Coram Deo ~

Looking at contemporary culture from a Christian worldview


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My Review of the movie “LIVING”

Living, rated PG-13
***

I was not aware of this film until reading Brett McCracken’s annual article of his top films, on which Living was listed. Based on his recommendation, my wife and I decided to watch the film, and we were glad we did.
The film is a British drama English language adaptation of Akira Kurosawa’s 1952 Japanese film Ikiru (To Live), which itself was partly inspired by the 1886 Russian novella The Death of Ivan Ilyich by Leo Tolstoy. Living was directed by Oliver Hermanus.   
Mr. Williams, played by Bill Nighy (Love Actually, Pirates of the Caribbean: Dead Man’s Chest), is a senior London County Council bureaucrat in 1953 London. He lives a lonely life, taking the train to and from the city each day. He routinely sits at his desk in the Public Works department, surrounded by piles of paperwork. A group of women petition the council to have a site developed into a children’s playground. Williams’ newest employee Mr. Wakeling, played by Alex Sharp (The Trial of the Chicago 7), is assigned to accompany them with their petition from department to department, eventually ending up back at Williams’ desk, who adds the petition to his pile of paperwork, likely never to be addressed again.

All of this changes when Williams receives a terminal cancer diagnosis. He does not tell his son Michael or his daughter in law Fiona, who live with him, about the diagnosis. Instead, he withdraws half of his life savings and goes to a seaside resort town, where he meets Sutherland, played by Tom Burke, an insomniac writer. Sutherland then takes Williams out for a wild night on the town.
With that out of his system, Williams returns to London where he runs into a former team member Miss Margaret Harris, played by Aimee Lou Wood (Sex Education), who took a new position at a restaurant while Williams was away. Slowly we see their friendship grow as the two take walks and dine in restaurants. At the same time, Williams is inspired to do good before he dies.
Nighy is excellent as Mr. Williams. He received an Oscar nomination for Best Actor for his performance. Kazuo Ishiguro also received an Oscar nomination for Best Adapted Screenplay.
Content concerns include some drunkenness and exotic dancing.
Living is a well-acted film that shows how Rodney Williams was inspired to change his life for the better (though there is no mention of God), in the time he had left after a terminal cancer diagnosis.


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My Review of EMMA.

EMMA., rated PG
** ½

EMMA., newly available on home video, is the latest film adaptation of the last novel published by Jane Austen during her lifetime. Set in England in the 1800’s, the film features beautiful costumes, beautiful scenery, good production design and solid acting, but the two-hour film moves slowly, and doesn’t get interesting until the final thirty minutes. The film is directed by Autumn de Wilde in his feature film debut, and the screenplay is written by Eleanor Catton. Emma Woodhouse is played by Anya Taylor-Joy (Glass, Split). She lives with her wealthy father, played by Golden Globe winner Bill Nighy (Gideon’s Daughter, Love Actually, Pirates of the Caribbean), on a giant estate in the English countryside. Her lifelong friend George Knightly, played by Johnny Flynn, lives across a field and comes by the estate frequently. George knows Emma well, and is one of the only people in her life that can honestly speak to the selfish, arrogant and at times rude young woman. Emma doesn’t have much that she has to do, so she has taken to matchmaking, specifically with Harriet Smith, an orphaned girl of unknown parentage, living at a local girl’s school, played by Mia Goth. Harriet has taken a liking to Mr. Martin, a widowed farmer, played by Connor Swindells. Emma believes that Harriet can do better, and Harriet trusts her, so Emma convinces Harriet to turn down Mr. Martin’s proposal and instead tries to match her up with the local vicar, the unlikeable Mr. Elton, played by Josh O’Connor (The Crown). Continue reading


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Movie Review ~ The Second Best Exotic Marigold Hotel

The Second Best Exotic Marigold Hotel

The Second Best Exotic Marigold Hotel, rated PG
**

In the sequel to the 2011 The Best Exotic Marigold Hotel, Sonny (Dev Patel) is back as the owner of the Best Exotic Marigold Hotel for the Elderly and Beautiful, which Muriel (Maggie Smith) is now helping Sonny to manage. There are two primary storylines for the film:
• Sonny wants to expand his “empire” by purchasing a vacant building and turning it into the Second Best Exotic Hotel. He and Muriel travel to San Diego to seek funding for the project. Throughout the film he embarrassingly and increasingly irritates and caters to one guest that he is sure is there to check them out and make his recommendation on funding.
• Sonny and Sunaina (Tina Desai) are preparing to get married, but Sonny almost completely ignores the preparations while putting all of his energy into getting funding for the expansion. He’s also extremely jealous of an attractive and talented male friend who is helping Sunaina prepare her wedding dance.
But the film is really about the many relationships between the characters staying at the hotel, most of whom return from the first film. Joining them are the attractive Guy (Richard Gere) and Lavinia (Tamsin Greig). And the relationships are complicated indeed. Many of the characters, none of whom are married (to each other), are having sex. That’s the biggest problem I have with the film – an open acceptance of sexual immorality. And if some of the characters aren’t having sex yet, they are in relationships, or wanting to be in relationships before they are divorced from their current spouses.
A theme that runs through the film, and it makes sense due to the age of the characters, is that time is running out.
Though the film has a strong cast – led by Judy Dench and Maggie Smith, and also including Bill Nighy and Richard Gere – I found it to be quite slow, up until the fun closing wedding scene. John Madden is back as director and Ol Parker as screenwriter. I had looked forward to the film and wanted to like it, and the film wants you to like it. However, as discerning viewers, we have to reject the immorality that is celebrated here.