Coram Deo ~

Looking at contemporary culture from a Christian worldview


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My Review of FIRST MAN

First Man, rated PG-13
** ½

First Man is a film about astronaut Neil Armstrong, leading up to and including his historic trip to the moon. The film was highly anticipated as it was directed by three-time Oscar nominee and winner for La La Land, Damien Chazelle, who also directed the excellent Whiplash, and written by Oscar winner Josh Singer (Spotlight) based on the book by First Man: The Life of Neil A. Armstrong by James R. Hansen. The film tries to be as historically accurate as possible, with Armstrong’s sons working with the filmmakers.
The film has a solid cast led by two-time Oscar nominee Ryan Gosling (La La Land, Half Nelson) as Neil Armstrong. The film is not just about the Apollo 11 mission, and Armstrong being the first man to walk on the moon. It delves deeply into Armstrong’s strained relationship with his wife Janet, played by Golden Globe winner Claire Foy (The Crown).

***SPOILER ALERT***
After their young daughter Karen dies, Neil becomes distant and throws himself into his work at NASA. A very high percentage of marriages can’t survive the loss of a child, and the Armstrongs were not an exception, as they divorced in 1994 after 38 years of marriage. Armstrong was a hero, one that his family referred to as a reluctant American hero. He died in 2012.
The film follows Armstrong from his early days as a pilot, joining NASA, time on the Gemini program, including the near fatal Gemini 8 mission, and through the historic 1969 Apollo 11 mission with Buzz Aldrin and Michael Collins. The film conveys how dangerous being an astronaut was, as we see or hear about several astronauts dying, including Armstrong’s friend and neighbor Ed White, played by Jason Clarke (Chappaquiddick).
The film shows that not everyone in the country was in support of the space program with its cost and danger, while the country was facing many problems at the time.
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The film is visually stunning thanks to cinematographer Oscar winner Linus Sandgren (La La Land), especially the scenes on the moon, which were controversial because they do not depict Armstrong planting the American flag on the moon.
Themes include patriotism, family, dedication to work at the expense of family, grief following the loss of a child and friends, and danger. Content concerns include some adult language and the death of astronauts.
First Man was in some ways brilliant, notably when it gives the viewer a feeling of what the rocket blast-off was like, as the screen shook and the camera pans over to the bolts (will they hold?). I don’t like even the slightest bit of turbulence when flying, but this film, perhaps better than any other, gives us a feeling of what the experience in the cockpit of a rocket would be like. The acting was excellent, not only by Gosling and Foy, but also by the solid supporting cast. But in other ways, the film was much too slow, including a final drawn out scene between Gosling and Foy as they meet for the first time upon his return from the moon, and a good twenty minutes too long.


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My Review of THE POST

The Post, rated PG-13
*** ½

The Post is a well-acted and directed film based on true events and intended to deliver a message about the freedom of the press.  It is the first acting collaboration of Meryl Streep and Tom Hanks and the first major collaboration between Streep and acclaimed director Steven Spielberg, who rushed the film into theatres just ten months after initially reading the script. The film received six Golden Globe nominations (Best film, director, screenplay, actor, actress and musical score). The film is directed by three-time Oscar winner Steven Spielberg (Saving Private Ryan, Schindler’s List), and written by Liz Hannah and Oscar winner Josh Singer (Spotlight). For the purposes of this review, I will assume that Hannah’s and Singer’s script is historically accurate, though Ted Baehr of MovieGuide.org in his review of the film calls it “very one-sided, false, superficial left-leaning”.
The film tells the story of Daniel Ellsberg (Mathew Rhys) and his theft of thousands of pages of classified and confidential documents about Vietnam. The papers were the result of a study commissioned by Robert McNamara, portrayed by Bruce Greenwood.
We are told that the U.S. government, spanning four presidential administrations, has been lying to the American people about our involvement in Vietnam. At first, the “Pentagon Papers” were given to Neil Sheehan of the New York Times, who published them before a temporary injunction stopped them from doing so. However, during the injunction, Ellsberg gives the papers to The Washington Post as well.
Three-time Oscar winner Meryl Streep (The Iron Lady, Sophie’s Choice, Kramer vs. Kramer) portrays Katharine Graham, who assumed the role of publisher of The Washington Post after her husband’s suicide. Sadly, Katharine Graham’s son shot himself to death just two days before the national release of this movie— and in a manner eerily reminiscent of his dad’s suicide more than 50 years ago.  Graham was the first woman to run a major daily newspaper in the U.S. and the first female CEO of a Fortune 500 company.   Two-time Oscar winner Tom Hanks (Forrest Gump, Philadelphia) portrays the paper’s editor Ben Bradlee. This is Hank’s fifth collaboration with Spielberg.
In possession of the documents that the courts have ruled couldn’t be published, Graham and Bradlee have a decision to make. If they run a story using the information, they could go out of business, as the paper had just gone public and their financing could be pulled from them. Or worse yet, Graham and Bradlee could be arrested. Five- time Oscar winner John Williams (Fiddler on the Roof, Schindler’s List, Jaws, Star Wars and E.T. The Extra-Terrestrial), does the musical score.
Streep is superb as the under-appreciated female publisher. The film does a good job to show how little she was thought of and almost invisible at times. Hanks was also excellent as the paper’s editor, Ben Bradlee, who later oversaw the publication of Bob Woodward and Carl Bernstein’s stories documenting the Watergate scandal. There is also a solid supporting cast, including three-time Golden Globe nominee Bob Odenkirk (Better Call Saul) as Ben Bagdikian and Sarah Paulson (American Crime Story) as Tony Bradlee.  
Content concerns include a significant amount of adult language, including several abuses of God’s and Jesus’ names. In addition, there is some brief war violence at the beginning of the film. Of course, we need to also take into account that the actual “Pentagon Papers” were stolen by Ellsberg in the first place.  We have the moral dilemma of potentially putting people in harm’s way by revealing government and military secrets.
The Post is a well-acted and directed film based on true events that is intended to deliver a message for today. It was interesting to see the social connections and friendships between political figures and the press at that time.  We hear Tom Hanks as Ben Bradlee state that the press must hold government officials accountable. In this time of “fake news”, Edward Snowden and Wikileaks, however, some viewers might also want to ask who will hold the press accountable.