Trouble In Mind: Bob Dylan’s Gospel Years – What Really Happened by Clinton Heylin. Lesser Gods. 320 pages. 2017
The author writes that this book is very much about Dylan’s own response to both his newfound religious beliefs and the reaction it engendered by a cynical media. It serves as an excellent companion to Dylan’s recently released eight-disc edition of Trouble No More: The Gospel Years (The Bootleg Series Vol. 13). I enjoyed listening to the 102 songs on the box set as I read this book.
I had only been a Dylan fan for only a few years, and not yet a Christian, when Slow Training Coming was released in 1979. Dylan would follow that album with the poorly recorded Saved in 1979 and Shot of Love in 1981, in what has become known as his controversial “Gospel Period”. I saw two of the Midwest shows on his 1981 tour.
The author provides a detailed look at this fascinating period, detailing these three recordings, and the various other songs that Dylan wrote and recorded, many of which have just now been released. He also provides a very interesting look at Dylan in concert, from the early shows in which he only performed his new Christian songs and none of his older songs.
So, what really happened? The author states that Dylan, through the ministry of the Vineyard, accepted Christ as his Savior and was baptized. He then attended an intense three-and-a-half-month course studying about the life of Jesus and principles of the faith. Hal Lindsey’s best-selling book Satan is Alive and Well on Planet Earth seems to have been a significant influential part of Dylan’s discipleship. This was a particularly prolific time of songwriting for Dylan.
The author tells us that the reaction from the fans and critics on the first night in San Francisco when he played only his Christian songs, would set the tone for six months of shows and define the likely critical reception when Slow Train Coming’s follow-up album, Saved, was released the following June. For that album, for the first time in his career, Dylan planned to go straight from the road to the studio. Although the album had some very good songs on it, the official release was poorly recorded, with little of the passion the songs had in concert. It was also a critical and commercial failure, and included cover art that Dylan’s label wasn’t happy with. The cover art was later replaced. Continue reading