoustic guitar, this is a song to a friend. He wants to say he is sorry, but he doesn’t know how. He has said words that he wished he hadn’t. He is sorry for his words that have hurt his friend. He drew the line and built a wall between them. He recognizes that the fault is his and he must trust in grace and give it time. He calls the song their communion hymn.

Be Kind To Yourself – This is a song to his daughter Skye who deals with self-condemnation. He performed this song when we saw him in concert on August 29 when he was accompanied on drums by his 15 year-old son Asher. He sings that he loves Skye just the way she is, and the way the Lord is shaping her heart.

How does it end when the war that you’re in
Is just you against you against you?

Gotta learn to love, learn to love
Learn to love your enemies too.

The Power Of A Great Affection – Andrew has said that “This is the closest thing I’ve written to a corporate worship song in a long time, and tells a little of the story of my life with Jesus. I read somewhere that about 100 years ago, when someone became a Christian they often said, “I’ve been seized by the power of a great affection.” That’s a beautiful sentence if ever there was one. That affection seized me and has never let go” Andrew wrote the lyrics and co-wrote the music with Gabe Scott. This is one of my favorite songs of the year.

This is now the theme of my song
And now I must forgive as I’m forgiven
And even when the shadows are long
“I will sing about the Son who’s risen.”
And his kingdom has no end
His kingdom has no end
So Father, I will give you thanks and praise
The Son has opened wide the gate of glory
He declared your mighty love and gave us grace
And I will tell his story, it is my story

The Sower’s Song – is a song about the leading of the Sower (God). Andrew sings “Abide in me Lord as I abide in You” It is a powerful and hopeful closing song that builds throughout, and is perhaps based on Isaiah 55:10-11:

For as the rain and the snow come down from heaven
and do not return there but water the earth,
making it bring forth and sprout,
giving seed to the sower and bread to the eater,
so shall my word be that goes out from my mouth;
it shall not return to me empty,
but it shall accomplish that which I purpose,
and shall succeed in the thing for which I sent it.

This is a very strong album. It is personal, serious and intimate about his what was going on in his life as he wrote these songs between February and May of this year. The songs fall into a soft rock, acoustic rock, and country genres. The music perfectly complements the lyrics. Highly recommended.

After All These Years by Andrew PetersonAfter All These Years by Andrew Peterson

Andrew Peterson is not only an excellent singer/songwriter, but also the author of the four-book fantasy series for young readers called the Wingfeather Saga. After completing the latest book he was creatively spent and decided it was a good time to put out a collection of his music spanning his recording career which began in 1996. The result was this 20-song release, comprised of four new songs, eight of his classics re-recorded and eight favorites, specifically chosen by his fans on his Rabbit Room website. I found it similar in nature to Matt Maher’s 2013 All the People Said Amen and Jars of Clay’s 2014 20.

The new songs are:

After All These Years – This song was released as a single and features a light, folk-pop melody. Peterson sings of God’s faithfulness:

‘Cause you never let go. You never let go.
You led me by the hand into a land of green and gold.
You never let go. You never let go.
Your love endures forever wherever I go
after all these years.

Everybody’s Got a Song – This is a loving tribute to Peterson’s hometown of Nashville.

To All the Poets – This song was written with Gloria Gaither. Peterson thanks God for all of the poets he has known for sharing their gifts with him.

Romans 11 (Doxology) – Peterson puts Paul’s words to music. I can hear this being sung in a worship service:

For from Him, through Him,
to Him, is everything
To God be the glory forever and ever.
To God be the glory forever, amen.

Peterson’s lyrics creatively paint pictures over his acoustic backing. All of the songs are excellent here, so it’s really hard to pick favorites. Mine would be “Dancing in the Minefields”, “The Silence of God” (which I actually thought had been written by Peterson’s friend Michael Card, as it was included in his 2006 album The Hidden Face of God), and “The Good Confession”. Peterson was born in Illinois and I enjoyed the multiple references to the state, having lived here my entire life.

If you are an Andrew Peterson fan, this is a nice collection. If you are not familiar with this music, this would be an excellent introduction.

Andrew Peterson Concert Review

Andrew Peterson at Calvary Baptist Church in Normal, Illinois (August 29, 2015)

Andrew Peterson appeared in concert at the Calvary Baptist Church for their “Back to School Weekend” event. He was accompanied on drums by his 15 year-old son Asher. Andrew immediately built a good rapport with the audience with his warm smile and the stories he told about his songs, many of which are about his family.

He opened with “All Things New” and followed that up with his “legalism recovery song” “Rest Easy” from his most recently studio album, 2012’s excellent Light for the Lost Boy:

You don’t have to work so hard
You can rest easy
You don’t have to prove yourself
You’re already mine
You don’t have to hide your heart
I already love you
I hold it in mine
So you can rest easy

Next was “God of My Fathers”, most of which was written by Ben Shive, with Peterson changing just a few words.

Peterson was born in nearby Monticello, Illinois, where his dad was a pastor and he lived his first seven years. He said that returning to the state and seeing corn fields and silos was for him like seeing the Grand Canyon.

He told a story about his Grandma Click who lived in Lakeport, Florida, and then sang “All the Way Home”. One of our favorite songs of the evening was about his uncle Steve (a dairy farmer), who had been diagnosed with cancer and had only a few months to live. He decided to drive with his wife Margie to Alaska to fish for salmon. Peterson said that he sang the song “Alaska or Bust” in front of his uncle’s casket at his funeral:

So get in, I’ll do the drivingIMG_0256
And your bag’s already packed and in the truck
So Margie, get in, put down those dishes
Well, the town will see us go if we’re in luck
So come on, it’s Alaska or bust

He played “Lay Me Down” next, which was the first song that mentioned Illinois:

I suppose you could lay me down to die in Illinois
Bury me beneath the rows of corn
Or in-between the maple trees I climbed on as a boy
Where in the Land of Lincoln I was born

Peterson has been married to Jamie for 20 years and they have three children. After a big fight at year 15 he wrote “Dancing in the Minefields”, which was what he called a “get outta trouble song” and is one of my favorite of his songs:

We went dancing in the minefields
We went sailing in the storm
And it was harder than we dreamed
But I believe that’s what the promise is for

He then told of a song he wrote on a night when he couldn’t sleep. It had been his birthday and also a day when he released a new album. The only review on iTunes had ripped the album and given it a one-star rating. It bothered him all day and he wrote the song “Fool with a Fancy Guitar”.

Just before the break he played “Be Kind to Yourself”, his only song on the piano (all of the others were on the acoustic guitar) and the only song he played from the forthcoming album The Burning Edge of Dawn, which will be released October 9. The song, produced by Gabe Scott, was written for his daughter who deals with self-condemnation.The Burning Edge of Dawn

Peterson mentioned that he is 41 years old and on Father’s Day broke his leg hopping stones in a river in Asheville, North Carolina. This was his first show since having the boot removed.

The first of two songs about the Resurrection was “Day by Day”. Another “Illinois song” was “The Ballad of Jody Baxter”. This song was about the main character in the book, “The Yearling”. He also mentioned that Frederick Buechner is one of his favorite writers, and one of the things Buechner wrote about was listening to your life. In “The Ballad of Jody Baxter”, he looked at his childhood in Illinois as Eden and Florida as the Fall.

What was good, good, good
Is gone, gone, gone
And there’s a little boy
Who’s lost out in the woods
Always looking for the fawn

He then asked for requests and played a powerful version of “High Noon”, another song about the Resurrection.

He finished a wonderful concert with “Calling Out Your Name”, “The Reckoning” and “After the Last Tear Falls”, written with Normal native Andrew Osenga. It was my first time seeing Peterson in concert and Lord willing, it won’t be the last. I’m very much looking forward to the new album on October 2.

Uncomfortable - Andy MineoMusic Review: Uncomfortable by Andy Mineo

27 year-old Andy Mineo follows up his 2014 Never Land EP with a very strong effort, one of my favorite albums of the year. It is an effort that has a variety of music styles with mature, transparent, serious, and at times, painfully honest lyrics. The album debuted at #4 on iTunes overall chart and #2 on the Hip-Hop/Rap chart. Mineo includes some special guests on the album, but surprisingly no Reach Records label mates (such as Lecrae, Trip Lee or KB). Ramon “Illmind” Ibanga serve as executive producer of the effort. Below are a few thoughts and key lyrics for each song:

Uncomfortable – Right off the bat, Andy sings that if you want live a comfortable life you should be sure not to love anyone, be selfish and never sacrifice. Key lyrics are:

My own people owned people, but they don’t own that
They say racism dead, man our president is black
Two terms in the White House, that don’t mean jack
If we still believe our present ain’t affected by our past

I apologize for Christians with pickets sayin’, “God hates fags”
I promise Jesus wouldn’t act like that

Uptown – I first listened to this Latin- flavored song while on vacation last week in New York City. It is a song about Mineo’s Washington Heights neighborhood located in uptown New York City. Key lyrics are:

Ain’t no other city make me feel this way
I been all around the world baby, but I’m here to stay

Now I Know – This song has a great beat, but it’s also about some serious things. Andy sings that the older he gets the more he realizes that almost everything he believed was a lie. This is the first of the less than positive references to his father. Although he feels jaded, he sings that he somehow still believes in God. Key lyrics are:

All that glitters ain’t made of gold
It’s the thing you’ve heard a million times before
It took a little time, now I realize
Now I know better, it’s better late than never
Now I know

Desperados – with guest Mali Music who handles the hook. Key lyrics are:

I’m sick and tired of songs that don’t dignify a lady

I gotta speak on my peace
Man, I can’t keep it a secret
The only way that you get acceptance is when you know you don’t need it, yeah

Hear My Heart – In this song Andy apologies to his sister Grace, who was born deaf, for never learning sign language. Key lyrics are:

My big sister Grace, I’m sorry I never learned to sign
And even though you were born deaf
I pray you forgive me for the years I lived blind

David’s Roof – This is a brief interlude sung in Spanish with soft horns. Translated it reads:

Prepare me for the war
Because comfort is the fall of kings
Is the fall of kings

The lyrics refer to King David on his roof looking at Bathsheba.

Rat Race – This song features Jon Bellion, known for his production on Eminem’s “The Monster”. Key lyrics are:

Tell ’em we don’t wanna play, yeah, yeah
We’re so okay with last place
We already won the game, yeah, yeah
No, we won’t run your rat race

And I ain’t tryna be another one of fame’s victims
Make a name for myself but never make a difference

Know That’s Right – Andy sings of knowing where he is going (Heaven). He also brings some of his humor here. Key lyrics are:

My Savior is Jewish, my lawyer is Jewish
My stomach is Buddhist
I’m trying to lose it, but I need to chill on Fig Newtons, I swear

There’s nothin’ left to say
I know where I’m goin’
We’re startin’ here today
And you know, you know that’s right

Vendetta – This song includes another reference to his father (and mother). It’s hard-hitting and features some of the best lyrics on the album. Andy includes part of the hook from 2 Pac’s song “Hail Mary”. Key lyrics are:

You wanna know the real problem in America?
Always has been and it always will be, me

Cause Pac did a lot more for me than Barack

I wanna snatch my generation out this apathy

Ghost – This song is about a close friendship that dissolved. You can feel Andy’s sadness as he tells us about it. Key lyrics include:

A thug changes and love changes
And them best friends become strangers (from “The Message” by Nas)

Love – Andy sings about what he’s learned about love, with references to his recent marriage. Key lyrics include:

Watch a man real close, what he choose to do with his money
That’ll tell you the truth about what he really (love)

Strange Motions – On this song, Andy states that that he taps into a psychedelic rock vibe trying some new stuff with Willow Stephens. Key lyrics include:

When these strange motions
They tell me don’t get lost in heaven

Make Me a Believer – This song features the incredible vocals of Third Day lead singer Mac Powell and addresses King David’s repentance after being confronted of his sin by the prophet Nathan. Key lyrics include:

Make me a believer
Cause all I’ve ever seen is pain
Make me a believer
Promise me I’m not the same
Make me a believer

I’ve listened to this album several times since its release. Each time I hear something new. Give this album multiple listens, it deserves it and you will hear something new and exciting with each succeeding listen as you experience Mineo’s growth as an artist.

The Wonderlands DarknessThe Wonderlands: Darkness by Jon Foreman

See my Amazon reviews of Sunlight here and Shadows here.

This is the third of four Wonderlands EPs from Switchfoot lead singer, guitarist and primary songwriter Jon Foreman, and follows Sunlight released in late May and Shadows in July. The four “hourly” EPs were to each feature six songs, or one song for each hour of the day – though this EP actually features seven songs. Foreman indicated that he wanted “to sneak 25 songs into 24 hours.”

Each song on the project, that has been 10 years and more than 1,000 hours in the making, is co-produced with someone different. So there will be 25 songs and 25 producers, certainly a unique approach from the always creative Foreman. He has stated in an interview that his collaborators would send him back their musical response: bass, clarinet, background vocals, etc. His challenge was how to put those things together and make it sound like a cohesive statement rather than 25 different projects. Every hour had to be distinct and yet still feel like a cohesive body of work.

Foreman has stated that the Wonderlands EPs would explore themes of faith and doubt, love and frustration, and everything else. Below are brief comments and favorite lyrics on each of the new songs:

Come Home – this is a song that encourages one to come home to where the heart is. I liked the use of orchestration. A key line is “And nothing hurts worse than hope that’s deferred”.

Looking for reasons to try
A reason to live or to die
Won’t you come home
Back to where your heart is
This is the meaning of life
You were born for the dance not the fight
Won’t you come home
Back to where your heart is

Beautiful, Pt. II – I liked the echo call and response that begins the song. It features acoustic guitar, strings, atmospheric background vocals, light drums and building orchestration. Taylor York and Jon Howard co-produced the song with Foreman. The song represents 11:30pm. A key line states that the makeup covers the pain she can never control.

Look like a funeral, but I see right through
You’re so beautiful, You’re so beautiful

You Alone – Cubbie from Foster The People co-produced the song with Foreman. This song has a quicker pace, and is the most upbeat musically song on this edition of the Wonderlands EPs. It features acoustic guitar and atmospheric background vocals.

You alone, you alone, can heal my soul

She Said – This song begins with piano, light drums and acoustic guitar and then builds musically with atmospheric background vocals as the song progresses. Looking for answers is a theme here.

I hear her talking to herself in bed
All my tears are falling on the floor, she says
I’ve never felt it rain like this before, she says
I’ll sing these black eyed blues into the storm instead
I’ll be waiting for the new eyes to arrive
One breath at a time

Larger than Life – I liked the use of backing vocals and the unique use of strings. It is a song of encouragement to one who is down.

Do you feel the weight again?
Are you feeling like you’re caving in?
You’re larger than life my friend
You’re bigger than what you’ve been
Are you running away again?
Are you feeling blown by the wind?
You’re larger than life

June and Johnny – This song, which references singing June Carter and Johnny Cash songs as they drive down the highway, is a simple love song featuring acoustic guitar. The song is a duet with Sara Watkins of Nickel Creek, who Foreman collaborates with in his side projects with the Fiction Family.

And I’ll hold you all my life
Like a memory at the back of my mind

Inner Peace – This is the second shortest track at just over three minutes. Lyrically it’s my favorite of the new songs. He is searching for reasons (for pain, rain when he is alone, and longing for justice). He is at war inside, fighting all his life. He has a lot on his mind, and he longs for the water that will make him clean.

Inner peace is hard to find.
Peace of heart and peace of mind

How can we be ourselves if we don’t know who we are?

Jon Foreman is one of our most creative and prolific artists today. These songs have a great deal of complexity and will reveal more and more after each repeated listen.

We now have 19 songs in the Wonderlands series. The final EP, The Wonderlands: Dawn is scheduled to be released October 23.

The Wonderlands: Shadows by Jon ForemanThe Wonderlands: Shadows by Jon Foreman

This is the second of four Wonderlands EPs from Switchfoot (my second favorite band, just behind U2), frontman Jon Foreman, and follows Sunlight released in late May. See my Amazon review of Sunlight here.

The four “hourly” EPs will each feature six songs, in total one song for each hour of the day. Each song on the project that has been 10 years in the making will produced by someone different. So there will be 24 songs and 24 producers, certainly a unique approach from the always creative Foreman.

Shadows is darker, both musically and lyrically, than most of Foreman’s work. I’ve only listened to each song a few times. To get the full impact of these songs will take many listens. Below are my initial thoughts on each of the six songs:

Ghost Machine Produced by Jeremy Edwardson. Foreman sings of the ghost machine, referring to it as “she”. This song has a regretful feel. It is somber and features an acoustic guitar. What is the ghost machine he’s singing about? It’s sucking the life out of him. It’ a drug, in his blood and he can’t give her up.

My Coffin Produced by Ryan O’Neal of Sleeping At Last. Foreman wonders early in the song:

Is there someone buried
Beneath this skin?
And is he free when I am lost
In my coffin

The song finishes with:

Resurrection comes
But death comes first

And when I lose myself I’m safe
In my coffin

Fake Your Own Death Produced by Darren King. Features an interesting musical backdrop. With some strings, jazz instrumentation, and light drums I felt it had almost a Sgt. Pepper-like sound at times.

What would you live like if you had died
And been reborn with a second chance to live
Would you lose your fear of being dead?
And be afraid of something else instead?
Maybe you’d be more concerned with living it like you mean

Good For Me Produced by Andrew Wessen and Charlie Peacock (who has a long-time relationship with Foreman and Switchfoot).

This was the most musically interesting song on Shadows. Featuring guitar, drums, horns, it has a great beat to it. That doesn’t surprise me with the creative Peacock’s involvement.

Lyrically Foreman wonders if what he puts in his soul is taking a toll on him. Is it good for him? Does it keep him on his knees? Does it set him free?

Your Love is Enough Produced by Foreman and Seth Mosley. Foreman sings that only God can help him in times of doubt, longing, darkness. His love is enough. In a recent interview Foreman said “It’s a song that chronicles my lifelong battles with doubt and fear. Our roads in life can be painful at times – lonely, dark, and discouraging. But we are not alone.”

Siren’s Song Produced by Eric Owyoung from Future of Forestry.

This song features a nice orchestral arrangement. His love is at the edge of the ocean, wrapped in greens and blues.

Come to the sea
come and have me
my arms are open wide
come to the sea
come and cross me
we’ll reach the other side
come to the sea
come and take me
and have me for your bride
come to the sea
come and listen to the sailor’s lullaby

Again, give this release several listens to get to the full depth that Foreman intends. The final two EPs in the Wonderlands series are Darkness, due out September 4, and Dawn, set for release on October 23.

Concert Review: U2 iNNOCENCE + eXPERIENCE Tour at the United Center in Chicago – June 25, 2015

U2The first U2 album I bought was 1983’s War. I was a relatively new Christian at the time and had read about this mainstream band in Contemporary Christian Music (CCM) magazine in which some of the members were Christians. (Note: Bono mentioned in 2005’s Bono in Conversation with Michka Assayas that all were now believers, with bassist Adam Clayton being the last to come to faith). Among the songs on War was “40”, which contains the words of Psalm 40, and is a song that the band has closed their shows with often over the years. I’ve been a fan of U2 ever since, especially enjoying the spiritual aspects of their music.

Thursday’s concert at Chicago’s United Center was the second of five at the venue on their iNNOCENCE + eXPERIENCE Tour, featuring seven songs from their latest album Songs of Innocence, which Rolling Stone magazine named as the top album of 2014. The album, their first since 2009’s No Line on the Horizon, was also my top album of 2014, narrowly edging out Lecrae’s excellent Anomaly. This was the seventh time I’ve seen my favorite band in concert and the first in an arena setting since the 2005 Vertigo tour, with outdoor stadium shows at Chicago’s Soldier Field and St. Louis’ Busch Stadium since that time.

U2 often does unique things with their stage. This time, the stage had two large locations at each end of the arena, with a long walkway across the United Center floor connecting them, where just a few nights before the Chicago Blackhawks had won the Stanley Cup Championship. Our seats were supposed to be in the lower section at the end of the main stage. Due to a mix-up (either the wrong floor map was posted when we purchased tickets through the band’s fan club, or the stage was flipped) our seats were actually behind the stage. Those sitting around us were all very disappointed with this, but as it turned out there were some benefits to sitting only about 25 feet from drummer Larry Mullen. It was amazing to watch him working (behind the scenes) throughout the show. The close proximity to the band was a stark contrast to my last U2 concert, when we were more than three hundred feet away from the U2 360 stage placed in center field at Busch Stadium.

The two and a half hour concert started with Bono in his trademark black leather jacket and sunglasses appearing alone on the far end of the arena. As he walked toward the main stage he began singing “Oh, Oh, Oh…” from “The Miracle (Of Joey Ramone)” as the rest of the band (Edge, guitar and keyboards; Adam Clayton, bass; and Larry Mullen) took their places on stage. The concert did not include an opening act and had only a short intermission of Johnny Cash singing “The Wanderer” from Zooropa on the video screen; it featured twenty four songs, including three during the encore. Here is the complete setlist, which changes a bit each night as the band plays multiple dates in each city on the tour.

Although the concert featured seven songs from Songs of Innocence – which sounded even better in concert than on the too perfectly produced album – the band did a nice job of playing songs from throughout their thirty-five year career. Here are the albums that the songs originally appeared on:

Boy (1980) – Out of Control, I Will Follow

War (1983) – Sunday Bloody Sunday

Unforgettable Fire (1984) – Pride (In the Name of Love), Bad

The Joshua Tree (1987) – With or Without You, Bullet the Blue Sky, Where the Streets Have No Name

Rattle and Hum (1988) – Angel of Harlem

Achtung Baby (1991) – Even Better Than the Real Thing, One, Until the End of the World, Mysterious Ways

All That You Can’t Leave Behind (2000) – Beautiful Day

How to Dismantle an Atomic Bomb (2004) – Vertigo, City of Blinding Lights

No Line on the Horizon (2009) – Moment of Surrender (portions performed before and after “Bad”).

Invisible 2014 single (not available on an album)

Songs of Innocence (2014) – The Miracle (Of Joey Ramone); Iris (Hold Me Close), Cedarwood Road, Song for Someone, Raised by Wolves, Every Breaking Wave, Volcano

The band’s main stage was directly in front of us at one end of the United Center. A long catwalk/walkway with a huge see-through video screen above it, added much to the experience, but also created some challenges as only those on the sides of the arena could fully see the band when they were inside the screen. That’s right, the band would enter the screen and be part of the video experience. The screen would move up and down throughout the concert. However, when it was down, it made it difficult for people seated at the ends of the arena to see the band.

The band also set up at the far end of the arena for a few songs. By moving around and playing at a number of different places on their stage they added variety and gave everyone unique views of the band.

The show featured a few themes. The first half of the show featured many of the new songs from Songs of Innocence, so growing up was a theme – much as it was with Lecrae on his recent Anomaly tour – as Bono sang about his mother Iris (“Iris (Hold Me Close)” and his neighborhood growing up “Cedarwood Road”. “Sunday Bloody Sunday” with Larry playing a sobering snare drum effectively led into “Raised by Wolves”. Later, Bono would say that after grief comes anger as he led the band into “Volcano”. With songs like “Bullet the Blue Sky” and “Pride (In the Name of Love)” there were references to “I can’t breathe”, Ferguson, MO and Charleston SC. Later, the theme of surrender came up with parts of “Moment of Surrender” sung before and after “Bad”.

A few other thoughts:

  • The couple in front of us were from nearby (to Chicago) Grayslake, Illinois. This was her thirteenth U2 concert. When Bono introduced their second song “Out of Control” as their first single, she was completely overcome emotionally, with tears streaming down her face during the entire song. I’ll never forget how the song impacted her.
  • “Every Breaking Wave” is my favorite song on the new album. I actually prefer the alternate version released on the deluxe edition, so Bono performing it with only Edge on piano at the far end of the stage was a highlight.
  • Bono pulled a young woman from Costa Rica out of the crowd to help him film “Mysterious Ways” and “Angel of Harlem” around the world as Twitter comments from literally around the world were projected up on the large video screens above us.
  • My favorite song was “Pride (In the Name of Love)”, which was followed by “Beautiful Day”. The energy in the building during those two songs was incredible.

Though Bono seemed less energetic than past tours (could be due to his recent bike accident, or what the Chicago Tribune referred to as his bout with “nagging bronchitis”), it would not have been noticeable to those who hadn’t seen him on previous tours when he would sprint around the stage.

Thirty-five years after their first album U2 is still relevant and going strong. Incredibly there have been no band member changes during that time. I hope to see them on the next leg of the tour with songs from the rumored Songs of Experience album.

Unbroken Praise – Matt RedmanUnbroken Praise, Matt Redman

Matt Redman, with the possible exception of Chris Tomlin, is arguably the most influential worship songwriter that the modern church has been blessed with. He chose to record his latest album live in front of an audience of about 300 (who participate in the live worship by singing along), at the legendary Abbey Road studios in London. The album cover features the signatures from everyone who made the album possible (songwriters, musicians, producers, technicians, etc.). Redman stated “”Unbroken Praise reveals a heart not wanting to be beaten down by the things of life, but to actually increase worship in those moments.”

Below are brief comments on each of these wonderful new songs:

Louder – an upbeat song to start the worship, featuring the chorus:

We lift our voices, lift our voices

Make Your praise so glorious, glorious

It is Well with My Soul – features the chorus from Horatio G. Spafford’s 1873 hymn.

Flames – compares our praise offerings to the flame of a fire.

Let all our hallelujahs be Yours

All our hallelujahs be Yours

From the altar of our hearts, O God

Let flames of worship rise

Unbroken Praise – a last minute addition to the recording.

We give our praise unbroken, praise unending to God forevermore

Abide With Me – co-written with Matt Maher. The song also appeared on Maher’s excellent Sinners and Saints album. This is probably my favorite new song of 2015 thus far.

King Of My Soul – an upbeat song that will be good for contemporary worship services. Redman’s desire is to let our lives be undivided in our worship of God.

Songs In The Night – a wonderful song that speaks of the sovereignty of God in the midst of storms. We will wait on the Lord praising Him, confident because He is our peace in the storm.

No One Like Our God – a song that speaks clearly about how there is no one like our God and Savior. His blessing and His love is great. A joyous song that will be wonderful for congregational singing.

The Awesome God You Are – a song that first appeared earlier this year on the Passion Even So Come album. Features the worshipful chorus:

God, let hope arise

And faith become

The fortress of my heart

I will lift my eyes

And see You as

The awesome God You are

Believe You as

The awesome God You are

No Longer I – Uses the refrain from Isaac Watt’s 1707 hymn “Alas! And Did My Savior Bleed” (sometimes known as “At the Cross”), changing the last line from “And now I’m happy all the day!” to “Now, no longer I but Christ in me”. The refrain was not actually written by Watts, but by Ralph E. Hudson in 1885.

Majesty Of The Most High – a mostly acoustic song. We bow before the majesty, holiness and amazing grace of the Most High God. Just one glimpse of God and we will be changed.

Redman has done it again. He is so very talented in giving the church the gift of songs that we can sing in worship of our God. I’m sure these wonderful songs will be sung in worship services around the world very soon.

James Taylor Before this WorldBefore This World – James Taylor

This is “JT’s” first album of new material in thirteen years since October Road, which was released in August, 2002. The 67 year old member of the Rock and Roll Hall of Fame hasn’t been idle during this time, regularly touring and releasing a Christmas album, two albums of covers, two live albums and a greatest hits compilation. The album was recorded primarily at the Barn, his recording studio just down the hill from his home in the woods in western Massachusetts, with his longtime touring band featuring Steve Gadd on drums and Jimmy Johnson on bass. The album is produced by Dave O’Donnell.

By pre-ordering the album, I’ve been able to listen to “Today, Today, Today”, “Angels of Fenway”, and “Montana” for several weeks now. Last week, the album was streamed in its entirety by The New York Times, so I’ve been able to listen to the entire album several times now. In addition, last June in his wonderful concert at the Ravinia Festival in the Chicago area, he debuted “Today, Today, Today”, “Stretch of the Highway”, “You and I Again”, and “Wild Mountain Thyme”, all included here.

So what can I tell you about the long-awaited album? Well, it will remind you of the best songs of Taylor’s early 1970’s catalog. JT’s signature storytelling skills are matched with his signature vocals surrounded by a mostly mellow mix of folk, light rock, and acoustic blues. It’s like hearing from an old friend who has been gone for a long time.

Before This World is an intimate, largely autobiographical album of nine new Taylor songs, plus the classic Scottish folk tune “Wild Mountain Thyme”. Close friends Sting and Yo-Yo Ma guest on the album. So, put on some coffee and take a listen. Here are a few brief thoughts on each song:

Today, Today, Today – was the first single released from the album. Taylor’s friend and collaborator Don Grolnick, a jazz and pop pianist who died in 1996, inadvertently helped inspire the song title years ago during a car trip out of Manhattan. Taylor states “One day, driving out of the city, he held up traffic at the Triborough Bridge toll booth, looking for quarters. Behind him, a cabby rolled down his window and yelled at him, ‘Today, TODAY!’ Grolnick would say that whenever he grew impatient: ‘TODAY!’”

You and I Again – is a beautiful tender piano ballad about his wife Kim that features some wonderful accompanying strings.

Angels of Fenway – is a tribute to his Boston Red Sox and his grandmother who was a big Red Sox fan as well. After 86 years of frustration, the Red Sox finally won the World Series in 2004. Unfortunately, it was against my St. Louis Cardinals, and I was at the clinching game in St. Louis as the Red Sox swept the Cardinals. It features harmony vocals from wife Kim and son Henry. Even though I’m not a Red Sox fan, I’m a baseball fan and I love this song, which is one of my favorites on the album.

Stretch of the Highway – this song features light horns, some effective backing vocals and has a bluesy feel to it. It is a road song. The song references Chicago, the President and GMC. Taylor describes the song as “a theme I keep coming back to, the pull of home and the pull of the highway, a big part of my life, the ‘Dad Loves His Work’ theme, the tug of war between your family and going out to work. It’s a split life in a way, something every touring musician, merchant seaman, soldier, traveling salesman and oil-rig worker experiences.”

Montana – is a beautiful song of contentment as Taylor sings of the slower life of being in his cabin high upon a mountain in Montana.

Who can imagine the scale of the forces
That pushed this old mountain range up in the sky?
Tectonic creation, erosion, mutation;
Somethin’ to pleasure God’s eye.

Watchin’ Over Me – is an upbeat tune which features a fiddle. JT sings of his thankfulness for those who have watched over him on his path to recovery from depression and addiction. He is grateful for a second chance. He realizes the damage he has done and the debt he owes. He has learned his lesson again and that there is only way one to surrender. Although dealing with difficult subject matter, this is a celebration and one of my favorite of the new songs.

SnowTime – has a tropic feel to it. Taylor describes the song as being about people who are economic exiles to Canada in the midst of a freezing Canadian winter who are trying to re-ignite this flame. A frozen Yankee comes across this and is transformed. Taylor states that ultimately the song is about the power of music. The guitars on the chorus reminded me of his classic “Mexico”.

Before This World/Jolly Springtime – Taylor describes this as a spiritual agnostic song. It features beautiful cello work from Yo-Yo Ma.

Before this world was as we know it now
Before the land and sea were formed at all
Before the stars were made to burn and shine
Little love of mine, darling one
Who can pretend to understand at all
No one can both inside and outside be
Who can suppose he knows the way this goes
Little lamb, never mind

Sadly, he sings that the world is old, will never last and that our share of joy is in this moment past.

Jolly Springtime – contrasting the music and pessimistic lyrics of “Before This World” is this upbeat and happy song, celebrating spring in the merry month of May with effective backing vocals.

Far Afghanistan – Taylor describes this song as an “out-of-my-experience fiction piece,” dealing with a soldier leaving for the war. This is the one song that doesn’t fit with the rest of the album, and is my least favorite of the collection.

Wild Mountain Thyme – a beautiful cover of a classic Scottish folk song. Wife Kim and son Henry contribute harmony vocals.

Although Taylor may not profess to be a Christian, he offers an album full of Christian themes as God and Jesus are mentioned and themes of love of family, thankfulness for those who have helped him, appreciation for creation, etc. resonate from these songs. I can’t tell you how good it is to finally have some excellent new music from JT. Welcome back JT. Can’t wait to hear some of these new songs in concert.

Live at Red Rocks – Amos Lee with the Colorado SymphonyLive at Red Rocks – Amos Lee with the Colorado Symphony

I had never heard of Amos Lee until he appeared locally in 2007, opening for Bob Dylan and Elvis Costello. Between Costello’s and Dylan’s sets we ran into Lee in the foyer, where we visited briefly and he signed an autograph for us. A friend lent me Lee’s first two albums and I was hooked. I picked up Last Days at the Lodge when it came out in 2008, and I’ve picked up everything he’s released since that time.

Last August 1, Lee appeared with the Colorado Symphony Orchestra in a sold out concert at the Red Rocks Amphitheatre, about 15 miles from Denver. At that time, he had been on tour for almost a year in support of his fifth studio album Mountains of Sorrow, Rivers of Song. In the concert, he performed some of his most popular songs from his five studio albums, along with one new song, in a 14 song career spanning set, with five songs from his former #1 album Mission Bell and four from his debut Amos Lee. The album’s track list, and the original album they were included on is listed below:

Windows are Rolled Down – from his 2011 Mission Bell.

Jesus – Mission Bell

Keep it Loose, Keep it Tight – from his 2005 debut Amos Lee

El Camino – Mission Bell

Violin – Mission Bell

Colors – Amos Lee

Trickster, Hucksters, Scamps – from his 2013 Mountains of Sorrow, Rives of Song

Flower – Mission Bell

Won’t Let Me Go – from his 2008 Last Days at the Lodge

Sweet Pea – from his 2007 Supply and Demand

Street Corner Preacher – Last Days at the Lodge

Game of Thrones Theme – Not previously available on an Amos Lee album


Black River – Amos Lee

Arms of a Woman – Amos Lee

While the addition of the Colorado Symphony makes this recording special, it’s Lee’s incredible and versatile voice that is the real highlight here (check out his vocals on “Sweet Pea” as an example). If you are not familiar with Amos Lee, this is an excellent introduction to his music. If you are familiar with him, sit back and enjoy these incredible versions of some of his best songs. I hope this recording propels Lee to the level of popularity that he deserves.

Sunlight by Jon ForemanThe Wonderlands: Sunlight – Jon Foreman

This is the first of four “hourly” EPs from Switchfoot frontman Jon Foreman, each featuring with six songs. Lyrically rich and musically diverse, the style will remind you of his four “seasonal” EPs (Spring, Summer, Fall and Winter) from 2007-2008 or his music with Family Fiction, more so than it will his Switchfoot output. The songs feature acoustic guitars, strings and layered vocals. There will be one song for each hour of the day and each song is produced by someone different. Foreman has stated that the album has been ten years in the making, as he worked on the songs between stops on tour and between tours. The songs didn’t fit on any of his other projects (Switchfoot, Family Fiction or solo). The project was inspired by a moment in which potential chaos inspired a beautiful moment. Foreman has stated that with a project that is specifically geared toward light and darkness, many of the songs are going to be quite dark.

Here are a few brief thoughts about each of the songs:

“Terminal” – The most musically complex songs on the set. It is produced by Tyler Strickland. Foreman sings that we are fatally flawed in the image of God.

“The Mountain” – Produced by Anton Patzner, the song features acoustic guitar and strings. Foreman sings “I believe you (God) could move this mountain of mine”.

“You Don’t Know How Beautiful You Are” – Produced by Neal Avron. Foreman sings that “We’re the kids who’ve seen the darkness, always looking for light”. Where they are headed is a world apart from where they started. This is a very lyrically rich song. Was originally included in the album for the film To Write Love On Her Arms earlier this year.

“Caroline” – The first single from the project, it’s my favorite song. The opening line is “Caroline, the middle finger queen of the never mind.” It features a harmonica and is produced by Keith Tutt. In the chorus Foreman wonders out loud where Caroline’s heart is today.

“Patron Saint of Rock and Roll” – Produced by Aaron Roche, this song exposes some common counterfeit gods and Foreman sings that Christ alone can save his soul.

“All of God’s Children” – This is a song that dates back to Switchfoot’s Vice Verses writing sessions. It is a simple song featuring acoustic guitar and strings, as Foreman sings about believing in a world that is beyond him, a world he hasn’t seen. It is produced by Dan Brigham, Jeremy Lutito and Jason Morant.

The Wonderlands: Sunlight has me looking forward to the next EP, which is The Wonderlands: Shadows, due to be released July 17.

monkeyNo Pier Pressure - Brian Wilson

Music Review

No Pier Pressure – Brian Wilson

Originally intended to be the Beach Boys’ follow-up to their 2012 under-appreciated That’s Why God Made the Radio (until Mike Love “fired” Brian Wilson, Al Jardine and David Marks at the end of their 50th Anniversary Tour), No Pier Pressure ended up as the first solo album of all-new material from the 72 year-old legendary Brian Wilson since 2008’s That Lucky Old Sun. Those harmonies…..that’s what I loved about the Beach Boys, and that’s the best part of this new project, which can feel a bit disjointed and inconsistent. That makes sense, as four of the songs seem to have been for the Beach Boys album, a few are true Wilson solo songs, and the others feature guest artists, with mixed results.

Wilson joins the list of rock and roll veterans who have lately tried new approaches. Van Morrison and John Fogerty recently released duet projects. Paul McCartney has recently worked with Kanye West and Rihanna, and Bob Dylan released an album of songs that Frank Sinatra had recorded. None of these artists have anything left to prove and thus can experiment.

For Wilson’s eleventh solo studio album, he returned to Capitol Records, his longtime label with the Beach Boys. He also reunites with Joe Thomas, his frequent songwriting partner and co-producer.

The four songs which feature combinations of Beach Boys Al Jardine, David Marks and Blondie Chaplin – “Whatever Happened”, “The Right Time”, “Tell Me Why”, and “Sail Away”, feature stunning harmonies and are worth the price of the album (or you can just download those songs individually). Those songs will take you back to the best of the Beach Boys music. Jardine and Chaplin will be joining Wilson on tour this summer.

Wilson handles the vocals for the opening “This Beautiful Day”, “One Kind of Love”, and the closing “The Last Song” (a version of which was reportedly recorded with Lana Del Rey) himself.

“Runaway Dancer”, featuring Sebu Simonian of Capital Cities, has a dated 80’s disco feel to it and is my least favorite song on the record. Next least favorite is “On the Island” featuring She & Him. “Half Moon Bay” features beautiful harmonies and the trumpet of Mark Isham. “Our Special Love”, which was originally going to feature Frank Ocean, instead includes the vocals of Peter Hollens. “Guess You Had to Be There” is a catchy song featuring vocals from Kacey Musgraves. This would be my favorite of the songs featuring the non-Beach Boy guest artists. “Saturday Night” featuring Nate Ruess of fun., is likeable, but doesn’t feature enough of Wilson.

Throughout, Wilson’s voice is strong and the production is excellent. The genius of Wilson comes through on No Pier Pressure, but the album is uneven because of the varied styles and guests that are included.


anomaly_tourLecrae, Andy Mineo and DJ Promote at the Fabulous Fox Theatre in St. Louis April 30, 2015

DJ Promote opened the recent joyful three hour show before a mixed crowd of 3,000 mostly young fans at the Fabulous Fox Theatre, one of the final stops of the Anomaly tour.

We were seated in the second row of the balcony. As the crowd started moving at the beginning of DJ Promote’s set, so did the balcony – a lot! We had never felt anything like that before. Think of going through some turbulence on a flight, except you are sitting in the balcony of a theatre. The person sitting next to Tammy said it always happens. Later, in discussing this with an usher, we were told that the building was built that way to withstand an earthquake. They said we should have been there for the Lady Gaga concert when it was really shaking!

After a short set from DJ Promote, Andy Mineo came on to play an excellent high energy set, featuring songs from his Neverland EP and full-length album Heroes for Sale. Featured were such songs as “Neverland”, “The Saints”, “Bitter”, “Wild Things”, “Uno Uno Seis” (Spanish for 116), “Paisano’s Wylin”, “Rewind”, and “You Can’t Stop Me”.

Lecrae’s set contained mostly songs from his latest and chart-topping Anomaly album, beginning with “Welcome to America”. He effectively used video and song to tell the story of his life, as he was accompanied by a background singer, DJ Promote and a drummer. Other songs performed from the new album included “Outsiders”, “Fear”, “Wish”, “Dirty Water”, “Nuthin”, “All I Need is You”, “Good, Bad, Ugly” and “Give In”. This was more than just a concert, as Lecrae didn’t avoid the hard issues, including driving his girlfriend to an abortion clinic. He also played “I’m Turnt” and “Tell the World”. Andy Mineo joined Lecrae for a rousing “Say I Won’t” closer.

Along the way we had a marriage proposal by Lecrae’s former road manager (she said “yes”)! DJ Promote then led the crowd through some celebratory music.

Throughout the concert Lecrae talked about how much he loved St. Louis and how he felt that the city had adopted him. He thanked those from the St. Louis rap community who had helped him (including Thi’sl, J.R. and Flame), and then called on Thi’sl to join him for a powerful great version of “Fakin” from Gravity.

Lecrae is the real-deal. There is no artist I like or respect more. This was the second time we had seen him in concert, the first being a much shorter set at an outdoor festival. He and his fellow Reach Records artists are making a difference in an otherwise mostly dark genre by consistently producing high quality music.

Tomorrow We Live – KB

Tomorrow We Live – KB
Lecrae’s Reach Records continues its run of strong releases with KB’s (Kevin Burgess) second full-length album, and the follow-up to his 2014’s EP 100. The album was recorded in various location (Tampa, Atlanta, South Africa). It features strong production, powerful lyrics which ultimately offer a message of hope, and varied styles.

In interviews KB has said that he drew inspiration for the album from a trip to South Africa and that the album is a story that goes through the emotions of the day. Below are a few brief comments about each of the songs:

Rich Forever – features piano and acoustic guitar, this is a smooth jazzy/R&B song with an infectious beat. KB tells of growing up poor and that we will have riches in Heaven, which are better than riches in this world.

Sideways (featuring Lecrae) – this features a great beat as label owner Lecrae joins him on this excellent track, which looks at the way Christians are often seen by the world. My favorite track on the album.

They don’t know what to do with us
Degree in theology raps for a livin’
Black man in first class that is reading the scriptures
I put my tray table up
Smile why they lookin’ sideways?

And lately I’ve been hangin’ in the hood
Everybody lookin’ like what
You for the people, you pushin’ back evil
Not just in the steeple, you out in the woods
Where the lions and the wolves at?

I Believe (featuring Mattie of For Today) – features a chanting crowd screaming “I believe we will win.” KB addresses subjects from breast cancer and racism to the hope of Heaven. Features a joyful African chorus with drums.

9 AM – a short interlude with wife and baby and a reference to Lecrae’s “Dirty Water” from Anomaly.

Fall in Love with You – features a ukulele and some muted brass. The song is written to his son. It has a pop sound that demonstrates his versatility. It’s similar in theme to Trip Lee’s song about his children “Beautiful Life 2” from Rise.

Always & Forever – soul and funk with a 70’s/80’s sound. Upbeat and joyful, featuring female vocals. A love songs written to his wife. Could be a commercial success such as Lecrae’s “All I Need is You”.

I don’t know what tomorrow holds, but I know Who holds tomorrow.

Ima Just Do It (featuring Bubba Watson) – featuring two-time Masters golf tournament champion and one of my favorite golfers Bubba Watson. Has a great beat which will sound good live.

Bubba Wats on the mic now.
Can a golfer spit a rhyme?
Not a gangsta rapper, but my caddie got a knife.
KB need a verse,
Told him ain’t nothin’ to it.
Everybody ask me why, I just look ’em in the eye and say
I’m a just do it
Country boy from the panhandle
No golf lessons, just God’s blessin’s
Ain’t nothin’ He can’t handle,
Left-handed, funny swing,
Driver’s pink, ain’t nothin’ to me.
Got two Masters, a double major
But just one Master, our Savior.

Cruising – a short smooth track in which KB raps about Tampa, shrimp, garlic sauce, riding his bike and breaking bones in an accident.

Calling You – KB tells the heartbreaking story about an Iraq War veteran’s attempted suicide. Features some female vocals.

Save Me – short song that serves to bridge us from “Calling You” to “Drowning”.

Drowning – a laid-back beat with autobiographical content from KB.

Pull me up now before I drown
Save me before I drown.

Lights Go Out (featuring Bianca and Justin Ebach) – Could be another song about his wife. Features vocals from solo artist Bianca and composer/producer Justin Ebach. Has an excellent hook that sounds familiar.

When the lights go out it’s going to be me and you.

Crowns & Thorns (Oceans) – samples the popular worship song “Oceans (Where Feet May Fail)” by Hillsong United. The song mixes hip-hop beats with violins and keyboard, and verses of despair and upbeat chorus:

My idols are mimickin’ Jesus
I bury my sin in 3 days, its back up again

Spirit lead me where my trust is without borders
Let me walk upon the waters
Wherever you would call me
Take me deeper than my feet could ever wander
And my faith will be made stronger
In the presence of my Savior

Find Your Way – a bonus track. KB tells women to look at their value in Christ, not in their looks or in the eyes of men. Features some effective drums.

This is a very strong release in which KB shows his flexibility, not only as a hip-hop artists but also incorporating funk and pop influences.

Into the Woods - NEEDTOBREATHELive from the Woods – NEEDTOBREATHE

This high energy live album, featuring seventeen songs, was recorded on the band’s Rivers in the Wasteland tour at the Woods at Fontanel Amphitheatre in Nashville on September 13, 2014. NEEDTOBREATHE has become one of my favorite bands over the past few years, and is a band that I really hope to see in concert soon as this recording demonstrates that they are an excellent live band, bringing new energy to their excellent studio recordings.

The album features the South Carolina band playing extended versions of some of their best songs from four of their five full-length studio albums (no songs from their 2006 debut Daylight are included), with the strong lead vocals of Bear Rinehart. Thirteen of the seventeen songs are from the band’s last two albums, 2014’s chart-topping Rivers in the Wasteland and 2011’s The Reckoning. The only exceptions are “Something Beautiful”, “Girl from Tennessee”, “Washed in the Water” and “The Outsiders”. Nine of the eleven songs from Rivers in the Wasteland are included here. Seven songs were released in advance for those who pre-ordered the set, so I’ve been enjoying those songs for the past few weeks.

Highly recommended for NEEDTOBREATHE fans, and a good introduction for those not familiar with the band.

Postcards from Paradise by Ringo StarrPostcards from Paradise – Ringo Starr

From the time I was eight years old I’ve loved the Beatles’ music, both as a band, and as solo artists. Ringo was the Beatles drummer from 1962 to 1970. This is his eighteenth solo studio album, along with several live albums and compilations. Last year I finally got to see Ringo and His All Starr Band in concert. It was a great evening as Ringo and the band really seemed to enjoy each other and performing for their fans.

This album features eleven new songs, and arrives just a few months before Ringo turns 75 years old on July 7. Ringo will be inducted into the Rock and Roll Hall of Fame on April 18, appropriately by Paul McCartney, the only other surviving Beatle.

The album was produced by Ringo, engineered by longtime collaborator Bruce Sugar, and recorded at his home studio in Los Angeles. As on his previous albums, he is joined by a number of guest stars, such as Joe Walsh, Benmont Tench, Dave Stewart, Richard Marx, Peter Frampton, Nathan East and Glen Ballard. The album features the first song that Ringo has written and recorded with the members of his All Starr Band “Islands in the Sun” – Steve Lukather, Todd Rundgren, Gregg Rolie, Richard Page, Warren Ham and Gregg Bissonette, who plays percussion, trumpet and steel drums on the song.

Below are a few comments about each song:

“Rory and the Hurricanes” – another of Ringo’s songs about the past, which I particularly enjoy. Those songs actually date way back to “Early 1970”, the b-side of an early single. This song, co-written with Dave Stewart, pays tribute to the band Ringo was in prior to joining the Beatles in 1962 when he replaced Pete Best on drums. It is a rocker featuring a pounding piano and doo-wop girl-group backing vocals. The song begins in Liverpool and takes in an early visit to Soho’s Denmark Street with the band he refers to as “you know who”.

We were sleeping on the floor living on bread and jam
Because we thought we’d hit the big time
We didn’t give a d***
We were Rory and the Hurricanes

“You Bring the Party Down” – co-written with Toto’s Steve Lukather. In this song, which includes a sitar, Ringo goes back and forth between a reggae-like feel and a driving rock beat. This has an uncharacteristically dark streak to it. It makes you wonder who he is singing about.

Still living off your memories of when you were in the band
When you’re around you bring the party down

“Bridges” – features brother-in-law Joe Walsh on a guitar solo.
Down every road we come to bridges.
Crossing bridges is the best way to grow.

“Postcards from Paradise” – co-written with Todd Rundgren, this song creatively uses Beatle and solo song titles in the song lyrics with a George Harrison sound-alike guitar solo thrown in for good measure. Ringo also plays keyboards on this song. Here’s an example, with the song title in italics:

It’s all too much my little child.
If you would be my honey pie
Eight days a week you will be mine
And getting better all the time

“Right Side of the Road” – is a positive, upbeat, feel-good song. Features guitar work from Ringo and Peter Frampton. Ringo encourages the listener to choose another direction and “try it on the right side on the right side of the road. “

“Not Looking Back” – a loving tribute to Barbara, his wife of nearly 34 years. Features violin work from Ann Marie Simpson.

“Bamboula” – co-written with Van Dyke Parks. Ringo has said that they were trying to create the impression of a marching band, so he played every drum that he had in the studio, including three huge, hundred-year-old drums that Joe Walsh sent him from Africa. The title comes from the bamboula, a drum that Africans were playing 200 years ago. Ringo plays a syncopated New Orleans–inspired snare/tom rhythm, and the song includes some horns and background vocals.

“Island in the Sun” – the first song written by the entire All-Starr Band. Features some good sax work and background vocals with a Caribbean groove.

Don’t worry about the future
Don’t forget about the past
Don’t really matter where I’ve been or what I’ve done
I keep searching for the island in the sun

“Touch and Go” – the closest to an early Beatles sound on the album. Ringo wrote the song with his longtime collaborator Gary Burr. The song is an upbeat song with an effective guitar solo, in which Ringo sings about new love:

I knew from the moment we said hello
It had to be more than touch and go.

“Confirmation” – features guitar work by Steve Dudas, who has been contributing to Ringo’s albums for several years. It’s a positive song that features a laid-back Motown groove, with an effective use of horns and background vocals. This could be another song about wife Barbara.

If I knew then what I know now
I do it all again with you anyhow

“Let Love Lead” – features Frampton and Gary Nicolson on guitars. Was reportedly considered as the title song for album. A strong closing song with the simple positive message of “let love lead”.

Ringo’s effective drumming is mixed prominently throughout this release and his vocals sound as good as ever. Several of these songs will sound good live. I thoroughly enjoyed this album.

Van Morrison DuetsDuets: Reworking the Catalogue – Van Morrison

I was first attracted to the now 69 year-old Van Morrison’s music when I heard his song “Whenever God Shines His Light” with Cliff Richard on Christian radio in 1989. That song, as well as “When Will I Learn to Live in God”? were included on Morrison’s excellent album Avalon Sunset. Although his later albums haven’t had the same spiritual flavor, I’ve enjoyed each of his albums since, and have seen him perform in one of his rare U.S. concerts.

In general, I’m not a fan of duet albums, live albums or “Greatest Hits” albums, instead preferring all new music from the artists I like. As a result, I wasn’t overly excited when I first heard about this new album. But it is a very good album which reminds me of John Fogerty’s 2013 I Wrote a Song for Everyone in concept, though Fogerty tended to focus on his most popular songs, while Morrison’s album focuses on some of his lesser known songs.

The 16 song album got its start when Morrison, the late Bobby Womack (whose appearance on “Some Peace of Mind” is one of his final studio recordings), Mavis Staples and Natalie Cole played the BluesFest at the Royal Albert Hall in London in 2013. Morrison recorded songs with each of them, and completed songs with the other guests over the next year. The album is produced by Morrison, Don Was and Bob Rock. In some cases Morrison had songs in mind for the guest artists and in other cases, such as Michael Buble with “Real, Real Gone”, the album’s first single, the artist had a particular song they wanted to record from the 360 songs in his catalog.

The songs date from 1970’s “If I Ever Needed Someone” with Mavis Staples to 2012’s Born to Sing” with Chris Farlowe. Most of the songs come from Morrison’s 1980’s and 1990’s albums. He has said that the project was about both the fun of singing with artists he admires and also going back to songs that aren’t so well known.

Other artists who joined Morrison for the project include Stevie Winwood, Mark Knopfler, Georgie Fame, Morrison’s daughter Shana Morrison, Simply Red’s Mick Hucknall, Taj Mahal, Clare Teal, PJ Proby (who joins Morrison for “Whatever Happened to PJ Proby”), Gregory Porter, George Benson (who Morrison recorded “Higher Than the World” live with Bensons’ band) and Joss Stone. Some of the artists I was very familiar with and a few I had not heard of before this album.

The album features the superb vocals of Morrison and his hand-picked guests, is well produced and the musicianship stellar. Since this album has come out I’ve been going back to listen to a lot of Morrison’s earlier music. I hope the new album results in others doing the same.

Saints and Sinners – Matt Maher (Deluxe Edition)
I was only vaguely familiar with Maher before seeing him open for Toby Mac last December. It was at that concert that I first heard “Because He Lives (Amen)”, which has been one of my favorite songs since that time. The original studio version of the song, as well as an unplugged version, appear on this new album.

It was years after I first enjoyed Chris Tomlin’s versions of “Your Grace is Enough” and “Lord, I Need You” that I found out that they had been written by Maher, who is a Roman Catholic, a rarity in contemporary Christian music. I much enjoyed last year’s All the People Said Amen, a live album of some of his most popular songs live with a few new ones mixed in.

The album title comes from an Oscar Wilde quote: “Every saint has a past, and every sinner has a future”. This is somewhat of a concept album. I picked up the phrase “saints and sinners” in the lyrics of a few of the songs. Many of the songs were inspired by saints and sinners such as Dr. Martin Luther King Jr., Archbishop Oscar Romero, St. Therese of Lisieux, Bill Gaither, Mother Theresa, Maher’s grandmother and St. Francis. The album was produced by Paul Moak.

The deluxe edition of this new album includes nineteen songs. Here are a few comments or lyrics about each of them:

“The Field of Stars” – a less than a minute opener which features the album’s title in the lyrics.

“Future Not My Own” – features a heavy drum and bass sound. It was inspired by martyr Archbishop Oscar Romero.

This is a great unknown
Love is a long and narrow road
Come chase this heart of stone
I need a future not my own

“Deliverer” – co-written with Bo and Bear Rinehart of NEEDTOBREATHE. An upbeat song with interesting vocal inflections from Maher.

My God, from the flood and from the fire
You brought me out, I am alive
With a faith, just like a child
I’m not afraid, I’m running wildSaints and Sinners by Matt Maher
For everything that will be done
I am yours and you are my

“Glory Bound” – an upbeat modern country hand-clapper that is sure to be a favorite in concert.

Well I don’t know which way you’re going
And I don’t know if you’re lost or found
All that I know is you’ve been forgiven
I tell you this train is glory bound

So come on make some room in your heart for mercy
Come on make some room for a little grace
Come on make some room for the sinners and the saints

“Land of My Father” – upbeat and joyous. Another one that will be a good one to sing along with in concert, especially the chorus:

Holy, Holy, Lord God Almighty
We sing Holy, Holy, my eyes have seen the glory
Of the great God Almighty

“Everything is Grace” – drums are dominant on this song. Maher pours out his grateful heart to the Lord on this song which features the words of St. Therese of Lisieux.

Whatever comes my way
I will walk through the flames
You’re turning my fear to faith
My doubt to praise
And everything is grace

“The Invocation” – a short prayer featuring piano and strings. Mentions “sons and daughters”, which is the title of the next song.

“Sons and Daughters” – portions of speeches from Dr. Martin Luther King Jr. are featured on this song which Maher wrote with Jason Ingram and Ike Ndolo, the latter of which lived in Missouri during the Civil Rights movement.

All my brothers help each other
All my sisters walk together
No one is a stranger
We’re all sons and daughters

“Firelight” – this has a bit of a bluegrass feel, featuring excellent drums. It was inspired by words from Mother Teresa to be lights in the darkness.

If anyone remembers my name
If I’m ever known for anything
Let it be I ran into the night
Running with a firelight, firelight

“Instrument” – co-written with Jon Foreman of Switchfoot. I enjoyed the piano and strings. It begins as an intimate song; the drum beat kicks and leads to a powerful prayerful chorus and then back to an intimate ending.

To the Father and the Son
And the Holy Spirit, three in One
I offer you myself, though I’m broken and spent
Let me be Your instrument
Let me be Your instrument

“Abide with Me” – one of our pastors is leading a study on abiding, so this song is timely for me especially as we prepare to celebrate the resurrection of our Lord. It’s a beautiful piano driven prayerful song.

Abide with me, abide with me
Don’t let me fall, and don’t let go
Walk with me and never leave
Ever close, God abide with me

“The Waiting” – a short piano driven meditation. Maher again mentions sinners and the saints in the lyrics.

Because He Lives (Amen) – the first single. One of my favorite songs of the past few months, it is inspired by Bill Gaither’s classic song “Because He Lives”.

Amen, Amen
I’m alive, I’m alive
Because He lives
Amen, Amen
Let my song join the one that never ends
Because He lives

“Rest” – an acoustic guitar driven song. It features background vocals from the Vespers and is based on Psalm 23. It was written during a time when Maher’s grandmother’s health was failing.

You restore my soul and You give me rest

“Borrowed Time” – an upbeat song featuring piano and drums about the urgency to start living because we are living on borrowed time. Another that will sound good in concert.

“Because of You” – a prayer to the Lord saying that everything we have is because of the Lord. Excellent drums and bass on this song.

If I shine it’s because of You
If I love it’s because of You
If I’m strong it’s because of You
It’s all because of You

“Garden” – recorded live. Starts with just an acoustic guitar and then builds; it showcases Maher’s piano playing.

And You walk with me
You never leave
You’re making my heart a garden

Because He Lives (Amen) – an unplugged version of a wonderful song featuring his excellent piano playing.

This is an excellent album, with excellent lyrics and diverse and creative musical arrangements. It will be one of my top albums for 2015.

Passion - Even So Come

Even So Come – Passion (Deluxe Edition)
Each spring I look forward to the release of the latest Passion Conference album. This year’s album Even So Come, featuring twelve songs, was recorded live at three separate Passion gatherings in front of more than 30,000 college students (Passion’s focus is students ages 18-25), at Phillips Arena in Atlanta and the Toyota Center in Houston. The album features the usual Passion gang – Chris Tomlin, Matt Redman, Crowder, Kristian Stanfill, Brett Younker and new entry Melodie Malone. Tomlin and Stanfill each get four songs and Crowder three. The music tends to be a combination of worship ballads and high energy worship songs which are easy to get stuck in your brain after just a few listens. There are a number of excellent songs and performances on this year’s album.
I purchased the Deluxe Edition of the album which includes four songs recorded at a late night acoustic session. It features three well known worship songs: Tomlin’s “We Fall Down”, Redman’s “The Heart of Worship” and Crowder’s “How He Loves”, along with Stanfill’s cover of the hymn “It is Well”. The Deluxe edition also includes videos of the Redman and Crowder songs. Unlike past Passion albums, this year’s does not feature one of Louie Giglio’s sermons, which was fine with me.

Here are a few thoughts on the twelve songs on the standard edition:
“Even So Come” – Chris Tomlin. One of my favorite songs on the album. This reminded me of Tomlin’s excellent “At the Cross (Love Ran Red)” from last year’s Passion album Take it All. The song went a bit long, but an upcoming studio version may tighten it up a bit.

Like a bride,
Waiting for her groom,
We’ll be a church,
Ready for You,
Every heart longing for our King,
We sing…
Even so come,
Lord Jesus come

“Shout Hosanna” – Kristian Stanfill. This song has a big sing-along chorus and pounding drums.

The same power that rolled the stone away
The same power alive in us today
King Jesus we call upon your name
No other name

“Forever” – Melodie Malone. Passion newcomer covers the Kari Jobe song. Malone’s powerful vocals on this songs makes it one of the highlights of the album.

“Lift Your Head Weary Sinner” – Crowder. A live version of a song from his excellent Neon Steeple album.

“Draw Near” – Kristian Stanfill. This is one of those worship songs in which lines are sung over and over (and over and over). At eight minutes in length it’s probably my least favorite song on the album.

“The Saving One” – Chris Tomlin. Another wonderful song from Tomlin that will be great to sing in worship services.

Your love is amazing
Grace never fails me
You are the saving one
You reach from the heavens
Hope of the nations
You are the saving one

“The Awesome God You Are” – Matt Redman. I can’t get enough of Matt Redman’s music. The only disappointment is that this is the only new song of his that is included on the album.

God, let hope arise and faith
Become the fortress of my heart
I will lift my eyes and see You as
The awesome God You are

“My Anchor” – Christy Nockels. The only song on the album from Nockels. This song will be included on Let it Be Jesus, her upcoming live album recorded at the Passion City Church in Atlanta.

“Wonder” – Crowder. I love Crowder’s music and enjoyed this new song, the chorus of which is a reworking of my favorite hymn. This is another of my favorite songs on the album.

Oh Lord my God
When in awesome wonder
Sing my soul
Your song again
Oh Lord my God
When I’m lost in wonder
Sing my soul
How Great Thou Art

“The Way” – Brett Younker. He follows up “Burning in My Soul” from the Passion: Let the Future Begin album with this high energy song.

“You Found Me” – Kristian Stanfill. This song was written by Matt Maher, Jason Ingram, Brett Younker and Stanfill. It’s another high energy sing-along song.

“The Cross of Christ” – Chris Tomlin. The album closes with the most upbeat of Tomlin’s three new songs. It’s a wonderful song that is probably already being sung at contemporary worship services.

It is the cross my only plea
The blood He shed delivers me
Our Savior’s arms are open wide
A love so great
The cross of Christ

Lead Us Back - Third DayLead Us Back: Songs of Worship – Third Day

This is Third Day’s fourth Offerings album, comprised of three worship music albums and Christmas Offerings, released in 2006. While the previous Offerings albums were a mixture of live tracks, new songs and covers, the standard release contains all new worship music written specifically for this album (the Deluxe edition contains at least one cover).

One of my favorite songs of the year – “Soul on Fire” featuring All Sons and Daughters – is the first single. Third Day is an excellent live band that we have seen in concert a few times. I purchased the Deluxe edition of Lead Us Back, which features three additional new songs and eight songs, including “Soul on Fire” recorded in concert, for a total of 22 songs, well worth the extra few dollars.

Any discussion of a Third Day album starts with the powerful voice of lead singer Mac Powell, and his voice is in top shape on this release. The album also features excellent backing vocals from guest artists including not only All Sons and Daughters, but also Michael Tait (formerly of DC Talk and now the lead singer of the Newsboys), Michael W. Smith, Natalie Grant, David Crowder, Sarah MacIntosh, Daniel Bashta and others.

Here are a few comments about and lyrics from each of the new songs:
Spirit a song that could be used as a call to worship in church, with Powell and background singers pleading for the leading of the Holy Spirit.

Oh, Lord, fill us with Your Spirit
Guide us by Your presence
How we need You, God

Soul on Fire – the first single, co-written with Matt Maher, is an upbeat catchy song that you’ll have stuck in your mind, featuring the vocals of All Sons and Daughters. The song had its origins with South African worship leader/songwriter Brenton Brown who allowed the band to change the arrangement and add a verse. The band performed a great version of the song live on Fox and Friends on March 7.

God, I’m running for Your heart
I’m running for Your heart
Till I am a soul on fire
Lord, I’m longing for Your ways
I’m waiting for the day
When I am a soul on fire
Till I am a soul on fire

Your Words – a song about God’s Word that features female worship artist Harvest Parker and begins with a hammered dulcimer.

Let me hear Your words
Above all other voices
Above all the distractions in this world

Your words give us life that’s never ending
Your words bring us love that never fails
Everything else will fade away
But what will remain
Are Your words

Our Deliverer – one of the songs that was released early if you pre-ordered the album. The song looks forward to the second coming of Christ.

Our Deliverer is coming
With salvation in His wings
Our Deliverer is coming
Here to set His people free
Our Deliverer is coming
Coming back for you and me
Our Deliverer is coming

He is Alive – this would be an excellent song for churches to sing this Easter:

He is alive
Death is defeated
Sin has retreated
From the power of the Son
And He is alive
The enemy is faded
The battle still rages
But the war has been won

In Jesus’ Name – features vocals from Michael W. Smith, Natalie Grant and Michael Tait.

Name above all names
Savior and our Lord
Every knee will bow
And every tongue confess
No other name is given
By which we can be saved
Let us find our life and love
In Jesus name

Lead Us Back – a short song that contains the following lyrics:

Lead us back where we belong
Call us as Your very own
Lead us back
Safe into to Your arms

Maker – an easy-going acoustic song about the creator of all things.

Maker, there is none like You
Savior, no one else will do
Lord, there is no other God
Lord, there is no other God
Maker, there is none like You

Victorious – another of the songs that was released early if you pre-ordered the album. A piano driven song that will sound great in worship services.

Victorious, You reign victorious
Over sin, over death, over all, over us
Victorious, You reign victorious
In Your mighty name we trust
Let all proclaim You reign victorious
You reign victorious

I Know You Can – a song about trusting completing in our sovereign God that has a modern country sound to it.

Give me the words to say
Bring me the strength to stand
Take all the doubt away
Jesus, I know You can
For if I’m to follow You
It’s only by Your hand
Help me to make it through
Jesus, I know You can

Father of Lights – this song has very much a Crowder feel to it.

Father of truth, Father of grace
Be with us now fill this place

The One I Love – available only on the Deluxe edition. An acoustic guitar driven song.

Oh, you of little faith
Oh, how quickly and how often you have forgotten
Oh, you of little faith
Aren’t you tired of all the wars and battles you have fought in
And when all your world is gone
And you cannot sing your song
I will help you carry on
The one I love

Praise the Invisible – a cover of the Daniel Bashta song available only on the Deluxe edition.

Praise the Invisible, praise the Immortal One
Praise God Incarnate, praise Father, Spirit, Son
For He is God, for He is holy
For He holds the keys to the grave
And forever He will reign

Arise – the closing song is available only on the Deluxe edition.

Arise O God, lift up Your hand
Bring freedom and forgiveness
Arise O God, Help us to stand
For mercy and for justice

I’m a long-time Third Day fan. I look forward to hearing these songs on the radio and hopefully in concert.

Glory to the Holy OneGlory to the Holy One: Sacred Music for the People of God – Jeff Lippencott and R.C. Sproul

This is an exciting new sacred hymns project for the church from theologian R.C. Sproul and award-winning composer Jeff Lippencott (to find out more about Jeff to go to

The music was premiered at Saint Andrews Chapel in Sanford, Florida, where Dr. Sproul serves as Co-Pastor, the night before the 2015 Ligonier National Conference. In addition, four songs were performed in a mini-concert on Friday evening at the conference.

For the most part, Dr. Sproul wrote the lyrics to the hymns and Jeff Lippencott wrote the music. Lippencott also arranged, orchestrated and conducted the music, as well as producing the album (and did not take any compensation for his work; when hearing him speak about it, it was clear that it was a labor of love). Dr. Sproul writes in the liner notes: “I have poured a lifetime of biblical study and reflection into this theologically rich music in order to encourage and equip the church”. The project was recorded during 2014 in Washington, Arizona, Saint Andrews Chapel, Canterbury, U.K. and the famous Abbey Road Studios in London. Below are a few comments about the project:

1517 is a spoken word piece by Dr. Sproul about Martin Luther and the Protestant Reformation. He ends with:

“In every generation the gospel must be published anew with the same boldness, and the same clarity, and the same urgency that came forth in the 16th century Reformation. The church has always done this in both the spoken word and in song – producing hymns that tell us of the great salvation that has been wrought by God alone through Christ alone. These hymns that you hear today are sacred music for the church giving glory to the Holy One”.

Glory to the Holy One
“Holy, Holy, Holy”
Cried the seraph throng
Glory to the Holy One
Join in heaven’s song

Heavy is Our Savior’s Cross is a somber hymn about the beating and crucifixion of Christ.
Heavy is our Savior’s cross
Weighed down by human sin
His blood so pure, no earthly dross
Is borne by only Him

Highland Hymn. In one of the Ligonier National Conference “Question and Answer” sessions, R.C. Sproul Jr. became emotional about this song, saying as he listened to it he envisioned being united with his wife and daughter in Heaven. This song features musicians on Uilleann Pipes and Hammered Dulcimer that played on the scores for The Hobbit and The Lord of the Rings films.
Above the mists of Highland hills
E’en far above the clear blue skies
The end of pain and earthly ills
When we shall see His eyes
Lutes will sing
Pipers play
When we see Him face to face
On that day

Watch this behind-the-scenes glimpse into the making of “Highland Hymn”.

Viam Dei is an instrumental by Jeff Lippencott. Here’s how he explains the song:
“Viam Dei – a Latin title meaning “Way of God” – is a work that tries to express musically the struggles, the push and pull, the pain and peace that the Christian encounters on the road on which God has placed each of his beloved – the path toward sanctification”.

No More the Grave. This is a wonderful hymn that we sang at the conference and I’d like to sing at my church:
No more the grave can yield its sting
No more is death our foe
Our souls can now with gladness sing
Now gone all curse and woe He once was dead but now He lives
A groom now fit to wed
The Alpha and Omega reigns
Beginning to the end

Clothed in Righteousness. This is a hymn that we have sung at the past few National Conferences and at Saint Andrews Chapel:
Clothe us in Your righteousness
Hide filthy rags of sin
Dress us in Your Perfect garb
Both outside and within
No work of ours is good enough
For evil to atone
Your merit, Lord, is all we have
It saves, and it alone

These Great Things
What shall we say to these great things?
Of mystery sublime
That if He is for us we can sing
Now and for all time

Worthy is the Lamb – taken from the book of Revelation:
Ten thousand times, ten thousand more
The host of heaven cried
All blessing, honor, glory, and pow’r
To Christ, the Lamb that died

At the end of the album is a bonus conversation with Dr. Sproul and Jeff Lippencott talking about the project. Also included is a hymn Jeff wrote, “This Hymn, My Simple Gift”, which was inspired by the project.

The album is available on iTunes, and Read more about the new project here

Shadows in the Night - Bob DylanShadows in the Night – Bob Dylan

Shadows in the Night is the 73 year-old Bob Dylan’s follow-up to 2012’s excellent Tempest. Dylan produced the album under the Jack Frost pseudonym. The album consists of 10 songs that were recorded by Frank Sinatra in the 40’s, 50’s and 60’s. Most of the songs are slow romantic/sentimental standards. They are tales of love, loss and sorrow. The album’s title is most likely a play on Sinatra’s song “Strangers in the Night.”

Dylan first let on about his intentions about this album when he released “Blue Moon and Empty Arms” on his website last May. He used “Stay with Me” as the encore on his recent tour. That song was released a few weeks ago, in advance of the full album release.

Dylan has done cover albums in the past. The much maligned Self Portrait (1970) Good as I Been to You (1992) and World Gone Wrong (1993). Listening to the album may remind you of Willie Nelson’s classic Stardust.

Although it may seem shocking that Dylan would cover these songs, in reality they are not much different than some of his more recent songs such as “Spirit on the Water” or “Beyond the Horizon” from Modern Times. In addition, Dylan’s Theme Time Radio Hour radio show demonstrated his affection for the music of the 30’s and 40’s. You can listen to some of those programs here:

Dylan did only one interview for the new record and that was with the AARP Magazine (insert jokes here). In that interview he stated:  “I don’t see myself as covering these songs in any way. They’ve been covered enough. Buried, as a matter of fact. What me and my band are basically doing is uncovering them. Lifting them out of the grave and bringing them into the light of day”.

You can read the entire interview here:

The album was recorded in Capitol Records Studio B in Los Angeles where Sinatra did his classic work for that label. Instead of the orchestra/strings that usually accompany these songs, Dylan used his excellent five piece touring band to give the songs a 1950’s small combo feel. The band is comprised of:

Tony Garnier – Acoustic/bowed bass

Stu Kimball – rhythm guitar

Charlie Sexton – lead guitar

Donny Herron – pedal steel and lap steel guitar (Nashville and Hawaii)

George Receli – Drums, percussion

The songs were recorded live (and appear on the record in the order they were recorded), with no overdubs (with the exception of some light horns on a few of the songs), no vocal booth or headphones for Dylan. Most of the songs were completed in one or two takes. The album is best listened to when you can really focus on the singing and music. I enjoy it most (as does my wife) when I listen to it with headphones.

It is a very intimate record, with sparse arrangements and the focus on Dylan’s voice, which David Bowie once described as “sand and glue”. On this recording Dylan’s voice is delicate, tender and precise, and sounds better than it has in many years.

Rolling Stone critic David Fricke writes: “The great shock here, then, is Dylan’s singing. Dylan’s focus and his diction, after years of drowning in sandpaper, evoke his late-Sixties poise and clarity on John Wesley Harding and Nashville Skyline – also records of deceptive restraint and retrospect – with an eccentric rhythmic patience in the way he holds words and notes across the faint suggestions of tempo.”

Below are comments about a few of the songs:

  • “Stay with Me” – Was a 1964 single and written for a 1963 film, The Cardinal, about a young priest who ascends to a post in the Vatican. Dylan’s version sounds like a heartfelt prayer.
  • “I’m a Fool to Want You” – a rare co-write for Sinatra
  • “Some Enchanted Evening” is from Broadway musical South Pacific
  • “Autumn Leaves” is a French song from 1945
  • “What’ll I Do” – was recorded twice by Sinatra
  • “That Lucky Old Sun” was occasionally on Dylan’s set lists of the early 1990’s, and was a hit for Louis Armstrong. It’s the closer and my favorite song on the album.

Dylan is unpredictable and never ceases to surprise. This album is a stunning triumph, but certainly won’t appeal to everyone, though as I write this three days after its release, the album is number one on Amazon’s pop and rock charts.

The Basement Tapes Raw - Bob Dylan and the BandThe Basement Tapes Raw: The Bootleg Series Vol. 11 – Bob Dylan and the Band

I’m pretty sure that the first Bob Dylan album I bought new was his classic 1975 release Blood on the Tracks. I remember having the album poster on my wall in the basement bedroom my Dad built for me at home while I was attending college. I probably started listening to Dylan’s music because I regularly read Rolling Stone magazine during those days. I’ve purchased every new album he’s released since then (including preordering his upcoming February 3 release Shadows in the Night), as well as many of the numerous compilations that have been released through the years.

Shortly after I began listening to Dylan, The Basement Tapes, a 24 song album that included 16 Dylan songs and eight new songs by the Band was released in 1975. The songs were from sessions that Dylan, and his touring band the Hawks, the group that would later become the Band, had in the basement of “Big Pink” in upstate New York in the summer of 1967 as Dylan was recovering from a serious motorcycle accident in which he suffered several broken vertebrae. Those sessions yielded rough recordings of well over 100 original songs and covers, several of which would later become hits for the Band, the Byrds, Manfred Mann and Peter, Paul and Mary.

The Dylan songs on the 1975 release included overdubs, much to the chagrin of Dylan purists. On the new Basement Tapes collection (available as a massive six disc, 138 song Complete box set (presented in chronological order of when they were recorded), or the two disc, 38 song Raw version which I chose), the performances are presented as close as possible to the way they were originally recorded and sounded back in the summer of 1967. Garth Hudson, a member of The Band, worked with music archivist and producer Jan Haust to restore the deteriorating tapes and release many of these songs digitally for the first time.

This release is Volume 11 in Dylan’s Bootleg Series. The Raw album contains a number of the same songs that were included on the 1975 release, but those are restored to their stripped down roots. Some of my favorites on the collection include “Sign on the Cross”, “Open the Door Homer”, “Odds and Ends”, Million Dollar Bash”, “Tears of Rage”, “Quinn the Eskimo”, “Please Mrs. Henry”, “I Shall Be Released”, “You Ain’t Going Nowhere”, “Lo and Behold”, “Apple Suckling Tree”, “This Wheel’s on Fire”, a fun version of Johnny Cash’s “Folsom Prison Blues” and a bluesy version of “Blowing in the Wind”. I thoroughly enjoyed this new Basement Tapes collection. It is one that all Dylan fans will enjoy.

The Art of McCartneyThe Art of McCartney – Various Artists
** ½

I’m not usually a fan of tribute albums or those that feature multiple artists. I have generally found such albums to be inconsistent – some good songs, some not so good. And even though Paul McCartney is probably my favorite solo artist, and I’ve seen him and his excellent backing bands in concert eleven times since 1989, I wasn’t really all that excited when I heard about this album.

The project (34 songs on the standard edition and 42 in the Deluxe), was eleven years in the making and was blessed by Sir Paul himself. The album is produced by Ralph Sall, a longtime fan of McCartney. He worked with McCartney’s own touring band – Guitarists Brian Ray and Rusty Anderson, keyboardist Paul Wickens and drummer Abe Laboriel Jr. – to record backing tracks for most of the songs based on McCartney’s live arrangements at the Abbey Road studios. So far, so good. But, what we end up with is that many of the artists seem to try to create a note for note replication of McCartney’s original, though there are some notable exceptions.

The subtitle of the album sets high expectations – The Songs of Paul McCartney Sung by the World’s Greatest Artists. I’ll admit that the album includes an impressive list of artists – Bob Dylan, Brian Wilson (Beach Boys), Roger Daltry (the Who), Billy Joel, Willie Nelson, Yusef (Cat Stevens), Heart, Steve Miller, the Cure, Kiss, Def Leppard, Jeff Lynn (Electric Light Orchestra), Barry Gibb (Bee Gees), Robin Zander and Rick Nielson (Cheap Trick), Dion and B.B. King among them. There are also some artists included that I wasn’t familiar with. If you try to figure out who is singing the song without looking at the liner notes you will probably struggle on most songs, as many are unrecognizable.

Billy Joel, Heart and Steve Miller each get two songs on this collection. My favorite tracks, influenced by the song and the artist involved, are:

  • “Things We Said Today” – Bob Dylan
  • “Wanderlust” – Brian Wilson
  • “Yesterday” – Willie Nelson
  • “Junk” – Jeff Lynne
  • “Junior’s Farm” – Steve Miller
  • “Let Me Roll It” – Paul Rodgers
  • “Drive My Car” – Dion

This won’t be an album that I’ll go back and listen to often. It was a nice tribute to McCartney’s fifty years of music, but it’s nothing that is particularly memorable.

All The People Said AmenAll the People Said Amen – Matt Maher
I wasn’t very familiar with Matt Maher until seeing him in concert recently with Toby Mac. I’d heard a few of his songs on the radio (and they are included on this collection), but I got a new appreciation of him and his music when we saw him in concert.
Maher is one of very few Roman Catholics in the Contemporary Christian music industry that I’m aware of. The only other Catholic CCM artist that I’m aware of – Audrey Assad – actually appears on this record, singing backup on “Lord, I Need You”, a song she co-wrote with Maher.
This album, includes 13 songs, four new songs and nine of Maher’s most popular songs such as “Hold Us Together,” “Your Grace Is Enough,” “Christ Is Risen” and “Turn Around,” performed live during tour stops in 2012 at the University of Notre Dame campus and in Detroit, St. Louis, Indianapolis and Baltimore.
The album is produced by Paul Moak (Third Day, Mat Kearney) and Maher. “Burning In My Soul,” one of the new songs, made its debut at the Passion 2013 conference and on the live album Passion: Let the Future Begin, sung by Brett Younker. As a devoted Catholic, Maher’s music continues to cross theological boundaries, and “Burning In My Soul” focuses on the power found in laying aside denominational differences for the greater kingdom work of the Gospel.
Another of the new songs is “Lord, I Need You,” which Chris Tomlin covered on the 2011 Passion: Here for You album. I really love the lyrics of this song:

Lord, I come, I confess
Bowing here I find my rest
Without You I fall apart
You’re the One that guides my heart

Lord, I need You, oh, I need You
Every hour I need You
My one defense, my righteousness
Oh God, how I need You

Where sin runs deep, Your grace is more
Where grace is found, is where You are
And where You are, Lord, I am free
Holiness is Christ in me

Teach my song to rise to You
When temptation comes my way
And when I cannot stand I’ll fall on You
Jesus, you’re my hope and stay

I was also first introduced to Maher’s “Your Grace is Enough” through Tomlin’s cover of it on his breakout 2004 album Arriving. Maher also co-wrote Tomlin’s hit “I Will Rise”.

The title track has a country flavor with an infectious hook and singalong chorus. The other new song is “Mighty Fortress”. With Maher accompanied by just an acoustic guitar and strings, the song gives us a quiet and solemn reminder of God’s strength and might.

You are the rock of salvation
The only foundation
Lord of all
You are a hope never failing
A mighty fortress
Is our God

This was an excellent introduction to Maher for me – his best songs recorded live, along with a few new songs. His next album will be released in March. It is preceded by the excellent single “Because He Lives”.

David Crowder Band - Oh for JoyOh For Joy – David Crowder Band

I have to admit that I got on the David Crowder Band train late in the game. In fact, it was after the band had broken up that I picked up All This For A King: The Essential Collection their 2013 “best of” release. I had heard some of their songs on the Passion Conference albums, and Crowder’s Neon Steeple is one of my top albums for 2014. So I recently decided to go back and check out their 2011 eight song Christmas EP Oh For Joy. I’m glad that I did.

Much of this album was recorded at Passion 2011. The rest was recorded in arena locker rooms across the country. The David Crowder Band brings their unique sound to these well-known Christmas songs. Here are brief comments about each song.

“Joy to the World” – a relatively traditional take on this popular Christmas hymn. Crowder adds some new lyrics at the end of the song:

Oh for joy lift up your voice
For Сhrist has come the Сhrist has come
Let the whole world see the Lord
Christ has come the Сhrist has come
Christ has come

“The First Noel” – Crowder adds new lyrics at the end of this song:

And the angels sing it was heavenly
And the angels sing it was heavenly
And the angels sing oh it was heavenly
And the angels sing oh it was heavenly oh

Glory glory
Glory in the highest
Glory glory
Glory in the highest

“Go Tell It On The Mountain” – slower than the usual version. Crowder adds “It’s Christmas Day”.

“Angels We Have Heard on High” – this song has the bluegrass feel to it that you get on Neon Steeple. It features banjo, fiddle and a crowd hollering together. Crowder adds a few additional lyrics:

Glory on high
Glory on high
Sing glory on high

 “O Come, O Come Emmanuel” – a relatively traditional version of this song and the last non-live track on the album.

“O Holy Night” – live version with the crowd singing along. I enjoyed the increasingly urgent drum beat as the song built to its conclusion. Crowder tacks on the chorus of Leonard Cohen’s “Hallelujah” at the end of the song. This is my favorite Christmas song, and it’s a good version of it.

“Silent Night” – live version with crowd singing. Guitar and very light percussion. Late in the song a banjo is added and the tempo picks up returning the bluegrass sound of “Angels We Have Heard on High”. Crowder adds a few new lyrics:

It started so quiet, so quiet
It started so quiet, so quiet
And what a night, oh, what a night
It started so quiet, so quiet
And then a light, oh and then a light

“Carol of the Bells” – After Crowder gives a short comment on the twelve days of Christmas, the band launches into a cover of the classic instrumental made popular by the Tran Siberian Orchestra.

I very much enjoyed this album and recommend it to you.

Toby MacConcert Review: Toby Mac, Matt Maher and Ryan Stevenson at Braden Auditorium – December 11

Although I had seen Toby Mac in concert with DC Talk many times several years ago (the first time they were the opening act for either Michael W. Smith or Degarmo and Key, and Tammy immediately said that she liked them better than the headliner), I had never seen Toby in a solo concert. After a highly successful thirteen year run with DC Talk ended in 2000, (the guys are still friends and are not against a reunion someday), Toby has had five successful solo albums (not including remix or live albums), including his latest Eye on It, one of only four Christian albums that have debuted #1 on Billboard’s Top 200 Album chart.

Toby brought his Worship, Stories and Songs tour with Matt Maher and special guest Ryan Stevenson to the Braden Auditorium on the campus of Illinois State University on December 11. There is not a better place to see a concert than Braden, with its intimate setting (3,457 seats) and great acoustics.  I’ve seen some great artists in Braden since it opened in 1973, including James Taylor and Bob Dylan.  There was a good crowd on a Thursday night, filling almost all of the orchestra and mezzanine sections.

Ryan Stevenson co-wrote Toby’s “Speak Life” off of Eye on It.  He opened the show promptly at 7:00 pm. I wasn’t familiar with Stevenson or any of his songs but he offered a pleasing set on acoustic guitar, before turning the stage over to Matt Maher.  I was familiar with some of his songs, and particularly enjoyed the opening “Your Grace is Enough”, “Lord, I Need You” and “All The People Say Amen” and the new “Because He Lives”, with an interesting story about Bill Gaither. I also really enjoyed Maher’s piano playing and the stories about the songs, thinking they added to the experience. Maher’s new album Saints and Sinners will be released March 17.toby mac 2

After 50 minutes of music and stories, the evening then slowed down, first for a passionate, but overly long 15-minute ministry appeal, and then a 15-minute intermission before Toby took the stage at 8:20 pm – a stage he would not give up for another hour and 45 minutes.  Stevenson and Maher would pop on and off the stage to join Toby several times throughout the set.

This tour is not your usual Toby Mac arena concert experience. The tour is playing more intimate settings allowing the artists to tell the stories behind the songs. Toby had his full band with him, including his turntable DJ, but with a smaller drum kit, scaled down lighting and stage sets and a simpler approach.

Toby and the talented seven piece Diverse City band offered a spirited set with several stories mixed in, which at times slightly impacted the pacing of the set.  He offered all of his popular songs such as “Steal My Show”, “Forgiveness”, “Funky Jesus Music”, “Diverse City”, “Hold On”, “Thankful for You”, “City on Our Knees”, “Lose My Soul”, “Catchafire” (Whoopsie Daisy)”, “Speak Life” and many, many more. Toby indicated that he has been working for the past eight months on his new album, which will be released in May, 2015. We got to hear two new songs form the album – “Beyond Me” and “Undeniable”. I most enjoyed the loud and upbeat pop/rap songs with the choreographed dance moves.

All of the artists looked like they were having a great time, and it’s no doubt that the enthusiastic crowd (which were on their feet for Toby’s entire set, except when he told them to sit down and take a break) had a wonderful time.  The night ended a little after 10:00 pm with a spirited “Winter Wonderland”, with each of the vocalists taking verses.

It was a great night of music, worship and stories in a great setting at a fair price (our first row mezzanine seats gave us a great view for just $48. As my sister-in-law said, it was one of the best concerts she had been to in a long time. Amen!

Peter Furler Christmas Featuring David IanPeter Furler Christmas
*** ½

2014 has been a very busy year for Peter Furler, the former leader of the Newsboys. He released his second solo album Sun and Shield as the Peter Furler Band, Goliath as part of Steve Taylor and the Perfect Foil, and now his first Christmas album Peter Furler Christmas Featuring David Ian. The new album features eight well-known Christmas songs with traditional arrangements. The songs included are:
God Rest Ye Merry Gentlemen
It Came Upon a Midnight Clear
We Three Kings
O Come, O Come Emmanuel
What Child is This?
O Come All Ye Faithful
The Little Drummer Boy
Silent Night

Furler describes the album as follows: “We had in mind for this music to be played while listeners engage in their favorite Christmas traditions, enjoying a warm fire, a quiet dinner party, watching the snow gently fall outside.”

The album also contains two spoken word tracks – “Spoken Word Ancient Writings” and “Spoken Word Christmas Story”. For the first, Furler reads different Scriptures prophesying the coming King Jesus. The second reading recounts the Christmas story from Luke 2.

The style here is definitely something different for Furler. The instrumentation is very simple and the album has a light jazz sound to it. It is mellow music that will be good to have on in the background this Christmas season. Furler and Ian, who produced and co-arranged the album, use singers and musicians from around the world, including America, Armenia, Lebanon, Russia and South Africa. They also incorporate some exotic instruments such as the Duduk, an Armenian wind instrument. My only complaint with this fine release is that there are only eight songs included.

Michael W. Smith ChristmasThe Spirit of Christmas – Michael W. Smith & Friends
*** ½

2014 has been a busy year for Christian music veteran Michael W. Smith. After not having released an album since 2011’s instrumental release Glory, he released three this year – Hymns in April, Sovereign in May and now The Spirit of Christmas, his fourth Christmas album, in September. The idea for the new album came after singing “Christmas Day” with Jennifer Nettles (from Sugarland), at 2013’s CMA Country Christmas, a Nashville concert that aired as a television special. The producer of that program, Robert Deaton, approached Smith with the idea of making a concept album.

The album is designed to have three acts based on the progression of emotions and focus that one feels during the Christmas season. The album begins the excitement of the Christmas season and the instrumental “The Miracle of Christmas”, and then two songs from my favorite Christmas album (The Andy Williams Christmas Album from 1963, which my Mom loved) “It’s the Most Wonderful Time of the Year” and “Happy Holiday/Holiday Season”. That is followed by the Peanuts song “Christmastime is Here” featuring Vince Gill and “White Christmas” with Lady Antebellum, with the trio and Smith trading vocals beautifully.

Act two is about beginning to turn the listener’s attention to the reason for the season. It begins with Smith singing with his seven year old granddaughter Audrey on the Home Along song “Somewhere in My Memory”. The transition continues with the instrumental medley “The Spirit of Christmas”. The tracks were recorded in London with the London Sessions Orchestra at the AIR Studios, where Glory was recorded. Little Big Town joins Smith for “Silent Night’ and Martina McBride for “What Child is This”. Then comes one of the highlights of the album, “Almost There” featuring Amy Grant, a new song Smith wrote with Grant and Wes King that ponders Mary’s thoughts as she approaches Bethlehem. This song could become a classic in the way that Grant’s “Breath of Heaven (Mary’s Song)” has become.

The last act celebrates the birth of the Christ child in its fullness. It features another highlight, “All is Well” featuring the powerful vocals of Carrie Underwood. Jennifer Nettles joins Smith for “Christmas Day”. Then Bono from U2 offers the spoken word piece “The Darkest Midnight”. What is the connection between Bono and Smith? At least one connection is that Smith played organ on “North Star” a song from U2’s How To Dismantle an Atomic Bomb sessions some years back. The song which has not yet been released, is described by Smith as a tribute to Johnny Cash. The album closes with Michael McDonald joining Smith on a great song from McDonald’s first Christmas album “Peace”.

The album covers some songs that have been included on previous Smith Christmas albums, but with the special guests it’s a completely different listening experience. I liked the idea of the concept album which takes you from the nostalgia of the season to the true meaning of Christmas. Overall, this would be an excellent new addition to your Christmas music library.

Goliath by Steve Taylor

Goliath – Steve Taylor and the Perfect Foil
When I became a believer in the early to mid-1980’s Contemporary Christian Music (CCM) was just taking off. My favorite artist was the creative Steve Taylor. He didn’t really fit the CCM genre (thankfully), and I saw him in concert several times. He was the one saying things to the church that nobody else was saying. Taylor’s last solo album was the excellent Squint in 1994. Yes, 20 years ago! Since then he released a live album Liver, had a one-album stint as a part of Chagall Guevara, produced others (including Sixpence None the Richer’s hits “Kiss Me” and “There She Goes”), owned his own label, directed two feature films – The Second Chance and Blue Like Jazz, worked with the Newsboys (writing, producing) and he has continued that relationship with former Newboys lead singer Peter Furler, who is the drummer in his new band The Perfect Foil. John Mark Painter (best known for his role, with his wife, Fleming McWilliams in the duo Fleming and John) is on bass and Jimmy Abegg (who played in the Ragamuffin Band with Rich Mullins and I first encountered as a part of the Charlie Peacock Trio) is on guitar.
This album started with a Kickstarter campaign in 2013. It was announced that twenty years after Steve Taylor’s last studio album, he was taking a sabbatical from filmmaking to record all new music with a new band. The goal was to raise $40,000. Instead they raised $121,197.
In discussing the new album Taylor stated: “It really is a band effort. We make the music together, and then I’ll go off and write the lyrics. I like to think it’s a really good combination of everybody working at what they do best. We typically start with one of Peter’s melodies–I think he’s the best melody writer I know–and then it’s just a matter of let’s see how far we can push this melody around and it still holds up. So the songs are pretty indie rock. I wouldn’t say we’ve mellowed with age.”
In advance of the November 18 release, five songs “Only a Ride”, “Standing in Line”, “Goliath”, “Double Negative” and “Moonshot” were released to those who had pre-ordered the album. Taylor also released this hilarious video “The Future of the Music Industry” from Steve Taylor & The Perfect Foil:
Jimmy Abegg in an interview prior to the release of the album stated: “It’ll be interesting because the record will be quite polarizing. There’s really not easily definable Christian music on it. It’s certainly created by men of faith but, on the other hand, it doesn’t take aim on any specific topic and make a yay or a nay for it. I guess it’s just a fun combination of words and music played by people that are having so much fun it’s embarrassing.”
The album debuted at #136 on the iTunes charts when released last week. Below are brief comments from Steve Taylor that were originally published on the New Release Tuesday website, plus a few lyrics from each song, which like his previous work are in the alternative rock genre:

Only a Ride
“This was the first song we wrote together as a band. Our guiding light was the old saying — slightly amended — ‘Something old, something new, something borrowed, something blues.’ Which, come to think of it, describes most of my favorite rock tracks. Regarding the lyrics: It’s the American way to assume our citizenship somehow entitles us to invincibility, as if bad things aren’t supposed to happen to our kind. So we’re shocked when they do. Remember James Brolin in Westworld? It’s an amusement park full of gun-slinging robots shooting blanks, and he suddenly grabs his chest and says to his partner, ‘I’m shot!'”

Thought I saw the devil you know
Waiting for something to fall
I got nothin’ and no one to call
But I’m stuck in first, y’all

Double Negative
“I remember when Jimmy started playing this riff, we were all hypnotized by the sound, although the 7/4 time signature keeps it from being too hypnotic. The lyric, like most of them, isn’t necessarily autobiographical, but I think I understand a character who doubles down on negative emotions like misery, which tend to be more controllable and, therefore, repeatable than happiness or joy. My favorite line is ‘Bells are ringing/Is it Easter or the start of an earthquake?’ This guy can’t even accept the sound of church bells at face value — is something being reborn, or is their peal earthquake-induced, and things are about to go very badly?”

Been a nice trip
Is this our stop?
I’d leave the stage
But the curtain won’t drop
The chemicals took my nerve
I’ve given up what the saints preserve

Don’t you come near me now
Don’t you come through the wall
I can’t let go of the scene
I can’t stop hollering unclean

Bells are ringing
In the town of the terminal heartache
Bells are ringing
Is it Easter
Or the start of an earthquake?

“I think at least half the band served time in high school marching band, and as we were writing this one, it kept wanting to be something that could be played at halftime. So John laid down the horn section and the lyric naturally followed — it seemed like something perennial losers would sing to get themselves amped up for the possibility they could actually win one. The title came after the song was finished. I was reading Malcolm Gladwell’s “David and Goliath: Underdogs, Misfits, and the Art of Battling Giants,” and as we were mixing the song, I heard the lyrics again and thought that if we titled this ‘Goliath,’ it might add an interesting subtext. There wasn’t any specific intent to naming the album “Goliath” beyond the fact that we get a perverse enjoyment taking on projects where the odds aren’t in our favor.

Keep your nose up
Attitude’s king
When you get hit
You won’t feel a thing

You’ve been on a roll
Pushing us around
Here’s your high five
Now you’re going down

The bigger they come
The harder they fall

“Are we in a place in music history where Prince-ian is as allowable as Beatlesque? (Because evidently we can’t rip off Marvin Gaye anymore.) If so, this track has two godfathers: Prince and the Pixies. Lyrically, so many experiences I’ve had are a mix of wild ambition tempered with complete delusion. Then when a few delusions actually go your way, you become more delusional, thinking that’s how it’s always going to go. Those of us working in the arts, whether its music or movie-making, attach a lot of importance, and, usually, self-importance, to the work we’re doing, as if the hopes of a nation ride on the outcome — I think it’s because if we didn’t, we’d never finish anything. I have a great friend and filmmaking mentor who often reminds me, ‘There’s no such thing as an entertainment emergency.'”

I’m building a rocket
It’s bigger than me
It’s my gift to your future
My mega legacy

Ready, aim
The stars are aligning
Ready, aim
I’ve been sweating a lot
Be I persevere
The hopes of a nation ride
Everybody gets one moonshot

My motives are pure
I’ve untangled the knots
I’m ready for sure, Lord
Now give me all you got

I’m building a rocket
It’s not about me
You’ll be thanking me after
I’ve saved humanity

“The idea that a soul could live online — a virtual soul — seemed interesting. The first verse deals with voyeurism, which quickly shape-shifts into a whole new world of hurt. That “Instagram” line came after the song was done — I didn’t want to reference anything as ephemeral as a social media app, but I couldn’t give up coupling Instagram-Aww with Grandma.”
Go on, catch it if you can
Son of Man knows better
We can reconnect
Body and Soul
We can resurrect

We’ve got the goal
A virtual soul

Now zoom out
Move in tight
You got a right
To your rubberneck

The Sympathy Vote
“We were almost wrapped with the album when we decided we needed an eleventh song. The music came quickly, with John’s bass playing doing much of the heavy lifting, but it needed a lyric, and since we’d almost called the band The Sympathy Vote, and since our rejected band names had proven to be a wellspring of lyrics, the words came quickly. ‘There’s only three things in life of any certainly: Number one is death, number two is taxes, number three is professional jealousy.’ A lot of life’s screw-ups, including the ones that force this character to pile apologies on apologies, are based on the greatest unacknowledged source of misery in the world — professional jealousy.”

I went and stole a quote
To get the sympathy vote
It was all she wrote
To get the sympathy vote

I think I’m running low
On excuse me’s
I need some better excuses

I’m back in the boat
To win the sympathy vote
The words catch in my throat
I think it’s working

Standing in Line
“It seems like any relationship goes through peaks and valleys and I’ve found that in my relationship with my wife our commitment to stay together supersedes all of those valleys. That was the basic idea, that sometimes when those are happening, you feel like you’re in a waiting room, but you’re determined not to leave.”
“I don’t think I’ve ever written a wholly biographical song. Part of the thrill of writing comes in mixing fact and fiction in varying combinations. But those of us who have enjoyed long and mostly happy marriages — all four of us are still married to our original wives — know that any relationship lasting decades goes through ebbs and flows. This was written during one of the ebbs.”

I write songs for a jealous God
Two spoiled kids and a velvet rod

And I’d pursue you through any hell
I’d swim upstream till I find the source
Dam the Mississippi and change its course
If it was up to me
If it was mine to turn

I’ve been standing in line so long
I’ve been wondering what went wrong
I’ve been trying to understand
And I’m not gonna leave

In Layers
“Jimmy came up with the riff, Peter started pounding the drums, and poof — a song is born. The paranoia expressed in the lyric seems apt for the age we live in — when it comes to corporate or political structures, cynicism is so richly rewarded. Hopefully the song retains some idealistic sense that this may be how the world works, but we don’t have to live that way.”
One critic felt that this song would fit on David Bowie’s latest album.
We’ve all been compromised
Now, are you so surprised?

We’re all hoarders here
Caught in layers of sin
It’s been stratified
Beneath our onion skin

Throw up your hands
And hell keeps yawning
Open your eyes
There’s a new world dawning
Sun burns fog
Burns all naysayers
Love, like a child
Comes wrapped in layers

Happy Go Lazy
“Can’t you hear a country singer doing this song? I would have loved to hear George Jones sing it. We batted this track around for months in the studio, as we weren’t sure it fit on the album, but when I proposed the title, the band seemed keen on it. The character in this song has achieved a blissfully ambitionless state, and we wanted to give him the courage of his convictions. My favorite line is, “No, I’m not listening — your friends are correct. I’ve got zero ambition and I want your respect.”
Features some background vocals from Fleming McWilliams.
Happy go lazy
That’s the way I am
You’ll go crazy
If you think you can
Change a man

No, I’m not listening
Your friends are correct
I’ve got zero ambition
And I want your respect

Baby I’ll grow you a garden
If you give me the space
We’re just wildflowers
We don’t belong in a vase

A Life Preserved
“This first appeared as the end titles track on the Blue Like Jazz movie. Our band and that movie have a tangled past — the band was initially started because I’d spent three years trying to raise money to fund Blue Like Jazz and was getting nowhere. So I called Peter up and suggested we do something together musically to help soothe my utter frustration as a filmmaker. We got the album well underway, then the movie was miraculously funded by a wildly successful Kickstarter campaign started by fans of the project, which forced a two year band hiatus so I could make and promote the movie. The song is a straight up gospel song born from the sense of gratitude I felt at finally being able to make the movie into which I’d invested so many years. But it’s also a song of deliverance from the delusion of attaching ultimate importance to anything temporal.”
A faster and better version than was included on the Blue Like Jazz soundtrack. The most overtly song of faith, which would actually fit in, dare I say, on Christian radio playlists.
Bobbing for air, been up and down
The once renown, angling for another act
Another tactical advance to who knows where
You found me, I heard you there

Calling me out of the shallows of my world
Called to something graceful, something true
Gratitude’s too cheap a word for all you’ve reassembled
From a spirit broken and unnerved
A life preserved

Bobbing for air, I’ve been atoned
Creation groaned to lift me as I drowned
And set my feet up on the mound of rock you crushed for me
A place to stand, whisper a command

“I started this song twenty years ago and have been working on the lyric ever since — I doubt a week ever passed when it wasn’t rolling around in my head. The form seemed so rich with possibilities, like an intricate puzzle, and I just didn’t want to screw it up. When I brought it to the band, it was very sparse, but we turned it into a pretty epic track in the studio, which inspired the more ambitious lyrical dialectic with God. This one was a bit like making a movie: long gestation, multiple false starts, fiercely trying to protect the essential idea, and praying something tolerable comes out the other end. There are so many ways these things can go wrong, so when they go right it feels like a miracle.”
The song portrays God as the great Comedian and humans “storming the stage”. Features some background vocals from Fleming McWilliams.
The King of one liners
He us thrilled
Then came the punchline
Now we want Him killed

Man makes plans, God laughs

And didn’t I thank you from the dais?
And didn’t I do you good?
And didn’t I take up all your crosses
That were made of balsa wood?

We stormed the stage
And occupied
To wipe that all-forgiving smile
Off your face

I can’t tell you how excited I am about this album. The music really kicks it – Abegg’s guitar work and Furler’s drumming really stand out. This is a very strong album and one of my top releases of the year. Welcome back Steve!

John SchlittThe Christmas Project – John Schlitt
I first heard the powerful and distinctive vocals of John Schlitt in 1975 as the lead singer of Head East on their “Never Been any Reason” and “Love Me Tonight” from their debut album Flat as a Pancake. The album was recorded in nearby Pekin, Illinois on a private label and later released on A&M in 1975. Schlitt, who was born in Lincoln, Illinois, was attending the University of Illinois at the time. He stayed with the band until being kicked out in 1980 due to drug and alcohol abuse. After his conversion, Schlitt was asked by Petra leader Bob Hartman to become their lead singer replacing Greg X. Volz, starting with the Back to the Street in 1986. I was really excited when I heard that, as Petra was one of my favorite bands and I remembered Schlitt from his Head East days. I would see the Schlitt-led Petra in concert several times and Schlitt solo in concert once. The relationship with Hartman continues today in various Petra reunion efforts.
This is Schlitt’s first Christmas album, and features nine Christmas standards and one new song. He used the popular crowd funding platform Kickstarter to raise financial support for the album. After more than forty years in the music business and at 64 years old, Schlitt’s voice is still a powerful instrument and he sounds as good as ever.
Below are a few brief comments about each song:
Hallelujah Chorus – The album starts off with a bang as this songs features Schlitt’s strong voice, hitting some very high notes, and some blazing electric guitar.
Do You Hear What I Hear? – After opening with animal sounds and a brief reading from a child, this song is driven by some funky guitar work as it alternates between a driving rock beat and a gentler one.
Little Drummer Boy – Features some creative rhythms as Schlitt takes full advantage of his powerful voice as the song builds.
O Holy Night – This is my favorite Christmas song and Schlitt’s version features some backing vocals and strings. He slows the pace down here and holds back, restraining his voice, when he could have actually knocked it out the park on this one. While still a good version, it could have been great with his voice.
God Rest Ye Merry Gentlemen – Lets his voice go a little more and includes some refreshing unique touches.
Good Christian Men Rejoice – Very catchy pop arrangement that will bring a smile to your face.
That Spirit of Christmas – Schlitt changes things up with some blue eyed soul on a lesser known Christmas song that some will remember being recorded by Ray Charles. This was probably my least favorite song on the album but I’ll give him credit for trying something a little different.
We Three Kings – An easy going and fairly traditional take on this one which features restrained lead vocals and some good backing vocals and strings.
What Christmas Needs to Be – The one original song on the album is a likeable easy going pop song about the true meaning of Christmas.
Its Christmas now
The gift of Heaven given
Love can be found
In every heart that hears it
A baby crowned
The hope of our salvation
He is what Christmas needs to be

What Child is This? – A beautiful slow version that features a piano, some restrained lead vocals effective backing vocals.
The production by Schlitt’s son in law Dan Needham is clear and simple with Schlitt’s voice prominently featured in in the mix. This album features a good mix of traditional and new arrangements and one of my favorite vocalists.

Record PlayerMUSIC NEWS:

Hilarious Video from Steve Taylor. Steve Taylor and the Perfect Foil’s (featuring Peter Furler on drums) new album Goliath will be released on November 18. This week I’ve been enjoying some of Steve’s music from the 80’s and 90’s, which still sound great. Enjoy “The Future of the Music Industry” video from Steve Taylor & The Perfect Foil.

Real Music about Real Change. Petra front man John Schlitt and up-and-coming hip-hop artist KB come from different eras, but both experienced Christ’s deliverance from a life of darkness and found themselves in the spotlight of the Christian music industry.

Rend Collective to appear in Clinton, IL. Rend will be in concert at First Christian Church in Clinton on February 7.

New TobyMac album. TobyMac has been in the studio working on new songs for his sixth full album, with a planned release in May 2015.

Get to Know Trip Lee. Check out this brief overview of Trip from Trevin Wax.

D.C. rapper Trip Lee withstands disease, while pastoring at church, releasing album. Good article about Trip in the Washington Times.

New Worship Album from Third Day. Third Day will release their third worship album, and first in more than a decade, Lead Us Back, on March 3.

U2 to Play The Tonight Show for an Entire Week. My favorite band will play on The Tonight Show each night the week of November 17. Can’t wait!


Bob Seger AlbumRide Out – Bob Seger
*** ½

This is 69 year old Rock and Roll Hall of Famer Bob Seger’s seventeenth album and first since 2006’s Face the Promise (and only his second since 1995), and it’s a very good one at that. Christians will be excited about “Gates of Eden” his song about coming to faith. He also shares his strong feelings about political issues and the environment.

We saw Seger at the Silver Bullet Band in their prime in the early 1980’s at the Poplar Creek Music Theatre (which was torn down in 1994) in Hoffman Estates. For those not familiar with his body of work I would recommend Ultimate Hits: Rock and Roll Never Forgets.

Below are brief comments and/or lyrics from each song on the new album which I really enjoyed. It was great to hear some new Seger music. His voice is in great shape and he’s hinted that this could be his final studio album. One critical comment – the standard version of the album is just too short at 10 songs and 34 minutes. The Deluxe version, contains three additional songs.

The album starts out strong with four upbeat songs before the pace settles down. Spacing the rockers out may have helped give the album better pacing.

Detroit Made – This is a great version of one of my favorite John Hiatt songs, which sounds like it was written for Seger (though it wasn’t).
She’s a Detroit made
Deuce and a quarter, babe

Hey Gypsy – A Chicago blues song written by Seger and one of the best songs on the album featuring a blistering guitar solo from Kenny Greenberg (who is married to Ashley Cleveland). It is a flat-out Stevie Ray Vaughan shuffle. Seger states “I was such a huge fan of his. I called the players in Nashville, and I said, ‘I want you to play as close to Stevie Ray as you can.’ The guitarist Kenny Greenberg, whom I was working with at the time, he brought a special amp in that made him sound exactly like Stevie Ray! We even got Stevie Ray’s old organ player, Reese Wynans. That’s the first time I used him, and he’s on everything (on the album) now.”

Hey Gypsy, where we gonna be
The hard love livin’
It’s getting too much for me

Seger recently performed “Hey Gypsy” on the Ellen show. Check it out here:

The Devil’s Right Hand – Seger covers the gun-violence parable written by Steve Earle. It’s a song Seger has liked ever since he first heard it in the 1988 film “Betrayed,” featuring Debra Winger and Tom Berenger.

The devil’s right hand, the devil’s right hand
Momma said the pistol was the devil’s right hand

Ride Out – A rocker about getting away from things and enjoying God’s creation:
Ride out to a bold new horizon
Where the sun me be shinin’
On a place you’ve never seen

Ride out lift your soul and your spirit
Take a chance and get near it
Everybody needs a dream

Ride out where the hills meet the valleys
Far from campaigns and rallies
And the things we do for oil

Adam and Eve – This song was written by Kasey Chamber and features a duet with Laura Creamer, who has been singing backup for him since “Ramblin’ Gamblin’ Man” in the ’60s, and features a fiddle, Seger on banjo and mandolin. It’s a slower folk/acoustic that is an interpretation of the sin of Adam and Eve, though I have concern with this line where Adam sings that he was misled:
I can remember, I do recall
There were no weeds here, no thorns at all
I was misguided, I was misled
I asked for good, but got evil instead
I also take exception to this line about God being on their trail:
Come on, we’re leaving, no time to waste
Garden of Eden’s no longer safe
Throw down that apple, that ship has sailed
We’re on the run with God on our trail

The pace of the song and the simple lyrics reminded me of Dylan’s “God Gave Names to All the Animals” from Slow Train Running (which isn’t necessarily a good thing).

California Stars – This is Seger’s take on Woody Guthrie lyrics put to song by Jeff Tweedy and Jay Bennett and recorded by Wilco. The song builds and features some horns and effective background vocals.
I’d like to dream my troubles all away
On our bed of California stars
Jump up from my star bed make another day
Underneath my California stars

It’s Your World – This rocker finds a defiant Seger calling out the things he is concerned about – environmentally, financially, etc. It’s interesting musically and features some good background vocals.
Let’s talk about mining in Wisconsin
Let’s talk about breathing in Beijing
Let’s talk about chemicals in rivers
Let’s talk about cash as king

All of the Roads – This mid-tempo song with a fiddle and effective femaile background vocals finds the rocker in reflective mood.
I’ve done it all before
And I have gone through every door
And I’ve been right down on the floor and more

All of the roads I’ve run
All of the years have fallen away
Light from a distant star
Crossing the void and arriving one day
Oceans of space defending the great unknown
Sooner or later all of us head for home

You Take Me In – A somber acoustic ballad which could be written to a woman or God.
I search for the meaning and keep on believing
Because in the end you take me in
Through all of these reasons that change like the seasons
I’ve got a friend, you take me in

Gates of Eden – This song starts slowly and builds appropriately as Seger sings about his conversion. I’ve included the complete lyrics to the song below:
I was in the tender mercies of the breaking down
I was somehow in a place that made me want to go along
I remember thinking all of this must have a reason
I remember thinking maybe I should look beyond

The night came on like thunder lightning split the purple skies
My whole day had been a journey sorting through the truth and lies
I remember searching longing for a deeper meaning
And it hit me like a diamond bullet right between the eyes

And I believed everything You said
Every paragraph and every work I read
Calling into question everything that I believe in
Huddled with the masses
Stranded at the gates of Eden
I was huddled with the masses
Stranded at the gates of Eden

Seger will bring his tour to the United Center in Chicago on December 11 and the Scottrade Center in St. Louis on December 13. Check out his official site at

Newsboys AlbumHallelujah for the Cross – Newsboys

This has been an incredible year for the Newsboys. The release of the film God’s Not Dead, which they appeared in, propelled their album of the same name back to the top of the Christian charts. Then, their single “We Believe” from their latest album Restart became a big Christian radio hit. I was a little surprised that they were releasing new music at this time, but still excited that for the first time in the band’s history, the Newsboys have recorded a collection of classic hymns (they have released three previous albums of worship songs). The new album features the group’s take on nine classic hymns and one new selection, the title song and first single, written by Ross King and Todd Wright.

Doing your version of classic hymns is a risky proposition as these songs are dear to many. There is a fine line between being faithful to the traditional rendering and showing creativity as an artist. The best I saw at creativity was Jars of Clay’s excellent Redemption Songs. The Newsboys play it pretty safe with Hallelujah to the Cross, making a few tweaks to the songs and using a sound similar to their current radio hit “We Believe”.

Lead singer Michael Tait stated “Hymns are important to me. We picked through songs that went way, way, way back into my past and my dad’s Baptist church. I love modern worship but I just love that old stuff because they were written in such desperate and perilous times, and out of great pain comes great resolve, I think. When I sing them, they go deeper in ways to me than a lot of things I reach out for when I’m in that spiritual drought.”

The album is produced by Seth Mosley, who also produced the Newsboys’ past two albums, God’s Not Dead and Restart. Below are a few brief comments about each of the songs:
All Creatures of our God and King – The end of the song includes a new modern worship chorus.Where You Belong/Turn Your Eyes Upon Jesus (Medley) – This is an updated (more upbeat) version of the medley that appeared on the band’s 1995 Not Ashamed album.
His Eye Is On The Sparrow – This song rocks harder than the traditional hymn.
Hallelujah For The Cross – This is the first single released from the project and the only newly written song on the album.
It Is Well – This version rocks harder is has a faster pace than the traditional hymn.
Jesus Paid It All – This song was released on last year’s Jesus Firm Foundation: Hymns of Worship. The end of the song includes a new modern worship chorus.
I Surrender All – The band keeps the pace about the same as the traditional hymn.
What A Friend We Have In Jesus – Michael Tait’s vocal here is less full-throated than usual. Some additional features that add to the song.
Holy Holy Holy – The band slows down the pace for one of my favorite hymns. They add some additional lyrics to the chorus: “You are holy, holy, holy”.
All Hail The Power Of Jesus Name – The band ends the album with a beautiful a Capella version of the song showcasing the voices of the entire band, not just Tait. This is perhaps my favorite song on the album.

This is a solid effort from the Newsboys, which will hopefully introduce these classic hymns to a new generation.line-divider

Rise – Trip Lee

This highly anticipated album is Trip’s first since 2012’s The Good Life and one of the best of 2014. Later in 2012 he announced he was leaving music and pursuing ministry and released his first book The Good Life. The 26-year old Lee has attended Boyce College, interned at Capitol Hill Baptist Church in Washington D.C. with Mark Dever, and is a frequent speaker at churches at conferences. He became a pastor in 2013.

This album debuted at #3 on the overall iTunes charts and #1 on the hip-hop/rap charts. Four of the fourteen songs were released early to those who pre-ordered the album – “Shweet”, “Beautiful Life 2 (Mine)”, “Manola” (featuring Lecrae) and “Sweet Victory”. Then the album was streamed in its entirety the weekend before its release. Instead of collaborating with multiple producers as in the past, this time Trip worked solely with producer Gawvi for the entire album at his Atlanta studio. Gawvi also worked with Lecrae on his excellent Anomaly album and has produced several other Reach Records projects. Throughout, the music is diverse and Gawvi’s production is outstanding.

Writing about the album, Trip writes: “Rise has a lot of different meanings,” he explains. “It’s a call-to-action to rise from the dead and actually live. We’re born spiritually dead, and I’m calling for everyone to become spiritually alive. Secondly, don’t wait until later to live the way you were created. God created you to honor Him, find joy, and serve others. Don’t sleep on that. Lastly, rise above the low expectations people have.”Trip Lee

Below are a few comments and/or lyrics on each song:

Rise – Trip makes it clear he’s back:
Hold up, I’m back to boast in these tracks like
I’m mad that I might back slap mics
Never mind the fact that I never left I’m hype
Listen up, right, you ain’t got to ask my twice
I’m here, I’m here

How am I’m gonna retire when we need a crier that tells us to rise up and stand?

We all die, John 5:28-29
The judge returns
And all rise

Lights On – Talks about how we are all walking in total darkness until the lights come on from Jesus.
I’m praying that we’ll flip that switch and shine, you’re so blind
We know You got it, Lord, we know You got it
Only You could take us higher, You’re the Pilot
Lights, please!

Shweet – Here is Trip’s excellent video for this song.
I got a lot of problems, but I’m straight (that’s shweet)
I know my God will toss em in the lake (that’s shweet)
How many times I gotta tell ya He’s the boss
Under Him anything’s a piece of cake

Manola (featuring Lecrae) – I have to admit that when this track was released I didn’t get it. It sounded great with Lecrae joining Trip, but I didn’t understand the lyrics at all. Trip clears it up: “In Spanish, ‘Manolo’ means ‘God is with us’. There’s some gun terminology, but the weapon we’re talking about is truth. We fight lies with the word of God.” The song also features a hook from Gawvi.
I flip that page on em, my trigger finger stay workin
I got plenty ammo, got old and new, they both testify, my Lord

Red letters like a red dot on your door

His Word is my weapon

You Don’t Know – This song features some excellent drum work. It opens with a sample of Christon Gray’s 2011 song “Even with Evil Within Me” and is a beautiful song about the joy of being in Christ and making his election sure.

All Rise Up Interlude – A spoken word track about Trip’s ten year history with Reach Records artists.

All Rise Up – In this song Trip looks at his career thus far.
Plus there’s more haters
Saying we just do it for dough

If we all rise up
That’s be my dream
That we should all rise up
And give a standing “o” for the King
Cuz He’s good

I ain’t retired but I thought about it
I feel called to be a pastor. I’m all about it
See His glory in His Word and I gotta shout it
So I’m just trying to figure out how I can shout the loudest
Plus, I saw it’s hard to be a pastor

I read John’s vision and it’s plain
Christ reigns so I’m sticking in my lane
Rap don’t need me
Reach don’t need me
Christ don’t need me
I’m limping cuz I’m lame

Beautiful Life 2 (Mine) – This is a song from Trip to his young son and baby daughter, who you can hear in the song. It is a sequel to the pro-life “Beautiful Life” on The Good Life.
And I’ll be sure to tell you everyday
You made in His image baby, you ain’t gotta wait
To hear no affirmation from them dudes in the streets
You already know you’re beautiful to me

What a great gift from a great God
You belong to Him, but He gave you to me

Insomniac (featuring Andy Mineo) – Mineo is my favorite hip-hop/rap artist behind Lecrae and Lee. I can’t wait for his next full-length album. This song is about going strong for the Lord while we can.
My life could end today, yeah, my heart stop
If I go out tonight, I’m going out on top
I give it all, this life ain’t all I got

Something New – A one verse track about Trip’s addiction to sneakers.
My addition isn’t to women or to booze.
Sneakersheads anonymous
I’m itching for some shoes

Lazarus (featuring Thi’sl) – This is a song about how as dead men we are raised to life by Christ.
From now on you can call me Lazarus
From a dead man walking to the risen ones

I mean the Captain, the Almighty Lord
Setting captives free, all aboard (all aboard)
Can’t stop Him when He got His mind made up
He don’t like that grave, sayonara, see you later
He make the blind see and got the lame up
So it’s no surprise He can raise us

All My Love (featuring Natalie Lauren) – about a married man battling his online pornography addiction.
Now it hits the depths of the heart, He calls
The way he grieve our Lord as he hang on the dirty cross
The way he hurt his wife and flaunts his perverted flaws
He might mess around and lose his family, so he pause
He takes his laptop, her pictures on the backdrop
He smashes it with a hammer and takes the trash out
He calls his wife and he’s repenting in tears
And says he wants to be committed for years, and God hears

I’m Gone – This song includes an upbeat piano and some serious words about Satan’s schemes against us.
I hear what you’re saying
But I don’t believe you
Cuz you’re just be lying
And I don’t need you
I got a new Lord
I know I don’t see you
But I see right through you
So I gotta leave you
I’m gone

Sweet Victory (featuring Dimitri McDowell & Leah Smith) – Trip shares the pain from his seven year-long battle chronic fatigue syndrome and how hard it has been on him and his wife.
So when I say “It’s been a few hard years” they think I’m playing
But you don’t know my life boy
You don’t know what it’s been like on my wife
Don’t know my fight boy

He then shares that as believers our victory is now based in what we do and how our life is going but in Christ’s finished work on the cross.Trip Lee Book
The victor ain’t the one that’s winning in the 7th inning
Trophies don’t go to ones that got a good beginning
When I say I win I don’t mean the state I’m in
I mean that day when the grace got fade out then
I’m winning cause I ran with him.

On January 27 Trip will release his second book Rise: Get Up and Live in God’s Great Story.

Love Ran Red by Chris TomlinLove Ran Red Deluxe Edition – Chris Tomlin
Chris Tomlin is a worship leader at the Passion City Church in Atlanta (where Louie Giglio is lead pastor), and a prolific writer of worship songs for the church. Each year he writes several new songs to be sung at the Passion conferences and included on the conference live album, in addition to his own solo albums. Some of the songs included on the Passion albums end up on his solo albums as in this case with “At the Cross (Love Ran Red)” and “Almighty”, and “Let it Be Jesus” (sung by Christy Nockels), which were included in this year’s Passion: Take It All album.

Prior to the release of Love Ran Red Tomlin released three songs, the singles “Waterfall” and “Jesus Loves Me” as well as “Greater”. The Deluxe edition includes alternate versions of “Waterfall” and acoustic versions of “At the Cross (Love Ran Red)” and “Let it Be Jesus”.

The album debuted at #6 on the overall iTunes charts and #1 on the Christian charts. One reviewer wrote that this album felt like a “Greatest Hits” package, as each song is “so power packed with potential that it’s a challenge to decipher which would be the next single”. I have to agree. Tomlin is at the top of his game with this release. He knew as much when we saw him in concert at the US Cellular Coliseum on July. He mentioned at that time that he knew he had a special set of songs and couldn’t wait to get them out to everyone.

Jesus is the subject of each song on this wonderful new album, which will definitely be among my top releases of the year, along with those by U2 and Lecrae. Below are brief comments/and or lyrics on each of the song on the album:

Greater – A worship anthem and one of the songs you received when you pre-ordered the album.

Greater is the One who lives in me
Greater is the love of Jesus
Greater than my sin
Greater than the grave
Above all other thrones
Above all other names

Waterfall – The first single released from the album. Tomlin performed this song at his concert Bloomington in July.

Your love is like a waterfall, waterfall,
Running wild and free
You hear my heart when I call, when I call
Deep calls to deep
Your love is like a waterfall raining down on me

At the Cross (Love Ran Red) – Since I first heard this song on the Passion: Take It All album, it has been my favorite song this year. Tomlin, as he has in the past, uses elements of an old hymn – this time “At the Cross” by Isaac Watts. I put this song in the category of Matt Redman’s “Bless the Lord (10,000 Reasons)” and believe it will soon be sung in worship services around the world.

At the cross, at the cross
I surrender my life
I’m in awe of You, I’m in awe of You
Where Your love ran red, and my sin washed white
I owe all to You, I owe all to You

Jesus Loves Me – The second single released from the album.

I couldn’t run, couldn’t run from His presence
Couldn’t run from His arms

Jesus, He loves me, He loves me
He is for me
Jesus how can it be, He loves me
He is for me

Boundary Lines – One of the more upbeat songs on the album, this one would be a good concert song.

My heart is a cup
Your love is an ocean
God, You fill me up
Like rivers overflowing

Almighty – A piano driven worship anthem that first appeared on the Passion: Take It All album earlier this year.

Almighty, we’re standing in the presence of Your majesty
You’re Holy, You alone the sovereign crown of royalty
You’re the king of kings

The Roar – This is another upbeat song that would sound good in a concert setting.

I heard the roar of the Lion of Judah
I heard the voice that calms the raging sea
He came to me, came to me
When I needed the Lord
I heard the roar of the Lion of Judah

Fear Not – Tomlin sings about God being our mighty warrior.

God He is faithful, faithful to us
Through every storm
Through troubled waters
He won’t abandon
Fear not, the Lord God is with us

The Table – This song has a Black Gospel feel and ends with a choir. It is a refreshingly different sound for Tomlin. It is a song about community, fellowship and the invitation of the gospel.

Come all you weary, come and find
His yoke is easy, His burden is light
He is able, He will restore
At the table of the Lord

Psalm 100 – This is another upbeat song which would be great for churches with a more contemporary worship service.

For the Lord is good
And His love endures, His love endures
For the Lord is good, and His love endures, His love endures
Forevermore His faithfulness it has no end
For the Lord is good, His Love endures, His love endures

I Will Boast – This is a beautiful piano driven song with a nice piano refrain that makes use of the title song’s melody.

I will boast only in the cross
Where my Savior died for me
Nothing else no other love
Goes so far and runs so deep

Only One took the nails
Only One tore the veil
Only One spotless lamb
I will boast only in the cross

Jesus, This is You – This is another great song for corporate worship.

Jesus, You are greater than the grave
Jesus, You have broken every chain
Forever You will reign
Forever we will sing
Jesus, this is You

In the End – This song starts with just a piano and then piano and then builds to a powerful ending.

In the end love will fill the earth
Raise the dead to life
In the end, we will see the Kingdom come
In the end all the darkness will be bursting into life
We will live here forever in the end

Deluxe Edition Songs:
Waterfall (Tritonal mix) – I didn’t find that this new mix added much to the original version.

At the Cross (Love Ran Red) – (Acoustic) – The is the third version of this excellent song released this year, with the live version on the Passion: Take it All album and the original studio version released on the standard version of this album. This is a beautiful acoustic guitar version of the song.

Let it Be Jesus (Acoustic) – A beautiful version of a song that was sung by Christy Nockels on the Passion: Take it All album.

Joy An Irish ChristmasJoy: An Irish Christmas by Keith & Kristyn Getty

Keith and Kristyn Getty performed “God Rest Ye Merry Gentleman” in their wonderful October 17 concert at Grace Presbyterian Church in Peoria. They will bring their Joy: An Irish Christmas tour to College Church on the campus of Wheaton College on December 1.

Keith reflects on why Christmas carols are more than just sentimental songs at the end of the year:
“We would do well as worship leaders to remember that non-churchgoers are far more inclined to attend a church service during the Christmas season where songs are easy and enjoyable to sing rather than a church trying to put on the slickest possible show. The music of carols, written by some of the finest hymn writers of all time (such as Wesley, Watts and Rossetti) and arranged by equally outstanding composers (Handel, Holst and Mendelssohn) speaks for itself. We have wonderful songs to use! And Christmas gives us a wide open door to use those songs to impact culture like no other time of the year.”

The Getty’s 2011 debut Christmas recording, Joy: An Irish Christmas, was produced by Grammy Award-winner Phil Naish, with orchestral arrangements by renowned composer J.A.C. Redford (Avatar, The Help). The project features the Irish Film Orchestra and Anuna, Ireland’s National Choir, among numerous acclaimed musicians, and showcases a range of international influences, including Eastern European, Basque and American bluegrass.

The album starts with a few well-known Christmas hymns – “God Rest Ye Merry Gentleman”, “Hark! The Herald Angels Sing” and “What Child is This?” Next up is  Magnificat,” a beautiful Getty/Stuart Townend collaboration that provides fresh inspiration to Mary’s Advent prayer. Then comes “How Suddenly a Baby Cries” (with Narnian Reel), which starts slowly and then prominently features the Irish Film Orchestra. The “Joy Has Dawned/Angels We Have Heard on High” medley follows. “Joy has Dawned” is a reworked song, one of several co-written with regular co-writer Stuart Townend, and includes lyrics such as:

Hands that set each star in place, shaped the Earth in darkness    
Cling now to a mother’s breast, vulnerable and helpless.

“Jesus, Joy of The Highest Heaven” (A Children’s Carol) follows with a soft vocal from Kristyn as if she is singing to their first child Eliza Joy, whose name sparked the album’s title. Kristyn is joined by a children’s choir on this song.

“Carol of the Bells” follows (with young Tom Ennis jig). The hymn “O Savior of Our Fallen Race” starts with the orchestra and also includes a choir. “Fullness of Grace” is a beautiful string filled hymn and then comes an upbeat “Joy to the World” (with Miss Eliza’s Reel). The album closes with Kristyn accompanied by piano and strings on another beautiful song “An Irish Christmas Blessing”.

The album feels more like a Christmas worship service than a mere collection of songs. As characterized all of the Getty’s music, this album features theologically rich lyrics and top-notch musicianship. Highly recommended!

Concert Review ~ Keith and Kristyn Getty at Grace Presbyterian Church in Peoriagettys-in-concert

Keith and Kristyn Getty brought their “Hymns for the Christian Life” tour to the beautiful Grace Presbyterian Church sanctuary last Friday evening. Actually, it would have been better titled the “Greengrass Sessions” tour, as they played each of the seven songs off the new EP, one of my favorites of the year. Check out our review of the EP here:
Keith stated that they are writers of modern hymns for the church. Kristyn was on vocals, Keith on piano and acoustic guitar, along with a very talented 8 piece band made up of musicians from America and Ireland who were backed by a 50 voice Grace Presbyterian Choir. WBNH Radio sponsored the concert and under the leadership of Station Manager Jim Huber, the 1,400 plus available tickets sold out two weeks in advance; Keith stating that it was the fastest selling show on the fall tour.
It was a wonderful night of worship as we sang many songs that we sing in our own churches with the people who wrote them, including “By Faith”, “Holy Spirit, Living Breath of God”, “The Power of the Cross” and the modern classic “In Christ Alone”. The talent of the band added much to the evening as well. The full set list is below:
All Hail the Power of Jesus’ Name
By Faith
Creation Sings
A Mother’s Prayer
Lift High the Name of Jesus
My Worth is Not in What I Own
Come Ye Sinners
O Church Arise
God Rest Ye Merry Gentlemen
O Shout for Joy
O, For a Closer Walk with God
Good Shepherd of My Soul (dedicated to Joni Eareckson Tada and sung to her on her 65th birthday)
Gethsemane (the lights were dimmed as the violinist played a woeful solo)
The Power of the Cross
Christ is Risen, He is Risen Indeed
Holy Spirit, Living Breath of God
In Christ Alone
Don’t Let Me Lose My Wonder, a song rarely performed
Nothing But the Blood of Jesus
After the concert some of the musicians continued the show with a “Lobby Jam” in the church lobby, playing several songs.
The Getty’s will bring their Irish Christmas tour to College Church in Wheaton on December 1. Get more information on that show and other aspects of their ministry here:

songs of innocenceSongs of Innocence Deluxe Edition – U2

The original eleven song edition of Songs of Innocence was released exclusively and free on iTunes to their 500 million subscribers worldwide on September 9. It was available exclusively on iTunes until last week, when the physical editions of the album were released. A Deluxe edition includes two additional songs – the more raw-sounding “Lucifer’s Hands” and “The Crystal Ballroom”, plus alternate versions of all songs from the original Songs of Innocence album with the exception of “Iris (Hold Me Close)” and “Volcano”. The alternate and stripped down versions are different enough that U2 fans will find it essential to own them. They allow Bono’s voice to take center stage and the listener to more clearly hear his passionate vocals and better make out the lyrics. In particular, his vocal on “Every Breaking Wave” is stunning. I also enjoyed the inclusion of horns on “California (There is No End to Love)”. In fact, the alternate version of “Every Breaking Wave” may be my favorite of the 21 tracks on the deluxe edition of the album.

The two new songs were certainly worthy of inclusion on the original album. The lyrics to both new songs, written by U2, are included below.

“Lucifer’s Hands”

Punk rock party in a suburban home
Everybody’s famous here but nobody’s known
We got no music ‘cause the speaker’s blown

The spill is moving through the seaside town
I’m born again to the latest sound
New wave air wave swirling around my heart

You no longer got a hold on me
I’m outta Lucifer’s hands
You no longer got a hold on me
You no longer in control of me
I am

The enemies beg from an inky page
St. John the Divine is gonna take the stage
Like a talent show where your talent is your rage
I’m in

Prayers are fire on ruined dark night
You’re meant to see visions beyond sound and sight
With Elvis beginning to see the light

You no longer got a hold on me
I’m outta Lucifer’s hands
You no longer got a hold on me
You no longer in control of me
I am

Yes, I can change the world
Yes, I can change the world
The poor breaking bread
It’s made out of stone
The rich man won’t eat
He’s eating alone
That’s easy
But I can change the world in me

You no longer got a hold on me
I’m outta Lucifer’s hands
You no longer got a hold on me
You no longer in control of me
I am

 “The Crystal Ballroom”

In describing the song, which has a beat that may remind you of “Miss You” by the Rolling Stones, Bono recently stated:

“I need to tell you something really weird about this song,” he says. “It’s called “The Crystal Ballroom”, which used to be the name of McGonagles on South Anne Street [now knocked down]. A whole generation of Dubliners would go to the Crystal Ballroom for dances, and many couples first met there. My mother and father used to dance together in the Crystal Ballroom, so that song I just sang you, which hasn’t been released yet, is me imagining I’m on the stage of McGonagles with this new band I’m in called U2 – and we did play a lot of our important early gigs there. And I look out into the audience and I see my mother and father dancing romantically together to U2 on the stage.”

Life begins with the first glance
The first kiss at the first dance
All of us are wondering why we’re here
In the crystal ballroom underneath the chandelier

Wet the glass until the glasses sing
We punish our hearts till the heart bells ring
Cos where we come from we’re not always kind
The human soul is what love leaves behind

We’re the ghosts of love and we haunt this place
We’re the ghosts of love in every face
In the ballroom of the crystal light
Everyone is here with me tonight
Everyone but you

Our first chance, is their last dance
Our life is shaped by another’s hands
Buttoning unbuttoning a coco dress
Stopping and unstopping every cold caress

Born for bliss, born for this
Every human life begins with a kiss
Kissed by every kind of possibility
And everyone is here tonight with me

We’re the ghosts of love and we haunt this place
We’re the ghosts of love in every face
In the ballroom of the crystal lights
Everyone is here with me tonight

Everyone but you
Everyone but you

Getty's EPThe Greengrass Session by Keith and Kristyn Getty

Scotty Smith mentioned in one of my classes at Covenant Seminary that Keith and Kristyn Getty open up their home in Nashville for musicians to come and play, which at times included a member of the band Mumford and Sons. The Getty’s tell us that:
“In Ireland there is a long-standing tradition of the Session, an informal gathering of musicians making music together wherever they happen to be. It’s not so much a performance, but rather a shared experience where everyone plays or sings along. We have regular sessions in our home – a Greengrass session, so named for the combination of Irish and bluegrass songs and musicians who come around. This recording attempts to capture some of what we enjoy in those get-togethers.”
This wonderful limited edition EP is only available from the Getty’s website or at their concerts. It includes:
My Worth Is Not in What I Own – a beautiful new hymn written by Keith and Kristyn and Graham Kendrick. Check out the lyrics below:

My worth is not in what I own
Not in the strength of flesh and bone
But in the costly wounds of love
At the cross

My worth is not in skill or name
In win or lose, in pride or shame
But in the blood of Christ that flowed
At the cross

I rejoice in my Redeemer
Greatest Treasure,
Wellspring of my soul
I will trust in Him, no other.
My soul is satisfied in Him alone.

As summer flowers we fade and die
Fame, youth and beauty hurry by
But life eternal calls to us
At the cross

I will not boast in wealth or might
Or human wisdom’s fleeting light
But I will boast in knowing Christ
At the cross


Two wonders here that I confess
My worth and my unworthiness
My value fixed – my ransom paid
At the cross


Good Shepherd of My Soul – a warm and moving a’capella rendition of one of Keith and Kristyn’s newer songs
Come Ye Sinners – a musical journey from Ireland to Appalachia envelopes the traditional hymn
Lift High the Name of Jesus and All Hail the Power of Jesus’ Name – live versions of which were included on their 2013 live album from the Gospel Coalition Conference
O For a Closer Walk – an adaptation of William Cowper’s hymn, with new words by Keith Getty and Stuart Townsend
Lobby Jam – a toe-tappin’, foot-stompin’, hand-clappin’ instrumental featuring the Getty’s band of Irish and bluegrass virtuosos

The Getty’s will be in concert at Grace Presbyterian Church on Friday, October 17. The concert is already sold out.

SwitchfootThe Edge of the Earth: Unreleased Songs from the film “Fading West” – Switchfoot

Seemingly out of nowhere (I heard about the release on Tim Challies’ blog), comes a new release from Switchfoot, one of my favorite bands. They cap a very strong year that started with their film Fading West, their chart-topping “soundtrack” album (check out our reviews in the movie and music sections of the blog), from the film, and now seven songs from the film that didn’t make the original Fading West album. And rather than throwaway songs that you might normally get on such a project, other than “Fading West”, which would have made a great opener or closer on the original album, and the closing title cut, these songs tend to be a bit darker in nature – musically or lyrically, or both – than the songs that were included in the original album, one of my top releases for 2014.

The EP begins with “Fading West”, and it’s my favorite song on the new collection, again fitting in best with the original album.

Heading back to the west coast
Where I’m from
I’m heading back to the left coast
Where I belong.
California’s calling me back home
Fading West with you

“Against the Voices” follows, featuring atmospheric guitars and featuring the lyric:

If they ain’t singing
They’re just talking
Let them keep talking to themselves
‘Cause everybody knows
That the hardest war to fight
Is the fight to be yourself
When the voices try to turn you into someone else

“Skin and Bones” follows with fuzzed up guitars and Jon Foreman singing:

I’m not afraid to die, I’m afraid to be free
I’m not afraid to doubt, I’m afraid to believe
Don’t believe the lies, of what you see
Elevate your mind above these animal dreams

“What it Costs” is something new for the band as it features Tim Foreman on lead vocals for the first time in the band’s seventeen year history. This excellent song is featured at a key and emotional point in the film when Jon had to return home to be with his daughter Daisy who was ill.

Hold on to me, carry me through
Our story is the pain that we outgrew
Yeah, you can’t call it love until you’ve lost
If you love someone this is what it costs

“Slow Down My Heartbeat” is a song that would not have fit on the original album, either lyrically or musically, but I’m glad it was included here.

It’s alright, It’s alright
Euphoria’s gone
It’s time to move on
I have to believe we can change

“Liberty” is a triumph song in which Jon sings:

Show me the freedom from these chains
Show me a battlefield that’s safe
That world is still a world away
But you are my liberty

The closing acoustic cut features a ukulele and excellent background vocals that would have fit on the original album. They sing:

Of the distant oceans, the fallen mountains
The great wide open of the desert sky
And where I’ll be is where you found me
Meet me here at the edge of the earth

What a great surprise to get seven new Switchfoot songs! I highly recommend you watch the film (you can rent it or watch the television premier on Palladia on October 4). It will give you a better context for these songs from a great band.

LecraeAnomaly by Lecrae

Anomaly, Lecrae’s seventh album, was one of my most anticipated albums of the year. Those that pre-ordered the 15 song album, received four tracks – “Nuthin”, “Fear”, “All I Need is You” and “Say I Won’t (with Andy Mineo) in advance. I listened to those songs alot in the weeks leading up to the release. Then, the week before its release, Anomaly streamed free on iTunes Radio. The album debuted at #2 on the iTunes album charts and #1 on the Hip-Hop/Rap charts. It also debuted at #1 on the Billboard Top 200 Album chart.
Lecrae, who has become one of my favorite artists in the past few years, is at the top of his game with Anomaly. One of the major themes of the album is of Lecrae (and Christians) being outsiders, strange, different, other underdogs, etc. That message comes through specifically in “Outsiders”, “Anomaly”, and “Say I Won’t”. The production, music and vocals are all strong. Special guests include Andy Mineo, Crystal Nicole, Kari Jobe and For King and Country.
Below is my brief take on each song and/or some lyrics that I found of interest:
Outsiders – This song opens with strings and a slow tempo. Lecrae suggests that it is better to be seen as an outsider than on the wrong view of righteousness.
I won’t stay here another night
If I gotta sacrifice
Who I am on the inside
I’d rather be an outsider
And you can stay if you’d like
I’ll see you on the other side
I wanna live the free life
I’d rather be an outsider

I’d say there’s plenty of people like me
All outsiders like me
And all unashamed and all unafraid to live out what they’re supposed to be

Welcome to America – Lecrae looks at America from different perspectives – as a drug dealer, a soldier and lastly as an immigrant wanting to come to America.
I’m trying to find me a ticket
Where the sky is the limit, catch a plane to America

But I’m packing my suit
Farewell to my mother land
Say’n bye to my loved ones
Fate, here I come, I’m gone to another land
I done made it to America
I’m amazed at America
But I couldn’t get approval to stay, so they sent me away from America

Say I Won’t – Featuring Andy Mineo, this song dares Christians to be different from the status quo.
See, I been a rebel since back in the day
I don’t follow the people, I follow the leader
Through the valleys and shadows of death and I fearing no evil

Nuthin’- Lecrae sings that other rappers are not saying anything of interest – they’re not saying nuth’n.
I can’t hear cause you
Ain’t talking ‘bout nuthin’

I think we were made for more
Than just, ya know, the simple things that we aspire toward
We were made for more than just telling stories about
How much money we can get by selling poison to people
It’s time to talk about who we are and who we can be
And we need to build each other up and not put each other down
I feel like we not talking about nothing right now

Fear –
I honestly grow insecure as I get older
Cuz’ even when you hot there comes a day when you get colder

My nightmares are having nightmares
I’m quite scared of what’s right and wrong
How I fear an eternity
Will I hear well done when He turn to me?
Will I hear you care too much about
All this stuff that really don’t matter?

Anomaly I like the use of horns on this track.
Trying to get a throne on my own so I can put my feet up
Thank God my kingdom was overthrown by the Soul Redeemer

We are the odd
The outcast
The peculiar
The strangers
And they say you don’t fit in
But I say God created us to be anomalies
The system didn’t plan for this

Timepiece –
They say He’ll be coming in no time
Pray I pay attention cause I’m giving Him no time

Did we tick Him off by wasting all these ticks on this clock?
Or is He graciously giving me time to give Him my heart?
I’m sure it’s the latter, sure that it matters
And I believe I’ve been given all this time so I could try to redeem it

Dirty Water –
Most segregated time of day is Sunday service
Now what you think that says about the God you worship?

Wish – Is a song about wanting to atone for past mistakes.
Wish I had another chance
Maybe I’ll do better
Every time I think about all of my mistakes
I just wanna turn it around

Runners – This song is about discouraging men from being players.
Uh, I pledge girls, then it’s on to the next girl
My next girl eventually be my ex-girl
But it’s funny how it all unfolds
I done finally found a woman I ain’t never letter go

Born a sinner just like any man standing
Couldn’t keep standing so God sent a stand-in

All I Need is You – This song could be directed to Lecrae’s wife or to God, though it’s most likely the former. I could see this becoming a hit on mainstream radio.
Cause you plus nothin’ is everything
You my everything

By my side, thick and thin
Highs and lows, don’t let go
We gonna ride, we gonna win
All I need is you

Give In – This song features guest vocalist Crystal Nicole.
They laugh at me and say I’m going too far
But it’s satisfying my soul to give you my all

Tell me who I’m gonna call on
Whose solid ground can I fall on

It’s time to cut the cord
Sever the ties form the life before
From here on out I’m yours
I can’t run no more
Cause you’re pulling me in
Like a tornado wind
And I can’t pretend
I try leaving
But your love so strong
And it won’t let go
You’re holding on to me

Good, Bad, Ugly – This song has Lecrae opening up about difficult circumstances from his past – being molested by a babysitter, and also the abortion of his child with a girlfriend after he became a Christian.
Heard a heartbeat that wasn’t hers or mine
The miracle of life had started inside
Ignored the warning signs

But I was too selfish with my time
Scared my dreams were not gonna serve
So I dropped her off at that clinic
That day a part of us died

I was barely in the first grade

Folks working late, I had a babysitter

Did a few things that’s hard to say
Told me to keep that secret safe
How a young boy supposed to deal
I’m trying to act like it ain’t real

But I’ve been forgiven, my Savior risen
I’m out of the prison, I know that
I got the power to say no to all my struggles
God will control that
Every time we slip and we fall
Gotta get back up and fight on
We are not defined by our past
The future look bright, I see the light on

Broken – This is a duet with Contemporary Christian worship singer Kari Jobe.
All the pieces on the ground
I shattered all the dreams
I thought I found
And you put me back together
I need your grace for my flaws
God I’m broken in this mess I’ve made
I need you to restore me

We are outsiders, outliers, out-criers, loud and meek

Messengers – features For King & Country, who debuted their new album at #2 on iTunes on September 16. It’s a call to share the gospel.
How will the people know if we don’t tell em’?
If we fail em’
They’re stumbling in the dark
But the lighters that we carrying
Don’t have to wonder your purpose
Or what you’re here for
Reflect His image
And show the world what He cares for

As a thank you to his fans after Anomaly hit number one on Billboard Lecrae released “Non-Fiction” on Soundcloud. Listen to it here:

Just like U2 on Songs of Innocence, Lecrae is at the top of his game with Anomaly. He is making a difference in the often dark world of hip-hop/rap. I pray that he continues to shine Christ’s light in that place.

U2Songs of Innocence – U2

OK, let’s get this out of the way. U2 is my favorite band. There, I’ve said it.

Their last album was 2009’s No Line on the Horizon. There have been many rumors of a new album since then, all of which proved to be false.

The band did release two new songs within the last year – “Ordinary Love” from the film Mandela – Long Walk to Freedom, and “Invisible”, which led to strong speculation of a new album and corresponding tour. But those hopes were quickly dashed when the word came out that both were being delayed until 2015.

Last week at Apple’s event to introduce the new iPhone 6, U2 and iTunes stunned everyone by releasing the new U2 album Songs of Innocence. The album, their 13th studio album, was downloaded free to 500 million iTunes accounts worldwide, and will be available exclusively on iTunes until the expanded physical and digital versions are released on October 14.

I was stunned with the news of both the long awaited album and the fact that it was already downloaded to my iTunes account. The unexpected joy that I felt was the same I felt when I first saw the Beatles Sgt. Pepper’s Lonely Hearts Club Band and The Beatles (“White Album”) at K-Mart so many years ago. I couldn’t wait to listen to it. I had been anxiously waiting for Lecrae’s Anomaly to be released on the same date, but had to put that aside to listen to Songs of Innocence. And let’s just say that I wasn’t disappointed. The album received a rare 5-star rating from Rolling Stone magazine. Read that here:
The album is not a complete concept album, but the theme of looking back is pervasive. In an interview, Bono stated:

“We wanted to make a very personal album. Let’s try to figure out why we wanted to be in a band, the relationships around the band, our friendships, our lovers, our family. The whole album is first journeys – geographically, spiritually and sexually.”

As they began work on the album the band went back to its roots listening to the music they loved in the 1970’s, from punk rock to David Bowie, glam rock, early electronica and Joy Division.

Over the past few years the band has worked with multiple producers, and scrapped an album that was to be called Songs of Ascent. Several producers receive credit for the new album.

The album gets its title after William Blake’s 1789 collection of poems about man’s perpetually great age of discovery – childhood. Here is my brief take on each song on the album, including lyrics that I found of interest:

1. The Miracle (of Joey Ramone) – This song is about the first time Bono heard the Ramones.

I woke up at the moment when the miracle occurred
Heard a song that made some sense out of the world
Everything I ever lost, now has been returned
In the most beautiful sound I’d ever heard

We got language so we can’t communicate
Religion so I can love and hate
Music so I can exaggerate my pain, and give it a name

2. Every Breaking Wave – A classic U2 ballad with an opening reminiscent of “With or Without You” and keyboards that reminded me a lot of Danny Federici from Springsteen’s E-Street Band.

Every breaking wave on the shore
Tells the next one there’ll be one more
And every gambler knows that to lose
Is what you’re really there for

Every sailor knows that the sea
Is a friend made enemy
And every shipwrecked soul, knows what it is
To live without intimacy
I thought I heard I heard the captain’s voice
It’s hard to listen while you preach
Like every broken wave on the shore
This is as far as I could reach

3. California (There is No End to Love) – This song is about U2’s first trip to California in the early 1980’s. It opens with a tip of the cap to the Beach Boys.

4. Song for Someone – This song is about a first love, probably Bono’s wife Ali. The couple first met when Bono was 14.

If there is a light you can’t always see
And there is a world we can’t always be
If there is a dark we shouldn’t doubt
And there is a light, don’t let it go out

And I’m a long, long way from your Hill of Calvary
And I’m a long way from where I was and where I need to be

5. Iris (Hold Me Close) – This touching song is about Bono’s mother who died after collapsing at her father’s funeral when Bono was 14.

The ache
In my heart
Is so much a part of who I am

Hold me close, hold me close and don’t let me go
Hold me close like I’m someone that you might know
Hold me close the darkness just lets us see
Who we are
I’ve got your life inside of me

6. Volcano – This is a driving, bass-heavy rocker.

7. Raised by Wolves – This song is about 1974 car-bombings in Dublin and Monaghan, killing 33. Bono states that “On any other Friday I would have been at this record shop, but I cycled to school that day. The bomb tore apart the street. I escaped but one of my mates was around the corner with his father and it was a very hard thing for him to witness and I’m not sure he really got over it.”

Face down on a broken street
There’s a man in the corner in a pool of misery
I’m in a white van as a red sea covers the ground
Metal crash I can’t tell what it is
But I take a look and now I’m sorry I did
5:30 on a Friday night 33 good people cut down

Boy sees his father crushed under the weight
Of a cross in a passion where the passion is hate
Blue mink Ford, I’m gonna detonate and you’re dead
Blood in the house
Blood on the street
The worst things in the world are justified by belief

8. Cedarwood Road – Bono grew up at 10 Cedarwood Road in Dublin, alongside friends Guggi Rowan and Gavin Friday. The song is dedicated to Rowan.

I was running down the road
The fear was all I knew
I was looking for a soul that’s real
Then I ran into you
And that cherry blossom tree
Was a gateway to the sun
And friendship once it’s won
It’s won….it’s one

All the green and all the gold
The hurt you hide, the joy you hold
The foolish pride that sends you back for more

If the door is open it isn’t theft
You can’t return to where you’ve never left
Blossoms falling from a tree they cover you and cover me
Symbols clashing, bibles smashing
Paint the world you need to see
Sometimes fear is the only place we can call home

9. Sleep Like a Baby Tonight – Bono sings in a falsetto about child abuse (a pedophile priest) within the church.

You dress in the colours of forgiveness
Your eyes as red as Christmas
Purple robes are folded on the kitchen chair

You’re gonna sleep like a baby tonight
In your dreams, everything is alright
Tomorrow dawns like someone else’s suicide
But you’re gonna sleep like a baby tonight
Like a bird, your dreams take flight
Like St. Francis covered in light
You’re gonna sleep like a baby tonight

Hope is where the door is
When the church is where the war is
Where no one can feel no one else’s pain

10. This is Where You Can Reach Me – The song is dedicated to Joe Strummer of the Clash, and is inspired by a Clash concert that U2 attended in 1977.

11. The Troubles – This song features Swedish pop singer Lykke Li, who repeats the refrain:

Somebody stepped inside your soul
Little by little they robbed and stole
Till someone else was in control

Bono sings:

You think it’s easier
To put your finger on the trouble
When the trouble is you
And you think it’s easier
To know your own tricks
Well, it’s the hardest thing you’ll ever do

God knows it’s not easy
Taking on the shape of someone else’s pain
God now you can see me
I’m naked and I’m not afraid
My body’s sacred and I’m not ashamed

Very complete liner notes (lyrics, credits and a looking back essay from Bono) is included.

Throughout the album the energy is high, the production clear, and Bono’s voice and the band sound great. With a band that has the catalog of U2, it’s hard to compare where a new album falls within its best work. For me, Songs of Innocence is my favorite U2 album since 2000’s All That You Can’t Leave Behind, and that’s pretty good.

Here’s a short behind-the-scenes ‘Innocence’ video that U2 released on Twitter a few days after the album release:
And it looks like there is more to come. Bono states:
“We’re collaborating with Apple on some cool stuff over the next couple of years, innovations that will transform the way music is listened to and viewed. We’ll keep you posted. If you like Songs of Innocence, stay with us for Songs of Experience. It should be ready soon enough… although I know I’ve said that”.

Now, about that tour…..

Next week we’ll look at new releases by Lecrae and Switchfoot.

Jars of Clay 2020 – Jars of Clay

Jars of Clay is one of my favorite bands. I first saw them in concert at the Agape Festival – hosted by Greenville College where the band members met – several years ago, and have seen them in concert many times over the past twenty years. Their albums such as Good Monsters, The Shelter and Inland, have been some of my favorites.

The band celebrates their twentieth anniversary with a gift for their fans. This new album features two songs from each of their studio albums (with the exception of the collaborative effort Jars of Clay Presents The Shelter and their Christmas record Christmas Songs). The songs were chosen by their fans, and are not necessarily the band’s greatest hits (you won’t see “Flood” or “Two Hands” here, for example), but instead the songs that have meant the most to their fans, some of which haven’t been played by the band on stage for more than ten years. The songs are re-recorded, with a stripped-back acoustic approach, cleanly produced so that you can enjoy the band’s distinctive harmonies, plus the acoustic guitars and string. A few special friends join on background vocals – Ashley Cleveland on “Jealous Kind” and Marcy Pendergrass on “Worlds Apart”. The concept for the album reminds me of Steven Curtis Chapman’s 2011 album Re:creation, in which he re-recorded many of his most popular songs in a stripped-back manner.

The album also features two new songs – “Ghost in the Moon”, which had previously been available on Nashville Indie Spotlight 2014, and “If You Love Her”, inspired by the band’s work with Blood:Water, the organization they founded in 2004 that has raised more than $22 million to help with the water crisis in Africa. Here is a link to the organization’s site: Here is a video of the band performing the song live:
Below is the track list for the album:
Disc 1:
Fade To Grey
Worlds Apart
Tea and Sympathy
No One Loves Me Like You
Jealous Kind
God Will Lift Up Your Head
Ghost In The Moon
If You Love Her

Disc 2:
Trouble Is
Something Beautiful
I Need Thee
Dead Man
Oh My God
Safe To Land
Love In Hard Times
Love Song for a Savior

Highly recommended for Jars of Clay fans, this is also a great way for new fans to be introduced to the band.


Sovereign by Michael W. SmithSovereign – Michael W. Smith
*** ½

Michael W. Smith is a multi-talented performer, with multiple Christmas, worship and instrumental albums, along with his pop albums since beginning his career in 1983. He has also starred in a film, Steve Taylor’s The Second Chance. He has sold more than 15 million albums, had 28 number 1 hits, earned three GRAMMY® Awards and more than 40 Dove Awards.

His new album Sovereign debuted at number 10 on the Billboard Top Albums chart and number 1 on iTunes and Amazon Christian and Gospel charts in the US and Canada. Sovereign is also available as a Deluxe Edition which includes a special DVD concert filmed at Smith’s barn in Franklin, Tennessee, and features guest appearances from Kari Jobe and Leeland Mooring. The DVD also includes special behind the scenes footage and content with Smith discussing the inspiration behind Sovereign.

This has been a particularly active year for the 56 year-old “Smitty”, with the release of first the traditional Hymns project in March, and now the modern worship studio album Sovereign. It is also his first album on Sparrow Records, after being with Reunion his entire career. He chooses to include five cover songs on the twelve-song album, not unusual for his worship projects. About the new album, Smith says:

‘…sometimes you’ve just got to shake things up…I feel like it’s a good season. I’m pretty passionate. I have lots of energy and I’m probably enjoying making music more than I ever have in my entire life. I’m having fun and I’m excited about this record and this next chapter…’

The first single released from the album is “You Won’t Let Go”, which will be immediately recognizable as a Michael W. Smith song. Michael covers two of Dustin Smith’s tracks on this album, “You’re The Fire,” and my favorite song on the album, “The One That Really Matters”, a duet with Kari Jobe.

All Sons and Daughter’s song, “Christ Be All Around” gets its own Smitty treatment, another of my favorite tracks. Smith’s version is more up-tempo than the original, and includes some background vocals.

Smith includes seven new original songs which fit in nicely with the covers. My other favorites are “Sky Spills Over”, “All Arise”, “Sovereign Over Us”, “The Same Power” and “I Lay Me Down”. I was pleasantly surprised with the new album. Smith’s voice, never strong, sounds great, the production is crystal clear and many of the songs feature a current sounding heavy bass beat. The album includes several songs which could be Christian radio hits and also sung by congregations, and “The One That Really Matters” is one of my top songs for the year.

John HiattTerms of My Surrender by John Hiatt

This is the 22nd studio release for John Hiatt, a critically acclaimed songwriter, who is 40 years into his recording career. It is produced by Doug Lancio, the lead guitarist from the Combo, Hiatt’s excellent band. Hiatt continues to be prolific, this being the ninth album he has released over the past fifteen years (and fourth studio album in five years). This one has a mostly acoustic blues feel to it. Though Hiatt initially picked up an electric guitar on day one of recording – he had in mind playing some rough-edged electric guitar for the core sound – Lancio thought acoustic would be a better fit for the songs. Hiatt also plays harmonica on the album, which he hasn’t done recently. They recorded most of the album in a live setting in one basic take, which was fitting since the band in the studio was Hiatt’s exceptional touring band (Lancio, Nathan Gehri, Kenneth Blevins, and Brandon Young).

I first became aware of Hiatt via an article written by Bryan Quincy Newcomb in the Harvest Rock Syndicate publication after the 1987 release of Hiatt’s Bring the Family album, most likely his best. Hiatt talked openly about his past alcohol and drug addiction in the article. I’ve followed Hiatt ever since, enjoying his fourteen studio albums (plus live and compilations) and have seen him in concert at the Ravinia Festival twice.

Hiatt is a talented lyricist and satirical storyteller, and weaves hidden plot twists into fictional tales ranging in topics including redemption, relationships, growing older and surrendering on his terms. The new record features Hiatt’s soulful, gritty voice, which mirrors the gravity of his reflective lyrics. Hiatt sings in a lower register, indicating that at 61, he doesn’t have the top range any longer. Brandon Young adds the higher ranger background vocals. Terms of My Surrender will remind some of his excellent Grammy nominated Crossing Muddy Waters record.

Hiatt indicates that the tales included here aren’t autobiographical, but they are still, in many regards, his. “It’s more stories, storytelling, from different perspectives,” he says. But he allows, “I guess from a point of view. I guess it’s mine, if you want to put it that way, at a given time. It changes.”

In the song “Face of God,” the narrator asks how long he must suffer before seeing God’s face. It includes a line drawing on a Kenneth Patchen poem: “They say God is the Devil until you look him in the eye.”

“At the end he’s saying to his woman, ‘I’ve done enough, show me what you’ve got,’” Hiatt says. “That’s not the way I feel about things. This guy’s genuinely in some kind of struggle to lift himself out of whatever he’s struggling with. He’s got issues — issues with people who have big cars and show their wealth, while he’s coming in through the kitchen door. That’s definitely not me. I come in the kitchen door.”

Ditto for the guy on the prowl in “Baby’s Gonna Kick” — with the kicker line being that she’s “gonna kick me out” and the killer couplet of “listening to John Lee Hooker/Got my mind on a slow meat cooker.”

“Don’t know where that came from,” he says. “Kinda sexual. Kind of a frisky song — playful. I love the groove on that. That and a couple of other songs showcase Kenneth. Been playing with him since 1987 and he just gets better and better.”

A rarity these days, the iTunes version of the album includes liner notes and a lyric sheet, always a treat for a John Hiatt album. Some of my favorite lyrics from the record are:

  • Friend of mine said a long time comin’, I’m just a long time gone  
  • Now the thought police are coming Right up to your door They say you have no liberty If you’re who they’re looking for
  • I’m ridin’ downtown dialed to John Lee Hooker Got my mind set on a slow meat cooker My baby is gonna kick me out someday
  • Somebody said wolf’s howlin’ at my door I ain’t seen the wolf since I was 24 My baby is gonna kick me out someday
  • I play some poker on Friday night But I’m always holdin’ my cards too tight I got a tell, it’s my twitchy eye They take my money and it makes me cry
  • Scared I’ll get what I deserve Or maybe scared I won’t
  • I’m sittin’ in my garage Starin’ at my motorcycle My heart is so heavy, like a stack of bibles
  • Sometimes love can be so wrong Like a fat man in a thong It walks shamelessly away
  • Old people are pushy They don’t have much time They’ll shove you at the coffee shop Cut ahead in the buffet line

This is an album that I’ve listened to a lot since it was released a few weeks ago. While it seemed simple at first listen, I find more complexity coming out in each additional listen. This is a worthy entry into the already impressive Hiatt canon. My favorite songs are “Long Time Comin’”, “Face of God”, Baby’s Gonna Kick”, “Marlene”, “Nobody Knew His Name”, and the Dylan-like “Terms of My Surrender”. I hope he comes around someplace close (he has played in Bloomington a few times in the past few years) so that I can hear some of these songs live.

Concert Review ~ Chris Tomlin and Brandon Heath at the US Cellular Coliseum July 19

Brandon Heath opened the show with a pleasing set (photo from previous night in Missouri)
Brandon Health
Chris Tomlin led the crowd through an hour and a half of worship and fun (Photo from previous night in Missouri)
Chris Tomlin
The evening began with a pleasing set by Brandon Heath before a decent, but not full house at the US Cellular Coliseum for a night of worship and some fun. Heath started the evening with a 45 minute set playing acoustic guitar accompanied by the keyboardist from Chris Tomlin’s band. Heath did a nice job connecting with the crowd, who sang along with his popular radio hits.

If you’ve never been to a Chris Tomlin concert, it is more of a worship experience than it is a concert. Lyrics are projected on a large screen so the audience can sing along, which they did from the beginning “How Great is Our God” to the closing cover of friend and frequent co-writer Matt Redman’s “10,000 Reasons (Bless the Lord)”. It has been estimated 40 million people sing Tomlin’s songs each week in church and some of them were at the US Cellular Coliseum Saturday night, singing along with Tomlin on every word.

Tomlin played a 90 minute set in his first ever concert in Bloomington/Normal. Below is the set list:

Main Set
How Great is Our God
God’s Great Dance Floor – a high energy fun song with got a great reaction from the crowd.
I Will Follow You
Waterfall – Tomlin’s new single.
Jesus Messiah
White Flag
At the Cross (Love Ran Red) – the title song of Tomlin’s forthcoming fall album and my favorite song of 2014 thus far. Looks for this one to be sung in churches around the world soon.
Amazing Grace (My Chains Are Gone)
Whom Shall I Fear (God of Angel Armies) – was dedicated to a five year old boy Tomlin met before the show who has endured multiple surgeries for brain cancer.
Our God
God’s Great Dance Floor Reprise – several large beach balls were sent throughout the arena as the crowd had a great time.

The Heart of Worship – a Matt Redman song.
10,000 Reasons (Bless the Lord) – another Matt Redman song, with Brandon Heath.

This is the third time I’ve seen Tomlin in concert. His music has meant a lot to me over the past several years and it’s a regular part of getting ready for Sunday morning worship each week. I can’t wait for the next album and hearing him do some of those songs in concert.

John A Misunderstood Messiah by Michael CardJohn: A Misunderstood Messiah by Michael Card
This is the last in Michael Card’s series of four Biblical Imagination Series records, this one based on the Gospel of John. Michael told me it is probably the last 10-song album of his career, because the music industry has changed so much.

The album includes new versions of previous favorites “Scribbling in the Sand” and “Stranger by the Seashore”, which was one of the first songs he ever wrote and has been released in two previous versions (on First Light and again on A Fragile Stone).

When Michael was in town in April to do a Biblical Imagination Conference on the Gospel of Matthew and perform a concert, the album was being worked on back home in Nashville. Michael was getting updates throughout the weekend on the background vocal work by a gospel choir that was being done for the record, which shows up on “How Can These Things Be?” During the concert sound check he played us the beautiful “All I’ve Ever Done”, sung by Ginny Owens from the perspective of the woman at the well, certainly a highlight of the record.

Here are Michael’s comments about the new songs:

“John is interested in longer stories of individual people like Nicodemus, the woman at the well, and the woman taken in adultery. I’ve written songs on each of those extended stories.

“The Bread, The Light, The Life”. There are no parables in John’s Gospel. Instead he tells the story of Jesus’ life as a parable. (John 6:35; 8:12; 11:25)

“Come and See”. One of the first words from Jesus’ lips in John is “Come and See.” (John 1:39)

“The One Who Was Sent”. If you ask Jesus who He is in the Gospel, He invariably responds that He is the “Sent One.” (John 5:24; 30, 36-38, 6:39f, 44, 57, 7:16, 29, 33, 8:16, 18, 26, 42, 9:4, 11:42, 12:44f, 13:16, 20, 14:24, 15:21, 16:5, 17:3, 8, 18, 21, 23, 25, 20:21).

“How Can These Things Be?” The story of Jesus speaking with Nicodemus is unique to John. What made the Pharisees blind was their insistence that they could see.

“All I’ve Ever Done”. A special appearance by Ginny Owens, who wrote the music. I thought it would be cool to have a female voice sing the woman at the well’s story, especially a wonderful voice like Ginny.

“Come to Me and Drink”. The 7th chapter of John contains my favorite story from the Gospels. I have been waiting 30 years to write a song about Jesus bravely standing up in the middle of the vast Sukkot crowd and shouting, “If anyone is thirsty, let them come to me and drink.”

“Scribbling in the Sand”. This was recorded once before for a live video. I thought its message was important enough to record one final time.

“Jesus Wept”. I have never heard a song about the first occurrence of Jesus weeping on the way to Lazarus’ tomb. The second time we see Him weeping in the Gospels, the reason why is clear. But the text does not answer the question why He cried this first time in John. I love the ambiguity.

“One Long Final Walk”. Chapters 15 to 17 contain the longest discourse of Jesus which occurred on their final walk to Gethsemane.

“Stranger on the Shore”. One of the first songs I wrote under Bill Lane came from one of his sermons on John 21, the second catch of fish. I have previously recorded this song twice but felt the need to do one final version for this collection on John.”

The album is beautifully and simply produced by Keith Compton. The music credits are below:

Michael Card – Vocals/Guitar/Piano Banjo/Bouzouki
Scott Roley – Vocals
Kate Card Wharton – Bodhran
Bill Verdier – Fiddle
Danny Olannerty – Bass
Matt Pierson – Bass
Ken Lewis – Drums
John Reddick – Vocals
Dave Cleveland – Guitars
Paul Eckberg – Percussion
Ginny Owens – Vocals/Piano
Scott Brasher – Strings
Wayne Bucknor – Piano
John Catchings – Cello
Choir – Janice Gaines, Dorena Willamson, Harmonie Reddick and Jon Reddick

These songs are classic Michael Card. What attracted me initially to Michael, and why I have followed his ministry for almost 30 years since purchasing his Known by the Scars record in 1985, is how he creatively brings the Bible to music. The instrumentation, while excellent, is always secondary to Michael’s lyrics. I enjoyed the piano work, particularly on “Scribbling in the Sand” and “Stranger on the Shore”. The choruses of those two songs and the beautiful “Jesus Wept” are powerful:

“Scribbling in the Sand”
It was silence. It was music
It was art. It was absurd
He stooped and shouted volumes
Without saying a single word
The same finger of the strong hand
That had written ten commands
For now was simply scribbling in the sand

“Stranger on the Shore”
You need to be confronted by the stranger on the shore
You need to have him search your soul; you need to hear the call
You need to learn exactly what it means for you to follow
You need to realize that he’s asking for it all

“Jesus Wept”
Did Jesus weep
For their disbelief
Or did He cry
Because his friend had died
Took on himself
All of their pain and fear
Explain their mystery of
His silent tears

I really enjoyed Michael’s collaboration with good friend Scott Roley on “The One Who Was Sent” as their voices blend perfectly on the chorus:
He is the One who was sent by the Father
He is the One who acted out of love
He is the One who was led by the Spirit
He is the One who was sent from above

I recommend that you pick up the companion book John: The Gospel of Wisdom. Better yet, pick up the entire Biblical Imagination Series of books and records. Check them out from the store on Michael’s website here:

Albums –
Books –

Michael will be offering Biblical Imagination Conferences on the Gospel of John in 2015. Watch his website for a location near you:


Concert Review ~ Paul McCartney at the United Center July 9

(Photo courtesy of the Chicago Tribune)

Paul McCartney in Chicago Last Wednesday Paul McCartney stopped in Chicago for his Out There tour. It was the eleventh time I have seen the recently turned 72 year-old former Beatle in concert since the first time at the Rosemont Horizon (now Allstate Arena) with my brother-in-law Al in December, 1989. I have seen him in Chicago six times (Rosemont Horizon, Soldier Field, Wrigley Field and three times at the United Center), Indianapolis (at the old Market Square Arena and twice at Conseco Fieldhouse, now known as Banker’s Life Fieldhouse), Milwaukee (the old Country Stadium) and St. Louis (the old Busch Memorial Stadium).

Paul McCartney Out There



For me, McCartney concerts always stir emotions as no other concerts can, as the songs are really the soundtrack of my life. For example…..I can remember my Aunt Linda screaming at the television in her parents’ (my grandparents) living room as the Beatles appeared on the Ed Sullivan Show. Later in that same home, my brother Mike and I first saw the Rubber Soul album in our Aunt Cindy’s room. My first single was the late 1963 released Beatles’ two-sided hit “I Want to Hold Your Hand”/”I Saw Her Standing There”, with its black & white cover sleeve with the boys in their “Beatles suits” and McCartney holding a cigarette (see below):
I Want to Hold Your Hand Cover Art
Jump ahead, I remember seeing Sgt. Pepper’s Lonely Hearts Club Band and the “White Album” for the first time at K-Mart. I had to wait for Christmas to get the latter album, which was released November 22. I can remember singing “Hello Goodbye” with teammates on the bus traveling to a 6th grade basketball game, “Get Back” with classmates in junior high school, and talking about the sudden ending to “I Want You (She’s So Heavy)” on the school bus in 1969. I listened to the “bootleg” recordings from the Get Back sessions (later released as Let it Be) with a friend; went to see the Let it Be movie with my Dad followed by Tobin’s Pizza downtown Bloomington location afterwards; and seeing the Yellow Submarine movie with my brother. I remember listening in my room to Larry Lujack debut “Lady Madonna” on WLS “The Big 89” radio in 1968. And I could go on (and on).
Sir Paul resumed his Out There tour on July 5 after being forced to take nearly two months off due to a virus that left him hospitalized. He called off the Japan leg of the tour and a South Korea show after falling ill on May 16, and later postponed a number of US dates. He spent six days in a Tokyo hospital being treated for the viral infection.
Paul McCartney United CenterMy brother and I had seen McCartney on an earlier leg of the Out There tour last July in Indianapolis, just prior to the release of his excellent New album. In this show, he included four songs from that album – “New”, “Save Us”, “Queenie Eye” and “Everybody Out There”, the latter of which seems to have been written for a concert setting. Here is the entire set list from the show:
Observing the crowd at a McCartney concert is always fun as you see a variety of ages, and a surprising number of young people. The prices are always interesting too ($35 for “preferred” parking – meaning you would be able to get out, without being blocked in), $40 t-shirts and $30 programs).
The concert was a celebration, with McCartney and his long-time band launching into “Eight Days a Week”, the first of an incredible 39 songs over two hours and forty-five minutes. You can enjoy the review of the concert from the Chicago Tribune here:,0,7206684.column