Coram Deo ~

Looking at contemporary culture from a Christian worldview


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My Review of NOMADLAND

Nomadland, rated R 
** ½

This film recently won Golden Globe awards for Best Motion Picture Drama and Chloé Zhao (The Rider), won for Best Director-Motion Picture. The film features an outstanding performance by two-time Oscar winner Frances McDormand (Three Billboards Outside Ebbing, Missouri, Fargo). The film also features some wonderful cinematography, with multiple landscape scenes of the American West by Joshua James Richards (The Rider), and a memorable musical score by Ludovico Einaudi.
The film is based on the 2017 non-fiction book Nomadland: Surviving America in the Twenty-First Century by Jessica Bruder. Many of the characters in the film are non-actors who live on the road. Some of those who are in the book show up in the film as well, playing themselves.
We learn that the USG sheetrock plant in Empire, Nevada went out of business in early 2011, after 88 years. At the time, USG employed about 100 of the 300 residents of Empire. In a scene late in the film, Fern returns to Empire, walking through her former home and the abandoned plant. Within seven months of the plant closing, the town had lost its zip code. Both Fern (Frances McDormand, who was nominated for a Golden Globe for Best Performance by an Actress in a Motion Picture – Drama for her performance), and her husband, who died of cancer, had worked at the plant. Fern has now lost her home. The film begins and ends during the holidays, with Fern singing “What Child is This?” and wishing people a happy new year. Fern takes off in her van to work a temporary position at an Amazon plant. While there, Fern is living in her van, which she will do during the entire film. She prefers to refer to herself as “houseless”, rather than “homeless”. At Amazon, Fern meets the likeable ponytailed Linda May (who plays herself), who tells her of a community of older van-dwellers led by Bob Wells (who plays himself). Fern then heads to the Arizona community. Continue reading


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My Review of THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURI

Three Billboards Outside of Ebbing, Missouri, rated R
***

This is a well-written and acted film featuring a strong cast, but has significant content issues. It is written and directed by Martin McDonagh, two-time Oscar nominee, and winner for the short film Six Shooter.
Frances McDormand, four-time Oscar nominee and winner for Fargo, portrays Mildred Hayes, a recently divorced mother whose teenage daughter was brutally raped and murdered seven months earlier. Mildred lives in Ebbing, Missouri (though the movie was actually filmed primarily in Sylva, a small mountain town in western North Carolina), with her teenage son Robbie, played by Oscar nominee Lucas Hedges (Manchester by the Sea). Her ex-husband Charlie, played by Oscar nominee John Hawkes (Winter’s Bone), now lives with a nineteen-year old girlfriend.
Mildred is furious with the local police for their lack of progress on her daughter’s case. She decides to rent three abandoned billboards on a rarely traveled road near her home on the outskirts of the town for the purpose of shaming popular Police Chief Willoughby, played by two-time Oscar nominee Woody Harrelson (The Messenger) and his staff, for what she perceives as their ineptness on her daughter’s case. She works with Red Welby, played by Caleb Landry Jones, at the local advertising agency to rent the billboards. Welby’s character will play a significant role in the film.
The billboards become a controversy in the town when the local television station does an interview with Mildred.  A Catholic priest named Father Montgomery, played by Nick Searcy, visits the Hayes home and tells Mildred that he has taken a poll and most folks in the town are against the billboards, and that she should remove the messages. Mildred responds with vitriol toward the priest, taking the opportunity to implicate him in covering up for all priests who abuse young boys.
Chief Willoughby is married to Anne (Abbie Cornish) and has two small children.  [Note:  Abbie Cornish is a strange choice for this role – her Australian accent keeps breaking through – you’re probably not going to find many Aussies in that part of Missouri.]  The billboards prompt him to reach out to Mildred. He tells her that all of the leads have dried up; he’s sorry, but sometimes cases take a long time to be solved.
Sam Rockwell (Moon) plays Dixon, Willoughby’s second in command. He is racist, emotionally immature, lives with his mother, played by Sandy Martin, is often drunk, and enjoys comic books. James, played by Golden Globe winner Peter Dinklage (Game of Thrones) plays a small but key role in the film.
The film depicts flawed characters. Both Mildred and Chief Willoughby wonder if there is a God, or if there is anything past this life. Even though some of the characters do some very bad things, they are not all bad. The film is rated R for a significant amount of adult language – lots of swear words, some of it of a sexual nature, and includes racist and discriminatory language, some played for laughs, and several abuses of God’s and Jesus’ names. These issues along with the violence may keep many people of faith from seeing this film.
Themes in the film include justice, vengeance, racism, and forgiveness. The film’s unique music score is provided by Carter Burwell and the cinematography is by Ben Davis.
This is a well-acted (especially McDormand, Harrelson and Rockwell), written (including a lot of humor), and directed film. However, with the significant content issues noted above, I can’t recommend it to people of faith.